the eye VOL. 5, ISSUE 1 SEPTEMBER 4. 2008 HOW TO BE THE BEST ... AT DAMN NEAR EVERYTHING AT THIS SCHOOL A MAN WHO PROVES PROGRESSIVE CATHOLICISM IS POSSIBLE, PAGE 6 • DAMIEN HIRST AT POTTERY BARN (WELL—SORT OF), PAGE 15 • HOW TO MAKE A BILLION DOLLARS AND STILL EARN NO RESPECT, PAGE 12 the eye Editor in Chief Alexandria Symonds Managing Editor, Features Hayley Negrin Managing Editor, A & E Rebecca Evans Deputy Editor, Features Hillary Busis Interview Editor Melanie Jones Style Editor Moira Lynch Film Editor Learned Foote Music Editor Jennie Rose Halperin Books Editor Gizem Orbey Food Editor Shane Ferro Art Editor Julia Halperin �eater Editor Laura Hedli Television Editor Dani Dornfeld Humor Editor Raphael Pope-Sussman Senior Design Editor �omas Rhiel Production Editors Maria Laura Torre Gomez Helen Werbe Senior Production Editor Haley Vecchiarelli Photo Editor Molly Crossin Copy Editors Ian Corey-Boulet Tess Rankin Online Editor Lara Chelak Associate Online Editor Nilkanth Patel Spectator Publishers Manal Alam Tom Faure Contact Us: [email protected] eye.columbiaspectator.com Editorial: (212) 854-9547 Advertising: (212) 854-9558 © 2008 �e Eye, Spectator Publishing Company, Inc. HOW TO BE THE BEST 07 Welcome to Columbia! Are you feeling inadequate yet? Don’t worry, we’ve got you covered. compiled by Hillary Busis FEATURES \\\ EYESITES 03 Abandon All Hope, Ye Who Eat in John Jay Raphael Pope-Sussman 04 Out of Africa Ariel Pollock \\\ EYE TO EYE 06 Altered Boy Melanie Jones ARTS \\\ MUSIC 05 We Rule the School Jennie Rose Halperin \\\ BOOKS 11 Literary But Not Solitary Gizem Orbey and Melanie Jones \\\ FILM 12 �e Agony of Influence Learned Foote \\\ FOOD 14 Treats from a Truck Shane Ferro \\\ STYLE 15 Splurge or Steal Moira Lynch LETTER FROM THE EDITOR You may not remember the shortlived, not especially good ABC series Commander in Chief in great detail, but I do. During my senior year of high school, my government teacher would let us watch each week’s episode as a special Friday treat. In it, Geena Davis plays the vice president who’s forced to take over after the president’s health fails. It’s a scenario many of us have likely played out in our heads, given the current state of things! I wasn’t going to write about Sarah Palin. I was so committed to not writing about Sarah Palin. And while I find the Mommy Wars, etc., endlessly interesting, I didn’t know what I could add to the conversation. But then she spoke at the Republican National Convention. And it may not be original, but I want to add a voice to the cacophony. Here is what I netted from Palin’s speech at the convention last night: she’s just a small-town girl, living in a lonely world. And, um... yeah, that’s about it. Hillary Busis, our new Features deputy editor (speaking of, check out our new section, Eyesites, on the opposite page—it’s great!), came up with the only good plan I heard during Palin’s speech. “You guys,” Hillary said, “we should drink every time she says ‘small town.’ We’d be so wasted by now!” It’s fine that Palin is a small-town girl, but I hope against hope that the midnight train she’s taking anyyywhere isn’t headed for 1600 Pennsylvania Avenue. I don’t know whether Palin dumbed down her rhetoric to appeal to the lowest common denominator of voter or whether she’s actually of no more than average intelligence, but personally, I don’t want my vice president to be “just another hockey mom.” Of course, to some extent all politicians are guilty of dumbing down their speeches—Joe Biden and Barack Obama included. And to some extent it’s a good thing—so-called “low-info” voters are still voters, and the more accessible the speeches are to those voters, the better. But surely there must be a more solid middle ground than Palin, who spent more time last night telling us how she met her husband than explaining how she’ll implement her laughably vague plan to “move forward” with alternative energy sources. Why hadn’t anyone thought of “moving forward” as a viable plan? Maybe there’s some truth to the principle that the electorate doesn’t want to be intimidated by its representatives, but really, shouldn’t we have reason to believe that the president’s secondin-command is smarter than we are? Especially with this potential president, who according to actuarial models has a one in three chance of dying before the end of his theoretical second term? When Obama and John McCain visit next week (wait, what?), I’ll be watching the latter closely for signs of ill health. Commander in Chief was cancelled, but I’d still trust a poorly written Geena Davis over Sarah Palin. —Alexandria Symonds EYESITES COMPILED BY HILLARY BUSIS AND RAPHAEL POPE-SUSSMAN Words of Wisdom “Man is a reasoning rather than a reasonable animal.” —Alexander Hamilton (King’s College, did not graduate) “A man who has never gone to school may steal from a freight car; but if he has a university education, he may steal the whole railroad.” —�eodore Roosevelt (Law, did not graduate) Abandon All Hope, Ye Who Eat in John Jay “Great things are not accomplished by those who yield to trends and fads and popular opinion.” PHOTO COURTESY OF BEFORETHEREWAS —Jack Kerouac (Columbia College, did not graduate) �is week, 6,000 young men and women arrive on our campus to begin a journey. �ey are the fresh blood in the corpus that is our campus. Fresh blood is what makes Columbia strong. It’s so rich in iron. So welcome to Columbia, class of 2012. You are a privileged few. You truly are the smartest, the fastest, the legacy-est. �e expectations are tremendously high for the class of 2012. After all, you may be the final class that this noble institution ever graduates. According to Mayan eschatology, 2012 is the “Closing of �is World Age Cycle.” Pacal Votan, the Mayan prophet of the seventh century, predicted that the apocalypse will occur on Dec. 21, 2012. And so will come the end of the world as we know it. “�e End of the World as We Know It” may sound like a good-time rock song, but let me be the first to tell you that the Mayans were not much for messing around. We’re talking about a group of people who considered tongue mutilation the good kind of mutilation. To be fair, the Mayans also enjoyed the “alcohol enema,” so let’s not accuse them of being killjoys. �e point is that it would behoove you to appreciate the terrible gravity of Pacal Votan’s predictions. Do predictions of global Armageddon make you chuckle? Do you think, “Oh, I go to Columbia, I’m far too intelligent to be fooled by such hucksterism”? Well, think again. Consider the following passage from the Dreamspell (a calendar based in Mayan astrology): “�e purpose of the 13-moon calendar is to assist in converting third-dimensional materialism into the fourth-dimensional rainbow nation.” If you’re so intelligent, how come you can’t even understand the fourth-dimensional rainbow nation? In any case, I know that you arrived here with THE MAYANS WERE NOT MUCH FOR MESSING AROUND. WE’RE TALKING ABOUT A GROUP OF PEOPLE WHO CONSIDERED TONGUE MUTILATION THE GOOD KIND OF MUTILATION. eyeTunes �e 2012ers make upperclassmen feel old—not only because of their starry eyes and adorable earnestness but also because almost all of them were born in the ’90s. In honor of this frightening fact, we present you with a playlist that may come in handy if you’re ever trying to make a first-year feel at ease. ’90s Party Playlist 1. “Show Me Love,” Robyn (1997) 2. “Mr. Jones,” Counting Crows (1994) some burning questions. Forget those. Remember this question: How will YOU spend these FINAL years? You came to Columbia expecting the best four years of your life. But college is never quite what you expect it to be. For some, college is a time to learn, a time to grow. For you, it will consist of three-and-a-half years punctuated by the complete obliteration of the earth. 