CCM_07.07_cover.v2 5/31/07 4:56 PM Page 1 myCCM.ORG’S — MISSY OLIVER • KRISTIN DEL ROSSI • SHERRAL • STEVEN S. BILLINGS BarlowGirl REFUSES THE RIGHT TO REMAIN SILENT THE NEW SIDE OF PROJECT 86 DAVID CROWDER BAND LIVE! OUT OF SECLUSION: MANDISA & the Christian Invasion of “AMERICAN IDOL” BRIAN “HEAD” WELCH 6 THINGS BEBO NORMAN LOVES IN THE STUDIO WITH THOUSAND FOOT KRUTCH CCM_07.07_TOC.v3 5/31/07 4:57 PM Page 4 07.07 [ ] CONTENTS 26—COVER STORY With some Christians hoping for a tone-downed message, BarlowGirl goes another round without pulling punches. features 30—Mandisa Mandisa Hundley had no problem staying in the background—that is, until the fall of 2005 when “American Idol” came calling. 32—Project 86 Last year fans named Project 86 a runner-up in the “Favorite Hard Music Artist” category of CCM’s Readers’ Choice Awards. Just imagine if the voting had taken place after the band’s most melodic album had been heard. 36—Katie Herzig Sure she’s been opening tour dates for The Fray and hearing her songs played on shows like “Smallville” and “ER,” but that’s not what sets independent artist Katie Herzig apart. departments 05—Editor’s Notes 06—yourCCM 09—What Now! The 411 on new band Wavorly, Chris Tomlin, Red, Thousand Foot Krutch and more 18—Hit Lists This month’s radio & retail charts 21—Trend Watch The gospel according to mainstream radio 22—New Noise with Andrew Schwab Play Radio Play, The Becoming, The Devil Wears Prada and more… 24—Loose Ends Nichole Nordeman unlocks some truth. 39—In Review The major label debut from The Rocket Summer, plus new tunes from Waking Ashland, Willie Will, MxPx and more 55—Tour Scrapbook David Crowder Band 56—Roots Robbie Seay joined his brother in a bold church planting effort. To say that Houston’s Ecclesia fellowship has become a neighborhood church in the years since would be a major understatement. 8 58—The Final Word 34—Brian “Head” Welch When founding Korn guitarist Brian “Head” Welch went public with his newfound faith two years ago, a media feeding frenzy immediately ensued. Eventually, the rock star went into seclusion—and for good reason… Louie Giglio encourages you to do “whatever.” CCM_07.07_EditorsLetter.v3 5/31/07 Christ • Community • Music volume 30 issue 1 Exploring redemptive music and the culture it influences. CCM Magazine is a publication of Salem Publishing, a division of Salem Communications. U Publisher Jim Cumbee Associate Publisher Rick Edwards Editor Jay Swartzendruber Managing Editor Lindsay Williams Senior Art Director Mary Sergent Associate Art Director Martina Ahlbrandt Associate Art Director Andrew Scates Contributing Editors Andy Argyrakis, Christa A. Banister, Beau Black, Louie Giglio, Caroline Lusk, Douglas Kaine McKelvey, Nichole Nordeman, Andrew Schwab, Chris Well Contributors Adrienne, Margaret Becker, Steven S. Billings, Chad Bonham, Margret Boyd, Grace S. Cartwright, Jackie A. Chapman, Chuck, Kristin Del Rossi, Brenten Gilbert, Christy Gordon, Brandon Haan, Lulu Hickey, Kate McDonald, Katie McNeil, Chris Molnar, Ken Mueller, Brian Quincy Newcomb, Missy Oliver, Justin Pot, Jasen Rauch, Gregory Rumburg, Andrew Scates, Sherral, Dr. Tony Shore, John J. Thompson, Mark Weber Production & Operations Director Ross E. Cluver Web Projects Director Joan Dyer Media Editor Kristi Henson Fulfillment Manager Jamie Kunzmann Customer Service Representatives Angela Banks, Amy Cassell, Natalie Delph, Emeka Nnadi Executive Director of Advertising Jerry Charles 615/312-4244 Senior Director of Advertising DeDe Donatelli-Tarrant 805/987-5072 Account Executive Pat McAbee 770/237-5400 Account Executive Gary Miller 970/203-0417 Advertising Marketing Manager Brian Lawing Advertising Traffic Manager Carol Jones Administrative Sales Assistant Melissa Smart Main Office 104 Woodmont Blvd., Suite 300, Nashville, TN 37205 615/386-3011 (ph) • 615/386-3380 (business fax) 615/385-4112 (editorial fax) • 615/386-3380 (advertising fax) Subscriptions/Customer Service CCM, 104 Woodmont Blvd., Ste 300, Nashville, TN 37205, 800/527-5226 or [email protected]. Annual subscription rates: United States, $21.95/one year; Canada, (U.S. funds) $29.95 per year; all other countries, (U.S. funds) $35.95 (surface). For address changes or other inquiries, please include both old and new addresses and mailing label. Allow four to six weeks for new subscriptions to begin. Cover photo: Jeremy Cowart Cover design: Mary Sergent Page 5 ARTISTS AND THE PRIVILEGE OF GOD EDITOR’S NOTES CCM MAGAZINE 5:05 PM When was the last time you were given a dosage of truth that you couldn’t shake or ignore? You know the kind I mean—truth that threatens not only the way you approach life, but your very identity. Something my pastor conveyed back in February has been doing just that…haunting me for months. And, frankly, now more than ever. As part of a Sunday morning sermon, he read this remarkable quote from William Wilberforce’s book Real Christianity: “It is undeniably clear that, in the judgement of the Word of God, the love of worldly admiration and applause is basically corrupt. For it tends to exalt and aggrandize ourselves; to pride ourselves on our natural or acquired endowments; or to assume credit and merit for our own qualities. It chooses this self-esteem instead of ascribing all honor and glory where they are due. It is false, therefore because it exalts that which we should demean. It is also criminal because it intrudes on the privilege of God.”* If you feel the need to read that several times to really let it sink in, go ahead. I know I did. In fact, I keep revisiting it. Wilberforce’s words are not only a profound menace to my true—and very private—nature, they also call into question the way I approach my vocation, specifically, this magazine. Let me put it this way: What are we, the editors, literally doing with CCM? As we champion redemptive music, are we going about it in such a way that we are nurturing “the love of worldly admiration and applause” among artists of faith? Are we encouraging artists to “exalt and aggrandize” themselves; “to pride” themselves on their “natural or acquired endowments; or to assume credit and merit for” their “own qualities”? And, if so, are we urging you to treat artists that way? Or, rather, do we prompt artists (and you) to ascribe “all honor and glory to where they are due”? Those are hard questions. They make me feel uncomfortable. That, no doubt, means I need to keep asking them. And not just asking, but being more intentional in fostering a spirit of humility and gratefulness within our magazine’s pages. Since my early teen years I’ve had the reputation of being a “super fan.” From my vocal enthusiasm for countless artists of faith to my championing of sports stars Steve McNair, Vince Young and Ichiro Suzuki to my awe at the creativity of Hollywood types M. Night Shyamalan, Joss Whedon and Chris Carter. When I love someone’s work or performance, I love it…often becoming enamored with who that influencer is. Yes, a super fan. When I’m at my best, I’m celebrating God’s creativity and gifts as expressed through those whom He’s created. When I’m at my worst, well…let’s call a spade a spade, I’m committing idolatry. And if I’m doing that in the presence of an artist and directing it at them, it’s safe to say I’m not urging them toward humility. All that to say, there’s a way to affirm people in their gifts, speaking life into their vocations and passions, without encouraging them to “exalt or aggrandize” themselves. We at CCM want to become fluent in that skill, while encouraging you, dear reader, to do the same. Simply put, if we truly love our favorite artists, we won’t idolize them. Love well, Jay Swartzendruber [email protected] myCCM.org/Jay NASDAQ SYMBOL: SALM *William Wilberforce, from Real Christianity: Discerning True Faith from False Beliefs, Victor Books, 2005 [ccmmagazine.com] 5 5/31/07 5:06 PM yourCCM CCM_07.07_Feedback.v3 Page 6 I REALLY ENJOYED YOUR TOBYMAC COVER STORY [“DIVERSE CITY OR BUST,” MAY]. I NEVER REALLY THOUGHT ABOUT HOW MUCH DIVERSITY THERE IS. THE MORE I THINK ABOUT IT, THE MORE IT BOTHERS ME. AS CHRISTIANS YOU WOULD THINK WE WOULD BE THE LEAST JUDGING OF OTHER CULTURES, BUT WE ARE PROBABLY THE WORST. ” Kelly Owen, Reedsburg, WI GO “T” I really enjoyed your tobyMac cover story [“Diverse City or Bust,” May]. I never really thought about how much diversity there is. The more I think about it, the more it bothers me. As Christians you would think we would be the least judging of other cultures, but we are probably the worst. Our churches are all split; there’s black churches and white churches. Why don’t we all come together and celebrate the goodness of God! Kelly Owen, Reedsburg, WI CHRIST. COMMUNITY. MUSIC. I’ve been a devoted fan of this magazine for the past two years now. Sometimes I will go out and even buy three extra copies just because I think some people in my high school need a magazine like this. Today I got the May issue and saw the new layout and was kinda taken back by how different it looked. The first thing I read was your column about defining “CCM” and thought you got it right. I’m excited how you have a whole lot more CD reviews. And, wow, the “Buzz Factor” section that lets us, the readers, dive in and give some insight—I think that’s totally awesome! I know for sure I’m gonna join myCCM.org now. At first I was kinda on the fence. But after reading “The Proof is in the Blogging,” I feel it’s a great tool to just have fellowship with one another. You guys did an awesome job with the magazine’s new layout. To get uncomfortable and be more like Christ, sometimes we gotta do new and different things. I can tell you 6 [ccmmagazine.com] guys are doing that with this month’s new issue. I love it! Michael Tackett, via email I just had to write a quick note of appreciation on your diversity of album picks to review. I just picked up the May issue of CCM and was blown away to see reviews of Between The Trees, Rosie Thomas and The Innocence Mission! Wow! A few years ago, I don’t think I would’ve seen such an eclectic mix of reviews; it seemed more focused on the traditional “contemporary Christian” artist. I just wanted to thank you and let you know your new direction is being noticed (and thoroughly enjoyed)! Ray Swartz, Orlando, FL I don’t think the magazine’s new name makes as much sense. Everyone who I’ve mentioned the new name to so far has said something like, “Huh? What’s ‘Christ. Community. Music.’ supposed to mean? It just sounds like a random combination of words.” However, I love that you’re giving myCCM members involvement in the magazine content, and it’s awesome that you’re actually reviewing some indie CDs in the “In Review” section. “MusicianChick,” Somewhere, NY myCCM.org/musicianchick I just got the May CCM issue a few days ago, and I love the new look! I think it’s really awesome you changed the acronym to “Christ. Community. Music.” Cherryfly, via CCMmagazine.com I’ll come right out and say it: I’m disturbed at the direction my favorite magazine has taken starting with the May 2007 issue. By including “artists of faith” who make music that doesn’t necessarily reflect their beliefs, the first thing that comes to mind is, how are you going to define an artist who is a “Christian”? Do you require a written or spoken confession of faith? In North American society, we know that many people call themselves “Christians” without living a life mirroring that. What if one member of a band is a Christian and the others live like Tommy Lee at a frat party? Does someone who “thanks God” at an awards ceremony now qualify as an “artist of faith”? We used to think of a Christian artist as one who claims Between The Trees CCM_07.07_Feedback.v3 5/31/07 5:06 PM Page 7 [Sara Jaquette, Saginaw, MI & THOUSAND FOOT KRUTCH] My friend, Kelly, and I recently went to tobyMac's “Portable Sounds Tour.” It was an amazing show. Afterwards we got our picture taken with [opening act] Thousand Foot Krutch and talked to the guys for a few minutes. They were all really nice, and meeting them was awesome! myCCM.org/sarajay19 BarlowGirl Jesus as Savior, and that hope is evident in the fruit of their art. Why isn’t that important now? Woody Woodland, LIFE 100.3 Barrie, Ontario, Canada Actually, Woody, the only thing that’s changed for us there is we’re no longer defining music by what kind of record label releases it or by where it’s distributed. For CCM Magazine, “Christian music” now means Christian worldview music. In other words, we’re all about Philippians 4:8: “Finally, brothers, whatever is true, whatever is noble, whatever is right, whatever is pure, whatever is lovely, whatever is admirable—if anything is excellent or praiseworthy—think about such things” (NIV). And yes, we believe the fruit of an artist’s life is as important as ever... MOONLIGHTING IN THE MAINSTREAM I just wanted to respond to the article about Christians who happen to moonlight as mainstream artists [“Salt and Light, Part 1” May]. While I’ve partaken in and heard a lot of chatter and uproars from different sides of opinions on this topic, I think that it is AMAZING that these artists are out there doing this. As a musician, who is deeply rooted in the “Christian,” indie and varied progressive music scenes, I can attest that there is a great mission field in this industry. It’s great to know that there are bands out there THANKS SO MUCH FOR ‘IN THE STUDIO WITH BARLOWGIRL’ (MAY). I THINK WHEN THEIR NEW ALBUM COMES OUT THEY SHOULD GET A FRONT COVER STORY. ” Lauren Murray, via email who are going into the field with their torches held high. Thanks for covering the bands that are psuedo-known for being Christians. It’s interesting to read about their backgrounds and see just where they are in their careers and where they’ve come from. David Hess, Boise, Idaho Christians in the mainstream—it’s not a new thing. It’s just a new concept to a generation that grew up thinking “Christian music” existed separately from “secular music” in clear, plainly labeled markets. Not so before the 1970s, not so now. Even during the heyday of “Contemporary Christian Music,” musicians of faith were in both markets. They always have been and always will be. The lines between “Christian” and “secular” are so blurry because they never really existed at all. Christian culture tried desperately to make them exist, but it just didn’t stick. Thank God. Kevin C. Neece, via email That’s very well put, Kevin. Thank you. For thought-provoking insight on the ways many of us divide life itself into the “sacred” and “secular,” check out Louie Giglio’s brilliant submission this month for “The Final Word” column on Page 58. YOUR WISH, OUR COMMAND Thanks so much for “In the Studio with BarlowGirl” [May]. I think when their new album comes out they should get a front cover story. They are awesome girls, great role models, and have beautiful voices. Their lyrics are great, and they don’t conform! Please give them a front cover story! PLEASE! Lauren Murray, via email WRITE US! We welcome your comments. Email: [email protected] or address your letter to: Feedback, CCM Magazine, 104 Woodmont Blvd., Suite 300, Nashville, TN 37205; fax 615/385-4112, Attn: Feedback. Always include your full name, address and phone number. Letters may be edited for length and clarity. [Rochelle Welbaum, Ansonia, OH & FAMILY FORCE 5] Some friends and I went to tobyMac's “Portable Sounds Tour” [Um...Is there an echo in here?] in Tipp City, Ohio. This is a picture of me and Nadaddy from [opening act] Family Force 5. The show was amazing, and we stayed after the show for over an hour and hung out with the band. It was great! Soul Glow Activatur even gave me the gangsta' name of “Googaflex.” It was an amazing time! myCCM.org/welby091 [Steve Busby, Oroville, CA & KUTLESS] This is a picture of me with Kutless that was taken on March 30, 2007 outside the Adventure Christian Church in Roseville, Calif., during the “Go Tour” with the newsboys and Stellar Kart. I am holding a guitar signed by Kutless which I won in a missions-oriented fund-raising auction at last year's Joshua Fest in Quincy, CA. Have you recently taken a picture with one of your favorite artists at a concert, in-store appearance, church event, or, hey, at the flea market? If so, send us the photo and tell us who you met, where you met ’em, and what it was like. Email the photo and info to [email protected] or use CCM’s regular mailing address (Attn: Feedback). [ccmmagazine.com] 7 yourCCM WHEN ARTISTS GET TO MEET YOU CCM_07.07_WhatNow.v4 5/31/07 5:26 PM Page 9 10 10 11 12 CCM READER MISSY OLIVER HAS THREE QUESTIONS THAT ONLY CHRIS TOMLIN CAN ANSWER. JESSY RIBORDY’S DVD PICKS RED’S JASEN RAUCH DISHES ON HIS BAND’S HIT SINGLE, “BREATHE INTO ME.” IN THE STUDIO WITH THOUSAND FOOT KRUTCH < LEARNING TO FLY Inspired by C.S. Lewis, new rock act WAVORLY is poised for success as its debut album takes to the sky. Modern rock band Wavorly sounds nothing like its pop punk roots. The new Flicker Records act became a melting pot of musical influences as Jaime Hayes (drums), Seth Farmer (guitars) and former road manager, Ryan Coon (keyboards), joined original members Dave Stovall (vocals) and Matt Lott (bass). This collective of college students diversified[ccmmagazine.com] the pop punk 9 CCM_07.07_WhatNow.v4 5/31/07 5:26 PM Page 10 < sound of a band formerly known as Freshmen 15 with hardcore rock, atmospheric pop, metal and progressive rock as heard on its debut album, Conquering the Fear of Flight (Flicker). The musical eclecticism, by way of one example, comes through in classical string arrangements by Stovall. “We have used string sounds in our live set, but it was [producer] Rob Graves’ idea to record using real strings in the studio,” says the band’s primary music writer. “I like songs to sound like big, wide musical landscapes that make you feel like you’re somewhere else.” The influence of C.S. Lewis’ imaginative The Great Divorce, an allegorical tale about a journey through heaven and hell, adds to the ‘somewhere else’ feel on Conquering the Fear of Flight. “Lyrically, our songs describe certain situations that God has helped us through, like love and loss,” says Lott, “but as you listen more, you find that deeper meaning,” especially on songs like “Madmen,” “Endless Day” and “Part One,” which connect to the Lewis story. Transporting a listener with music and lyrics is important to Wavorly, but the band also works to connect with its audiences here. “We want to make the best songs that we can and not just throw something out there that sounds like everything else. This is about connecting to people through music, to give hope to others—especially connecting with kids,” Lott says. “Our main focus is to tell people who don’t know Jesus that there is hope Jackie A. Chapman for life.” 10 [ccmmagazine.com] [Chris Tomlin] “IF YOU COULD ASK YOUR FAVORITE BAND OR SINGER THREE QUESTIONS, WHO IS THAT ARTIST, AND WHAT WOULD THOSE QUESTIONS BE?” 4 WHAT NOW! Ask Your Favorite Artist CCM reader Marla “Missy” Oliver of Antioch, Calif., (myCCM.org/missymo) has three questions for worship artist Chris Tomlin. As she explains, “I recently saw Chris in concert (‘How Great Is Our God Tour’). I had not been to a concert in a few years and, wow, I felt like I was in a church instead of a concert. Very inspiring.” ARTIST’S CHOICE [Must-See DVDs] Missy: Writing and singing songs of intimacy with God is intended to be a very personal experience. When you are in an auditorium with an earpiece and thousands singing with you, do you feel that same intimacy as you sing? Chris: Absolutely, and sometimes even more... There is something incredibly special about joining in worship with thousands of other believers. We were not meant to live out this life alone, and I think many times it causes my faith to be that much stronger when I get a picture of just how massive God’s kingdom really is! Missy: After the show, time to wind down...what is your favorite “after-show” activitiy? Chris: Well, I really enjoy meeting people. It’s always a good time to have a few moments with new people and encourage one another. To hear a story about how these songs affect someone’s life never gets old to me. Missy: Has your wildest dream come true yet? If yes, what was it—if no, care to share? Chris: I have been blessed to live many of my dreams so far. I am a dreamer by nature, so I continue to wonder and pray for what might be next while I marvel at what is... If you could ask your favorite artist three questions, what would they be? Let our editor know by leaving a message at his personal page at myCCM.org/Jay. You may just have your questions answered in one of the next issues of CCM! This month Falling Up’s Jessy Ribordy recommends five “must-see” DVDs… 1 2 3 4 1—The Blue Planet It’s an ocean documentary that Discovery Channel BBC did, and it’s the most amazing two hours of my life. 2—Gattaca It’s my favorite movie of all time. I love this movie because it’s about human genes and DNA, and it’s a love story. The storyline is amazing, and the dialog is super smart. 