TEXAS H%T COUNTRY # INSIDE

VOL. 19 NO. 5
COVERING COUNTRY MUSIC SINCE 1991
AUGUST 2012
REBELS % RENEGADES & HONKY-TONK HEROES
TEXAS H%T COUNTRY
MAGAZINE
E
www.texashotcountrymagazine.com
OUR 21st YEAR
INSIDE #
CELEBRATING
CELEBRATING
THE NEW
NEW 93Q
93Q 20TH
20TH
THE
BIRTHDAY PARTY
PARTY AT
AT THE
THE
BIRTHDAY
PASADENA RODEO
RODEO
PASADENA
SEPTEMBER 14
14
SEPTEMBER
JOE
NICHOLS
KITTY WELLS TRIBUTE
THE NEW 93Q TOP 20
TEXAS HOT COUNTRY
LIVE!
#
www.thenew93q.com
www.countrylegends971.com
CHRIS CAGLE
PASADENA RODEO
SEPT. 20
PAGE 2, TEXAS HOT COUNTRY MAGAZINE, AUGUST 2012
TEXAS HOT COUNTRY MAGAZINE, AUGUST 2012, PAGE 3
TOP 20 SONGS PLAYED ON THE NEW 93Q
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.
16.
17.
18.
19.
20.
JANA KRAMER
DUSTIN LYNCH
JOSH TURNER
EASTON CORBIN
THE BAND PERRY
KENNY CHESNEY
RASCAL FLATTS
GLORIANA
THOMPSON SQUARE
THOMAS RHETT
HUNTER HAYES
KEITH URBAN
KRISTEN KELLY
LITTLE BIG TOWN
BLAKE SHELTON
JERROD NIEMANN
MIRANDA LAMBERT
CARRIE UNDERWOOD
MIRANDA LAMBERT
LOVE & THEFT
WHY YA WANNA
COWBOYS AND ANGELS
TIME IS LOVE
LOVIN’ YOU IS FUN
POSTCARD FROM PARIS
COME OVER
COME WAKE ME UP
(KISSED YOU) GOODNIGHT
GLASS
SOMETHING TO DO WITH MY HANDS
WANTED
FOR YOU
EX-OLD MAN
PONTOON
OVER
SHININ’ ON ME
FASTEST GIRL IN TOWN
BLOWN AWAY
OVER YOU
ANGEL EYES
INTRODUCING BAYTOWN’S COUNTRY MUSIC SINGER/SONGWRITER
Breelan Angel B
reelan’s debut EP, Write It My Own Way, has just been
released, and features six songs she co-wrote -“Feelin’ No Pain,” “Real Good Night,” “Best Of Him,”
“You’re Wrong,” “Addicted To The Pain” and “Write It
My Own Way.” Breelan, a recent graduate of Southern
Methodist University with a degree in business management, brands her country a mix of traditional,
southern rock and country rock. “It has that hard
country edge feel to it.”
the buzz on breelan
On behalf of the Crosby Fair and Rodeo, I would like to say
that having Breelan Angel at the Crosby Fair and Rodeo was
one of the best things we did this year. Breelan put on a great
show and drew a big crowd of her own fans. With a mix of her
own original tunes and many favorites we all know, she put
on one of the best performances I’ve seen from a new artist in
a long time. We look forward to having her back next year.
#
BILL BUSBY
CROSBY FAIR & RODEO
Breelan opened for the legendary Don Williams on June
21st at the Stafford Centre. She possesses a powerful
voice and features a solid group of musicians. Breelan’s
presentation of original scores demonstrates a skill set
beyond her vocal prowess. We are excitedly looking
forward to her next appearance here.
BRYAN BLAUM/PRESIDENT
STAFFORD CENTRE
#
#
schedule
AUG. 10 FIREHOUSE
SALOON, HOUSTON
(OPENING FOR JOHNNY
COOPER) 9:30 PM
SEPT. 8 ROWDY BUCK’S,
CROSBY
OCT. 20 FREIHEIT
COUNTRY STORE
(OPENING FOR
DOUG STONE),
NEW BRAUNFELS
#####
FOR MORE INFO, AND TO HEAR
BREELAN’S MUSIC, PLEASE GO TO
www.breelanangel.com
PAGE 4, TEXAS HOT COUNTRY MAGAZINE, AUGUST 2012
LEGENDS CONCERT SERIES
STAFFORD CENTRE
#
10505 CASH ROAD G STAFFORD
TICKETS AT STAFFORD CENTRE BOX OFFICE (281) 208-6900
HERMAN’S HERMITS
STARRING PETER NOONE
FAB FIVE -AUG. 25
#
#
OPENING ACT #
FOR HERMAN’S
HERMITS
BOOTS & ROOTS CONCERT -- OCT. 3
JOE DIFFIE/SAMMY KERSHAW/
AARON TIPPIN #
#
#
RICK SPRINGFIELD
OCT.6
JOE DIFFIE SAMMY KERSHAW AARON TIPPIN
DENNIS DEYOUNG:
THE MUSIC OF STYX
B. J. THOMAS &
OCT. 11
THE TRIUMPHS -- NOV. 10
TRAVIS TRITT-NOV. 9 TICKETS AT STAFFORD CENTRE BOX OFFICE (281) 208-6900
#
TEXAS HOT COUNTRY MAGAZINE, AUGUST 2012, PAGE 5
CHRIS CAGLE
BACK IN THE SADDLE
*
‘This Entire Record
(Back In The Saddle)
Is A Snapshot Of My Life
Over The Last Three Years -Every Verse, Every Chorus,
Captures A Chapter.’
