Barbershop Harmony Society nee Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America OFFICIAL BULLETIN OF THE MINNEAPOLIS, MINNESOTA, CHAPTER 10,000 LAKES DIVISION – LAND O’LAKES DISTRICT: APRIL 2007 – VOL. 63– NO. 4 CARL PEARSON: REMEMBERED Jim Richards recalls the highpoints of a lasting friendship. This is not exactly Shakespeare, but we might anything, his highest praise was to say, “You’re appropriately say, “Sleep Well, ‘Super Guy’” to our precious!” recently-departed Commodore brother, Carl Pearson. Carl also was very fond of food – whether preparing it Over the years this author has on an outdoor grill, or consuming had the joy of singing baritone in it. Once during our early quartet three different quartets with Carl days at Carboni’s Pizza on St. who held down the Tenor spot. Paul’s east side Ron Anderson One quartet, Men Of A-Chord, (Lead) and Norm DeCarlo lasted three years and made it to (Bass) shared one pizza sitting International competition twice. across from one another at one One quartet, Northern table while Carl and I shared Statesmen, lasted three months another at an adjoining table. I and survived one district contest. simply could not eat pizza fast And one quartet, The enough to keep up with Carl! Amalgamates, lasted just three weeks but managed to make it to In an unfortunate accident earlier the LOL District Finals. Some in life Carl managed to lose a wags might have observed that couple of fingers that made it as a twosome we were going difficult to give a “high five” to nowhere fast. Nevertheless, it someone to recognize a job well was a great run and we always done. But now, as we say had a fine time singing together. farewell to our brother as he We could always count on Carl’s embarks on a new life, I can hear infectious enthusiasm to carry him enthusiastically say, “Gimme the day whether performing on three! And we can reply, “Go stage or rehearsing for future for it, Super Guy!” performances. His Commodore Editor’s Note: In Paragraph 2 membership has spanned the above, Jim alludes to Carl’s better part of 45 years. prodigious loquacity. At the CARL D. PEARSON In addition to singing, Carl was an funeral service on March 17, the 1931-2007 enthusiastic fisherman, bicycler, and presiding minister whimsically referred to talker. He always remembered my birthday. (I have Carl’s charter membership in a newly organized trouble remembering my own.) When one excelled at support group called “On and on-Anon”. CHORD-INATOR Minneapolis, Minn. Chapter Land O’Lakes District, SPEBSQSA Meetings every Tuesday, 7:30 p.m. Jewish Community Center 4330 South Cedar Lake Road St. Louis Park, Minn. Chapter Officers President……………..Curt Brekke 952-474-4380 Immed. Past-Pres..Terry McClellan 763-780-3484 Marketing/PR V P...Peter Jarnberg 651/765-9580 V P Music & Perform...Carl Pinard 612-927-9363 V P Chapter Devel .….Dan Slattery 763-755-2926 Program V P …..………..Dan Cole 612-376-0779 Secretary……….…....Steve Daniel 612-927-0510 Treasurer …………...John Carlotto 952-925-0886 Board Members Vince Formosa…………………….763-416-7729 Ken Glover…….…………………..763-441-1292 Joe Houser………………………...612-308-4486 Dick Plaisted…...…………………763-574-9319 Bill TeVogt …..…….……………..763-533-3417 Loren Wuttke……………………...952-934-1380 Appointed Staff Chorus Director ……………………..Paul Wigley Assistant Chorus Director…….…..Gary Jacobson Assistant Chorus Director …… …...Doug Miller Assistant Chorus Director…...…......Dave Speidel Tenor Section Leader ……………Dan Krekelberg Assistant-Jeff Vander Plaats Lead Section Leaders ……..……...Gary Jacobson Assistant-Tom Griffiths Bari Section Leaders ……………….Dave Speidel Assistant-Pete Villwock Bass Section Leaders………………..Jim Richards Assistant-Dave Casperson 2007 Show Chairman……...…….…...Carl Pinard Afterglow Chairman…………….Travis Wuttke A-Commodears President ………..…Diana Pinard Assistant Haberdasher………..……Dan Williams BOTY Party Chairman………..…Dan Krekelberg Chord-Inator Staff Editor ……………….…..……Dr. Hardin Olson Chief Columnist………… ………..Dale Lynch Columnist………………….……..Jim Erickson Graphic Artist……………………..Glenn Retter Heart Fund …………...……………..Dan Slattery Historian ……………………..…Dr. Bob Dykstra Learning Tapes and CDs...…………….Dan Smith Librarian …………………………. . Carl Pearson Marketing …………………...………..Joe Houser Name Tags …………………………Dick Plaisted Pay-As-You-Sing ………………...…..Bill Kinkel Performance Mgr. …………….…...….Bill Kinkel Polecat Chairman…………….….Dave Casperson Presentation Chairman ………………..Dan True Public Relations ………………….…..Mark Sathe Quartet Promotion …………...…Dave Casperson Roster ……………….……….…Dr. Jim Richards Service Chairman …………...……….Jack Beaver Sergeant at Arms ………...…… .Loren Berthilson Sunshine ………………… …………..Bill Ashley Swipe Editor ………………………....Bill TeVogt Uniforms (Dress)……..……......Brooks Bergerson Uniforms (Casual) ……………..……..Joe Houser Bulletin Editor Dr. Hardin Olson 306 13th . Ave. N. Hopkins, MN 55343 E – mail: <[email protected]> (952) 930-9443 Page 2 APRIL 2007 Curt Comments On Yewer Behalf By Curt Brekke, President By Dan Cole, Program VP As you may have heard, it has been decided to move our rehearsal venue, as of April 3, from the JCC to the House of Prayer Lutheran Church in Richfield at least Curt Brekke through August 2007 and perhaps much longer. We have arranged for enough storage space for the risers, the seats, and music files and that’s about it. It’s The basement and back room at the JCC contain a lot of possessions and memorabilia which have accumulated over the years. This becomes a difficult issue because, of course, one man’s refuse is another man’s treasure. The discussion at the board meeting reflected a general feeling that we did not want to pay to rent space to store these possessions. The consensus seemed to be that we would allocate a certain amount of time