2012 seems the distant future. But don’t let that lull you into a false sense of security. �ere is NO TIME to waste! Unless you want the END TIMES to arrive before you’ve received your diploma, you’re going to need to start piling those credits up NOW, so you can GRADUATE EARLY. �e time of RECKONING is nigh. �e END is upon us. Welcome to Columbia. I hope you like alcohol enemas. Because there will be lots of those where you’re going. \\\ 3. “Doctor Jones,” Aqua (1997) 4. “I Am the Cute One,” Mary-Kate and Ashley Olsen (1993) 5. “You Oughta Know,” Alanis Morissette (1995) 6. “It’s All Coming Back To Me Now,“ Celine Dion (1996) 7. “Fantasy (Remix),” Mariah Carey featuring Ol’ Dirty Bastard (1995) 8. “Never Ever,“ All Saints (1997) 9. “Zombie,“ �e Cranberries (1994) 10. “Kiss From a Rose,” Seal (1995) 03 EYESITES Overheard at the 2008 NSOP Sexual Consent Workshop “ Don’t worry, I’ll ask her first!” —Awkward first-year boy after receiving digits from an equally awkward first-year girl in what will surely turn out to be an awkward first-year romance. In Perspective 7,411 – Undergraduate population at Columbia, Barack Obama’s alma mater (2007 figure) 6,715 – Population of Wasilla, Alaska, where Republican vicepresidential nominee Sarah Palin was mayor from 1996 to 2002 (2008 figure) Out of Africa BY ARIEL POLLOCK Four years ago, I found myself completely lost in the streets of Langa, a township on the outskirts of Cape Town. I’d gotten a little too caught up playing with the barefoot kids who ran to me, jumped on my back, begged for candy, and fought to be in pictures. Lost in the moment, I’d had no idea really of the significance of my surroundings. I did not understand why these kids lived in shacks roofed with flattened Coke cans or why my mother was so terrified that I had strayed from the tour group. I only knew that it was a powerful moment, that remains permanently in my mind. Today I’m studying about half an hour’s drive from those kids at the University of Cape Town. �e truth is, I’m here largely because I believe in moments. Maybe it’s because I’m impulsive and not entirely practical, but I search for moments that will change the way I think and look at the world. �at day in Langa I had one. Recently, standing in a lecture hall at UCT, I experienced another. In this hall sat a panel of human rights defenders. I went because of the big names on the program: Archbishop Desmond Tutu, the great figurehead behind the reconciliation movement in post-apartheid South Africa, and Denis Goldberg, a white, Jewish man who rose so high in the ranks of the anti-apartheid struggle that he sacrificed 22 years of his life in jail for it. I stood listening to these men in a lecture hall crowded so tightly with eager students that the difference between my feet and my neighbors’, my arms and the ones next to me, became imperceptible. Goldberg stood first and started with a joke about how both UCT and the South African prison system were among his many distinguished alma maters. He went on to tell the crowd about what made him an activist—namely a moment when, at the age of 5, he learned, from the sight of an old man on crutches hobbling through the rain, about economic injustice and what it meant to be black in South Africa. At the end of his address he joked to the crowd, “Here is a point on which the Archbishop and I will disagree: for me, ‘the Power’ is the people.” He then thundered, “You. You all! You are the power that I speak of!” Usually I think of idealism as something I must cling to—something that will regretfully but inevitably fade with time, age, and reality. But Goldberg and Tutu are not young. �ey are withered with age, with struggle, and with far too much reality for their own good, and yet they stood in front of a packed hall and pleaded with the audience to always take idealism and turn it into reality. �at moment—that is what South Africa means to me. �at is why I’m here. \\\ Ariel Pollock is a Columbia College junior studying abroad in South Africa. Want to be part of an award-winning newspaper? How about a business that reaches over 10,000 people daily? The Columbia Daily Spectator is the primary source of local news for Columbia students and Morningside Heights residents. For local and national advertisers, Spec is the best way to get their message out to thousands of savvy New Yorkers. The newspaper and the corporation are entirely run by students—and here’s your chance to get involved. 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Many have gone on to successful careers in the financial sector or running major corporations. The Eye Along with the daily paper, Spectator Publishing Company, Inc. publishes The Eye, a weekly features, arts, and lifestyle magazine. Writers regularly pen 3000-word lead features and interview leading lights in the art and music industries. OPEN HOUSES Friday, Sept. 5 & Saturday, Sept. 6 @ 12 & 5 p.m. Friday, Sept. 12 & Saturday, Sept. 13 @ 12 & 5 p.m. 2875 Broadway (between 111th and 112th), third floor Dial #11 to enter. Questions? e-mail [email protected] MUSIC We Rule the School fighting the back-to-school blues with some blues BY JENNIE ROSE HALPERIN PHOTO BY MOLLY CROSSIN �e time for pencils, books, and dirty looks is upon the campus, and one surefire way to make these first weeks exciting is to listen to a school-themed mixtape. Below are seven songs sure to remind you why you’re here—or at least make you forget that you have hours of homework to complete. “We’re Going to Be Friends”—White Stripes While most rock songs consist of approximately three chords, few even approach the simplicity of “Campus”—Vampire Weekend It’s hard to have a back-to-school Columbia mixtape without mentioning these recent alums. �is song, a forthcoming single from last year’s debut album, captures the lazy feeling of warm afternoons—while the lyricist may be “sleeping on the balcony after class,” most students are running around, already stressed, and the song reminds a Columbian that there is college life outside the classroom. Its main crux, though, comes from the relentlessly cheerful rhythm and the cute chorus in which the angst of an awkward greeting is captured in a few words: “I see you, you’re walking across the campus, cruel professor studying Romantics/How am I supposed to pretend I never want to see you again?” While it may be overkill to listen to a song about the Columbia campus, the keyboard blips and intricate bass line could take the edge off those campus run-ins and demanding classes. “Lord Anthony” and “We Rule the School”—Belle and Sebastian Belle and Sebastian tread their usual material in “Lord Anthony,” a depressing gem about a boy bullied at school while in drag. On this track, though, smart Lord Anthony is described over a 1960s lounge-like beat that includes banjo and haunting background vocals—common in their more recent work, and a definite step forward for a band best known for depressing acoustics. While Stuart Murdoch may be too gloomy for most days, the song could serve as a reminder of the terrors of youth. If it proves too downbeat lyrically and too upbeat musically, Belle and Sebastian write similar material in “We Rule the School,” which dreamily floats from beginning to end, with strings playing the Pachelbel theme over the chorus, and a sleepy flute part at the end. “Lord Anthony” will create no false nostalgia, but “We Rule the School,” with its ending refrain of “You know the world was made for men, but not us,” is almost hopeful and cheery. As holders of the indie rock torch, Belle and Sebastian do indeed rule the school—and their music is still relevant to a new school year. “Be True to Your School”—Beach Boys While not a Beach Boys hit, this song couples a nonsensical chorus (“Be true to your school now/Just like you would to your girl or guy/And let your colors fly,”) with the band’s usual infectious harmonies. �e song did not age well, and most of the production, including one version which includes screaming cheerleaders after each verse, pairs well with the oddly antiquated lyrics. While the song makes little sense today, it’s still a fun reminder of a more innocent time in pop music—and a good way to remember that, while Columbia may not be known for its sports, it is important to “be jacked up on the football game,” in order to properly “let your colors fly” while saying “rah rah rah rah rah.” “Good Morning Little School Girl”—Buddy Guy (Grateful Dead cover) In almost direct opposition to the Beach Boys, this song is a sexy take on the back-to-school blues. A blues classic, it is popularly attributed to Sonny Boy Williamson, who first recorded the song in 1937. �e song has been covered by hundreds of artists, including the Grateful Dead, Buddy Guy, and Jonny Lang, but the most famous cover is by �e Yardbirds on their 1964 live album, Five Live Yardbirds. �e song itself is odd, even creepy—a story about a grown man sleeping with a schoolgirl—but the riff is so memorable and the bluesy repetitions so incredible that it has remained popular for 70 years. �e song also has seemingly endless lyrical variations—while Sonny Boy Williamson wanted his schoolgirl “to be his baby,” all the Grateful Dead wanted was “to ride your little machine.” �ough times change and lyrics evolve, the consensus remains that all these big blues boys want to do is “come home with you.” you’re getting dressed in the morning, tapping your feet and using a mouth-harp, or else while you’re writing that paper on left-wing politics. this White Stripes single. Jack White, an acoustic guitar, and silly lyrics about elementary school made this song an unlikely standout on their third album, and it has already been used for children’s albums and indie movies. �e lyrics about a girl named “Suzy Lee” are self-consciously naïve, and the tick-tock beat of the acoustic guitar is irritating in its repetition, but the song is perfect for remembering when school was more than just papers and the Core Curriculum. “What Did You Learn in School Today?”