3—The Goonies There are so many reasons why I love this movie. For starters, I live just a few hours south of Astoria, and it’s one of my favorite towns in Oregon. Also, I love early Spielburg stuff, and there are so many crazy things he did when he wrote the movie; it’s just really interesting. 4—Apocalypse Now It’s a very edgy and tense movie, and the special features have a lot of great historical facts about Vietnam. 5—The Office (1st and 2nd season) I think this is the funniest show. This type of comedy is exactly what makes me laugh the hardest. 5 CCM_07.07_WhatNow.v4 5/31/07 5:26 PM Page 11 RED, “BREATHE INTO ME” WHAT NOW! Essential Records rock band Red is currently enjoying its first general market radio hit thanks to breakout track “Breathe Into Me” from the debut album End of Silence. At press time, the song—which had already been a No. 1 single at the Christian rock format—cracked the Top 10 of America’s Active Rock chart according to Radio & Records. Red guitarist/songwriter JASEN RAUCH recently took a few moments to pen the story behind the hit. STORY BEHIND THE SONG: The song “Breathe Into Me” was one of the first songs we wrote as a band. Anthony [Armstrong] came with a guitar part that seemed to stick out from all the rest of the material we had written at the time. We spent some time with it, and it evolved into the main riff and verse content for “Breathe Into Me.” A lot of heavier music we grew up listening to talked about going through hard times or tough experiences that brought about anger, frustration, and was generally written from a very dark perspective. As Christians, who had been through some of the same things those songs talked about, we chose to write about our experiences, but from a redemptive, encouraging point of view. The theme of redemption stuck, and “Breathe Into Me” became the backdrop for the rest of the record. JASEN RAUCH [SMITH] Smith is my son, and no he wasn’t named after Michael W. He’s only a few weeks old, but he’s pretty much the coolest person I know on the planet, next to his mom—my wife, Roshare. THINGS T BEBO NORMAN [MY 1976 FORD BRONCO] I bought my Bronco about five years ago and have slowly been fixing it up ever since. It’s my dream car, and one of these days it’ll run like a dream. AND JUST WHAT DOES SINGER/SONGWRITER BEBO NORMAN LOVE? [MY KAYAK] I’m not quite the kayaker I once was, but it’s still one of my favorite things in the world to do. I used to get to take my kayak with me out on tour, so I’ve had the chance to paddle some of the most beautiful rivers in the country. [THE GEORGIA BULLDOGS] Really, I love all college football. It’s the last true, unspoiled American sport. I’m always touring in the fall, so I don’t get to go to many games, but we always buy the ESPN GamePlan Package on the bus satellite so I can see every single Georgia Bulldog game of the season!!! Thank the Lord for modern technology! [THE RIVER] My family has a lake house down in Georgia, where I grew up, that we just call “the river.” I’ve had the chance to travel all over the world playing music, and there is still no place on the planet that I would rather be than at the river. I love to wakeboard and ski and take long boat rides, but, mostly, I love it because it’s the most peaceful place I know. THE PEOPLE WHO HAVE MADE THE MOST IMPACT IN MY LIFE HAPPENED TO HAVE BEEN PEOPLE WHO HAVE EITHER SEEN OR EXPERIENCED THE MOST SUFFERING...” [OTIS] I’ve always loved big dogs, and I made my wife promise me before we got married that we would never have to get a small dog. And then we found Otis. He’s the smallest, fluffiest, wimpiest dog on the planet...and you know what? I love him more than I’ve ever loved any dog I’ve ever had. Yep, I’m man enough to admit it...I love my wimply little small dog Otis! Bebo Norman’s current album is called Between the Dreaming and the Coming True (Essential). His current single, “Into the Day,” is impacting radio now. Check out bebonorman.com for the latest. LACEY MOSLEY [ccmmagazine.com] 11 5/31/07 5:26 PM Page 12 FAITH ON THE MOVE MARK ACROSS AMERICA MARK SCHULTZ is literally on the move, sharing stories and songs from his latest album on a tour that fans will not soon forget… “If I was doing this just for me, I wouldn’t make it 200 miles,” says Mark Schultz with a laugh. Lucky for him, he’s doing it for something much bigger than himself…because he’s got a long way to go—3,500 miles to be exact. Since mid-May, Mark has been on tour—on his bike. That’s right, his bike. Mark has partnered with the James Fund, a non-profit organization borne out of the Family Christian stores, to raise money for widows and orphans. “Mark Across America” is the concept behind his bike tour. He is performing 15 concerts across the country—West Coast to East, donating all proceeds from the concerts to the widows and orphans that the James Fund supports. “We want to provide for today,” says Mark, “and we want to provide for a future.” And it’s a future that he knows a lot about. An adopted child himself, Mark’s passion for the work of the James Fund was stirred when he and his wife went on a mission trip to an orphanage in Monterey, Mexico. There, they saw firsthand how the James Fund was providing food for the immediate needs of the children and families for their tomorrow. “They bring in American families and build them a home,” Mark explains. And then, those families open their home to a child from the orphanage, providing them with faith, education and hope. When it all comes down to it, Mark says it best: “Everyone can talk about problems…but I want to be a part of the solutions.” And so after six months of training at the YMCA, spin classes and 75-mile trips through the hills around his home, he’s taking his heart to the streets across America. To learn more about Mark’s adventures and to join in the cause, log on to markacrossamerica.org. CAROLINE LUSK ; WHAT NOW! CCM_07.07_WhatNow.v4 THE MUSIC: “In one word: RAWK. In a bunch of words: This record has a bit more of a mix tape sensibility to it, without feeling disjointed. I think it has something for everybody. You always want to push your own boundaries and keep trying to reinvent what you’ve already done, and I think we’ve done that by stepping into some new territories and redefining a few places we’ve been before. This results in some very quiet and very heavy moments… After wanting to for some time, we got a chance to work with some real deal string sections, no keyboard strings or samples on this one, just big, fat, beautiful orchestration.”—Trevor McNevan (lead singer) 4 IN THE STUDIO WITH THOUSAND FOOT KRUTCH Going behind the scenes to get you ahead of the curve… 12 [ccmmagazine.com] THE LYRICS: “There are quite a few new lyrical themes on this record dealing with everything from addictions to true love and what home has become after being on the road so long, to the realization that we don’t have all the answers, ALBUM TITLE: The Flame In All Of Us and we are not in control here… ‘The Flame In All Of Us’ is about the LABEL: Tooth & Nail common thread between people of every age, race, background and RELEASE DATE: September 18 belief, that no matter what category we fall under, God created all of us RECORDING STUDIO: The Firehouse in with a purpose.”—T.M. Pasadena, CA PRODUCERS: Ken Andrews (Beck/Mae/ THE MUSICAL GUEST: Pete Yorn/Tenacious D) “There is a cameo appearance by Charlotte Martin, a friend of ours on NUMBER OF SONGS: 12 (plus two Dinosaur Fight Records. She’s got a beautiful voice; it’s actually quite more on special edition) haunting.”—T.M. CCM_07.07_WhatNow.v4 5/31/07 5:27 PM Page 14 SIGHTINGS WHAT NOW! [of Faith in Culture] BY CHRIS WELL % ON THE TUBE IN MAY, FANS OF RED COULD HEAR THE BAND’S SONG “LET GO” IN PROMOTIONAL SPOTS FOR THE CBS HIT DRAMA “WITHOUT A TRACE.” THE SONG, FROM THE BAND’S GRAMMY®-NOMINATED END OF SILENCE (ESSENTIAL), WAS USED IN MID-DAY AND PRIMETIME SPOTS. OTHER TV NOTES: THE LEGENDARY MAVIS STAPLES PUT IN AN APPEARANCE ON THE “LATE SHOW WITH DAVID LETTERMAN” IN MAY, AND DARWIN HOBBS AND HIS WIFE, TRACI, WERE FEATURED ON “CBS THIS MORNING” THE SAME MONTH. MULTI-TASKING Hip-hop artist and pastor Urban D. (Tommy Kyllonen) has a new project—and it’s coming at you from three directions: print, CD and DVD. The book Un.orthodox: Church. Hip-Hop. Culture. (Zondervan) shares unique, inside perspectives on how to reach today’s urban culture with the message of Jesus. Fascinating, troubling, inspiring and moving, this is a powerful resource for engaging today’s unchurched, 35and-under generation. The companion album Un.orthodox (EMI Gospel) is a double disc with a DVD documentary plus all of Urban D.’s music videos. 2 In a thought-provoking thriller this July, “Bible Answer Man” Hank Hanegraaff and suspense novelist Sigmund Brouwer team up for Fuse of Armageddon (Tyndale House). The story follows a maverick hostage negotiator who must come face to face with his past to stop the worst terrorist threat of all time—a plot to bring about the ultimate religious uprising by destroying one of the most sacred relics in history. 14 [ccmmagazine.com] ( citizenjane For the magazine’s 40th anniversary, the editors of Rolling Stone interviewed 20 artists and leaders who helped shape our culture. Among the list was “actress/activist/fitness instructor/author/lightning rod” Jane Fonda. In their interview, Fonda talked about the wild 1960s, the infamous “Hanoi Jane” fiasco—and being a born-again Christian: “I very much feel the presence of God. And then this person Jesus—I am utterly fascinated by this man. I feel that what he preached was revolutionary, and it’s totally what we need now.” INDIE ARTISTS: GMC WANTS YOU! ) MAN OF INFLUENCE Super Bowl-winning coach Tony Dungy was named to TIME Magazine’s “100 Most Influential People in the World,” a list that also includes the likes of Secretary of State Condoleezza Rice and Queen Elizabeth II. In July, Dungy’s memoir, Quiet Strength (Tyndale House), describes his upbringing, athletic career, family life and coaching career, as well as his spiritual journey. Dungy became the first African-American to coach a Super Bowl champion earlier this year when the Indianapolis Colts defeated the Chicago Bears, 29-17, in Super Bowl XLI. GOSPEL MUSIC CHANNEL HAS LAUNCHED A NATIONWIDE SEARCH FOR MUSIC VIDEOS FROM UNDISCOVERED AND UNSIGNED TALENT ACROSS ALL GENRES OF GOSPEL AND CHRISTIAN MUSIC. VIDEOS CHOSEN CAN BE SHOWCASED ONE OF SEVERAL WAYS, INCLUDING ON TV, ONLINE AND ON-DEMAND. “THIS IS NOT A CONTEST; WE WANT TO SHOWCASE THE COUNTRY’S UNTAPPED GOSPEL AND CHRISTIAN TALENT ON TV,” SAYS GMC VICE PRESIDENT OF PRODUCTION, REX HUMBARD. DETAILS AND GUIDELINES ONLINE AT GOSPELMUSICCHANNEL.COM. CCM_07.07_WhatNow.v4 5/31/07 5:27 PM Page 15 SIGHTINGS [of Faith in Culture] BELLS In June, the Christian graphic novel Eye Witness: Acts of the Spirit was awarded the Silver Medal in the Graphic Novel category at the 2007 Independent Publisher Book Awards, held in conjunction with BookExpo America in New York City. Created by author/illustrator Robert James Luedke and published by Head Press Publishing, it is the second volume in a trilogy. Comics and pop culture guide Wizard Magazine tagged Eye Witness: Acts of the Spirit one of the “42 THINGS YOU NEED TO KNOW ABOUT INDIE COMICS IN 2006.” . FALL INTO TV CCM READERS WILL SEE SOME FAMILIAR FACES IN THE FALL TV LINEUP: EMMY-WINNER PATRICIA HEATON (“EVERYBODY LOVES RAYMOND,” THOU SHALT LAUGH) CO-STARS WITH KELSEY GRAMMER IN A NEW WORKPLACE SITCOM, “BACK TO YOU.” MEANWHILE, KRISTIN CHENOWETH (“WEST WING”) RETURNS TO THE SMALL SCREEN FOR ABC’S DARK COMEDY “PUSHING DAISIES.” (AND “BIONIC WOMAN” ALSO LOOKS KINDA COOL, BUT THE ONLY EXCUSE I CAN FIND TO MENTION IT IN “SIGHTINGS” IS THIS PARENTHETICAL STATEMENT.) WHAT NOW! SILVER BY TH3 NUMB3RS From the bar codes on your groceries and the numbers on a sports team uniform to that PIN you use at the ATM, numbers are everywhere: They sponsor “Sesame Street”; they tell us our place in line; they even save us the trouble of calling every movie sequel “Reloaded” or “Again.” We would suggest throwing down the oppression of the Numbers, but we just got all our friends’ numbers programmed into our cell phone. (And we’re too lazy to start that over.) On that topic, here are four bands that decided if you can’t beat ’em, join ’em… 1 2 3 4 BUILDING 429 This band gets its name from Ephesians 4:29—Do not let any unwholesome talk come out of your mouths, but only what is helpful for building others up according to their needs, that it may benefit those who listen. “It’s not enough to not say something bad,” says front man Jason Roy. “It’s about going out of your way to lift people up when everything else is beating them down.” Building 429’s brand new album, Iris To Iris (Word), is in stores now. Find them on myCCM at myCCM.org/building429. 33MILES The members of 33Miles are on a mission to encourage the church. The band’s name is a metaphor for the 33 years that Christ spent on Earth and how He lived them. “We want to follow Christ,” says the band’s Jason Barton. “We aren’t promised a certain number of miles, so what are we going to do with the ‘miles’ that we are given?” The band’s debut album was released by INO Records in April. Learn more at myCCM.org/33miles. GROUP 1 CREW With a unique hybrid of hip-hop, rock, funk and soul, Group 1 Crew has distinguished itself with the 2007 self-titled debut on Fervent Records. And the three members have teamed together for one unified purpose—hence the name Group 1 Crew. Unlike many popular acts where members individually vie for the spotlight, they wanted a name that communicates their singular purpose to shine the love of Christ through the power of song. Find them at myCCM.org/group1crew. 9TH HOUR This indie band takes its name from the passage in Luke 23:44-46, which tells us that in the “ninth hour,” Jesus died for the sins of the world. At the 2007 King Cat Christian Music Awards, 9th Hour was nominated in multiple categories and won both “Contemporary Christian Artist of the Year” and “Acoustic Rock Artist of the Year.” The band’s new album is Perfect Timing. Download a free song at myCCM.org/9thhour. This month, Eric Wilson has a brand new mystery in stores, A Shred of Truth (WaterBrook). He also recently passed on these happy bits of news: He’s written a novelization of the surprise hit indie film Facing The Giants, which will be published by Thomas Nelson this September. Also, he’s finally found a home for his “vampire trilogy based in Biblical history”—WestBow Press (Thomas Nelson) is publishing the first book in the series in 2008. HONORABLE MENTION: Family Force 5, Project 86, 21:03, Detour 180, Eleventyseven, Jump 5, The 77’s, Take 6, Starflyer 59, 2 or More, 4HIM, 7Thunders, 12 Stones , KJ-52, Pax217, Plus One, Third Day, Three Crosses, Seven Places, Sixpence None The Richer, Tree63, Seventh Day Slumber, Trin-i-tee 5:7, U2, and a partridge in a pear tree. Keep up with the latest Sightings at myCCM.org/sightings. [ccmmagazine.com] 15 CCM_07.07_WhatNow.v4 5/31/07 5:27 PM Page 16 myCCM WHAT NOW! [Where the Peeps Are] BY CHRIS WELL featuredartists 1 2 3 4 5 AARON SHUST UNKNOWN SOULDIER DJ MORPHIZIZ MONICA DENNINGTON FIREFLIGHT myCCM.org/unknownsouldier In 1993, rocker Terry Baert walked away from mainstream music. Since then, he has ministered in many capacities as a church helper and pastor. Listen to four songs from his new indie album on his myCCM profile. (Pre-production demos of more songs at myCCM.org/brotherterry.) 