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Timothy Nohe
Artist – Composer | Born 18 October 1960
Resume: 2000-2010
Associate Professor
Faculty Senate President (2011 – present)
Granted tenure as an Associate Professor, June 2003
University of Maryland, Baltimore County, Department of Visual Arts
FA 111, 1000 Hilltop Circle, Baltimore, Maryland USA 21250
Adjunct Professor
Faculty of Humanities and Social Sciences
La Trobe University, Melbourne, Victoria, Australia 3086
Associate
Centre for Media Arts Innovation, University of Technology Sydney
PO Box 123 Broadway, Sydney, New South Wales, Australia 2007
Email: [email protected] | Cell: + 1 410.412.6483 | Fax: 410.455.1053
http://mtod.tumblr.com/ | http://userpages.umbc.edu/~nohe/GAG/
Education:
MFA 1996
BFA 1989
University of California, San Diego, Visual Arts, terminal degree
Maryland Institute, College of Art, Photography
Research Support: Residencies, Grants and Fellowships:
2012 Artist in Residence, Visual Arts Centre, La Trobe University, invited by Paul
Northam, Director, July 9 – August 2, Bendigo, Victoria, Australia
Artist in Residence, Centre for Creative Arts, La Trobe University, invited by Norie
Neumark, Director, July 5 – 8, and August 3 – 8, Bundoora, Victoria, Australia
Individual Artist Award: Music Composition – Non-Classical, $3000,
Maryland State Arts Council
Research Assistant, 10 hours per week position, “La Trobe University-UMBC Artist
Exchange Network,” granted by UMBC Department of Visual Arts, IMDA MFA
Program
2011
National Endowment for the Arts, and the William G. Baker, Jr. Memorial Fund,
“Our Town Project - Creative Placemaking Grant,” Station North Arts &
Entertainment District “Think Big” grant. Funding for My Station North, $2,000
Fulbright Alumni Initiative Grant, Australian – American Fulbright Commission,
La Trobe University – UMBC Artists Exchange, $10,000
Summer Faculty Fellowship, College of Arts, Humanities and Social Sciences,
La Trobe University – UMBC Artists Exchange, $5,000, UMBC
Timothy Nohe CV, Page 1
July, 2012
Artist in Residence, Visual Arts Centre, La Trobe University, invited by Paul
Northam, Director, August 8-21, Bendigo, Victoria, Australia
Artist in Residence, Hazelhurst Gallery and Art Centre, invited by Michael Rolfe,
Director, August 3-8, Sutherland Shire, Sydney, Australia
2010
Artist in Residence, Hazelhurst Gallery and Art Centre, invited by Michael Rolfe,
Director, August 3-21, Sutherland Shire, Sydney, Australia
SRAIS Award, Sounding Botany Bay, Sounding Gamay, $7,335, UMBC
Individual Artist Award in Visual Arts: Media, $3000, Maryland State Arts Council
2009
Artist in Residence, Hazelhurst Gallery and Art Centre, invited by Michael Rolfe,
Director, August 6-21, Sutherland Shire, Sydney, Australia
Parks and People Foundation, Neighborhood Greening Grant, $1,000, Gourd Season
Undergraduate Research Assistant Student Award, 1 academic year, Gourd Season
pilot, Alex Geiger, undergraduate student, Office of the Provost, UMBC
IRC Fellows Faculty Course Development Stipend, $2000, Faculty Development,
Imaging Research Center, The Crystal Egg, UMBC
2008
Artist in Residence, Hazelhurst Gallery and Art Centre, invited by Michael Rolfe,
Director, January 5-25, Sutherland Shire, Sydney, Australia
Creative Baltimore Grant, $1,000, Baltimore Office of Promotion and the Arts
2007
Artist in Residence, University of Wollongong, Faculty of Creative Arts, School of Art
& Design, School of Music, invited by Professors Houston Dunleavy and
Jacky Redgate, January 1 – July 25, Wollongong, NSW, Australia
2006
Fulbright Senior Scholar award, granted by the Board of the Australian-American
Fulbright Commission, $36,000 School of Art & Design, University of Wollongong,
NSW, Australia
2005
Individual Artist Award in Visual Arts: Installation/Sculpture, $6000, Maryland
State Arts Council
Artist in Residence, Imaging Research Center, W-47
2004
Individual Artist Award in Visual Arts: New Genre, $1000, Maryland State Arts
Council
Artist’s Stipend, $1500, Eastern State Penitentiary, Philadelphia, PA, 142 Ways to
Mark Time, April 1 - November 15
Artist in Residence, Imaging Research Center, W-47, research assistants
Timothy Nohe CV, Page 2
July, 2012
2003
Artists in the National Parks Residency, Caldera, Deschutes National Forest, Sisters,
OR, January 6 – 24, 2003, residency and $500 travel stipend
IRC Fellows Faculty Course Development Stipend, $2000, Faculty Development,
Imaging Research Center, *blink* and body/text, UMBC
2002
Residency, The Center for Land Use Interpretation, Wendover, Utah
Designated Research Initiative Fund, SRIS, $8400, W-47, UMBC
Individual Artist Award in Visual Arts: New Genre, $3000, Maryland State
Arts Council
Cleveland Institute of Art, $1400, Cleveland, OH, artist’s presentation and critiques
2001
Artists in the National Parks Residency, Crater Lake National Park and the
Schneider Museum of Art, Crater Lake and Ashland, OR
Mayor’s Advisory Council on Art and Culture, Baltimore, $700, Artscape
commission, Binary, sculpture
Summer Faculty Fellowship, Office of the Dean of Arts and Sciences, $1500,
Program Development, IMDA MFA Program, UMBC
2000
University of Southern California, Digital Art and Digital Animation program,
$2500, artist’s presentation and critiques
The Contemporary Museum, $500, award, “Video Art 2000” small science, screening
Summer Stipend, Office of the Dean of Arts and Sciences, $1500, Program
Development, IMDA MFA Program, UMBC
Honors Received:
2012 Governor’s Citation, granted by Governor Martin O’Malley, recipient Maryland
State Arts Council Individual Artist Award: Music Composition, Non-Classical
2010
Governor’s Citation, granted by Governor Martin O’Malley, recipient Maryland
State Arts Council Individual Artist Award: Media
2006
Fulbright Senior Scholar, granted by the Australian-American Fulbright
Commission, Canberra, ACT and the Council for the International Exchange of
Scholars, Fulbright Commission, Washington, DC
2005
Governor’s Citation, granted by Lt. Governor Michael S. Steele, recipient Maryland
State Arts Council Individual Artist Award: Installation/Sculpture
2004
Governor’s Citation, granted by Lt. Governor Michael S. Steele, June 8, recipient
Maryland State Arts Council Individual Artist Award: New Genre
Timothy Nohe CV, Page 3
July, 2012
2002
Governor’s Citation, granted by Governor Parris N. Glendening, June 4, recipient
Maryland State Arts Council Individual Artist Award: New Genre
Sound Scores and Video for Dance and Performance:
2011 Candles for Faust and People as Verbs, HD videos with stereo soundscores, at the in/flux
gallery, 307 West Baltimore Street, from November 5 – 26
Ashes, Ashes, a classical concert work composed for The National Capital Area Chapter
of the Fulbright Association's Commemoration of the 10th Anniversary of the 9/11
tragedy: “9/11 Retrospective 10 Years Later; What Does It Mean?” Sunday,
September 11, 4:00pm – 5:30pm at Christ Lutheran Church Inner Harbor, 701 S.
Charles Street, Baltimore, invited by Hollis Thoms. Ashes, Ashes featured mezzosoprano Diane Schaming, flutist Lisa Cella, and percussionist Andy Hayleck. Nohe
sequenced the score on computer for waterphone, bowed guitar, media samples, and
synthesis, and performed waterphone and water instruments.
People Who Became Verbs, 38 minute stereo soundscore, Theatre Project, Baltimore,
June 10 and 11. Reneé Brozic Barger choreographer. Composed and performed for
sampled business machines, waterphone, ebow electric guitar, bowed acoustic guitar,
hand-made electronic circuits, wine glasses, friction percussion, and wavetable
synthesis.