LIVE AT THE PASADENA
RODEO SEPT. 20
WITH MARK CHESNUTT
& ANDY GIBSON
A
sk Chris Cagle what’s most important to him and you
can bet he’ll answer this way: “Family, ranch, music.
That’s it.” This response is seemingly simple for a
man whose professional credits include two gold
albums, two No. 1 albums and 12 charted songs.
From 2000-2008, Cagle released an almost non-stop
catalog of hits that resulted in a scorching hot
career. Cagle’s musical character and burning
ambition never wavered but today, Cagle’s personal
perspective has mellowed. His 2012 album, entitled
Back In The Saddle, is, in more ways than one, a new
lease on life.
Born in DeRidder, Lousianna, and raised “all over,” Chris
set off for Nashville after trying his hand at college in Texas and
finding the pull to pursue music too strong to ignore. Like many
young artists, he spent several years working odd jobs in Nashville and scraping up enough cash to record four original songs
to record a demo tape. Thanks to a couple of chance meetings
and the opportunity to be heard by Scott Hendricks, Chris
was signed to Virgin Records in 2000 – that first album featured
the unaltered version of his demo songs. Chris quickly earned
critical and commercial success and attracted a legion of fans
that included industry heavyweights and country fans alike.
Cagle’s first No. 1 smash, “I Breathe In, I Breathe Out,” remains
a fan favorite.
*
For Chris, the professional success and sales were gratifying, but his
personal life blistered under the spotlight. “I was tired of who I was in this
business,” Chris says. “I had become somebody who I didn’t want to be.” He
bowed out and retreated to Marietta, Oklahoma, a place where he could distance
himself from the industry, reconnect with his roots and take back control of his
life. He spent the next couple of years staking his claim on home life and
embracing a lifelong dream: building his family’s home, “Big Horse Ranch,”
with his own two hands, nail-by-nail. What started out as a “piece of dirt” is now
an impressive Oklahoma homestead. Chris also met the woman who he happily
reveals “owns him,” his wife, Kay, who he describes in the song “Let There Be
Cowgirls”: “Something you can’t tame/She’s a mustang/ The heartbeat of the
heartland.” “The worst days we’ve had together are better than the best I’ve had
with other people,” Chris says. He also found a new identity as a father.
On the birth of his daughter in 2010, Chris says, “She made me want to be
better at everything. Period. I’ve never cared enough about myself to take
responsibility for my faults; she made me man right up.”
Cagle’s 2012 release from Bigger Picture Group, Back In The Saddle, is his
homecoming – a rekindling of his creative flame and a roaring reminder of his
rock-infused country roots. It’s something he originated and what he does best:
relatable, backroads and familiar while also being a striking form of country
music worth getting excited about. While assuring his fans that the Chris they
love hasn’t changed, Cagle sees his new persona as a better version of himself.
“I want my music to be an environment, to strike chords, passions, memories,
faults, loves, angers and redemptions,” Chris says. “Imagine my music just on
the outside of town right where the road turns to the rural route. A dirt road culde-sac with trucks all parked in a circle. I would love to see my music fit into
that.”
This Chris Cagle may look a little different to those who are used to a
louder, harder-partying version of the star. Rest assured, Chris still gets “as
rowdy as a redneck can get,” but these days he confines himself to a smaller
space – the 40’x40’ stage. And when the show’s over, he puts on a different hat
and heads back to hearth and home. It is there that Chris has found balance
and a new passion. Today, his biggest off-stage thrill is training and raising
cutting horses, and when he puts on his cowboy boots and favorite ball cap, it
is because he’s living the true cowboy lifestyle, not because he’s putting on a
show.
Chris’ self-proclaimed version of “redneck rock ‘n roll,” has been firing
people up for over a decade, and this time around, Chris is chomping at the bit
for an energetic reintroduction to the country music community that’s been a
long time coming. Fans will still see flashes of the Chris they know, but they’ll
also see the joy and confidence that home life provides him. “I’m happy. You’re
gonna hear the smile through the radio,” Chris says of his new record. “For the
first time since April 2001, I am truly happy to do it; I have a new lease on all of
it.”
Chris is back with all the energy of a newcomer and the wisdom of a
veteran and the renewed passion is contagious. “I’m at a place in my life where
I think about everyone I’m working with, especially the fans. I thank God that
I’m in a place in my heart where I am grateful and aware. I am very, very, very
humbled and blessed.”
Cagle still has a fire, his passion driven not just by his music, but family
and horses and the place he calls home. His fans will recognize the glow and
appreciate the authenticity: “I’m a lot like charcoal. Once you light me
up, I’m gonna burn hot for a long, long time, but if you pour water on me it takes
a little effort to get me started again. Bigger Picture Group and my family have
helped light that fire for me. So let’s throw some gasoline on it, light it up and
watch it burn.”
