CONCURRENT SESSIONS

CONCURRENT SESSIONS
RUTH WATKISS, BMT, MT-BC, MTA
iPods... The Good, the Bad and the Ugly
Music and Memory, the iPod Program, has swept through the media in the last two years like
wild fire, what does this mean for us Music Therapists? How do we ride the wave and make this
into a positive experience?
ESTHER THANE, BMT, MTA, AVPT
Music Therapy Data Management- Cloud System & Curriculum Builder
This presentation will describe the benefits to placing one’s music therapy practice online in
terms of assessing, documenting & analyzing data for ongoing revision of individual treatment
plans. It includes a demonstration of the application & the presenter’s MT curriculum for
children with special needs.
HEIDI AHONEN PHD, MTA, FAMI & LAUREL YOUNG, PHD, MTA, FAMI
Music Therapy in Canada: An Interactive Discussion on Defining our Scope of Practice
If music therapy is considered as a distinct profession in and of itself, it seems important at this
critical point in time to clarify our scope of practice. Canadian music therapist educators,
clinicians, and leaders will share their views on this topic and engage audience members in an
interactive discussion.
DEBBIE CARROLL, PH.D, LGSMT, MTA
A Sequenced Approach to Learning and Applying Clinical Improvisation Techniques in Music
Therapy
In this experiential workshop, participants will be introduced to an approach to clinical
improvisation based on a guide co-authored by the presenter (Carroll & Lefebvre, 2013). A
series of role -play exercises will enable participants to practise the clinical application of
improvisation techniques with a broad spectrum of clientele.
MARY DEAN BRAATEN, BMT, MTA
Music Therapy from Charter to Present, Charter to Life Member
A review of Music Therapy and its diversity from Charter (1974) to present from the perspective
of a charter/life member. The presenter will demonstrate that music therapy has responded to
the diverse needs of institutions and individuals in an ever -changing social/cultural milieu.
GLORIA LIPSKI, MA, MTA
Finding Where I Fit: An Autoethnography on Integrating Ethnomusicology into Music Therapy
Through autoethnography research, exploring and describing my own narrative of transitioning
from ethnomusicology to music therapy, I illuminate some new understandings relevant to the
discussion of theoretical integration. This research highlights perceived differences in academic
culture between the two disciplines. Theoretical activities and approaches relevant to
integration are also identified.
GUYLAINE VAILLANCOURT, PHD, MTA & LAUREL YOUNG, PHD, MTA, FAMI
Information on Graduate and Doctoral studies at Concordia University
Information on Graduate and Doctoral studies at Concordia University Meet for an information
session outlining graduate music therapy studies at Concordia University, Montréal. Concordia
offers a 1-year Graduate Certificate in Music Therapy (for those with no previous music therapy
training), a 1-year Master’s in Music Therapy (for those with previous music therapy training),
and a PhD in music therapy through Concordia’s INDI program.
BARBARA SCHNETZINGER, MDW WIEN, MEDUNI WIEN
Music education and music therapy. Contact surfaces and boundaries
This thesis discusses the similarities and differences of music education and music therapy. For
the first time the Austrian Music Therapy Act was used for scientific research and thereby
clarity is given for all people employed in these two professional fields.
AMANDA SCHENSTEAD, MMT, MTA & DR. REBECCA CAINES, PHD, BA & RICK KOTOWICH
Improvising with iPads: Technology-based Music Therapy, Improvisation and Cultural
Expression in Health Settings
This on-going partnered inquiry involves a group of First Nation and Métis clients in a longterm rehabilitation care who are working with an artist/researcher, a Native Health Educator
and a Music Therapist to research the social and creative possibilities of making music and
intermedial art with iPad tablets.
SUE BAINES, PHD, MTA
Music Therapy as an Anti-Oppressive Practice: Doctoral Research Results
Music therapy services at a long term care facility and a short term assessment facility for
adults and teens with dual diagnosis developmental delay/mental illness were studied with the
research question, "What are the experiences of residents and staff in music therapy as an antioppressive practice?"
ANDREW KNIGHT, PHD, MT-BC
Beyond Wheels on the Bus: Songs to Support Children’s Development
Wheels on the Bus is designed to provide music therapists with songs, chants, fingerplays, small
and large movement, prop, and instrument experiences that they can immediately implement
in their work with young children. Areas to be addressed include cognitive, physical, language,
and social-emotional development.
