UKULELE FUN WORKSHOP Workshop Index Workbook Page Cover Alaska Jumping Flea Society Poster i Workshop Index ii Chord Chart - Basic iii Chord Chart - Advanced iv Alaska Jumping Flea Society invitation iv Index of Available Materials Appendix How to Buy Your First Ukulele Daily Ukulele Page 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Alaska Jumping Flea Society 140 40 51 107 178 234 101 227 142 319 83 111 64 69 279 140 Rev: 12-28-12 Song - Key Jambalaya - C Buffalo Gals - C Clementine - C He's Got The Whole World In His Hands- C Oh, Susanna - C This Land Is Your Land - C Hard Times Come Again No More - C Taps - F TAB Kumbaya - C TAB Good Morning To All (Happy Birthday) -G Folsom Prison Blues - G Hound Dog - G Deep In The Heart of Texas -D Down in the Valley - D You Are My Sunshine -C Jambalaya - no chords Page i Chords Used C, G7 C, G7 C, G7 C, G7 C,F,G7 C,F,G7 C, F, G7 F,C7 TAB C,F,G7 TAB G,C,D G,C,D7 G,C7,D7 D,A7 D, A7 C,C7,F,G7 D, A or G,D7 b b7 bm b m7 b dim b aug b6 b maj7 b9 Ab Ab7 Abm A b m7 A b dim A b aug Ab6 A b maj7 Ab9 Bb Bb7 Bbm B b m7 B b dim B b aug Bb6 B b maj7 Bb9 ROOT A 7 m m7 dim aug 6 maj7 9 A7 Am Am7 Adim Aaug A6 Amaj7 A9 B B7 Bm Bm7 Bdim Baug B6 Bmaj7 B9 C C7 Cm Cm7 Cdim Caug C6 Cmaj7 C9 Chord positions are for standard GCEA tuning. This Ukulele Chord Chart is designed to be a convenient reference to the most frequently used open chord fingerings. The root major chord is in the center of the chart and highlighted in red. Variations of the root chord are left and right of center. The reverse of this chart displays 11 of the basic ukulele chords in every major key. On the right side of the reverse is a note chart for the first 12 frets of the neck, and a quick reference to suggested first chords to learn. Db Db7 Dbm D b m7 D b dim D b aug Db6 D b maj7 Db9 D D7 Dm Dm7 Ddim Daug D6 Dmaj7 D9 Eb Eb7 Ebm E b m7 E b dim E b aug Eb6 E b maj7 Eb9 E E7 Em Em7 Edim Eaug E6 Emaj7 E9 F F7 Fm Fm7 Fdim Faug F6 Fmaj7 F9 G G7 Gm Gm7 Gdim Gaug G6 Gmaj7 G9 © 2011 www.ukechordchart.com All rights reserved. Reproduction or use without written permission is prohibited. Gb Gb7 Gbm G b m7 G b dim G b aug Gb6 UKULELE C D Dm Em E F#m F Gm G A B Am Bm C#m Em F#m G#m Am Bm C#m D#m F G A Bb C D E G A B C D E F# G7 A7 B7 C7 D7 E7 F#7 G b maj7 Gb9 K E YS Am Bm C#m Dm Em F#m G#m B C# D# E F# G# A# Bdim C#dim D#dim Edim F#dim G#dim A#dim D E F# G A B C# Individual Notes Bb C D Eb F G A 1 2 3 4 5 6 7 8 9 10 11 12 G C E A Ab Db F Bb A D Bb Eb B Gb B G C E Ab Db C F A D Db Gb Bb Eb D G B E Eb Ab E A F Bb Gb G C F Db Gb D G B Eb Ab C E A Chords to Learn First C C7 Cm D D7 Dm E E7 Em F F7 Fm G G7 Gm A A7 Am B B7 Bm ALASKA JUMPING FLEA SOCIETY YOUR INVITATION FOR FUN Ukulele in Hawaii means JUMPING FLEA which aptly describes the fun loving group of folks that 'JUMP FOR JOY' every Friday at 7:00 PM at Guido's Pizza on International Airport Road in Anchorage. All playing levels are welcome. In fact just come and sing, tap your feet, or clap. Extra ukuleles are available. There is always someone there to help you get started on your rewarding journey with the ukulele. The Fleas use the songbook "The Daily Ukulele" which has 365 songs arranged for the ukulele complete with little chord charts for the chords in that song. We go around the circle and everyone calls out a song from the book they want the group to play and sing. A bass player with 30 years experience teaching high school music keeps everyone in time, amused with his wit, and learning new tricks. Our lone guitar/ukulele player teaches us how to play without written music. And for five minutes every evening folks are introduced to a new mini ukulele lesson. Many folks come early and enjoy some good food and camaraderie with new friends. Can't sing in key. Never played a musical instrument. Not a problem. Come and learn how from folks who enthusiastically share their love of the ukulele with newcomers. Listed below are mini lessons we call Tidbits. These are available by e-mail from the Fleas coordinator Wendy at [email protected] TIDBITS REFERENCE MATERIALS (Available Material) 1. Ukulele Basics 2. Leading a Song 3. Strum Patterns "a" and "b" 4. Keys--an Introdcution 5. Ear Training 101 6. Playing Melody 7. Economy of Motion 8. How to Buy Your First Ukulele 9. Jam Session Tidbits 10. Putting the Left Hand on Autopilot 11. Alternatives to Strumming-101 12. Fingerpicking Exercises for the Uke 13. Playing up the Neck 1. KIMO'S Chords: Simplified chords used by Hawaiian Players. 