1 AUTHORS knows myCCM myCCM.org/aaronshust After serving for five years as a worship leader in Atlanta, Georgia, Aaron Shust is now serving a much larger congregation. His debut, Anything Worth Saying (Brash), sold more than 200,000 copies, while “My Savior, My God” was downloaded over 85,000 times on iTunes. DAVID NASSER (Glory Revealed) myCCM.org/davidnasser 2 STA AKRA THRILLER WRITERS myCCM.org/staakra 3 COLLEEN COBLE (Midnight Sea) myCCM.org/djmorphiziz This mixologist has shared the stage with quarterback Peyton Manning and comedian Jerry Lewis—not to mention Switchfoot, tobyMac, Third Day, KJ-52, Thousand Foot Krutch, Casting Crowns, Hawk Nelson and many more. Says KJ52 of DJ Morphiziz: “His discipline in his career is only matched by his desire to grow in Christ.” myCCM.org/monicadennington This singer/songerwriter and women’s speaker has all sorts of spiffy resources on her myCCM profile page, including music downloads, videos, a photo album and even a map that tells where you are RIGHT THIS MOMENT. (In case you forgot.) myCCM.org/fireflight Hailing from Eustis, Florida (just outside Orlando), the members of Fireflight got together thanks to a mutual love for bands like The Juliana Theory, Zao and Def Leppard. After five years on the indie circuit, they signed with Flicker Records for their first national record, The Healing of Harms. CONTESTS AT CCMMAGAZINE.COM DESIGN YOUR OWN MOCK CCM MAGAZINE COVER! Get out the crayons and protractors, kids, because your mission this month is to design your very own custom CCM cover! Starting July 1, you have the chance to show the world your mad design skills. So design your cover, hit CCMmagazine.com in the month of July and upload your entry! myCCM.org/colleencoble 4 JOHN THOMPSON (Raised By Wolves) myCCM.org/jjt 5 CELEBRITY DON’T-LOOK-ALIKES RACHEL HAUCK (Diva NashVegas) myCCM.org/rachelhauck 6 BRANDT DODSON (The Lost Sheep) myCCM.org/brandtdodson 7 David Crowder Lunch Box Kierra “Kiki” Sheard Killer Robot MARY CONNEALY (Petticoat Ranch) myCCM.org/maryconnealy 8 MIKE NAPPA (The Courage to be Christian) myCCM.org/books 9 CHRISTY BARRITT (Hazardous Duty) myCCM.org/christybarritt 10 MICHELLE D. STARR (Inoculation Eternity) myCCM.org/michelledstarr 16 [ccmmagazine.com] Krystal Meyers Electric Fan CCM_07.07_WhatNow.v4 5/31/07 5:27 PM Page 17 myCCM [Where the Peeps Are] FROM THE MYCCM BRAIN myCCM.org/thebrain [WE’LL NOT ONLY TELL YOU WHO AND WHAT AT MYCCM YOU SHOULD KNOW ABOUT EACH MONTH, WE’LL EVEN SHOW YOU WHY. CONSIDER THESE TWO RECENT BLOG ENTRIES…] FROM STEVEN S. BILLINGS myCCM.org/crownbearer “SPIDER-MAN 3” I was never a huge fan of the webslinger. But I’ve seen this film twice now; the second time was yesterday at the IMAX. And I must say that I really enjoyed it both times. One of the main reasons is that Toby McGuire embodies Peter Parker in such a realistic way, you almost believe he’s an actual living soul. For me, the best moments in the film are not when Spidey dons the suit—red or black—but when Toby and Kirsten Dunst are interacting as Peter and Mary Jane. Their emotions never seem manufactured or “methodized,” but are authentic and very real. I ached for Peter on the bridge in the park. I felt the bruised spirit of M.J. as she lay sprawled on the floor of the jazz club. In fact, the emotional motivation of all the key players in this film is strong and genuine, from the leads through the entire supporting cast. Pacing is excellent, with the darker moments balanced by great humorous bits (especially with J.K. Simmons as J. Jonah Jameson). Particularly poignant is the message of personal responsibility brought home in the closing monologue, where Peter reminds the viewers that we make our own moral decisions in life. Very refreshing. The film leaves us hoping for more. I, for one, definitely look forward to Spider-Man 4! © 2007 by the author FROM SHERRAL myCCM.org/sherral/blog Ask the Brain: "Nashville City Fest" Our family attended the Luis Palau Nashville City Fest this weekend (May 19 & 20). Wow, what an awesome weekend. Everything was free and there was something for everyone. The youngsters had face painting, VeggieTales, and all kinds of fun things. Of course, there were lots and lots of food vendors and sponsors’ tents and such. Then there were concerts! Free ones! We saw Tye Tribbett, Steven Curtis Chapman, tobyMac, BarlowGirl and Jeremy Camp. They were all great! That was the first time we’d heard or seen Tye Tribbett....he was really awesome. The real highlight of the weekend came after the Jeremy Camp concert, though. We had decided to make our way over to Joe’s Crab Shack for supper and we happened upon tobyMac! The kids got their pictures taken with him and were totally thrilled...especially Hannah! She had gotten his autograph on a poster at another concert and now has pictures of her with him. Thanks Toby! © 2007 by the author 9 *If you hope to see yourself in this column, the first step is to set up your own profile at myCCM.org. Act today—operators are standing by! (Well, it’s all computerized, but you know what we mean…and, hey, it’s FREE.) CHECK OUT THIS MONTH’S FEATURED PODCASTS ON MYCCM.ORG JULY 3—JAKE SMITH • JULY 10—TODD AGNEW JULY 24—BARLOWGIRL • JULY 31—MANDISA • JULY 17—CHRIS RICE HOW DO I CHANGE MY PRIVACY SETTINGS? Your myCCM account allows YOU to control how easily friends—and strangers—can see your page or even contact you. On your dashboard, go to the grey column (it’s to your left) and click “My Profile.” Then click on “My Settings.” MY PROFILE MY SETTINGS YOUR “PRIVACY OPTIONS” INCLUDE: * My profile is completely private. No URL should be accessible. * My profile can be accessed by anyone. * My profile can only be accessed by my peeps. You can also check this box (if you want): “Only allow my peeps to leave messages in my inbox.” YOUR “EMAIL NOTIFICATION OPTIONS” INCLUDE: * Notify me by email if someone leaves a comment on my profile. * Notify me by email if someone requests to be my peep. * Notify me by email if a peep sends me a message. * Notify me by email if anyone sends me a message. YOUR “PROFILE COMMENT OPTIONS” INCLUDE: * Don’t publish comments until I approve them. * Don’t allow HTML in comments added to my profile. myCCM puts the power in your hands—use it wisely! Yours always, The Brain Chris Well claims to be an awardwinning editor and acclaimed novelist. His latest novel, the laughout-loud Christian thriller Tribulation House (Harvest House), has gotten rave reviews from the likes of Publishers Weekly, RT Book Reviews and more. Visit Chris online at myCCM.org/chriswell. [ccmmagazine.com] 17 WHAT NOW! WORDS OF WISDOM CCM_07.07_HitLists.v3 5/31/07 5:29 PM Page 18 > [CHARTING THE TOP ALBUMS AND SONGS] > HIT LISTS TOP ROCK/ALTERNATIVE ALBUMS THE TOP-SELLING CHRISTIAN ALBUMS ACCORDING TO NIELSEN SOUNDSCAN ARTIST—Album (Label) ) 1 1 7 MARTINA MCBRIDE—Waking Up Laughing 22 --- 40 TOBYMAC—Portable Sounds (ForeFront) 7 3 12 RELIENT K—Five Score and Seven Years Ago (Capitol/Gotee) 4 84 FLYLEAF—Flyleaf (Octone/S-R-E) 5 8 THIRD DAY—Chronology, Vol. 1 1996-2000 (Essential) 6 33 SKILLET—Comatose (Ardent/S-R-E/Lava/Atlantic) 7 50 RED—End of Silence (Essential) 8 3 BUILDING 429—Iris to Iris (Word) 9 14 SUPERCHICK—Beauty from Pain 1.1 (Columbia/Inpop) 5 64 ALAN JACKSON—Precious Memories (ACR/Arista Nashville) 4 6 13 TOBYMAC—Portable Sounds (ForeFront) 5 7 7 THE ALMOST—Southern Weather (Tooth & Nail/Virgin) 6 4 2 VARIOUS—WOW Gospel #1’s (Verity) 7 10 11 RELIENT K—Five Score and Seven Years Ago (Capitol/Gotee) 8 2 2 YOLANDA ADAMS—Best of Me—Greatest Hits (ATLG) 9 8 33 VARIOUS—WOW Hits 2007 (Sparrow/EMI) 10 20 84 FLYLEAF—Flyleaf (Octone/S-R-E) 11 9 8 THIRD DAY—Chronology, Vol. 1 1996-2000 (Essential) 12 24 38 VARIOUS—Three Wooden Crosses (Word) 13 19 57 MAT KEARNEY—Nothing Left to Lose (Aware/Columbia/Inpop) 14 18 7 J. MOSS—V2 (Gospo Centric) 15 11 6 THE CLARK SISTERS—Live: One Last Time (EMI Gospel) 16 23 33 SKILLET—Comatose (Ardent/S-R-E/Lava/Atlantic) 17 13 90 CASTING CROWNS—Lifesong (Beach Street) 18 16 CHRIS TOMLIN—See the Morning (sixsteps) 19 12 71 JUANITA BYNUM—Piece of My Passion (FLOW) 20 15 RUSH OF FOOLS—Rush of Fools (Midas) 2 1 14 THE ALMOST—Southern Weather (Tooth & Nail/Virgin) (RCA/Provident) 3 34 ARTIST—Album (Label) ) 22 TOP CHRISTIAN/GOSPEL ALBUMS OVERALL TW LW WO TW WO 21 14 16 VARIOUS—WOW Gospel 2007 (Verity) 22 --- 1 JOHN COOK—Heaven’s Pen (ALNT) 23 22 11 VARIOUS—Glory Revealed (Reunion) 10 14 SWITCHFOOT—Oh! Gravity. (Columbia/Sparrow) 11 81 THIRD DAY—Wherever You Are (Essential) 12 9 HASTE THE DAY—Pressure the Hinges (Solid State) 13 8 THIRD DAY—Third Day (Essential) 14 35 GUESS WHO’s going to be on the cover of CCM next month? ANBERLIN—Cities (Tooth & Nail) JONNY LANG—Turn Around (A&M) 15 26 P.O.D.—Greatest Hits (The Atlantic Years) (Atlantic) 16 BECOMING THE ARCHETYPE—Physics of Fire (Solid State) 2 17 48 UNDEROATH—Define the Great Line (Tooth & Nail) 18 60 FAMILY FORCE 5—Business Up Front, Party in the Back (Gotee) 19 116 KUTLESS—Strong Tower (Deluxe Edition) (BEC) 20 86 BARLOWGIRL—Another Journal Entry (Fervent) TOP R&B/HIP-HOP ALBUMS TW WO ARTIST—Album (Label) ) 1 7 KJ-52—The Yearbook (BEC) 22 26 3 CHRIS TOMLIN answers a reader’s questions on Page 10. 7 PATTI LABELLE—The Gospel According to Patti LaBelle (Bungalo) FLAME—Our World Fallen (Cross Movement) 4 100 TOBYMAC—Welcome to Diverse City (ForeFront) 5 41 LECRAE—After the Music Stops (Cross Movement) 6 10 SHIRLEY MURDOCK—Soulfood (TYSC) 24 35 29 JEREMY CAMP—Beyond Measure (BEC) 25 31 29 NEWSBOYS—Go (Inpop) 7 4 PETTIDEE—Resurrections: Past, Present & Future (Beatmart) 26 17 11 VARIOUS—WOW Hymns (Word) 8 2 URBAN D—Unorthodox: When Hip-Hop Meets the Church (EMI Gospel) 27 21 11 ELVIS PRESLEY—Elvis: Ultimate Gospel (Provident) 9 89 28 28 100 CASTING CROWNS—Casting Crowns (Beach Street) 10 32 LATTIMORE/MOORE—Uncovered (La Face) 29 34 85 KIRK FRANKLIN—Hero (Gospo Centric) 11 26 GRITS—Redemption (Gotee) 30 39 50 RED—End of Silence (Essential) 12 33 VARIOUS—Body + Soul Gospel (TIme Life) 31 37 3 BUILDING 429—Iris to Iris (Word) 13 43 TRIP LEE—If They Only Knew (Reach) 32 27 56 MERCYME—Coming Up to Breathe (INO) 14 10 EVERYDAY PROCESS—Process of Illumination & Elimination (Cross Movement) 33 42 52 TYE TRIBBETT—Victory (Integrity) 15 VARIOUS—Kurtis Blow: The Block Iz Hot (EMI Gospel) 34 25 28 MICHAEL W. SMITH—Stand (Reunion) Read the story behind RED’s hit “Breathe Into Me” on Page 11. 4 CECE WINANS—Purified (Pure Springs Gospel/INO) 16 60 GRITS—7 (Gotee) 35 33 34 MARK SCHULTZ—Broken & Beautiful (Word) 17 87 DA T.R.U.T.H.—The Faith (Cross Movement) 36 55 17 ERNIE HAASE & SIGNATURE SOUND—Get Away Jordan (Springhouse) 18 30 TEDASHII—Kingdom People (Reach) 37 50 2 PURENRG—pureNRG (Fervent) 19 40 VARIOUS—Hip Hope 2007 (Gotee) 38 64 6 33MILES—33Miles (INO) 20 44 21:03—Twenty One O Three (Verity) 39 43 13 ANBERLIN—Cities (Tooth & Nail) 40 56 21 SWITCHFOOT—Oh! Gravity. (Columbia/Sparrow) Each chart reflects Christian and general market combined album sales for the week ending May 20, 2007. All charts © 2007 by Nielsen SoundScan (a division of VNU Marketing Information) and Christian Music Trade Association. All rights reserved. No reproduction without permission. * Hit Lists cont. on Page 20 18 [ccmmagazine.com] CCM_07.07_HitLists.v3 5/31/07 5:29 PM Page 20 Hit Lists cont. from Page 18 TOP ADULT CONTEMPORARY/POP ALBUMS TOP PRAISE & WORSHIP ALBUMS TW WO ARTIST—Album (Label) ) TW WO ARTIST—Album (Label) ) SUPERCHICK—Beauty from Pain 1.1 1 32 CHRIS TOMLIN—See the Morning (sixsteps) > 1 44 HIT LISTS (Columbia/Inpop) 22 11 2 33 VARIOUS—WOW Hits 2007 (Sparrow/EMI) 3 57 MAT KEARNEY—Nothing Left to Lose (Aware/Columbia/Inpop) 3 4 91 CASTING CROWNS—Lifesong (Beach Street) 4 139 CHRIS TOMLIN—Arriving (sixsteps) 5 2 RUSH OF FOOLS—Rush of Fools (Midas) 5 82 VARIOUS—Open the Eyes of My Heart (INO) 6 29 JEREMY CAMP—Beyond Measure (BEC) 6 69 AARON SHUST—Anything Worth Saying (Brash) 7 29 NEWSBOYS—Go (Inpop) 7 59 VARIOUS—WOW Worship Aqua (Provident) 8 11 VARIOUS—WOW Hymns (Word) 8 37 HILLSONG—Mighty to Save (Integrity) 21 7 VARIOUS—Glory Revealed (Reunion) VARIOUS—WOW Worship Blue (Integrity) 9 190 CASTING CROWNS—Casting Crowns (Beach Street) 9 10 56 MERCYME—Coming Up to Breathe (INO) 10 28 VARIOUS—iWorship Platinum (Integrity) PASSION—Best of Passion Band (So Far) (sixsteps) 11 28 MICHAEL W. SMITH—Stand (Reunion) 11 59 UNITED—United We Stand (Integrity) 12 34 MARK SCHULTZ—Broken & Beautiful (Word) 12 12 VARIOUS—51 Must Have Modern Worship Hits (Integrity) 13 2 PURENRG—pureNRG (Fervent) 13 11 VARIOUS—Beautiful Worship (INO) 14 6 33MILES—33Miles (INO) 14 11 JEREMY RIDDLE—Full Attention (Varietal) 15 117 MERCYME—Almost There (INO) 15 297 MICHAEL W. SMITH—Worship (Reunion) 16 7 NICOLE C. MULLEN—Sharecropper’s Seed (Word) 16 28 LINCOLN BREWSTER—Let the Praises Ring (Integrity) 17 59 MARK HARRIS—The Line Between the Two (INO) 17 19 MATT REDMAN—Beautiful News (sixsteps) 18 11 NICHOLE NORDEMAN—Recollection: The Best of Nichole Nordeman (Sparrow) 18 86 DAVID CROWDER BAND—A Collision (sixsteps) 19 37 JARS OF CLAY—Good Monsters (Essential) 19 82 RANDY TRAVIS—Glory Train: Songs of Worship (Word) 20 NEWSBOYS—Go Remixed (Inpop) 20 49 VARIOUS—Very Best of Praise & Worship (Verity) 2 See “MARK ACROSS AMERICA” on Page 12. Each chart reflects Christian and general market combined album sales for the week ending May 20, 2007. All charts © 2007 by Nielsen SoundScan (a division of VNU Marketing Information) and Christian Music Trade Association. All rights reserved. No reproduction without permission. * THE TOP SONGS ON CHRISTIAN RADIO ACCORDING TO TOP ADULT CONTEMPORARY/POP SONGS TOP CONTEMPORARY HIT SONGS RUSH OF FOOLS—Undo —Rush of 1 RELIENT K—Forgiven—Five Score and 1 Fools (Midas) 2 BIG DADDY WEAVE—Every Time I Breathe—Every 3 JEREMY CAMP—Give You Glory—Beyond Measure (BEC) 4 LINCOLN BREWSTER—Everlasting God—Let the Praises 5 CHRIS TOMLIN—How Can I Keep From Singing—See 6 NEWSBOYS—Something Beautiful—Go (Inpop) 7 Time I Breathe (Fervent/Word-Curb) Ring (Integrity) the Morning (sixsteps/EMI) MERCYME—Bring the Rain—Coming Up to Breathe (INO) 9 POWELL, LITTRELL, CHAPMAN AND HALL—By His Wounds—Glory Revealed (Reunion/PLG) 10 THIRD DAY—Tunnel—Wherever You Are (Essential/PLG) 11 BEBO NORMAN—I Will Lift My Eyes—Between the 12 BRANDON HEATH—I’m Not Who I Was—Don’t Get Comfortable (Reunion/PLG) 13 ECHOING ANGELS—You Alone—You Alone (INO) Dreaming and the Coming True (Essential/PLG) 14 GEOFF MOORE—When I Get Where I’m Going—Speak 15 JOHN WALLER—The Blessing—The Blessing to Me (Rocketown) (Beach Street/Reunion/PLG) ARTIST—Song—Album (Label) ) 1 SKILLET—The Last Night—Comatose 22 ANBERLIN—A Whisper and a Clamor—Cities (Tooth & Nail) Seven Years Ago (Gotee) 22 3 DISCIPLE—After the World—Scars Remain (INO) SANCTUS REAL—Don’t Give Up—The Face of Love (Sparrow/EMI) 4 SKILLET—The Last Night—Comatose (Ardent/S-R-E) 5 EVERYDAY SUNDAY—Find Me Tonight—Wake Up! (Ardent/S-R-E) 3 FLYLEAF—Perfect—Flyleaf (Octone) 4 THE WEDDING—Say Your Prayers—Polarity (Brave New World) 5 THIS BEAUTIFUL REPUBLIC—Going Under—Even 6 EVERYDAY SUNDAY—Wake Up! Wake Up!—Wake Up! 7 THE ALMOST—Say This Sooner—Southern Weather 8 DEAS VAIL—Surface—All The Houses Look the Same Wake Up! (Inpop) 6 JARS OF CLAY—Work—Good Monsters (Essential/PLG) 7 NEWSBOYS—Something Beautiful—Go (Inpop) 8 SEVENTH DAY SLUMBER—Missing Pages—Once 9 JIMMY NEEDHAM—Dearly Loved—Speak (Inpop) 10 TOBYMAC—Made to Love—Portable Sounds (ForeFront/EMI) TOBYMAC—Made to Love—Portable Sounds (ForeFront/EMI) 8 TOP ROCK SONGS ARTIST—Song—Album (Label) ) ARTIST—Song—Album (Label) ) Upon a Shattered Life (BEC) Heroes Need a Parachute (ForeFront/EMI) Wake Up! (Inpop) (Tooth & Nail) (Brave New World) 9 PILLAR—When Tomorrow Comes—The Reckoning 10 SWITCHFOOT—Awakening—Oh! Gravity. (Sparrow/EMI) (Flicker/PLG) 11 TOBYMAC—I’m for You—Portable Sounds (ForeFront/EMI) 12 JEREMY CAMP—Let It Fade—Beyond Measure (BEC) 11 FAMILY FORCE 5—I Love You To Death—Business Up 13 SUPERCHICK—Stand in the Rain—Beauty From Pain 12 RED—Break Me Down—End of Silence (Essential/PLG) 13 STELLAR KART—Procrastinating—We Can’t Stand 14 FIREFLIGHT—Attitude—The Healing of Harms (Flicker) 14 1.1 (Inpop) BIG DADDY WEAVE—Every Time I Breathe—Every Time I Breathe (Fervent/Word-Curb) Front, Party in the Back (Gotee) Sitting Down (Word-Curb) 15 CASTING CROWNS—Set Me Free—Lifesong (Beach Street/Reunion/PLG) 15 THE SEND—An Epiphany—Cosmos (Tooth & Nail) 16 DAVID CROWDER BAND—Foreverandever Etc.—A 16 DISCIPLE—After the World—Scars Remain(INO) BUILDING 429—I Believe (with Jesus is the Answer)—Rise (Word-Curb) 17 RELIENT K—Forgiven—Four Score and Seven Years Ago 18 CHASING VICTORY—Fiends—Fiends (Mono vs. Stereo) Collision (sixsteps/EMI) 16 AARON SHUST—Give Me Words to Speak— 17 33MILES—What Could Be Better (The Days Ahead)— What Could Be Better (The Days Ahead) (INO) 18 BRITT NICOLE—You—Say It (Sparrow/EMI) 18 DAVID CROWDER BAND—Foreverandever Etc.—A 19 SWITCHFOOT—Awakening—Oh! Gravity. (Sparrow/EMI) 19 KJ-52—Wake Up—The Yearbook (BEC) THIRD DAY—Tunnel—Wherever You Are (Essential/PLG) 20 WAVORLY—Madmen—Conquering the Fear of Flight (Flicker/PLG) Whispered and Shouted (Brash) Collision (sixsteps/EMI) 19 NATE SALLIE—Lone Ranger—Ruined for Ordinary (Curb) 20 CASTING CROWNS—Does Anybody Hear Her— Lifesong (Beach Street/Reunion/PLG) 20 [ccmmagazine.com] 17 20 *Each (Gotee) chart reflects Christian radio airplay for the week ending May 18, 2007 as tabulated by Christian Radio & Retail Weekly. © 2007 CRW. All rights reserved. christianradioweekly.com CCM_07.07_TrendWatch.v3 5/31/07 5:30 PM Page 21 } [TUNING INTO THE FUTURE] By Beau Black TREND WATCH From left: J Moss, Mary Mary, Kirk Franklin THE GOSPEL ACCORDING TO MAINSTREAM RADIO Earlier this year, Kirk Franklin’s hit single, “September,” spent 14 weeks on the Urban AC charts. That was followed immediately by J Moss’ new hit duet with Anthony Hamilton, “I’m Not Perfect.” These two tracks are just the latest in a long line of songs from gospel artists who have been making inroads into the culture at large. With the crush of Christian acts breaking into mainstream music, it’s hard to remember the days when Amy Grant was “finding her way” into the Top 40 (and getting roundly criticized for it). Grant and her leopard-print jacket now 20-plus years in our rearview mirror, making that leap has become almost common, at least for rockers such as Mat Kearney, P.O.D., Switchfoot and the like. Just as regularly, but less often noted, you’ll find gospel acts like Kirk Franklin, Yolanda Adams and Mary Mary camping out on various urban charts—often doing it with explicitly “gospel” lyrics. No stranger to success in urban and gospel markets, artist/producer J Moss proclaims, with characteristic understatement, “Gospel is the new R&B.” He oughta know, having produced with his PAJAM crew artists ranging from *NSYNC to Vanessa Bell Armstrong. Moss is currently making a run at radio himself with the sinewy, vocoder-drenched “I’m Not Perfect,” a duet with soulster Anthony Hamilton. (The single was No. 27 on R&R’s Urban AC chart at press time.) Jeff Grant heads radio promotion at Moss’ home Verity, gospel’s largest label. “I usually don’t go into a project looking for a mainstream record,” Grant says. “My first responsibility is to the natural audience of the artist. If I approach mainstream, it’s because the artist either has a mainstream profile, i.e., Kirk Franklin or Kelly Price, or a song that would be a good fit.” Picking that song isn’t as easy as it might seem; for every “Stomp” or “Shackles,” there’s a churchier counterpart, like Franklin’s debut “Why We Sing,” Yolanda Adams’ “Open My Heart” and Smokie Norful’s “I Need You Now.” Grant recalls Dr. Charles Hayes’ “Jesus Can Work It Out,” “basically a Sunday morning toe tappin’, hand clappin’, rollickin’ choir song.” Not exactly a natural candidate—but “it struck a chord with the listening audience,” he says. Often, the hits get rolling at the grassroots level. Grant says, “Every once in a while, a song such as Donnie McClurkin’s ‘We Fall Down’ is picked up by a mainstream station, as was the case at [Los Angeles’] KJLH, and the song turned out to be one of the biggest songs on radio. It started from the owner of the station, Stevie Wonder, hearing it.” From there, “it just spread like wildfire.” To an extent, urban radio seems much more receptive than rock or Top 40 have ever been to explicitly Christian messages. (Two Big Exceptions: MercyMe’s “I Can Only Imagine” and Carrie Underwood’s “Jesus Take The Wheel.” Can’t get more explicit than that.) Though Grant says urban radio’s concerned “that a record doesn’t cause tune-out,” there’s still an openness that’s M.I.A. at rock radio. Monica Coates has worked with Fred Hammond, EMI Gospel and Verity, leaving the last to