INTUITIVE A CAPPELLA CHOIR (IACC)
Sing to Your Heart's Content: Experiencing Self-Care
Conference delegates are offered an a cappella experience of chanting, improvisation and/or
toning, as a structure for self-care. Authentic expression through our own healing voices
strengthens our connection to ourselves and others, and may deepen our conference
experience.
EMILY CARRUTHERS, MMT, MTA
How did I get here? Transitioning from student to music therapist
The transition between student life and becoming a professional music therapist can be difficult
to navigate. Emily shares a few learning points from her own journey, including finding your
path, overcoming obstacles and creating balance.
HEIDI AHONEN, PHD, MTA, FAMI
Vicarious Traumatization - What is it and how to prevent it?
Do you work with traumatized people? Do you witness or share heartbreaking experiences and
stories day after day? During this paper presentation the concept of vicarious trauma will be
introduced. There will also be experiential elements that may help participants identify and
explore their vicarious traumatization, stress and resources.
TANYA LAVOIE, MMT, MTA
Music Therapy and a two year journey with a child with cochlear implants
This presentation will look at the work with a pre-lingual hard of hearing child who received
music therapy before and after cochlear implants, for a period of over two years. The various
interventions used and their overall progress will be reviewed, as well as the current research
and literature with this population.
CHRISSY PEARSON, MTA, FAMI
iPods, Entertainers, and Volunteer Musicians….oh my! A music therapist’s perspective on
music care beyond music therapy
The presenter will share her experiences working in a large long-term care and hospital facility
where music is an integral part of the culture and, more recently, the “personalized music”
movement has gained popularity. Ideas about how a music therapist can take a professional
role as educator, consultant, and advocate for the safe and effective use of music beyond the
practice of music therapy will be proposed.
LOUISE RAYMOND
The Healing Power of Rhythm
Experience the transformative power of rhythm! Louise Raymond, Artistic Director will
demonstrate a unique approach to cognitive training, helping children to tap into their own
creativity. Participants will focus on a foundation of rhythm pattern, multicultural songs in four
languages, stories, movement, traditional dance and rhythm activities.
MEGHAN MCMILLAN BMUS, BA, MMT
Starting a New Song: Creating a framework for feminist voicework within music therapy
This workshop is based off of research completed during Meghan's masters of music therapy.
This research focused on bringing feminist and sociological perspectives to the practice of
voicework. The presentation will consist of experientials of musical and verbal interventions,
which will allow participants the opportunity to explore how power relations and "being with"
clients can change in feminist practice.
KARIE RIPPIN BILGER, BMT, MSW, MTA
“When the Music Has Ended…” Meaning Management in Life While Facing Death
“Malcolm” struggled with pain and symptom management in end-of-life care. His music
therapy story will be told through his music and poetry with reflection on Existentialism, and a
focus on Paul Wong’s Meaning Management Theory. The presenter will illustrate the relevance
of this valuable theory to music therapy through Malcolm’s therapeutic journey.
AMRIT GANDHARI, MEMBER OF IAPMT
Music Therapy practice in Nepal,
Nepal, Nepali culture, Nepali Music and how they connect with Music Therapy in Nepal.
JENNIFER BUCHANAN, BMT, MTA
Private Practice Problems, Passions and Possibilities
Join Jennifer, an almost 25 year private practitioner, to hear some good stories, and join in a
candid conversation of working in private practice in Canada. Let's discuss the passions (our
clients), the problems (too many to mention in 50 words or less), and the possibilities (endless).
WANDA GASCHO-WHITE, MTA
Take a breath, you can do this: music therapy for the autistic child
This presentation will explore current theories about autism and how our growing knowledgebase about this unique disorder can inform and direct best practice in music therapy for this
population. Discussion, with video and case studies, will center around developing eclectic,
play-based music therapy interventions for young children with autism that promote
development in all domains; social, communication, cognitive and motor.
SUSAN SUMMERS, PHD, AVPT, NMT, MTA
Singing as a healing influence for change and transformation
Susan’s qualitative doctoral research study focused on how singing was a healing influence for
change and transformation in the lives of five music vocal psychotherapists. The results offer
new perspectives for music therapists about the importance of singing for their own healing.