2011
/10
30 Oaks, Joseph Beuys Sculpture Garden, UMBC, Baltimore. Choreographed by
Meghan Flanigan. Nohe: musical direction for baritone saxophone, tenor saxophone,
percussion. Nohe made percussion instruments fashioned from recycled university
rubbish. Performed April 28, 2011 and October 21, 2010
Bend, Oxfringe Festival, Burton Taylor Theatre, Oxford, Oxfordshire, UK.
Choreographed by Renée Brozic-Barger. Electro-acoustic sound composition, Nohe.
Performed March 31 – April 4, 2010
2009
The Crystal Egg, December 2-5, 10-13, electro-acoustic sound score for an adaptation
of H.G. Wells’ “The Crystal Egg,” directed by Colette Searls. The Crystal Egg featured
3 computer graphic creatures designed at UMBC’s Imaging Research Center that
came to life and engaged puppets in real time. Nohe: CGI director and composer,
sequencing, and performance on wavetable synthesizer, organ pipes, wine glasses, ebowed guitar, waterphone, granular synthesis processing, field recordings. Presented
at the UMBC Theater
AREA 405 Circuit, June 26 & 27, AREA 405, Quad Ruled, debut, choreographed by
Renée Brozic Barger. Nohe: prepared electric bass, prepared acoustic guitar, e-bow,
waterphone, percussion. Liquid Measure, debut, choreographed by Carol Hess. Nohe:
Sequencing and varations on music by J.S. Bach. Rd E3, choreographed by Lauren
Withhart. Nohe: ebowed electric guitar, samples, AM radio, waterphone, Nick
Prevas: percussion, guitar, and toys
Timothy Nohe CV, Page 4
July, 2012
2008
Baltimore Dance Project, February 7, 8 and 9, Echoes, electro-acoustic dance score for
Doug Hamby's work of choreography. Nohe: computer granular synthesis, acoustic
instruments, samples
2007
Sounding Botany Bay an electro-acoustic score interweaving documentary elements and
live instruments was curated by Jamie Allen, and presented at "Tranzducer,"
LEMURplex, Brooklyn, July 27
Incised Lines, a visual score for Percy Grainger's "Electric Eye Tone Tool" live concert
recording broadcast Saturday June 23, 2007, Australian Broadcast Corporation, ABC
Classics, “New Music Up Late with Julian Day.” Concert: June 4, Tim Nohe,
presented two new works, Incised Lines and Ama :Story : Time at a concert organized by
composer Warren Burt, Illawarra Institute of Technology
2005
Common Axis IV, Nohe: video, Baltimore Museum of Art, March 3
Common Axis III, Phoenix Dance Company, February 9 -12, at UMBC
*blink*, and skip|stop, Nohe directed the IRC Fellows in collaboration with
movement/addiction, a modern dance company based in New York City and
Baltimore, The Patterson Theater, Creative Alliance, February 4 and 5, Nohe
performed Moog synthesizer, percussion, water filled vessels, organ pipes, voice;
Amanda Massey clarinet and percussion; Chad Eby, Nicole Shiflet; Anna Hansen:
laptops, Aaron Basch, guitar
2004
*blink*, and body.text, debut. Nohe directed the IRC Fellows in collaboration with
movement/addiction, The Imaging Research Center, UMBC, December 17, Nohe
performed percussion, water filled vessels, voice; Amanda Massey clarinet and
percussion; Chad Eby, Nicole Shiflet; Anna Hansen, Matthias Kaelcke: laptops,
Aaron Basch, guitar
Site Visits, Phoenix Dance Company, February 11 – 14, Carol Hess choreography,
videography, editing, Nohe: synthesis, organ pipes, found percussion. Travels:
Maryland Film Festival, “Avant-Garde Shorts,” Charles Theatre, Carol Hess: video
and choreography, Nohe: sound score: synthesis, organ pipes, found percussion,
May 7. Il Coreografo Electronico, Naples, Italy, May 10—12
Edgewater Park, Phoenix Dance Company, February 11 – 14, Doug Hamby
choreographer; Nick Prevas VJ; Nohe: voice with granular synthesis processing
2003
Edgewater Park, Dance Place, Washington, DC, July 18 & 19, Doug Hamby Dance,
Doug Hamby choreographer, Nick Prevas VJ, Nohe: voice, granular synthesis
Vial, Dance Place, Washington, DC, July 18 & 19, Doug Hamby Dance, Doug
Hamby choreographer, Nohe: video, set design, electro-acoustic sound score
2002
Beat Box, T I M E F O R M S, Internet streaming dance and technology Nohe:
electro- acoustic performance score and voice-over script, written in collaboration with
Sarah Seely and Michael Mersky, (invited)
Timothy Nohe CV, Page 5
July, 2012
2001
Nessie on Wheels: The Legend of the Loch Ness Monster, commissioned performance
score for Fluid Movement, production presented October 27, 28, 31 in Patterson
Park, Baltimore, MD, http://www.fluidmovement.org
08:45, “Utopicode,” Artspaces Unlimited, transmitted by concreteSTREAM, Zagreb,
Croatia and Ljublijana, Slovenia, September 14, netcast audio performance with
Steve Bradley. Nohe: shortwave, radio frequency scanner, internet-based radio
Echoes, Dance Place, Washington, DC, July 13 - 15, Doug Hamby choreographer,
February14 -17, with the Phoenix Dance Company
2000
Frankenstein on Wheels, commissioned performance score for Fluid Movement,
production presented October 28, 29, 31 in Patterson Park, Baltimore, MD
Echoes, Dance Place, Washington, DC, July 14, 15, 16, Doug Hamby Dance, Doug
Hamby choreographer, collaborative live interactive computer triggered sound events
mixed with granular synthesis digital audio
Live Performance:
2011 Ashes, Ashes, a classical concert work composed for The National Capital Area Chapter
of the Fulbright Association's Commemoration of the 10th Anniversary of the 9/11
tragedy: “9/11 Retrospective 10 Years Later; What Does It Mean?” Sunday,
September 11, 4:00pm – 5:30pm at Christ Lutheran Church Inner Harbor, 701 S.
Charles Street, Baltimore, invited by Hollis Thoms. Ashes, Ashes featured mezzosoprano Diane Schaming, flutist Lisa Cella, and percussionist Andy Hayleck. Nohe
sequenced the score on computer for waterphone, bowed guitar, media samples, and
synthesis, and performed waterphone and water instruments.
2010
2640 Move/Music, Megapolis Audio Festival, Baltimore, MD, May 16. Multimedia
dance event, featuring electro-acoustic music, video, animation, and mixed media.
Reneé Brozic-Brager, Meghan Flanigan and Clarinda Mac Low, Carol Hess,
Francesca Jandasek, Stephanie Yezek, choreographers. Music Audrey Chen (cello and
voice), Tiffany DeFoe (tenor saxophone), Luca Marini (percussion), Timothy Nohe
(programming, ebow guitar, percussion), Catherine Pancake (dry ice, percussion), and
Shelly Purdy (percussion). Nicole Shiflet (animation, video)
2009
Sounding Botany Bay, Sounding Gamay, invited performance, Fulbright 32 nd Annual
Conference, East Gallery, U.S. Botanic Gardens, Washington, DC, October 31.