for individual members to take and remove Items they want to personally keep. The remainder would be discarded. It was suggested that some of the plaques and trophies could be photographed before being disposed of. We are very interested in hearing your comments, as well as the comments of others, on this issue prior to taking any action. a beautiful morning in d o w n t o w n Minneapolis, the sky is blue and the sun is shining and bicyclers are riding down the Nicollet mall. Honey (aka the Cat Lady, aka Dan Cole Flossie) and I are in the office and she is at the big computer designing something, while I have been relegated to the laptop. We’ve already drained a pot of coffee and I have run through the words and music to Huckleberry Finn, Birth of the Blues, Slippery Sam and Down Yonder. I woke up earlier and while still lying in bed went through Show Boat and Home in Old Missouri. The first page of Old Man River also ran through my mind (couldn’t remember anymore). One more week and I’ll be off the paper. I’m a little Go to Cole, Page 9, Col. 1 Commodore Spotlight Gil Maple... is that amiable, smiley-faced Commodore who anchors the front row and refuses to let a little thing like a stroke interfere with his barbershopping pleasures. His cheery greetings, virtually always accompanied by a little joke or a one-liner, will turn up the corners of even the most illhumored mouth. Gil, a semi-retired minister, is a dedicated Commodore and an inspiration for all of us. We can all be proud to count him as a friend and brother. CHORD-INATOR ARE WE ON RIGHT TRACK? Page 3 THE By Bob Griffith, Baritone These are exciting times for the Commodores. I can visualize that steamboat just about to round the bend, and I can also visualize the 8-10,000 audience members being awed by our performance in Bob Griffith Denver. I do have a few concerns, however. At latest count I see us debuting nine new songs at our annual show. Many of these numbers are quite challenging both from a musical standpoint and from an overabundance of complicated verbiage. Combine with that some lengthy choreography, and we have a real challenge. I am sure we can prevail, but at what cost? I count no less than five extra rehearsals in March alone. I suspect April could be quite busy as well. It is always fun to debut a lot of new music like this, but it can be very distressful for us as well as our directors if the music is just barely off the paper. This distress will often show in our faces, which results in a less polished show. What can we do? For now the only solution is to learn the music on our own, well in advance, so that rehearsals can be used strictly for polishing, performing, and musicality. In the f uture, however , I woul d recommend that we limit the APRIL 2007 number of new songs that we debut at any given performance. For each performance throughout the year, I would recommend we strive to debut at least two new, but no more than four, songs. We also should not worry about having to repeat some numbers at our annual shows. We may think our audience will grow tired of them, but remember they only hear them a few times as opposed to the many times we do during chapter meetings. Also if we set a goal to improve each repeated number each time we perform it, it will not seem old to our audience. If we consider these suggestions I feel we will have more fun performing and our audiences will be more appreciative of our efforts. Editor’s Note: A viable repertoire? Chord Candy by Jim Richards This month’s Chord Candy is a tag to a classic ballad of 1904 that is favorite a woodshed song, “Meet Me In Dreamland.” The song was written for opening day of Coney Island’s Dreamland Park by Leo Friedman (music) and Beth Slater Wilson (lyrics). The park was the brainchild of a crooked businessman, William H. Reynolds. He had many connections in the Tammany politics of New York. Reynolds was the poster boy for crooked politics and seemed to have his fingers in most every pie. Reynold's underhanded activities were brought to Coney Island and that Dreamland was built so fast that many islanders felt the park grew over many of the area's fire hydrants, ensuring the park free city water for its short life. Dreamland was destroyed by a fire that started at two in the morning of May 27, 1911 while workers worked in Dreamland's Hell Gate attraction, preparing it Dr. Jim Richards for opening day only a few hours away. Though Dreamland’s life was a short seven years, “Goodbye My Coney Island Baby” and “Meet Me In Dreamland” have survived for a century to be enjoyed by barbershoppers everywhere. So enjoy this tag. It sings easily and has a lot of great chords. CHORD-INATOR Page 4 APRIL 2007 WELCOME ABOARD ! David Ayers and his wife, Linda, live in Hopkins. He was born, raised, and educated in California, attending Cal Poly in Pomona and doing his graduate work at Stanford. He is a retired registered vascular David Ayers technologist. David has a diverse music and theater background having played the recorder and trombone, sung in church choirs, and been involved in all aspects of community theater while in California. He has even had some symphony experience out west. Steve Grady, his wife, Jodie, and two children are residents of Chanhassen. Born in Grand Rapids, M i c hi gan, he migrated with his family to Illinois where he finished high school and went on to the Uni versit y of Steve Grady Illinois. He first earned a BS degree in electrical engineering before going on to earn a master’s degree in electrical engineering/business. The harmony and sound of barbershop have always been attractions for David and he has always enjoyed the amity and friendships that the hobby provides. Barbershop has been on his plate ever since he began quartetting in