Tax breaks for writers, 101 by Tamra Westberry, EIC Leaving your comfort zone Patricia must be an exclusiveby Hawaii, tryWalters-Fischer to schedule a area in the house, such as a book signing at the local room or a corner in a room. book store. That’s right, part ~It must be your only writ- of your trip can then be ing office. If you are an au- claimed as a business exthor lucky enough to have pense. an office out of the home used for writing, then you Williamson stressed the can’t claim your home of- importance of keeping refice, too. ceipts because you never know when you will be auWilliamson also debunked dited. Keep record of gas the myth that a writer may mileage. In 2007, the IRS only claim a loss for two will pay 48 ½ cents per mile years. Ever heard that one? for any driving you do for As long as you can prove you your writing business. are working toward making That’s right, even the miles that big advance, you can to and from SARA meetings. claim your writing losses for Williamson was kind enough many years. How are you to give all SARAs little calworking toward making endars for our cars where we those fat checks? Attending could track our miles to and SARA meetings is one way. from any writing function. Going to workshops, confer- In 2008, it will go up to 50 ences, buying books (even ½ cents per mile. romance books) for research are other ways. Continued on page six... time is here. As writ~It AnTax evening with Pamela Morsi ers, published or unpublished, do you know your exemptions? Sharon Williamson, CPA, who has owned her accounting business since 1989, shared some great tax advice at last month’s SARA meeting. For me, this was an eye opening experience. I learned that I have not been claiming all of my available exemptions. For instance, did you know that if you write from home, you can claim the portion of your house that you use as a business write-off. Let’s say, for example, a writer uses ten percent of her house for writing. This could hurt the writer when she sells the house and has to pay a business tax on ten percent of the house. I don’t think I’ll be claiming my mortgage this year, because eventually, we do plan on selling. However, I will be claiming ten percent of my home insurance and utilities. Don’t forget to save your receipts from all these functions. That’s right, even SARA dinners are part of your writer’s expenses. Conference fees, airfare, hotel, Some things to know in meals at the conference are case you decide to claim a all tax deductions. If you are portion of your house as a a published writer and your business write-off: family is planning a trip to Inside... Good News...3 Help a child in need...4 Mastering POV...6 The Language of Love...8 War on Rejections...10 2 A letter from the president... by Sydney Alfrido Let’s get the word out . . . At the last monthly meeting we talked about volunteerism and what that means to each of us. I’m not going to go over that again here. What I am going to do is ask you all to help the group by getting the word out about SARA, who we are, what we do, when we meet, etc. You casually ask if they’ve read the latest Jo-Ann Powers or Pamela Morsi release because if they were looking for a good read, you could recommend either or both of their books as well as several other authors from your writing group. Means or our monthly meetings? You don’t have to wait until we have a monthly meeting to make a suggestion, put forth an idea, or spread the word about us through emails, friends and family, blogs, myspace pages, or other means. The point is that word of mouth advertising is the You don’t have to do any best, most accessible, cost advertisement per say, what effective manner in which to you need to do is take the get the word out about opportunity to tell someone, SARA. We are in the process one person, about us. The of developing some marketnext time you’re in the gro- ing material for the group, cery store and you see some- but our budget being what one with Elle Jame’s latest it is, the cost of doing anySo come on ladies – let’s book in her cart say, “hey, thing on a large-scale basis get the word out. she’s in our group.” Un- is just impossible. Even doubtedly, they’ll ask what color printing is unrealistic you mean and then the balls under our current budget constraints. rolling. Happy Birthday! February Perhaps you’re in Barnes and Noble or Borders shopping for this months releases. There are other women in the isles shopping for romance books as well. The Love Letter is the monthly publication of the San Antonio Romance Authors and welcomes comments and submissions. Please submit articles to The Love Letter as an email to [email protected]. Submissions will be used at the discretion of the editor and may be edited for length or suitability. Still, there