What is Storythread? Pullenvale Environmental Education Centre Copyright © The State of Queensland, Education Queensland 1994 Copyright protects this publication. Except for purposes permitted by the Copyright Act, reproduction by whatever means is prohibited. However, limited photocopying for classroom use is permitted by educational institutions that have a licence with the Copyright Agency (CAL). Any enquiries should be addressed to the Copyright Officer, Studies Directorate, Education Queensland, PO Box 33, Brisbane, Albert Street Q 4002. All rights reserved. Third Edition Printed Revised CONTENTS The PEEC Storythread Pedagogy..................................................... 2 Storythread: Connecting Students to Self, Others and Natural Places............... 2 The Blanket Role: Engaging, Exciting and Empowering Students...................... 3 The Ten Essential Steps: Leading Students Deeper into the Blanket Role......... 4 Storythread and the Australian Curriculum..................................... 5 Key Concepts and Processes that Underpin Storythread............... 6 An Ethic of Care Towards Self, Others and Place............................................. 6 The Nesting Model.............................................................................................. 6 The Inner and Outer Work of Sustainability......................................................... 7 Aboriginal and Torres Strait Islander Histories and Culture................................. 7 Experiential Teaching Tools that Underpin Storythread................... 8 Story, Drama, Games and Play........................................................................... 9 Attentiveness in Nature....................................................................................... 9 Deep Reflective Responding............................................................................. 10 Helpful Resources and References................................................ 11 Our Website: www.pullenvaeec.eq.edu.au The PEEC Storythread Pedagogy Storythread : Connecting Students to Self, Others and Natural Places Storythread is a ‘pedagogy of place’ that uses a range of engaging stories and ‘blanket roles’ to enable students to make deep connections to themselves, others and natural places. We have discovered that if students are to develop a deep and authentic understanding of the knowledge, values and practices needed to live sustainably in the world then making an emotional reconnection with nature is a powerful place to begin. STORY Throughout the four chapters of each Pullenvale Environmental Education Centre (PEEC) Storythread students and teachers are both audience and participants in environmental stories (crafted by PEEC) about characters – real and fictional – living in harmony and in conflict with their environment and each other. THREAD – The PEEC ‘Blanket Roles’ Students begin their Storythread journey by receiving an invitation from the PEEC teachers to take on a specified real-life ‘blanket role’ (shared persona) e.g. Inside/Outside Nature Kid, Nature Detective, Environmental Advocate. The students’ unfolding journey as they deepen their engagement with the ‘blanket role’ is the thread (of the Storythread). They observe, inquire, predict, influence and subsequently reflect upon the PEEC stories and their own experiences of place through scaffolded dialogues that shape their future knowledge, values and actions. Year Storythread Story Thread - Blanket Role Prep Ramble ‘n’ Play Harvey the PEEC Bear Inside/Outside Nature Kid 1 Forest Kingdom See that Tree? It’s a Bit Like Me! Nature Detective 2 Muddles The Adventures of Mrs Muddle-up, Mongo and Maddy Wildlife Investigator 3 Mission Earth Something Wrong in Hypertron Environmental Advisor 4 Bus ‘R’ Us Jane Smyth’s Story 5 Hoodwinked! The Bush Kids of Pullen Pullen Bush Kid Creek 5/6 Nyundar The Story of Matthew and Kara Catchment Custodian 6/7 Wander the Way of the Water The Real-life Story of Bernice Volz and Karawatha Forest 2 Entomologist-in-training Environmental Advocate What is Storythread? The Blanket Role: Engaging, Exciting and Empowering Students A ‘blanket role’ is a role shared by the whole class. At PEEC we have adapted this educational drama convention so that we can expand its use beyond fictional story and drama