high school. Since then he has been, spanning 30 years, a member of five choruses and has competed in International with two of them, Denver Mile High and San Jose Garden City. David sings lead or tenor and is an experienced SP and quartet coach. David will join the lead section. Is his a front-row face or not? More Bear Facts In the fall of 2004, a female bear fell asleep on the Pettis property virtually out in the open. Usually a bear will find a den in which to hibernate but will not enter it unless it has begun to snow to cover its scent. When the weather turned cold enough this particular female (called a sow) went to sleep right on the ground. By Russ Pettis On Friday, March 2, for the third straight year, a NASA research team consisting of 40 to 50 technicians, veterinarians and others descended on Russ Pettis our farm east of Eau Claire, Wisconsin, to retest the bears hibernating on our property. This project was conceived to determine why bears can sleep through a whole winter without losing strength. The answer to this question could well help our astronauts eliminate the problems caused by weightlessness on a future manned mission to Mars. In January of 2005 while still asleep (Mother Nature’s anesthesia) she bore five cubs all of which weighed less than a pound. The mother didn’t wake up until March forcing the cubs to fend for themselves in the interim. The first testing was done that March when the cubs were about five pounds. In the fall of 2005 the sow led her brood into a fine den made of old Jim Lee needs no introduction to our LO’L subscribers but for those who don’t know him, he is the Immediate LO’L Past President and currently a member of the Internat’l board. He and his wife, Linda, live in North Oaks. Jim is a retired CPA and in addition to barbershopping counts golf, ham radio and fishing as his interests. Jim and Linda sing together in the mixed ensemble Friends. Jim Lee Jim, a lead singer, is, and will remain, a loyal member of the St. Paul chapter but couldn’t resist the opportunity to go to Denver with a chorus of 140 plus men literally from all over the country; joining members from Montana, Florida, Arizona and, of course, from Iowa. Welcome, Jim, temporarily. albeit only tree stumps. The second NASA study done on the tranquilized bears in March of 2006 found the weight of the cubs to be up to 130 pounds and the sow 260. At that time, collars fitted with special locating-transmitters, were placed on the bears. The sow’s transmitter worked well but the cubs apparently all had defective units so their whereabouts could not be determined. (However, one male cub was later hit and killed by a car and a female shot by a hunter.) This past fall, the sow hibernated in the open just 20 yards from a county road and again produced five cubs all an average of three pounds heavier than the previous group. The sow weighed 285 and will probably be up to 375 by fall. Go to Bears, Page 5, Col. 2 CHORD-INATOR Carl Smith lives with his wife, Carol, in Hopkins. A native of St. Paul, Carl graduated from St. Paul Academy and went to St. Mary’s University for a baccalaureate Carl Smith and a master’s degree in education. He taught high school biology for 20 years. Since then he has had a hand in various restaurant businesses and now works with ABRA Auto and Glass. Carl has played the flute and some piano and was a member of the St. Paul North Star Chorus for 15 years until a move and a growing family made it difficult to get to chapter meetings. His recent move to St. Louis Park has made it quite convenient to sing with the Commodores. Reading and model railroading will command his other interests when not singing bass with the Commodores. Page 5 Bears from Page 4 Due to virtually snowbound roads (global warming?), the research team had a difficult time trekking to the bears to perform their tests. In spite of the handicaps, the mission was accomplished. I recently inquired as to results so far and was told by officials of the National Aeronautical and Space Administration that they “have (gained) a lot of valuable information that will be used on manned flights” and that they “think the study is a success and will be continued.” I am extremely gratified to hear that there are useful results, as I have been hoping for success for two and a half years. To have even a tiny part in helping with a great adventure like a manned flight to Mars is exciting even to an 80 year-old man like me. When I was in grade school in the 1930s, I frequently read fanciful stories about strange people and animals living on other planets. To be involved in this project even in a small way could be considered a dream of a lifetime. APRIL 2007 2007 LO’L Mini-Hep School La Crosse, WI June 22-24, 2007 featuring Flipside 2006 Fifth Place International Medalists From Portland, Oregon Faculty includes Jim DeBusman, Bruce Odell, Ron Rank, Dan Heike and others. There are classes to suit every barbershopper as well as coaching available for quartets and choruses. The registration fee of $109.00 includes meals, lodging, all classes and special events. Registration forms are available in the latest Pitch Piper or on the LO’L website, <loldistrict.org/hep/2007/lax/> Register now. You don’t want to miss a really great time. A Visit With Mark By Dick Plaisted, Aarps-a-Chord On March 8, 22 members of The Friday Lunch Bunch That Meets On Thursdays descended upon the Wellstead of Rogers to visit with good friend and Commodore, Mark Conlon. Mark’s illness precludes his attendance at our weekly meetings at the Moose on Monroe so we literally “took it to him”. His daughter, Lindsey, hosted the affair which included a nice lunch and an informal concert for Mark and the other assembled residents. Jerry Larson directed the TFLBTMOT