1. art and entertainment
2. visual art and design
3. painting

JOHN L WHITING " SON
%
Sole Manufacturers of
WHITINGS' CELEBRATED
R.UBHR
mo-HCESsT
It is claimed
who
used
have
compactness
of
for
design, and
A
USE
Ask
for
Whitings'
Coach
Brushes,
them, that they
THEM
GIVE
these
.a-t:^7".a.i^3d.
NO
Patent
Painters*
in
are
manufacturers
superior
working
to
and
all others
in
finisj
wearing qualities.
and
AND
TRIAL
W]
YOU
MAKE.
OTHER
Paint, Varnish, Sash, Wall, \Xh\ui\}
and
Artists* Brushes,
Manufactory
Nos.
by the
132 to 146 Oliver
of
etc.,
"
i.
Goods:
St.,Bostoiv, M
'vjIjvv;
^
v,^^...
^.^.
uciJ
":"\^^
^
v^Ok,;p^^y
Whell^^"4S"
-A-InTHD
""Wf%*fB8"frt
-VsTiso
:^^o:52. Tuosis
^
B3^
"AINJIT,
^^
IJai^nish,
032.
I^AIiSOMINE
-^^
COPYl
JOHX
I,; MTHITIIVO
BOSTON,
\
-
MASS.
"
^'^is,
WHAT
TO
DO
REMOVING
There
waitmR
properly
sharpened
remove
when
the
first
for
a
moment
the
''picker"
simple
after
where
the
flow,
to
above
as
matter
to
or
to
of
a
are
has
specks
carefuUy
the
out
ers
paint-
level.
down
added
by
been
To
them
It may
specks
with
and
that
be
ceed
pro-
few
a
If so,
dressing.
If a/l the
out.
and
seen,
remove
the last
let it set
given,
be
may
finish.
the
them
a
flowed
has
varnish
the
for
it to
pick
panel, most
to
a
finely
etc., first procure
stick a thm
strip of quill; then
described,
pick
right way
Hnt
all the
that
varnish
the
the
varnish
hair,
tie
or
"dressing"
will remain,
specks
a
whalebone,
dress
to
of
bits
IT
DO
VARNISH.
they apply
this until the
do
to
TO
FROM
work
to
go
when
varnish
the
from
motes
SPECKS
who
few
but
are
HOW
AND
it is
removed
are
be a mark
is sure
to
done, there
dressing has been
but
all
be seen
that
can
out,
they came
by taking away
clean
first dressing, the job will come
and
free
from
out
the
left
on
all
picker-marks.
GRINDING
introduction
The
car
the
paint shop
was
but
boss,
to
of
ready-prepared
certainly a
the
PAINT
boon,
colors
only
not
apprentice boy
poor
old
after
into
the
workman
the
to
who
and
carriage
and
compelled
was
to
day in turning an
necessity, and there is
a
that line, but it should
be the
duty of some
the
and
of
if possible
that
machine,
to
running
supervise
of the drudgery imposed upon
the apprentice of some
One
him
Mill
of
"arris
of the most
features
the
is
ordinary
important
beveled
do
and
mesh
the
not
together
worn,
They become
gear.
worn
properly, or the lower platen is forced upward by becoming
hard
and
the bevel
too
come
together
tight, causing
very
gears
shaft
vertical
end
of the
The
bottom
mrning.
step or
requires
^rank-shaft.
the
The
frequent oiUng, asSvell as the bearings o
1
be
must
wi
it
adjusted
or
nicely
scraper
Ihe
hard.
of the platen, and
teed
the same
turn
to
ed^e
cause
labor
day
the mill
ever,
Howpaint mill.
for the boy in
yet work
the P^int shop
in
one
worn-out
is
rel^.e
''
P/^^^^^^^/^^^.^
grooves
Ucular
must
piece
be
of
filed out
every
woi'k, which
weeks
few^
should
not
and
nexperfenced
workman.
For
grooves
made
e^^e,-or
large
grooms wo\put,
the paint will
be
the
the
be
extreme
too
not
are
consequently
'tne time
taken
for
runmng
bf cr,'hs?i"-'
!"rJj
t-^f
^^^^^^
P^^^to
boy
intrusted
must
not
or
deep.
run
^-wn
out
Sim
down
run
When
to
will
or
a
the
the
be
exi
to
feed
and
,
greatly
ex-
srsof-s
SOMETHING
If, as
next
John Wesley
godliness,"
to
It is
race.
cleanliness,
exist.
for
has
claimed
our
for
the
The
remarkable
has
the
doubtless
tools, machines
tools
for that
of the
and
paints
There
making
of
not
was
a
his
for
a
the
novice
himself
in
the
from
is
and
material
Petersburg
obtained
immense
country,
to
true
almost
the
is the
from
tory
hiswho
serve
as
would
past
losses.
serious
other
of
manufacture
w^hole
might
in the
heeded
any
brush-
is
larger in
of
kind
the
staple
portion
pro-
business.
brushes
"
Whitewash.
The
chief
great
market
of
mainly
of
source
Poland,
pork-packing
but
fact
this business
on
carry
in
in
and
his work.
succeeded
ever
This
it been
the
at,
artist
the
do
to
the
look
to
nor
In
has
one
to
to
difficult than
more
success.
no
had
required consists
large supplies,
arts
in w4th
misfortune
needed
"quite expensive.
the
this
future, and
Especiallyis this
also
engage
capital required
Paint, Varnish
useful
practical brush-maker.
a
many
than
The
of the
to
in
trade
saved
The
if any
addition
painful
able
be
all other
other
any
house-painter
would
masterpiece
greatest
few
are
warning
have
the
the
ties,
varie-
indispensable
the
is
house
unpainted
an
that
and
In
fully than
it is
and
than
tendency
devising.
more
brushes, neither
forms
be
can
that
decay,
art, furnishes
an
If less
to
pendent,
de-
Printing
true
many
that
of man's
as
An
all its
check
ministers
beautiful.
without
who
which
art
tends
the
largely
brushes.
least
at
not
but
wear,
all arts."
of
brushes,
sail,are
of
use
it is
in
we
we
man
hu-
society, could
clothes
in which
is
of the
without
civilized
nature
to
instruments
utility,brush-making,
sense
in
more
strict
that
preservative
paint-brush,
and
assert
the
brush-making,
done
benefactors
faithful
the
Everything
tool
great
in
ships
on
art
of
preservative.
art
to
and
persons,
live, the
art
are
S
it, "Cleanliness
doubt
can
understood
cleanliness,
"
BRUSIIE
who
much
too
now
we
called
been
hardly
only
in which
said, and
brush-makers
it is
as
Not
houses
ABOUT
of
the
of
Germany,
quality.
of
The
Russia,
Large
Belgium
establishments
inferior
is
supply
world.
is
hogs' bristles,and
St.
quantities
and
this
and
France
country
European
are
; and
furnish
hogs
from
chipped off in a fine spray of grit by
the
into
the cup
of clean
a
paint, necessitating at times
scraper
this difficulty,
the edge of the
complete re-grinding. To overcome
be turned
off leaving only a narrow
rim,
revolving platen should
inch
in width, a job that any
of an
machinist
can
one-quarter
say
thus
the
and
do.
to
it
attending
mill, keeping
quickly
clean,
By
it to correspond
with
the strength of
regulating the pressure
upon
the
tasks
of the
of the most
distasteful
apprentice boy, one
paint
will
be
of the
made
whistle
more
shop
pleasant, and the merry
workmen
will be an
to work
as
they come
ample compensation for
fast
revolving platen,
labor
the
and
is
expended.
TO
all the
Nearly
"
binding
bristles
for
used
that
about
plain painting require
is,,the
one-half
originalbinding
their
around
better
is
way
around
is to
binding
turn
tying
in
binders
brush
I have
those
seen
it
it back
turn
market,
which
deserve
at
serve
least
frequently
was,
percentage
certain
material
proper
Five
make
to
told
to
add
first calculate
gills
of
100,
gills,or
Ten
I
per
quently,
as
TO
The
5
5
or
pound
cent
of
amount
which
of
cent,
per
the
color,
parts of
simply
pints,
Avould
in
20
is
i
5 per
would
ten
parts
2
MAKE
A
to, dry
liability
good
PUTTY
trouble
hard
and.
in
with
parts
chip
you
and
a
patent
and
purpose,
in
the
one
be
for
STAY
almost
of
cent,
it
thought
i
a
quite
If
hundred.
we
must
we
make
20
or
20,
gill in
5
20
cent.
hundred, and
i gillin 10
or
WILL
out,, and
5 per
of
meaning
5 per
:
Therefore
cent.
one
putty
as
MIXIN^G.
gillsin 20,
THAT
go
where
several
a
quantity of paint,
Supposing we are to
be i part of
gillwould
be
shown,
greatest
very
a
to
securely by
to
then
above
but
trial.
a
five
oil
handle,
paint.
pounds,
are
cord
stout
handle,
all
are
they were
I therefore
to
a
mixture,, and
of percentages.
particular mention
means
a
surplus muslin,
what
by workmen
told to add, say
when
cent,
per
a
IN
asked
been
the
fasten
There
desired.
be
PERCENTAGES
I have
toward
stocking ; and
handle, cut off the
not
wrap
the
to
prevent
There
just large enough
around, tie it at the place
or
the
could
binding
neater
sleeve
around
cord
a
then
come,
coat
a
it
to
out
muslin
a
brush, and
the
would
piece of
wrapping
take
to
to
otherwise.
is
extra
an
is extended
length, in order
spreading as wide as they would
of putting on
this bridle.
One
ways
and
far
theru
as
as
secure
desired,
several
are
BRUSH,
from
them
the
brushes
bridling,"
or
the
over
A
BRIDLE
WHERE
means
conse-
gills.
PUT.
purpose,
any
especially is this the
is its
case
in
bristles
which
are
long-legged, being
when
whole
run
package
or
officials who
few
but
reject
grades
five
from
they
state,
fat, and
thin
are
not
are
and
killed
here.
are
perfectly uniform
;
bundle
one
cask, they being inspected
all stock
The
of them.
in
eight inches
to
semi-wild
a
entirely without
almost
bristles
Russian
the
as
young,
live in
obtained
not
to
up
the
length.