—Tom Paxton �is Tom Paxton classic is a condemnation of American culture and schooling, and it is the leftist version of a back-to-school special. While Paxton’s students may be learning that “War is not so bad,” and that “Washington never told a lie,” the days of Lies My Teachers Told Me are hopefully past. With a folky, upbeat rhythm, the song could be on repeat while “To Sir, With Love”—Lulu �is song is particularly great because it comes from a ridiculously enjoyable movie about Sidney Poitier and a rowdy group of Cockney schoolchildren. �e scene where Lulu sings is hilarious, featuring overlaid photographs and silly British slang. While few professors may take a student “from crayons to perfume,” the song is still a throwback to a time of surf-rock guitars and Nancy Sinatra-like vocals. Lulu’s one hit in the United States was actually only a B-side in Britain, where the film was shot. But the song, and the groundbreaking film, remain classics. Lulu may not be a household name anymore, but her ballad is incredibly recognizable and has been covered by everyone from �e Bangles to Trash Can Sinatras. Lulu’s torch song does have a concrete use, though—one sure way to impress a professor is to sing it to them at the end of the semester—but there’s no need to think that far in advance. \\\ 05 EYE TO EYE Altered Boy melanie jones interviews daniel c. maguire INTERVIEW BY MELANIE JONES PHOTO COURTESY OF THE NEW PRESS Daniel C. Maguire has some explaining to do. In 2007, the professor of moral theological ethics at Marquette University in Wisconsin was officially condemned by U.S. bishops for his writings, which continue to exhilarate liberals and rankle conservatives. After leaving the priesthood to become one of Ms. magazine’s “40 Male Heroes of the Past Decade,” Maguire serves as president of the Religious Consultation and just published his 11th book, Whose Church?, on progressive Catholicism. Melanie Jones met with Maguire to talk about religion and politics and why not using condoms may be a sin. You were once training to be a priest. What changed? �e Italians gave me a lot of instruction. One Friday, I was trying to get a meatless meal, and everything had meat. Finally the owner found something, pasta stuffed with spinach, but he brought it out covered in Bolognese meat sauce. I got mad then. I said to him, “Aren’t you a Catholic?” He said: “Cattolico, sí. Fanatico, no.” ... Now, when people ask me if I’m a Catholic, I say: “I’m a Catholic theologian. I know the tradition. I’ve worked in it for half a century, so I know it very well, but my spirituality is considerably more complex.” If you look into me, you’ll find Buddhism, and lots of Jewish stuff in there—I wouldn’t fit one mold. You frequently debate and publish works in partnership with the Religious Consultation. How do you come to any sort of agreement? What draws you all together? In one of my books, I have a line with all kinds of radii taking off from the same point. �ose radii are Hinduism, Judaism... but all of them start out at the same point. �ey’re outbursts of awe: “Wow, look at this, look at the babies, hear the music.” �ey’re explosions of wonder, of marveling, and all of them are trying to make sense of it. As different as they all get, you can bring them back to that “Point Wow,” and they can all sit and talk. Whose Church? talks a lot about probabilism, a Catholic tradition that states that moral matters with good authorities on both sides should be decided by one’s conscience. Seems like that would come in useful with issues like contraception... It’s an escape hatch. At one time, in the 15th century, they thought that all interest on a loan, one tenth of 1 percent, was a mortal sin. �ey just got locked into that, and then they got out of it. So you can get yourself free of that false consensus. In Mozambique, half of a bishop’s congregation was HIV-positive. He 06 told them: “If you are HIV-positive and you have unprotected sex with someone who is not, you’re a murderer. And if you are not HIV-positive and you know someone is and you have sex with them, you’re a suicide. �ose are your sins. Condoms are not a sin.” And he’s still there. Can you really pick and choose what to worship and believe? How do you hold a religion together when so many people disagree on certain issues? Everybody, when you get down to it, is a “cafeteria Catholic,” including the pope. He chooses too, and often the worst things. Not using a condom when your spouse is HIV-positive, that’s a terrible thing to pick in the “cafeteria of life.” “EVERYBODY, WHEN YOU GET DOWN TO IT, IS A ‘CAFETERIA CATHOLIC,’ INCLUDING THE POPE. HE CHOOSES TOO, AND OFTEN THE WORST THINGS.” Do you see your books and pamphlets as attacks on the Vatican or conservatives? I never feel it’s my mission to challenge them or anything. I try and keep the conversation at what really counts: what kind of person are you? If you’re a bigot, then I’ll challenge you on that, but the various other beliefs I wouldn’t challenge at all. With them [those who attack other religions], you have to wonder, why are you doing that? Are you so insecure? But Marquette University, [a conservative Catholic institution], must come into conflict with you sometimes... �ere was a guy, now retired, who was the president’s assistant at Marquette, and when he got his job 30 years ago they gave him a printed page of all his duties, and one of the items was, answer protests against Professor Maguire! ... Every university has the occasional anomaly, and that was me. What did you think of your “official condemnation”? Well, it was wonderful. Of course, I had mischievously sent the U.S. bishops the two pamphlets and wrote that they were wasting their authority on these issues [of condemning homosexuality, condom use, and stem cell research]. �ey could really have an impact and make a real difference. But they’re locked in the “pelvic issues,” and so they’re squandering their authority. ... My pamphlets really took off then, and I couldn’t have done it as well without them. I wish they would condemn everything I write! It would be a wonderful help, but maybe they’ve learned their lesson. What are your views on mixing politics and religion? Where do you draw the line? Religions are the purveyors of most of the values of society, so they’re always there, but the worst of it is when because you’re part of group X you have to vote Y. For someone to say that there is no other view—of course there is. You’re removing choice. As a professor, do you have to take a step back sometimes to make your work less “scholarly”? I’m doing it right now. I published a book in 1978 called �e Moral Choice, and the publishers asked me if I wanted to redo it. Now I look at it and think: boring! It’ll be 80 to 90 percent rewritten. As I’ve matured as a scholar, I’ve become much more myself. Before, you had no personal life, nothing was funny—you were just a filter. I’m not going to do that to another unwitting public. \\\ HOW TO BE THE BEST ... AT DAMN NEAR EVERYTHING AT THIS SCHOOL COMPILED BY HILLARY BUSIS PHOTOS BY DIANA WONG I ran into a first-year friend from my hometown last week while he was in the midst of deciding which NSOP activities to skip. I ended up standing next to Alma Mater for a good hour or so talking with him. After suggesting that he stay far, far away from anything resembling a scavenger hunt (remember “the BlaZe,” juniors?), I passed on to him my favorite piece of advice for getting through my first year: Don’t try to be the best at anything, because chances are everyone at this crazy school is at least as smart as you (and probably smarter). Since first-years are—well—first-years, I didn’t really expect him to listen. Would I have? With that in mind, here’s a guide that disregards my advice. We have what you’re looking for, whether you’re into the Greek scene, the performance scene, the journalism scene, or no scene. We’ve asked the people who know best to tell you how to succeed. Trust me, you’ll need their advice. -Hayley Negrin IN FOCUS SIGNIFICANT OTHER HIPSTER �e key to becoming a gold-medal hipster, first and foremost, is to deny that you are one. After all, being a hipster is based on being cutting-edge and ahead of the game, so reducing yourself to a label would defeat the purpose. �e American Apparel at Broadway and 110th Street may seem like the perfect place to get your new wardrobe started. Avoid this. While everyone else on campus is sporting sweatshop-free deep-V shirts or lamé leggings, you can prove your uniqueness by wearing nearly identical fashions from Opening Ceremony or Barneys CO-OP. If the inflated price tag is too much for you, check out the A.P.C. Surplus store in Williamsburg, and stock up on reduced-price skinny jeans and all things plaid. Be sure to mutter something about gentrification as you walk from the L-train, though, so people know that you know that Brooklyn isn’t as cool as it once was. While you are in the area, be sure to stop by Studio B, the beloved hipster dance club. If it is still shut down, light a candle in its memory, shake your fist at the Department of Buildings, and head off to the booming Lower East Side in Manhattan. Excellent options there for drinking and dancing include the Mercury Lounge (if your ID looks real enough) and the Cake Shop. �ere you will still get your fill of obscure DJs spinning mash-ups and sweaty, emaciated bodies. Even Morningside Heights boasts a few places that serve PBR in a can, the best