chorus in eight numbers intermixed with the quartets, The No Name 4 and also the The Salty Dogs, who came Bob Dykstra (rt.) presents Mark with the official FLBTMOT shirt. out of retirement (again) for this most special occasion. After receiving his official TFLBTMOT shirt, Mark tagged in with No Name Four, replacing tenor, Harlan Mellem, for a couple of tunes. A good time was had by all and we were pleased that Mark is in The No Name 4 (left to rt.): Tenor Mark Conlon, (tagging in for Harlan Mellem), Lead Jerry Larson, Bass Jim Foy and Baritone Joel Kleschold. (One would think that Foy was the baritone, having forgotten his uniform shirt.) good company at Wellstead. Mark will welcome all of your calls and letters. He may be reached at: 20600 S. Diamond Lake Rd. #A414 Rogers, MN 55374 Phone 763/428-8778 CHORD-INATOR Board Highlights By Steve Daniel, Secretary The meeting on March 22: • Approved financial support for a pool to fund a program to introduce barbershop singing to area h i gh s c h o ol students, with the amount to be determined later. Steve Daniel • Considering the fact that the Commodores will not be competing in the spring divisional contest, discussed making a contribution to the sponsoring St. Croix Valley chapter to offset financial losses incurred for the contest. • Will evaluate after the Memorial Day sing-out whether in the future to use just a quartet or VLQ for the relatively small audiences at such events. • E-mail reminders of our show and stamped postcards will be sent to our past patrons two weeks before the show. • Approved $8 as the price for afterglow tickets sold at the door. Tickets purchased before the show remain $5. • The date of the 2008 show has again been changed, to April 5. • Attendance requirements for singing in Denver: a minimum of seven Tuesday rehearsals and at least one of the two Saturday rehearsals. • There will be a megaafterglow in Denver on Saturday night, July 7, with $15 tickets to be purchased at least two weeks before the contest. • Approved contracting with House of Prayer Lutheran Church in Richfield for new rehearsal space, beginning April 3 and Page 6 running through August, with longer commitment to be evaluated at that time. Bill TeVogt will need help sorting and moving our stuff in storage (awards, records, etc.) out of JCC by April 15. • Approved reimbursement for Guy St. Martin for gas, lodging, and parking related to driving one of his rental trucks to Denver and back with the risers. • Handled a copyright law violation on an arrangement of a song sung at a recent Commodore’s funeral by agreeing to remove the arrangement from our website and to purchase 40 copies of the book Good News Gospel 3. • Approved the applications of Rick Arvidson, Don Rudnik, and Jim Lee (dual) for membership. • Luther Romo has volunteered to be in charge of new member orientation. Sick Call The Commodores all send their best wishes to Becky Wigley for a speedy and complete recovery from her surgery. We are looking forward to seeing her at the Annual Show. After new medications for a recent relapse Loren Wuttke seems to be rebounding with an increasing appetite and exercise tolerance. According to Norma, his spirits are much improved. Whether it was the new therapy or an impromptu visit on March 27 by the Salty Dogs is debatable. (Will those guys ever really retire?) Norma says Commodores are always welcome to visit but suggests a call first to insure that Loren is not making a doctor or hospital visit. It was good to see Mark Sathe at chapter meeting on Tuesday, Mar. 27. He will be starting a new c he mo t he r a p y r e gi me n on Wednesdays so he hopes to be with us on Tuesday evenings. APRIL 2007 The Good Old Days? By Phil Hassenstab, Commodore South By this reading, we will have performed our magic at the North Iowa Auditorium and will be preparing for the Show at Bethel. Fine auditorium facilities, nice Phil Hassenstab seats, spotlights, sound equipment, and all those neat things. However, w e w i l l b e mi s s i n g t h e camaraderie/bonding/j oyful preparation that we in River City used to have when our venue was the old Roosevelt Junior High School auditorium (as in basketball court, etc). Picture a full-size basketball court with bleacher seats on both sides. The stage is at the far end. Our two shows were Saturday at 4:00 and 8:00 P.M. We couldn’t get into the place to set up until after school on Friday. There are two notable happenings that stick out in my memory. Hanging our spotlights is one. The first time I assisted, my reaction was “You’re going to what? You’ve GOT to be kidding!” We owned our own spots, and had to hang them from basketball brackets on either side of the court. The power cables were run to outlets backstage. Using all amateur installers (like yours truly), it’s only by the grace of God that serious bodily harm was avoided. It was so entertaining to try to get volunteers to go back on Sunday to tear it all down again! We made all the stage backdrops, with a crew usually starting the week before. Large flats were stored at a local trucking firm (member). We’d re-assemble them and let the artistic types paint the new show theme on them. Friday Go to Hassenstab, Page 11, Col. 2 CHORD-INATOR Page 7 APRIL 2007 BASIC CHORUS VISUALS Definitions and Examples Visuals are added to performance, to enhance the musical presentation. It can be said that there are times when excessive physical movement can negatively effect musical performance; however, visuals should help to present the message of the song to the audience. Eighty percent of visual effectiveness is facial involvement, twenty percent physical moves and gestures. Visuals, to be effective, must be believable and done with conviction and bodily energy. Mood generation is accomplished primarily through facial involvement and subtle movement. The following is meant to provide a basic guideline to basic visuals used in most visual plans. Chorus Position: (CP) = Stance, feet slightly spread for good balance, outside foot forward, body aligned, arms (held), weight on the balls of the feet, finger tips along the seams of the trouser and chest raised in a proper singer’s stance. Focal Points: (FP) = When Director faces chorus, focus usually through the director. If Director has back to chorus, chorus focus goes to audience, usually (tiles) 1. 