The
government
and
standard,
quality is
best
by
represents
there
Okatka,
called
is
quality
next
are
and
is
c-alled
v
]T WoliCo
Firsts,and
is from
stiff bristles.
are
on
The
which
third
inches
called
in
Seconds^ and
and
a
German,
in
half
six inches
to
Length,
called
and
is
color
in
and
of all bristles
value
quality is
length,
being
four
the
four
stiffness
the
are
grades
two
istics
character-
depends.
stiffness.
four
and
The
fourth
essentiallylike Suchoys^
length, the
These
length.
Suchoys, is from
is without
^ii"\1^JOf
K^V/
length running
from
the
a
half
to
five
is
quality
ence
principal differ-
three
and
a
half
to
inches.
Polish, and
bristles
from
some
other
countries,
run
plate glass of heafses and carriages. To
trouble, take a piece of velvet or plush, and
the
which
will leave
woof
the
in the
it will
intimatelywith your putty, and
preventing any disintegration.
Pearl.
Pink.
Shrimp
Gold.
Old
Add
"
Add
"
Burgundy.
THE
/.
Whiting,
I
yellow
to
to
WHITING
ochre.
bright lake.
any
PAINT
THE
IN
pulverized chalk, is
e.
put in plaster,
w^hite.
to
chrome
OF
warp,
this
white.
to
asphaltum
USE
like hair
act
Mix
threads.
COLORS.
carmine
orange
Add
"
carmine
Add
"
short
the
the
out
I
FASHIONABLE
Shell
of
form
overcome
full}'
pull
of far
SHOP.
more
in the
use
shop
than
who
all about
although many
pretend to know
many
suppose,
it will not use
it. For making putty for bodies or gears, one-third
with
Japan and rubbing
whiting added to dry lead, then mixed
varnish will give the most
results,for such putty is not.
satisfactory
liable
to
shrink
Whiting
old
and
follows
as
paint,and
then
scrape
when
dry
with
mix
together into
Whiting
level
down
is
with
coloring quality. It
vermilion
Besides
gear.
by
may,
it makes
with
of
stone
it
of
American
flour paste
as
for
to
the
consistency,and
remain
to
bladed
few
minutes,
and
knife,
putty
a
usual.
it has
vermilion, as
quantityonly, and
addition
English filling,
dry
Japan and rubbing'
of
rye
mush-like
broad
a
adulterant
adds
the
thick
Allow
pumice
excellent
an
a
old brush.
an
it down
rub
the
plaster for filling-
glazing or
a
equal parts
equal parts
quantityof
with
one-half
add
stir all
spread it on
making
Take
:
and
whiting,
varnish, then
in
used
be
may
cracks,
lead
sv/ell.
or
whiting,
vermilion
a
be
no
small
quantity of
made
to
work
cover
easier,
a
cover
better,(as a heavier coat can be applied)and, so far as durabilityis
concerned, I have yet to learn of any injuriouseffects.
ing
Whiting is useful for preventing gold leaf or bronze from adherto
varnished
any
It is also
surface.
cleaning glass,and
in
extensivelyused
scouring metal
surfaces.
What
these
other uses
can
will
tell.
pages
be
made
There
seems
to
be
an
a
dark
green
coating.
when
American
out
that
acid
WHITING
in
a
paint shop,
BRONZE.
GOLD
gold bronze, bringing
of
in
English varnish
which
acts
upon-
to turn
verdigris,and causing the bronze
is applied without
varnish
intermediate
an
varnish
on
the
other
hand
does
not
affect
In
buying.
to
a
They
are
bristles
French
artists'
They
brushes, varnish
is
applied
each
in
applying
better
are
class.
large class.
a
adapted
kind.
other
any
Russian,
the
quality as
large
to
than
etc.,
applied
name
another
to
judgment
best
is the
world, and
in the
brushes,
uniform
as
Leek
variety.
names,
finest
the
and
greatest caution
SpUz
of other
are
about
run
them, and
number
a
the
in greater
are
of
class
large
There
for
require
irregular,and
very
and
are
fectly
per-
dressed.
Preparing
without
They
good working brushes.
combed
and
the
upon
for bristles
The
animals
all civilized
in
neatness
of
in the
expedition.
The
then
rubbed
soap
with
thoroughly
cleanses
in
to
tied into
the
the
taken
bristles
adhering
the
pulling out
lapping,
ready
be
to
are
left
are
cut
they
as
to
Whalebone
the
conviction
probably
wjl?
is
make
to
dependent
indispensable
to
substitute
good
no
as
never
They
take
to
out
with
of
are
in the bundle
then
sorting
thoroughly
For
for
paint
the
on
and
they
to
are
worked
are
loose
wool
of
consists
them
into
comb
by
They
similar
hair, cloth, tooth
and
in
the
sent
are
which
mixed.
being
gives
the
removes
or
night
one
they
dragged,
and
bend
which
them
manipulated
are
but
comb
hatchel, w^hich
They
for
out,
tightly
their
to
dry, they
sorted
are
which
up
their natural
brimstone,
and
water,
tied
Previously
When
colors
hot
then
put
skill
requires
wash-board,
are
however,
are,
To
in
iron
or
appearance.
brushes.
different
a
process
are
then
brushes, they
brushes, etc., they
required.
used
never
of
they
become
to
are;
lengths
and
mixed.
they
put into
dirt.
the
bristles.
as
stone
bleached
and
sort
a
which
so
trade,
bleached,
are
tedious, and
drying-house.
dried
the bristles
lengths,after
of
the
and
comb,
to
is
there
first soaked
rough
from
where
dragged
a
a
brighter
combing-room,
through
on
and
a
we
articles
very
are
warping
to
bundles
combed,
bristles
prevent
is
dressing
them
bleaching-house
white
fact that
countries, and
in
.and
crook, and
impossible
carefully washed,
be
produce
to
the
world.
first process
bundles,
it is
singular
a
of
foundation
which
must
It is
dragged.
dirtiest
of
knowledge
thorough
a
is the
dressing the bristles
or
many
be
in
paint brushes,
painters to
rid.
etc.,
the contrary,
notwithstanding
of which
idea
they
8in
bronze
the
same
directlyupon
But
gold thus applied, I have
of
varnish
then
minutes,
ten
takes
apply
A
Take
French
any
varnish
STRIPING
PENCIL
lower
the
plan
first pencil
to
shellac
dries in
varnish, which
discolordesire, and no ation
you
and
wrapper
it will be
same
^
grease
inch
an
making
end
upper
as
of
in
as
way
the
UNFITTING
IT
USE.
about
short
as
WITHOUT
ORIGINAL
paper
loose,
made
be
the
remove
rather
end
pencil may
and
excellent
an
SHORTER
ITS
piece of writing
the pencil in the
a
the
prevent
it
best
FOR
it around
to
found
generally used
fading or darkening
place.
MAKE
TO
with
the bronze
it is therefore
and
manner,
the bronze.
wide, and wrap
lighter,leaving
a
tied.
this
By
method
a
done
desired, and when
using^
the pencil before
putting it away,
good a striping pencil as ever.
To make
broad
the pencil is not
a
stripe where
large enough, tie
three
two
or
pencils together, using splintsto fillthe space between
the quills. It does
not
pencil for only
always pay to buy a broad
this
be
made
to suit the work
a
one
pencil may
job, and by doing
and
then be separated as before.
in hand
as
SELECTING
Striping pencils should
between
the
judge of
the
to
while
lips
shape,
in
crinkle,and
the
press
then
draw
or
some
with
point,
put in
be
never
wet
the
the
thumb
the
mouth
and
spittle,to
spittle causes
drawn
enable
warm
for
cases
between
hairs
PENCILS.
the
warm
pencil will be ruined.
and
flatten
to
one
the
hair
If you
will
the
pencil,
fingerto
holding it up to the light meanwhile, you
will be able to judge of its point. If the hairs appear
to gradually
end
is formed, you
of a good
be sure
thin down, 3^et a square
may
if
the
of
but
hairs
two
no
a
ragged,
length, reject it
point,
appear
of
ends
The
a
one.
as
striping or lettering pencils should
poor
be
never
makes
that
a
it
cut
downward,
poor
end,
them,
square
and
good
work
for
can
the
end
blunt
be
again
never
thus
made
done
with
tool.
PAINT
How
to
to
to
When
for any
"
First
cblor-and-varnish
pulverized pumice
carmine
AND
RECEIPTS,
produce crimson.
vermilion,
wish
to
across
stone
made
ITEMS
OF
paint a
; then
and
and
water,
carmine
grinding
glazing,
by
Munich
a
cheaper job, use
paim, particularlylead color,
considerable
length of time, if
"fatty"
to
the
ground
and
will
lay
light English
on
with
smooth
a
heavy
coat
of
and
lake
stands
there
not
evaporationof
of
it down
rub
make
mixture, it becomes
ig owing in part
INTEREST.
woik
the
varnish, or, if you
in place of carmine.
exposed
to
the
much
oil
in
be
or
dry well.
and
spirits,
the
air
the
This
;
partial
6ur
old
house
house
first
in
doing
has
for the
We
business
are
all
We
been.
of
use
the
of
our
goods,
manufacturers.
in consequence
which
their
the
are
Our
of
sold.
This
lower
the
So
in
well
qualityso appreciated, both
the
business
known
used
buy
others
than
superiorityof
etc., in the world.
fraction
we
our
are
by buyers
can
that
of brushes
by
only
that
and
our
brushes
and
other
prices
make
we
us
be
the
domestic
make
can
in
lower
at
enables
goods
quarter
us
of the
saving
machinery,
prices
success
States, or
and
large
far
by
are
One
fact,with
and
patents
at
a
At
have
we
in the world.
heavily,
so
we
United
bought
are
besides
do,
we
our
goods
ground
they
as
of
equal quality.
on
of bristles
this country
than
sell
in the
now
largest manufacturers
the
into
Buying
and
until
an
fogy.
circumstances,
business
be
to
old
certainly not
"
brushes
largest consumers
claim
not
Painters, Varnishers, Kalsominers,
imported
other
do
adverse
our
also
are
product.
for
under
of
We
1865.
word
rapidly increased
manufacture
of
the
largest manufacturers
ever
of
small
In
of
sense
any
a
steadilyand
the
established
was
to
and
duce
pro-
sell,
accounted
the
prices at
now,
brush
and
manu-
oxidation
but
all
of the oil.
paint is
should
always
Tea-green is
a
fine color
for
umber
raw
there
be
so
blue.