being the divey Ding Dong Lounge. �e bearded bartender will have his iPod blasting, and the place is dirty enough to seem legitimately “underground.” Luckily, it is clean enough to not ruin your Marc Jacobs shorts when you sit down on the rickety furniture. If the long walk to 107th and Columbus bothers you, be glad that you brought your vintage Schwinn bicycle (or something ironic, like roller skates) to ride there. When all else fails, the Low steps provide a nice place to lounge and exude elitism. Simply pull out a Parliament cigarette and a novel from your messenger bag (Pynchon and Murakami are solid choices, Proust if you have a lot of free time). Light said cigarette. Look jaded. Even citizens of the hipster nation will bow down in awe. -Elliot Smalling 08 �e problem with the “dating scene” at Columbia is that there is no dating scene at Columbia. Every year, a gaggle of wide-eyed, coiffed first-years descend on campus with dreams of being over-sexed and under-rested for four years. Instead, they simply find themselves under-rested, making eyes for long hours at that cute someone across the table at Butler, attending a party with a group of friends, poking a potential lover on Facebook repeatedly, always to no avail. �e prospects seem promising in the first weeks—dozens of “orientation couples” form, and many new people are added to phone books and friend lists. For those who make it past the first few weeks, the couplings undoubtedly crumble under the stress of midterms, as there is always one person in the relationship who doesn’t see the light of day for a solid week. While sometimes tempting, avoid an orientation relationship at all costs. Stay in your room and read the Iliad this week—just don’t get involved. It also seems, at the beginning, that there is some sort of intense rivalry between Barnard and Columbia. �e battlements are dismantled as soon as both Barnard and Columbia women unite over the lack of eligible bachelors and skip happily downtown where they often find older men who occasionally leave the library. �is kind of May-to-December romance is often fleeting, and some settle for graduate students, who hold all the allure of an older person but with less personality FUTURE I-BANKER As a student in the most Benningtonian of subjects, I knew little about I-banking. However, when I asked if an American studies major could make it as a summer analyst at Lehman Brothers, young bankers told me it would be easy. Columbia’s theoretical economics courses are generally considered unhelpful anyway, and the prospective banker can major in, well, whatever (with the sizable caveat that Calculus I, Calculus II, Principles of Economics, Macroeconomics, and Microeconomics look good on a resumé). �at sums up what the interns I knew advised: don’t stress out, but do, a little! (Let English majors suss out contradictions.) In terms of meeting banking professionals and networking at events—don’t be pushy or obnoxious. But do stick out: send an e-mail of thanks—extra points if “Sent from my iPhone”—to anyone you meet, as those professionals often decide who gets one of the few interview slots at Columbia. Resumés are submitted to an electronic drop box, which the banks review in determining who gets the interview. Your resumé should be focused, but with random digressions. One banker I spoke to recommends getting personal to provide grist for the interview: his interests include “Ayn Rand novels, fine dining, marinas...” It should, though, also convey your broad experience within a limited field. Don’t worry about what you’re doing over the summer after your first year of college—as long as it’s somewhere in the financial field. Do whatever you find fun—many and life experience. To avoid this, never go downtown, and never spend time at the Hungarian Pastry Shop or any of the libraries. For the LGBT population on campus, finding a date can be equally dismal. �ough student groups and identity lounges may be appealing, some people feel more comfortable in a relaxed setting, and most people look off-campus, discovering a more welcoming environment downtown. One way to speed things up is by attending the “First Friday” events, held by the Queer Alliance—a serious piece of advice that is a sure bet for a date, or at least a dance. While some women successfully find love in colder, downtown climates, others flock to fraternity and sorority parties and local bars, where they actually encounter the man of their dreams. It is these people who create the fewand-far-between “they met during their first orientation event at Columbia” New York Times wedding announcements, which rival only the name of the Vagelos Center in their ridiculousness. As a rule, these people are inseparable for the entirety of their college experience. Never become their friends because it will only make you feel worse about your single existence. But don’t despair! Ask the girl who talks incessantly about gender performativity for her number, write a nice e-mail to the guy who always has a comment about Marx in your economics class, compliment your TAs on their wonderful handouts, leave the neighborhood for a few days, and perhaps this degree will be put to good use. -Jennie Rose Halperin bankers are involved in the Greek scene! But also get involved with organizations like 116th to Wall Street and Women’s Business Society. In short, getting ahead in banking seems to be a game of patiently exerting a great deal of effort while making it look as though you are not. But you’re in the game with a lot of compatriots. No one I spoke to indicated that the world of would-be bankers is at all competitive—instead, they advised working on your resumé with friends. Host a resumé party in JJ’s! The banking game is a hard one—14-hour days—but it sounded utopian as I talked to a Merrill Lynch junior analyst. “We’re all good at econ, we’re all good at math,” he says, describing a group of people that network simply because it’s their nature. But be warned: in response to my next question, he said that juniors getting involved in banking without any economics internships on their resumés were behind the curve. -Dan D’Addario IN FOCUS CAMPUS JOURNALIST You may have been all that in high school, but you won’t pass Columbia’s acid test—half of CC wants to be the next Tom Wolfe (or at least Julia Allison). No one is wearing white suits after Labor Day yet, but every writer headed up his or her school paper. Not to fear, though—there are steps you can take as a first-year to become Columbia’s next top sad young literary (wo)man. Rising to the top has its perks: your own URL and a post-grad job at the Post if you work at Spec, the dinner-party circuit if you’re a Blue and White-er. �ere are other publications, too! Still, none of the humor or student-run academic journals on campus have quite as much clout as those two mammoths. You’re on the right track by reading �e Eye. You should try to figure out which publication is right for you by reading them all—some will appeal to you more than others, and all will contain information about upcoming meetings. Attend as many meetings of different publications as you like (and their parties, to which you can take your less-insidery friends)—just don’t burn any bridges when MORNINGSIDE LUSH Welcome to Columbia—where drinking stops being recreational and closely resembles a Division I competitive sport. Each “going-out” night (officially �ursday through Sunday, although a true champion parties all week) finds students of all ages and affiliations competing for the title of the biggest and best drunk, evidenced by the swarms of jocks, frat boys, and scantily-clad girls stumbling home along Broadway at 4 a.m. While you may have been a big deal at your hometown’s bimonthly Natty Ice chug-fests, keeping up with the big kids on campus is going to take some serious practice and sincere dedication. �e secret to being the best drunk at Columbia? Drink deep, drink cheap, and drink often. Pre-gaming is absolutely crucial to any night where the ultimate goal is inebriation. If you are not sufficiently buzzed by 9 p.m., expect your evening to end in misery at a Carman floor party with other mostly sober freshmen pretending to be drunk off a six-pack of Smirnoff. Some neighborhood pre-gaming (and post-gaming) you stop attending. Editors and writers, like most people who spend free time together (marching band, SEAS), calcify into cliques. You’ll spend so much time in whatever office that it becomes convenient to befriend the faces you see at 2 a.m. It helps the hours pass quickly while waiting for the next edit to come in and smooths the path for future opportunities. Also helpful: carving out a niche. Find a subject of interest that’s a bit off the beaten track. You’ll be the go-to writer. Bonus points if it’s something that requires little reporting, like film or hipsterism. Even if you rarely venture below 110th Street, attending college in New York does have its perks: internships! Journalism is notorious for its emphasis on free labor, and most student journalists have held at least one internship. Some