situations. Why? Because it works! We have found that taking on a real-life ‘blanket role’ in association with our PEEC stories in order to solve a real-life environmental problem engages, excites and empowers the students. By thinking deeply about the characters in the PEEC stories and how they model what it means and doesn’t mean to embody the ‘blanket roles’, students reflect on themselves as people and learners. Taking on a real-life ‘blanket role’ does not, however, guarantee an automatic expert status. We position the students in an empowering role that invites them, like the characters in our stories, to become part of a shared learning journey that extends beyond the life of the PEEC Storythread experience. While there is a defined ‘blanket role’ for each of our programs, ultimately they are all different facets of the single overarching PEEC ‘blanket role’ i.e. Connected Kid a life-long learner, leader and active citizen who values and respects the connections between self, others and place. Connected Kid Environmental Advocate (Year 7) Catchment Custodian (Year 6) Entomologist-in-training (Year 4) Wildlife Investigator (Year 2) Inside/Outside Nature Kid (Prep) What is Storythread? Bush Kid (Year 5) self others place Environmental Advisor (Year 3) Nature Detective (Year 1) 3 The Ten Essential Steps : Leading Students Deeper into the ‘Blanket Role’ CHAPTER ONE 1. Enrol the Students in their ‘Blanket Role’ (PRE-EXCURSION) 2. Actively Engage the Students, in their ‘Blanket Engage with the PEEC Story and begin Training in the ‘Blanket Role’ Role’, with the PEEC Story 3. Use the Story and the ‘Blanket Role’ to Teach the Curriculum 4. Receive the Invitation to Visit PEEC and Step into the Story in the ‘Blanket Role’ 5. Prepare for the Excursion in the ‘Blanket Role’ CHAPTER TWO 6. Attend the Excursion in the ‘Blanket Role’ (EXCURSION) Step into the PEEC Story and Apply the Knowledge, Values and Actions of the ‘Blanket Role’ CHAPTER THREE (POST-EXCURSION) 7. Reflect with the Students on What Was Learnt on the Excursion Day About the ‘Blanket Role’ Conclude the PEEC Story and Reflect on the ‘Blanket Role’ 8. Work Together to Communicate with a CHAPTER FOUR 9. Lead the Students, in their ‘Blanket Role’, to (CULMINATING ACTIVITIES) Respond to the PEEC Story In the ‘Blanket Role’ and Take Action to Make Life Better in Your Place 4 Character from the Story in the ‘Blanket Role’ Create a Plan for Their Place 10. Support the Students to Take Action for Their Place in their ‘Blanket Role’ What is Storythread? Storythread and the Australian Curriculum The ‘Blanket Role’ provides an excellent tool for teaching the content of the Australian Curriculum in an authentic and purposeful way: • Once the students are enrolled, the need to develop the knowledge (head), values (heart) and actions (hands) of the ‘Blanket Role’ provide a context and purpose for deep learning. • Students, as they train in their ‘Blanket Role’, are inspired and guided by the characters in each PEEC story to develop the knowledge, values and actions they identify as essential to taking on their ‘Blanket Role’. • The students’ growing understanding of what it means to take on the ‘Blanket Role’ then becomes the reason for them to engage deeply with the curriculum. Learning both inside and outside the classroom in the ‘Blanket Role’ enables students to deepen and expand their understanding of curriculum content and ideas (subjects, General Capabilities and Cross-curriculum Priorities), apply their learning to real situations and places and continue growing as life-long learners, leaders and active citizens. In summary, Storythread supports teachers and schools in implementing the Australian Curriculum by offering teachers: 1. Opportunities to deepen and personalise students’ understandings of the curriculum intent, ideas and processes carried within the Australian Curriculum and C2C Units. 2. An imaginative way of focusing on the Cross-curriculum Priorities of Sustainability and Aboriginal and Torres Strait Islander Histories and Cultures. 3. Access to a creative, values education process that supports the development of the General Capabilities (specifically critical and creative thinking, personal and social capability, ethical understanding and intercultural understanding). What is Storythread? 