Sequenced field recordings and interviews, with improvised prepared electric bass,
percussion, and waterphone
small processes, The Hexagon, Baltimore, curated by Timothy Nohe, Thursday, January
22. Live improvisational music by Steve Bradley, Marian April Glebes, Andy
Hayleck, Bonnie Jones and Timothy Nohe. Nohe: ebow electric guitar, analog and
digital effects, percussion, transduced objects, signal generator
2008
Into the Light/Into the Dark, School 33 Art Center, Baltimore, MD, curated by
Timothy Nohe, Saturday, November 1. Live improvisational music by Steve Bradley,
Timothy Nohe CV, Page 6
July, 2012
Andy Hayleck, Devin Hurd and Timothy Nohe. Nohe: ebow electric guitar, analog
and digital effects, percussion, transduced objects, signal generator, analog
synthesizers
Avant Audio Answers, Creative Alliance, Baltimore, MD, organized by clarinetist Leon
Josowitz, Friday, September 19. Live improvisational music by Andy Hayleck and
Timothy Nohe. Nohe: Ama : Story : Time. Nohe: ebow electric guitar, analog and
digital effects, water, contact microphones, acoustic recording of daughter’s sleep
routine
2007
Illawarra Institute of Technology Concert, organized by the composer Warren Burt,
debut of Incised Lines and Ama : Story : Time, June 3. Incised Lines visual score –
graphite rubbing on vellum, performed by Nohe and Burt using Percy Granger’s
“Electric Eye Tone Tool,” and Ama : Story : Time, Nohe water vortex, sparklers with
contact microphones, tea kettle, MD recording of daughter’s sleep routine, Burt:
laptop and physical interface
2006
Fanfare for Alison Knowles and Pathetic Science, “1/4 Festival” Solo: Nohe laptop,
video projection, candle, water state experiments, contact microphones;
University of Wollongong, Wollongong NSW, Australia, October 4
Beroun, Nohe: laptop and synthesis, Klára Dolezálková, Ales Cermák, Pavel Sterec:
circuit bent instruments; Filmová a Televini Fakulta Akadamie Muzich Umeni V
Praze, February 25; Skolská 28, Prague, February 26
2004
Crawl/Knot, Kunstradio / art@radio : “jamming radiophonic space,” September 3,
with John Sturgeon. Nohe: voice, laptop, AM/FM radios, samples. Live stream:
17:30 – 01:00 GMT, Baltimore, MD, http://art-radio.net/kunstradio/
Kunstradio Stream http://stream.sil.at:7562
Common Axis II, Smithsonian Institution Resident Associate Program/Washington
Center for Complexity and Public Policy, collaborative improvisational sound
performance with Phoenix Dance Company, with Steve Bradley, sound and Nick
Prevas, VJ. Nohe: trautonium and Caldera digital video Washington, DC, May 15
Common Axis I, Dance Baltimore, Baltimore Museum of Art, Baltimore, MD,
Collaborative improvisational sound performance with Phoenix Dance Company, with
Steve Bradley and Joe Reinsel, electro-acoustic sound. Nohe: voice, organ pipes,
laptop, percussion and Baltimore digital video, March 28
2003
I Walk the Line, “Sonic Circuits,” collaborative improvisational sound performance,
with Steve Bradley, Nohe: voice, oscillator, signal processing, banjo, samples. IX
International Festival of Electronic Music, American Composers Forum,
Washington, DC Chapter, Fine Arts Recital Hall, UMBC, September 13.
Anna Rubin, curator
2002
Open Air, A Radiotopia, Ars Electronica Unplugged, Baltimore to Linz, Austria
streaming Internet Radio collaborative improvisational sound performance. Nohe:
voice, turntable, FM radios, percussion, with Andy Hyleck, Soy Jones, Catherine
Timothy Nohe CV, Page 7
July, 2012
Pancake, and Steve Bradley, and Ian Nagoski; Nautical Almanac, September 10,
22:00 – 2:00 GMT, http://www.aec.at/radiotopia/,
http://wmbc.umbc.edu/~artradio/radiotopia
Sound Shift, Artscape, improvisational sound performance, with Steve Bradley,
Ricardo Arias, Ernesto Diaz-Infante, Douglas Holden, Michael Johnsen, Amit
Saxena, July 26, Decker Gallery of the Maryland Institute College of Art, Baltimore,
MD. Nohe: voice, phonograph, percussion, and invented instruments mediated by
signal processing and granular synthesis. John Berndt, curator
2001
Suite for Time and Tongue, “BioMedia Forum,” concreteSTREAM, C-3 Budapest,
Hungary to Baltimore, MD, October, 29, netcast performance
Nessie on Wheels, Fluid Movement, presented October 27, 28, 31 in Patterson Park,
Baltimore, MD, radio station performance, sound score and sound effects.
Cirque de L’Amour, Fluid Movement, synchronized swimming performance,
July 27 - 29, August 3 - 5, Patterson Park, Baltimore, MD, photographs, digital
video, http://www.fluidmovement.org
2000
Radio Fro ice[broad]cast, Baltimore to Linz, Austria, with Steve Bradley, Claire
McDonald, Laura McGough, Michael Merskey, http://www.fro.at/ 105.00 MHz.
Linz, Austria, streaming Internet and radio improvisatory performance for tools, toys,
audio cassette, and voice
Solo Exhibitions:
2012 My Station North: Sounds Surrounding Us, documentary large scale permanent pigment
prints with 5.1 surround-sound audio, Gallery CA, 440 East Oliver Street,
Baltimore, June 7 – July 6. Supported by a “Think Big” grant awarded through the
National Endowment for the Arts; the William G. Baker, Jr. Memorial Fund, creator
of the Baker Artists Awards; Station North Arts & Entertainment, Inc.; and UMBC
2011
Hello, Halt, Help, Hallow, LED sculpture; Candles for Faust and People as Verbs,
HD videos with stereo sound scores, at the in/flux gallery, 307 West Baltimore Street,
from November 5 – 26. Invited by Sarah Doherty.
2002/3 Occidio, School 33 Art Center, Baltimore, MD, December 14 -January 17, 2003,
DVD projection with computer-controlled audio and sculpture, installation,
http://www.research.umbc.edu/~nohe/OCCIDIO
2000
Origin, School 33 Art Center, Baltimore, MD, February 5 - March 12, computer
controlled interactive audio, video, and 3-dimensional animation installation,
http://www.research.umbc.edu/~nohe/ORIGIN
Two-Person Exhibitions:
2004 Soundings, ISEA 2004, Baltic Sea, August 16 – 18, sound installation in collaboration
with Steve Bradley. Nohe: optical theremin sensors, RF scanner, samples, laptop
Timothy Nohe CV, Page 8
July, 2012
Group Exhibitions:
2012 People as Verbs, The 8th Annual Berlin International Directors Lounge, February 16,
Berlin, Germany. http://berlinlounge.tumblr.com/post/16503568097/dl-selection-vi
HD video and stereo sound score
2011
/12
Project Mah Jongg, Museum of Jewish Heritage, New York City, May 4, 2010 through
February 27, 2011. Sound design Nohe, exhibition design by Abbott Miller for
Pentagram, illustrations by Christoph Niemann, Isaac Mizrahi, Maira Kalman, and
Bruce McCall. Exhibition curator Melissa Martens
http://www.projectmahjongg.com/
Travels to: Oregon Jewish Museum, Portland, OR, September 21 – December 31,
2011; Maltz Museum of Jewish Heritage, Cleveland, OH, January 24 – April 22,
2012; Skirball Cultural Center, Los Angeles, CA, May – August 19, 2012; Jewish
Museum of Florida, Miami Beach, FL, October 15, 2012 – January 15, 2013
Chosen Food: Cuisine, Culture and American Jewish Identity, The Jewish Museum of
Maryland. Nohe directed the IRC Fellows in consultation with Karen Falk, Curator
of the Jewish Museum of Maryland. Studio and field HD video documentary and
audio interviews integrated into exhibition caseworks, October 23, 2011December 30, 2012. http://chosenfood.org
2010
One Week Receipt included in Everything Must Go, shopping cart with user controlled
audio, CD player, amplifier, raw speaker elements, November 8 – December 8, 2010,
Cade Center for Fine Arts, Anne Arundel Community College, Shannon Young and
Chris Mona, curators.
Shifting Sands: Botany Bay Today, included Sounding Botany Bay, Sounding Kamay,
documentary large scale permanent pigment prints with 5.1 surround sound score,
August 21 - October 10, Hazelhurst Gallery and Art Centre, Sydney, Australia,
curated by Ace Bourke, with catalog
Locustream Promenade, “@ Festival MIMI,” July 1-14, 2010, Marseille, Iles du Frioul,
France. Sound art installation composed of sonic beams (10 parabolic dishes equipped
with sound speakers and small computers). Nohe contributes a live stream gathered
from an omni-directional microphone. http://mimi2010.amicentre.biz/wordpress/
“Anarchy in the Kitchen,” Touch Glass, “Umami Food and Art Festival,” March 5,
viewing parties at Eyebeam (NYC), Squeaky Wheel (Buffalo), The NonStop Institute
(Yellow Springs, OH), and The Center for Art, Design and Visual Culture at The
University of Maryland, Baltimore County. Timothy Nohe and Shannon Young sound
performance video: wine glasses, guttering candle flames, water and ritual gestures.
http://www.umamifestival2010.com/
Touch Glass, featured in Hive, AREA 405, Baltimore, February 21 - March 27, 2010.