intern at unknown literary journals or blogging upstarts, whereas “luckier,” better-connected ones will find themselves on Gchat at a “name” publication. Past Columbians have found second homes at Vogue, PAPER, n+1, and the like. �ere’s a future for you outside of Columbia’s gates—you just have to work hard at your chosen outlet. And a white suit can’t hurt matters. -Dan D’Addario and Lucy Tang classics include swigging cheap rum on the Low steps courtesy of the 125th Street Harlem liquor store (if you ask nicely, they’ll brown-bag it), Beirut tourneys with lukewarm 40s delivered by Crack Deli, or free boxed wine with your “Chinese food” at Columbia Cottage. Frat parties are always a semi-viable option, although be wary of any house (ahem, Pike) that designates separate trash cans of jungle juice for “Bros,” “Chicks,” and “Barnard Frosh.” For those of you lucky enough to possess legitimate fraudulent identification, kudos for planning ahead. �e Morningside area offers a vast array of drinking holes in which you can, and will, lose your inhibitions, personal dignity, and various items of clothing over the next four years. �e Heights, recently named New York’s “secondbest place to drink under the stars,” has a rooftop that’s open until 11 p.m., great Buffalo wings and guacamole dip (warning: calories kill the buzz), and $4 tequila-heavy margaritas during their 11 p.m. to 1 a.m. happy hour. Other neighborhood faves include $8 pitchers at O’Connell’s (formerly known as Cannon’s), darts/$3 beers on tap at 1020, and two-for-one cocktails and sidewalk tables at Campo. Get friendly with the bouncers, owners, and bartenders—they will be the only people you meet during orientation week with whom you’ll maintain a meaningful and lasting friendship. Come the pre-dawn hours, you and your buds have a couple of different options for where to recap each moment of your drunken shenanigans in obnoxiously loud tones—Tom’s, Koronet, Pinnacle, and possibly the Public Safety office under Low Library. But hey, we never claimed doing half-naked beer bongs on top of Alma Mater wouldn’t have its consequences. -Tipsy McStumbles* *NAME HAS BEEN CHANGED ACTIVIST Columbia has long been a stronghold for reformers. From the ’68 riots to last year’s infamous hunger strike, campus activism is alive and kicking in Mo-Hi! Why travel to protest when you’ve got Columbia to fight? As one hunger-striker explains: “Don’t look across the ocean for glorious causes—you can really make a bigger impact on issues that are right under your nose, in which the University itself is implicated. What could be worse than our own university’s expansion plan being implicated in the displacement of thousands of people of color in Harlem? George W. Bush and John McCain don’t care what you think, even if you set yourself and five of your friends on fire. To some extent, Lee Bollinger does.” With the expansion impinging on Harlem residents and businesses, activists have plenty to demonstrate against right here on campus. �e steps to becoming a campus activist are pretty selfexplanatory—get involved! From Tibet to veganism to safe sex, each cause has its campus representatives. You’re bound to find one close to your heart. Activist hot spots include the Hungarian Pastry Shop—where better to read essays about the sub-altern?—and the Potluck House on Friday nights, filled with vegan dishes and delicious vegans. On fun nights, a sing-a-long and a jug of wine follows dinner, complete with acoustic guitar and a fiddle! Most activists straddle the line between goodwill and nagging. A lot of people are described as “less fun” after committing themselves to the greater good of the world. Try not to lecture about animal rights in JJ’s at 3 a.m. on a Saturday night—no one wants to hear moral tales when devouring spicy chicken. Also, proclaiming the evils of Ibanking at a St. A’s party? Not your target audience. Activists tend to flock together. �ose long hours planning protests and debating injustices are a real friendship builder. However, the scene can be become rather heated, and one activist bluntly advises, “Don’t let activism eat you alive.” Activists might care about the world, but that doesn’t free them from petty social drama. �ere are bound to be arguments about hierarchy, titles, ideology... disagreements common to any social organization. Worst-case scenario: getting romantically involved with an activist. After her personal experience, another campus activist warns against dating your own kind, “Activist incest is a common and frightening problem.” Yes, the boy in the Free Burma T-shirt smoking hand-rolled cigarettes is a dreamboat, but do you really want to hear Das Kapital as a bedtime story every night? Well... you’re a better woman than I. —Lucy Tang 09 IN FOCUS STUDENT Step one to excelling at Columbia: plan ahead. Use your adviser, SSOL (Student Services Online, one of the most useful acronyms on campus), and the online class directory to help you map out your course of study. Familiarize yourself with the requirements and idiosyncrasies of the Core Curriculum (check out the Bulletin for more information—yes, frustratingly enough, this is an entirely separate Web site from the Directory of Classes). It’s especially important to figure out which courses you can take to kill two birds with one stone—pre-med requirements, for example, also fulfill your science Core requirement, and Global Core courses count as history classes. Once you’ve harnessed the Core, it’s easy enough to be the most bookish student—that just requires a dedication to camping out in the University’s libraries. No student camper would be prepared without a computer lock. Attach this device to your chair or your desk in Butler to ensure that no quick-handed visitor steals your laptop or your place. It also can’t hurt to have some bookends to corral the manifold texts you’ll want to collect from Columbia’s awe-inspiring library system (we’ve got over 8 million books on the undergraduate campus alone). Just watch out for Avery—they don’t let you check books out there, so you’ll have to photocopy any information you may need for later. When studying in a library, don’t go overboard like students at other Ivy League GREEK GOD 10 schools who have actually cut out the answer pages from textbooks so fellow classmates won’t do as well on exams. At Columbia, we prefer subtler methods of sabotage. Really, though, the secret to being the best student you can be at Columbia is to make sure that you talk to people. �is sounds a lot easier than it actually is. �e most social weeks at Columbia come at the beginning and end of your four years here—NSOP your first year, and then the week before graduation, when the college sponsors a host of activities curiously meant to facilitate class bonding right before everyone leaves campus for good. While a dedication to memorizing the terminology for Frontiers of Science and the ability to recite several of Dante’s cantos verbatim are impressive feats, your ability to network with the people around you is much more important. Facebook can help with this, but it’s much better to get out there in person. Go to alumni events, talk to your professors, and establish lasting relationships with your fellow students. Keep in mind that early Phi Beta Kappa inductees are chosen by a combination of your GPA and professor recommendations, so don’t be afraid to (tastefully!) kiss some ass. Never forget to fight for what you want, and don’t give up until you get it. It sucks to be that annoying person who keeps pestering the various offices on campus, but that’s how you get things accomplished. Ever heard of the hunger strikers? Exactly. -Laura Taylor Don’t let movies like Animal House and Old School influence your opinion of the Greek community—Columbia’s Greek scene is about making amazing new friends, community service, socializing both on and off campus, and getting 50 new friend requests on Facebook. Begin your journey to Greek-dom by attending the Activities Fair. �e sorority and fraternity tables will have Greek lettered signs, and the tables are normally clustered together. Put on a big smile, making sure that the casual but sophisticated attire you picked out the night before looks decent. Pink rhinestone-designed shirts that spell HOTTIE may be appropriate in Greek-themed films, but not when making first impressions. Or when you are in public. Or ever. Go to each Greek organization’s table to get a feeling of which group of sisters or brothers best matches your personality and interests. Of course, stick to fraternities if you’re a guy and vice versa for girls, unless you’re aiming to polish your pickup lines. Ask the organizations that interest you when their recruitment takes place. For so- CAMPUS PERFORMER Whether you are into dance, theater, music, or a combination of the three, you can easily find your niche at Columbia. You’ll find plenty of flavor in dance groups like Onyx, Sabor, and Raw Elementz, but watch out for the rivalries between the three. A primer: Raw Elementz was the original big-daddy hip-hop/break dance group on campus until