The
proportions
shades
many
When
the
with
hairs.
tallow
cold
if
order
with
STRIPING
in
should
green
defined, for
kept in a covered
together, which
be
not
greased
oils that
some
will
burns
w^ell
box,
of
king"
It is seldom
that
we
or
greased
harden
not
in
also
the
brass, and
best
the
have
brush, and
These
*'
The
King"
carry varnish
central
space
us
large panels
or
been
a
and
keep
The
gears,
in
many
ring
in the
with
a
solid
order
better
this, such
To
soften
a
CLEANSE
sable
or
A
the
merits
a
trial
FROM
PENCIL
HARD
the
for
our
center
of
perience
ex-
will
having
one
brush
brush.
absence
it,for
than
will
a
wear
varnishing
by varnishers."
F.
TO
of the
bristle
a
to
appear
brushes
ferrule, around
or
center
and
success,
of
are
throughout
particularlyadapted
well
and
a
Besides
is
brush
solid
a
oval
particularlyadmire
brush
that
bristles
distributed
paint
or
to
us
reservoir.
or
into
of
accumulation
no
with
case
evenly
are
never
leads
better
evenly.
is the
with
latter is
resting place.
and
the desired
elasticity,
for varnish
have
teaches
more
a
compressed
reservoir
reservoirs
in
bristles
not
are
so-called
one
The
used.
feature, as
under
bound
The
The
quality,possessing all
firmly held in place than
more
brush
bristles.
filled with
desirable
find
can
gum
well
center
oval
an
ing
Whit-
L.
John
this'
in
as,
supplying
now
are
of
tool
new
a
Messrs,
of
they
It consists
certainly very
varnish
or
its
brush.
brush
which
King."
having
and
new
dirt
varnish
the
of *'The
name
varnish
readily commend
so
instance, we
patent
"
Son, Boston, Mass.,
a
well
all kinds
be
pencils
kept in
may
is easily rinsed
out
greased with this mixture, which
do
we
makes'
chrome
to
turpentine.
*'
be
alkali
be
oil mixed
"the
a
and
PENCILS.
an
should
sweet
which
one
be
or
Artists*
weather.
good
fatty,,
exposed,
of tea.
acid
an
They
and
thus
cannot
striping pencils,they
putting away
oil,for there is
rots
become
to
apt
so
frequently called for, and
(?) It is made
by adding
GREASING
with
not
is
injured by being
closely covered.
color
a
color
less
or
tea-carts.
and
are
Quick
more
B.
Gardner.
PAINT.
it has been
stripingpencil when
turpentine into a
paint, put some
camel's-hair
with
dry up hard
until the
for a minute
Let it burn
it
fire.
and
set
on
dish,
the
tween
the
smother
pencil beflame, and work
hot, then
spirits are
the fingers,dipping it frequently into the hot spirits which
allowed
to
shallow
will
quickly soften
and
remove
the
paint.
n
that,in their
facturers
endeavor
frequently recommend
The
Whitings'."
imitate
goods,
our
excellence
of
the
user
used,
a
few
attained, or
style and
of
who
who
nearly
and
rapidly changing,
principles and
and, taken
it
so,
in
the
can
The
styles
of
assurances
the
lost
time
to
until
now
methods
the
established
an
in
that
of
process
it is
as
and
the
Their
and
to
consumer
that
buy only
making
reputation.
perfection had
well
used
in
all other
B
step
entire
ever
been
in the
as
by painters,
been
that
of
manufacture
RUSHES
heretofore
methods
the greatest
and
the
been
temper.
reputationfor
brushes
the
it has
excited
as
fectly
per-
costs
opinion, however, has
universally acknowledged
employed
novelty
in which
ful
care-
most
only
not
making,
ATENT
over
more
is the
maintaining
thought
This
masons.
It
be
to
brush
material
leading staple
together, mark
in
was
poor
think.
interested
HITINGS
brush-making.
called
good
our
needs
A
importance
are
great improvements
been
we
have
ago
quality,of
W
strong
consumer
it,but loss of
greatest
years
kalsominers,
are
the
article.
which
for
reliable houses
Only
of
brush,
spoiled job generally, and
good brushes, and
the
a
of
price paid
a
match
to
but
manufacturers
being "as
as
made
silent
been
an}^ other
thing
It is therefore
from
of
in almost
useless
goods
own
attempts
have
sales, other
brushes.
our
In the selection
than
their
various
make
to
taken
devised,
in
the
originalityhave
art
never
question.
Full-Center
Patent
Paint
Brush,
[Trade Mark.l
"The
originalfull-center patent
has several
advantages over
the
12
PAINTING
For
the
contains
covering of floors we should select only that paint which
taining
earthy coloring substances, and no lead, as all paints con-
the
An
latter
its
off
wear
oil-paintwhich
contain
to
lead.
being
coats
of
never
be
Yellow
found
is
that
has
paint
lead
out-wear
is suflScient
the
make
to
THE
To
shop or studio should
painter will acknowledge
Pencils
neglect instead.
of color, tubes
scattered
palette at the
will be ready
the
ARTISTS'
OF
and
should
in
be
tools
for, is
often
we
a
and
appliances of
truth
and
there,
see
It is easy
sights.
common
cleanse
time,
to
when
needed,
of
and
to
grease
keep one's
refined
a
will
and
instant
of
one
that
for
the
shop
it should
But
use.
wise
the
if tools
ruin, as they certainly will in an untidy place, an
Order
proportion of the profitsinevitablygoes to waste.
one's
and
win
cleanliness
far to promote
to
self-respect,
go
left
to
to
go
confidence
and
respect
of friends
and
PAINTING
Whoever
knowledge,
hints, carefully followed, will
job.
such
as
a
wall
one-fourth
or
starch
lettingit remain
If paste
To
prepare
sorry
be sufficient
tightand
partition,and
or
tack
size it
is used,
add
paint so
dry
a
that
before
small
without
the
of
it, but
to
insure
it upon
the
a
the
water,
beginning
requisite
following
satisfactory
smooth
any
carefullywith
paste in three-fourths
till nearly
the
muslin
on
the muslin
Stretch
due
un-
and
patrons.
work
make
likely to
be
are
MUSLIN.
paint
to
attempts
is
it
visitor.
observant
keep thee," is
readiness
a
that
place of business
meant
prudent Ben. FrankHn
; and
kept in order, that everything pertaining to
and
clean
to
pencil so
a
he
perfectcondition
every
and
with patches
mahl-stick, a
broken
a
which
carelessness
drying up, palettes daubed
here
"
maxims
cared
how
; but
tidy and attractive to the eye
Keep thy shop, and thy shop
of
coat
one
TOOLS.
expensive
well
be
far too
are
proper
for use
cover
CARE
the
dilapidatedeasel,
tionable
litharge is objec-
easilyworn.
floor nicely, and
a
other is perfectlydry.
too
paint, or either of the other ochres will be
be used
than
oil should
paint, and no more
elastic.
paint slightly
delicate
the
that
say
density and
bases.
with
prepared
being
before
other
considered
of its
because
most
been
should
applied
ochre, mineral
to
than
safelybe
off,can
generally added
of its
account
on
should
easily.
easily rubbed
easilyapplied
varnish
Two
is
This
more
Even
FLOORS.
a
surface,
solution
of
thoroughly mixed,
the
work
of lettering.
glue or glycerine.
quantity
spread or strike through
it will not
of
old
and
style of manufacture,
disks
or
of
wood
having
but
mechanical
no
It is much
I.
handle
is
as
of
butts
required
cement,
the
handle
the
that
so
;
in
is
bristles
the
holding
old
hole
The
3.
of
method
it is
It
manufacture,
center
the
extended
bristles.
The
brush-maker's
of
and
cement
lWiLL'-B"Yo[fi9^AV^i?
bristles
and
handles
will
the
or
of the
center
brush,
a
necessity of the
being entirelyobviated,
out
wear
in the
center,
but
the
wears
brush
not
can-
evenly
up
out.
worn
throughout
between
driving
the pressure
Soq'H Rl^H
And
ferrule,
"
"
much
the
best
:
in
very
the
Practically,
in the
bore
or
"swallow-tail,"
until
the
of both
power
used
with
contact
with
bristles
being
A
the
butts
together.
grown
2.
in
saturated
proportionatelyincreased.
are
force
within
the
method.
old
brought
are
with
much
as
M
is
inserted
substances
connection
stronger
of the
surface
other
or
having
brushes
especially over
be
the
noticed
brush,
handle
of the brush.
and
and
that
not
ferrule
Reservoirs
the
bristles
compressed
around-a
have
never
are
into
a
solid
reservoir
been
distributed
evenly
for
a
or
shell
paint
in the
ring
success
in other
14
the
mix
muslin,
the
with
pigment
carriage rubbing varnish
turpentine till it works
freelywith
stiff paste, and
dilute with
Artists'
fitches are
pencil.
for
best
and
to
a
the
hair
pencils
brown
used, mix it with one-third
varnish, and thin with turpentine as usual,
japan, and two-thirds
used
If reds are
to dry with
oil in
a little gloss.
put only as much
will prevent their drying too dead or flat.
them
as
Wetting muslin
with
will prevent
clear water
the spreading of the paint
or
canvas
it is less satisfactorythan
the edges of the lettefs, but
the
on
method
given above.