Timothy Nohe and Shannon Young sound performance video: wine glasses, guttering
candle flames, water and ritual gestures
2009
Locus Sonus, Nohe participated as the Baltimore node of a global streaming audio
research group specializing in audio art. The group is based at École Supérieure d'Art
Timothy Nohe CV, Page 9
July, 2012
d'Aix-en-Provence, and École Nationale Supérieure d'Art de Nice Villa Arson. Nohe
contributes a live stream gathered from an omni-directional microphone, October
Exhibitions include: “Festival Les Nuits de l'Ososphère,” La Laiterie, Strasbourg,
January 3 – September 25, 2009; “Biennale de Lyon,” Musée d'art contemporain de
Lyon, January 3 – September 16; “Locustream Audio Tardis at the Around sound
festival in Honk-Kong,” Hong Kong Academy for Performing Arts, April 29
2008
“Sonic Residues,” The Consortium for Digital Arts, Culture, and Technology
(cDACT) at Stony Brook University, Indicium: an Archeology of the Ubiquitous, beeswax
sculptures. Curated by Christa Erickson, April 29 – May 12
2007
“FILE -HIPERSONICA-2007,” F-16 video with electro-acoustic sound score,
installation at the SESI Gallery, São Paulo, Brazil, August 14 - 17, 2007 and FILE
Rio Symposium, February 27-28, 2008, Rio de Janeiro, Brazil. F-16 was also selected
for presentation at the Australian Computer Music Conference 2007, “TRANS:
Boundaries / Permeability / Reification,” at The Australian National University,
Canberra, June 19-21
“Ice Cream Headache,” Jeffrey Lopez and Lauren Rosati curated Bellagio Caramello an
electro-acoustic composition presented via an ice-cream truck traveling through
the boroughs of New York City during the American Memorial Day weekend
Indicium: an Archeology of the Ubiquitous, mobile phones cast in beeswax. Indicium
was presented as part of “Out on the Patio,” an exhibition exchange between the
University of Wollongong and Capilano College, Vancouver, Canada between
February 5 and March 5, 2007
Locus Sonus, Nohe participated as a Wollongong, Australia node of a global streaming
audio research group specializing in audio art. “Symposium 1-4 – Audio Extranauts,”
École Nationale Supérieure d'Art de Nice Villa ArsonThe group is based at École
Supérieure d'Art d'Aix-en-Provence, and École Nationale Supérieure d'Art de Nice
Villa Arson. Nohe contributes a live stream gathered from a custom built parabolic
microphone that he built and installed at his studio, September 2006 – July 2007
2006
“+es+ pa++erns” (Test Patterns), Artscape 2006, TERRA mosaic, digital mosaic
produced as an offset bus shelter poster installed at Eastern Avenue at Bayview
Hospital and Pinkard Gallery, Maryland Institute College of Art, Baltimore, invited by
Gary Kachadourian, July 14 – 30
“Odraky,” 4+4+4 Days in Motion, Jungmanova ulice, Prague, Czech Republic
Variations on a Theme by Joe Jones, kinetic sculpture with motors and detritus, curated
by Milos Vojtechovsky, May 19 – 30
“Winter,” Maryland State Arts Council, James Backus Gallery, Baltimore, MD
Caldera, DVD video and W_nt_r, sculptures with music box elements, curated by
Gina Pierleoni, January 27 - April 18
2005
gRgu, “ICOLS Strategy Defense and Arms Fair,” DVD with 3-d models. Travels:
Centre for Contemporary Arts, Glasgow, Scotland; March 25 - May 15, 2005; The
Timothy Nohe CV, Page 10
July, 2012
Performance Space, Sydney, Australia, April 29 - May 21 2005; Side Cinema,
Newcastle Upon Tyne, UK, June 2005
Site Visits, “Rosebud Film Festival,” Rosslyn Spectrum Theater, Arlington, VA, Carol
Hess: video and choreography, Nohe: sound score: synthesis, organ pipes, found
percussion, April 9 -10, 2005
In the Near Future Minutes From Now, “Anthologie der Kunst / Anthology of Art”:
ZKM, Zentrum fur Medienkunst, Karlsruhe, June - August 2004.
Travels:Akademie der Künste, Berlin, November 18, 2004 - January 9, .2005.
Bundeskunsthalle, Bonn, April - May 2005
2004
gRgu, ICOLS Strategy Defense and Arms Fair, DVD with 3-d models. Travels: ISEA
2004, Baltic Sea, August 16 – 18, location Silja Ferry; The LeRoy Neiman Gallery,
Columbia University, New York City, September 7 - 28 2004; Oliver Gallery University of South Florida, Tampa, FL, November 2004
Wendover, Mobilis in Mobili, “Strange Animals” at Los Angeles Contemporary
Exhibitions (LACE), October 15 -December 10, Los Angeles, CA.
http://www.artleak.org/programs.current.html Free Radio HDTS. Programming
curated by Fabienne Lasserre & Christy Gast. “High Desert Test Sites 4” at High
Desert Test Sites, Joshua Tree, CA http://www.highdeserttestsites.com/, Airport,
Enola Gay Hanger, Rainbow, and Drive Thru
Site Visits, Maryland Film Festival, “Avant-Garde Shorts,” Charles Theatre, Carol
Hess: video and choreography, Nohe: sound score: synthesis, organ pipes, found
percussion, May 7, Travels: “Il Coreografo Electronico,” Naples, Italy,
http://www.napolidanza.com, May 10
142 Ways to Mark Time, Eastern State Penitentiary Historic Site, Philadelphia, PA,
April 1 – November 15, audio installation with digital images bound in folios,
http://www.easternstate.org
2003
Wendover, Mobilis in Mobili, “Sun Valley Research,” Sydney, Australia, digital audio
stream of electro-acoustic compositions, Bonneville Salt Flats, Petroglyphs,
Rain: Time Zone, David Haines, curator
Detritus and Wendover, Utah/Nevada, United States of America, ICOLS, “F I L E,
Electronic International Language Festival,” Museu da Imagem e do Som, São Paulo,
SP, Brazil, August 7 – 23, digital images – www site, Ricardo Barreto and Paula
Perissinotto, curators, http://www.file.org.br/
Wendover, Mobilis in Mobili, ICOLS AUDIO, juniradio Berlin104.1 08-30,
http://www.juniradio.net
Annie Creek, “Pulse Field,” Georgia State University School of Art & Design
Galleries, Atlanta, Georgia U.S.A., January 18 through February 28, 2003. Curated
by Craig Dongoski and Robert S. Thompson
Timothy Nohe CV, Page 11
July, 2012
21201, “10 Page Book,” invited by Gary Katchadourian, The Contemporary Museum,
artist’s book, digital images printed in an inkjet chapbook edition of 10
2002
08:45, “Violence,”” curated by Wilfried Agricola de Cologne in the framework of
Violens Festival Tábor, Czech Republic, August 22 – 26, and published in the
“VIOLENCE” - online festival and exhibition, version 1.0, August 17 – 31,
http://newmediafest.org/violence/ and http://www.cesta.cz, (juried, www
publication), traveled to: Liberarti Festival, Liverpool, UK, October 10 – December
1. Reviewed in “El Pais,” September 19, 2002, “VioLENS reflexiona en Internet
sobre el concepto de violencia”, Madrid, Spain, http://www.elpais.es/, “THAW 02,”
media festival curated by Adam Burke, University of Iowa, improvised performance
with Steve Bradley, recorded September 14, 2001, (catalog)
Detritus and Wendover, Utah/Nevada, United States of America, ICOLS Traveled to:
Museum of Contemporary Art, Sydney, Australia, May 15 – July 28; and
“netart_open,” the Irish Museum of Modern Art, Arthur X. Doyle, curator,
http://www.stunned.org/imma/netart_open.htm; and
“[art meets archive]”, curated by Susan Charlton, State Records Authority of New
South Wales, Sydney, Australia, http://www.icols.org/ (catalog)
Annie Creek, “Third Practice Electroacoustic Festival 2002,” University of
Richmond, November 1st and 2nd, curated by Dr. Benjamin Broening, (invited
composer’s presentation); http://www.music.richmond.edu/3p/ Travels: Crater Lake
Centennial Exhibition,” Schneider Museum of Art, Ashland, Oregon, June 28 –
October 5, Mary Gardner, curator; and MIX.02, Danish Institute of ElectroAcoustic Music, Musikhuset, June 10, and MixByNight, Cinema Øst for Paradis,