some dancers broke off and formed Onyx, which has a more house, street hip-hop, and pre-professional focus. Dancers of all types and skill-levels flock to Sabor, Columbia’s Latin dance troupe, but Onyx has recently been recruiting some of Sabor’s best and brightest. �ere is also the student-run, student-formed, studentfunded dance group Orchesis, which has biannual shows and boasts that everyone who auditions will get into at least one dance. �e Columbia University Dance Team is another option, but be prepared for long rehearsals, epic workouts, and a pop-ish, funky vibe interspersed with occasional instances of “pom”—a brand of dance featuring huge smiles and very strong arm movements. Also consider checking out the Barnard dance department, which specializes in technique courses, avant-garde ballet, and modern performances. Bonus: a dance class at Barnard can be used to fulfill a physical education requirement for Columbia’s Core Curriculum, as long as you take a Columbia P.E. course first. A hopeful campus performer should also look into the theater and musical communities on campus—chiefly, King’s Crown Shakespeare Troupe and the Columbia Musical �eater Society. �e jewel in King’s Crown is their annual mobile, outdoor performance of a Shakespeare classic. Columbia Musical �eater Society has several shows a year and likes to branch out into more non-traditional performances. Be ready to read sides and make sure to prepare 16 bars of a song you love for the respective auditions. �ere’s also the Varsity Show, which holds auditions early in the fall semester and never fails to point out the idiosyncrasies of Columbia life. �e time commitment for Varsity Show is huge (those involved are actually prohibited from doing any other theater during spring semester) but well worth it— getting a role one year means you’re almost guaranteed to get cast in shows throughout the rest of college. Make sure you check out the Activities Fair tomorrow, and always go to the info sessions offered throughout the year. More often than not, you’ll find free food along with information about auditions—just because you’re an artist doesn’t mean you have to starve. -Laura Taylor rorities, recruitment is in the spring, while fraternities often have a rolling membership process. You want the organization you like best to remember you, so forge friendships with some of the members and wave (over)-enthusiastically when you see them across College Walk. During recruitment, get lots of sleep, talk to as many members as possible, and be yourself. Remember that fakeness is easy to spot—impress the members by showing that you’re comfortable in your own skin. On joining the organization of your choice, congratulate yourself on your great decision to enter the Greek scene. Participate in not only your own organization’s activities, but also promote inter-Greek spirit by participating in the events of other Greek organizations. And remember to purchase Greekletter attire so you can strut across campus, showing that you’re a proud member of the Greek community—much classier than your HOTTIE tee. -Emily Kogut BOOKS Central Park’s Conservatory Garden at 105th Street and Fifth Avenue. Its distance from campus makes it a closely kept treasure, one of the few places on the island where you can actually feel completely alone. �e spare people you may run into there are “real” New Yorkers—not the ever-present student body. Literary But Not Solitary the best places to bury your head in a book BY GIZEM ORBEY AND MELANIE JONES PHOTO BY MOLLY CROSSIN Congratulations, you’re officially a Columbia first-year! Now go sit in a corner and read by yourself. �at may not be exactly what’s written at the top of your Core class’s syllabus, but �e Eye remembers that’s often what it felt like. �ere are ways, however, to do a respectable portion of your homework and still get to meet people, explore campus, and live that bohemian, intellectual lifestyle you dreamt about before you actually got here—coffeeshops, pipe smoke, tweed, etc.—and the following is a guide to the best places you can go to play the bookworm without feeling like one. Cafés Let’s start with the obvious: Morningside Heights boasts not one, but two Starbucks, with the perks of air-conditioning and a reliable array of snacks—the latter of which comes complete with sometimes-disturbing calorie counts provided. And while the 114th Street location has been known to offer samples of its breakfast sandwiches to early birds, by 8 a.m. there’s usually a sizable line of anxiety-inducingly perky Columbia students out the door. While its four window bar stools are an excellent place for people-watching, if you want to fit in some actual reading, a better balance can be found at the roomier Starbucks on 110th Street, which has an additional seating nook in the back that not as many people seem to know about. If you’re really serious about your book, the Underground Lounge on 107th Street, which poses as a bar and escapes the notice of daytime crowds, opens early every weekday and serves good coffee with a dash of free Wi-Fi to boot. Since it is also, after all, a bar, the atmosphere inside can seem a bit gloomy in the light of day, but the chance to say you “discovered it” is worth it. Of course, the true bohemian can visit �e Hungarian Pastry Shop on Amsterdam and 110th Street, a crowded Columbia tradition that offers unlimited coffee refills and superb poppy-seed hamentashen, plus classic bonus reading material scrawled all over the walls of the bathroom that you can enjoy during study breaks. For the perfect combination of atmosphere and solitude, however, one need look no further than Max Caffé at Amsterdam and 123rd Street. Max combines a bohemian-yet-comfy décor with great coffee, delicious huevos rancheros, a waitstaff that lets you linger, and a nice-sized crowd that provides white noise without interfering with your work—little wonder so many upperclassmen swear by it. Peaceful Escapes When you get nostalgic for home back in the ’burbs or find yourself feeling a little overwhelmed by Columbia (it’s OK—it happens to everyone), take a short walk to the quiet park benches and swing sets overlooking Riverside Park on 117th Street. Alternatively, venture east to the crazy fountain at the Cathedral of St. John the Divine and the adjacent gardens, where you can lose yourself among the windy, fragrant little paths. Dare to go farther, and you’ll reach Manhattan’s true gem— Campus Locations—Indoors Few words can pay due homage to Butler Library, a building that will inevitably define your Columbia experience in ways that are both triumphant and, sometimes, a little depressing. At the end of your four years, you will have found the reading room that is your soulmate, but that’s a personal journey and we wouldn’t feel right advising you about it. In the meantime, Barnard’s Java City Café is an ideal locale for early-risers and night owls, its noise level counterbalanced by convenient snacks and the op�e Conservatory Garden portunity to catch up with in Central Park is an ideal friends. For more variety, Lerner Hall offers multiple spot for some quality lounges and computer labs time with your favorite for reading and interaction, dog-eared book. although the Piano Lounge, with its impromptu concertos, should be avoided. Avery Hall boasts a two-storied library, with a beautiful top floor that looks prestigious enough to make tuition seem worth it, and a bizarrely incongruent but delightful lower level that evokes your hometown library, especially if it was built in the 1970s. Hook a left at the circulation desk at the bottom of the stairs and you can also hang out in the Wallach Art Gallery when you get bored. Also in the Avery basement, Brownie’s Café is a prime spot to watch wiry, stylish graduate students with nicer shoes than yours converse in multiple languages. It’s noisy, but it offers delicious cashonly food and drink options and considerable space. For complete solitude, which is especially key during reading week, the Geology Library in Schermerhorn is Columbia’s best-kept secret—small but incredibly swanky, with dark mahogany bookshelves and leather armchairs. �e floor design alone can mesmerize you for hours, and its innocuous location frees it of rowdy underclassmen. Campus Locations—Outdoors Of the numerous lawns on both campuses, the one facing Lewisohn ranks near the top, with leafy trees providing shade and a beautiful, if slightly, er, naughty, statue of Pan to lean against. Alternatively, the bridge over Amsterdam gives a panoramic view of the city on both sides and is often a go-between rather than a study area for students, providing ample space on the green or near its three statues for you to spread out and relax for a while. For the ultimate campus reading experience, nothing beats the top of the Low Library steps. �e height lends a hawk’s-eye view of campus, from which you can pinpoint your crush from as far away as the entrance to Butler, while the pillared entrance provides shade and shelter from rain and makes the spot suitable for all sorts of nasty New York