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Nordic Musicological Congress 2015
August 11th-14th 2015
Programme
Tuesday 11th August
09:00-09:30 Registration: ground floor, Rendsburggade 14, Aalborg 9000
09:30-09:40 Welcome
09:40-10:30 (Aud. 3.107) Keynote #1: Norm Hirschy (Oxford University Press, senior commissioning
editor for music & dance). Publishing Scholarship Successfully in the 21st Century: Writing About Music
That Can't Be Ignored
10:30-11:00 Coffee break
11:00-12:00 Papers
Stream A (Aud. 3.107) Chair: Morten
Michelsen
Per Dahl. Noen tekst-musikk relasjoner i
Stravinskijs Salmesymfoni
Justin Christensen. Finding a place for the
inclusion of listener phenomenological study
within musical analysis
12:00-13:00 Lunch Rendsburggade
Stream B (Sem. 4.105) Chair: Peder Kaj
Pedersen
Thomas Solomon. The Play of Colors: Staging
Multiculturalism in Norway
Ulrik Volgsten. Between Critic and Public.
Listening to the Musical Work in Stockholm
during the 19th Century
13:00-14:30 PANEL #1 (Aud. 3.107)
Mikkel Vad, Thomas Hilder, Antti-Ville Kärjä and Mads Walther-Hansen. Popular Music in the Nordic
Region/the "Nordic" in Popular Music
14:30-15:30 Papers
Stream A (Aud. 3.107) Chair: Mark Grimshaw
Stream B (Sem. 4.105) Chair: Martin
Knakkergaard
Erik Wallrup. From Mood to Tone:
Erik Steinskog. Analog Girl in a Digital
Schoenberg’s Attunemental Shift
World: Erykah Badu, Soul, and Afrofuturism
Jacob Derkert. The neo-formalist mo(ve)ment
Marit Johanne Høye. Sequence Melodies in
in American Art music revisited: A reflection
Icelandic and Norwegian Manuscripts
on/of Meta-Variations at 40 years distance
- Cultural Relationship and Melodic Identity in
Medieval Nidaros
15:30-16:00 Coffee Break
16:00-17:30 PANEL #2 (Aud. 3.107)
Peter Edwards, Arnulf C. Mattes, Tanja Orning and Astrid Kvalbein. Listening to the Twentieth Century
and Beyond
17:45-18:45 Tour of the concert hall (provisional)
19.00 Welcome Reception (Rendsburggade: light snacks and drinks)
Wednesday 12th August
09:00-10:00 (Aud. 3.107) Keynote #2: Timo Leisiö (Tampere University, emeritus professor). Seeker
tone theory and the biological basis of human musicality
10:00-10:30 Coffee break
10.30-12:00 Papers
Stream A (Aud. 3.107) Chair: Arnulf Mattes
Tobias Lund. The Erotic Charge of Hugo
Alfvén’s Oratorio “Herrens bön” (The Lord’s
Prayer)
Per-Henning Olsson. Beyond or between tonal
and non-tonal? On the idea of contrasting
tonality with non-tonality in the symphonies of
Allan Pettersson
Margareta Rörby. Franz Berwald's Operas and
Operettas
Stream B (Sem. 4.105) Chair: Per Dahl
Mads Walther-Hansen. Examining the
Changing Discourse of Recorded Popular
Music using a Corpus-Based Approach
Mårten Nehrfors. Johann Friedrich Reichardt
and the formation/emergence of an expressive
community in the German lands at the end of
the 18th century
Kirsten Santos Rutschman. “And So I Decided
to Write a Song for You, Too”: Aspects of the
Lindblad-Mendelssohn Correspondence
12:00-13:00 Lunch Rendsburggade
13:00-14:00 (Aud. 3.107) Keynote #3: Tore Simonsen (Norwegian Academy of Music, emeritus
professor). The Sound of Music
14:00-15:30 PANEL #3 (Aud. 3.107)
Morten Michelsen, Mads Krogh, Kristine Ringsager and Steen Kaargaard Nielsen. Radio Genre Studies
15:30-16:00 Coffee
16:00-17:00 Papers
Stream A (Aud. 3.107) Chair: Erik Steinskog
Martin Knust. Musical and Theatrical
Declamation in Richard Wagner’s Works
Nora Engebretsen. Close to... Infinity
19.00 Beer Walk
Stream B (Sem. 4.105) Chair: Gunnar Ternhag
Morten Søndergaard. The Phantasmagoria of
Recorded Listenings
Hans-Peter Gasselseder. The Spaces Within