Århus, Denmark, Hans Sydow, curator http://www.daimi.aau.dk/~diem/mix02gb/
Beat Box, “T I M E F O R M S,” Internet streaming dance and technology
performance, MAMA, Zagreb, Croatia; the Center for Research in Computing in the
Arts, La Jolla, CA; Cal Arts, Valencia, CA; UMBC, Baltimore, MD, April 20,
(synthesized dance score and voice over) in collaboration with Sarah Seely and
Michael Mersky
Detritus, ICOLS, The International Corporation of Lost Structures,
http://www.icols.org/, detritus and digital images, directed by Suzanne Treister and
Bronia Iwanczak
2001
Echoes, Second Iteration: Emergence, Caulfield Campus, Monash University,
Melbourne, Australia, December 5 – 7, (published audio compilation 2002)
Barron/Barren, “FOLDOVER,” WOBC 91.5 FM, Oberlin College, Oberlin, OH,
November 12, http://www.timara.oberlin.edu/~tlopez/foldover/index.html radio
broadcast and internet stream, curated by Tom Lopez, (audio CD), Nohe: oscillator
and analog synthesis, Steve Bradley: interfaced instrument
Wendover, Utah/Nevada, United States of America, ICOLS, The International
Corporation of Lost Structures, http://www.icols.org/, WWW site and photographs,
directed by Suzanne Treister and Bronia Iwanczak
Timothy Nohe CV, Page 12
July, 2012
Binary, Artscape 2001, “Monuments,” July 20 -March 30, 2002 installed at 1300
Mt. Royal Avenue, Baltimore. Steel and tile mosaic sculpture,
Gary Katchadourian, curator
sf|WM, “F I L E, Electronic International Language Festival,” Museu da Imagem e
do Som, São Paulo, SP, Brazil, http://www.file.org.br/ poetry (audio CD, catalog)
Ricardo Barreto and Paula Perissinotto, curators
Occidio, “Gegenort - The Virtual Mine,” Neunkirchen, Saarland, Germany,
http://the-virtual-mine.net/ and http://research.umbc.edu/~nohe/OCCIDIO
Curated by Monika Bohr, Claudia Brieske, Leslie Huppert, Fevzi Konuk,
Gertrud Riethmüller
small science, percussion for 1 candle, “Thaw01,” The Institute for Cinema and
Culture, University of Iowa Museum of Art, Iowa City, IA, March 23 - 31,
Adam Burke, Alison LaTendresse, Jason Livingston, directors, screening, (catalog)
Constructivist Composition, St. Louis, “SNAPSHOT,” Contemporary Museum,
Baltimore, MD, November 2 -January 14, 2001, photograph, Gary Sangster, curator
2000
Rrose Demographica, Faculty Biennial, Fine Arts Gallery, UMBC, Baltimore, MD,
September 18 - October 22, demographic and printed matter installation
mis-connected, “F I L E, Electronic International Language Festival,” Museu da
Imagem e do Som, São Paulo, SP, Brazil,http://www.file.org.br/ and
http://research.umbc.edu/~nohe/ISO/ Ricardo Barreto and Paula Perissinotto,
curators, (catalog)
surveyor, “SCI-ART: Extensions of Being,” Maryland Art Place, Baltimore, MD, May
6 - June 3, two channel video installation with video animation loop, live surveillance
camera, video switcher, transparency, sound and sculptural elements, Mina Cheon,
curator. http://www.research.umbc.edu/~nohe/SURVEYOR/ (catalog)
small science, percussion for 1 candle, “Video Art 2000,” the Contemporary Museum,
North Holiday Street window installation, Baltimore, March 6 - June 6, single
channel video projection, Gary Sangster and Vin Grabill co-curators
Curation:
2010 2640 Move/Music, Megapolis Audio Festival, Baltimore, MD, May 16. Multimedia
dance event, featuring electro-acoustic music, video, animation, and mixed media.
Reneé Brozic-Brager, Meghan Flanigan and Clarinda Mac Low, Carol Hess,
Francesca Jandasek, Stephanie Yezek, choreographers. Music Audrey Chen, Tiffany
DeFoe, Luca Marini, Timothy Nohe (programming, ebow guitar, percussion),
Catherine Pancake, and Shelly Purdy
2009
AREA 405 CIRCUIT, Baltimore, curated by Timothy Nohe, June 27 and 28. Multimedia dance event, featuring electro-acoustic music, video mixing, animation, and
mixed media. Carol Hess, Reneé Brozic-Brager, Lauren Withard, choreographers;
Timothy Nohe CV, Page 13
July, 2012
bunny & chick, Matt Sterling, Nick Prevas, music. Nicole Shiflet, animation and
video installations by Matt Sterling and Nick Prevas
small processes, The Hexagon, Baltimore, curated by Timothy Nohe, Thursday, January
22. Live improvisational music by Steve Bradley, Marian April Glebes, Andy
Hayleck, Bonnie Jones and Timothy Nohe
2008
Into the Light/Into the Dark, Concert, School 33 Art Center, Baltimore, MD, curated
by Timothy Nohe, Saturday, November 1. Live improvisational music by Steve
Bradley, Andy Hayleck, Devin Hurd and Timothy Nohe
Into the Light/Into the Dark, Exhibition, School 33 Art Center, installation of works
on paper, video, installation art, analog circuits and interactive media by Bonnie
Crafword Kotula, Phil Davis, John Sturgeon, and Christian Valiente. October 30
December 18, 2008, Baltimore, MD
Antipodes, AREA 405, screening of works on video by contemporary Australian
performance artists, 90 minute program, April 18 and 20, Baltimore, MD
2005
X|Y, “Curator’s Incubator,” Maryland Art Place, Baltimore, August 30 - October 15.
Invited artists: Christa Erickson, Christina Hung, Paul Vanouse. Catalog, lecture
2002
small + UGLY, concreteSTREAM, international call for video, film, digital media and
animated works, screened October 3, in a one hour program, 4:00 – 5:00 PM,
20:00 – 21:00 GMT. Works presented to an audience at UMBC and netcast via
http://concretestream.umbc.edu
Publications:
2010 “Mah Jongg: Crak, Bam, Dot,” 2wice Arts Foundation, Patsy Tarr, editor, Abbott
Miller, designer, Pentagram Design, New York. 81-pages luxe-edition, 78 images and
illustrations. Exhibition catalog: “Project Mah Jongg,” Museum of Jewish Heritage
ISBN: 097238863X
Shifting Sands: Botany Bay Today, Ace Bourke, curator. Artists include: Micky Allan &
Steenus von Steenson, Julie Gough, Fiona MacDonald, Timothy Nohe, Kate Rohde
and Sarah Smuts-Kennedy. Hazelhurst Gallery and Art Centre,
ISBN: 9781921437199
2005
X|Y, “Curators Incubator,” Maryland Art Place, Baltimore, MD, catalog essay
2004
In the Near Future, Minutes from Now, “Anthologie der Kunst/ Anthology of Art,”
DuMont Verlag, Köln
2003
Joe Jones’s Solar Music Hot House, “Intermedia: The Dick Higgins Collection at
UMBC,” Lisa Moren, editor, Albin. O. Kuhn Library & Gallery, University of
Maryland Baltimore County, ISBN 1-888378-09-3
2002
In the Near Future Minutes From Now, “Anthologie der Kunst/ Anthology of Art,”
initiated by Jochen Gerz, School of Visual Arts of Braunschweig, Germany, the
Timothy Nohe CV, Page 14
July, 2012
University of Rennes, France, http://www.anthology-of-art.net/, #17, exhibited
concurrently with “Jochen Gerz Vidéo et Internet dans l'oeuvre 1969 -2002,” Centre
Pompidou, Paris, February 6 – April 22, (CD- ROM and Internet), reprinted in:
Lettre International, publication in English, Sommer 2002, Berlin, Germany, pg. 60
(invited by Jochen Gerz, publication)
“Information Arts: Intersections of Art, Science, and Technology,” by Stephen
Wilson, MIT Press, 2002, pgs. 286 – 288, 2 selections of Nohe’s music contributed to
Trace by Teri Rueb, pgs. 708 – 709, Apparitions, by Vital Signs,
ISBN 0-262-23209-X
2001
Wild Ideas: An Interview with Geoffrey Batchen, “Link: A Critical Journal on the
Arts in Baltimore and the World, Issue 7: Code,” Baltimore, MD
Cirque de L’Amour, Fluid Movement, poster, 1 edition of 5000, photograph, 3 color
silkscreen, Globe Poster Co., Baltimore, MD, photograph, (commissioned)
2000
Casino, “Link: A Critical Journal on the Arts in Baltimore and the World, Issue 5:
Hysteria,” Baltimore, MD, “Hysteria Sound Gestures CD Anthology.”