2. Most used Chords by Key Signature 3. Scales and the Fretboard 4. Roy's Chords: The Chord Bible, Chord Inversions Up The Neck 5. Big Chord Chart 6. Notes on the Ukulele Tuned to HIGH G 7. Notes of the Ukulele Tuned to LOW G 8. Blank Score to Tab Any Song 9. Music Theory Chart SONGS 1. Amazing Grace (C-Tab) 2. Happpy Birthday (G-Tab) 3. Boil Them Cabbage Down (TAB) Alaska Jumping Flea Society Rev: 1228-12 Page iv Jambalaya-C 1 C G7 C G7 Good-bye Joe, me got-ta go, me oh my oh._____ C Me got-ta go pole the pi-rouge down the bay-ou.____ G7 My Y-vonne, the sweet-est one, me oh my oh.______ C Son-of-a-gun, we'll have big fun on the bay-ou_____ G7 Jam-ba-la-ya and craw-fish pie and fil-et gum-bo._____ C 'Cause to-night I'm gon-na see my ma cher-a-mi-o._____ G7 Pick gui-tar, fill fruit jar and be gay-o._________ C Son-of-a-gun, we'll have big fun on the bay-ou.____ G7 Thi-bo-daux, Fon-tain-eaux, the place is buzz-in._____ C Kin folk come to see Y-vonne by the doz-en. ______ G7 Dress in style and go hog wild, me oh my oh. _____ C Son-of-a gun, we'll have big fun on the bay-ou._____ Chorus Alaska Jumping Flea Society DU 140 Rev: 12-28-12 Buffalo Gals (Won't You Come Out Tonight) - C 2 C G7 C G7 C As I was walk-ing down the street, down the street, down the street, a G7 C pret-ty lit-tle girl I chanced to meet, and we danced by the light of the moon. G7 C Buf-fa-lo Gals won't you come out to-night, come out to-night, come out to-night. G7 C Buf-fa-lo Gals won't you come out tonight, and dance by the light of the moon. Alaska Jumping Flea Society DU 40 Rev: 12/28/12 Clementine - C 3/4 Waltz Time 3 C G7 C G7 In a cav-ern, in a can-yon, ex-cav-ating for a mine, lived a C G7 C min-er for-ty-nin-er and his daugh-ter Clem-en-tine G7 Oh my dar-ling, oh my dar-ling, oh my dar-ling Clem-en-tine. You are C G7 C lost and gone for-ev-er dread-ful sor-ry Clem-en-tine! G7 Light she was and, like a fairy, and her shoes were number nine; C G7 C herring boxes, without topses, sandals were for Clementine. Chorus G7 Drove she ducklings to the water, every morning just at nine; C G7 C hit her foot against a splinter, fell into the foaming brine. Chorus G7 Ruby lips above the water, blowing bubbles soft and fine; C G7 C but alas I was no swimmer, so I lost my Clementine. Chorus Alaska Jumping Flea Society DU 51 Rev: 12-28-12 He's Got The Whole World In His Hands - C 4 HINT - The chords only change on the word WHOLE in first verse C G7 C He's got the whole world in His hands, He's got the G7 C whole world in His hands, He's got the whole world G7 C in his hands, He's got the whole world in His hands. (2.) He's got (3.) He's got (4.) He's got (5.) He's got (6.) He's got / the little bitty baby in His hands..... / you and me, sister, in His hands...... / you and me, brother, in His hands..... / a little ukulele in His hands..... / the whole world in His hands.... Alaska Jumping Flea Society DU 107 Rev: 12-22-12 Oh, Susanna - C 5 C G7 C G7 I come from Al-a-bam-a with a ban-jo on my knee. C G7 C I'm goin' to Lou'-si-an-a, my Su-san-na for to see. C G7 It rained all night the day I left, the weather it was dry. C G7 C The sun so hot I froze to death, Su-san-na don't you cry. F C G7 C Oh, Su-san-na, oh don't you cry for me, for I come from Al-a-bam-a G7 C with a banjo on my knee. G7 I had a dream the other night, when everything was still; C G7 C I thought I saw Susanna a-coming down the hill. Chorus G7 The buckwheat cake was in her mouth, the tear was in her eye. C G7 C Says I, I'm coming from the South; Susanna don't you cry. Alaska Jumping Flea Society DU178 Rev: 12-28-12 This Land Is Your Land - C 6 c G7 F C F C G7 C This land is your land, this land is my land from California F C to the New York Island. C G7 From the redwood forest to the gulf