2. 3. 4. 5. Through or to Director Stage left (10 0' Clock) Stage right (2 0' Clock) 10 C (sweet spot in audience, center, row 10.) Tiles (straight out from your position to audience) Split Move: (SM) = Chorus divided in half. Left moves left, Right moves right. Quad Move: (QM) = Chorus divided into 4 quadrants 1. 2. 3. 4. Far left Middle left Middle right Far right Press: (P) = Shift of weight toward focal point 1. 2. 3. 4. Loud press - to outside foot (Loud move) Soft press - to inside foot (soft move) Unit Move: (UM) = All move together (same visual look) Interaction: (Inter) = Freely, ad-lib, to each other. Sell to Audience: (SA) = Chorus members sell to parts of the audience Lyrical Phrase: Phrase in lyric of music. (Tend to sing a lyrical phrase to a focal point and then move to another focal on another lyrical phrase.) Ripple Move: (RM) = Sequential move. 1. 2. 3. 4. By row By half By Quad By individual Moves have duration: Moves involve (prep), (execution), and (release). They also have tempo. Fast songs–faster, crisper moves. Ballads = Slower and smoother moves. Common Moves Used: Step-touch: To the side, or 45 degree. Reset: Reenergize body and face, usually on breath. Sway: (Feet stay in position) Back and forth Crouch: Like sitting on a stool, upper body stays tall for good singing support. 57 Spread: (Loud arm higher, inside arm lower, body presses outward.) commonly used at tag of song. Expanded 57 Spread: Starburst effect. Back row inside arm raised overhead, front rows, kneeling, middle rows at varying heights. Step-ball-change: Snap (one or both hands) On beat 1 and 3. Off beat 2 and 4. J-Hook: Slight dip with knees as press forward, then come up as release. Cut- Off and Recovery to CP Hopefully we can review these common moves on a regular basis and this should help to enhance our musical performances. Keep smiling!!! Gary Jacobson CHORD-INATOR Page 8 APRIL 2007 Georgia Grind–First Line, Second Line this at home, however.) Here’s what he said (paraphrased a bit): handkerchiefs and umbrellas in the air, or just their hands, too.” By Jim Erickson, Sideline Baritone “Second lines and second lining evolved from funeral processions in New Orleans that used a brass band to play as the departed was taken to the cemetery. The mournful music going there was followed by more upbeat music on the way back. (JEE–you most likely knew this already) The ‘first (or main) line’ was members of the immediate family who left the cemetery ahead of the band and began celebrating life by dancing and moving to the happier music. When he refers to second line rhythm on his blog, it is the syncopated, dance-generating march style of playing that has become infused into the drumming tradition in New Orleans over the years and which is heard in various types of music from that city. So, now you know a gnat’s hair more about second lining than you did before reading this article. I found something! I found something! I found a treasure trove of information about what the “Second Line” is. If you recall, it’s mentioned in the song, “Slippery Sam” we’re singing at the u p c o m i n g concert. (“See Jim Erickson the people struttin’ to the second line.”) Now you may scoff at my rather limited knowledge of the South. Maybe I should have known what the “second line” was. I admit that my only ventures south of Des Moines have been to Orlando to see Mickey Mouse, and a stopover in the Atlanta airport eons ago. (OK, I confess to having misled you a bit about my research trips to the Old South in search of “Georgia Grind” information. No, I was not on a well-known sleeping medication that could have led to late night skirmishes and hallucinations. And, I have not shaved my head—it only looks that way due to rapidly departing follicles. Nor, have I entered “rehab” as many popular figures have recently done, in order to normalize my otherwise eclectic and scattered thinking. But, I am excited to tell you about what I found and if you know about it already, then just go look to see “Where’s Flossie at?” Dan, at “Home of the Groove,” on the Internet was gracious enough to respond to my plea seeking information about the second line. Not only did he give me some, but also gave me an appropriate Internet link for some more elucidation: (www.frenchquarter.com/history/Se condLine.php). Now you, too, on your very own, can perform like a researching baritone. (Do not try 2007 Harmony University St. Joseph, MO July 29-August 5, 2007 featuring Vocal Spectrum and Ambassadors of Harmony If you are unable to set aside a full week for this program, the Society offers a special weekend package at a reduced rate. Make your reservations now. Contact: 1-800-876-SING (7464) or www.barbershop.org/ harmonyU The people following the band (the second line) joined in the celebration with even more enthusiasm. Neighborhood people not even involved in the funeral would seek out this music and join in the procession, ‘struttin’ to the second line.’ It is the ‘jazz’ funeral concept of New Orleans.” Dan goes on to say, “Second lines are now organized for many occasions. Now, dancing to any brass band music with a funky parade beat may be called ‘second lining’ (also, known as ‘buck dancing.’ JEE—Do you remember that term from our earlier ‘Charleston’ tune?) People wave “Georgia Grind.” While you sip your street bourbon, I’ll page through the songs to see if there isn’t something-----Wait, here’s an innocuous term that has hidden meanings. Now I’m not a fan of “just-in-time” inventory methods, as, for me, they always seem to be “just-in-time minus one.” To purchase a longed-for item, I’m told, essentially, that I should have been here yesterday. We’ll have them just in time for tomorrow, however. (Malicious smile) But, right now the term, “Swanee” or “Suwannee” River has emerged to give this article a second line celebration of new life. Pardon me for my naiveté, but I sort of thought from as far back as childhood (before color television), that the Swanee somehow had something to do with swans gracefully swimming along in the gentle river current on a warm, summer day. Or, something like that. So much for childhood impressions. But to give you a little background, the Suwannee River is a major river of southern Georgia and northern Florida about 266 miles long. The river rises in the Okefenokee Swamp, is joined by the Alapaha and Withlacoochee Rivers, and eventually ends near the town of Suwannee. (Hey–I just report this stuff. My mind may be as fertile as year-old cow chips, but even I couldn’t come up with such names, at least with a straight face.) In the Go to Erickson, Page 11 , Col. 1 CHORD-INATOR Page 9 Cole from Page 2 Happy Birthday behind schedule, but it seems to take my brain a little longer these days to grow those little tendrils to store all the new stuff. Mind you, I’m not complaining, I like all the new music and can hardly wait until the show is all together and we finally get to perform — it’s going to be a great show! Last night was a board meeting and a section rehearsal going on at the same time at Wooddale and on yewer behalf I attended the board meeting and we discussed and made motions and took care of business. It’s important stuff and your board is making sure that the Commodores continue to thrive and grow. But, in the background I could hear the singing and it was really hard not to excuse myself to go sing. Turns out that it was the baritones in the next room, but even their sounds were drawing me in. How lucky we are to have enough talented people in our chapter, to cover all the bases for sectionals and have 14 more people covering the chapter business at the same time. 04/10 Wes Hatlestad 04/11 Sue TeVogt 04/12 Janet Johnson 04/14 Char Carlotto 04/15 Janet Huyck 04/15 Barb Aronson 04/16 Dan Slattery 04/18 Kathy Nelson 04/19 Sarah Hartmann 04/20 Romana Jorgensen 04/20 Ed Peterka 04/21 Curtis Johnson* 04/21 Sam Schmeling 04/21 Carlton Bauer 04/22 Jamye Casperson 04/24 Larry Daby 04/24 Jeff Vander Plaats 04/26 Becky Wigley 04/28 Norma Wuttke 04/29 Dan Smith 04/30 Arlo Stoltenberg* 05/03 Ray LaCombe 05/03 Cathy Lundby 05/04 Dale Lynch 05/05 Roger Meyer 05/06 Rich Ongna 05/06 Kay Foy 05/09 Jim Windey * Commodore South There is a lot going on in the Commodores and some plates are more full than others, but would I want it any other way? I say no. I don’t think I have peaked yet as a singer and all I have to do is think of the alternatives. Would I rather be sitting around watching some spectator sport knowing that I’ll never be able to dunk a basketball, or play hockey (weak ankles, lousy skater)? Why even my bowling is erratic at best. And then there’s NASCAR—there isn’t enough popcorn in the world to make me sit through 400 laps of cars going in circles (ovals), although I must admit, I still am a pretty good driver. I say “No!” to the sedentary life and I’m going to push myself to my limits, or whatever the barbershop bank will allow. I have to stop here, because Honey has some things for me to do. Catch you later. Happy Anniversary 04/11 04/18 04/22 04/27 Chuck & Kelly McKown Ray & Mary LaCombe Jim & Judy Johannsen Dick & Sarah Hartmann Barbershop at the Dome Tuesday , June 26th, 7:05 pm. Minnesota Twins vs. the Toronto Blue Jays Yes, that means not one, but two, anthems. All tickets (both singers and guests) are discounted 20% for this event. That ends up being $23 for lower deck seating and $16 for upper deck. For more information contact: Ken Slinde Bass, Great Northern Union 952/884-4975 APRIL 2007 Things to do in Denver By Joe Houser, Advance Man I said in my last article that I went to a great pizza place. Well, let me tell you I have had pizza all over the country and this is one of the best. It is called Mountain Pies By BeauJo’s. This is a truly Joe Houser Colorado-style pizza. There are four locations and the one I went to is located in Idaho Springs. This is an old town about 30 or so miles from Denver. It is quite quaint, with wooden sidewalks and nice little stores to shop in. For those who like chocolate there is a homemade candy shop across the street. Let me get back to the pizza. When you order a Mountain Pie, you order it by the pound. You get your choice of toppings. They make it over-sized and then they roll the end crust. When your pizza comes to the table, the edge of the pizza is about three inches high. You eat the flat part and then after you have saved the end-crust, there is a bottle of honey to pour on it for a dessert. You can go across the street and get some homemade candy if you choose Outside the town of Idaho Springs is an old gold mine open to tourists. My friend, Pete, and I went into the mine. We were there for an hour or so and learned a little about gold mining. You can even pan for gold in a mountain stream if you like. The mine’s name is The Phoenix Mine. So, if you are going up that way for pizza and shopping, check out the mine. They have tours and maybe yo u c an get t hr ee mo r e