write and manage rising star Joann Rosario. One key difference, says Coates, is that “gospel is a part of African-American culture in a way that Christian music is not a part of mainstream American culture.” There’s a world of meaning in that, even beyond the implications of this story. Where in the urban world, “gospel” seems largely positive, artists coming out of the “Christian rock” world are routinely stigmatized. Look no further than a Blender review for a dismissive example. Just as rock and pop artists of faith face accusations of “selling out” by bringing their music to a wider audience, so gospel artists tread a fine line. “I think our strength of our music is in its authenticity,” says Coates. “Our audience loves our artists best and longest when they feel a genuine connection with that artist, and that’s difficult to maintain when you’re not authentic.” Carla Williams, another EMI Gospel alum who now runs Kirk Franklin’s Fo Yo Soul label, recalls that after McClurkin and Franklin’s initial successes, other artists tried to repeat it “with urban-sounding stuff.” Didn’t work. “Programmers want gospel music with an authentic gospel style. It’s almost the kiss of death to do that. It’s got to be genuine.” “We try to champion what’s true to them,” says Coates. “What do they need to say now? What do they feel like that sound is right now? When it stops being true to you, people feel that.” She cites CeCe Winans as an example of an artist who’s done “what felt authentic to her, and the audience followed. If you try to chase after the audience, you look like you’re chasing success, and our consumers don’t respond to that.” TO AN EXTENT, URBAN RADIO SEEMS MUCH MORE RECEPTIVE THAN ROCK OR TOP 40 HAVE EVER BEEN TO EXPLICITLY CHRISTIAN MESSAGES.” Beau Black teaches English for Weatherford College and Embry-Riddle Aeronautical University near his home in Fort Worth, Texas. He has written about the Christian music industry for more than a decade. myCCM.org/beaublack [ccmmagazine.com] 21 CCM_07.07_NewNoise.v3 5/31/07 5:31 PM Page 22 5 [HUNTING FOR THE SPIRITUALLY SOUND AND GOOD] FLASHLIGHT 5 NEW NOISE WITH ANDREW SCHWAB PLAY RADIO PLAY [A CLOSER LOOK] Seventeen-year-old Texan Dan Hunter is PLAY RADIO PLAY, an electronic, indie pop act which is nothing short of a phenomenon (and phenomenal). The closest reference point is The Postal Service, though the fact that Hunter is a one-man show with the songwriting and instrumentation places him in another atmosphere. He has more than 6 million plays on his MySpace page and was recently picked up by Island Records, all in less than a year’s time. This is one of those rare cases of true explosion. And although the music industry (myself included) has already begun crowning Play Radio Play as the next black or pink or whatever color typifies the “it” in current fashions, his words are both humbling and motivational: “Jesus Christ is my Lord and Savior,” he says in his press kit bio. “I don’t drink, smoke, do drugs, or have sex; and I am proud to say I am still a virgin. Although I am signed, I still do it for fun—not for money, not for girls— simply because I enjoy making music. My music seems to make people happy, and I enjoy making people happy. I get along with all types of people. “I am a pacifist,” he continues. “I believe there are better ways to solve things than violence. I truly believe every person is beautiful. I love everyone.” THE BECOMING New school goth-rockers The Becoming are poised for something very large in the months to come. Take my word for it. With a sound akin to HIM, Joy Division and The Cure, and one of the most killer “looks” around, it won’t be long before a label snatches these guys up. Under normal circumstances I wouldn’t cover a band with no national tours under its belt, but there is always an exception to the rule. This Nashville quintet has a promising two-song demo available on their MySpace page, which boasts 20,000 “friends.” You can find out more at myspace.com/wearethebecoming. 22 [ccmmagazine.com] Play Radio Play’s influences range from Sigur Ros to Muse to Smashing Pumpkins to Mos Def. As plans for his first LP are in the works, he has just released his first commercial recording in the form of an EP titled The Frequency EP. He is on “The Vans Warped Tour” this summer as his plans to take over the known universe unfold (God willing, of course). For more info, visit myspace.com/playradioplay and playradioplay.com. IVORYLINE The Tyler, Texas, fivesome that is Ivoryline recently joined the Tooth & Nail Records family. This is the new wave of melodic emo/pop/rock à la Anberlin and Emery, however this band is more progressive in nature. Ivoryline’s debut EP, The Life You Have, boasts brilliant production and honed songwriting which is quite impressive for a new artist. Currently in the studio with famed producer Aaron Sprinkle, the band’s full-length debut is due out this fall. To order the EP and delve into Ivoryline more deeply, please visit myspace.com/ivoryline. CCM_07.07_NewNoise.v3 5/31/07 5:31 PM Page 23 KEN ANDREWS As the renown producer for Pete Yorn, Mae and most recently, Thousand Foot Krutch, Andrews is also known for fronting the widely influential ’90s rock band Failure, along with his more recent major label project, Year of The Rabbit. This is Ken Andrew’s first stab at a solo effort, where he displays his multifaceted, aural talents by playing everything from the mellotron to the synth bass. It does not disappoint. This is definitive space-rock with multiple layers of instrumentation and emotion. His sound is as atmospheric as it is unsettling, not unlike Radiohead. Though he once existed completely outside the spheres of faith, his recent professions have raised eyebrows. It will be interesting to see how his spirituality will emerge with this new project. The album is titled Secrets of the Lost Satellite. Check out kenandrews.com and myspace.com/kenandrews. NEON HORSE As mystifying as it is mysterious, Neon Horse has emerged from the selfproclaimed “wreckage of over 20 Los Angeles bands” to bring a sound that is indescribable. Indescribably awesome, that is. The band members themselves hide behind pseudonyms and fictitious personas (The singer calls himself simply “Norman Horse.”), which adds a certain mystique to a genius sound. Although I promised to take their identities to the grave, I can tell you that these guys are the real deal. Musically, they rival The Cars, AC/DC and Danzig. Norman’s vocals are piercing wails of melody that will send chills up your spine. The band’s debut is simply called Neon Horse, just released on Tooth & Nail. Visit myspace.com/ neonhorse to find out more. THE DEVIL WEARS PRADA With nearly 6 million plays on its MySpace page and more than 130,000 “friends,” The Devil Wears Prada has defined underground success in the hardcore scene. The band’s first album on Rise Records, Dear Love: A Beautful Discord, has flown off the shelves. The Devil Wears Prada is joining “The Sounds of the Underground Tour” this summer with Every Time I Die and Chimaira, as well as performing at Cornerstone and Purple Door. Did I mention the band’s sound is heavy and vicious, much like Bleeding Through, As I Lay Dying and Norma Jean? Front man Mike Hranica says this about his band’s name: “When standing before God, He won’t care about your sweet Prada scarf or Gucci shoes or whatever. It’s a Christian reasoning for the name; we didn’t name it to be fashionable or whatever.” For more, visit myspace.com/tdwp. FAREWELL FLIGHT As recent signees to Mono vs. Stereo, Farewell Flight just finshed up in the studio recording its first full-length. With a couple of EP’s under its belt (the most recent of which is titled Lost at Sea), this Harrisburg band has asserted itself to be the hardest working act in Pennsylvania. The album (yet to be titled at press time) is due out next month. Sounds like? True emo (not the watered-down, recycled, contemporary version)—like Sunny Day Real Estate, Death Cab for Cutie and Elliot Smith. To purchase Farewell Flight’s EPs and find out more information, check out farewellflight.com and myspace.com/farewellflight. Andrew Schwab is the lead vocalist and lyricist for the band Project 86. He is also the author of three books, as well as an independent journalist. Visit him online at myCCM.org/andrewschwab, andrewschwab.com and project86.com. [ccmmagazine.com] 23 CCM_07.07_LooseEnds.v3 5/31/07 5:32 PM Page 24 9 LOOSE ENDS [CONFESSIONS OF AN UNFINISHED FAITH] By Nichole Nordeman RED, WHITE AND YOU Some years ago, my dad and my stepmom took me to France as an early college graduation trip. Sick with excitement, I bought a brand new Nikon and a very expensive lens that took me many waitressing shifts to pay for, so I might document as many magical moments as I could. In addition to all of the obvious highlights—Paris, The Louvre, the cheese, the chocolate, the vineyards, Monet’s gardens, the beaches of St. Tropez—my favorite memory of all was never on an itinerary. My parents had some family friends who owned a house (among many others) in the country outside of Paris. Actually, to say they owned a “house” would be a bit like saying Bill Gates makes “decent” money. It was a fortress. A real life castle, complete with trap doors and cellars and towers where even Rupunzel would have needed extensions. Henri (our gracious host) told us that it was completed years before Columbus even sailed for America. I was dumbfounded at its beauty and mystery and kept thinking I would wake up at any moment to find myself back at Le Hampton Inn. The castle was nestled in acres of lush rolling hills, and on the same grounds stood a small Catholic church and cemetery, no longer in use. Apparently, when Henri purchased the property, the old church and cemetery (once used by a poor neighboring village) sort of came with the package. Abandoned for ages, much of what was inside the church remained largely untouched. I was captivated at the stories that those old stone walls must have harbored—the confessions they’d heard, the communion they’d presided over, the weddings and baptisms they’d witnessed. Henri must have noticed me lingering on the church grounds more than once, because he went to his office and dug around until he found the key that unlocked the door to that crumbling old sacred space and pressed it into my hand, giving me permission to go meet God, if I wished, with all “ze dust and ze cobvebs.” I got up early the next morning and jostled the key in the old door until it creaked open. There is no real way to explain the simple beauty I found in that space and in my relationship with Christ that day. It was as if I had blown dust off of more than the pews. I sat down, placing my Bible next to a worn and faded French translation and stared up at the centuries old Jesus gazing down from the crucifix over the dilapidated altar. And in the silence, I began to weep. I wept with gratitude, and I wept with shame. Gratitude that the love of God was so big, it could find me in an abandoned church in the French countryside, and shame, because I’d insisted that same love be small enough to accommodate my American faith, alone, alongside my political leanings and my vocabulary. I worshipped on the same pew where hundreds of French villagers, who were now buried in the cemetery just a few yards away, had worshipped faithfully before anyone even set foot on American soil. I wished, in that moment, that I could transport myself to a church in Africa and in Egypt and in New Zealand and in Israel so that I could sit in those pews too, and enlarge my understanding of how vast the love of God is for His people, independent of how exclusive I had misunderstood Evangelicalism to be. And how much I had confused my Savior with my citizenship. Somewhere in the corners of our minds, we imagine that Christianity hitched a ride over on the Mayflower. We gush and romanticize about the forefathers of our country and how we need to return to the values America was founded on. Do we? What were those values, again? I understand that they didn’t have to contend with gay marriage or abortion rights or stem cell research, but is that evidence of a more Godly time? Slavery justified and widely embraced? Mass slaughter to acquire land that was already inhabited? If you ask me, our country was founded on sin. Because it was inhabited by human beings, whose every fingerprint leaves a smudge of Adam’s DNA on whatever we touch. And like yesterday, today and tomorrow— where there is sin, grace abounds. For the early settlers and for us. I took a picture [above] of the key in the door of that old church, and it sits in a frame above my piano to remind me to think globally about God’s love. It reminds me to cherish the liberty I enjoy in this blessed country but to not allow entitlement to sneak under the fence. It reminds me of what I unlocked that day. And on the 4th day of this month, when the hotdogs and potato salad are gone, and I’m sitting under the fireworks trying to fight back the sappy tears that Lee Greenwood song always evokes, I will remember that I am proud to be an American...where at least I know I’m free. But I’m even more proud to be a Christian, where at least I know I’m loved. SOMEWHERE IN THE CORNERS OF OUR MINDS, WE IMAGINE THAT CHRISTIANITY HITCHED A RIDE OVER ON THE MAYFLOWER.” [ ] The new album, Recollection: The Best of Nichole Nordeman (Sparrow), features two new songs, including the hit single “Sunrise.” Visit Nichole online at myCCM.org/nicholenordeman and nicholenordeman.com. 24 [ccmmagazine.com] CCM_07.07_BarlowGirl.v3 26 [ccmmagazine.com] 5/31/07 8:04 PM Page 26 CCM_07.07_BarlowGirl.v3 5/31/07 8:04 PM Page 27 B WITH SOME CHRISTIANS HOPING FOR A U TONE-DOWNED MESSAGE, BARLOWGIRL S GOES ANOTHER ROUND WITHOUT PULLING I PUNCHES. N E S S BY: GREGORY RUMBURG PHOTOS BY: JEREMY COWART [ccmmagazine.com] 27 (From left: Becca, Alyssa, Lauren) CCM_07.07_BarlowGirl.v3 5/31/07 8:05 PM Page 28 It’s no longer business as usual for BARLOWGIRL. Suffice to say there’s been some good, oldfashioned house cleaning taking place on the heels of the band’s most striking year yet. On the road 228 days last year, these sisters— Alyssa, Lauren and Becca Barlow—pushed hard in support of their sophomore record, Another Journal Entry (Fervent), from which BarlowGirl’s fourth No. 1 hit, “I Need You to Love Me,” propelled the band to be recognized as one of Yahoo!’s Who’s Next music artists in early ’06. Later that track was dubbed Christian radio’s most played CHR song of the year. Keeping momentum going, BarlowGirl wrote its third record after their fall tour ended in November and, after the holidays, settled into a several-week stint in Nashville to record How Can We Be Silent, which streets on July 24. Simultaneously, the trio received its first “Group of the Year” GMA Dove Award nomination. “We have loved every bit of it. If we had to do it all over again, we wouldn’t change a thing,” says Becca. “But I do love, now, getting into a different rhythm”— a change of pace that began with a “working” cruise soon after the group talked with CCM Magazine in April during Gospel Music Week. All its notoriety suggests BarlowGirl has earned some breathing room. Now, 28 [ccmmagazine.com] with deeper, established roots in the music scene, they can be more selective about their work schedule. “We go out on the weekends and do three shows— Friday, Saturday and Sunday—and then we’re home Monday through Thursday,” Lauren says. “It’s really cool to have so much time [at] home.” Just in the nick of time, too. This past year, the women gained some much-needed perspective for themselves. “We’ve realized what boundaries are this year,” Becca explains, “how we’re real people and we need to take time to do real things,” like laundry, making your own bed and being home for more than 24 hours. Lauren sums up the matter, saying, “This past year has really been refreshing. We want to be a family again.” “WE’VE HEARD THE BROKENNESS OF OUR GENERATION, AND OUR DESIRE IS TO GO DEEPER WITH THEM TO HEAL THEIR BROKENNESS.” turbulent peace The notion that this last year or so has been “refreshing” comes up several times during the interview, and one can’t help but believe the group has been, indeed, reenergized to take care of business. That has to do, in part, with the new home the family purchased this spring. “We had two weeks off from making the album until we were going on the road again—and we had to move into our new house,” Alyssa says, describing the back-to-nature, country property. That’s two weeks to sort, box, move and unpack everything from a childhood home of 16 years. “We decided that if we worked really hard moving that first week, then we’d get to relax the second week,” Alyssa continues. “So the first week, even though it was strenuous, it was fun to paint the rooms together as a family and wallpaper as a family and unpack boxes. We went through old pictures. It reminded us, ‘Oh, yeah, we don’t always have to do business together. We are a family.’” That two-week stretch was one of the longest at home the Barlows had been able to have together in nearly five years. “We got everything done the first week, which was a miracle,” Alyssa picks up, “so that next week we had so much family that would come by and ring the bell saying, ‘We just thought we’d stop by.’ We saw old friends, played games and people brought over ice cream.” With home improvements taking place on the outside, there was also emotional restoration taking place inside. CCM_07.07_BarlowGirl.v3 5/31/07 8:05 PM Page 29 “With the family stuff,” Lauren says, “it was [all about] business these last few years, since our parents are our managers—which is amazing. I wouldn’t have it any other way. But we were together every day and it [became] about business. We girls love to be informed about what’s going on, all the details, so they’d just tell us. It just became business all the time, and we had to find boundaries.” So, for example, the band aims to talk business only from noon to 1 p.m. so as to avoid slipping into old, all-consuming habits. The women also felt lead to do some personal gut checks. Says Alyssa, “I think this year I felt, all of us felt, that God came in taking another step to purify us. It was as though God said, ‘Girls, it’s going to hurt, but you are going to be different because of it. Will you allow Me to go a little bit deeper in your hearts? I’m going to have to chisel away at some different things that you are holding on to.’” Lauren shares part of her experience. “One of the things that God is trying to teach me is dying to myself,” she says. “That’s been my thing this year, pushing down all the things that I idolize above everyone else. Rather than put me first, I put others first…to love like Christ.” wounded healers The psalmist writes, “Weeping may linger for the night, but joy comes with the morning.” Getting together their own business—vocational and emotional—is dawn breaking for Becca, Alyssa and Lauren, and it’s giving them a new authority with which to offer a cup of cool water to suffering hearts on How Can We Be Silent. “Hearing all the brokenness,” Lauren says, “kids who are in line and you’re trying to take as much time as you can—which is about 15 seconds—and they say, ‘I’ve never told anybody this, but my parents abuse me,’ or ‘I’m a cutter, and I need prayer.’ What do you do with that, the brokenness of this generation? That’s where a lot of this [record] is coming from. We’ve heard the brokenness of our generation, and our desire is to go deeper with them to heal their brokenness.” BarlowGirl hopes to redeem at least some of that pain by shining a light into the suffering. With the group’s signature three-part harmonies, songs such as “Here’s My Life,” the jazz-influenced “One More Round” and the dramatic, rock-guitar driven lament “Song for the Broken” add a darker-than-expected shade to the new project, drawing out noticeable contrast when compared to the group’s previous work. The mid-tempo “I Believe in Love” was inspired by a book Alyssa was reading. The chorus reveals a statement found on the walls of a World War II concentration camp: I BELIEVE IN THE SUN EVEN WHEN IT’S NOT SHINING I BELIEVE IN LOVE EVEN WHEN I DON’T FEEL IT AND I BELIEVE IN GOD EVEN WHEN HE IS SILENT. “I just bawled as I read those lines,” Alyssa says. “I think I was feeling that because of my sin and some of the stuff God was dealing with, I felt like maybe I couldn’t run into His arms as much as I normally did. But the thing I love about God is that it doesn’t end there. You have that statement of faith: I believe, even when you seem distant from God.” Tried and true is the balance of How Can We Be Silent. BarlowGirl stands well-known for its anti-conformity posture against narcissistic cultural messages that, as BarlowGirl sees it, only end in people’s suffering, expressed pointedly in drug and alcohol abuse, cutting and other forms of poor self-image. “I don’t know that we’ll ever stop growing in our passion about this subject of not conforming,” Alyssa says. “It’s something that God challenges us on every day.” Lauren cites what’s perhaps BarlowGirl’s most aggressive track yet, “Million Voices,” as a hammer at such cultural perspectives. “The album’s title actually comes from this song,” she explains. “It’s saying, ‘Generation, we have a voice. We can speak. God has given us something to say and to speak up for Him.’ Honestly, this world is trying to make us shut up about our faith, and we’re not going to stand for it.” Alyssa picks up her sister’s thought. “I think we keep wanting to say to people, ‘We’ve found our voice.’ We’ve realized that as Christians God has given us a voice, and we want to give people permission to use it.” What’s mystifying to the ladies is that sometimes other Christians suggest the band tone down its message. Lauren reveals, “There are definitely people who say to us, ‘You know, if you didn’t talk about God so much, then maybe more people would listen to your music.’” “They say, ‘You have such great appeal,’” Becca continues. “‘If you would just stop talking about God, you’ll sell more albums.’ And we’re just like, that’s not what this is about.” The song “Keep Quiet” addresses the matter. “It’s about how we as Christians feel like we are not supposed to speak so that we will be more acceptable and more relevant to this world,” Lauren says. “I know we’re not supposed to push it down people’s throats, but do you realize we have the answers to all of the world’s problems, [but] we don’t want to be offensive?” She drives the point home. “I don’t think I can talk about anything else. God is everything to me. What He does in my life is all that I am. We can sing songs that help people feel dandy, like they’re on a sugar high—but I want people’s lives to be touched. I want people’s lives to be changed. Any way that I can speak into someone’s life and have their lives changed like I’ve been changed by the love of God, that’s what I want to do for people.” “I definitely don’t want us to come across as, ‘Just be bold! Just speak His name!’ and not have actions that follow it,” Alyssa responds. “I think what’s definitely on our heart is that people would know us first and foremost as girls who serve God and that our words back it up.” How Can We Be Silent emerges, then, as a call to action. “We want to be bold and faithful in actions and in words,” Alyssa says, “and to make people realize they can do that, too. Jesus was bold when He stood up in the temple and read Isaiah 61 saying to the people, ‘Today this has been fulfilled. I am He.’ His works and His actions portrayed that. We as Christians, as artists, our works need to back up our faith, too.” Gregory Rumburg is a freelance writer and chaplain based in Nashville. Lyrically SPEAKING CCM’S EDITOR BLOGGED ABOUT THE CURIOUS RESPONSE BARLOWGIRL’S GOTTEN FROM CHRISTIANS who suggest the band change its message. He asked, “Do you think some artists’ overt lyrics should be toned down a bit so they can reach more people?” And on the flip side, “what about songs that are written about various aspects of life but aren’t specifically faith-evident? If they’re written by Christians, should all such songs contain clear expressions of faith?” Here are some excerpts from the feedback he received: I definitely don’t think artists’ overt lyrics should be toned down to reach more of an audience. Isn’t it a Christian artist’s goal to reach souls for Christ in a poignant way? For some artists (such as Switchfoot and Relient K), reaching into mainstream radio has been great. However, I don’t think that going into the mainstream world is the main focus of any Christian artist is it? Kristin Del Rossi, Howell, NJ myCCM.org/atruebarlowgirl As a songwriter and singer myself, I have recently wrestled with the notion of whether or not to be overt about Jesus and faith in the songs I “put out.” While I’d like to tell the world about Jesus, I worry that if I “put out” Jesus-y songs, I will only be singing to the “saved” crowd, and I don’t want to end up stuck in that—what I’d really like to do is make a splash as a “secular” singer/songwriter first, so everyone, not just Christians, “trusts me,” and then I can put out songs, later on, to “lead ‘em to Jesus.” Mark Weber, via CCMmagazine.com I’ve long believed that each of us is responsible to follow the path laid for us by the Lord. For some, that will mean presenting the message He’s given to those “in the family.” To others, it’ll be overt trumpeting on a street corner, calling those who don’t know the Lord to consider their actions. Still others will follow the lifestyle approach, à la St. Francis of Assisi, who purportedly said: “Preach the gospel everywhere you go. If necessary, use words.” Yet others, like myself, will be called to those on the cusp: those uncertain of the need for a commitment to Christ; those who don’t fit in with the Christianese-loving crowd; those who have been hurt by the ones who should’ve helped them heal. Margret Boyd, Elk Grove, CA, via CCMmagazine.com Jesus commanded that we reach out to all mankind and He was very specific in some of His ‘lessons’ that we find in the Bible. Jesus would go into the home of the “lowliest” citizen. He did not expect “here comes the King” to be playing every moment of His life, but He expected to show examples of love and compassion at every stop. Positive music is something we do not have enough of in the mainstream, therefore a song such as “American Idol’s” “This Is My Now” (written by Scott Krippayne and his pastor) is a message that can reach our teenagers and share the message of dreams being fulfilled. I, as a youth leader, can talk about listening to the ‘positive’ music of Christian artists but if kids can still hear it on mainstream because of the willingness of Christians to reach beyond the barriers, then we should be giving thanks. Missy, via myCCM.org [ccmmagazine.com] 29 CCM_07.07_Mandisa.v3 5/31/07 7:51 PM Page 30 Mandisa Hundley had no problem staying in the background—that is, until the fall of 2005. As a studio vocalist and backup singer for various Christian artists and women’s conferences led by best-selling author Beth Moore, Mandisa was living out her dream by combining her musical gifts as both a career and a ministry. And then came “American Idol.” By: C h a d B o n h a m TRUE AMERICAN BEAUTY 30 [ccmmagazine.com] CCM_07.07_Mandisa.v3 5/31/07 7:51 PM Page 31 A ppearing on one of the decade’s hottest TV shows can push even the most stage shy person from anonymity to a surreal level of popularity in a matter of moments. Y CHRISTIAN IDOLS? And that’s exactly what happened to the Sacramento, Calif., native and Nashville, Tenn., resident—now simply known as Mandisa—when a stint on the fifth season of “American Idol” changed her life forever. “I was so content,” she says. “I could have done that for the rest of my life and would have been completely happy with that. But I just felt like the Lord was saying this was the time for me to do this. Now I see why.” Over the past 18 months, Mandisa says she has become increasingly comfortable with the idea of being center stage. That seems to prove true in light of the current media blitz for her autobiography IdolEyes (Tyndale House) which hit stores in May, her debut album True Beauty (Sparrow) which streets July 31, and a recent a modeling contract. But while traveling to her “American Idol” tryout, she simply wanted to leave everything on the table and walk away with no regrets—knowing that she would never have to ask the question, “What if?” “Honestly, I didn’t have very many expectations,” Mandisa says. “I never expected to make it as far as I did, and I certainly believe that God had bigger dreams for me than I ever had for myself… I know that the Lord is kind of using me as His mouthpiece because I’m so vocal about Him.” Early on, Mandisa was considered by critics to be one of the strongest vocalists to advance to the final round of 12. But following her performance of Mary Mary’s urban gospel hit “Shackles” and some comments that were misconstrued as anti-gay, the diva quality vocalist was ousted as the ninth place finisher. THE IRONY ISN’T LOST ON MANDISA. But for the outspoken woman of faith, it all made sense once she realized just how powerful the show’s reach really was. “Every time I think about this, I think it’s funny—and just like the Lord that I know— that He would actually take a show like ‘American Idol’ and use it as a platform for Him,” Mandisa says. “That’s who He is. And so I don’t think it’s a coincidence. I think He’s up to something in our generation.” Considering how many singers launch their careers from church platforms all over the country, maybe it shouldn’t be so surprising that musicians with strong faith backgrounds have so prominently infiltrated the ranks of the iconic talent competition. Idol winners Kelly Clarkson, Ruben Studdard, Fantasia Even though she admits she had been sheltered before going to Hollywood, Mandisa says she wasn’t surprised that her outspoken beliefs caused such an uproar that included protesters and online campaigns. “My faith is the polar opposite of what the world believes,” she says. “But it didn’t make it any easier to go through. People yelling and screaming at me for what I believe was not easy, and it’s not something I would have chosen for myself. But as a result, I came out purer than when I went in. I feel like I could identify more with the Lord. The Bible talks about sharing in the fellowship of His sufferings, and I tasted a very small bit of that with everything that happened to me. I feel closer to Him, and I feel stronger in my faith because it was tested.” Mandisa weathered the storm and became one of nine finalists to sign record deals. “I’m someone who loves the Lord, and I love to have a good time,” Mandisa says. “I feel like the Lord loves to have a good time, too. So I guess that’s what my CD is going to be like.” And Mandisa’s tell-all book is just another step in this young woman’s journey—an important step in which she hopes to identify with the thousands of people who, like her, have struggled with weight and self-image. “I felt the Lord was saying I needed to do it for me,” Mandisa says. “Like journaling, it’s cathartic to start writing things down. You start to see things in yourself, and you start to deal with emotions that you didn’t even know you had. And I feel like it can help others, too.” Barrino, Carrie Underwood and, most recently, Jordin Sparks are just some of the contestants to find base support in the church. Other participants such as R.J. Helton, Kimberly Locke, Kellie Pickler and Chris Daughtry have also displayed their beliefs through music and personal commentaries. And the most recent sixth season of “American Idol” has produced perhaps the largest number of Christians with, in addition to Sparks, standouts such as Melinda Doolittle, Phil Stacey and Chris Sligh. Sparks has participated in various Christian talent events; Doolittle has sung backup for Martha Munizzi and Anointed; Stacey has led worship at a church in Shawnee, Okla., and Sligh covered songs by dcTalk and Mute Math. And season six’s finale had one last twist of faith when Christian artist Scott Krippayne and his pastor friend Jeff Peabody won the songwriting contest which provided the “American Idol” finalist with a debut single titled “This Is My Now.” Mandisa says all of these things are just another sign of how God is using the foolish to confound the wise—and hopefully changing lives in the process. “Our success on [‘American Idol’] isn’t just about how we can reach the fans,” she says. “This is also about reaching out to the people who are involved with the show. I can’t say enough about what I hope the impact is on Paula, Simon and Randy. I think the Lord is using contestants to be His mouthpiece. I just don’t think it’s a coincidence.” C.B. Chad Bonham is an 18-year veteran freelance journalist, published author and volunteer youth pastor from Broken Arrow, Okla. He is also producing a sports television show and a documentary about the Christian hip-hop industry for his company, Name Brand TV. myCCM.org/chadbonham [ccmmagazine.com] 31 CCM_07.07_Project86.v3 5/31/07 7:53 PM Page 32 D RIVAL BID 32 [ccmmagazine.com] CCM_07.07_Project86.v3 5/31/07 7:53 PM Page 33 9 LAST YEAR FANS NAMED PROJECT 86 A RUNNER-UP IN THE “FAVORITE HARD MUSIC ARTIST” CATEGORY OF CCM’S READERS’ CHOICE AWARDS. JUST IMAGINE IF THE VOTING HAD TAKEN PLACE AFTER THE BAND’S MOST MELODIC ALBUM HAD BEEN HEARD. By Brian Quincy Newcomb “OUR GOAL AS A BAND HAS BEEN TO NEVER MAKE THE SAME RECORD TWICE,” says singer/lyricist Andrew Schwab of the musical changes on the sixth album from Project 86, Rival Factions (Tooth & Nail). “The only rule is that there are no rules. If there is a rule, it’s that we try not to over-think things, that the music that comes out is honest and real, spontaneous and from our heart.” But Schwab & Co. realize their brave new music is not for everyone, something they address in “Caveman Jams,” a derogatory term used to criticize their sound. In the song, someone complains about the music’s aggression, asking, “Why don’t you write a track that’s sensitive?” In the final verse, however, a fan testifies how their music was integral to stopping his downward spiral of self-destruction. “That song was written to be funny,” says Schwab, “given this is by far our most melodic record to date. That song was definitely written as a response to some experiences we’ve had as a band over the years, but in such a way that we’re having fun with it. I tried to approach it comically.” Whatever Project 86 does, says guitarist Randy Torres, the band’s goal is keeping it real. “Most of our records have been a product of where we were at— musically, spiritually, personally—at the time,” he says. “Our first record is a product of the fact that we were all super into hardcore, that really heavy music. But on the next record, we were listening to different music, so it evolved. The record for Atlantic (2002’s Truthless Heroes) was probably something we thought about too much. I think we learned from that—to stop thinking so much about music and get busy making it.” This time around, making music happened with the three remaining members— Schwab, Torres and bassist Steven Dail—continents apart. “Steve was in the Netherlands at the time, because he was getting married. Andrew was in Southern California, and I was in Seattle,” says Torres. “We pretty much just wrote on our own, and then emailed each other MP3s. We were definitely collaborating as if we were right next to each other, but we were using the capabilities of the Internet to its full extent. Steve wrote “Evil (A Chorus of Resistance),” one of the first songs we did; it was way different than anything we’d done before. That influenced all of us to write everything after that to be as different as possible from things we’d done prior.” “In the past,” says Schwab, “we’d just jam out ideas together as a band. This time around, we were each more prolific than we’d ever been. We ended up with 40 songs to choose from. We set the goal to perform every song before we actually went into preproduction, which I feel really enhanced the performances. From a sonic standpoint, this is the first time we have keyboard as a featured instrument. “Our major influences over the years have always been hardcore bands like Snapcase, Sick of It All, Sepultura,” says Schwab. “We were never really influenced by all the nu metal stuff. I think we got lumped in with that music because we’d toured with P.O.D. and Linkin Park. Our influences have always been different from that, and this record really blows the doors off anything we’ve done in the past. This is the most different album we’ve ever put out. The influences on these songs came often from old goth influences like Sisters of Mercy, Joy Division, Psychedelic Furs, the Cure, Depeche Mode—all that ’80s mood music.” Still not for the tame of heart, Rival Factions is more melodic and approachable than Project 86 of the past. Alongside the music’s aggression, the unfamiliar were sometimes put off by the intense images of the lyrics. “Our music has always been an attempt to resolve honest, emotional conflict,” says Schwab, “to address spiritual struggles that can’t be painted accurately or referred to in everyday conversations held within the walls of the church, the extremes of emotion.” Aptly named, Rival Factions is a disc filled with conflict. The band’s first single, “Evil,” Schwab says, is as current as the latest Spider-man 3 movie trailer. “I swear they almost quoted the lyric, the line about how ‘every hero has a battle to fight within himself.’ Spiderman is fighting Venom that has become a part of him. That’s essentially about how each day we have a decision to make about which voice we are going to follow in our own heads. That may be a real simple way to express the battle between the spirit and the flesh.” In addition to connecting deeply with countless fans, Schwab—named “Best Lyricist” in HM Magazine’s latest readers’ poll—has seen his approach influence fellow artists. Just ask Falling Up’s lead singer/principal songwriter, Jessy Ribordy. “Andrew’s lyrics have always been a source of inspiration to me,” he tells CCM. “I’ve tried to use more imaginative metaphors and things that are more symbolic, so that the songs can mean more things and have a bigger impact.” Schwab says the song title “The Forces of Radio Have Dropped a Viper into the Rhythm Section,” is a quote from a Seattle disc jockey, and “it works because the drumming on that song is intense. It’s about having moved on from a relationship or a situation that you needed to leave behind because it was questionable or destructive. The song is about revisiting those memories; the past comes back to bite you. “I think it’s a reflection of the human soul,” responds Schwab to the idea that his conflict-driven lyrics strike some as excessive. “In Christian culture today, there is that desire to live in this place where everything is soft and smooth, politically correct and comfortable, and we’re afraid to face the harsh realities of life. But the metaphor of extreme situations applies so well to the spiritual life, because it was in violence that Christ paid for our sins; it’s not for the faint of heart.” Brian Quincy Newcomb-Quincy is The Rev. Dr. Brian Q. Newcomb, pastor of Christ Church UCC in Maplewood, Mo., just left of St. Louis...and just left of about everybody, for that matter. myccm.org/bqn [ccmmagazine.com] 33 CCM_07.07_BrianHeadWelch.v3 34 [ccmmagazine.com] 5/31/07 7:55 PM Page 34 CCM_07.07_BrianHeadWelch.v3 T 5/31/07 7:55 PM Page 35 he past couple years have been remarkable for Brian “Head” Welch, guitarist and founding member of one of the most successful metal bands of all time. Korn, the group Welch formed with friends from Bakersfield, California, spawned the nu-metal revolution in the ’90s and sold more than 25 million records worldwide. Their rocket trip to the top came at a price, though; one that included loneliness, depression, self-destruction and a desperate drug addiction for Welch. The 36-year-old guitarist unpacks it all in his new autobiography, Save Me From Myself: How I Found God, Quit Korn, Kicked Drugs and Lived To Tell About It (Harper One). From his early childhood in a typical, if not idyllic American family, through his formative teen years and his discovery of heavy metal, right through to the birth and success of his dream band, Welch pulls no punches. While certainly not your usual “tell all” (He, in fact, shows remarkable restraint and respect when discussing anything related to the band.), the memoir is also not a typical testimony account. Welch’s book reads like the reluctant but thorough confession that it is—one spurred by obedience to a calling. When originally approached about the idea of writing out his testimony, he flat refused. “I don’t even think I really prayed about it,” Welch tells CCM via phone from his home in Arizona. “I just said, ‘No.’” In fact, after a flurry of media interest and exploitation following his public confession of faith and departure from Korn, Welch disappeared from the public eye and went into a two-year seclusion during which he focused on increasing his understanding of the Bible and worked out his new faith with anonymous fear and trembling amidst a small and devoted community of believers. “I was fresh off drugs when God revealed Himself to me,” Welch explains of his first days as a believer thrust into the spotlight. “It was such a real encounter that I had, and I was just so happy that God was alive and that life meant something different now. I was so excited to leave the band because I wasn’t happy there. I wasn’t happy being rich and famous. I was done with it. After I got saved, I just went full force. I wanted to do interview after interview. But now I know I was saying stuff that wasn’t really right sometimes. There were some people that were warning me and suggesting that I needed to grow in the Lord and take some time with Him. I went into seclusion until very recently. I’ve been in hibernation.” The seclusion turned out to be a difficult but important part of the journey for Welch. “Pain, pain, pain,” he says of the process God took him through. “I went through brokenness, and I went through tears. I cried. I’m still in a phase of healing and brokenness. I had to learn about the cross. I had to learn about love. I had to learn about suffering. I had to learn about all that stuff of the Kingdom, and I’m still learning. I thank God for the seclusion. I thank God that He settled me down to just chill for a while and learn about His ways.” The time away from the public eye is documented in the pages along with all that led up to it. Welch describes his discovery of spiritual gifts and his eventual decision to leave everything in California and build a quiet new life for his daughter and himself in Phoenix, Arizona. He spent the last two years writing and recording music for what will be his solo debut, eventually deciding to chronicle his story in written form after all. Though Welch’s publicist insisted CCM not ask him questions about his future musical plans (ostensibly due to unsettled contractual issues), the artist goes on to give several hints without provocation. “I believe God has called me as a kind of prophetic voice,” he offers at one point. “My music is pretty prophetic. It’s really heavy. I’ve actually finished my first album, and I’m going to mix it in a couple weeks.” In regards to his decision to keep details under wraps for now, Welch indicates a specific reason for the ambiguity. “I want to get my testimony out there to show everyone what happened to me,” he says. “I want people to know where my music is coming from.” Getting that music out is next on the agenda, but for now, it’s all about getting his story told, and told accurately. He felt it was important as an act of confession and obedience to God. An early attempt at using a ghost writer left him unsatisfied before suddenly going on a writing tear that shocked him thoroughly. “I’m not a good writer,” he readily admits, “and I’ve never been good with school and stuff like that.” But once he started, the words just flowed and, in short order, he had hundreds of pages done. “The Lord just totally anointed me to pour out my life onto these pages. I would sit there for six to eight hours just typing. I’ve never typed in my life, but for eight to 10 months it just flowed out of me!” The resulting 225 pages of dark and often shocking details are immediately accessible and surprisingly engrossing. In the end, they are also inspiring. And his goals for the book? “My dream is that it would ignite a hunger in the hearts of Christians to know God deeper and to press into more of Him. There’s nothing else that will satisfy us!” He also hopes his story might help other drug addicts get clean. “Another message that I want to get across,” he continues, “is that I was able to test-drive this world. I got the fame and the money. I tried all the drugs, the women and all that stuff. And when Christ touched me, none of that stuff compared. I would be content if the Lord called me to be a quiet guy who was never out in the public anymore. I could pray to Him and intercede and never have a bunch of material possessions and never have the fame again. I would be so happy because Christ is the only one that can fulfill. All that stuff is just meaningless without Him.” Though there is a plan in place for his music, Welch is not revealing it just yet. “I’m living day by day, you know? I know the Lord’s going to give me more and more understanding of my future and my calling as the days go by, but I just try to take one day at a time because I’m still new, and I don’t want to fall into pride. I’m still learning.” “I went through brokenness, and I went through tears. I cried. I’m still in a phase of healing and brokenness. I had to learn about the cross. I had to learn about love. I had to learn about suffering. I had to learn about all that stuff of the Kingdom, and I’m still learning.” John J. Thompson has at various times previous—and is occasionally now—an artist, author, pastor, music journalist and industry veteran. He founded True Tunes and Gyroscope Arts and just recently moved his family to Nashville. myCCM.org/jjt [ccmmagazine.com] 35 CCM_07.07_KatieHerzig.v3 5/31/07 7:56 PM Page 36 Sure she’s been opening tour dates for The Fray and hearing her songs played on shows like “Smallville” and “ER,” but that’s not what sets independent artist KATIE HERZIG apart. For starters, consider some of the most incredibly personal songwriting you’ll ever hear. And then that voice…and her talent with multiinstruments…and…Is she for real? We asked fellow recording artist—and former CCM contributing editor—Margaret Becker to find out. Illustration by Annie Herzig every last bit of her Mbox gack, including a haunting little background vocal part, sung through a guitar plug-in on “Not Even Close,” one of my favorite songs on the record. SHE SAYS SHE SOMETIMES HAS A HARD TIME SAYING EXACTLY WHAT SHE WANTS TO SAY. Coulda’ fooled me. Katie Herzig is an indie, the kind that writes brilliant songs, selfproduces a record, and runs around the earth saying the things we’re all afraid to say. Her newest record, Weightless, is simply stunning. My only gripe is that it should’ve come labeled with a WARNING: This record may induce feelings of euphoria and despair at inconvenient times. May cause watering of the eyes and slapping of the forehead. May make some songwriters wish they’d become plumbers instead. Some fans already know Katie as a former member of the Colorado-based band Newcomers Home, while, lately, others are discovering her thanks to recurring opening slots for The Fray. Katie also contributed lead vocals to several songs on Sparrow Records’ new conceptual worship album Oceans Above. As she sits across from me in my mock studio, I ask her the question that’s been burning in my brain ever since first hearing the 14 songs on her latest album Weightless. “You did this in your bedroom???” Smile, then, “Yes—on an Mbox [portable micro studio].” Stammering, “An Mbox?! What kind of mics?” To this Katie cocks her head and studies the ceiling. She offers up some letters and numbers I don’t recognize, and does a few calculations, closing with, “I think they both cost about…mmm…150 together.” “One-hundred and fifty dollars?” “Well, seventy-five each technically.” Here’s the truth: For around the price of a good pair of running shoes, Herzig has recorded a beautiful soundscape that will leave you spellbound. Rarely does a lyricist catch you off guard, make you feel every raw emotion and deliver it all in a unique musical package. Katie does. The songs on Weightless are sparsely orchestrated, restrained. Every production event on the record serves a purpose. Some of it is performed live—as in no overdubs on the guitar or vocal. There is a raw quality to it. It’s quirky as well, with Katie using 36 [ccmmagazine.com] I have a dream of living a life that’s easier said than done Stare in the mirror, I’m unfascinated with everything I’ve done I’m faking my way, living it down Oh my God, I’m lazy and frenzied Licking my wounds and moving ahead. So honest, much like her voice, which has a girlish quality to it. Sometimes I hear hints of Kate Bush, sometimes Feist, but always uniquely Katie. She played most of the instruments on the record—no small feat. Guitars (both electric and acoustic), banjos, programming (which is very, very organic), keys, percussion; she is refreshingly melodic. Katie says this is a record about sorting through life issues. You can hear that in my favorite song, “Jenny Lynn.” Written for her sister, Katie manages to both encourage and lament vulnerability, even admitting a hint of envy for those who are brave enough to get hurt. One of my new favorite lines lays it out there: Jenny Lynn, I wish I had your thin skin I wish that I could let love right in Maybe I’d rather feel the pain. Listen—this record is simply brilliant. This is what being an indie should bring us— fresh, unrestrained perspective delivered from the gut and delightful to the ears. If you buy anything this year—buy this. It is authentic art. Weightless is a classic, and Katie Herzig is delightful. And you will be changed by her work. To purchase your copy of Weightless or to get more info, visit katieherzig.com. Margaret Becker lives in Nashville with her handsome Golden Retriever, Max, and is an accomplished musician, songwriter, publisher, speaker, author and philanthropist. Her forthcoming CD, Air, which thematically corresponds to her latest book (Coming Up for Air), is slated for release later this year. Visit maggieb.com for more info. 5/31/07 ( QQQQQ QQQQ QQQ QQ Q INSTANT CLASSIC EXCELLENT GOOD FAIR ENOUGH SAID 7:57 PM Page 39 41 41 43 THE RETURN OF MXPX. WILLIE WILL’S STAR IS ON THE RISE WITH THE RELEASE OF REFLECTION. WAKING ASHLAND’S MAINSTREAM LABEL DEBUT <WELCOME BACK, GOOD FRIEND Having released two impressive and well-received albums via the indie Militia Group, The Rocket Summer makes his major label debut. THE ROCKET SUMMER Do You Feel (Island/EMI CMG) File Under: Power Pop QQQQ Since 2003’s Calendar Days, The Rocket Summer (aka Bryce Avary) has been steadily churning out toetapping backbeats matched with endearingly Hanson-esque vocals. Sounding like a younger, less accomplished Ben Folds with a weakness for emo, > CCM_07.07_InReview.v3 CCM_07.07_InReview.v3 5/31/07 7:57 PM Page 40 IN REVIEW music < Avary has carved a place for himself in the power pop scene with a unique combination of faith-tinged lyrics, power chords and piano. Now, The Rocket Summer is back with Do You Feel. TRS’ previous release, 2005’s Hello, Good Friend, would be a tough act for any performer to follow. A nearly flawless album, its only true pitfall was its lack of a broad emotional spectrum. Even the sad songs sounded happy, and unrealistically so. Unfortunately, with Do You Feel, this remains the same. Cuts like “Taken Aback,” about a bittersweet reunion of father and son and “Run to You,” a touching commentary on turning to Jesus, should feel more somber than they do. But TRS’ strength is in their happiness, and that strength is delightfully apparent. The bouncy opener “Break It Out” sets the tone for the 12 solid tracks that follow. As was the case with both Calendar Days and Hello, Good Friend, there’s not a bad song in the bunch, and they’re catchier than ever before. Playful “High Life Scenery,” danceable “Hold It Up,” and epic closer “So, In This Hour” are particularly worthy of head bobbing. And though there is a bit of sameness from song to song, each cut has some unique touch (like the addition of saxophone to the album’s encouraging lead single “So Much Love”) that sets it apart. And if it wasn’t already good enough, Do You Feel has snappy, creative lyrics to complement its musical prowess. So if it’s upbeat songs and singalongs you’re looking for, this will more than satisfy. Do You Feel is one of the better power pop albums to see release in quite some time. THE CROSS MOVEMENT HIStory: Our Place in His Story (Cross Movement) File Under: Hip-Hop QQQQ LEAVING A LEGACY Some say that it’s best to retire when you’re at the height of your career. The Cross Movement, a flagship artist in faith-based hip-hop, may be taking that advice to heart by capping off its 10-year career with this year’s release, HIStory: Our Place in His Story. From the outset of the album, the listener is treated to the unique blend of forces that includes DJ Official’s thundering beats, Phanatik’s wordplay and the smooth flow of T.R.U.-L.I.F.E. Tracks such as “Our God,” “Clap Your Hands” and “Now Who’s the Man” revitalize the crew’s identifiable sound while sharing the importance of elevating God in our lives. Purposefully grounded in Biblical advice, the album also addresses our need to find identity in Christ, learn from our past experiences and play our role in God’s unfolding story of redemption. If the rumors are true and this is The Cross Movement’s last release together, HIStory certainly stands as a testament to the influence and passion fans have been drawn to during the group’s 10-year career. We certainly haven’t seen the last of these guys, however, as their careers will continue as solo artists, producers and mentors to the next generation. Quite a legacy indeed. CHRISTY GORDON BRENTEN GILBERT PROJECT 86 Rival Factions (Tooth & Nail) File Under: Intelligent Hard Rock QQQQ THE HARD TRUTH Project 86 40 [ccmmagazine.com] Spider-Man is not the only one battling inner demons and the dark side of self this summer; we all are. Project 86 tackles this classic good vs. evil theme on Rival Factions, the band’s sixth full-length release and its most original and enjoyable album to date. With dark lyrics that tackle sin nature and the struggle to do what’s right, Andrew Schwab & Co. throw a curveball at critics and fans with the addition of keyboards, layered vocals and odd sounds that add a quirky twist to the dark mood. Not to fret, these songs will rock you hard, but with better hooks and more intelligence than ever before. The album opens fast with “Evil (A Chorus of Resistance)” featuring a classic sounding guitar riff, intense yet melodic rock vocals, and lyrics that get right to the point. “Deep in the recess of every man is a thief, a robber, a criminal/Below the surface of every hero is an envy, a restless evil.” Then before you start to think this is just another Project 86 release, “Put Your Lips to the TV” begins with a piano intro that sounds like it was lifted right off of a ’70s rock ballad. The creativity and surprises don’t stop there, as the band continues to amaze and flirt with new styles on the hooky and ’80s-influenced “Molotov” and the progressive groove of “Pull Me Closer, Violent Dancer,” two of the best tracks on the album. Fans will have a lot to love here, and those who have not been into the band need to give this epic doppelganger a DR. TONY SHORE serious listen. JON MCLAUGHLIN Indiana (Island/EMI CMG) File Under: Singer/Songwriter/Pop QQQQ INDIANA: THE CROSSROADS OF AMERICA Jon McLaughlin’s debut displays his astounding skill as a pianist, only to be matched by his sincere songwriting. While many of Indiana’s songs have spiritual nuances, the album contains mainly thoughtful tunes about life and love, showcasing McLaughlin’s gift for penning beautiful word pictures married with gorgeous, accessible melodies and smooth vocals. Take first single “Beautiful Disaster,” which tells the story of young girls everywhere. He profoundly sings, The Cross Movement “She’s just the way she is, but no one’s told her that’s OK.” Indiana opens with “Industry,” a bold statement that reveals his humility, finding McLaughlin pleading for the “industry” to be taken from him if he finds himself in over his head. With a flair for beautiful phrasing, “Human” is another obvious gem: “After all we’re only human/Always fighting what we’re feeling/Hurt instead of healing…/Is there any other reason why we stay instead of leaving.” The music world needs