are things each Sheila King...2-4 of us can do on an individual level. How about coming up with cost effective ideas for Margaret “Peggy” Cleaves...2-13 advertisement, workshops, ways to improve Ways & Allie Standifer...2-24 For signings, book features and general news or notices, the deadline is the first of each month. The accuracy of the articles and announcements contained in this newsletter is the sole responsibility of the submitting author and not this publication nor its supporting Executive Board. The Love Letter and the San Antonio Romance Authors assume no responsibility for the accuracy of market, contest or conference news; all information is presented in good faith. Mention in this newsletter should not be construed as an endorsement by SARA. Our sister RWA ® contained in this issue, provided they credit the author, The Love Letter and SARA. SARA News by Megan Galloway-Winkler with The Wild Rose Press. The fantasy novella is slated as one of nine stories in the THE SONG OF THE MUSES anthology due to release this summer. Judith Rochelle, writing as Desiree Holt, has signed a contract with Ellora’s Cave for ONCE BURNED. the release of her former Triskelion trilogy as a single author anthology entitled Masha Holl has contracted HOT WICKED AND WILD. THE BRIGHTEST HEAVEN Additionally she has con- 3 tracted three novellas, CRUDE OIL, BEG ME, and FOURPLAY, with Total-E-Bound for release as part of their British anthology. Marian Stevens' manuscripts LIPSTICK AND CAMOUFLAGE finaled in the Duel on the Delta Contest and THE REBEL is a finalist in the Golden Palm. Words of Wisdom... Colons and Semi-Colons, part 2 of 2 by Linda Carroll-Bradd Semi-Colon This punctuation mark is used more often than colons in mass-market fiction, but not as often as you might think. Semi-colons are used to connect complete sentences that are closely related instead of a coordinating conjunction (like ‘and’ or ‘but’). A mistake often made is authors use the semi-colon when one of the sentences is only a clause. CORRECT: The student uniforms were old; the colors were a faded yellow and washed-out brown. INCORRECT: The student uniforms were old; colors of faded yellow and washed-out brown. Semi-colons are also used when a longer or more emphatic pause is desired, but the complete stop of a period would be jarring. EXAMPLE: In years gone by, the pasture was filled with bluebonnets; today black asphalt divides scattered patches of the wildflowers. Used when listing a series, the semi-colon makes a definitive break between items. EXAMPLE: The train goes through Chicago, Illinois; Denver, Colorado; Salt Lake City, Utah; and Reno, Nevada before reaching Portland, Oregon. The semi-colon is also used to set off two clauses of similar construction, through balance or contrast. EXAMPLE: The penthouse was too high; the basement was too low. EXAMPLE: Miranda was always late; Millicent was always early. Linda is writing a contemporary cowboy story, and plotting a contemporary paranormal romp. 4 Buy a book, help a child in need by Tamra Westberry, EIC One author, one cover artist, and two publishers, have teamed up to create a very special project. All proceeds from the sale of ON THE RUN, a romantic suspense novel by multi-published author, Judith Rochelle, will go to St. Jude’s Children’s Hospital. How a SARA and her publishing company are helping give sick children hope... ON THE RUN incorporates romance, suspense and St. Jude’s. When Robin Fleming witnessed the murder of her sister, Jamie, her only thought is to grab her nephew and run, from her vicious brother-in-law. Running and hiding, covering their tracks, they eventually settle in Memphis to begin a new life. Robin, now Laura, though still grieving for her sister, is determined to make a good life for her nephew. Then illness hits Andy, and while Laura is dealing with that crisis, bad luck and unfortunate circumstances bring all the players together again and endanger everyone’s lives. Can Dr. Gage Hollander, who has fallen in love with Laura, find a way to save them? ally renowned but they also are doing great research in the area of cancerous and blood diseases. I have been so fortunate in the success my career has had in such a Why have Rhonda Penders short time, I wanted to be and RJ Morris, publishers of able to give back. Where betThe Wild Rose Press, agreed ter to do this than to someto soak up all publishing place where children are a costs and donate sales to St. priority?” Rochelle stated. Jude’s? For Rhonda, it was all about showing thanks. Cover artist, Kim Mendoza, who is also an in“In late summer, 2007, I spirational writer, is a firm approached Judith Rochelle believer in giving back. (SARA author) with an idea of a project that would en“Most of my novels pour able RJ and me to give