barbershoppers to sing a song with you inside. Pete and I sang a duet by the Lucky Bucket. Pete’s a bari so that’s why we sang in a mine. Plus, the owner of the mine is a friend of Pete’s. Well, I believe I Go to Houser, Page 11, Col. 3 CHORD-INATOR Buzzing the Venues with … the Gadfly By Dale Lynch, The Gadfly Early in March I heard Great Northern Union – Hilltop – for the first time since they told us they were going to rethink their mission, their goals as a chorus. The Gadfly The result was a pleasant experience for the audience, a strenuous and satisfying performance for GNU, I guess, but a long stride away from Barbershop, most of the time. The venue was St. Michael’s Lutheran Church in Bloomington, Minnesota, the first of two there this year for GNU. The show was unusual from the onset, with welcome delivered by St. Michael’s Director of Music, Jane Horn. Ms. Horn expressed the pleasure of her congregation in hosting not only GNU, but the “Statesmen” chorus from Iowa State University, 100-plus voices under the direction of Dr. James Rodde. A third and familiar ensemble, the vocal band “Limestone,” from St. Olaf College, provided very modern sounds in several of their own compositions. They are top award winners in national college competition. Great talent – CD’s available and about 60 years after the “Honey Dreamers” came off that same campus, sparking such groups as the “Four Freshman.” Great Northern Union, seven-time medalists at International, has told us they are exploring new material, re-thinking their identity, and skipping an appearance at International after twenty straight years. Well, Director Peter Benson is showing GNU the way, sharing the risers with the Statesmen. GNU melded beautifully with the Page 10 Iowa guys, both groups easing the audience through some traditional spirituals. GNU’s own program was just fine, skillfully performed, and mostly non-Barbershop. Ask Aarps-A-Chords Jacobson and Griffith. As veteran GNU’s, they know what’s going on. Those Iowa Statesmen. Boy, you can see the intensity and only guess at the energy expended up there. Young guys, young voices. Heavy lifting. I can tell you that O.C. Cash and I never heard music like that, and I’m pretty sure it wasn’t set down by song-writers. “Composers Only,” the sign reads here. The Statesmen will be back with GNU at St. Michael’s later this year. Ask GNU when. On to other things…… The morning of Monday, March 19, about 35 barbershoppers – Commodores, Lunch Bunch Guys from a number of chapters, and family and friends of Carl Pearson gathered at United Church of Christ in Cottage Grove. As he always does, Jim Richards brought the music – Precious Lord and Irish Blessing, and Dave Speidel directed. As Carl had asked, there was a good deal of warm remembrance of our many years of sharing music and good times. Even Carl’s pastor knew about “Super Guy” greetings and “Give me three.” We were glad to be there. At lunch in the church basement, our table got to talking about how “Give me three.” is likely to last a very long time in Commodore lore. Carl was not the only one who is digitally deprived. Jim Richards, like Carl, tangled with woodworking equipment and lost part of a finger. And everybody knows about Doug Miller’s encounter with a folding chair. He lost the battle and part of a finger. That’s three guys, but four? Yeah, four including, Gary Jacobson. Here’s his story. He says it is APRIL 2007 absolutely fact, not fiction, and his “Friends” partner and wife, Marilyn, will tell the story in exactly the same way. It goes like this: Once upon a time, up in Fargo, Gary reached up to pull down his garage door. Somehow, a finger got caught in the mechanism as the door descended – and ZIP! – Part of the digit was off – loaded on the door. Marilyn came on the run, of course, wrapped the hand in a towel, and off they went to the emergency room. The doctor took a look, and then asked whether the missing digit part was in the towel or someplace. It wasn’t of course, all the confusion – the sound and fury, the dog barking (Oh, man, did we leave the dog out?) Anyway, the doctor said they’d get along without it, and he stitched up the hand, patted Gary on the shoulder and sent him along home. Back home, Gary and Marilyn are relieved to see that the Springer Spaniel, Duchess, is waiting. Rather than going into the house, Gary goes to the garage door and raises his “good hand” running it along the offending mechanism. By jingo! Gary picks the missing digit part off the door and turns, hand in the air. The dog, Duchess, had been watching all this curiously. Ahh, now she understands. Her master often carries doggie treats in his pocket, holds them for her to see – and she leaps up for them. So Duchess, the Springer, sprang. But no, it wasn’t a doggie treat. What was it? Thanks for asking. The dog, Duchess, devoured a delicate dollop of digit; downed it in a gulp. Duchess was pleased. In fact, seemed to like it. Her master has mixed feelings about losing that Go to Gadfly, Page 11, Col.2 CHORD-INATOR Erickson from Page 6 1530’s, when Spaniards explored the area, they found to their dismay that the Timucuan people had already named the river, Suwani, meaning “Echo River.” And to my dismay, it has nothing to do with swans. If Spain had gotten there first, we might now be singing, “Way down upon the El Toro River.” Lacks something. To further confuse the matter, Sewanee, Tennessee, home of the University of the South, has published a bumper sticker stating, “Sewanee is not a river.” Do you begin to understand why my mind is so disjointed much of the time? I’m not the only one, however. Stephen Foster originally wrote “Pedee” River in his first lyrics of “Old Folks at Home,” but his brother told him to change it to “Swanee” because