stream waters; this land is made for you and me F C As I was walking C G7 that ribbon of highway I saw above me that endless skyway. F C C G7 I saw below me that golden valley, this land was made for you and me. Chorus F C In the squares of the cities, G7 by the shadow of the steeples, in the relief office, I saw C my people. F C And some were stumbling C G7 and some were wondering if this land was made for you and me Chorus F C C G7 As I went rambling that dusty highway, I saw a sign that said, "Private F C Property." C G7 But on the other side it didn't say nothing_ that side was made for you and me. Chorus F C G7 Nobody living can ever stop me, as I go walking F C Nobody living can make me turn back_ C my freedom highway. C G7 this land was made for you and me. -, Chorus Alaska .lumping Flea Society DU 234 Rev: 12-28-12 Hard Times Come Again No More - C 7 C G7 C Let us pause in life"s pleas-ures and count the man-y tears, F C G7 C while we all sup sor-row with the poor.__ G7 C g g C There"s a song that will lin-ger for-ev-er in our ears: F C G7 C Oh! Hard times, come a-gain no more. F C "Tis the song, the sigh of the wear-y ••• G7 F hard times, hard times come a-gain no more. C G7 C Man-y days you have lin-gered a-round my cab-in door; F C G7 C oh! hard times, come a-gain no more. C G7 C While we seek mirth and beau-ty, and count the mu-sic light and gay, F C G7 C there are frail forms faint-ing at the door.'_ G7 C Though their voic-es are si-Ient, their plead-ing looks will say: F C G7 C Oh! Hard times, come a-gain no more. Chorus C G7 C There"s a pale droop-ing maiden who toils her life a-way, F C G7 C with a worn heart whose bet-ter days are o"er__ G7 g C Though her voice would be mer-ry, "tis sigh-ing all the day: F C G7 C Oh! Hard times, come a-gain no more. Chorus C G7 C "Tis a sigh that is waf-ted a-cross the trou-bled wave; F C G7 C "tis a wail that is heard up up-on the shore._ G7 C "Tis a dirge that is mur-mured a-round the low-Iy grave: F C G7 C Oh! Hard times, come a-gain no more. Chorus Alaska Jumping Flea Society DU 101 G7 Rev 12·29·12 Taps - F 8 F C7 Chord F A[------------|---------------------------|---0--------------------| E[------------|---1-----------------1---|---------------------1--| C[---0---0--|--------------0-----------|----------0-------------| G[------------|---------------------------|-------------------------| Day is done, gone the sun, from the A[----0---------------------0--------------------|---0---------0--| E[--------------------1----------------------1---|----------1------| C[------------0----------------------0-----------|------------------| G[-------------------------------------------------|------------------| lake, from the hills, from the sky, all is C7 F A[-----------0--------|----------------------|-----------|| E[----------------1---|----------------------|----1-----|| C[---0----------------|--0-------0-----0--|-----------|| G[---------------------|----------------------|-----------|| well, safe-ly rest, God is nigh Alaska Jumping Flea Society DU 227 Rev: 12-28-12 KUMBAYA-C c UKULELE G7 F Chord C F C Note C EGG G A A G C EGG G A 1---------------1-------------------1--------0----0--1--------1-------------------1-------------------1 E 1-----------0---1--3----3----3----1-----------------1---3---1-------------0-----1---3---3----3----1 C 1---0-----------1-------------------1-----------------1--------1------0------------1-------------------1 G 1---------------1-------------------1-----------------1--------1--------------------1-------------------1 Kum--ba - ya my Lord,_ Some one's cry-ing Lord,_ Some one's laugh-ing Lord,_ Some one's sing-ing Lord,_ Some one's pray-ing Lord,_ Chord Note F FED kum - ba kum - ba kum - ba kum - ba kum - ba - G7 ya.__ ya__ ya__ ya__ ya__ Kum - ba -------ya, my tord, __ Some one's cry-ing Lord,__ Some one's laugh-ing Lord,__ Some one's sing-ing Lord,__ Some one's pray-ing Lord,__ G F A C C EGG A C G A 1----------------1--------1----------------1------------------1-----0-----0---1-------------------1 E 1----1------0---1--------1----------0----1--3----3----3---1------------------1--3---------------1 C 1----------------1-- 2-----1----0----------1------------------1-----------------1-------------------1 G 1----------------1--------1----------------1------------------1-----------------1-------------------1 _ kum-ba --- ya.