If the canvas
is to be painted all over,
it is a good plan to add a
small quantity of soap
the paint more
flexible.
to render
for
fine
If black
muslin.
coarse
is
BLACKBOARD
The
for blackboards
paint
chalk
canvas,
PAINT.
should
readily,and
have
rather
rough surface
a
make
follow
so
tions
direca
good job
Take
one
given below.
quart of shellac varnish, three ounces
of pulverized rotton
of pulverized pumice stone, four ounces
stone,
mix
of lampblack ;
the three last-named
and
four ounces
ents,
ingrediwith
the varnish, and
moisten
stir all well
a portion at a time
the
of
Then
the
remainder
and
it is ready
add
varnish,
together.
take
to
as
for
One
use.
board,
may
will furnish
used
in
is
glass is just
expensive, many
glass
good imitation
blue
and
or
should
for
mixed
be
OF
tubes
are
manner
sixteenths
of
panel
paint. The
easier, and
imitate
an
These
lead
different, and
addition
render
colors
of
a
to
of
of
transparent,
are
with
the
black
put on
; then
your
sash
tool
small
a
using
littlewhite-lead
in
any
and
desired
real article, about
will make
three-
colors, making
to
stipple the
the
colors
work
them
slightlyopaque.
name
given to a method
Diaphanie
It consists
is extensively used.
glass, which
and
real
nish
pale linseed oil, pale varin
purchased
collapsible
be
glass
frame
in width
inch
the
as
A
coloring substances.
made
lake for red, permaby using madder
nent
for blue, gamboge
for yellow, and lake
equal proportions
the
but
it with
is the
colored
board
GLASS.
extremely popular,
now
orange.
in
imitate
to
feet of
eighty square
quickly, and the
dries
STAINED
colors
turpentine. The
best.
First,stripe the
and
each
be
may
ultramarine
gamboge
for
coats
It
the
hour.
an
IMITATION
Stained
two
previously painted.
not
be
quart
to
transparent
paper,
which
is fixed
upon
of
in
imitating stained
of parti-'
the use
the
glass
with
size,
varnished.
then
KALSOMINING.
To
do
a
good job
of
kalsomining,
one
must
fullyunderstand
the
of brushes, and
kinds
heretofore
the
allowing
is
little
a
little
a
The
As
wear
up
consequence
a
mellow
more
shorter
tolerated
been
elasticityor
more
will
consequence,
only
necessity.
from
brush
have
spring
peculiarity.
kinds
of
and,
;
* *
being laid aside
before
brushes,
ferrule
the
near
Open-Center
Patent
of this
other
than
paint-brusheS
in
as
a
in
stub.
Brush,
Paint
[Trade Mark.]
This
by
some
brush
is
a
modification
considered
an
of the
the
handle
if
and
wedge,
and
thus
possible,more
in
holds
of the
full-center
The
the
into
the
handle
the
At
retains
brush
and
the
plug,
from
the
on
the
all, or
time, the
nearly
of the
principle
wedges
bristles within
same
brush, and
section
or
acts
center,
oppositedirection
securely.
small, the
being very
The
improvement.
driven
old-stylepaint-handle,
of
originalfull-center
the
of the
ferrule,
central
all,the
space
tages
advan-
brush.
Combination
Patent
Brush.
[Trade Mark.]
This
brush
combines
the
wedge
principleof
the
old-style paint-
^7
brush with the
butt, with
from
it.
of
matter
a
original paint-brush. The
our
base
or
wedge-siiaped projections,is enlirelyccparale
with a hole through it of any desired
is made
or
correspond
to
As
pins
handle, and
the
shape,
its
principleof
with
shape of the
the
fact,we
method
this
use
handle
fits intb
which
mainly
in
the
facture
manu-
of varnish-brushes.
objection
The
oval
its
by
much
doubt,
any
than
are
taken
superior
in the
open
shape,
is usual
to
in
also
and
made
in
manufacture.
varnish-brushes
ferrule,but without
any
the
is
center
its small
by
obviated
size, being
ordinary varnish-brushes.
this
high-costbrushes
some
in the
space
in
varnish-brushes
others, except
pains
and
flat
or
smaller
the
to
made
patent
with
It is
with
stronger
are
way
which
a
mechanical
than
extraordinary
immeasurably
disk
out
With-
or
butt
stronger
inserted
connection
with
the bristles.
Nearly all
made
under
our
this
varnish-brushes, including the
J)atent,
cheapest lines,are
^'
Peach.
"
Salmon.
"
Straw.
"
Stone.
"
White, vermilion, yellow ochre.
and
White,, vermilion
yellow, or
White, chrome
yellow.
White, yellow ochre, umber.
DEEP
Brown.
Prussian
White,
"
Brown.
-
yellow ochre.
TINTS.
blue, Venetian
red.
White, purple brown, lake.
White, indigo, yellow ochre, vermilion.
Chocolate.
White, lake, black, purple brown.
Green.
White, yellow ochre, indigo.
Green.
blue.
White, sienna, Prussian
Green.
blue.
White, yellow and Prussian
Green.
chrome
White,
green.
Lead
Color.
White, black.
chrome, lake.
Orange.
White, orange
Violet.
blue, lake.
White, vermilion, Prussian
"
Brown.
"
"
"
"
"
"
"
"
"
DISTEMPER
The
ground
with
either
pigments
same
in
may
following additions.
the
suitable
colors
powder
as
used
be
water,
COLORS.
in
as
The
the
prepared ready
or
examples
colors
above
named
here
are
given,
not
so
for oil work.
TINTS.
Pink.
White,
"
pink.
rose
Orange. White, Dutch pink, lake.
Gray. White, celestial blue, rose pink.
Gray. White, blue, black.
"
"
"
Straw.
Dutch
White,
"
Either
whiting
or
pink.
dry white-lead
be
may
used
as
a
basis
for distemper
of
"self
colors'*
tints.
In addition
or
the tints there
to
are
obtainable
tones,
Green
by admixture
(sage). White, Antwerp
Green
(pea). White,
(duck's Qgg).
Green
(olive). White,
Blue.
White,
"
"
Purple.
"
furniture.
into
ochre.
green.
White, ultramarine,
Oxford
Antwerp
chrome
ochre, Prussian
green.
blue.
blue.
White, indigo.
White, ultramarine, lake.
the
cases
of
taken
"
"
In all
blue,
Brunswick
"
varieties
white, viz.:
with
"
Green
Blue.
several
the
proportions must
decorator, and are to
The
account.
strength
or
body
be
be
of
determined
decided
each
by
pigment
by
the
the
ments
require-
hangings
or
also
be
should
The
This
the
brush
is made
pains
greatest
stands
now
adapted
at
head
piano,
to
of
coach
and
car
Patent
the
brush.
any
tools
Without
other
will stand
any
will
with
All
a
great
the
other
please
French,
stamped
of
many
our
the
are
now
tests,
that
made
of
in the
market
over
and
will
all of
made
bristles
any
sashthe
and
rule
fersumers
con-
labeled
; this is not
or
the
French.
made
by
this
than
our
nearer
sash-tools,
our
now
up
of
Dealers
stamped
a7'e
in
satisfaction
All
wear
French
pure
those
especially
embodied
better
given
manufactured.
full-centersash-tools
improvement
are
manufactured.
sash-tools
notice
It
making.
being
brushes,
patent
has
heretofore
severest
and
Mark.]
full-center
exception, it
sash-tool
than
case
of
stock
Sash-Tool.
Full-Center
merits
and
brass-bound,
wark.
[Trade
All
of
of
this class
; is
patent
selection
in the
taken
the
full-center
our
on
Varnish-Brush
Chiseled
Patent
King
with
other
brass
ferrules^
manufacturer.
fi"
KEEPING
It ma}^
be
well
such
work,
in
suspended
with
VARXISH
tools
enough, where
house-work
as
linseed
raw
kept
BIIUSIIES
in that
WHEN
varnish
farm
or
oil,but
no
NOT
IN
brushes
are
USE.
manner.
The
carriage varnisher
of
"*
and
from
wire
in the
of
is to
keeping
within
brush
as
that
best
that
quite inexpensive.
no
suspended
in
Any
it.
skin
over
Varnish
if
by
should
they get
If the
never
has
brush
the brush, but
After
part of the dirt.
several
sharp raps
or
spring of
rinse
In
the
hair
be
dirty,work
become
floor,hold it at an angle towards
turpentine is poured upon
hilt of
cheapest
and
when
the
incorporated
the work.
put upon
these
liquidin which
to
is
brushes
accident
panel.
best
rinsed
them
in oil
or
is
used
for that pose,
purstance
foreign sub-
with
carriage finishing varnish made
will supply this, and
varnish
manufacturer
thicken
in a very
or
long time.
brushes
not
that
in which
commonly
the
brush-keepers in market, and
good
that
varnish,
hang
binding. The
will become
The
ered
tight cov-
a
in
is
so
several
In the
suspended
so
by
hole
a
the tin
considered
w4th
varnish
them
suspend
varnish
the
The
handle, (as shown
just above
are
consequence
running through
tin box,
brush
may
same
place
carriage shop
engraving,)
the
arise
the varnish
no
much
method
brushes,
a
in
so
the
usual
a
turpentine
or
with
and
of
troubles
oil
contact
brushes,
in
bath
a
varnish
to
other
having
these
it, if his
Pitting," "enameling"
in
come
as
about
dozen
a
would
from
taken
were
oil when
job.
of
work
sorry
brushes
are
mon
com-
implements, to keep them
fine varnishing can
be done
make
There
fof
used
no
are
keep
diyer
it will
turpentine,but
some
unimportant
dirty by an unlucky fall to the
that
the floor,in such
a manner
it,the spiritswill not run up into
out
on
fliow off, carrying with it the greater
ing
strike the tin bindrinsing in this manner,
will
upon
will
hard
some
cleanse
the
substance, when
brush
of
the recoil
turpentine.
Then
in varnish.
case
of
a
tin-handled
brush
;
care
should
be
taken
not
to
per-
at
Patent
Like
all
and
lines
our
is
patent, and
Ova!
of
sash-tools, this is
which
demand
The
has
never
Dictator
Patent
made
It is made
entirelyunique.
suppliesa
Sash-TooL
Chiseled
of
on
full-center
our
French
pure
bristles,
before
been
and
Sterling*
satisfied.
Whitewash-Brushes.
These
brushes
useful, which
as
a
;
renders
while, upon
to
space
the
in the
receptaclefor
the
brush
dipping
liquidwill readilyrun
out.
features, bolh
entirelynew
two
applied
open
temporary
therefore
used
are
The
brushes.
possess
The
block
or
leather-bound
likelyto
brush,
other
or
of
head
the whitewash
less
the
regular
or
practically
whitewash-
the brush
other
serves
liquid,and
being
drip when
reversing its position,the
leak
or
originalfeature
adds
greatly
forate
will
the
the
thus
be
hairs
If
tin, for by
admitted
fall
to
preferred,
loop
catch
to
the
to
there
is
that
liability
a
and
cement
varnish
oil
or
it, thereby causing
soften
out.
string
a
the
be
may
A
tied
around
the
having
handle,
a
wire.
suspending
PAINTING
There
doing
so
CARRIAGE
OR
WHITE.