PAGE 6, TEXAS HOT COUNTRY MAGAZINE, AUGUST 2012
BRAZORIA COUNTY FAIR
901 S. DOWNING ST., ANGLETON, TEXAS
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*
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BBQ COOK OFF-OCT. 18-20
MICHAEL MEZMER -- THE HYPNOTIST G
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FOR INFORMATION, PLEASE CALL (979) 849-6416
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TEXAS HOT COUNTRY MAGAZINE, AUGUST 2012, PAGE 7
JOE NICHOLS
LIVE AT THE PASADENA
RODEO SEPT. 14
BY JAMES HARVEY
‘I
haven’t sounded this good in a long time,” says country music star Joe Nichols
of the new music he is currently creating for his forthcoming eighth studio
album. Best known for the No. 1 hit songs, “The Impossible” (2002),
“Brokenheartsville” (2003), “Tequila Makes Her Clothes Fall Off” (2005) and
“Gimme That Girl” (2010), Nichols will be the headline entertainer at the Pasadena Rodeo on Sept. 14. His live show promises to be a crowd-pleaser as well.
As Joe describes it, “We’ve got a lot of humor. We’ve got a lot of energy. We’ve
got a lot of classic, old songs that we like to put into the show to keep people on their
toes and to make sure they remember who paved the way for us. At the end of the day
I’d like for people to walk away thinking, ‘Man! That show included everything, and we
sure got our money’s worth.’” For more information, see the websites www.
pasadenarodeo.com and www.joenichols.com.
“The new music is being produced now by Tony Brown and Mickey Cones, and we’re
getting some great songs and a great start,” Joe says. “It’s sounding really nice. The last
couple of albums are dear to me, and I love what we were able to put out, but this album
feels like it takes me back to several years ago when I was singing at my best. I’m
planning to have some originals on it. I’ve been writing my tail off! But, I don’t know. I’ve
never been the guy that says, ‘I have to write some of this stuff. I’ve always wanted the
best songs no matter where they come from, and, sometimes, I got lucky and had a
CELEBRATING
THE NEW 93Q 20TH
BIRTHDAY PARTY
couple of songs worthy.” Known for his ability to recognize great songs, Joe reveals his winning
formula: “If I hear a song and it’s tough to listen to, then it’s probably going to be tough to listen
to on the radio if it’s too wordy, if it’s not a coherent thought, or is not a catchy melody. It needs a
hook, it needs a melody, and I think the lyric needs to be compelling. And number one overall:
believability. If I listen to a song and I don’t believe it, I’m not going to sing it like I believe it.”
Regarding his songwriting formula, Joe adds, “Sometimes I’ll walk into an office with a
couple of great writers with an idea, and within an hour, we’ll have a verse and a chorus and half
of a second verse, and we haven’t even had lunch yet. And there are some days that we bang on
a guitar for four hours without one solid idea. Sometimes the feeling is right, the chemistry is
right between the writers, and you just know you’ve got a hit. That’s why a lot of these writers
have several hits with the same group of people. Because they become comfortable with each
other, and they know that when they have a good idea, they keep running with it. That’s a good
formula. I like that about Nashville. They have such a good handle on streamlining creativity, a
good handle on how to know when magic is happening and not get in the way.”
Born and raised in Rogers, Arkansas, in 1976, Joe was inspired to become a country
singer by his dad, Mike Nichols, who was a truck driver and a local country musician. Joe,
however, cites Merle Haggard as his greatest musical influence. “I used to sit in my room and
mimic his and Keith Whitley’s records all the time when I got my first pawn-shop guitar back
when I was, maybe, 11 or 12. I can remember getting that after working all summer long for this
little old lady, Mrs. Louise Smith, about 80 years old, who lived down the road. I worked for a
buck-fifty an hour until I made enough money to buy this pawn-shop guitar for 40 dollars. It had
strings that were about an inch and a half off the neck. It felt like I was gripping sandpaper on
that thing, but I learned how to play some songs on my own. Over and over, I listened to songs
of Merle, Keith Whitley, Don Williams, Randy Travis and many of those old country guys.”
Joe began writing and performing songs at age 15, and he was signed to his first
recording contract at age 19. By the time he was 21, Joe had moved to Nashville and had
begun “paying his dues.” In 2002, he got his big break when he was signed to Universal South
Records (now Show Dog-Universal Records). His second studio album, Man with a Memory,
sold platinum, yielded back-to-back No. 1 hits, and earned him three Grammy nominations. On
the strength of these accomplishments, Joe was named the Academy of Country Music’s Top
New Male Vocalist of 2003, and he was awarded the Country Music Association’s Horizon
Award the same year. Since then, he has toured the country with both Alan Jackson and Toby
Keith, and he has even toured Switzerland and Australia. In addition, Joe entertained American
soldiers on a tour of the Middle East.
After becoming a star in his own right, Joe was able to sing for Merle Haggard in what he
counts as his most memorable musical moment. As Joe tells it, “I got to sing for Merle at Buck
Owens’ place (the Crystal Palace in Bakersfield, California). Before Buck died, he brought a
bunch of people together to do this tribute concert to guys he’d made bronze statues of, like
Willie (Nelson), George Jones, George Strait, Garth (Brooks), himself, Ray Price, Patsy Cline.