__ _ _ _ _ kum-ba kum-ba kum-ba kum-ba Chord Note F F --------- Kum-ba ---- ya my Lord__ ya._Some ya._Some ya._Some ya._Some C G7 E COD one's one's one's one's cry-ing Lord__ laughing Lord__ sing-ing Lord_ pray-ing Lord_ kum-ba-------ya, _ kum-ba-------ya kum-ba-------ya kum-ba-------ya kum-ba-------ya _ _ _ _ C C A 1---------1-----------------------1------------11 E 1----1----1-0---------------------1------------11 C 1---------1-----0------2 ----- 2--1----0-------1 G 1---------1------------------------1------------11 _ Oh, Lord, _ kum-ba-------ya. _ Oh, Lord,_ kum-ba-------ya. _ Oh, Lord, _ kum-ba-------ya. _ Oh, Lord, _ kum-ba-------ya. Alaska Jumping Flea Society 1 DU 142 12-28-12 HAPPY BIRTHDAY - G For Ukulele G 3/4WaltzTlme 10 D7 1------1--------1---1 1-- --1--0---3-1-2--1 1-2-2-1----2--1--1 1-----1----1----1 Hap--py Birth-day to G you c G 1--------1--------0--1----1 1----1-0--- -------1-3-1 1--2-2-1--2--1--1 1------1-------1----1 Hap-py Birth-day to you D7 C D7 1-----1--5-2-----1-------1 1----- 1--- ---3-1-2--0--1 1--2---2-1--------1------1 1---------1-------------1--··--1 Hap-py Birth-daydear G D7 G 1--3--3--1-2-------0-1----1 1-------1-----3----1-3-1 1-------1--- ----1--1 1----1-------1---1 Hap-py Birth-day to Alaska Jumping Flea SocietylJRG you DU319 12·28-12 Folsom Prison Blues - G 11 G I hear the train a com-in'; it's roll-in' 'round the bend and G 00 I ain't seen the sun-shine since I don't know when. C G I'm stuck at Fol-som Pris-on and time keeps drag-gin' on. 07 G c But that train keeps roll-in' on down to San An-tone. t. When I was just a ba-by my ma-ma told me, "Son ai-ways be a good boy; don't ever play with guns." C G g 07 But I shot a man in Re-nojust to watch him die. 07 G When I hear that whis-tle blow-in', I hang my head and cry. I bet there's rich folks eatin' in a fancy dining car. They're prob'ly drinkin' coffee and smokin' big cigars. C G But I know I had it comin' , I know I can't be free. 07 G But those people keep a-movin', and that's what tortures me. Well, if they freed me from this prison, if that railroad train was mine, I bet I'd move on over a little farther down the line. C G Far from Folsom Prison, that's where I want to stay, 07 G and I'd let that lonesome whistle blow my blues away. Alaska .Jumping Flea Society DU83 Rev: 12-22-12 Hound Dog - G 12 G C7 D7 N.C. G You ain't not-in but a hound dog, cry-in' all the time. C7 G You ain't noth-in' but a hound dog, cry-in' all the time. D7 C7 G Well, you ain't nev-er caught a rab-bit and you ain't no friend of mine. N.C. G When they said you was high-classed, well, that was just a lie. C7 G When they said you was high-classed, well, that was just a lie. D7 C7 G Well, you ain't nev-er caught a rab-bit and you ain't no friend of mine. second ending Alaska .Jumping Flea Society DU 111 G C7 G mine.--- Rev: 12·28·12 :11 Deep In The Heart of Texas - D 13 D A7 D A7 The stars at night are big and bright, deep in the heart of Tex-as.______ D The prair-ie sky is wide and high, deep in the heart of Tex-as._______ A7 The sage in bloom is like per-fume, deep in the heart of Tex-as.____ D A7 Re-minds me of the one I love, deep in the heart of Tex-as._____ D A7 The coy-otes wail a-long the trail, deep in the heart of Tex-as.______ D The rab-bits rush a-round the bush, deep in the heart of Tex-as.______ A7 The cow-boys cry "Ki-yip-pee-yi," deep in the heart of Tex-as.______ D The do-gies bawl, and bawl and bawl, deep in the heart of Tex-as.