5 Key Concepts and Processes that Underpin Storythread An Ethic of Care Towards Self, Others and Place Our primary goal in using the Storythread pedagogy is to help your students improve their ability to understand and value themselves, others and the places around them so they can live more respectful, sustainable and connected lives. To help us achieve this we have created a simple values statement that underpins your Storythread experience and everything we are attempting to accomplish together: Speak and Act with Respect Towards Self, Others and Place We know, however, that for this statement to be more than just words, students need multiple opportunities to think about and practise this ethic both inside and outside the classroom. Working together in this way will allow us to make the most of your Storythread experience. The Nesting Model The Nesting Model is a visual representation of the ‘nesting systems idea’ that underpins systems theory and attempts to describe the way in which everything is connected. As such, it makes sense of the statement above and why it is important. This model has been used successfully by many teachers over a number of years as a reference point for knowledge and values discussions about how students are connected to the people and places around them, and the impact of their behaviour and actions. self others place 6 What is Storythread? The Inner and Outer Work of Sustainability All PEEC Storythreads draw on a range of powerful experiential teaching tools to explore the inner and outer work of Sustainability (Senge, Laur, Schley and Smith, 2006) as a way of enriching and extending the Cross-curriculum Priority of the Australian Curriculum. The ‘inner work’ of sustainability is about slowing down in order to experience and reflect on the connections between people and places. This emotional reconnection with nature leads to new connected ways of thinking, valuing and acting. The ‘outer work’ of sustainability is about living more lightly on the Earth by taking action to reduce our ecological footprint in practical ways e.g. by conserving water or recycling. Put simply, if we care about a place we will take action to protect it. INNER OUTER Knowledge (Head) Actions What you know and how you think Values (Heart) What you believe and how you feel (Hands) Y Your actions as a result of how you think and feel eg: Become more attentive to people and place, reduce, reuse and recycle, conserve water, plant trees, change light bulbs, use less energy, communicate understandings with others Aboriginal and Torres Strait Islander Histories and Culture At PEEC all Storythreads promote the key organising ideas of Country, Place, People and Culture that underpin the Cross-curriculum priority area of Aboriginal and Torres Strait Islander histories and culture in the Australian Curriculum. PEEC’s focus on understanding and maintaining respectful connections between Self, Others and Place supports this Indigenous Vision. PEEC has been committed to maintaining and stregthening respectful connections to Indigenous thinking and history through dialogue with key Indigenous mentors over many years. Some of these mentors include: The Jaragill Community (1991); Mary Graham (1992); Erin McDonald with the EATSIPS process (2011), Uncle Ernie Mal Collinge, Auntie Lurlene Henderson and Uncle Bert Button (2012). Ideas drawn from each of these inspiring individuals have influenced and impacted on our stories and teaching. Reference: Senge, P., Laur, J., Schley, S., and Smith, B. (2006) Learning for Sustainability, Cambridge, Massachusetts: Society for Organizational Learning. What is Storythread? 7 Experiential Teaching Tools that Underpin Storythread Research by the University of Queensland into the role and impact of Outdoor and Environmental Education Centres identified a powerful form of place-based pedagogy (‘Pedagogy of Place’) that delivers learning for sustainability through Experiential Teaching. The Key Elements of this pedagogy are: • Being in the Natural Environment • Full Sensory, Mind & Body Engagement • Learning By Doing • Life Learning in Real Places • Exploring Local Contexts & Places • Adventure & Challenge The key Experiential Teaching Tools are: • Investigations • Story and drama • Attentiveness • Deep reflective responding • Creative response • Games and play • Interpreted walks and journeys into nature While all of these Experiential Teaching Tools are used by PEEC staff throughout our excursion days, those that transfer most easily to a school setting and are used to structure our Teacher Resource Booklets are listed below and explained further on the following pages. Chapter One activities are centred around these teaching tools and are designed to engage the students’ minds, emotions and bodies in the belief that all learning is mindbody and emotions are critical to learning (Lackney, 2006). • Story, Drama, Games and Play Activities assist students to think deeply about the ‘Blanket Role’, promote development of the General Capabilities (specifically critical and creative thinking, personal and social capability, ethical understanding and intercultural understanding) and address the Cross-curriculum Priority of Sustainability. • Attentiveness in Nature Attentiveness is a key skill of each ‘Blanket Role’, and a skill that is either demonstrated or needs to be developed by the PEEC story characters. It is also a skill that is essential for engaging with the curriculum inside and outside the classroom. • Deep Reflective Responding Activities across all four chapters of each PEEC Storythread encourage students to reflect deeply and meta-cognitively on their thinking, learning, actions and future directions with regard to their ‘Blanket Role’ and the curriculum. References: Lackney, J.A. (2006) 12 design principles based on brain-based learning research, available at www.designshare.com/Research/ BrainBasedLearn98.htm. Learning for Sustainability – The role and impact of O&EECs. Roy Ballantyne and Jan Packer, 2008 - ARC UQ Project 8 What is Storythread? Story, Drama, Games and Play The story form is a cultural universal; everyone, everywhere enjoys stories. The story, then, is not just some casual entertainment; it reflects a basic and powerful form in which we make sense of the world and experience (Egan, 1988, p.2). Woven through each PEEC Storythread is a STORY (either fiction or non-fiction) that introduces and carries the environmental issues, ideas or themes. The story is a powerful medium that can excite and engage students both intellectually and emotionally. It provides opportunities to explore environmental themes and issues through the characters’ perspectives and encourages deep thinking and discussion. Engaging with the characters in an environmental narrative and reflecting on the impact of their choices and actions on the environment, gives students a vehicle for discussing and reviewing their ‘Blanket Role’ and their own environmental values and understandings. Significantly, students are then able to transfer learnings from the story experience to their own contexts. The DRAMA component of Storythread is essential as it can transform your PEEC story, breathing life into it and bringing it off the page and into the classroom. Through active engagement in drama activities such as those outlined in our Teacher Resource Booklets, students are encouraged to explore their ‘Blanket Role’ by working together, thinking deeply and creatively, discussing ideas and solving problems. This hands-on, embodied learning enhances the students’ connection to the story and the characters, as well as their ability to reflect on the actions and values of both the characters and themselves in their ‘Blanket Role’. It is also a fun, interesting way to learn! Attentiveness in Nature What is attentiveness? Anyone who is trying to understand the world, such as scientists, artists, architects, historians and researchers uses the skill of attentiveness all the time. It means Taking the time to pay attention and really observe in detail what is actually going on around you by listening with your ears, but also with your eyes, nose, skin, heart, mind and imagination. It is a great way to think deeply, and really get to know and understand yourself, others and the places around you. Attentiveness is not a new idea. Indigenous cultures from around the world have used this skill for thousands of years. At Pullenvale EEC we have been deeply influenced by Aboriginal ideas about ‘deep listening’ in nature and the ideas of the biologist Mary Clarke who talks about ‘profound attentiveness’. Reference: Clarke, M. (1st May 2004) Falling in love again, ABC Radio National Science Show interview by Alexandra de Blas Egan, K. (1988) Teaching as storytelling, London: Routledge What is Storythread? 