weather. �e ledges that branch out at either side are perfect to climb onto and watch the ant-sized campus go about its daily routine as if from a Richard Scarry book, but watch out for Public Safety officers, especially if you’re out to do some twilight reading. \\\ 11 FILM �e Agony of Influence helpful tips on good plagiarism BY LEARNED FOOTE PHOTOS COURTESY OF ALLMOVIEPHOTO $1,081,255,363. As of Sept. 1, 2008, that’s how much money the genre-movie franchise has stuffed into its pockets. �ough a film critic might turn up his nose and bemoan the state of mainstream cinema, I reject this attitude. Over $1 billion! Screw art-house film—I don’t know what could be more inspiring than those numbers. I hope the genre movies continue to drain money from our pocketbooks for years to come, and I intend to offer them some helpful advice. �ere are eight movies in the “genre movie” genre: Scary Movie, Scary Movie 2, Scary Movie 3, Date Movie, Scary Movie 4, Epic Movie, Meet the Spartans, and, now, the latest entry: Disaster Movie. Other films could be considered to be genre movies, but only by fools who forget about the priority: box office grosses. Another Gay Movie, for instance, fits all the clichés of the hackneyed gay film market into one storyline, but this movie didn’t even make a million dollars, so it’s worthless. $1 billion—that’s all I’m interested in. 12 Yet I worry. �ough these parody movies have been As with poets, so it is with filmmakers. Every genre hugely successful so far, Disaster Movie fails to live movie longs to match (and surpass) the fart jokes up to its noble predecessors. During the first weekend and cheap thrills of its artistic predecessor. So I of its release, Disaster opened as the seventh-most wish to appropriate Bloom’s theory and rename it popular movie, and then proceeded to make a paltry “�e Agony of Influence,” because these movies are $6 million. Even Meet the Spartans opened at number agonizingly bad. one. Have audiences finally grown sick of the genre No matter how hard the genre-movie filmmakers movies? Will Disaster Movie fail to try, they can never quite escape make a profit, tragically negating the influence of the genre-movie Various characters who look the sole reason for its existence? granddaddy: the original Scary vaguely like other characters In order to maintain the purity in Disaster Movie, right before Movie, which reeled in 30 percent of the Western capitalistic tradibeing crushed by a piano or an of the series’ total income. Witness the attempts of Meet the Spartans, tion, I turn to its principal defendanvil or something. which at first seems to have bravely er: Harold Bloom, and the theory he presents in �e Anxiety of Influence: A �eory of transcended the genre with its catchy title. It’s not Poetry. Bloom says that every poet suffers anxiety, Sword & Sandals Movie or Greek Fighting Movie; knowing that all of his work must ultimately derive no, it’s Meet the Spartans (the film contains not a from the poetry of others, and he must therefore single reference to Meet the Parents, thus demonstrive for originality with every fiber of his being. strating its originality). Alas, a bit of research reveals FILM that the original working title was first Epic Movie 2, and then Not Another Scary Epic Teen Date Movie. �e agony of influence rears its ugly head. Disaster Movie proves no exception to the rule. Although the title styles itself after the more august entries of the genre-movie series, the film originally had a working title of Meet the Spartans 2. Might as well call it Not Another Scary Epic Teen Date Movie 2. Plagiarism is a tricky art, promising much profit for little effort. Unfortunately, Disaster Movie HAVE AUDIENCES FINALLY GROWN SICK OF THE GENRE MOVIES? WILL DISASTER MOVIE FAIL TO MAKE A PROFIT, TRAGICALLY NEGATING THE SOLE REASON FOR ITS EXISTENCE? makes the same mistakes we see in any parody, from MadTV to Family Guy. �ere exists an important distinction between the merely bad (will still make a profit) and the unwatchable (nobody watches it, thus no profit). �is distinction rests upon the originality of the unoriginality. First: we need an original narrative to tie together random parodies in a barely coherent manner. Ever since the first Scary Movie parodied �e Matrix, thus departing from the strict category of its title, the genre movies have seen fit to parody any random movie, whether it be Dane Cook in Meet the Spartans or �e Fellowship of the Ring in Date Movie. Here’s the difference: the latter movie successfully created an incoherent narrative. When did the pointless Lord of the Rings parody occur in Date Movie? Why, when Alyson Hannigan walked into a jewelry store, thus providing an ideal moment to bring out the Ring of Doom. Nobody laughed, but nobody was confused either. How does this contrast with the vastly inferior Scary Movie 4? We have two sets of characters—one from �e Village, one from The War of the Worlds—who suddenly disappear as the screen fades to black. �en all of the characters wake up in a dark room wearing the torture In Disaster Movie, contraptions from Saw Crista Flanagan plays II. Movie producers: a facsimile of Juno, a we will be fooled if you popular character from provide some semthe eponymous 2007 film. blance of a narrative She, too, is for shizzle up thread. Grant us this the spout. one grace. Second: the parodies need time to become funny. �ese films thrive on unoriginality. Sometimes when we see a scene the first time, it’s just too new and exciting. It needs to be repeated, endlessly. Scary Movie 2—arguably the apex of the genre movies—opened with a lengthy prologue. A possessed girl spun her neck 360 degrees and spat green vomit, all while dryly making “Yo’ Mama” jokes and successfully seducing a priest. �is slightly tired idea became increasingly funny as it continued, and the will of the audience broke title total gross release date budget Scary Movie $278,019,771 7/7/2000 $19 million Scary Movie 2 $141,220,678 7/4/2001 $45 million Scary Movie 3 $220,673,217 10/24/2003 $48 million Date Movie $84,795,656 2/17/2006 $20 million Scary Movie 4 $178,262,620 4/14/2006 $45 million Epic Movie $86,844,745 1/26/2007 n/a Meet the Spartans $84,558,676 1/25/2008 n/a Disaster Movie $6,945,535 (to date) 8/29/2008 $20 million Box Office... Gross! Stats on the genre-movie franchise, courtesy of Box Office Mojo down. However, the average length of the Disaster Movie skit is a paltry 45 seconds. �ere are notable exceptions: we see Juno and Paulie Bleeker playing the guitar and crooning together. Sort of funny. �en Juno suddenly has a pipe. Hey, didn’t she have one in Juno? �en she picks up a hamburger phone, just like in the movie! By now, the audience has had time to understand the joke and reconcile themselves to the agony of influence. Movie producers: a repetitive joke will always eventually become funny, excepting the endless Riverdance scenes from Meet the Spartans. �ird: plagiarism should be performed aptly, so as to make the audience feel intelligent. As Bloom would say, when reading a comedy, it’s better to recognize Shakespeare than Sedaris. Disaster Movie barely thinks about what sort of plagiarism to perform. Rather, it crams the last 10 seconds of our lives into one movie. I saw a Hannah Montana commercial preceding the movie, and somehow the script actually managed to mock that very commercial. Disaster Movie needs some historical reference—it needs to plagiarize with taste. �is mistake is most demonstrable in the film’s most severe omission. Disaster Movie somehow neglects the best disaster movie of all time: Titanic. Even Scary Movie 2 saw fit to mock Titanic, and that didn’t fit into the storyline at all. Movie producers: plagiarize with intelligence, for Kate Winslet outstrips Jessica Simpson any day. �ough further examination of the genre movies may seem depressing, I came to an important realization while embarking on the research for this article, which consisted of several minutes on BoxOfficeMojo.com, as well as watching Date Movie, Disaster Movie, Meet the Spartans, and all of the Scary Movies (save the third entry—my nerve grew weak). Date Movie may seem sort of bad, but it’s original and creative compared to Disaster Movie. And Scary Movie 2 is even better! �ough these movies can never escape their ancestors, every stale fart joke may have some whiff of originality. Such as an animatronic cat writhing on a toilet for 10 minutes in Date Movie. \\\ 13 FOOD AND DRINK Treats From a Truck a lesson in business brilliance BY SHANE FERRO PHOTO BY DANIEL YEOW Imagine yourself just out of college and unsure of what to do with your life. Your passion is food, but the industry doesn’t excite you. Your foray into office work didn’t go so well, and you believe that life is too short to spend behind a desk. What’s a person to do? Ben Van Leeuwen started selling ice cream from a truck. �e Van Leeuwen ice cream truck is the newest of a slew of haute vendors springing up across the city. In addition to ice cream from Van Leeuwen, the casual walker might also happen upon fresh Belgian waffles from