____ Alaska Jumping Flea Society DU 64 Rev: 12-28-12 Down In The Valley - D 3/4 Waltz Time D A7 Down in the val-ley, val-ley so low, ____ 14 D hang your head o-ver, ___hear the wind blow. A7 Hear the wind blow, dear. ______Hear the wind blow, ___ D Late in the evening, hear the wind blow. D A7 Roses love sunshine, violets love dew; D angels in heaven, know I love you. A7 Know I love you dear, know I love you. D angels in heaven know I love you. A7 A7 Build me a castle forty feet high, D so I can see him as he rides by. A7 As he rides by love, as he rides by. D So I can see him as he rides by. A7 If you don't love me, love whom you please, D throw your arms 'round me, give my heart ease. A7 Give my heart ease, love, give my heart ease. D Throw your arms 'round me, give my heart ease. A7 Write me a letter, send it by mail. D Send it in care of Birmingham jail. A7 Birmingham jail, love, Birmingham jail. D Send it in care of Birmingham jail. Alaska Jumping Flea Society DU 69 Rev: 12-28-12 You Are My Sunshine - C C C7 The oth-er night dear_ 15 as I lay sleep-ing, __ F C I dreamed I held you in my arms. __ F C C When I a-woke dear, _ I was mis-tak-en __ G7 C and I hung my head and cried, C7 _ C7 You are my sun-shine, _ my on-Iy sun-shine, __ F C you make me hap-py __ F You·1I nev-er know dear_ g g when skies are gray. __ C how much I love you._ C G7 Please don·t take my sun-shine a-way. __ C7 1·11 ai-ways love you_ and make you hap-py, __ G7 F C if you will on-Iy say the same. __ F But if you leave me__ G7 R C to love an-oth-er __ C you·1I re-gret it all some day. Chorus C7 You told me once dear_ you real-Iy loved me,__ F C and no one else could come be-tween •.__ F C But now you·ve left me__ G7 you have shat-tered AlaskaJumpingFleaSociety and love an-oth-er __ C all my dreams. DU279 Chorus Rev:12-28-12 Jambalaya G, D7 16 Good-bye Joe, me got-ta go, me oh my oh._____ Me got-ta go pole the pi-rouge down the bay-ou.____ My Y-vonne, the sweet-est one, me oh my oh.______ Son-of-a-gun, we'll have big fun on the bay-ou_____ Jam-ba-la-ya and craw-fish pie and fil-et gum-bo._____ 'Cause to-night I'm gon-na see my ma cher-a-mi-o._____ Pick gui-tar, fill fruit jar and be gay-o._________ Son-of-a-gun, we'll have big fun on the bay-ou.____ Thi-bo-daux, Fon-tain-eaux, the place is buzz-in._____ Kin folk come to see Y-vonne by the doz-en. ______ Dress in style and go hog wild, me oh my oh. _____ Son-of-a gun, we'll have big fun on the bay-ou._____ Chorus Alaska Jumping Flea Society DU 140 Rev: 12-28-12 How To Buy Your First Ukulele (with application to all string instruments) If you are serious about playing your instrument you will likely spend more actual hours hugging it than you do hugging your spouse or children. If you spend a half hour, four days a week at home learning and 2 hours a week at a local jam, music festival or around the campfire playing with friends, that is four hours of hugging a week. If you are going to dedicate that amount of time to your new joy, then buy a good instrument. If your purchase is just a romantic spur of the moment fantasy, you are most likely not going to spend much money and will never end up playing it because the cheap instrument really is just suitable as a wall hanging. Try to play the cheap toy and it will frustrate you as it will not sound good, the tuners will likely cause you to be out of tune more than you are in tune and if you don't smash it out of frustration it might make it as a wall decoration over the Tiki Bar on the patio. And you will miss out on the joy of playing the ukulele. You do not have to spend a lot of money to buy a good ukulele. Here are some suggestions on how to mount a successful shopping expedition. Enlist the help of a friend who already plays the ukulele to help you. SIZE AND TYPE OF INSTRUMENT - Decide which size ukulele you want to buy. Suggest that you consider your personal vocal range and first try ukuleles that match your voice. You may end up with a different size but this is a good place to start. If you have a tenor voice, then first test out a tenor ukulele. If you are a true soprano, then try a tiny soprano ukulele. If you really don 't have a good feel for the size, then the concert ukulele is the size played by most people. The baritone ukulele is a specialty instrument and should not be your first choice unless you have some very special reason for choosing that size. While it is a ukulele, it is really a guitar missing two strings. The ukulele chords do not work and the instrument can be awkward to play in certain keys. If you just want a small