9 We focus on two main kinds of attentiveness: 1. Active exploring - occurs when students are moving around discovering and investigating. 2. Deep listening - requires stillness and allows students to notice the minute details they can easily miss. Why is developing the skill of attentiveness important to your students? • It allows students to experience their schoolgrounds and local area as a powerful, engaging outdoor classroom. • Learning outside the classroom through attentiveness enables students to apply the curriculum to real situations and places, and therefore deepens and expands their concrete (embodied) understanding of curriculum content and ideas. • Meaningful activities centred around attentiveness engage the students’ minds, emotions and bodies as part of an integrated learning experience. • Attentiveness is a key skill of each ‘Blanket Role’ as demonstrated by the PEEC story characters. • If we are going to reconnect our children with the natural places around them, it is essential that students are given the opportunity to develop the skill of attentiveness. When we care enough about life to learn about our place, we understand more about our neighbours. We create the potential to nurture compassion for all beings. (Thomashow, 1996 p. 197) Deep Reflective Responding Across all four chapters of PEEC Storythreads, teaching and learning focuses on more than remembering, recounting or reproducing knowledge and facts. Students are encouraged to demonstrate the ability to reflect deeply and meta-cognitively on thinking, learning, actions and future directions with regard to their ‘Blanket Role’ and the curriculum. At the higher levels of reflection students will make inferences and draw conclusions regarding the relationship between the concepts explored and their own life experiences, thoughts, behaviours and insights. They will demonstrate the ability to transform their ideas in order to formulate personal theories and make effective suggestions regarding the application of their learning in other areas of their lives both now and in the future. Throughout our Teacher Resource Booklets and on our Storythread excursion days, Deep Reflective Responding is encouraged through discussion, writing and drawing, drama strategies and thinking tools. We have also found that Philosophy in the Classroom strategies work well within the Storythread framework as they promote deep thinking, reflection and discussion about the world as well as respect for others and their ideas. References: Thomashow, M. (1996) Ecological Identity, Cambridge: MIT Press. 10 What is Storythread? Helpful Resources and References Picture books • • • • • • • • • • • • • • • • • • • • • • • Armstrong, S (2002) If the world were a village,NSW: Allen & Unwin Baker, J. (1992) Window, London: Random House Children’s Books. Baker, J (2004) Belonging, London: Walker Books Base, G. (2006) Uno’s garden, Camberwell, Victoria: Penguin Group. Child, L. (2008) Look after your planet, London: Puffin. Cheng, C. (1997) One child, Flinders Park, South Australia: ERA Publications. Cook, J and Crosby-Fairall, M ( 2011) My little world, South Australia: Omnibus Books French, J. (2010) The tomorrow book, Australia : HarperCollins Publishers Howes, J. and Harvey, R. (1998) Islands in my garden, Port Melbourne: Roland Harvey Books. Mathews, P. (2009) Something about water, Australia: Scholastic Metzger, S. (2007) We’re going on a nature hunt, New York: Scholastic Inc. Morgan, S., Kwaymullina, E. and Bancroft, B. (2009) Sam’s bush journey, Surry Hills, N.S.W. : Little Hare Books. Oktober, T. (1991) Bush song, Rydalmere, NSW: Hodder and Stoughton. Randall, B. and Hogan, M. (2008) Nyuntu ninti (what you should know), Sydney : ABC Books. Seuss, Dr. (1971) The lorax, London: Collins Silverstein, S. (1964) The giving tree, London : Snake Eye Music Strauss, R. (2007) One well: The story of water on Earth, Sydney: ABC Books.. Toft, K.M. (2005) The world that we want, St Lucia, Queensland: University of Queensland Press. Tonkin, R. (2006) Leaf litter: Exploring the mysteries of a hidden world, Pymble, NSW: HarperCollins. Wheatley, N. and Searle, K. (2007) Going bush, Crows Nest, NSW: Allen & Unwin. Wheatley, N. and Rawlins, D. (1987) My place, Melbourne: Collins Dove. Wheatley, N. (2011) Playground, NSW: Allen & Unwin Zed, B. (1997) Mr Green’s garden, Flinders Park, South Australia: Era Publications. Reference texts • • • • • • • • Atkinson, L. (1993) Life in a rotten log, St Leonards, NSW: Allen and Unwin Bone, E. and Pratt, L. (2009) Recycling things to make and do, London: Usborne Publishing Ltd. Crook, S and Farmer, B (2004) Just imagine: Creative play experiences for children under six , Australia; Tertiary press Crook, S. (2004) Just improvise! Innovative play ideas for children under 8, Australia: Tertiary Press. Egan, K. (1988) Teaching as storytelling, London: Routledge. Long, J. (1957) The big picture book of environments, NSW: Allen & Unwin Queensland Museum. (2007) Wildlife of Greater Brisbane Young, T. and Elliot, S. (2003) Just discover! Connecting young children with the natural world, Croydon, Victoria: Tertiary Press. Storythread • • Tooth, R. and Gulikers, S. (2006) The Pullenvale storythread: Education for sustainability through arts based inquiry learning, Pullenvale, QLD: Pullenvale Environmental Education Centre. Tooth, R. (2007). Growing a Sense of Place: Storythread and the transformation of a school. Doctorate Thesis, University of Queensland, Brisbane. What is Storythread? 11 • • • Tooth, R. (2008) The storythread values project. A case study report to the Curriculum Corporation. Funded by the Federal Department of Education, Employment and Workplace Relations. Tooth, R. & Renshaw, P. (2009). Reflections on pedagogy and place: A journey into learning for sustainability through environmental narrative and deep attentive reflection. Australian Journal of Environmental Education, vol. 25, 2009. Tooth and Renshaw (2012). Storythread pedagogy for environmental education. In T. Wrigley, P. Thomson & B. Lingard (Eds.), Changing Schools (pp. 113-127): Routledge. Environmental Education • • • • • • • • • Australian Sustainable Schools Initiative – www.deh.gov.au/aussi Broda, H.W. (2007) Schoolyard-enhanced learning: Using the outdoors as an instructional tool, K-8, Portland, Maine: Stenhouse Publishers. Children and Nature Network – www.childrenandnature.org CitySmart, Brisbane City Council – greenheartcitysmart.com Kids’ Place Maps – www.kidsplacemaps.wa.edu.au Littledyke, M., Taylor, N. and Eames, C. (eds) (2009) Education for sustainability in primary curriculum: A guide for teachers, South Yarra, Victoria: Palgrave Macmillan. Louv, R. (2008) Last child in the woods: Saving our children from nature deficit disorder, 2nd edition, Chapel Hill, North Carolina: Algonquin Books of Chapel Hill. Special forever: An environmental communications project - specialforever.org.au Thomashow, M. (1996) Ecological identity, Cambridge: MIT Press. Drama in the Classroom • • • • Cusworth, R.A. and Simons, J. (1997) Beyond the script: Drama in the classroom, Marrickville, NSW: Primary English Teaching Association. Ewing, R.A. and Simons, J. (2004) Beyond the script: Take 2: Drama in the classroom, Newtown, NSW: Primary English Teaching Association. Neelands, J. (2000) Structuring drama work: A handbook of available forms in theatre and drama, 2nd edition, Cambridge, UK; New York: Cambridge University Press. O’Toole, J. and Dunn, J. (2002) Pretending to learn: Helping children learn through drama, Frenchs Forest, NSW: Pearson Education. Thinking Tools • • Wilson, J. and Wing, J. (2008) Smart thinking: Developing reflection and metacognition, Carlton, South Victoria: Curriculum Corporation. The Thinking Toolbox CD – www.tmela.com.au Websites • • • • • • • • 12 Atlas of Living Australia - ala.org.au ABC - http://www.abc.net.au/science/ Australian Native Plant Societyhttp://anpsa.org.au/ Brisbane Catchments network - www.brisbanecatchments.net.au CSIRO - http://www.csiro.au/en/Portals/Education.aspx Gould League Environmental Education - http://www.gould.edu.au/ Land Art for Kids - http://landartforkids.com/ Planet Ark - www.planetark.org.au What is Storythread? NOTES What is Storythread? 13 Living and Learning for Sustainabiity Pullenvale Environmental Education Centre 250 Grandview Road • Pullenvale 4069 Phone: 3374 1002 • Fax: 3374 2857 email: [email protected] web: www.pullenvaeec.eq.edu.au
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