more of this transparent brilliance. “People” is a remarkable opus to humanity with stunningly intricate instrumentation, while the title track is simple and gracefully picturesque. In contrast, “Anthem for American Teenagers” soars with Switchfoot-esque grandeur. With immense production muscle behind each song, it comes as no surprise that the album was produced by Jamie Houston (Santana, Jessica Simpson) and Greg Wells (Natasha Bedingfield, Rufus Wainwright). While the general market version of this CD contains the song “Amelia’s Missing” which features mild profanity in its chorus (Yes, a word used repeatedly in the Bible), it is replaced on the Christian market version with what becomes the most spiritually overt song on the album, “Proud Father.” No matter which Indiana you buy, Jon McLaughlin’s bow is a must for your iPod—one of the strongest LINDSAY WILLIAMS debuts this year. CCM_07.07_InReview.v3 5/31/07 7:58 PM Page 41 JOURNEY MXPX Secret Weapon (Tooth & Nail) File Under: Pop/Punk QQQ VINTAGE MXPX With a stake in the area of longevity, pop punkers MxPx have returned. Formed in 1992, the band has seen the completion of a number of accomplishments—all with only one member change, which came only three years into their 15-year saga. They’re a band with history, to say the least, and they’re revisiting some of it with a return to their original label, Tooth & Nail, marked by the release of their eighth studio album, Secret Weapon. Produced by Aaron Sprinkle (Anberlin, Eisley), the album continues the band’s typical style with catchy melodies and solid instrumentals. Lyrically upbeat and musically superior to much of its previous work, the band has successfully continued to keep the same sound it’s always had. However, this has a slight drawback. Much of the record sounds the same after a very short time. Individual tracks often blend right into each other with barely any distinguishable aspects. This makes for great continuity but a disappointing feeling of hearing the same song over and over. Despite this, a few tracks distance themselves from the rest of the album, most notably “Shut It Down” and “Angels,” which both feature standout instrumentals and impressive chorus work vocally. “Punk Rock Celebrity” is another track that, with a very unique bridge toward the middle, marks itself from the rest of the album. With songs like these on their latest effort, MxPx has no doubt continued their maturation as musicians with the completion of a musically good album, even if in variety it is a little lacking. BRANDON HAAN WILLIE WILL Reflection (Beatmart) File Under: Hip-hop QQQQ CLEARLY A HIP-HOP STAR ON THE RISE From Willie Will’s earliest experiences, music was always a family affair. With a quartet singer father and a choir director mother, he couldn’t help but have music in his blood. But when his father often hustled because he seldom had a job, Will learned the meaning of the phrase “like father, like son” as he eventually followed in his dad’s footsteps. That is, until he met Christ when he was 20 and quit the hustling for God. That tumultuous time in his life—and the sweet redemption that followed—is what provides the colorful background for the catchy rhymes of his music. Having released three independent albums that caused a stir in the Northwest, this Seattle-based artist now makes his national debut with Reflection. While tracks like “Bottom Dollar” and “Blame Game” definitely provide the goods on the beats front, it’s ultimately the lyrics that stick with you for the long haul, providing strong evidence, yet again, that redemptive rhymes are far from second rate. In fact, with artists like Will, they make a far more compelling artistic statement than the tired braggadocio of artists in the mainstream hip-hop scene. Need proof? Check out Will’s “We Don’t Back Down” or “God’s Been Good.” CHRISTA A. BANISTER to THE OF WORSHIP now ster regi pecial for s bird y earl ing pric At seminars4worship you will: • Learn the keys to leading your congregation into deep and meaningful worship. • Discover how to design more effective worship services. MIKE FARRIS Salvation In Lights (INO) File Under: Jazz/Gospel QQQ SCREAMIN’ CHEETAH WHEELY • BE refreshed in God's presence and renew your creative and spiritual edge. • Develop a more unified, focused and effective ministry team. Learn from the best! Having toured with the likes of Blues Traveler, Sheryl Crow, The Allman Brothers Band and his own group, The Screamin’ Cheetah Wheelies, Mike Farris’ eventual entry into the world of Christian music has been anything but typical. Not surprisingly, his second solo effort, Salvation in Lights, isn’t typical either. Teamed with a band that features Johnny Cash’s longtime bassist Dave Roe, vocalist Ann McCrary and a number of other obviously talented Nashville musicians, Mike Farris offers a mix of jazz, blues, rock and gospel. The album starts on a high note with “Sit Down Servant,” a lively African-American spiritual that gives the band a chance to showcase the extent of its musicianship. Quality is consistent even as the feel changes from the darker groove of Farris’ own “Devil Don’t Sleep” to the driving blues of “Selah! Selah!” Expect a variety of musical styles centered around a soulful vocalist. Although the solos leave something to be desired in terms of length and frequency, the band’s tightness and versatility make this album hard to tire of. One can’t help but want to hear Farris’ band live, freed from the constraints of production. JUSTIN POT DON MOEN Lenny LeAnn PAUL BALOCHE Albrecht LeBlanc It’s a journey like no other and you’re invited! Gather and grow with others who share your love for worship and God. • Worship leaders • Songwriters • Vocalists and instrumentalists • Technical, multimedia, and visual teams REGISTER TODAY AT OR CALL 800.503.0629 [ccmmagazine.com] 41 IN REVIEW music CCM_07.07_InReview.v3 5/31/07 7:58 PM RUTH Secondhand Dreaming (Tooth & Nail) File Under: Rock QQQQ YOU CAN’T HANDLE THE RUTH After several years of playing shows in both Los Angeles and his hometown of Portland, Oregon, Dustin Ruth tired of trying to do things his own way and decided to commit his plans to God. It took a few more years before everything fell into place, but he soon found himself surrounded by a group of likeminded musicians, and suddenly they were playing shows and selling an EP, before finally signing with Tooth & Nail. Recorded by the producer/mixer team of Aaron Sprinkle and J.R. McNeely (Jeremy Camp, Anberlin), Secondhand Dreaming is a solid album with straightforward rock songs that somehow sound modern while evoking flavors of post-’90s radio rock with a singer/songwriter flair (“One Foot In, One Foot Out,” “Secondhand Dreaming”), to songs with a definite americana influence (“Here to New York”), and closing the album with the worshipful “Well With Soul.” Lyrically, the songs on Secondhand Dreaming deal with living life and a dependence upon God to get through the trials. Dustin Ruth sings with a passion that shows that these are issues that he has experienced, well, firsthand, and his desire to proclaim to others that God’s strength can see them through the valleys as well. Secondhand Dreaming, if anything, is a ANDREW SC ATES message of hope. Page 42 POCKET FULL OF ROCKS Manifesto (Myrrh) File Under: Worship/Pop QQQ SOPHOMORE TURN As a follow up to its highly acclaimed debut, Song to the King, as well as its two Dove nominations, the second project from Texan quintet Pocket Full of Rocks falls a little short. Lead vocalist Michael Farren lacks the range of Casting Crowns’ powerhouse Mark Hall, which is needed for the charismatic “Beautiful You.” His delicate, yearning vocals are better suited to songs such as “Who is This King?” where his David Crowder-esque stylings carry the ballad to soaring heights. Also, the track “It is Good to be Here” is the best showcase of the group’s vocal and instrumentation, featuring a singable chorus and rousing drum backbeat, reminiscent of its previous single “The Welcome Song.” The band’s instrumentation succeeds on the jazz-based “Take Me There” but falters on “At the Cross” where a lackluster guitar line disappoints. Ultimately, what Pocket Full of Rocks lacks in vocal prowess, they more than compensate for in heart. What shines through in Manifesto is the theme of grace, summed up in “Even the Worst of Us,” where the verse states, “Come you broken lonely/From the rubble find your place/…greater than our demons are the open arms of grace.” Even with a few uninspiring sequences, Pocket Full of Rocks delivers a fairly substantial GRACE S. C ARTWRIGHT second album. Ruth 42 [ccmmagazine.com] Pocket Full of Rocks TAYLA HODGES Footprints File Under: Pop (independent) QQQQ PURE POP FOR TEEN GIRLS Not even yet old enough to drive, Tayla Hodges recently released her debut album. The Washington state teenager began singing at a young age and wrote her first song four years ago as well as the 10 other tracks that comprise Footprints. Geared toward a younger audience both thematically and musically, the album hits its mark. From the opening track, “So Alive,” with its Stacie Orricoesque programming and digitally stacked background vocals, the influence of modern pop production is evident. Tayla’s solid vocals work well within the context of the music as she sings on a variety of topics from the rescuing nature of God to sexual purity. Tayla shines most in her upbeat, more pop flavored tunes such as the title track, “Footprints.” Based loosely on the poem by the same name, the chorus has a perfectly crafted hook. “Hideaway,” a track every teen could relate to, exhorts the wounded listener to not hide him/herself and boasts some of the best songwriting on the record. “Make Some Noise” has a killer bridge melody that (unfortunately) becomes a more typical youth group sounding worship song. Although she has some room to grow as a songwriter and vocalist, the talented and focused Tayla is one artist it will be exciting to watch do that growing! Footprints is a great pop album for every young female teen in your life. To learn more about Tayla and her music, visit taylahodges.com. Footprints is now available for purchase on iTunes. K ATE McDONALD SEVEN PLACES Glowing (BEC) File Under: Modern Worship/Pop QQQ LESS ROCK, MORE WORSHIP It’s been nearly three years since we’ve heard from Seven Places, and a lot has happened in that time. With two full-length CDs under the band’s belt, it lost two members to label mate Kutless and pretty much called it quits. But leader Seth Gilbert continued writing and is back with yet another worship-oriented disc. On Glowing, Seven Places sounds less like a rock act and more like a worship band, which is fitting since this is primarily Gilbert’s project, featuring members of the worship team he leads at his church in Oregon. While the band’s earlier discs were produced by Aaron Sprinkle (Kutless, Anberlin), Gilbert takes the reins this time around, and the difference is evident. The CD starts strong with the upbeat and very singable “Glowing Hearts,” but then the CCM_07.07_InReview.v3 5/31/07 7:58 PM Page 43 pace slows down, and the disc ends up quite mellower than previous outings. Another standout tune is Gilbert’s arrangement of “Closer to Thee.” Gilbert says his goal is to create music that blesses and encourages Christians, and, to that end, he succeeds. But in the crowded world of worship CDs, there is little to make this disc stand out, even though there are a few songs that could conceivably become a part of our collective church worship experience for KEN MUELLER years to come. THE SEND Cosmos (Tooth & Nail) File Under: Alternative Rock QQQ FALLING FORWARD Former Falling Up guitarist Joseph A. Kisselburgh seems to have made the right decision by leaving his former band and calling upon the services of Christian alternative rock legend Aaron Sprinkle. While The Send retains the emo rock punch of Kisselburgh’s earlier work, Sprinkle’s production adds immeasurably with arena filling arrangements and complimentary instrumentation. The opening track, “Need,” stands out especially as an instance where Kisselburgh’s serviceable lyrics and melodies are completely enveloped in a mass of beautiful sound, courtesy of his own guitar work and Sprinkle’s piano and atmospherics. Elsewhere, the memorable progression of finale “In Repose” shows a pop sensibility that is uncommon in the industry. However, too often the solid musical build of the verses, often constructed around polyrhythmic drums and interacting keyboards and guitar, are an awkward fit for the simple emo chord progressions of many choruses. For example, lead single “An Epiphany” begins promisingly with a piano melody and guitar lead but starts to lose distinction as those disappear in favor of power chords. As a start for Kisselburgh, this is a remarkable step forward from his previous material, and at 20, he has all the time in the world to further forge a path for himself as The Send. Already, his music is showing a maturity beyond his years, and hopefully Sprinkle can help him successfully follow his muse past his origins. CHRIS MOLNAR KEN MUELLER BREAD OF STONE Letting Go (independent) File Under: Top 40 QQQ A GIANT STEP IN THE RIGHT DIRECTION With several notable tours under its belt (including Petra’s international farewell tour with Sarah Brendel), this Sioux City, Iowa, band has much to celebrate along with the recent release of its full-length sophomore album. Letting Go is a giant step forward in musical maturity from the band’s first self-produced project, Broken Vessels (2005). Although a three piece (not including lead vocalist Ben Kristijanto), Bread of Stone creates a very full sonic experience for the listener on the highly palatable Letting Go. From beginning to end, the album offers a well-produced almost Top 40 sound that leaves the audience with a sense of familiarity. Though not forging new territory, the project is an enjoyable listen with lyrics worthy of an attentive ear. The title track features a praise-worthy hook and great movement under the perfectly blended vocals proclaiming, “I am letting go of my life/Letting go of me/I am letting go of my life/I lay it at Your feet.” “Not My Own,” another notable tune, is a beautiful worship ballad with female background vocals that give it a singable quality. Tracks like “I Want” and “Obsession” leave something to be desired and fall short of nailing the band’s true niche. Still, overall the album provides enough special moments to negate the importance of a few predictable songs. Check out breadofstone.com for concert dates and blog updates from the band. Letting Go is available for purchase at indieheaven.com. Bread of Stone is also currently leading worship for the Song of Solomon Conferences, so check their website to attend a conference near you. K ATE McDONALD WAKING ASHLAND The Well (Immortal) File Under: Indie/Piano Rock QQQQ DO DRINK THE WATER Waking Ashland made a splash in 2005 with its Tooth & Nail debut Composure, featuring the popular song “Hands on Deck.” Heads were turned, and the band eventually made the move to general market label Bread of Stone [ccmmagazine.com] 43 IN REVIEW music The Send Immortal Records (30 Seconds to Mars, Hot Rod Circuit, Scary Kids Scaring Kids). With a new rhythm section in place, Waking Ashland has refined its sound and released The Well, a very listenable CD produced by Chris Shaw (Bob Dylan, Death Cab for Cutie). This disc is less influenced by Ben Folds than the band’s earlier work, which may partly be due to founders Jonathan Jones and Ryan Lallier giving up some control of the songwriting process. They explore the struggle we all face as we seek to balance faith with living in a fallen world, a theme particularly evident on “Take Me With You” and the jazzy “Diamonds in the Hillside.” The band also puts materialism under the microscope on “Money” (though some listeners might want to note this song contains one instance of mildly “rough” language). Other strong numbers include “Your Intentions” and “Change.” The Well is a solid outing that could garner plenty of general market airplay on a variety of radio formats (á la The Fray) with quite a few toe-tapping, head bopping, indie pop tunes. IN REVIEW music CCM_07.07_InReview.v3 5/31/07 7:58 PM Page 44 NEW RELEASES JULY 2007 JULY 3 Khul Rhema ......................................What the World Needs Now (Provident) [CCM READERS SOUND OFF ON THEIR FAVORITE NEW ALBUMS.] Marvin Sapp ......................................Thirsty (Verity) JULY 10 Caedmon’s Call ................................Thankful: The Best of Caedmon’s Call (Essential) TOBYMAC Portable Sounds Da T.R.U.T.H.......................................Open Book (Cross Movement) (ForeFront) Half Past Forever ............................Take a Chance on Something Beautiful (Brash) Tom Hemby ......................................Chasing the Wind (Autumn) JULY 17 Todd Agnew ......................................Better Questions (Ardent/INO) Aly & AJ ..............................................Insomniac (Hollywood) Between The Trees ........................The Story and the Song (Bonded) “American Idol” finalist CHRIS SLIGH’s former band releases its national debut. CO3 ......................................................Determined (Flagship/Infinity) Sunny Hawkins ................................More of You (EMI) The Mighty Clouds of Joy..............If Jesus Could Fix It (EMI Gospel) Toby’s sincere, heartfelt songs show the world that we are all weak at times and can be strong only by our Lord and Savior. The CD is musically diverse (dance, rock, rap, even operatic) just like his beliefs, with the passionate “One World” to the semi-rockin’ “Boomin” all the way to the end with the soulish ballad of “I Don’t Want To Lose My Soul.” Pure excellence is Toby’s work ethic. He lives and breathes diversity, like we who bare Christ’s precious name all should. Lulu Hickey, Annapolis, MD MxPx ....................................................Secret Weapon (Tooth & Nail) Lashun Pace......................................For My Good (EMI Gospel) Chris Rice ..........................................What A Heart Is Beating For (INO) Micah Stampley ..............................The Songbook of Micah Deluxe Ed (EMI Gospel) The Rocket Summer ......................Do You Feel (Island) SKILLET Comatose Various................................................The Best LIVE Worship Album…Ever (Lava/Atlantic/ Ardent/S-R-E) (Sparrow) Various................................................YOW Reggae Street Gospel, Vol. 4 (EMI) JULY 24 BarlowGirl ..........................................How Can We Be Silent (Fervent) Pocket Full of Rocks ......................Manifesto (Myrrh) pureNRG ............................................pureNRG DVD (Fervent) Mark Roach........................................Every Reason Why (Myrrh) Various................................................Absolute Smash Hits for Kids 3 (Word) Skillet’s Comatose just blows me away. John Cooper’s voice is simply amazing. This CD kicks off