Anyway, he had this big concert with me, Dierks (Bentley), and a bunch of other younger guys
that were there. Merle drove down from his house near Lake Shasta, and I got to sing Merle
Haggard songs with Merle sitting on the stage watching the show. It was the coolest little
moment for me because it was one of those things where I could picture myself as a 12-year-old
kid listening to this guy on a tape and thinking, ‘Man, there’s nobody like this guy. I hope one day
to meet him.’ And here I was singing on stage with him there watching me singing ‘Footlights’
and ‘Okie from Muskogee.’ I was just amazed by that moment.”
Joe also recorded a duet with country music legend Gene Watson, whose songs have
appeared on a number of Joe Nichols’ albums. As Joe tells it, “On In a Perfect World, I sang
a duet with Gene. I’ve always said that Gene Watson was the most underrated singer of
country music of all time, because I think he’s an incredible singer and that he never really got
his full due. It was a big honor to get to sing with him on his record. And yeah, I’ve cut
‘Farewell Party’ and ‘Should I Come Home (or Should I Go Crazy).’ I’ve had a good streak of
albums where I cut a Gene Watson song on every one of them. He’s got some great songs,
and he sings great still, and I’m proud to know him.”
Of all he has accomplished in the past decade, what is his greatest adventure so far?
According to Joe, “My greatest adventure has been marriage. I never knew what it would be like
to be married, and I never considered myself to be the kind of person who would ever be
married. But that has been an adventure! Man, I’ve changed so much since the day I got
married, and for the better. I think it’s a wild adventure. I’ve become a different person that I
never thought I’d be. I’m head- over-heels in love with somebody, and I never thought that was
possible for me. But, here I am…married for almost five years now. And I’ve got a little baby girl
that brightens my day just by hearing her.” Joe married his “sweetheart wife” Heather Singleton,
whom he has known since they were both 19 years old, in 2007. Their first child, Dylan River
Nichols, was born in April 2012. “I also have a 13-year-old (daughter Ashelyn) that is about to
turn 14, and that, in itself, is becoming quite the adventure in another way.” Joe quips
Besides marital bliss, and professional contentment, what’s next on Joe’s wish list? “I’d
like to just create my own tour the way I’d like to create it one day, and just go out there and
have sort of a Brooks-and-Dunn-type circus,” Joe muses. “From the late ‘90s to the early
2000s, they had a ‘festival’ kind of thing all day. I’d like to do that one day. Of course, I’d like to
go to the Grammys and bring one home. That’d be nice. That is one of the deals where, once
you get nominated, you just think, ‘Wow! It doesn’t even matter at this point whether I win it or
not.’ But after being nominated a few times, it would be a really cool deal to bring one home.” Of
his place in country music history, Joe adds, “I’d like to be remembered as someone who
influenced a lot of people like I was influenced. I really don’t want to be remembered as the next
‘somebody.’ I want to be remembered as the first ‘me,’ and for something that nobody else has
done. I don’t know what that is yet, but I hope this story gets even more amusing.”
Having achieved so much in the past decade, Joe remains appreciative of his past and
hopeful for his future. As he concludes, “I’m sure happy that I’ve been given all the opportunities
that I’ve been given. I think we’ve capitalized on most of them, and I’ve had a good time. I’m in
the midst of making a really cool batch of new music. So, I think, to be me right now…the
schedule’s a little crazy, and sometimes, I don’t know which way is up… but I’m incredibly
thankful every day for all the blessings I’ve been given from above.”
PAGE 8, TEXAS HOT COUNTRY MAGAZINE, AUGUST 2012
TEXAS H%T COUNTRY
LIVE
PHOTOS BY
MICHAEL LANIER
LIVE AT THE LONE STAR CLUB IN PASADENA
URBAN COWBOY
SATURDAY NITE
REUNION
#
JUDY COMPTON, LEFT, WHO
WAS A DOLLY PARTON LOOKA-LIKE CONTESTANT IN
URBAN COWBOY, WITH, LEFT
TO RIGHT, JOHNNY GARNER,
MARION DULIN AND LEE
BOLTON.
#
AIN’T SHE CUTE! COUNTRY DARLIN’ ANGELA
PETERSON WITH LARRY BUTLER, SITTING, AND MIKE
COLEMAN.
JESSIE LARIVE, RIGHT, FROM THE URBAN COWBOY MOVIE, WITH TWO
MEMBERS OF THE GILLEY’S HOUSE BAND -- JOHN PERMENTER AND MARION
DULIN.
#
VAN BUCHANAN,
LEFT, WITH BUDDY H.,
CENTER, AND RON
JAMES PRESSLER.
BIG JOHN MILLS WITH AMBER LYNN SLACK.
TEXAS HOT COUNTRY MAGAZINE, AUGUST 2012, PAGE 9
TEXAS H%T COUNTRY
LIVE
PHOTOS BY
MICHAEL LANIER
LIVE AT THE LONE STAR CLUB IN PASADENA
URBAN COWBOY
SATURDAY NITE
REUNION
#
COUNTRY RADIO
LEGEND ARCH YANCEY,
LEFT, WITH, LEFT TO
RIGHT, JANET YANCEY,
MYRNA LAND,
RAYMOND LAND AND
LEON BECK.