some- into a non-profit organizathing back for all the won- tion,” Mendoza stated. “ I derful things that had hap- know St. Jude’s is a good pened to us since we opened place with a big heart. How Continued on page five... in May 2006. I wanted to could I say no?” find an organization that I felt everyone, everywhere Currently, ON THE RUN would care about and really holds the top sales spot at embrace,” Penders said. the publisher’s web site. The amount raised from sales of This book has done just the book will be announced that, with the proceeds from on The Wild Rose Press web each five dollar download site twice a year. The first going to the children’s hos- report to be posted at the pital. end of June 2008. “St. Jude’s has always had a particular place in my heart because of the work it does and because treatment is not based on the patient’s ability to pay. Not only is their treatment internation- “If you’ve purchased this book, thank you for your contribution to St. Jude’s, if you haven’t purchased it yet, I strongly encourage you to do so.” Rochelle stated. The Merritt Contest is now open for entries 5 The “Magic Moment” The entry will be a 20-page “magic moment” from the novel: the pivotal, break-through moment from the story as defined by the author. If the scene is taken from somewhere other than the beginning of the novel, the entry should also include a 1-2 page “set-up” to explain the context of the scene. Eligibility: Entrants may be published or unpublished, but MS cannot have been accepted for publication at the time of entry. Categories and Final Judges: • Short/Long Contemporary - Susan Litman, Harlequin • Single Title - TBA • Paranormal – Hilary Sares, Editor, Kensington Books • Historical – TBA, Avon • Erotica - Raelene Gorlinski, Editor-in-Chief, Ellora’s Cave Entry Fees: $20 per entry for San Antonio Romance Authors members; $25 for nonmembers. (If entering more than one manuscript, fees may be combined into one check, but a separate entry/release form must accompany each entry.) Payments can be made by PayPal or by mailing a check or money order payable to San Antonio Romance Authors. If you elect to use Pay Pal there is a $2 additional fee for a total cost of $22 or $27. Questions: Please contact the Contest Chairs at [email protected] or visit http://sararwa.net/contest.htm Continued from page four... formation on this project, Rochelle’s other titles at you may contact Rhonda The Wild Rose Press are RE- Penders at rpenders DEMPTION, CUTTER’S LAW, @thewildrosepress.com. SHADOW OF THE HAWK, and LOVE WITH A PROPER To see the amazing work RANCHER. Among other St. Jude’s does, please visit books, she also has new re- their web site at lease with The Lotus Circle w w w . s t j u d e . o r g . titled ALWAYS ON MY MIND. To purchase your copy of To learn more about the ON THE RUN, please visit SARA author, Judith Rochelle author, please visit Judith www.thewildrosepress.com . Rochelle at Currently, the book is availStory by Tamra Westberry www.judithrochelle.com. able in e format, but expect w/a Tara West, YA paranorthe print release in early mal author. Please visit her If you would like more in- February. at www.tarawest.com 6 From the collection... “Mastering POV” reported by Librarian, Beckie Ugolini In “Mastering Point of View” (2007 RWA 10 12-031), Lynn Kerstan discusses first and third person (single and multiple) POV for the popular fiction writer. Popular fiction, says Kerstan, tells a story, but its real purpose is to elicit emotion in the reader. And writers can do this through effective use of POV. otherwise be restricted if the story were limited to one vantage character. Multiple POV also lets the reader into a broader cast of characters—both hero and heroine, villains, and subplot characters. Continued from page one... It’s not too late to go back and calculate how much you spent on writing last year. Many of us are avid readers and can spend upwards of $1,000 a year on novels. Hey, those are business expenses. We have to keep up with the market. What about our Internet fees? Most of my Internet usage is chatting on the writer loops or checking my sales stats. There are other examples of exemptions, but I’m not a tax agent, and can’t recite them all. new vantage point. With each, the writer must identify “without any subtly, that the POV h a s changed.” Use the character’s name, their personal awareness, and their emotional reaction to anchor the reader in the new POV. However, with third person multiple POV comes responsibility. Even as she acknowledges the classic exception to the rule, Kerstan The form of POV a writer warns us against head-hopping, chooses to tell her story is impor- saying, “Nora is Nora. I’m not tant. Each has advantages and dis- Nora. You’re not Nora… You ain’t gonna be another