Steve Bradley, curator
sf|WM, “Link: A Critical Journal on the Arts in Baltimore and the World, Issue 5:
Hysteria,” Baltimore, MD, computer-assisted poem, typography designed by
Franc Nunoo-Quarcoo
Press:
2010 “Recalling the Craze for a Game of Chance” by Steven Heller, The New York Times,
March 15, 2010, Project Mah Jongg coverage.
http://www.nytimes.com/2010/03/18/arts/artsspecial/18MAH.html
“Dust Off Your Old Game Table: Mah-Jongg Is Making a Comeback Young and Hip
Update a Classic for an Era Smitten With 'Mad Men' Chic,” by Lucette
Lagnado, The Wall Street Journal, Oct 26
http://online.wsj.com/article/SB10001424052748703631704575552683266650568
.html
“CRAK, BAM, DOT,” posted by Macy Halford The Book Bench, The New Yorker,
http://www.newyorker.com/online/blogs/books/2010/05/crak-bam-dot.html
2009
The Baltimore Sun, “Drawn Together” feature article in the AE section, with color
photographs, Sunday, December 6, by Mary Carole McCauley, online feature with
video, on the making of The Crystal Egg,
http://www.baltimoresun.com/entertainment/arts/balae.egg06dec06,0,3250527.story
small processes concert, “The Short List,” The City Paper, “Pick” with color photograph,
by Michael Byrne, January 21
2008
Baltimore Magazine, “Shiny, Happy People,” feature on Fluid Movement by
Michael Anft , interview with Timothy Nohe, August 2008
Timothy Nohe CV, Page 15
July, 2012
2007
Voice of America video documentary by Ruth Reader and Enoch Chang. Nohe
performs a sound score incorporating laptop, percussion and waterphone, and
contributes video to a Baltimore Dance Company art and tech dance concert featured
in worldwide broadcast and Internet delivery as streaming content, October 10.
Bellagio Caramello featured in Ice Cream Headache exhibition coverage in "Time Out"
New York (Time Out New York / Issue 602 : April 12, 2007 - April 18, 2007) and
via national broadcasts of National Public Radio, “All Things Considered,” on May 1,
2007: "We All Scream for New Ice Cream Song"
2005
X|Y at Maryland Art Place: “ArtWorks This Week,” broadcast feature on Maryland
Public Television, August 17, rebroadcast August 19 and 21. Nohe is introduced in a
7 minute interview segment discussing X|Y. Work by Christa Erickson, Christina
Hung and Paul Vanouse is screened
“MAP exhibits are a platform for 'emerging curators,' 'Incubator' program nurtures art
professionals,” by Glenn McNatt, The Baltimore Sun, September 1
“Year End Top Ten in Art: Critic’s Choice,” X|Y selected by Violet Glaze, The
Baltimore City Paper, Baltimore, MD, December 14 – 21
*blink* at Creative Alliance: “ArtWorks This Week,” broadcast feature on Maryland
Public Television, February 2, rebroadcast February 4 and 5, Nohe and Reneé Brozic
in a 5 minute interview segment with video from the December 17 performance of
*blink*
“Technology adds a cutting edge to modern dance,” Ann McArthur, The Baltimore
Sun, Baltimore, MD, February 3, pg. 12T, “Live” preview with photographs by Nohe,
of IRC Fellows and movement /addiction at The Patterson Theater, Creative
Alliance, Baltimore
“Critic’s Choice,” The Baltimore City Paper, Baltimore, MD, February 2 – 9,
preview; *blink* and work in progress review, Radar, Issue 12, Baltimore, MD
2002
08:45: “VioLENS reflexiona en Internet sobre el concepto de violencia,” El Pais,
September 19, Madrid, Spain, http://www.elpais.es/
“Fluid Movement” is silly, but not watered down, Chris Kaltenbach, The Baltimore
Sun, Baltimore, MD, May 3, preview of Fluid Movement at the Maryland
Film Festival
“Diving Back In,” Eric Allen Hatch, The Baltimore City Paper, Baltimore, MD, May
1 – 7, preview of Fluid Movement at the Maryland Film Festival
2001
WBAL News, Nessie on Wheels, WBAL Television, Baltimore, MD, October 28,
11:00 PM, broadcast feature
Timothy Nohe CV, Page 16
July, 2012
“These Dancers Are All Wet,” Lisa Traiger, The Washington Post, Washington, DC,
July 26, Fluid Movement performance preview and feature profile, Cirque de L’Amour
“Swimming in Sync and Pregnant, Eat Your Heart Out Esther Williams,” Kevin
Cowherd, The Baltimore Sun, Baltimore, MD, July 19, Fluid Movement performance
preview and feature profile, Cirque de L’Amour
WBAL News, Cirque de L’Amour, WBAL Television, Baltimore, MD, July 27, 11:00
PM, broadcast feature
“Doug Hamby's Precious Human Resources,” Sarah Kaufman, The Washington Post,
Washington, DC, July 10, performance review of Echoes
2000
“On a Roll,” Sandra Crockett, The Baltimore Sun, Baltimore, MD, October 31,
performance review and feature profile, Frankenstein on Wheels
WBAL News, Frankenstein on Wheels, WBAL Television, Baltimore, MD, October
28, 11:00 PM broadcast
“Hamby, Making the Audience Stretch,” Kirsten Bodensteiner, The WashingtonPost,
Washington, DC, July 17, dance review, Echoes
“Night Gallery,” Mike Giuliano, The Baltimore City Paper, March 1, Baltimore,
MD pg. 35
Social Media – External Publications:
Shifting Sands: Botany Bay Today Artist Talk with Timothy Nohe Part 1
http://www.youtube.com/watch?v=ecQrpot5Htw&feature=related
Shifting Sands Botany Bay Today Artist Talk with Tim Nohe Part 2
http://www.youtube.com/watch?v=928qO-als5s&feature=related
Collections:
Alison Knowles, Artist, New York, New York, Wendover, Mobilis in Mobili, vs.1.0, (
audio CD), and, small science, percussion for 1 candle (videotape)
The Center for Land Use Interpretation, Los Angeles, Wendover, Mobilis in Mobili,
vs.1.0, (audio CD)
Lectures, Presentations, Visiting Artist Critiques:
2012 Bendigo TAFE, Lecture, Bendigo, Victoria Australia, July 30
The Maryland Institute College of Art, BFA Studio critiques, March 19
2011
The Corcoran School of Art, Washington, DC, artist presentation and critiques,
April 11
2010
Shifting Sands: Botany Bay Today, artist presentation, Hazelhurst Gallery and
Regional Art Centre, Gymea, NSW, Australia. August 22
Timothy Nohe CV, Page 17
July, 2012
University of Wollongong, Faculty of Creative Arts, Botany Bay presentation,
University of Wollongong, Wollongong, NSW, Australia. August 20
La Trobe University, Cinema Studies Program, School of Communication, Arts and
Critical Enquiry, Melbourne, Victoria, Australia, Botany Bay presentation, August 16
2009
Visiting Artist, Rhetorics, Communication, and Information Design PhD program,
the College of Architecture, Arts, and Humanities at Clemson University, 14-16
October
Centre for Media Arts Innovation, University of Technology Sydney, Sydney,