STANDING, LEFT TO RIGHT, LEON BECK, DANICE BERRYHILL, QUENTIN
WILSON, JESSIE LARIVE, NORMAN TUCKER, RAYMOND LAND, JIM BOBO
RICHARDSON, GATOR CONLEY AND TONY GRAHAM. FRONT ROW, LEFT
TO RIGHT, UNIDENTIFIED, MYRNA LAND AND SARAH STRANGE.
COUNTRY MUSIC VETERAN LARRY BUTLER, CENTER, WITH THE
COLEMAN BROTHERS BAND. LEFT TO RIGHT, DON HUTCHKO, MIKE
COLEMAN, DENNY COLEMAN AND GREG COLEMAN.
TWO GUYS, BERT OWEN, LEFT, AND VAN BUCHANAN, WITH FOUR
HONKY-TONK HONEYS -- LEFT TO RIGHT, ABBY GOUGH, ANITA
CAMPBELL, ANGELA PETERSON AND RENEE KING. BERT, RENEE AND
VAN WERE GILLEY’S TALENT SEARCH WINNERS AT THE SPENCER
HIGHWAY HONKY-TONK BACK IN THE ‘80S.
LEFT TO RIGHT, RON JAMES PRESSLER, KELLY
SCHOPPA, PENNY LEA, JOHN SCHUBERT, LISA
FRILOT AND HOUSTON EVANS.
PAGE 10, TEXAS HOT COUNTRY MAGAZINE, AUGUST 2012
HITCHCOCK’S 41st ANNUAL
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TEXAS HOT COUNTRY MAGAZINE, AUGUST 2012, PAGE 11
KITTY WELLS, 1919-2012
BY BOB DOERSCHUK
© 2012 CMA Close Up® News Service / Country Music
Association®, Inc.
C
ountry Music has weathered seismic changes since May 1949, when Kitty Wells
stepped up from her gig as “girl singer” with Johnnie & Jack and their group and
stood alone behind a microphone at Owen Bradley’s Castle Studios. She had
agreed to record a song written by J.D. Miller and pitched by Troy Martin. It didn’t
thrill Wells or her husband, Johnnie Wright of Johnnie & Jack, but she agreed to
cut it mainly for the $125 session fee.
That song, “It Wasn’t God Who Made Honky Tonk Angels,” exploded when released
that summer, rocketing to No. 1, staying there for six weeks and selling well over a
million copies. It pushed Wells from the background in her husband’s group and square
into the center of the Country Music spotlight. It also caused controversy by daring to
rebut Hank Thompson’s hit, “Wild Side of Life,” which dismissed a wife gone bad as a
“honky tonk angel” for abandoning marriage and succumbing to the temptation of
saloons “where the wine and liquor flow, where you want to be anybody’s baby.”
Country Music had seen gifted female performers before the advent of Kitty Wells,
but none had challenged slatternly stereotypes as boldly as she did on this single. The
moral onus, she sang, lay not on fallen women but on those who exploited them
because “too many times married men think they’re still single. That has caused many
a good girl to go wrong.”
This shift in perspective stirred controversy. Wells was even briefly banned from
singing it during broadcast segments of “The Grand Ole Opry.” But this initial resistance washed quickly away as Country Music reacted to the implications of its success
– namely, that there was more than one point of view for songs that address the
realities of life and that women could assume equal importance to men as singers and,
ultimately, in every other aspect of the business. That door would have opened inevitably, but it was Wells who made it happen.
In a career distinguished by 35 Top 10 singles, election to CMA’s Country Music
Hall of Fame in 1976, a Grammy Lifetime Achievement Award and universal acknowledgment as “the Queen of Country Music” well before her last tour in 2007, she
revisited the themes of betrayal, heartbreak, treachery in love and the saloon’s fatal
lure. In the worlds she conjured, the “lights were dim and low” (“Honky Tonk Waltz”),
her sister steals away her suitor (“I Gave My Wedding Dress Away”), the true love of
her life is forever out of reach (“Makin’ Believe”) or a heartless hypocrite who stands
too close (“Poison in Your Heart”), and when she does marry the man of her dreams,
Kitty Wells at her induction into CMA’s Country Music Hall of Fame, 1976
Photo Credit: courtesy of the Country Music Hall of Fame and Museum
Photo Credit: courtesy of the Country Music
Hall of Fame and Museum
he turns out to either do “too many parties and too much drinkin’, too
many sweethearts and too little thinkin’” (“The Pace That Kills”) or
suspect her of doing the same (“Jealousy”).
The irony is that the life Wells lived was the antithesis of those suffered
by the broken, forlorn protagonists in her music. Her union with Wright was
deep and enduring. It was he who named her; she had been born Ellen Muriel
Deason but he thought the name Kitty Wells, borrowed from an old folk
ballad, was more suited to the stage. They worked together for decades,
adding their son and two daughters to the act as the Kitty Wells-Johnnie
Wright Family Show. Wright passed away in 2011, just a few days short of
their 74th anniversary.