guitar, then buy a small guitar but the baritone uke is rarely the answer. Another consideration in selecting the size ukulele is what other instruments you play or might play. For example, the scale length (distance from nut to bridge) and thus the fret spacing on a concert ukulele is nearly the same as that of a mandolin or fiddle. So your left hand will find the familiar spacing an asset when switching back and forth. It is suggested that your first ukulele be a standard (looks like a small guitar) four string instrument tuned in low G C E A. The fancier 6 & 8 string instruments, resonators, banjo ukes or the character ukes like the pineapple or fancy paint jobs are more suited to your next instrument. Call the local music stores to find out which ones carry quality ukuleles. Ask if they have a stringed instrument luthier on premises. Start your shopping at a store with an in house luthier. More on this later. TUNERS - Geared tuners are a must. Friction tuners do not stay in tune no matter what the sales clerk says (with the exception of a couple of very high end expensive pegs that are only available as aftermarket or custom builds). These excellent friction peg tuners are not found on modest budget ukuleles. INTONATION - Borrow your friends electronic tuner or one from the store. Have the clerk put the instrument into standard GCEA tuning. Play each string on each fret and see if the instrument is in tune on each string all the way to the 12th fret. Do not trust your ears, use the tuner. If it is not in tune to the 12 1 fret, then don't even consider the instrument. Ukulele bridges are fixed (except for banjo ukes) so moving the bridge of refretting the instrument is an expensive fix. Realistically even an expensive ukulele may be off a few cents (a little sharp or flat) after the 7th fret. But many are off by as much as a half or even a whole note by the 12th fret. Do not consider such an instrument. ACTION - Check the action - the height of the strings above the frets. The gap should rise SLIGHTLY from the bridge to the end of the neck. If it is the thickness of a dime at the second fret and the thickness of four quarters at the 15th fret then move on. The action should be high enough so the strings do not buzz when played but not so high that you have to press hard to fret the strings. Your ukulele friend is a good guide to help you check the action. This can often be a simple adjustment of adding a shim under the nut, or removing a shim. However, this is best done before you purchase the instrument to make sure the fix is successful. Look down the length of the neck. Is the neck warped or twisted? If so move on. Do the first or fourth strings tend to fall off the end of the fret when you hold a chord? If so then this may not be the instrument for your style of playing or how your hand fits the neck. When a ukulele leaves a factory across the country or on another continent and sits for awhile in your local store it will dry out or gain moisture and change shape as the wood ages. This is normal and a good luthier can adjust the action to compensate for the changes the instrument has undergone between the factory and the store. Run your hand up the edge of the fretboard. If the frets are sticking out they will need to be filed down by a competent luthier or they will tear up your hands. This is a sign the instrument has dried out since being manufactured. This is not a fatal flaw. A good music store with an in-house luthier normally will do a free " setup" (action adjustment and fret trim) for any instrument they sell. This is an excellent reason to start shopping at a store with an in-house luthier. If you buy an instrument and then have to take it to a luthier for a setup, be prepared to pay $75 or more depending on how much work is required and then wait weeks to get your instrument back from the shop. SOUND - Select several instruments that have passed the tests above. Now try playing the instruments. Have your friend show you how to hold a simple one finger C chord and strum. Do you like what you hear. You are the one who is going to hug this more than you hug