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Anderson Bailey
Bean and Bailey Ceramics
HP CLEAR
Cone 6 Oxidation or Reduction
Gerstley Borate . . . . . . . . . . . . . . .
Wollastonite. . . . . . . . . . . . . . . . . .
Ferro Frit 3195. . . . . . . . . . . . . . . .
Nepheline Syenite . . . . . . . . . . . . .
EPK Kaolin. . . . . . . . . . . . . . . . . . .
Silica . . . . . . . . . . . . . . . . . . . . . . .
4.8%
26.6
22.0
4.0
26.6
16.0
100.0%
This glaze is used as the clear glaze on our
slip-cast work (our only glaze), as well as on
my work.
Bean and Bailey’s mugs, 5 in. (13 cm) in height, slip-cast colored porcelain,
oxidation fired to cone 6.
Check out Bailey’s full article in the June/July/August
2015 issue of Ceramics Monthly ! ceramicartsdaily.org/
ceramics-monthly/
Starting out as an independent potter, doing craft
shows was the only way I marketed and sold my
work, and, at the time, social media marketing
didn’t seem necessary. It was all about exploring
ideas and surviving off making work. I eventually
realized that this was not the most sustainable
model for me personally.
It was at this point that Jessie, an amazing glassworker and designer, proposed a shift. She had
become interested in slip-cast ceramics, and at the
same time I was given the opportunity to assist a
slip-casting workshop at Penland School of Crafts.
We had the space and tools and, after receiving a
grant through a local foundation, we had the funds
necessary to pursue a joint venture, now called
Bean and Bailey Ceramics.
www.ceramicsmonthly.org
june/july/august 2015