Nora.” Changadvantages. ing POV within a scene, she feels, Regardless which form of POV Older romances almost exclu- disrupts the intimacy. Writers can sively used first person single POV. do it—it’s not wrong, or bad—but a writer chooses to work with, This format let the reader bond they need to do it well to maximize careful use of voice, word choice, action and reaction, can grab the closely with the heroine, while pre- the benefits. reader and draw them into the serving an air of mystery around When shifting POV, there are story. To illustrate masterful uses the hero. The heroine (and the reader) doesn’t realize the hero’s tricks writers can use to make the of POV, Kerstan reads a series of true feelings until he reveals them transition clear and natural. excerpts from best-selling writers, There’s the “hand-off,” an “un- including Janet Evanovich, Jennito her in the HEA. subtle” but effective technique fer Cruise, and fantasy writer But Kerstan feels most modern where an object passes from the George R.R. Martin. romance writers end up using current POV character to the next. -Beckie Ugolini, writing as third person multiple POV. This And then, there’s the “movement,” technique allows the reader to see giving the new POV character an Wilhelmina Rush and experience events that would action to draw the reader into the The bottom line is that you as a writer, whether published or unpublished, have tax rights. Know those exemptions, or make sure your tax agent is well versed in tax law, and you could save a lot of money on your return this year. If you have any further tax questions, Sharon Williamson’s San Antonio office phone is 210-366-4328. Story by Tamra Westberry, w/a Tara West, author of YA paranormal romance. Please visit her at www.tarawest.com . 7 Cowboy Seduction by Layla Chase (review by Masha Holl) Merrick is out to prove her wrong. On all counts. And with style. You don’t fall in love with your best buddy. Especially not when you’ve been pouring your heart out to him about everything, including your boyfriends. No, it can’t happen. Especially when your best buddy is just like your father, one of those unreliable rodeo-riding, glorychasing cowboys. At least, that’s what Lacy Durant thinks. And Clint Sit back and enjoy a delightful tale that will make you smile and wish you could travel to Texas to meet Clint and Lacy. vivid settings. You can always count on humor, sensuality, and a good time in a story by Layla Chase. Layla Chase knows how to evoke emotion and bring to life her characters. Nor does she hesitate throwing in heartbreak into their paradise when everything seems perfect. Her writing is rich and smooth, and her descriptions invite you into Please support your SARAs... Romance Day booksigning at Barnes and Noble West 0 1 5 IH 1263 Booksignings by... Saturd Judith Rochelle, ay, Fe bruary Marilyn Campbell, 9th 2 p.m. Joie Del Rio, Layla Chase Kimberly Kaye Terry, Jo-Ann Power and Tara West Special appearance by Mark Johnson, Romantic Times Magazine Cover Model winner for 1996 Meet your fellow SARAs at TGI Fridays, northwest corner of IH 10 & DeZavala, Saturday, February 9 at 12 noon, prior to the Barnes & Noble booksigning. Bring your appetite, your sense of humor, and tell us about the most romantic Valentine’s Day you’ve ever had. The winner of the best story will receive chocolate Valentine’s candy! 8 Hidden Treasure-Historical Truth Flowers, the Language of Love By Katherine Bone To-morrow is Saint Valentine’s Day. All in the morning betime, And I a maid at your window, To be your Valentine. Ophelia: IV, v:49, Hamlet Prince of Denmark, W. Shakespeare (1564-1616) Valentine’s Day is a day set aside to honor love. How we show affection to others on Valentine’s Day reveals a lot about ourselves. In the past, poets raised the bar by writing passionate sonnets of courtly love. Many of these famous poems by Keats, Byron, and Shakespeare, have been immortalized and whispered throughout the ages, romantically branding hearts. Today, old traditions and poetic sentiments have been transferred to gifts of Valentine’s Day cards, chocolate candy, and flowers. Of the three, however, the most endearing symbol of love can be found in the hidden meanings of flowers. Flowers silently declare, “Be mine!” as in the plea of a dozen red roses. “I can’t live without you!” a devoted primrose insists. “Please forgive me,” implores the purple hyacinth. “There’s rosemary, that’s for remembrance. Pray you, love, remember. And there is pansies, that’s for thoughts.” Ophelia: IV, v 173 “There’s fennel for you, and columbines. There’s rue for The following article appeared in Feb. 2008 issue of The Heart Monitor, the newsletter for the Heart of Dixie Chapter. Permission granted to use or forward with proper credit. you, and here’s some