he thought it sounded better. Foster never saw the river he made world famous and somehow that just doesn’t seem right. And, to further burst your bubble, the song i s more reminiscent of a plantation life typical of 19th century South Carolina along the Peedee, according to Wikipedia (technical Internet term), than among the swamps and small farms of coastal plain Georgia. I’ve been told that in local parlance, something going “up the Swannee” means something going badly wrong, sort of like “up the creek without a paddle.” (Sanitized version) And I’ll be stepping into the Doc Hardin’s editorial canoe to head up the creek if I don’t end this right now. Next time I’ll tell you the breaking news about the long lost parchment I found in my gorilla jacket lining and how it gave me secret clues to continue deciphering the Georgia grind! Keep paddling downstream! Jim, the backwater baritone. Page 11 Hassenstab from Page 6 was transportation and installation. Then on Sunday came disassembly and return to storage. The auditorium seating was in multiple prices. The premium seats were metal folding chairs on the basketball court area. The permanent bleachers were the economy seats. Since we used reserved seating, all the chairs and the bleachers had to be numbered by us prior to the show. The chorus had invested in plastic seat cushions, which were filled with shredded plastic and had the chorus name on them. They came in red, white, and blue, and were in LARGE boxes. In the off-season we stored them in the basement of Farmer Opticians (member). There were ticket stubs for each ticket sold, and we had to tape these stubs onto the seat cushions before the show. After the first show, we went through the entire auditorium to be sure the numbers were there for the second performance. Our move to the North Iowa Auditorium was welcomed by all who had been involved in the show preparation. It is still a fair amount of work when we do backdrops and some of the staging, but nothing like the “good old days”. Which reminds me, did I ever tell you about…? Well, perhaps in the next issue. APRIL 2007 We (Jim) Get(s) Letters Jim (Richards) Forgot to mention that I thoroughly enjoyed Director Paul’s article on the front page of your recent newsletter/bulletin. This sounds like a chapter I could really enjoy singing with. I think, if all the guys feel Paul’s way, you all really have it together with the true spirit of what this singing fraternity is all about. I have the feeling that your chapter is not contest driven, as so many are. And I’ve come to think that’s one of the reasons fellows drop out, or don’t sign up when they come as guests, etc. We have to have fun - and that’s what it’s all about -- singing fun, that is. Please tell Paul I enjoyed reading his words. And best wishes to all. Burt Szabo LADIES NIGHT/BOTY Sunday, June 3, 2007 Golden Valley Golf Club Make your plans now! Houser from Page 9 now have given everybody suggestions for places to visit and enjoy and to have a good time. Check out the web site for the pizza: www.beaujos.com. Gadfly from Page 10 digit-part twice in one day. Marilyn stands faithfully nearby, waiting to nod vigorously, if asked. Someday, perhaps at the Great Afterglow in the Sky, the digitally deprived in this column will sing, and they will need a name for their quartet. The editor thinks “The Four Clips” would be good. I’m holding out for the “The Four Fingers.” It’s great to be a Commodore! Joe Houser (left) with his Denver friend, Pete Boldrin, at the entrance to the Phoenix Mine. CHORD-INATOR Non-Profit Organization U.S. Postage Paid Minneapolis, Minnesota PERMIT NO. 02426 MINNEAPOLIS COMMODORES Minneapolis Chapter of SPEBSQSA RETURN SERVICE REQUESTED Dr.Hardin Olson, Bulletin Editor 306 13th. Ave. N. Hopkins, MN 55343 MEETING EVERY TUES –7:30 PM House of Prayer Lutheran Church 7625 Chicago Avenue South Richfield, MN 55423 DATED MATERIAL PLEASE EXPEDITE GUESTS ALWAYS WELCOME To: LOOKING AHEAD Chapter Quartets Chapter Level AARPS-A-CHORD……………………03/01/06 Gary Jacobson……………….…...651/330-4525 EASY LISTENIN'………………….….10/01/03 Dan Slattery………………….…. 763/755-2926 FRIENDS………………………..(mixed group) Doug Miller…………………….…….952-8265 GOOD NEWS!……………………..….04/30/03 Rod Johnson………………..…....507/645-5750 HAPPINESS EMPORIUM…………...1975 IQC Rod Johnson………………..…....507/645-5750 METROCHORDS……………………..03/01/06 Dan Cole…………………… ..….612/376-0779 SALTY DOGS……… ……………….08/31/03 Bob Dykstra……………..……….651/633-6951 7TH HEAVEN……..…….……..(mixed quartet) Jim Foy………….……………….763/571-0829 SPECIAL ALLIANCE………………...03/31/03 Doug Miller……………………...952/447-8265 • • • April 26, 2007, Tech Rehearsal • June 3, 2007, Ladies Night/BOTY, Golden Valley Golf Club • June 9, 2007, Joint Rehearsal, Faribault ? • June 23, 2007, Joint Rehearsal, Lakeville • • July 17, 2007, Como Park singout • May 4-6, 2007 LO’L Spring Convention and International Prelims., Winnipeg, Manitoba • June 22-24, 2007, Mini-Hep School, La Crosse, Wisconsin • July 2-9, 2007, International Convention, Denver, Colorado April 28, 2007, Annual Show May 28, 2007, grams Effective April 3, 2007, the Commodores will be meeting at the House of Prayer Lutheran Church at 7625 Chicago Avenue South in Richfield. Our 33 years at the Sabes Center are at an end. Dan Cole Commodores and others * contributing to this issue: Memorial Day pro- July 19, 2007, Waconia singout District Level Notice Barbershopper Of The Year International Level Curt Brekke Dan Cole Steve Daniel Jim Erickson Bob Griffith Phil Hassenstab Joe Houser Gary Jacobson Dale Lynch Hardin Olson Russ Pettis Dick Plaisted Jim Richards Burt Szabo* Support Your Chapter Bulletin! Will April showers bring May Chord-Inator articles? (I’ll try to plant the seeds.)
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