Wafels & Dinges, baked goods from the Treats Truck, or gourmet, restaurant-quality desserts from the Dessert Truck (which is owned and operated by two Columbia graduates). While the business is compact and mobile, Van Leeuwen is not your typical street vendor. Sure, he scoops ice cream out of a truck, but there are no jingles, no packaged popsicles, and no soft-serve. �e Van Leeuwen ice cream truck serves nothing but the highest-quality artisanal ice cream, homemade in Brooklyn using the best ingredients from all over the world. “It’s almost no different than a fine foods shop, other than we are mixing the ingredients,” Van Leeuwen said of the quality of his product. During the day, from 1 to 8 p.m., there is a truck in SoHo on the corner of Prince and Greene streets, and from 1:30 to 8 p.m., another truck parks on Broadway between 74th and 76th streets. After 8 p.m., the SoHo truck moves to University Place between 11th and 12th streets until 11 p.m. Unfortunately for Morningside residents, the uptown truck packs it in for the day at 8 p.m. and heads back to the parking lot in Brooklyn. Much of the truck’s success comes from the simplicity of the idea. From the beginning, Van Leeuwen set out to serve the best ice cream possible without alienating people by offering only strange, gourmet flavors. Instead, his goal was to keep things simple. “We wanted to do the classics as well as they can possibly be done,” he said. In order to do this, Van Leeuwen relies on organic milk and cream from Organic Valley Farms in upstate New York, as well as organic eggs and sugar. He SURE, VAN LEEUWEN SCOOPS ICE CREAM OUT OF A TRUCK, BUT THERE ARE NO JINGLES, NO PACKAGED POPSICLES, AND NO SOFT-SERVE. does extensive research into each flavor, pulling the best additions from all over the world. �e classic flavors on the menu include basics such as chocolate and vanilla, timeless favorites like mint chocolate chip, espresso, and pistachio, and specialties like currants and creme and giandujia (chocolate and hazelnut, pronounced John-Do-Ha). Each flavor has its own unique story. �e vanilla 14 �e Van Leeuwen Ice Cream Truck SoHo – Prince Street at Greene Street, 1-8 p.m. daily Greenwich Village – University Place between 11th and 12th streets, 8-11 p.m. daily Upper West Side – Broadway between 74th and 76th streets, 1:30-8 p.m. daily Prices range from $3.95 - $8. ice cream is flavored with a special vanilla extract made by infusing vanilla beans with vodka in oak barrels for four months. �e hazelnuts for the giandujia come from Piedmont, a region in Italy famous for its high-quality food. �e nuts are ground into a thick, aromatic butter before being added to the custard base of the ice cream. For chocolate, Van Leeuwen prefers Michel Cluizel, one of the few chocolate makers to ban the use of soy lecithin in his product. Soy lecithin has not been proven to be harmful in any way, but Van Leeuwen is adamant about keeping his product free of additives or stabilizers. In addition, the chocolate flavor comes from air-dried beans, not those dried in an oven. “It’s not overdried, and therefore you get floral undertones,” he said of the flavor. “�e chocolate really proves itself in taste tests.” To a couple who claimed to have had the best ice cream in the world in Paris, he offered a taste of his own. While there were no exclamations of absolute triumph over its Parisian counterpart, the couple was duly impressed and walked away quite satisfied with their scoops. “I’m very competitive—I don’t know why,” Van Leeuwen explained as they left. He takes a certain pride in extolling his flavors as some of the best, but only dismisses those he believes to be making an inferior product. “I don’t feel any competition with people who are doing things really well.” Doing things well goes beyond the ice cream on the truck. �e only beverages sold on the truck are bottles of soda without high-fructose corn syrup: root beer and ginger beer, along with Mexican Coke (made with real sugar), when he can get it. Van Leeuwen tries as hard as possible to cut down his carbon footprint. The cups that he uses are biodegradable, made from sugar, and the spoons, also biodegradable, are made of cornstarch. �e ice cream freezer’s refrigeration system relies on huge metal plates that are frozen overnight and stay frozen for most of the day, cutting down drastically on the amount of energy needed to keep the ice cream cold all day in the truck. Electricity for an entire day on the truck costs about $6, and the generator is nearly silent. �e environmentally friendly products and practices, as well as the high quality of Van Leeuwen’s ingredients, are all made possible because of the mobile vending business model. “We couldn’t afford to do this if we were paying rent,” he said. Because the business avoids paying rent, it is already profitable, and can choose its location on a temporary basis. During the day, the downtown truck in SoHo gets the prime shopping crowd, and at night in the Village, it caters to students and bar-crawlers. However, the vending business poses problems as well. �ere is a certain stigma in being a mobile vendor that Van Leeuwen can’t quite shake off. While he generally maintains good relationships with the store owners around his parking spots, they occasionally get annoyed if they believe him to be blocking their storefronts. Also, Van Leeuwen has noticed that trucks don’t quite reach the volume of sales that actual stores seem to be able to attain. “I know how much they are paying in rent and so I know how much they need to be making,” he said of his stationary competition. He estimated that Grom, a high-end gelato shop in the West Village, pays about $25,000 a month in rent. At $4 a scoop, that comes out to about 200 scoops per day just to pay the rent, before supplies, ingredients, or staff salaries. �e advantage of storefronts, though, is their readily available storage. Everything that is needed for the day must be loaded onto the truck in the morning. �e ice cream is stored in the Bronx, the cups and other supplies in the office in Brooklyn, and the trucks are parked in a different part of Brooklyn. If a truck runs out of supplies during the day, business is over. Whatever the troubles now, however, Van Leeuwen has an optimistic outlook for the future. After taking the winter to streamline the business, he hopes to be operating up to 10 trucks in the city by next summer, as well as expanding to the West Coast, possibly even opening a store there. “�e cool part is that when we do open our first store, running it is going to be like a dream.” \\\ �is article is the first of a two-part series on Manhattan’s mobile cuisine. Check out the Sept. 18 issue for the second half, a profile of the Dessert Truck. STYLE Splurge or Steal room décor BY MOIRA LYNCH With the start of school comes the chance for all students to decorate and furnish their rooms in a fun way, which may be the only thing that can make up for having gotten shafted by Housing and Dining. I always find the most pleasure in covering my walls with ads and posters, maybe because I was forbidden to do so at home. I love new fashion ads, and this year my two favorites are a lifeless Charlotte Gainsbourg for Balenciaga and a fierce Naomi Campbell for Yves Saint Laurent. I recommend buying a copy of W, because the ads look even better in the large magazine, and they have editorial spreads worth hanging up. �ose who prefer art to fashion will love the gallery Glitter skull ads in Art Forum, which very Damien Hirst showcase pieces by everypotterybarn.com body from Elizabeth Peyton to Damien Hirst. On the topic of Hirst, Pottery Barn sells a glitter crystal skull reminiscent of his decorations for the Prada Fashion Week party last year in the SoHo store. Images of art and architecture can easily be found in Avery Library, where color photocopies come cheap. Columbia gives students the bare minimum of old and boring furniture, so a few extra items will be necessary. �e lighting in the dorms is terrible, so a good lamp is a must. Amazon.com sells iHome Desk Lamps, which, conveniently, can both charge any iPod and play music. A Hello Kitty humidifier, sold at Target for $40, provides a cute way to maintain the moisture balance in a room. For those looking for a more powerful alternative, Amazon.com’s Kaz Home Environment “Enviracaire” Germ-Free Humidifier is well-reviewed and still reasonable at about $90. �ankfully, most floors at Columbia are not carpeted, which provides the freedom to purchase a rug. Anthropologie has absolutely beautiful options, but they are a little pricey. More affordable choices can be found at Target and Pottery Barn, which sells a moderately priced line of animal-print items, including rugs, towels, and sheets. With décor options like these, students—even those who got the last lottery numbers—can turn their rooms into comfortable and festive havens. \\\ Humidifier target.com Target Rug iHome Desk Lamp target.com amazon.com Leopard Towels potterybarn.com Imperial House Rug anthropologie.com 15
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