with “Rebirthing,” a powerful yet melodic song that makes you wanna pump your fist out your window while you are driving. The album then takes you on a rollercoaster ride of emotions, picking you up and dropping you down. Every song is great. Chuck, Muncie, IN myCCM.org/judgement JULY 31 Mandisa ..............................................True Beauty (Sparrow) Michael Neale ..................................No Greater Audience (Integrity) Jake Smith ........................................Real (Rocketown) The Send ............................................Cosmos (Tooth & Nail) Various................................................Kneel at the Cross (Sparrow) CeCe Winans ........................................Cece Winans Presents Pure Worship (Pure Springs/EMI) 44 [ccmmagazine.com] Former Falling Up guitarist JOSEPH KISSELBURGH makes his solo debut this month. See Page 41 for a review of Cosmos. BETWEEN THE TREES The Story and the Song (Bonded/Universal/EMI CMG) Between the Trees has a great sound and amazing lyrics. A couple of the songs on their debut are inspired by Renee Yohe of To Write Love On Her Arms [see “Faith on the Move” in CCM’s June issue—Editor]. Ryan Kirkland, Between the Trees’ lead singer, has a very mature voice for only being about 20 years old. To anyone who hasn’t yet checked this band out, please do! Katie McNeil, Anacortes, WA BUILDING 429 Iris to Iris (Word) Building 429’s new album is literally burning a hole in my CD player. I believe this is probably their best one yet. I love how their rock sounds so modern yet is worshipful at the same time. This is definitely a group that will have long-term staying power... Building 429 just keeps getting better and better! Adrienne, Mobile, AL myCCM.org/kahassler RUSH OF FOOLS Rush of Fools (Midas) Rush of Fools’ 11-song offering displays guitar-driven melodies and poignant lyrics sung with sincerity. Each track demonstrates both joy and brokenness in the Christian life as well as this group’s authentic talent (They co-wrote all 11 tracks, and Willis and Hughley also co-produced). Kristin, via e-mail What’s your favorite new album? Let us know at [email protected]. CCM_07.07_InReview.v3 5/31/07 7:58 PM Page 45 Ever wonder what Simon’s really like or just how much pressure comes with being a contestant on America’s favorite reality show? Well, in her first book, Idol Eyes, Mandisa provides the skinny on that—and so much more. In a candid yet conversational tone, the “American Idol” finalist tackles everything from her faith to her battle with her weight. And while her story would be interesting enough to read as a memoir, there’s plenty of spiritual takeaway value that makes the experience even more worthwhile. MAX LUCADO TRACEY BATEMAN Without a doubt, Max Lucado’s books have always resonated with the masses. And while I’ve read a few of his most popular titles over the years, most have been a bit too touchy-feely for my taste. But from beginning to end, Every Day Deserves a Chance has surprised me (in a good way). It’s not just another warm-and-fuzzy book that’s chock full of touching anecdotes. Instead, Lucado deals with the ups and downs of everyday life in a surprisingly realistic (and encouraging) way. Ever have a bummer of a day? Max Lucado feels your pain. In what’s a great beach read, the novel Catch a Rising Star is the story of Tabby Brockman, an actress whose character had been killed off in TV’s most popular soap opera. But just as she’s about to get a professional break as her character returns from the dead, she quickly realizes that everything isn’t what it seems. To give more away than that would be downright mean, so I encourage you to pick up your own copy of this entertaining, fast-paced novel. Every Day Deserves a Chance (Thomas Nelson) Catch a Rising Star (Faith Words) Christa A. Banister is a freelance writer, author and blogger in St. Paul, Minn. Her first novel, Around the World in 80 Dates: Confessions of a Christian Serial Dater will be published by NavPress in October. myCCM.org/christabanister LEIGH McLEROY The Beautiful Ache (Revell) On Bebo Norman’s latest album, Between the Dreaming and the Coming True (Essential), he sings about how it was impossible to experience light in everyday life without also experiencing darkness. Now, in This Beautiful Ache, Leigh McLeroy further explores that tension, especially in regard to the sadness (or longings) that come even with the best earthly achievements. Pointing readers heavenward, McLeroy encourages without patronizing in this thoughtprovoking book. ZACH HUNTER Be the Change: Your Guide to Freeing Slaves and Changing the World (Invert) I know when I was 15 years old, I wasn’t nearly as socially conscious as Zach Hunter. But, with Be the Change, the student spokesperson for The Amazing Change Campaign (inspired by the recent film Amazing Grace) is hoping that more of his peers will join him in his efforts to alleviate homelessness, AIDS and more. While many might assume there isn’t much that can be done about such pervasive problems, Hunter assures readers there are plenty of small ways to make a big impact. Bonus: The book also features an encouraging letter from Switchfoot front man Jon Foreman and props from Jars of Clay’s Dan Haseltine. [ccmmagazine.com] 45 IN REVIEW books MANDISA WITH ANGELA HUNT Idol Eyes: My New Perspective on Faith, Fat & Fame (Tyndale) CCM_07.07_TourScrapbook.v3 5/31/07 By Andy Argyrakis 8:00 PM Page 55 [TAKING YOU CLOSER TO CONCERTS THAN EVER BEFORE] TOUR SCRAPBOOK : THE SHOW ITSELF: Anyone who caught the David Crowder Band opening for Third Day in support of A Collision (sixsteps) witnessed its electrifying stage presence. And on this night when DCB was the only act on the bill, the gang was able to perform a much longer set with a plethora of fan favorites. Crowder dusted off his keytar for an ’80s-tinged take on “No One Like You,” while the band turned the old-time spiritual standard “I Saw the Light” into a Texas hoedown, complete with a banjo solo. Crowder & Co. also introduced songs from the forthcoming Remedy CD, such as “O The Glory of It All,” a track doused with Crowder’s momentum-building style, merging lush acoustics with subtle electronics. Add in some all-out praise (“Wholly Yours”) and some joyous sing-a-longs (“Foreverandever, etc.”), and the evening mixed the reverence of a worship service with the grandeur of a concert spectacle. DAVID CROWDER BAND A COLLISION CONCLU SION MEETS A REMEDY PRE FAITH CHURCH—DYER, IN Thursday, May 17, 200 7 VIEW FALL FOCUSED After a series of solo headlining shows and festivals this summer, the group officially launches the “Remedy Club Tour” this fall with special guests Phil Wickham and The Myriad. “It’s going to be so much fun with both of them, and we’re going to hit [only] clubs—a lot of the House of Blues venues and places we’ve wanted to play for a long time,” Crowder told CCM. “The venues are kinda small, so tickets are going really quick, but it’s going to be an intimate environment where we can really give back to fans with an extended set.” BACKSTAGE BREATHER: Amidst all the action, the guys had a chance to unplug from show mode and try to top one another at video game bowling backstage on their Nintendo’s Wii. As members took turns tossing their imaginary ball down the TV-screen lanes, everyone cheered and jeered the impressive and not so hot alley action. David Crowder has been asked to sign countless items over the years, from the obvious CDs, T-shirts and stickers, to slightly less conventional appendages. “I had no paper, so I thought this would be pretty cool,” says 16-year-old Steve Lane from St. John, Indiana, while holding up his arm. His bud Drew Eenigenburg, also 16, from Dyer, Indiana, took it a step further. “Different people have come up to me and asked, ‘What’s on your forehead?’ and I tell them ‘David just signed it!’” FANFARE P.J. Gbur Dyer, Indiana Jennifer Stevenson Schererville, Indiana (20) (18) “David Crowder has a unique musical style that I really like. ‘O Praise Him’ was my favorite.” “Besides tonight, I saw him at the Passion conference in Atlanta. He’s the first artist who really touched my heart, and it was probably the best experience of my life!” Andy Argyrakis is a Chicago-based writer/photographer. He regularly contributes to the Chicago Tribune, runs a celebrity column in the Daily Journal and writes daily for Concert Livewire, amongst many other outlets. myCCM.org/andya [ccmmagazine.com] 55 CCM_07.07_Roots.v3 ! 5/31/07 8:01 PM ROOTS Page 56 [ARTISTS IN COMMUNITY] By Douglas Kaine McKelvey OPEN HOUSE Robbie Seay, front man for Sparrow Records’ Robbie Seay Band, joined his brother, Chris, in a bold church planting effort. That was eight years ago. To say that Houston’s Ecclesia fellowship has become a neighborhood church in the years since would be a major understatement. The most redemptive art is ultimately that which is drawn from the life of people living in community. As such, it becomes an enduring expression of the common life in all its facets: Love, work, celebration, beauty, laughter, tears and worship. To create this kind of art, an artist has to know firsthand what it is to live in relationship, experiencing themselves as a person among people, as a worshipper among worshippers. The power of their work flows from the fact that their creative gift is exercised as a gift to the community, not as a means of selfglorification. The artist is a servant, and his or her act of service is to create works that are vital to the life of the community. For Sparrow Records artist Robbie Seay, that kind of community life wasn’t something he just stumbled into, it was something he intentionally and prayerfully set out to create. In 1999, Robbie and his brother (author and pastor Chris Seay) moved back to their hometown of Houston with the notion of planting a church in the economically, culturally and artistically diverse Montrose area. They imagined a community of believers that would reflect the diversity of the neighborhood and a church that would become a hub for the life of the community around it. They called the new church “Ecclesia.” “We really wanted to be a part of the neighborhood,” Robbie says, “and it’s been a crazy ride. We’ve been here eight years now. About 500 people come to our services, but probably two thousand people a week use the building. There’s a farmer’s market there twice a week. There’s an art gallery. There’s a café. There’s a recording studio. There’s poetry night and DJ night and just all sorts of stuff that the neighborhood really has their imprint on. It’s a space for those folks to call their own. Because we’re believers, the gospel comes to the surface in a lot of non-traditional ways, but it’s not backhanded and it’s not hidden. That building is a place where conversation can happen and meals are shared and faith is shared in different ways.” Because of where it’s positioned, Ecclesia draws in a wide mix of believers, seekers, skeptics and broken people. In a given week, Robbie says, “We’ve got everybody from big-time lawyers to male prostitutes and everybody in between… We have a lot of college students, a lot of young people. And we reach out to the homeless there, so there are a lot of homeless who join us on the weekends. It’s just a really different kind of gathering.” “From the beginning,” says Chad Karger, one of Ecclesia’s long-time pastors, “Robbie has both reflected and shaped the spiritual development of the community. Like the Psalms were for the ancient Hebrews, his—and the band’s—music has given voice and melody to the contours of a people growing in Christ.” “Ecclesia is where we’re connected,” acknowledges Robbie, whose band will release its new album, Give Yourself Away (Sparrow), on August 14. “It’s where our lifeblood is. A lot of our music comes from that place. A lot of it comes from conversations and from sermons and from stories that happen in that community. That means a lot to us.” In addition to leading worship most Sundays, Robbie has also been instrumental in gathering musicians, artists and worship leaders from across the city twice a year to encourage them as artists and as believers. “When we read Scripture,” Robbie says, “it calls us to make this journey in the context of community. The Christian life is not to be lived alone. We believe a New Testament church is one that’s open, honest and missional… A lot of our time and efforts are spent missionally, and we’re finding that God really opens Himself up to us when we give of ourselves and when we open the doors of the church and realize it’s not just about us. It’s not about building some huge place. It’s not about us feeling comfortable. It’s really about God opening the doors of faith to us when we’re serving and loving those who He commanded us to love.” The remote descendent of Scottish horse-thieving ancestors, Douglas Kaine McKelvey has already bested the dubious achievements of his predecessors by penning four published books, crafting lyrics for more than 130 recorded songs and launching lyrichead.com and myCCM.org/lyrichead. 56 [ccmmagazine.com] CCM_07.07_Classifieds.v3 5/31/07 8:02 PM Page 57 CLASSIFIEDS PRODUCTION NOW HIRING: Media technicians to travel the country and present a motivational program to youth. Call 1-800-359-6922, or check out camfel.com for more info. SERVICES MUSIC INDUSTRY: Become A Booking Agent! Work “with” Nashville without living there. Get connected. Call 615-361-3700. VINYL, CDs GRATEFUL FRED MUSIC: Specializing in outof-print Christian music. New/used vinyl, CDs, etc.! Buy. Sell. Trade. 615-837-1435 gratefulfredmusic.com [email protected] NEW CDs $7, used CDs $4. Buy, sell, trade. 100% guaranteed. RD’s CDs: rds-cds.com, toll-free: 1-866-794-0378 you have a favorite CD? 8 DoReview it today at the NEW CCMmagazine.com Looking for news about your favorite Adult Contemporary, Pop or Classic Christian artist? Check out the NEW Christianmusicplanet.com! CCM [ISSN 1524–7848] is published monthly by Salem Publishing. Copyright: CCM © 2007 by Salem Publishing, 104 Woodmont Blvd., Suite 300, Nashville, TN 37205. Contents may not be reproduced in any manner, either whole or in part, without prior written permission of the publisher. 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[ccmmagazine.com] 57 CCM_07.07_FinalWord.v3 5/31/07 8:03 PM Page 58 THE FINAL WORD [with Louie Giglio] WHATEVER For far too long there’s been a great divide in the Church between the sacred and the secular, the former being important in the eyes of God and the latter amounting to little or nothing at all. While it’s true that some things are temporal and fleeting, while others last forever, God never intended for us to bail on worldly endeavors. Rather, His call is to penetrate every inch of humanity as a means of reflecting His light and love to every person alive. Such thinking amplifies the heart of true worship, which is less about our “spiritual” gatherings and far more about what happens everywhere else we spend our days. Thus, Paul makes a powerfully freeing, yet convicting statement when he writes: And whatever you do, whether in word or deed, do it all in the name of the Lord Jesus, giving thanks to God the Father through Him (Colossians 3:17, NIV). In other words, it’s not what you do that matters most, rather doing whatever you do for the one name that lasts forever. Each of us has a passion that ceaselessly stirs within, something that captivates our desires and dreams—something we’re uniquely wired to do. For some it’s fine art, fashion, law or linguistics, while others get cranked up about motherhood, mergers or microbiology. The key is that we never view these pursuits as sub-spiritual options. There isn’t anything more spiritual about being a pastor than a banker, a missionary or a musician. Some desperately desire to plant a church, while others dream of creating the new IT solution that will enable that church to function better. Both are just as valid in the eyes of God, because, at the end of the day, we are not rewarded for our field of pursuit, rather for the way we made Jesus famous in the moments we were given in this life. If every follower of Jesus abandoned all “secular” pursuits and joined the church staff, that wouldn’t leave much glimmering light in the halls of power or the towers of commerce. So we must lose the tyranny of comparisons and instead dig into the heart of the matter—namely, the motivation behind the “whatever” we choose to do. If we’re pursuing our dream out of self-indulgence or to take a stab at earthly acclaim, riches or fame, we are deluding ourselves and guaranteeing a tiny, shriveling payoff for our fleeting journey on earth. But Paul offers another prize and a greater purpose when he summons us to do everything we do (in word or in deed) in Jesus’ name. And why wouldn’t we? We’re carrying rescue in our hearts as a result of the staggering reality of the cross that bears His name. Why would we not abandon self to live for a more durable fame than our own? He’s the Creator and Redeemer of all. Each of us is holding something precious in our hands, a sacred trust of talent and opportunity that is a gift from God. It’s likely that what’s in my hands is different from what He’s placed in yours. But the cross unifies our purpose, assuring that both can (and should) be leveraged for the name that outshines all names. So often Christians live such indistinguishable lives in the “secular” arena, while shining so vividly within the confines of the church. But the challenge is for us to make a mark in the streams of culture, which requires a massive devotion of life and energy to the end that we do whatever we do with an excellence, authenticity and Christ-like spirit that is unmatched in the world. It’s clear in Scripture that people will never hear and know the face of Christ without a “preacher,” but there’s a good chance they’re not searching for someone in a suit with a podium between his proclamation and their dilemma. I say this, though often sans pulpit, as a communicator of God’s Story. So I’m not knocking us preachers. But I believe the world is waiting for someone elbow to elbow with them in their daily pursuits who is exporting a completely different Kingdom mentality by the character they reflect in all they do. So feel free to do “whatever,” as long as you can do it all in His name. And do every single ounce in such a way that makes the world wonder what makes you tick the way you do. In that moment a door will open to an audience who doesn’t realize they just asked possibly the only preacher they know to tell them of a God who is greater than everything they’ve ever seen. A passionate communicator and author, Louie Giglio is the founder of Passion Conferences, a collegiate movement calling people around the world to lives that spread God’s fame. Giglio also heads sixsteps records, a label partner with EMI CMG, and home to artist-worshipers Chris Tomlin, David Crowder*Band, Matt Redman and Charlie Hall. 268generation.com 58 [ccmmagazine.com]
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