your spouse or children so it best sound good to your ear. Have your friend play all the instruments on your short list while you turn your back. This is important as you have by now prejudiced your choice based on looks, feel, or some other factor other than sound. Make this a true sound test by doing a blind sound check. Have your friend mix the instruments up and play each one as you grade the sound. You may have a personal preference for a mellow softer tone or like a crisp bright sound. You may prefer more sustain or quick fades. These are matters of personal taste. These preferences should play a major role in your selection of an instrument. They are controlled by many factors such as size and shape of the instrument, the internal bracing pattern used by that manufacturer, and most significantly by the species of wood. Many first time buyers are overly influenced by the beauty of the different exotic woods, cool brand name, and the advertising hype. Do not assume exotic wood means exotic sound. You can get both great tone and great beauty but you may have to spend time trying several different woods until you find the combination of sound and beauty you desire and can afford. Harder woods give off a different tone than softer woods. Even in trees of the same species, the tone from two different maple trees can be significantly different. One tree may have had more sunlight or a better source of water and grew faster resulting in wider growth rings. The only way to know is to do a blind sound test and pick the one that "speaks to you". 2 PLAYABILITY - Now you play the instrument. How does it feel? Try playing a Bb chord. Does your hand get caught up in the tuners or the transition knuckle from the neck to headstock? If it does, try other brands until you find one where you can comfortably play a Bb chord without mashing your knuckle on a tuner. How does the neck feel? Is it too wide, too narrow, too fat too thin? Neck shape and size can be a major factor in your ukulele selection. LOOKS - Looks should be your last selection criteria NOT YOUR FIRST. Looks are important but if it looks good and plays poorly or sounds bad you have just wasted your money and time. You are most likely not going to continue playing as the instrument will not be bringing you the joy that a well chosen instrument is capable of giving you. Looks do not make the instrument play better or sound better. There are some plain looking ukuleles with beautiful voices and some fancy mother of pearl inlays and exotic woods that sound like a bullfrog. Don't get caught up in the beauty contest or marketing hype about exotic woods and trims. ADDITIONAL CONSIDERATIONS STRAP BUTTONS - Consider adding strap buttons. Even if you do not use a strap all the time, there may be times when you will find it handy to have one such as playing while standing. The buttons only cost a few dollars and the luthier will usually install them as part of the setup. STRINGS - The factory normally strings a ukulele in high G. The trend among many players today is to switch to low G tuning. This involves changing one string. The factory may have used the cheapest strings they could find so this is a good time to consider spoiling your new friend with some high end strings (less than $10) and changing over to low G tuning for no additional cost. HUMIDIFICATION - Now that you are buying a quality instrument you will want to take good care of your investment. There are many commercial humidifiers that fit inside your ukulele or inside the case that will keep the instrument from drying out, cracking and or warping. Or you can make your own out of a small kitchen sponge inside a sealed plastic bag with a few pinholes poked in it. No matter which type of humidifier you have, use distilled water or the minerals in the tap water will clog the humidifier in short order. This is also a good reason to have a quality hard case to store and carry your ukulele as it will retain the moisture inside the case. CASE - A good case is preferable as it keeps the moisture inside and provides the best all round protection for your instrument. A