Artist's Statement - Kathleen Peterson "Freedom in Love" expresses love and betrayal of country in the form of 7 multi-media paintings. Painting and teaching art for over 22 years, I have been relying heavily on freedom, yet I have not been directly attentive to it until now. This inattention is my own silent betrayal of Liberty. Without Liberty, I could not do my art or my teaching. Denying ourselves Liberty, or denying others freedom we ourselves want, disrespects Freedom and human dignity, atrocities against the wellsprings of art and of rights. Returning to my canvas, and having always insisted Art is Truth, this series ruthlessly documents the majesty of Liberty and atrocities against Liberty. About 220,000 San Diego area schoolchildren in grades K-8, along with my own two children, taught me the values of freedom and authenticity. All of these students completed the Artcorps program which I founded in 1985. www.artcorpssd.com In the 22 years of Artcorps, and with the help of around 1000 parent and community volunteers annually, Artcorps has followed three cardinal rules of freedom: (1) Never change or interfere with a child’s art, and (2) Never call any child’s artistic response a "wrong answer" in any way, and (3) Never allow erasers, because there are no mistakes. By honoring the freedom of the artistic spirit in these children, the student art shows never fail to convince doubters about the vital power of Art. My earlier artworks explore Freedom of the inner path (the soul) rather than the outer path (community and/or democracy). Every person has inner and outer paths, and hopes to find acceptance inside themselves as well as in the world. My artistic process all my life has been to turn myself inside out, to pour guts on canvas, and paint intensively and passionately for days at a time. I paint what pours out of my source, what feels right; I paint as the paint tells me to paint. I feel best while creating. I have always tried to rise above the constant motion of life to find truth or balance, uplifting others in the process. Before putting paint to canvas for this latest series on the outer path, my preparatory process included (1) four intense years of research, (2) posting tens of millions of lines of political discourse and images among over 12,000 blog posts, and (3) actively listening to the opinions of others contained in the responses to my posts. I learned much, and the core of this is present in "Freedom in Love." Notable similarities emerge between my earlier work on the path of the soul and my present work on the path of freedom and democracy. In both, windows represent seeing, or ways out, and pathways symbolize journey. Trees traditionally represent soul, their gnarled qualities a reflection of the forces that buffet them. Birds are wildness, but also observers, the "nonvoters" of nature who still see with dignity and a worthy opinion. Stars and moons are elemental forces of nature and soul-guides. In democracy they are the guide-stars of ideals or principles, lighting the way down the path of democracy. I feel this series of paintings reveals both inner and outer paths as the same journey. However, turning myself inside out on the subject of freedom and democracy exhibits stylistic qualities never before present in my work. One new quality has been described as "hip-hop sampling" because the busy-ness of the painting accurately reflects today’s informational environment of high speed media. For this effect, I used juxtaposition and limited white space, with materials including acrylics, pencil, pen, inks, paper, image snippets, string, sand and paste. Sometimes one can see our nation’s core principles in these paintings, at other times one can not. President McKinley said, "Our differences are politics. Our agreements are principles." Authentic American politics discusses the actions that best uphold our shared principles. Given American agreement on principles, when we can not see our most important shared ideals in the media or in the paint of "Freedom in Love," we may ask "Why are our most important principles missing?" This absence of principles from politics was never intended. The Founders warned that "frequently recurring to fundamental principles is necessary for the preservation of liberty and free government". Besides separation of church and state, the Founders believed every person was created in the image of God, endowed by the Creator with certain inalienable rights, and contained a divine spark in their soul which could be brought to the flame that ultimately sustains progress. "Freedom in Love" is my desire to spark soulsearching discussion and responses, wrapped in my unutterable conviction that democracy is a path that honors us all. I’ve learned Freedom doesn’t take sides, but rather humbly invites the wrong and the right equally. We keep freedom alive by honoring that gift and speaking from the heart. Freedom is only betrayed by silence on things that matter. That silence snuffs out the divine spark in us all. I long for meaningful discussion of our shared values as Americans; I fear only the sound of silence. In the spirit of progressive hope, and while honoring tradition, I poured out my life, heart and soul into the hope of showing the spark of democracy within the paint. I submit my deep longing for the fireworks of a greater democratic deliberation, one that serves us all, as the hoped for result of the sparks in "Freedom in Love." M. Kathleen Peterson Freedom In Love Staged Elections M. Kathleen Peterson Inconvenient Truth “Freedom In Love” 2007 Resumé M. Kathleen Peterson 13650 Overland Pass Poway, CA 92064 [email protected] Education 1992 Career 1986-2007 Founder and Director: Art Corps Art Corps www.artcorpssd.com is a Volunteer Based Program which introduces elementary and middle-school students to the basics of art. I have written the curriculum and infrastructure guidelines and we are now at 15 schools in the San Diego area. We have over 1000 volunteers and 12,000 students per year. Bachelor of Fine Arts, magna cum laude San Diego State University SOLO Exhibitions 1997 Tustin Renaissance Gallery 300 El Camino Real Tustin, California Group Exhibitions 1995 First Annual La Jolla Village Art Competitions Art Prospect 1994 La Jolla, CA Annual Juried Exhibition Athenaeum Music & Arts Library La Jolla, CA San Diego Art Institute April Installation San Diego, CA 1994 Artists Choose Artists San Diego Art Institute San Diego, CA Scene Unseen III Eastern New Mexico University Portales, NM Main Street Fine Arts Exhibition Continental Plaza Bldg. Fort Worth, TX Here & Now Northlight Gallery Los Angeles, CA Art As Food For The Eyes Student Union Art Gallery, SFSU San Francisco, CA Count Down 2000 Gallery 1078 Chico, CA Positive/Negative E. Tennessee State University Johnson City, TN NoHo Gallery New York, NY North County Artist Coop Escondido, CA Celebration of the Arts Long Beach, CA San Diego Art Institute San Diego, CA B Street Gallery San Diego, CA 1992 Athenaem Music and Art Gallery La Jolla, CA Awards 1993 Bronze Award Art of California Magazine 1994 Best Of Show Main Street Fine Arts Exhibition Fort Worth, TX Special Recognition Award Bay Street Galleria Newport Beach, CA 2007 Contract Awards (1988-present) San Diego area schools Renewed formal contracts each year at all schools, including Tierrasanta Elementary for 18 years, adding one or two schools per year, with 15 schools now awarded.
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