Australia, invited presentation by Dr. Norie Neumark, August 17
University of Wollongong, Faculty of Creative Arts, Wollongong, Australia, invited
presentation, August 14
2008
Art and Media, UMBC, invited artists’s talk, Mark Alice Durant, November 11
InterArts, UMBC, invited artist’s talk, Alan Kreizenbeck, October 10
2007
Australian National University, Canberra, Australia, “Art Forum”, invited artist’s talk,
May 23
University of Technology Sydney, Sydney, Australia, Norie Neumark, faculty, invited
artists talk, April 4
University of Wollongong, Wollongong, Australia, Stephen Ingham, faculty, invited
artists talk, March 12
2006
University of Wollongong, Wollongong, Australia, Post-Graduate Seminar: “Planning
Your Creativity”, Faculty of Creative Arts, September 5
University of Wollongong, Wollongong, Australia, Dr. Margaret Hamilton, Theatre,
Faculty of Creative Arts, “Fluid Movement, Urban Contexts and Creation”,
August 17
University of Wollongong, Wollongong, Australia, Dr. Diana Wood-Conroy, Art &
Design, “What is Interdisciplinarity?”, Faculty of Creative Arts
Bauhaus-Universität, Weimar, Germany, Moden und öffentliche Erscheinungsbilder
der Fakultät Medien. Studio of Professor Christine Hill, invited artist’s talk, May 31
Academy of Fine Arts, Prague, The School of New Media I, Studio of Michael
Bielick, invited artist’s talk, March 29
“Senzory a interaktivita, zvukové instalace,” FAMU: Film and TV School of the
Academy of Performing Arts in Prague, Milos Vojtechovsky, lecturer, invited artist’s
talk, circuit bending workshop, performance February 19 -26
Timothy Nohe CV, Page 18
July, 2012
2005
X|Y, “Curator’s Incubator Program,” curator’s exhibition introduction, Maryland Art
Place, Baltimore, MD, August 30
142 Ways to Mark Time, “Imprisonment,” College Art Association, panel session
paper, Atlanta, GA, February 17. Invited by Dr. Susan Dixon
2004
“Arts of the Virtual: Poetic Inquiries in Time, Space and Motion,” University of
Utah, Salt Lake City, UT, September 30 – October 2. Invited by Associate Dean
David Zemmels
2002
“Third Practice Electroacoustic Festival 2002,” University of Richmond, November
1st and 2nd, invited by Dr. Benjamin Broening, Annie Creek
State University of New York, Stony Brook, presentation and critiques, October 25,
Stony Brook, NY, invited, Christa Erickson
SIGGRPH 2002, “Weather and Information Visualization,” Occidio, presentation,
July 24, San Antonio, TX, (juried)
UMBC Board of Visitors, presentation, Occidio, April 16, Baltimore, MD, (invited)
Cleveland Institute of Art, Technology and Integrated Media Environment
(T.I.M.E.), presentation and critiques, April 1, Cleveland, OH. Invited by
Jürgen Faust
2001
Maryland Institute College of Art, presentation, MFA Seminar, October 14,
Baltimore, MD. Invited by Rachel Schreiber
Maryland Institute College of Art, invited presentation, BFA General Fine Arts
Senior Projects Seminar, March 12, Baltimore, MD. Invited by Davina Grunstein
2000
International Society of Electronic Arts, ISEA 2000, Revelation, presentation,
“Musique et Son, Music and Sound Panel,” Origin, December 7, Les Halles, Paris,
France (juried)
University of Southern California, DADA MFA Program, November 28 December 3, Los Angeles, CA. Invited by Vibeke Sorensen
The Society for Photographic Education Western Region Fall 2000 Conference,
artist’s presentation, surveyor, November 17, San Diego, CA, (juried)
Experience in Higher Education:
Current positions:
University of Maryland Baltimore County, Baltimore, MD, 2003-present.
Associate Professor, granted tenure in May 2003, currently active in IMDA MFA
Program, Foundations, and Animation and Interactive Media - Sound Design.
President, UMBC Faculty Senate; liaison to University of Maryland System Faculty
Senates and Council of University System Faculty
Timothy Nohe CV, Page 19
July, 2012
La Trobe University, Melbourne, Victoria, Australia. April 2011 – present.
Adjunct Professor, School of Communication, Art and Critical Enquiry
(Media and Cinema Program). Artist at the Centre for Creative Arts
2012
/09
University of Technology Sydney, Centre for Media Arts Innovation, Sydney
Australia, invited by Dr. Norie Neumark, Centre Director, affiliated as an
Associate of the Centre. Continuing affiliation, to present
2007
University of Wollongong, Faculty of Creative Arts, School of Art & Design, School of
Music Wollongong, New South Wales, Australia, Artist-in-Residence
2006
University of Wollongong, Faculty of Creative Arts, School of Art & Design,
Wollongong, New South Wales, Australia, Fulbright Senior Scholar
2003 - University of Maryland Baltimore County, Baltimore, MD
Granted tenure as an Associate Professor, May 2003
2001
/99
University of Maryland Baltimore County, Baltimore, MD
Graduate Program Director, Imaging and Digital Arts MFA Program
1997
University of Maryland Baltimore County, Baltimore, MD
Assistant Professor, Imaging and Digital Arts
1996
University of Massachusetts Boston, Boston, MA
Visiting Assistant Professor, Digital Media
1996
University of California, San Diego, La Jolla, CA
Visiting Lecturer, Digital Media
1995
University of California, San Diego, Extension, La Jolla, CA
Visiting Lecturer, Digital Media and Photography
Experience in Other than Higher Education:
1992 NASA, Goddard Space Flight Center, National Space Science Data Center,
/89
Greenbelt, MD, Photographer and Videographer
1989
Johns Hopkins Hospital Child Life Center, Child Life Television, Producer
1986
/81
WWFM, 89.1 FM, Public Radio, Producer, Engineer, Editor, and On-Air Host
Professional Societies and Associations:
2010 Fulbright Association, United States, current member
2008
Society of Electro-Acoustic Music in the United States, current member
2001
Electronic Music Foundation, current member
1996
College Art Association, current member
Timothy Nohe CV, Page 20
July, 2012
Service to the Profession and Community:
2012 Media consultant, “Chosen Food,” Jewish Museum of Maryland, Baltimore, MD
2011
/10
Gourd Season workshops, Baltimore Montessori Public Charter School, k-3 a “green”
workshop on the art, culture and stewardship of gourds. Continuing funded project
2008
Promotion and Tenure External Reviewer, Stony Brook University, State University
of New York, eCAD Program, Stony Brook, NY, February
2007
/00
Fluid Movement, Board Member, Baltimore, MD, September 2000 – 2007.