In purely musical terms, Wells’ sound has faded from contemporary
Country. Backed by acoustic guitars, bass, one or more fiddles and steel
guitar, she was a strict traditionalist, never indulging in dramatic crescendos,
soaring leaps or melodic embellishment. Almost invariably, she stayed within
an octave range, articulating the lyric squarely on each beat, singing either
without any vibrato or with a tight, quick warble on long notes. Yet her singing
communicated powerfully, conveying sadness and even searing pain through
her unadorned delivery.
Listen to her recording of “Release Me.” Her version was released in
1954, more or less simultaneously with Ray Price’s rendition. He sings it with
a wide-open throat, his voice catching now and then to underscore emotional
turns in the words and melody. Wells holds back more. Aside from a quiet
downward glissando at the end of a few long notes, she sings almost conversationally. She keeps her feelings in check, but this keeps listeners riveted.
Even now, she has few if any peers in her ability to get to the heart of a song
with no pretense or apparent effort.
“Country Music would not be what it is today without Kitty Wells,” said
CMA CEO Steve Moore. “The honesty of the songs she sang, her courage in
claiming a role for women as a powerful voice in Country Music and her great
dignity onstage and in her life have benefited us all beyond measure. Now and
forever, she is the Queen of Country Music.”
Kitty Wells, 92, passed away July 16 in Nashville, her lifelong hometown, from complications as a result of a stroke.
PAGE 12, TEXAS HOT COUNTRY MAGAZINE, AUGUST 2012
RYAN HARRIS &
KILLIN’ TIME BAND
**
**
TOP 40 HOT COUNTRY WITH A SHOT OF SOUTHERN ROCK, CLASSIC & TEXAS COUNTRY
SCHEDULE
G AUG. 10 BOB-N-JEAN’S, CROSBY
G AUG. 24 SECOND CHANCE SALOON, PASADENA
G SEPT. 1 SPUR’S DANCE HALL & SALOON,
MAGNOLIA
G SEPT. 7 SHENANIGAN’S, TEXAS CITY
G SEPT. 15 BLONDIE’S, LA PORTE
G SEPT. 22 BOB-N-JEAN’S, CROSBY
G SEPT. 28-29 PASADENA RODEO BBQ
COOK OFF -- WHISKEY BENT
& SMOKEBOUND COOKING TEAM
G OCT. 5-6 CHANTILLY ROOM, LAPORTE
G OCT. 12 BACKWOODS SALOON,
INGLESIDE, TX
G OCT. 13 SPUR’S DANCE HALL & SALOON,
MAGNOLIA
P
R
O
F
I
L
E
K
illin’ Time Band was formed in
2005. After finally finding the right
core of musicians, our dreams are
starting to come true. We recently
signed with a label, Astra Records,
and are working with singer/
songwriter/producer Keith McCoy.
We are teaming up with Keith to
start performing original music. I
have written several of my own
songs such as my most recent
recording of “Moment Of Truth.”
You can find this song on
www.reverbnation.com//
ryanharrisandkillintimeband.
Thanks to all fans/friends/family/
club owners/and especially Keith
McCoy for believing in me.
LAS HADAS
MEXICAN RESTAURANT
DEER PARK, TX
G
G
G
G
G
Ryan Harris
SPECIAL THANKS TO MY FRIENDS FOR THEIR SUPPORT
HELLYER TRANSMISSION
DEER PARK, TX
BAND MEMBERS
GUIDRY’S CAJUN
RESTAURANT
DEER PARK, TX
RYAN HARRIS -- LEAD VOCALS, RHYTHM GUITAR
RICK VANEMAN -- FIDDLE, KEYS
NEAL WILLIAMS -- BASS, BACKGROUND VOCALS
TY LARAMORE -- LEAD GUITAR, VOCALS
BUTCH LAVALLEY -- DRUMS, PERCUSSION
FOR INFORMATION -- CONTACT RYAN HARRIS, 281-536-4869
www.reverbnation.com//ryan harrisandkillintimeband
2012 BAYTOWN GRITO FEST
#
SATURDAY, OCTOBER 6
G
4:00-9:30 PM
BICENTENNIAL PARK, BAYTOWN
4:30 pm
6 pm
MARIACHI LOS GALLITOS
LOS DOS GILBERTOS
Bicentennial Park (1001 Market Street @ Lee Drive)
BICENTENNIAL PARK IS EASILY ACCESSIBLE FROM STATE HWY. 146,
TEXAS AVE. EXIT, AND FROM I-10, SPUR 330 EXIT. AMPLE PARKING
IS AVAILABLE AT LEE COLLEGE AND OTHER NEARBY FACILITIES.
BRING YOUR LAWN CHAIRS.
FOR INFORMATION, CALL (281) 420-6597,
OR EMAIL US AT [email protected].