for me. We may call it herb of grace o’ Sundays. O, you must wear your rue with a difference. There’s a daisy. I would give you some violets…” Ophelia: IV, v:179-182, Hamlet Prince of Denmark, W. Shakespeare (1564-1616) In 1718, Lady Mary Wortley Montague wrote the “Secret Language of Flowers”. Louise Cortambert, writing under the pen name Madame Charlotte de la Tour, wrote Le Language des Fleurs, in 1819. The book was widely popular and a Victorian equivalent was written by Miss Corruthers of Inverness in 1879. The Language of Flowers, by Jean Marsh was published in 1884. Entirely dedicated to flowers, it set the standard for all floral knowledge to come. During Queen Victoria’s time, women invented ways to communicate with those society had forbidden them to address. Creating secret missives, women used pictures of flowers to convey hidden meanings rather than simply writing a message on a card or stationary that could be easily interpreted. Clever attention was also given to the specific day a message was received. Many Victorians didn’t approve of sending these 'notes'. But one woman, Esther Howland, after graduating from Mount Holyoke College in 1847, proved otherwise selling valentines worth $5,000, in 1848. Emily Dickinson, also a graduate of Mount Holyoke College, noted Esther’s struggle to sell her 'love notes' in a letter she wrote to her brother, February 14, 1848. “Monday afternoon Mistress Lyon arose in the hall and forbade our sending any of those foolish notes called valentines.” Esther’s valentines eventually netted more than $100,000 in annual sales. Victorians used floriography to convey language through a limited selection of flowers, acknowledging various numbers thereof, and their specific genus types. Secrets included how flowers were worn. For instance, a flower worn upright granted a positive reply. A flower worn upside down achieved the opposite effect. A ribbon not only added beauty to an arrangement, bouquet, tussiemussie, or corsage, but it, too, had purpose. Tied to the left, a colorful ribbon gave a nod to the giver. Tied to the Continued next page... Continued from previous page... right, a ribbon paid homage to the recipient. And not to be outdone, flowers also answered the deepest longing within a suitor’s heart by relating the answer, ‘yes’ when given with the right hand, or ‘no’ when offered with the left hand. How flowers were used betrayed a giver’s true intentions or delivered a promise of everlasting love. A Victorian bouquet arrived only after thorough planning and introspection. Modern habits of packaging multiples of the same flower appear primitive in contrast to Victorians who believed assembling a variety of flowers, taking time to organize shapes and sizes, textures and colors, made honoring loved ones a cherished art. Here’s a breakdown of Victorian Flowers and their meanings: *Apple Blossom- preference, promise *Azalea- temperance, abundance, romance *Basil- hatred, best wishes *Columbine- folly, desertion *Daisy- innocence, newborn, “I share your sentiment” *Daffodil- regard, emblem of regard, chivalry *Holly- foresight, domestic happiness *Iris- message, inspiration *Ivy- fidelity, friendship, marriage *Lavender- distrust, luck, devotion *Lily- purity, modesty *Marigold- sorrow, jealousy, health, grief or despair, desire for riches *Morning Glory- affection, transience of life *Myrtle- love, marriage, fidelity *Oak- hospitality, liberty *Pansy (Heart’s ear) - thoughtfulness, thoughtful recollection, think of me *Primrose- consistency, early youth, I can’t live without you *Rhododendron- danger, beware *Rose (single) simplicity, beauty Red: love, passionate love, beauty, I love you Yellow: zealous, friendship, joy, freedom Pink: grace, beauty, happiness, gratitude, appreciation, admiration Black: you are my obsession Orange: you are my secret love Hibiscus: delicate beauty Thornless: love at first sight Bouquet of mature blooms: gratitude Tea: I’ll remember always Bridal: happy love *Thistle- defiance *Tulip- fame, declaration of love, my perfect lover, reclamation of love Red: my perfect lover, reclamation of love Purple: royalty Pink: caring White: forgiveness Yellow: hopelessly in love *Violet- faithfulness, loyalty, modesty, humility *Water-Lily- pure of heart *Zinnia- thoughts of absent friends Famous editor of Godey’s Lady’s Book, Sarah Josepha Hale, wrote Flora’s Interpreter, in 1833. Here is her 9 language of flowers list. *Damask red rose- bashful love *Amaryllis- beautiful but timid *Dandelion- coquetry *Variegated tulip- beautiful eyes *Narcissus- egotism, self love *French marigold- jealousy *White rose- “I am in despair” *Larkspur- fickleness *Scarlet poppy- fantastic extravagance “Yet, no- not words, for they ~But half can tell love’s feeling; Sweet flowers alone can