2006
Review Panel, Workshops, Inter-Society of Electronic Arts (ISEA, 2006,
San Jose), reviewer, invited by Steve Dietz, San Jose, CA February 20 -27
2005
Lockheed/Martin Digital Infrastructure Grant Panel, Maryland State Arts Council,
reviewer, Baltimore, MD, August 19
2004
Lockheed/Martin Digital Infrastructure Grant Panel, Maryland State Arts Council,
reviewer, Baltimore, MD, October 29
Sound-Waves Museum of Recorded Sound, consultant, Camden, NJ
School 33 Art Center, Annual Juried Exhibition, juror, May 15, Baltimore, MD
2003
Lotta Art, Auction, donor, School 33 Art Center, Baltimore, MD
2002
Lockheed/Martin Digital Infrastructure Grant Panel, Maryland State Arts Council,
Baltimore, MD, March 1
Jewish Museum of Maryland, Internet development consultant, Baltimore, MD
2001
Integrative Arts & Technology Panel, DC Commission on the Arts & Humanities,
Washington, DC, June 14
Technology Advisory Panel, Maryland State Arts Council, Baltimore, MD
University and Departmental Service:
2012 Faculty Senate President, UMBC
President’s Council, UMBC
Strategic Alliance Study Committee, UMBC
Faculty Senate Executive Committee, UMBC
University Steering Committee, UMBC
Sustainability Committee, UMBC
Provost Search Committee
Smoking Policy Committee
2011
Faculty Senate President, UMBC
Timothy Nohe CV, Page 21
July, 2012
President’s Council, UMBC
Faculty Senate Executive Committee, UMBC
UMB-UMCP Merger Study Committee, UMBC
University Steering Committee, UMBC
Climate Change Task Force, UMBC
Sustainability Committee, UMBC
Maryland Charity Campaign Board
Interim Provost Search Committee
2011
/10
Faculty Senate Vice President, UMBC
Search Committee, Associate Provost for Faculty Affairs
Faculty Senate Executive Committee, UMBC
University Steering Committee, UMBC
Climate Change Task Force, UMBC
Sustainability Committee, UMBC
Interim Provost Search Committee
2010
/09
Faculty Senate Vice President, UMBC
Faculty Senate Executive Committee, UMBC
University Steering Committee, UMBC
Climate Change Task Force, UMBC
Sustainability Committee, UMBC
Curriculum Committee, UMBC, Department of Visual Arts
2009
/08
Faculty Senate Executive Committee, UMBC
Climate Change Task Force, UMBC,
Sustainability Committee, UMBC
Organization and University Operations Committee, UMBC
Foundations Area Coordinator, UMBC, Department of Visual Arts
Curriculum Committee, UMBC, Department of Visual Arts
2008
/07
Faculty Affairs Committee, Faculty Senate, Chair, UMBC
Faculty Senate Executive Committee, UMBC
Foundations Area Coordinator, UMBC, Department of Visual Arts
Curriculum Committee, UMBC, Department of Visual Arts
Faculty of Creative Arts, Foundations, Art & Design, University of Wollongong
2005* Honors and Awards, UMBC (*Leave without pay, spring 2006)
Alternate-Senator, Faculty Senate, UMBC
Faculty Affairs Committee, UMBC
Departmental Recruitment, UMBC, Department of Visual Arts
Foundations, UMBC, Department of Visual Arts
Departmental Promotion and Tenure, UMBC, Department of Visual Arts
Graduate Committee, UMBC, Department of Visual Arts
2005 Honors and Awards, UMBC
/04
Alternate-Senator, Faculty Senate, UMBC
Faculty Affairs Committee, UMBC
Departmental Recruitment, UMBC, Department of Visual Arts
Timothy Nohe CV, Page 22
July, 2012
Foundations, UMBC, Department of Visual Arts
Departmental Promotion and Tenure, UMBC, Department of Visual Arts
Graduate Committee, Member, UMBC, Department of Visual Arts
2004
/03
Departmental Recruitment, UMBC, Department of Visual Arts
Foundations, UMBC, Department of Visual Arts
Departmental Promotion and Tenure, UMBC, Department of Visual Arts
Graduate Committee, Member, UMBC, Department of Visual Arts
2003
/02
UMBC Faculty Senate, alternate Senator, UMBC
Foundations, UMBC, Department of Visual Arts
2002
/01
2001
IRC Associate Director Search, Imaging Research Center,
Computer Policy Committee, UMBC
Animation Search Committee, UMBC, Department of Visual Arts
Imaging and Digital Arts, Member, UMBC, Department of Visual Arts, 1997 Graduate Committee, Member, UMBC, Department of Visual Arts, 1999 Workload Oversight Committee, UMBC, Department of Visual Arts, 1998 Internet Architecture and Redesign Committee, UMBC, Department of Visual Arts
Graduate Program Director, Imaging and Digital Arts MFA Program, 1999 -2001
2001
/00
Graduate Committee, Chair, Visual Arts Department, UMBC, 1999 – 2001
Photography Search Committee, UMBC, Department of Visual Arts
2000
/98
Computer Policy Committee, Chair, Subcommittee on Retirement Policy, UMBC,
UMBC IMDA MFA Program Candidates:
Meghan Flanighan, Questioner, 2012
Matt Sterling, Chair, 2011
Andy Hayleck, Committee Member, 2011
Jaimes Mayhew, Committee Member, 2010
Kathryn Williamson, Chair, 2010
Marian April Glebes, Chair, 2009
Christian Valiente, Orals Questioner, April 2009
Shannon Young, Committee Member, 2008
Kelley Bell Thesis Committee, Chair, 2005 (abroad, Spring 06)
Nicole Shiflet Thesis Committee, Chair, 2005 (abroad, Spring 06)
Diana Jeon, Thesis Committee Member, 2005
Doug Holden Orals Questioner, April 2004
Jon Routson Thesis Committee, Chair, April 2003
Bridget Hanlon Thesis Committee, Chair, April 2003
Barbara Tyroler Thesis Committee, April 2003
Sala Wong Thesis Committee, April 2003
Deborah Gorski Orals Questioner, April 2002
Cyriaco Lopes-Periera Thesis Committee Member, May 2002
Michael Baker Thesis Committee Member, May 2001
Eileen Ragsdale Thesis Committee Member, May 2001
Tiffany G. Holmes Thesis Committee Member, May 1999
Timothy Nohe CV, Page 23
July, 2012
Kevin Ley Thesis Committee Member, May 1999
Cheryl Amato Thesis Committee Member, May 1999
Kathy Burdette Orals Questioner, May 1999
Martine Barnaby-Sawyer Orals Questioner, May 1999
Will Brooks Orals Questioner, May 1999
Inga Frick Thesis Committee Member, May 1998
Mary Croke Orals Questioner, May 1998
Tracy Bunnell Orals Questioner, May 1998
Katherine Marmor Orals Questioner, May 1998
Courses Instructed:
University of Wollongong:
VISA 102, Visual Investigations: Tangible Sonics, Spring 2006
VISA 302, Visual Investigations: Electro-Acoustic Music, Spring 2006
University of Maryland Baltimore County:
Visual Concepts I, ART 210: fall 1997; fall 1998; spring 2005
Visual Concepts III, ART 213, fall 2005
Visual Concepts IV, fall 2007, 2008, 2009, 2010
Introduction to Computer Art, ART 282: fall 1997
Introduction to Art and Technology, ART 282: spring 2001; fall 2001, fall 2002, spring 2004
Drawing I, ART 310: fall 1998, fall 2002, winter 2005, spring 2005, spring 2007,
spring 2009
Sound Design, ART 383, spring 2008, 2009; fall 2010, spring 2011, spring 2012
Introduction to Computer Animation, ART 384: spring 1999, fall 1999, fall 2000, fall 2001
Special Topics: Advanced Animation, ART 389A: spring 2000
Special Topics: Multimedia on the Internet, ART 389D/C: fall 1997; fall 1998
Special Topics: Sound Art, IRC Fellows, ART 392A/390, spring 2002, fall 2004, fall 2009,
spring 2011
Special Topics: Theater Sound and Vision, IRC Fellows, ART 390, fall 2009
History of Imaging and Digital Art, ART 480, spring 2003, fall 2003
Advanced Computer Art, ART 482: fall 1999
IMDA Senior Projects, ART 489: spring 2002, spring 2004
Special Studies, ART 491
Internship, ART 494
Independent Study, ART 495
Graduate Seminar in Imaging and Digital Arts, ART 610, Graduate: fall 2000, fall 2004, fall
2005, fall 2008, fall 2011
Teaching Practicum, ART 638, Graduate, 1997 Imaging and Digital Studio, ART 640/740, Graduate: spring 1999, fall 2012
Introduction to Computer Animation, ART 649D, Graduate, fall 1999
Sound Art, ART 649J, fall 2004
Independent Studies, ART 790, Graduate
Thesis and Exhibition Preparation, ART 792, Graduate
Academic Curation:
2011
/12
Chosen Food, The Jewish Museum of Maryland. Nohe directs the IRC Fellows in
consultation with Karen Falk, curator of the Jewish Museum of Maryland
Timothy Nohe CV, Page 24
July, 2012
http://chosenfood.org
2009
The Crystal Egg, IRC Fellows and Department of Theater students under the
direction of Nohe and Associate Professor Colette Searls, at The Theater, UMBC
2006
Beroun, electro-acoustic sound and circuit-bending workshops and performances,
FAMU: Film and TV School of the Academy of Performing Arts in Prague
Czech Republic, February 18 – 26
2005
*blink*, IRC Fellows and movement/addiction dance company performance at The
Patterson Theater, Creative Alliance, Baltimore, MD, February 4 and 5
2004
*blink*, IRC Fellows and movement/addiction dance company performance at the
Imaging Research Center, UMBC, Baltimore, MD, December 17
2002
“Red05,” “End Memories,” Dance by Jessica Amato, Jennica Lee, Eileen Mitchell;
improvisational dance performance score, vocalized granular synthesis with
Matthew Teigen, guitar, Mike Castor, percussion, UMBC
T I M E F O R M S, curated and performed artists’ made instruments by students
Mark Alcasabas, Trevor McCauley, Jay Langdon Perry, MAMA, Zagreb,
Croatia, the Center for Research in Computing in the Arts, La Jolla, CA, Cal
Arts, Valencia, CA, UMBC, Baltimore, MD, April 20, Internet performance
Timothy Nohe CV, Page 25
July, 2012