Us: Sonic Dramaturgy and the Mirroring of
Expression in Sound Perception
Thursday 13th August
09:00-10:00 (Aud. 3.107) Keynote #4: Derek Scott (Leeds University, professor of music). Cosmopolitan
Musicology
10:00-10:30 Coffee break
10:30-12:00 Papers
Stream A (Aud. 3.107) Chair: Mads Krogh
Gregory Decker. Stylistic Tension, Structural
Conflict, and the Anxiety of Influence in
Grieg’s First Violin Sonata
Mats Arvidson. Word and Music Studies: Types
of Word and Music Relations – A Few Case
Studies
Susanna Leijonhufvud. The Musical Cyborg –
an Offspring between Music Consumers and
Smart Algorithms
12:00-13:00 Lunch Rendsburggade
13:00-15:00 Papers
Stream A (Aud. 3.107) Chair: Jacob Derkert
Tobias Pontara. A World With and Without
Music: Models of Musical Underscoring and
the Construction of the Cinematic Diegesis
Tor Halmrast. How Musicians Adapt to the
Room. Timbre and Strength in Music Rehearsal
Martin Knakkergaard. Beacons of Sound
Arnulf Mattes. German Tradition and Stylistic
Emancipation: On Conceptions of Form in
Fartein Valen's Violin sonata Op. 3
Stream B (Sem. 4.105) Chair: Jens Henrik
Koudal
Owe Ander. Traces of a performance – A
presentation and critical examination of the
sources regarding the Rienzi premiere in
Stockholm 1865
Lise Karin Meling. Élisabeth-Claude Jacquet
de La Guerre: the miracle performer
Robin Rolfhamre. Embellishing La Guitarre
Royalle: On Experimenting With the Italian
Passagi Practice in Francisco Corbetta’s
Music
Stream B (Sem. 4.105) Chair: Mads WaltherHansen
Heli Reimann. ‘Jazz-talk’ in the Soviet
Estonian cultural newspaper Sirp ja Vasar and
the Late-Stalinist ideological campaigns
Karin Hallgren. Music theatre at Kungl.
Dramatiska Teatern in Stockholm in the 1960s
Per Broman. Ingmar Bergman’s musicians:
Identity, Memory, and Escape
Elif Balkir. A Comparative Study of the
Research Proceedings at GRM and EMS
based on Pierre Schaeffer’s and Knut
Wiggen’s Musical Concepts 15:00-15:30 Coffee
15:30-16:30 PANEL #4 (Aud. 3.107)
Gunnar Ternhag, Erik Wallrup, Elin Hermansson, Maria Schildt and Karin Hallgren. Writing composer
biographies in the project Swedish Musical Heritage
19:00 Congress Dinner (Søgaards Bryghus, C.W. Obels Plads, Aalborg http://soegaardsbryghus.dk/)
Friday 14th August
10:00-11:00 (Aud. 3.107) Keynote #5: Peter Vuust (Århus University, professor and head of the Danish
National Research Foundation’s Center of Excellence for Music in the Brain). I've got rhythm, or do I?
-what musical training does to the brain and its processing of challenging rhythms
11.00-11:30 Coffee break
11:30-13:00 Papers
Stream A (Aud. 3.107) Chair: Steen K. Nielsen
Stream B (Sem. 4.105) Chair: Ursula Geisler
Guro Skår. Music on a Brainy Day - Evaluating Guy Dammann. The ontology of music
psychological methodologies for studies in
criticism
music performance
Anne Reese Willén. The Capital – the core of
Elin Hermansson. The Ontology of Musicmusical life in Sweden: The structural
Body-Dance in 20th Century Swedish Ballets:
transformation of the public musical life in
Establishing a Philosophical and Aesthetic
Stockholm 1840–1890
Framework with Gilles Deleuze Áurea Dominguez Moreno. Manuel Garcia’s
Anette Vandsø. "Mediets" rolle i det aktuelle,
Influence in Nineteenth-century Instrumental
blandede felt af lydkunst og ny
Music: Bassoon Playing in France as a Case
kompositionsmusik – nye dagsordner for en
Study
bred musikvidenskab
13:00-14:00 Lunch Rendsburggade (packed lunch provided)
14:00-15:00 (Aud. 3.107) PLENARY + CLOSE Chair Peder Kaj Pedersen
(Inc. Nordic Branch of IMS, establishment of: c.15 mins. chair: Per Dahl)