say What passion fears revealing~A once bright rose’s wither’d leaf,~A tow’ring lily broken-Oh, these may pain a grief~No words could e-er have spoken.” Thomas Hood (1799-1885), friend of John Keats. Ask for flowers this Valentine’s Day. They are guaranteed to brighten a dreary February day and a love-sick heart. When your bouquet arrives, cherish it. Look deeply into each flower, discover its hidden secrets. Revel in the knowledge that you are loved. Katherine Bone loves receiving gifts of flowers and chocolate candy for Valentine's Day. She’s a PRO Liaison for the Heart of Dixie and Southern Magic Chapters, and a member of Hearts Through History online chapter. Other Hidden TreasureHistorical Truth articles can be found at her website, www.katherinebone.com. 10 Declaring War on Rejections by Donna Labbe Rejection - What a horrid word. As a writer it means many things to us. It makes us sad, erodes our confidence and can send us into a depression. Sometimes it can even stall our writing. the recent market report from the RWA home page and pain stakingly went through the Agents and Publishers for my genre. I made a list of what each wanted submitted with a query and if they wanted E-query or For me it has done all of snail mail. Prioritize the list the above until recently. I in order of who you want as received a rejection that your dream Agent/Pubmade me snap and Declare lisher. War on Rejections. This has been the most freeing expeStep 3. Mail. Send them rience of my writing career. out. In my first mailing I Looking back, I realize I sent out ten, a mix to both could've done this earlier agents and editors. I also because it is only a state of keep an Excel spread sheet mind. When I shared this of who I sent to, when, whatinformation with my cri- query & pages, snail or Etique partners it encouraged query, and response. When them to send in a story she'd I receive a response I note been holding onto and she it down in the spreadsheet sold it. and send out another query This told me the story needed to be shared with others. You too, can Declare War on Rejections. You may not need to go through the first step, but I'm sure you've felt it. for every rejection. The following article ran in the February 2008 issue of Mainely Romance, the newsletter of the Maine chapter of RWA. Permission granted to sister chapters to forward or reprint with proper credit. receive feedback that points in that direction. Step 6. Celebrate. One of these days it won't be a rejection, it will be The Call. This is what we are all working for. The amazing thing is since I've embraced my new philosophy against rejections is that I am now consoling my family when I get a rejection, instead of them consoling me. I also find that my writing routine has become more consistent with a higher volume. I believe the change came about when I took the fear of failure and put it away to concentrate on becoming successful as a writer, no matter how long it takes. Step 4. Analyze. When you receive the rejections back in the mail analyze them. I have received some really nice rejections. Nice you say? Yes, nice. Some were I wish you well in winning personalized and gave me your War. Step 1. Get Angry. One the type of feedback I doesn't declare war because needed and some were typiDonna Labbe is a PRO memthey're happy. I received a cal form letters. ber of RWA, the New England rejection in record time. and Maine chapters. She This was a request from a Step 5. Don't take it per- writes sensual psychological conference and the rejection sonally. Remember this is a thrillers, which is a very was received three days af- business. They are not attherapeutic outlet for stress. ter sending it out. This had tacking you as a person; While waiting for the call she my head spinning for days. they are looking at your continues to create twisted work. Remember this every villains. Visit her website: Step 2. Plan. I sat down at time you read a letter and www.DonnaLabbe. com the computer and pulled up be prepared to revise if you Writing Announcements 11 by Lupe Gonzalez the story as defined by the author. If the scene is taken from somewhere other than the beginning of the novel, the entry should also include a 1-2 page “set-up” to explain the context of the scene. Eligibility: Entrants may be published or unCONTESTS published, but MS cannot have 2008 Harlequin Presents Instant been accepted for publication at Seduction Contest the time of entry. Goal: To help them find new authors Categories and Final Judges: On-line submissions accepted only • Short/Long Contemporary - Sufrom January 1 through February san Litman, Harlequin 14, 2008. • Single Title TBA Email address for entries: • Paranormal – Hilary Sares, [email protected] tor, Kensington Books Include the first chapter and a