HEARSE
misunderstanding in regard to the varnish
white
damar
over
work, many
relying upon
varnish
in order
white
color ; others, with
the
to
keep the pure
that
damar
varnish
is
thin
down
not
a
durable,
knowledge
lightcolored
with
for
carriage varnish
turpentine, applying a thin coat
is used
the
same
job
After
Now
it has
in
better,
mix
white-lead,
and
zinc
dry
wear
apply
in hard
coat
affect
the
purity
of
the
or
following
of
more
either
varnish,
dry,
clean, and
then
rub
rub
careful
but
not
for
a
stone,
This
luster.
same
gives
enough to
ized
pulver-
part nicely with
every
have
part of the
every
an
VARNISH
RUBBING
There
is
a
certain
sufficient
providing
to
the
perceptible
not
two
three
or
should
proper
to the
them
taken
be
adhere
exists
harmony
he
and
able
to
put
on,
COATS.
assimilation
to
rubber,
and
coats
of
amount
cause
to
ing
dry-
second
lightlywith
being
egg-shell finish to the surface.
be
If striping or ornamenting
is required, this may
now
and
when
pencil-varnished over
dry.
rotton
:
pure
white
pure
:
more
When
when
manner
coats
give ample time
pumice-stone, and
apply
varnish
little
color.
wash
pumice-stone,
pulverized
fine
a
the
white
a
satisfaction
better
color-and-varnish,
as
drying
rub
down
with
; then
of the same,
adding
that
demonstrated
been
and
longer,
give
egg-shell gloss, and this done in
with
job has been colored
one
the
or
a
white
purpose.
will look
finished
lead
be
to
seems
which
see
between
closely
in the
may
each
rub
coats
to
one
varnishes,
easily
the
but
of
nish,
var-
other,
this is
through one,
layer. Care
of varnish, but
rub
separate
through a coat
of care
will be done
if by accident
want
or
no
great damage
very
laid bare
the under-coats
are
except in the last rubbing, just before
the spot or
the finishing coat
is applied, when
spots will be liable
with
the carriage in certain
to show
positions.
be
ahvays
not
to
LITTLE
There
painting
thought
take
the
are
a
that
of, by the
trouble
with
the
things connected
of,
or
even
spoken
ever,
will
majority of painters ; though if a person
examine
closely, he will find that it is these
thousand
business
to
THINGS.
and
are
one
little
seldom,
if
.23
the
to
strength
can
of
pull
never
brush:
the
out
Whiting's
being clinched
nails
These
start.
or
in addition
first-class,
respect
the
the above
to
brushes
in every
are
peculiarities.
Brushes.
Brass-bound
Patent
side,
the in-
on
'
The
that has
success
has
been
than
anything that
best grades of
and
The
with
brushes
are
to
be
are
brushes
corrode
or
they
We
unequaled.
when
of
the
ever
used.^ They
also
are
Patent
used.
in this
brushes, and
in
making
Dictator
the
and
and
city
a
are
strength
this line
Sterling
above, thus combining in it all the advantages
of brushes.
admiration
rust
the leather-bound
peculiar features
kinds
object of
tin, which
praise
for the better
leather
by practicalworkmen
they
durability
of both
brushes, is fast superseding
the best
described
binding
a
pronounced
over
Whitewash
as
brushes
in their
Whitewash-Brush.
improvement
the
speaks louder
Brass,
said.
these
of
Patent
King
elsewhere
great
and
flat
zinc and
metals
These
be
can
the manufacture
this fact
and
unprecedented,
cheaper
and
attended
When
thus
for the mechanical
constructed, it becomes
skill
required
to
make
an
it..
25
The
Patent
King
Wall
Paint
Eirusft^
Paste
or
^3
This
brush
made
is
Whitewash-Brush,
bound
market,
Many
bound
are
of brass
call
the
advantages
same
for
brushes
with
with
Pencils for
of other
poor
to
that
is
KTing*-
the" Patent
the leather-
over
complete, and
kind
Our
line of Bristle
prices on
of brushes
them,
is it
best
quality
now
on
manufacturers,
zinc, which
the extended
and
quality goods.
Druggists' and Artists'
Striping.
the
has
the
the
pearance
ap-
service.
required.
best
with
bound
lacquered tin, or
is of
but
are
Artists',Decorators'
everything
no
brushes
particularattention
of brushes
In
has
brass-bound
our
of that metal.
and
and
principle as
same
brush.
All of
We
the
on
line which
fine Varnishers'
Our
prices are
We
make
use,
also all
and
a
Badger
make
we
use,
ing
cover-
the lowest,
specialty of Quill
kinds for Lettering:
Shaving
Brushes
as
everything else, guaranteed
so
necessary
for
sistent
con-
the
buyer
to
I's-
factory.
satis-
be
in*
26
fetrated
by
yet there
of
many
in the market,
that
the old cracks
burn,
scrape,
the same
was
in time.
any
The
otherwise
or
manner
as
if it
would
remove
a
The
size
for
is
this work
cracks
in
but
I have
appear,
that will
nostrums
old
an
yet
show
not
job.
new
GLASS.
ON
quite different
Varnish, oil,etc.,
surfaces.
roughstuffs put
or
the
is to
to get rid of old cracks
way
the old paint, then
re-paintin
best
GILDING
other
fill up
again
not
of; these
were
in
crack-fillers"
said would
they
with
to
*'
several
it
which,
carriagebody, so
see
a
job done
carriage pamters
do
believe that they can
been
have
the country, and
such work
fully.
success-
best
who
those
are
There
the
cai
be
not
from
that
used
upon
Procure
used.
some
Russian
isinglass,a few shreds of which, say what could be taken
in a pinch between
two
fingersand thumb, being sufficient to make
of
size.
Put
the
a
isinglassinto a clean vessel, and pour
quart
it a quart of boilingwater, allow it to boil until the isinglass
upon
Next
is all dissolved, and it will be ready for use.
carefullyclean
tissue paper.
the glass with whiting and
water, rubbing dry with
will crawl,
from
size
the
If the glass is not well cleansed
grease,
of
the
result.
the
work
and poor
Next, paint upon
glass the
front
This need
be carefullydone,
not
letteringdesired with oilyblack.
in
the object being simply to make
a
guide
forming the letters on
When
made
of the glass.
the guide letters are
the back
as
desiried,
inch camel's-hair
and
flow plentifully
the thin
mottler
take a 2^
the
inside or back of the glass,passing the brush
size upon
watery
of the lines of letters and
the back
over
doing but a portion at a
of
the glass upon
had
its
No
fear
need
be
time.
running down
Begin immediately to
painted work, as it is perfectly harmless.
which
cushion
to cut the gold to a
the
on
gold, having a gilder's
lay
of
leaf to the glass,
size, then lift and carry the cut pieces
proper
furnished
which
the size is wet, with a tip(a piece ot card-board
on
until
camel's-hair
all
the
of
with a thin layer
on
one
edge,)
lettering
about
the back with gold. Have
is covered
no
care
on
laying the
be laid on
to cover
the letter,in fact it should
gold to exactly cover
Continue
in
front.
than
more
just the limits of the black paint
is covered, putting on size and
this until all the black
laying the
but
leaf continuously,
never
once
touching "S-ny part already gilded.
the gold will be more
If the size be quite warm
brilliant,but care
taken
be
must
Allow
few
a
gently wipe
by the
broken
many
as
over
size.
at
any
that it is not too hot, or the glass may
for drying, and
hours
then, with a wad
the
gold
gilding
places,a second
over
to remove
If the
first,but
part but
great
once,
care
or
does
coat
must
the
those
not
fractured.
cotton
piecesnot fastened
down
solid,
appear
be
may
be taken
first
be
of soft
given
not
coating
or
in the
to
will
pass
be
there
same
the
are
ner
man-
brush
disturbed.
27
of
by the reliability
fluenced
When
varnishes.
and
those
having
on
for
and
work
your
from
made
which
will
they
of
ones
by
first-class
making
these
You
please your
are
made
of
will
who
save
has
these
pencils
insist
but
reputation
doing,
so
goods,
the
expensive, and
a
by
money
In
patrons.
is
and
brushes
manufacturers,
manufacturer
goods.
the
higher grades of colors
kinds
unknown
some
buying
when
as
in the
use
buying
buy low-priced
never
and
for Artists* use,
finer kinds
manufacturer
the
labor
the hair
also.
A
//
y
M^ oeaRiy
THPUCjK
Mf\Y
fo^ HIS riJ^
PAY
H"SM^S^^^^^S^BRUSHES
foR hK'S liSlI^q
T^AT
ys/^R^
BYWkiTIN"ampSoH
MADC
ANdK^DoUBTHVwjUTM^N
small
and
up
percentage
cheapen
by
This
a
to
do
a
develop
appearance
in
a
of
up
poor
or
Yet,
a
the
these
being all right,and
used
adulterate
to
material
cheap
them,
is made
pencil is perfectlyworthless.
having
leave
twist, and
brush.
or
with
that
be
this
when
Sables
the brush
flowing brushes
swell
can
the brush
of so-called
cause
;
hair
greatly,and
curling,and
point
not
them
inferior
cheap workman,
is the
and
of
s^^H"s YoU^Y
hairs
elasticity,
no
ragged end,
in
hairs
many
every
other
brushes
the defects
or
new
so
coming
job, if they
faults
when
are
never
ing
twist-
that
have
m.ay
the
carefullycon-
28
"When
this is
dry, take
paint the
mixture
of
lampblack and varnish, or ason
phaltum,
gold,being guided by those
painted in black on the front. Let all dry nicely,then with clean
wash
and a soft sponge
off all superfluousgold, wipe off the
water
black
letters on the front and
you will find a nicelygilded letter,
which
of the glass with
shade
the back
colors
now
up on
you can
When
all is done
and dry, the extreme
of
the
to suit.
shade
edges
be cut true by holding a straight-edgeover
ing
them, and scratchmay
and
with
a
letters
plan of laying out
:to make
a
Nickel
^expensive,and
far
RULES
GOOD
Let the
ground
3.
