Aphrodite and the Primal Power of Love Aphrodite

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Aphrodite and the Primal
Power of Love
Aphrodite
Origins: Eastern fertility goddess
Parentage: Zeus and Dione, or Ouranos’ genitals
Spouse: Hephaestus
But ongoing affair with Ares!
Functions: love (spiritual and physical)
Attributes: Eros, cupids (putti)
Animal: dove, swan
Sanctuaries: Cythera, Paphos on Cyprus
Epithets: Kypria, Kypris (Cypris), Cytheria, Golden
Roman: Venus
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Aphrodite Urania and Aphrodite Pandemos
The double tradition of Aphrodite’s birth may
account for a basic duality in her character
Aphrodite Urania (Ourania, Celestial Aphrodite)
Sprung from Ouranos alone
Stronger, more intelligent, spiritual
For religion and philosophy, becomes the celestial
goddess of pure and spiritual love
Aphrodite Pandemos (Aphrodite of All the People)
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Sprung from Zeus and Dione
more base, devoted primarily to physical satisfaction
Goddess of physical attraction and procreation
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Birth of Aphrodite
Graecia Ludovisi Throne, ca 470-460 BC
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Birth of Venus
Pompeiian wall painting: House of Venus, 1st century AD
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Aphrodite
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Venus de Milo
(Roman copy of the original
Hellenistic Aphrodite of Melos)
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Hymn to Aphrodite
“Sing to me, O Muse, of the works of golden Aphrodite,
the Cyprian, who stirs sweet longing in gods and
subdues the races of mortal men” (Hymn to Aphrodite, 13)
“Three are the minds which she can neither sway nor
deceive: first is the daughter of aegis-bearing Zeus,
gray-eyed Athena …second is hallooing Artemis of the
golden shafts…third is a revered maiden not charmed by
the deeds of Aphrodite, Hestia …of these three she can
neither sway the mind, nor deceive them. But none of
the others, neither blessed god nor mortal man, has
escaped Aphrodite” (Hymn to Aphrodite, 7-35)
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Aphrodite and Anchises
“But even in Aphrodite’s soul Zeus placed sweet longing to mate
with a mortal man…and that some day the smile-loving goddess
might not laugh sweetly and boast among all the gods of how
she had joined in love gods to mortal women…and so he placed
in her heart sweet longing for Anchises” (Hymn to Aphrodite,
45-53)
“When indeed smile-loving Aphrodite saw him, she fell in love
with him, and awesome longing seized her heart… she stood
before him, in size and form like an unwed maiden, so that he
might not see who she was and be afraid…desire seized
Anchises, and to her he uttered these words: ‘Lady, welcome to
this house, whoever of the blessed ones you are’” (Hymn to
Aphrodite, 56-92)
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Life and Death
Several scenes in the Hymn to Aphrodite present a tension, or
conflict between giving and taking life
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“From there Argeiphontes of the golden wand abducted me and
carried me over many works of mortal men, over much undivided
and uninhabited land, where beasts which tear raw flesh roam
through the shady glens…He said I would be called your
wedded wife, Anchises, and sharing your bed would bear
you fine children” (Hymn to Aphrodite, 121-127)
“With these words he took her by the hand; and smile-loving
Aphrodite, turning her face away, with beautiful eyes downcast,
went coyly to the well-made bed…on it were skins of bears
and deep-roaring lions, which he himself had killed on the
high mountains. And when the climbed onto the well-wrought
bed, first Anchises took off the bright jewels from her body…”
(Hymn to Aphrodite, 155-163)
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Anchises and Aeneas
“No need to be afraid that you may suffer harm from me or from
the other blessed ones, for by the gods you are loved. And you
shall have a dear son who will rule among the Trojans, and to his
offspring children will always be born. Aineias his name shall
be, because I was seized by awful grief for sharing a mortal
man’s bed” (Hymn to Aphrodite, 194-199)
ainos = grief
Aphrodite is suddenly ashamed of mating with a mortal and
bearing a child by him, something she had formerly boasted
about coercing the other gods to do
“But if you reveal this and boast with foolish heart to have
mingled in love with fair-wreathed Kythereia, an angry Zeus will
smite you with a smoking thunderbolt…refrain from naming me,
and heed divine anger” (Hymn to Aphrodite, 286-290)
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Eros
• Male counterpart of Aphrodite
• Dual tradition about his birth: early
cosmic deity in Hesiod, or son of
Aphrodite and Ares
• Closely associated with the goddess
as her attendant
• May represent all facets of love and
desire, but often is the god of male
homosexuality, particularly in the
classical period
• Often depicted as a handsome young
man, the embodiment of masculine
beauty
Roman terracotta statuette, from Myrina. Louvre, Paris.
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Aphrodite, Pan, and
Eros
Delos, ca 100 BC
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Aphrodite and Adonis
After describing the birth of Adonis from the Myrrh tree-trunk
(formerly the incestuous girl Myrrah), Ovid recounts the story of
Aphrodite and Adonis
“He now became the darling of Venus, and avenged the
passion which had assailed his mother. For while her son Cupid
was kissing Venus, with his quiver on his shoulders, he
unwittingly grazed her breast with an arrow …the goddess of
Cythera, captivated by the beauty of a mortal, cared no more for
her sea shores …she even stayed away from heaven, preferring
Adonis to the sky. She used to hold him in her arms, and became
his constant companion” (Ovid, Metamorphoses, 520-530=Innes,
239)
The “most beautiful” male, he was worthy of Aphrodite and gave
his name to the modern “Adonis complex”
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Death of Adonis
After recounting the story of Atalanta and Hippomenes and their
transformation into lions, she warns him to stay away from the
wild beasts of the forest
“But, though she had warned Adonis, his natural courage ran
contrary to her advice. By chance, his hounds came upon a wellmarked trail and following the scent, roused a boar from its lair…It
sank its teeth deep in his groin, bringing him down, mortally
wounded, on the yellow sand” (Ovid, Metamorphoses, 710-716)
“There will be an everlasting token of my grief, Adonis.
Every year, the scene of your death will be staged anew…but
your blood will be changed into a flower…With these words,
she sprinkled Adonis’ blood with sweet-smelling nectar and, at the
touch of the liquid, the blood swelled up…within an hour, a
flower sprang up, the color of blood, and in appearance like
that of the pomegranate” (Ovid, Metamorphoses, 720-735)
Aetiological myth for the anemone flower
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Venus and Adonis
Bronze mirror cover, ca 4th century BC
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