#
8 pm
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LIVE ENTERTAINMENT
4:30-5:30 pm MARIACHI LOS GALLITOS
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ACCORDION
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G SALSA CONTEST
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G JALAPENO EATING CONTEST
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TEXAS SALOON #
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SEPT. 1 BUCK YEAGER
AUG. 3 JERRY HART
PASADENA RODEO
AUG. 4 RANDY MARSHALL SEPT. 7 STEPHEN CHADWICK KICK OFF AUCTION
SEPT. 8 RANDY MARSHALL
AUG. 10 ANSON CARTER
AUG. 8
SEPT. 14 DJ -- NO COVER
AUG. 11 DESERT ROADS
AUG. 17 SHANE BARNHILL
AUG. 18 BRIAN EVANS
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MITCHELL
AUG. 25 MISBEHAVIN’
AUG. 31 DARWIN MACON
texassaloon.net
SEPT. 15
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SEPT. 22
SEPT. 28
SEPT. 29
SHANE BARNHILL
DJ-NO COVER
TBA
DJ-NO COVER
TBA
OPEN TUES.- SAT./3 PM-2 AM
POOL TOURNAMENT WED. 8 PM
FRI. NITES -- LADIES GET IN FREE UNTIL
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$2 WELLS
THURS. -- DANCE LESSONS/DJ
8-BALL TOURN. 8:30 PM
$1.75 DOMESTICS &
$2 WELLS AFTER 9 PM
FRI. & SAT. -$1.75 DOMESTICS
ALL DAY UNTIL 10 PM
TEXAS HOT COUNTRY MAGAZINE, AUGUST 2012, PAGE 13
LONE STAR CLUB
2900 S. SHAVER G PASADENA G 713) 944-8542
www.thelonestarclub.com
2ND ANNUAL URBAN COWBOY
SATURDAY NITE REUNION G
SEPT. 8 -- 8 PM
LEGENDS CONCERT -- ELVIS/BLUES
BROTHERS & MORE -- SEPT. 14
RENEE KING & THE HONKY
TONK QUEENS -- AUG. 25
AUG. 12 LONE STAR LUAU
PARTY -- 4 PM
MAYHEM KARAOKE
BY WOLFF -THURS. NITES 7 PM
STAR KARAOKE
WITH PENNY -TUES. NITES 6:30 PM
BUNCO GAME AUG. 15, 7-10 PM
FREE TEXAS HOLD ’EM -SUN. NITES 6:30 & 9:30/MON. NITES -7 & 10
BACK PARTY ROOM
AVAILABLE FOR RENT
OUTLAW RAY’S OUTLAW RAY’S DANCE HALL
GRILL & BAR
14039 FM 2100, CROSBY, 281-328-8460
(NEXT DOOR TO PALAIS ROYAL)
NO COVER CHARGE
CROSBY’S BIGGEST BEST KEPT LITTLE SECRET
EVERY THURS. RED SOLO CUP PARTY/KARAOKE -$1 DRAFT/$3 BOMBS
YOU’RE WANTED HERE!
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AUG. 17 RANDY MARSHALL & THE LAW
AUG. 18 BRADE & HURST
AUG. 23 RED SOLO CUP PARTY/KARAOKE
AUG. 24 TEXAS POP-A-TOP BAND
AUG. 25 JOSEPH MITCHELL BAND
AUG. 30 RED SOLO CUP PARTY/KARAOKE
AUG. 31 PUSH WATER
SEPT. 1 RANDY MARSHALL & THE LAW
SEPT. 6 RED SOLO CUP PARTY/KARAOKE
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AUG. 10 KELLY SCHOPPA
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AUG. 18 STAR KARAOKE/PENNY LEA
AUG. 24 STAR KARAOKE/PENNY LEA
AUG. 25 RENEE KING &
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AUG. 31 STAR KARAOKE/PENNY LEA
SEPT. 1 STAR KARAOKE/PENNY LEA
SEPT. 7 STAR KARAOKE/PENNY LEA
SEPT. 8 URBAN COWBOY SATURDAY
NITE REUNION
SEPT. 14 LEGENDA SHOW -- ELVIS/
BLUES BROTHERS & MORE
SEPT. 15 STAR KARAOKE/PENNY LEA
SEPT. 21 KELLY SCHOPPA
SEPT. 22 STAR KARAOKE/PENNY LEA
SEPT. 28 GRATEFUL GEEZERS
SEPT. 29 STAR KARAOKE/PENNY LEA
FREE DANCE PARTY -JAMES GARNER &
NIGHT MOVES
TUES. AFTERNOONS 2-6 PM
SHENANIGANS
shenanigansworld.com
820 34TH ST. N., TEXAS CITY G 409-945-9611
SHENANIGAN’S
30-YEAR
ANNIVERSARY
PARTY
COMING IN
OCTOBER
OUTSIDE PAVILION
OPENING SOON
G THURS. NITES -- KARAOKE WITH
JAMMIN’ J
G FRI. NITES -- HAPPY HOUR
4 PM-2 AM
TUES. NITES - DART
TOURNAMENT
WED. NITES - LADIES NITE
SUN. - DRINK SPECIALS
OPEN 7 DAYS A WEEK
4 PM-2 AM
AUG. 4 BRYAN SHANE
AUG. 10 SOUTHERN
ACCENT
AUG. 11 JARROD
MADDOX
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AUG. 18 WEST OF
TRINITY
AUG. 24 REMEDY
AUG. 25 BUCK YEAGER
AUG. 31 JONATHAN
MITCHELL
SEPT. 1 SOUTH OF
NOWHERE
SEPT. 7 KILLIN’ TIME
BAND
SEPT. 8 SHANE BARNHILL
SEPT. 14 TBA
SEPT. 15 TBA
SEPT. 21 RUSH CREEK
SEPT. 22 JONATHAN
MITCHELL BAND
SEPT. 2 CHADE WARE
DARTS/SHUFFLEBOARD/POOL -REG. & 9 FT. POOL TABLE
BIG SCREEN TV
PAGE 14, TEXAS HOT COUNTRY MAGAZINE, AUGUST 2012
TEXAS H%T COUNTRY
MAGAZINE
LEON BECK
EDITOR/PUBLISHER
Published by Country News Publishing Co.