Do
well
all colors
not
much
mix
for immediate
gold, It being
brilliancy.
painted be,
at
the start, perfectly
dried.
ground and
duly
nor
less
more
its
less
much
FOLLOWED.
be
to
is
many,
the gold.
to
on
leaf,in holding
WELL
IF
well
and
clean, smooth
Have
silver
surface
or
of
instead
superior to
is easier
it backwards
pounce
used
much
now
work, which
the
and
pattern,
pounce
leaf is
2.
the
knife.
Another
1.
a
any
mixed.
paint
than
is necessary
use.
paints well stirred while the work is going on.
thickness, and lay it on a.
paint of the proper
5. Have
your
as
evenly
possible.
6. Do not
apply a coat of paint until the preceding one is properly
dry.
darker
a
one.
7. Do not, if possible,employ a light color over
8. Do not add dryers to colors long before
they are used.
of dryers.
using an excess
9. Avoid
fect
10.
Always keep pigments in a dry place, as dampness will afof colors, and also their drying qualities.
the shade
Never
a
11.
use
paint or varnish brush as a duster.
in a warm,
Never
brushes
12.
keep new
paint or varnish
dry
4.
as
-place,
13.
all
Keep
Never
put
destroys the
14.
made
the best
ones
new
a
liable
are
brush
in
shrink
to
and
apart.
come
newly-slaked lime,
as
it
always
bristles.
Never
use
Don't
wash
shammy
the
as
a
towel,
to
dry
the hands
and
face
upon.
15.
pumice,
16.
to
for
or
Never
your
washing bodies
oily rags lying
i).odie-S
or
pail
the
used
in
with
rubbing
gears.
around
the
shop, they
liable
are
combustion.
BRUSHES
color
in
and
leave
spontaneous
For
hands
coats,
^ears.,
use
FOR
such
as
CARRIAGE
PAINTERS.
black, brown,
the double-thick
green,
camel's-hair
etc.,
blender
either
or
on
mot-
29
it takes
cealed, that
of
all kinds
Varnishers'
particular. We
every
and
lowest
the
at
will
made
have
Brushes
save
In
the
you
their
of
the
to
brush
of every
Oil, Paint
the
Messrs.
of
their
goods
keeping
the
and
are
The
decorators.
other, and
and
consumer.
and
heavy stock
of
carry,
and
able
salraw
sive
exten-
our
promptly,,
speak
must
all the
like
for
other
lines
themselves,
and
by Messrs.
demand
The
King
its
use,
their
L.
goods
sash
a*
it
can
The
works
in ail the
be
easy
"
lines
of
been
felt
brush, made
used
Chisel
the
selling,and
nice,
colors, or
is oval
they make
King
from
in water
sash
tools
by painters
perfectly in paint or
lines that
and
sash
Son, called
long
be
reputation
well-regulated store
Two
round
the
1882^
in this country,
in every
has
is
shape.
must
Yorh^ J^^^- ^^,
brushes
Whiting
that
and
Xeiv-
supplies.
qualitythat
retain
of
be found
J.
a
ready for
warranted.
Son, Boston, enjoy
lines
artists'
points of superiority
that
and
ever,
IMITATIONS,
"
to
sure
painters'and
in
than
fill all orders
Di^tigReporter^
popular
almost
Chisel, supply
broken
the
brushes,
trade,
Whiting
stiff bristles, of such
any
which
delays.
OF
most
latelyintroduced
and
tations
bj' the imi-
popular
most
we
can
description
and
L.
John
making
of
we
these
BEWARE
Frojii
quality,
to
eulogy.
owm
Every
in
improvements
the
be
which
goods
style of
previously introduced
be
excellence
for
attractive
consequence
annoyance
the
more
to
manufacturing,
qualityand
The
goods
our
manufactured
facilities for
and
fine
as
is vouched
maintained, and
make
made.
and
material
exacting
most
goods-, which
our
they will continue
that
ruarantee
the
suit
and
possible prices.
others, will be
of
requiring
purposes
many
can
high quality of
The
we
the
and
use,
manufacture
for Artists',Decorators',
pencils
and
brushes
We
them.
discover
to
expert
an
shape,
varnish.
are
please both
so
parent
ap-
seller
30
For
tier.
lakes, vermilion
It is
brush.
flowing
brush, and
a
glazing
or
the
superior to
even
coating
more
coats,
fitch-hair
be
can
badger-hair
the
use
camel's-hair
the
or
with
produced
it,showing
For varnish
or
on
on
laps nor streaks.
large panels
gears
than
there is nothing better
the
varnish
brush;
pearl flowing"
made
carries
French
this brush
is
of all white
bristles,and
or
spreads
the largest panels with
The
varnish
the greatest ease.
chiselon
the
tools
be
bristle
used
to
brushes, or
badger-hair
pointed
may
advantage on any work with varnish, glazing or color-and-varnish.
For ordinary painting, such
as
lead, roughstuff, etc., use either the
varnish
round
oval
brush, our
or
preference being for the latter,as
better, while the common
evenly and wear
they lay paint more
well adapted to the wants
of
the
is
not
so
paint-brush
house-painter
neither
*'
of the
carriage painter.
HOW
furniture
When
with
washed
it is
gloss
as
with
water
can
with
over
it may
then
wash
a
filled
with
Then
curled
OF
a
when
hair, dust
WAYS
SEVERAL
to
so
easily.
apply
Old
piano flowing varnish.
like new
at a trifling
expense,
look
best
covered
or
and
MIXING
soften
the
ammonia
be
rinse
it well
with
the wood
No.
is
dry,
i
apply
may
thus
well
furniture
off
rub
and
clean,
furniture
it all
show
to
If the
of
that
grease.
not
as
rub
coat
well
scrape
will
then
water,
of
coat
be
i]4,sandpaper
possible, and
of
particleof
every
removed
clean
No,
as
bunch
remove
first be
it should
spirits of ammonia,
be
smooth.
quite
evenly
to
be
never
off,
Next, take
vinegar.
FURNITURE.
badly cracked, it will
is
Washing
varnish, and
used, scrape
varnish
soda
strong
off,for the cracks
again.
RE-VARNISH
requires re-varnishing,
varnish
If the old
until
TO
the
flowing
a
be
made
to
LAKE.
of the many
grades of dry color to be found at
recommend
can
purple lake, carmine
the lumps
Pulverize
lake.
the
lake, and madder
quite fine upon
the
w^ith
mix
stiff
then
to
stone
a
dough
turpentine 07tly;
powder
;
in the
mill and
add
just enough brown
japan to
put the mass
it
the
It
be
it
mill
and
to
run
cause
through
easily.
liquefy
may
one
First, procure
the dealers',among
in order
necessary
than once.
more
excellent
which
When
it away
plan
safely for use
should
then
an
pint
of
have
a
paint added
"egg-shell gloss,"
easilyand
the' paint fine
make
to
to
I
in
upon
cause
the
a
clean
in the
linseed
it to
dry
work.
quickly by putting
a
thin
oil, say
w4th
This
a
a
cup,
and
it is
bottle and
or
cup
the mill
through
color-and-varnish.
making
little raw
to
into
some
it
run
fine, stir well
ground
pour
to
The
put
remainder
tablespoonful to a
gloss, called
subdued
feature
coating
of
may
paint
be
tested
upon
the
31
thumb-nail and then
dead"
"
too
add
addition
few
a
drops
it is best
turpentine,but
The
blowing
of
of oil ; if too
much
too
use
more
not
turpentine to
If the paint appears
it,
upon
to
the
color
dry
on
is not a usual
proceeding among
careful noting of results has
and
instance
glossy
a
oil the
the stone
dry
to
little
very
first time.
in the first
painters,but
a
long
perience
ex-
the
given this method
of
it
that
the
The
or
reason
is,
theory
turpentine
preference.
being very penetrating,it soaks into each tiny grain of pigment,
oil or japan
softening it and rendering the paint finer than when
With
used.
are
fine colors
such
vermilion, chrome
ultragreen, marine,
The
lakes
thus
as
of so
much
importance.
etc., it is not
black
brown
be
a
or
spread upon
ground ; I prefer the
may
form
Mix
and
Indian-red
shade of
latter.
a medium
lampblack to
Have
in color-and-varnish
this ground in color,and
brown.
not
mixed
in
as
next.
glazing,for it is
Lay the lake
twelve
co/or and
not
glazing that
a
carefullywith
on
you wish to apply
camel's-hair
brush, and
a
should
be
When
sufficient.
the
coats,
apart,
color is dry, prepare
some
color-and-varnish, by mixing the dead
color which
was
previously put away in a bottle or cup, with a
two
little carriage
hair
brush.
and
finish
beauty of
as
hours
rubbing varnish, stir well, and apply with a badgerWhen
dry, lightlyrub with pulverized pumice-stone
that to preserve
the
usual, always bearing in mind
delicate
a
color
clear
much
too
varnish
not
must
be
used
it.
over
2.
Prepare
dark
of
ground
a
get it into color-and-varnish
small
form
quantity of
either
of
glazing
apply
two
a
finish
and
and
3. On
method
down
in
coats
smooth.
Then
carriage rubbing
of this
the
over
black
and
varnish
brown
;
grind
a
to
ground.
usual.
as
a
,
rub
the lakes
Indian-red
with
brown
dark-brown
of
making
ground,
a
lake
color
This
latter
glaze with carmine.
is practiced extensively in New-
of the cheapest and
of
least troublesome
York, and is one
ways
doing work.
To change the tone
of a lake, the two
and
pigments, ultramarine
carmine, are ever
ready. Use the former to darken, the latter to
lighten,or by mixing the two together a purple or deep lake color
be produced.
may
French
carmine
painter'suse,
or
and
40
is considered
is obtained
the best
brand
the dealer
from
for the
in broken
riage
car-
lumps
powder.
Lake
is
No.
mixed
with
white
gives
beautiful
rose
tints,or
when
blue
added, purple tints.
STENCILING.