soft gig bag is lighter weight but does not help with humidification or protect as well as a hard case. When not being played the instrument should live in its hard case to keep it moist and safe. TUNER - An inexpensive electronic tuner is a must. The clip-on ones today are very accurate and have the benefit of allowing you to tune your instrument in a noisy environment such as when everyone else is tuning. They are simple to use and a worthwhile investment SONGBOOK - So far there has been no mention of brand names but when it comes to songbooks there is one that every ukulele player should have in their library and that is "The Daily Ukulele" by Jim Beloff. It has all the chord charts a new player needs to get started above each song plus 365 great songs from the Beatles to old favorite "campfire" tunes. But you saw this great deal on the internet and you can buy it for $100 less than the store price. Add shipping and what have you saved? When it arrives and the frets are sticking out far enough to cause your 3 fingers to bleed, how much will it cost to have a local luthier file them down? And the strings buzz. What will that cost to fix? Bbbbbut it is a deal! No it isn't a deal. There are very good music stores locally and in the end you are better off buying from a local dealer with an in house luthier. If your store does not have a luthier, will they pick up the cost of a setup or of trimming frets that are too long? Would you buy a new car with a cracked windshield? No - then why buy a new musical instrument that is in need of some work. Maybe the eBay deal works out but maybe it doesn't and then where are you. You can't do a blind sound check or feel the neck to see how it fits your hand over the Internet. Now there are a few excellent Internet based dealers who sell quality instruments at fair prices and who will do in-house setups by very competent luthiers before shipping and who will guarantee their products. Ask about their return policy including return shipping costs. Buy locally when you can as these stores also support musical activities in your town. Some have small rooms for instructors, or they support summer youth camps, festivals or other musical events in your community. So support them with your business when you can. Copy this checklist and take it with you when you shop: PRICE - Is it in your price range? Include cost of case and tuner in budget. SIZE - soprano, concert, tenor, baritone TYPE - standard, travel, resonator, banjo uke, four string, six or eight string TUNERS - geared or friction peg INTONATION - in tune all the way up the neck PLAYABILITY Action height Frets not sticking out Feel of neck especially at neck to headstock joint - play Bb does your hand clear pegs and nut? Neck width, thickness, shape Does the first or fourth string slip off the end of the fret when played? BLIND SOUND CHECK - mellow or bright, sustain or fade, does it please you? WILL STORE DO FREE SETUP - in house or pay cost of an outside luthier to do setup? LOOKS ADD ONS Strap buttons Low G tuning, spare strings Hard case Humidifier Clip on tuner THE DAILY UKULELE songbook Have your friend take a picture of the smile on your face when you find that magic instrument that speaks to you. But fear not. By now you are hooked and there will be more ukes in your life before you die. You will just "have to have" a banjo uke like the one Jim had at the jam. Or that 8 string that Fran has - " I have to have one - it sounds so great". But then there is the resonator with the hula girl. Or an inexpensive travel uke. And one to leave at the cabin or on the boat. And then one with an electronic pickup so you can plug into an amp and play with your kids garage band and be the coolest mama on the block. And then there is the family heirloom uke that shows up in grandmas attic and ends up at your house to be fixed up and played at family reunions so someone can tell stories about how your grandfather wooed your grandmother with the uke and his funny songs. You are hooked. Enjoy the ride. Alaska Jumping Flea Society/JRG 12-22-12 4
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