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C 2012 Country News Publishing
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AUG. 17 MISBEHAVIN’
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AUG. 19 JONATHAN MITCHELL BAND
AUG. 23 DUSTIN KELLY
AUG. 24 DRIVIN’ DIXIE
AUG. 25 JONATHAN MITCHELL BAND
AUG. 26 SUNDANCE HEAD
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SEPT. 1 DEAN SELTZER
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RENO’S #
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TEXAS HOT COUNTRY MAGAZINE, AIGUST 2012, PAGE 15
TEXAS MUSIC LIVE
NORTH
19959 HOLZWARTH SPRING (281) 353-8898
AUG. 24 KYLE PARK
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DAVID GRACE
PRE-LABOR DAY PARTY
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ALL CONCERT DATES SUBJECT TO CHANGE WITHOUT NOTICE
THE BIGGEST COUNTRY & WESTERN DANCE HALL IN HOUSTON!
KYLE PARK
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SEPT. 2 SETH CANDAN -PRE-LABOR DAY PARTY
SEPT. 6 MIDNIGHT RIVER
CHOIR
SEPT. 7 WHISKEY MYERS
SEPT. 13 BLEU EDMONDSON
SEPT. 20 BIG TEXAS
ACOUSTIC JAM
SEPT. 28 KYLE PARK
THE 2nd ANNUAL URBAN COWBOY
SAT. NITE REUNION - SEPT. 8 -- 8 PM
LONE STAR CLUB PASADENA
2900 S. SHAVER PASADENA 713) 944-8542
an historic country music event!
DEDICATED IN MEMORY OF
GILLEY’S FOUNDER SHERWOOD
CRYER WHO CREATED THE WORLD’S
LARGEST NIGHT CLUB WHERE THE
JOHN TRAVOLTA MOVIE, ‘URBAN
COWBOY,’ WAS FILMED
BRIAN COLLINS
special guests
DEW WESTBROOK -- THE ORIGINAL URBAN COWBOY/
JOHN TRAVOLTA (BUD) PLAYED HIM IN THE MOVIE JESSIE LARIVE -- SISSY’S (DEBRA WINGER) BEST
FRIEND IN THE MOVIE GATOR CONLEY & DANICE
BERRYHILL -- GATOR AND HIS PARTNER DANICE
BERRYHILL WON THE DANCE CONTEST NORMAN
TUCKER -- WON THE PUNCHING BAG COMPETITION &
CAME IN 3RD IN THE MECHANICAL BULLRIDING
CONTEST GILLEY’S SARAH STRANGE JULIE
BAILEY -- SHE SANG AT THE FUNERAL GILLEY’S
CLUB MANAGER RAYMOND LAND CLIFF CRYER GILLEYRATS & REGULARS JUDY COMPTON -- IN THE
DOLLY PARTON LOOK-A-LIKE CONTEST DON COWBOY” HOOFARD GILLEY’S CLUB EMPLOYEES GILLEY’S RODEO CLOWNS MIKE OLIVER & JIM BOBO
RICHARDSON HOUSTON COUNTRY RADIO LEGENDS
JOE LADD, PAM IVEY, CHUCK JOSEPH & OTHERS FROM
THE GILLEY’S & URBAN COWBOY ERA
SPECIAL THANKS
DAYS INN & SUITES
2601 SPENCER HWY. PASADENA, TX 77504
713-910-6100 FAX: 713-910-6854
TOLL FREE: 800-DAYS-INN www.daysinn.com
“HELLO TEXAS”/“STATUE OF A FOOL”
& THE URBAN COWBOY
REUNION BAND
RANDY MEADOWS/DOUG DRIESEL/
BRIAN THOMAS/DAVID APADOCA/
WESLEY CORNOR
WITH SPECIAL GUEST ENTERTAINERS
DICK ALLEN TONY GRAHAM MARION DULIN JOHNNY GARNER JULIE BAILEY RON JAMES
PRESSLER LEE BOLTON HOUSTON EVANS BILLY DEE* KENNY FULTON* ANITA
CAMPBELL GILLEY’S TALENT SEARCH
WINNERS & MANY OTHERS
*TENTATIVE
Anita Campbell, whose brother, Jimmy Campbell, recently died from Mesothelioma, will hold a silent auction of Gilley’s memorabilia at the reunion to raise
funds for Asbestosis and Mesothelioma Research: The Insulators Tissue Bank c/o
The Heart and Frost Insulators International, 9602 M L King Hwy., Lanham, MD
20706, in memory of Jimmy, Local #22. Contact Anita at 832-524-9519, or
[email protected].