Ornamental
^ork
is very
be
can
painting on
fashionable,
procured
at
walls
and
and
ceilingsin imitation of fresco
easily done, as the stencii patterns
very
almost
any
supply
store
at a
triflingex-
33
draw
cannot
of
good Ime
a
striping. Therefore, it is well to use
turpentine in such proportions that the paint
varnish, japan and
readily from the pencil.
be ground
Striping color should
will flow
good
of
paint, for
coarse
White
muller
and
stone
be
may
white
a
is
the
hand
at
dry lead
of
possible,and
as
striper need
is all that
little labor
made
fine
as
a
is necessary.
zinc, but in every
or
where
complain
never
where
case
be
is desired, a very little lampblack should
mixed
pure
with it. This makes
the white cover
and
more
solidly,
prevents all
of laps, where
connections
show
are
made, and gives a whiter job.
a
Red
striping is best done with lightEnglish vermilion, the deep
Vermilion
should
be mixed
being a poor covering color.
oil it
and
with
with quick drying varnish
turpentine,for if mixed
fine
will quickly turn
Most
Indian
red.
to an
on
striping
carriages
carmine
with
with
when
done
to enrich
vermilion, is glazed over
vermilion
the color
Blue
and
raw
appearance.
stripingis
white, making
ultramarine,
Green
and
off its
take
a
as
generally done
light blue, then
in the
stripingmay
white.
Green
of
case
be
is
a
It may
the
easilyunder
very
fashionable
on
blue
Prussian
glazed
and
with
over
chrome,
pure
color
or
on
chrome
heavy
green
work,
grade from a sulky to a farm
japan, turpentine and oil, to work
every
with
pencil.
PRIMROSE
Primrose
stripes are
with
mixed
be
the
of
use
vermilion.
done
although extensively used
wagon.
by the
yellow
is
a
YELLOW.
applied by English painters
term
to
the
be proThe
color may
pale yellow tint of the English primrose.
duced
white
lemon
little
to
by adding a
yellow or king's yellow.
If used
double
For it
it.
to
as
a
coat
striping, it is necessary
has
but
little body, and
this is done
unless
the laps or connections
will show
yellow is a very fashionable
plainly. Primrose
color in England, and
in this country.
to be growing in favor
seems
TO
Take
bright
a
and
piece of
new
MAKE
zinc
A
or
NICE
tin of
SIGN.
the
requisitesize, and
if
not
and
rotten-stone
whiting or
Then
face
the
French
shellac
side
thin
of
water.
a
give
coating
of the
varnish, or white copal varnish
(this to prevent oxidation
the
and
out
letters,
metal,) and let dry. Then
cut
carefully lay
them
all
will
i.
e.
in,"
outside, leaving the letters,which
paint
give
the appearance
of silver.
The
paint may be color, or it may be
smalt ; the latter, if neatly done, makes
fine finish.
a
If the polished tin be lacquered with
gold lacquer a beautiful
A
border
one-half
inch in width, at least,
gold letter vvill result.
smooth,
polish it with
"
'
should
be made
around
the
edge
of the tin.
34
HOW
Although
attempt
the
to
TO
RUBBING-STONE.
professionalpainter it
tell how
to
USE
to
needless
seem
may
rubbing stone,
use
few
a
suggestions
general directions
The
old
and
saw,
such
acceptable to the novice
may
prove
having been chosen, the pieces should be
stone
half-round
file,into
various
oval, triangular,concave
and
a
as
square,
the shape of
used.
When
sponge
at
going
this
hand
either
the surface
keep
should
stone
in
circles
in
as
panel, pressing firmly upon
well
convenient
while
wet
fit nicely to
polishing, or
it,but
not
the
shapes,
it is to
and
the
thus
leads
for
hard,
heating.
should
continues, the stone
of small
number
When
that when
so
the
When
panel
should
his
that
the
would
to
vent
pre-
in rubbing
under
be
work,
be
used
in
pressed
order
by the stone.
panel, the molding
the
as
and
more
painter
decrease
to
approaches
the
made
is rubbed
no
molding, which
the molding.
should
shall
groove
often
will
the
before
rubbed
molded
a
the
of
edge
then
scratches
rubbing
be
with
to
water
lightly,and more
the
completion of
more
is
surface, and
One
the stone, and
As
the work
soft
rubbing
the
up
be
a
be used,
should
paint. Plenty of water
be used
cannot
reason
heating.
why machinery
from
is, that the'centrifugalforce drives out the water
tear
or
rag
an
mate
approxi-
to
lengthwise
too
with
cut
convex,
or
amateur.
or
panels and moldings on which
been
done, have a pail of water
has
to
The
on.
moved
the
to
be
be
first done,
formed
if the
happen
near
panel
is
off clean, and dry well with a shammy
all is finished, wash
;
the job aside until the next
to dry
day for the moisture
stand
Many
out.
which
is
troubles
in this
taken
from
occur
coating
and
thoroughly dry,
particular.
not
great
A
PREPARING
Joiners'work,
and
glass paper
is the
especiallypine,
and
by scraping
joiners'duty, but
attend
it.
to
down
varnish
again
hard-oil
or
a
with
a
rubbed
should
surface
therefore
be
JOB.
should
be
well
cleaned
with
This
roughness is removed.
neglected, and the painter must
advisable
to raise the
grain of rough
until
all
it is often
It is sometimes
spots by wetting with
over
care
sponge
and
glass
paper,
the
finish, and
then
ing
smoothwater, and
with
before
wax,
polishing
warm
good
appearance
of
the work
expended in the process.
in the
turpentine contained
places
of redwith
be treated
wood
a
oozes
composition made
out, should
oil
of
linseed
which
small
to
a
lead, size and
quantity
turpentine,
knots
from
the
is sometimes
This
added.
being seen
prevents
through the paint. Shellac varnish is also used for the sam.e
pose,
purin
will be
Knots
but
proportion
and
the
to
the
other
composition
time
and
where
is
to
labor
the
be
preferred,
35
Great
for graining,
under
of
paint.
look
the
taken
defect
the
will
color
is not
USE
THE
is rendered
not
properly
successive
coats
by
will
not
thoroughly prepared
only
be as apt to chip and
peel off,as
leveled.
VARNISH
OF
of wood
distinctlyvisible
more
covered
when
work
moreover,
but
the surface
preparing
in
than
graining
surface
Probably
be
every
And,
better,
when
as
delicate
a
also
must
care
BY
PAINTERS.
HOUSE
house-painter in
hundred
do
a
good job
that he invariablydilutes his varnish
varnishing, for the reason
oil or
w4th
inferior
turpentine, indicating either an
quality of
its
All
in
use.
varnish, or ignorance
good copal varnish, such as
carriage rubbing and finishing from reputable makers, is supplied
with all the turpentine it requires before
leaving the factory, and
not
one
a
can
of
this is added
turpentine
want
of assimilation
of
oil and
This
his
has
The
surfaces
work
Wash
the
or
the
STAIN
three
when
if he
see,
dry again
as
IN
apply
hot
a
have
been
sign work,
polish with
a
amount
another.
prepares
that such
learn
to
a
the
of
solution
do
to
same.
sulphate of iron
and
nutgalls two
logwood
wipe it
He
varnish.
EBONY.
OF
of
like
mirror-
in order
and
can,
do
such
his
dilute
IMITATION
with
wet
a
sponge,
;
and
SIGNS.
CARVED
particularly carved
do
his hand
the
painters how
by house
in
the
same
manner
signs,
work.
As
is
there
a
great
to
paint
that
a
difference
and
sign painter,
employed
by the house
and
oil
the carriage painter, the former
to
a
using
great extent,
the latter but a triflingamount,
and sign painter'smethod
the house
could
the
an
is
oil.
repeatedly asked
carriage painter would
between
to
the
dry
PAINTING
I
were
from
decoction
this is
from
turn
never
WOOD
When
times.
undue
If
hot.
there
one
repeatedly with
wood
quite
cold,
ingredients, and
apply
poured
house-painter must
then
dry, and
we
it
to
yet
when
over.
those
as
how
TO
let
the
could
carriage-painter
knows
good
correct
done
varnish
to
place, as compared with
is unjust to the maker, who
formula, and it frequently occurs
in
appears
with
varnish
be
to
between
oil, while
and
gum
oil is added
or
gum
tampering
goods by a
work
melted
the
to
then
not
be
methods
carried
out
successfully.
Carved
the letteringis sunken, the
signs, i. e. signs in which
letters being gilded and the flat surface painted in black
or
colors,
are
in great
demand,
and
as
the
surface
egg-shell gloss, and perfectly smooth,
of procedure is considered
painter's mode
as
be
must
like
in what
marble,
best.
the
is known
carriage
3^"
The
sign board
is first in
priming
with
it may
for
drying,
well
be
japan
nicely carved
order.
Take
white-lead
oil,then add a
spread it Vvith
and
into
rubbed
drying, then
brown
been
linseed
raw
pure
the
hasten
having
and
the
mix
grain
lead
keg
turpentine
spread with a brush, and
part, the depressed letters
stiff bristle
of the wood.
to
part, dry
stiff paste, just so
a
the
well
board
the
as
with
brush
that
so
Allow
lead
one
coat
as
smoothed, the
and
it quite thin
little brown
japan to
mix
very
a
and
hours
24
part, w^ith
one
it
that
be
can
this, doing every
flat surface.
Then
it with
broad-bladed
a
immediately go over
putty knife
it
into
off
the
of
the
all superwood, scraping
plaster
pores
fluous
paint,and settingaside for drying, which will take 12 hours
When
least.
at
a
dry, give the whole
good rubbing with No. 2
sandpaper, dust off and apply a coat of color.
Ivory black may
of
in
these
be mixed
be
it may
as
or
already spoken
pages,
chased
purin japan, no
oil.