syn- • Historical – TBA, Avon opsis of a previously unpublished/ • Erotica - Raelene Gorlinski, Ediunsubmitted novel tor-in-Chief, Ellora’s Cave For more info: http:// www.iheartpresents.com/ Entry Fees: Writers’ Exchange Contest The Writer Magazine Show your sense of humor. Sharing a favorite faux pas from your writing career. Deadline: May 31, 2008 Entry Fee: None Word count: 50-250 words Prize: $50, a one-year subscription to *The Writer*, and publication in the magazine and/or online at Writermag.com. http:// For more info: www. w r i t e r m a g . c o m / w r t / default.aspx?c=a&id=3635 SARA Merritt The “Magic Moment” The entry will be a 20-page “magic moment” from the novel: the pivotal, break-through moment from $20 per entry for San Antonio Romance Authors members; $25 for nonmembers. (If entering more than one manuscript, fees may be combined into one check, but a separate entry/release form must accompany each entry.) Payments can be made by PayPal or by mailing a check or money order payable to San Antonio Romance Authors. If you elect to use Pay Pal there is a $2 additional fee for a total cost of $22 or $27. Questions: Please contact the Contest Chairs at [email protected] or visit http://sararwa.net/ contest.htm WRITING OPPORTUNITIES The Dark Lord’s Castle Small independent publisher of online historical romances set in the Medieval, Renaissance, Georgian, Regency or Victorian era. Also publishes contemporary stories if the story takes place in a castle setting. Send a detailed synopsis with the first three and final chapter of manuscript. Email to: book.submissions @thedarkcastlelords.com For more info: http:// www.thedarkcastlelords.com/ authors.htm WORKSHOPS FTHRW March Workshop: Creating a Full Time Writing Business Dates: March 3rd-30th, 2008 Instructor: Virginia McCullough Cost: FREE to FTHRW members; $20.00 for all others Registration Deadline: February 27th, 2008 Tapping into the world of nonfiction writing. For more info: http://fthrw.com/ workshops PROMOTIONAL OPPORTUNITIES Free Promo Ops at The CataNetwork For CataRomance, Ecataromance, Single Titles and Sensual, you can submit a smooch, an excerpt, a fun fact, request an interview and/ or request a book review. You can even go on there and chat about what you’re reading and inspire others. For more info: http:// cataromance.com/ or http:// www. e c a t a ro m a n c e . c o m / index.php 12 by Linda Carroll-Bradd Membership Report (as of 2/1/08) During this past month, SARA has gained one member, bringing our total to 48. ing. You can most easily receive support when you’re in touch with the other chapter members. Critique Groups Kharities contact Linda at [email protected] Upcoming meetings are: Inperson meeting possibility is 2/16. Online 2/7, 2/21, 3/6 Welcome to: Celia Yeary, a retired teacher who taught high school biology, lives in San Marcos. She writes contemporaries and historicals and her Texas historical novel, W.I.T.C.H.E.S. (Writers in All My Hopes And Dreams, training can handle has been contracted by The encouragingsuggestions) Wild Rose Press. meets Friday evenings for Last, sign up for the Forum brainstorming and sharing. on the SARA website and Con-tact Sydney K. Alfrido read about what’s happen- at [email protected] . Don’t miss the next meeting... Wednesday, February 20 Wah Kee Chinese Restaurant 18360 Blanco Rd. San Antonio, TX 78258 - 497-6669 North East corner of 1604 and Blanco Road in the strip center behind Luby’s cafeteria. Meeting starts at 6:30, but come early to order food. Romance Day at Barnes and Noble 12635 IH-10 West Saturday, February 9th at 2 p.m. Booksignings by... Judith Rochelle, Marilyn Campbell, Joie Del Rio, Layla Chase Kimberly Kaye Terry, Jo-Ann Power and Tara West Please come support your SARAs. 2007-2008 SARA Officers President Sydney Alfrido 1st Vice President RubyChristine 2nd Vice President Ellen Wulf Treasurer Gimoy Louie Recording Secretary Linda Carroll-Bradd Corresponding Secretary Patricia Walters-Fischer Parliamentarian Marjorie Brody Immediate Past President Sydney Alfrido Communications Patricia Walters-Fischer PAN Liaison/PRO Liaison Jo-Ann Power/Tamra Westberry Newsletter Editor Tamra Westberry Librarian Beckie Ugolini Merritt Contest coordinators: Beckie Ugolini &Margaret Batschelet Assistant Coordinator: Patricia Walters-Fischer Kharities Coordinator Linda Carroll-Bradd W.I.T.C.H.E.S. Coordinator Sydney Alfrido Hospitality Patricia Walters-Fischer Membership Linda Carroll-Bradd Special Events Coordinators Judith Rochelle & Mary Fechter Ways & Means/Web Liaison RubyChristine/Sydney Alfrido & Judith Rochelle Love Letter Reporters Sydney Alfrido, Linda Carroll-Bradd, Megan Galloway-Winkler, Lupe M.Gonzalez,, Masha Holl, Gimoy Louie and Beckie Ugolini
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