Lay the black on with a
ready mixed
and
camel's-hair
and
the
hard
brush,
coating
in
When
dry,
hours
for
and
stone
a
drying,
water,
and-varnish
may
rub
until it is
be
of
coat
color-and-varnish
then
given
the
streaks
This
heavy.
too
second
a
of
coat
be
not
hour, when
an
it is free from
that
so
should
the
surface
A
if desired
to
make
marks,
should
be
may
dry
put
on.
follow, giving 24
pulverized pumice
with
quite smooth.
paint
same
should
brush
and
second
an
extra
of
coat
color-
job.
of
till perfectlysmooth, lay on a coat
being rubbed
with
let
Then
rub
down
first
and
carriage finishingvarnish,
dry.
and oil, until
and w^ater, and then with
pumice stone
pumice stone
nice
is
obtained.
a
egg-shell gloss
Follow
the directions
ing,
given for preventing the gold from adheranother
this
and
of
to
on
as
book,
gild the
given
proceed
page
of
the
carved
letters and
sign board,
edge
possibly the beveled
the gilding is done,
using oil size as usual with gold signs. When
and durable
w^ash the sign well with cold water, and a very handsome
job may be expected.
The
surface
IVORY
Those
who
the
work
cases
To
thick
in
work
and
hand, and
are
at
a
loss
to
varnish
add
what
know
oil, turpentine,
paint is spoiled by the vehicle used
prepared black properly, open the
to
the
prepared black with the expectation of
for spreading with
the brush, often find the
to
a
consistency for
requiresthinning
proper
purchase
article ready
getting an
paint is too
whether
BLACK.
or
to
do
japan ; and
it.
to dilute
can
of
with
in
paint and
it,
some
take
amount
a
used, adding just
likely
cup
consistency,
enough turpentine to soften it or thin it to a cream-like
it
well
with
-knife.
flattened
stick
meanwhile
Now,
or
a
stirring
putty
left
of
the
it
thumb-nail
and
take
to the
apply
up a drop or two
level and
thin with
the finger: blow
hand, brushing it down
upon
out
into
clean
the
to
be
It to
and
dead
a
job,
it will
as
small
pint of paint
a
The
test.
color
of
careful
in the
all, while
causes
should
are
linseed
raw
oil in color
proper
quantity
spread
best for laying
easily
to
blacks
over
or
oil
a
say
"
and
of oil
to
gloss,
is
thumb-nail
not
laying
than
worse
durability
the
to
so
on..
dead
Be
at
none
work,
Cam^el's-hair
surface.
any
fine colors.
ON
paint
tablespoonful
for
much
; too
the
subdued
a
adds
add
try the
condition
PAINTING
It is
; but
together,
proper
of
quite dry^
appear
is suitable
for any
it perfect
to make
and
for gears,
or
dry with
now
it will
color
quick
carriage
a
it is in
so
use
the
it
of
second
a
five minutes
stir all well
"
if
before, and
as
in
dry
quantity
in
and
is called
This
coloring the panels
very
to
flat.'
or
hurried
for
evaporation,
hasten
and
brushes
ZINC.
panels of business
are
painted
preparation, that the
wagons
To make
a
paint will chip off or crack.
some
good job, procure
muriatic
acid, of full strength, and drop into it some
pieces of zinc,
until the acid
add
an
equal quantity of
stops effervescing. Then
and
with
tied to a stick, sw^ab
a
over
water,
part of
every
sponge
the zinc to be painted.
This
the
and
off
takes
surface,
roughens
that sort
the
of greasiness which
paint from
sticking.
prevents
Allow
wash
it over
the acid
remain
short
with
to
a
time, then
This
is
excellent
usual.
water
or
an
vinegar, dry off, and paint as
work
is to be done,,
plan, where
expensive lettering and ornamental
frequently
made
it
as
of
the
where
case
effectuallyprevents
the
LETTERING
Lettering pencils
The
and
hair
of
and
or
chipping
SCROLLING
PENCILS.
usually made
lettering pencil should
are
the
most
they
are
of
sable,
not
Black
shorter.
even
the
due
from
paint
AND
prefer it
many
best,
a
signs,
without
zinc
be
off.
ox
or
over
one
sable-hair
camel's
hair..
inch
long,
pencils are
scarcity
the
expensive, owing to
it being the tip of the tail of
the Russian
brown
animal
of
the weasel
sable, an
family. These
w4th
pencils are made
quill or tin binding, but I prefer the quillbound
pencil, as there is less liabilityof the hairs being cut than
with the tin.
The
camel's-hair
pencils are
quite inexpensive, and
consequently
of the hair
from
which
made,
'
for
all requirements, but
to answer
heavy colors they seem
lose
their
Ox-hair
pencils are now
they soon
elasticity.
of cheap furniture
and
to some
extensively used by manufacturers
for other
extent
As
their
sales
are
constantly increasing
purposes.
except
with
these
it is fair
wagon
to
work
that
suppose
they
are
they
rather
are
too
giving satisfaction.
stiff and
unyielding.
But
for fine
The
lettering
in scrolling, but for shading
for laying size, or color
pencil is used
scroll a
hair is much
a
pencil with shorter
to
be
preferred,
AH
35
letteringand
not
in
bent, for
a
warm
scrollingpencils
and
use
put
they
work
should
box
a
by drawing
be
to
appear
well.
as
in
away
,f
matter
no
iron
agam
be
A
kept
that
the hairs
greased
hair!
will noTge"
the
the
''^'
Monograms
and
and
oftener
are
by
frequentlymuch
F,rs
procure
actual
printed
by dissolvinggum
obtained.
Next
paper,
side of this
paper
arable
in water, until a
upon
^T'^"^]
w\
When
the colors
'"
nnn.
panel.
ORNAMENTS.
one
paint
--*y
ornamentatio
saved
soft
Coat
upon.
injured
use,^and
^'-^^
-
never
be prepared
in advance
may
in the process
of
such
as
lithographsare
ornaments
time
some
P-"'
^
TRANSFER
other
fingerand
will
sable%encil
'will
last with
proper
^""^
SXTurhaldHng.""^"'^-HOME-MADE
when
between
Pencils
daily use.
greasing them, than
y^^--^
T
and
nnsmg
well
straightened,the pencil
good
hJr\
r7
by carelessly
be
so
the
gummed
'^^
'^"^
are
dry,
with
off
sfrfaTe
is
thick
glossy
surface^
any monogram
'"^""^^
cut
generaUy
mucilale
made
a
^"
the
"
doing it
piece of paper
upon^
con-
'"Shtly dampened another
fonJ ^h ^'""^"^''"'l''^^'"^
gummed
surface,
lay the ornament
face down
",ni
iJ
It
and
press
it
firmly. Allow
the back
dampen
until the
paper
would
you
a transfer
ornament.
rnHentf"''
T^
"^^
Z^^"'"'
'T^'
pursued where
the
nnr
'"
"""-^
'"'.^
"""
carriage is
enough
Good
to
have
brushes
costing
brushes
Whmng
costs
more
the
is
The
paintingdone
cannot
be
"'
and
in the
bought
in
more
now
plan
be
cannot
usual
regular
is
you
will
frequently
spared
long
^
manner.
course
of trade
inferior grades.
The
raw
material
than the finished
goods.
poor
and
iffkas
and
than
brushes,
upon
then
to
This
use
drv.
to
be found
^^^^"
a^decakomanie
be
"anner.
in
while
a
thoroughly wet,
paintingwill
"
^^
'^""
remain
to
por-
out
with-
for good
Always buy
get
the
best
goods
at
the
the
lowest
39
If Messrs.
not
"
Perfection
that
of
every
and
repting,at the
in
increase
brushes
covered
are
of the handle
by
painter. There
a
the
are
brushes, which
of
in
vary
"
"
and
Sterling
as
serves
a
therefore
used
; while
upon
will
readily
run
out.
strength of the
brush
to the
or
of
of
quarter
of
Son
of
the
are
the
quantity or styleof
exacting
paint
brushes
two
entirely
to
brushes
tator
Dicnew
regular leatheror
or
head
of
other
liquid,
the
when
or
add
the
on
greatly
the
inside,can
Messrs.
also
into
the
carry
a
included
never
Whitings'
The
United
very
with
in their
a
badger
ing-brushes,
shav-
factory of Messrs.
and
one-
consumes
States, besides
heavy stock
the
line
large
They make a
them.
bristle and
drug trade.
fillorders
the
to
in addition
respect first-class,
continually use
They
for
"
patent
block
leak
of
drip
being
reversing its position, the liquid
in every
the
is thus
The
whitewash
original features
are
in
"combination'
"
the
to
in the
likelyto
or
imported
enabled
no
varying preferences
king
applied
stock
the most
possess
artists' brushes
domestic.
of
consequence
The
"
being clinched
by
at
user
combination
largest of its class in the country,
bristles
the
materials,and
for any
handled
are
di-
cost
quality of their goods is attested by
excellent
is the
all
large portion
and
nails
brushes
of
meet
the
quillpencilsfor druggists,and
which
Whiting
the
the
to
most
and
to
space
discriminating artists who
specialtyalso
"
:
peculiarities. In
the
of
country.
are
less
other
uses,
methods
the
well-selected
brushes
brush
the
efforts
paint and varnish
the full-center.
open
brush
The
These
complete, and
number
the
dipping
start.
above
the
receptaclefor
temporary
renders
and
pull out
of
whitewash
brushes.
whitewash
bound
brushes
and
By
in the
sold
are
When
brushes, though
The
their
economize
the demands
patent-chiseled,with
"
tooth
for domestic
Whiting
intended
are
sections
and
far
so
The
tool.
practicallyuseful, which
features,both
cludes
goods in-
patents relating largely to the fixing
meet
price and
applied largely to varnish
this work, is the
to
is the feature
the
to
untiring in
full-center,
open-center,
in different
consumers
of
is bound
result
the
up
line of
improvements
to
able
the bristles,which
to
adopted
not
their brushes
flatteringsuccess.
most
attention
number
determining the durability of
made
with
been
been
in the arts
use
ordinary brush.
the
price over
have
greatly improved goods
their
that
production
is
for
close
time,
same
Son
crowned
been
manufacturing, they have
of
is
"
Whiting
their efforts have
have
because
Their
superlativedesignation.
perfect the quality of brushes
to
I
it is not
mark,
description,with the exception of hair,
Messrs.
nail brushes.
Son, of Boston,
their trade
as
fully merit
brushes
"
Whiting
L.
John
"
"the word
"do
New-York, Dec. 20th, 1882.
Drug Reporter,
the Oil and
From
least
of
a
goods
possible delay,
extensive
catalogue.