The Chinese University of Hong Kong
Department of Cultural and Religious Studies
2nd Semester, 2014-2015
CURE3017
Globalization and Cultural Production
Course Outline
Lecturer: Dr. Chan Ka Ming
(e-mail address: [email protected])
Content of the Course
Is globalization homogenizing or diversifying our perception of the world?
Is our world having loosening or tightening human relationship in globalized culture?
Is the globalized culture sharing dreams or nightmares with ordinary people and humanity?
Cultural studies, claimed by Michel de Certeau, is a study of everyday life. It is thus an entry into
our mundane world for understanding and critical analysis. Globalization is having impact in all
aspects of our life. Some people criticize that globalization would just flourish with commerce and
business. However some of the others just enjoy the closeness between peoples brought by global
technological advancement. Studying culture is unavoidably a study of globalization in which we
can have critical exploration of how our life is shaped in this trend of human development.
This course focuses on four areas of study, through which we can explore the different aspects of
globalization and cultural production. These areas are:
A. “World War Z” – Globalization, Theories and Concepts
(Lecture A1-A2)
B. “War of the Worlds” – Production, Running and Working in the ‘Runaway world’
(Lecture B1-B4)
C. “The Lost World” – Reception, Reading and Misreading the world (Lecture C1-C4)
D. “The World is Not Enough” – Joy to the World?!
(Lecture D1-D3)
Each area covers a set of cultural and social discussion. Area A tackles theories and concepts of
globalization. They uncover the transformation of understanding the world. Area B discusses the
issues of production for seeing the changes of the world. These issues are related to Fordism and
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McDonaldization, and the work in the (post)modern world for the creative and media industry. By
opening these discussions, we can see how our lifestyles and culture are shaped and have impact in
globalization. Area C further deals with how we consume and receive these cultural productions.
Cases of circulation of Hong Kong and overseas film and popular culture, theme park and tourism,
and shopping malls and fashion will shed lights on (mis)reading globalized phenomenon. Area D
introduces movement, in social and technological action, for resisting and regenerating the
globalized trend. This is the end of the course but this is also a never-ending action in cultural
studies.
Learning Outcomes:
On successful completion of the course, students are expected to be able to:
1. Explain globalization with cultural studies perspective;
2. Identify the key issues and concerns of globalization;
3. Understand the critical approach in assessing globalization;
4. Enrich the angle of understanding culture and society.
Medium of Instruction:
Cantonese (with teaching material in English)
Teaching / learning activities:
Lectures, presentation and discussion
Assessment:
1. Lecture and Tutorial Attendance (10%)
Students are expected to attend 80% of all classes.
2. Tutorial Presentation and Discussion (20%)
Students will be divided into groups in tutorial and have to decide a topic for presentation.
This is to refresh the topics and issues discussed in lectures. At the end of presentation, the
presenters are expected to run a “Question & Answer” section for follow-up discussion.
Tutorial will start on the week 3 and will be run in separated weeks. There will be 5 to 6
tutorials for the whole course.
3. Mid-term Paper (30%) of 1000-3000 words:
Deadline – 17th February 2015
Mid-term paper shall be submitted after Lecture Area B. Students are encouraged to decide
their interested topic (which is closely linked to the course) for writing an analytical essay.
4. Final Paper (40%) of 2000-4000 words:
Deadline – 28th April 2015
Final paper shall be submitted after the end of the course. Students are encouraged to decide
the topic for broadening the analytical framework and examining issues or phenomenon
linked to the course.
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Teaching Period: 5 January – 17 April 2015
Day, Time and Venue of Lecture: Tuesday 2:30 - 4:15p.m. 李兆基樓LSK 201
Tutorial: Starting from week 3 or 4, time and schedule to be confirmed later.
Teaching Calendar
Sunday
Week 1
4 January
Monday
5
Tuesday
6
Wednesday
Thursday
Friday
Saturday
7
8
9
10
14
15
16
17
21
22
23
24
28
29
30
31
4
5
6
7
11
12
13
14
17 Mid-term
18 Lunar NY
19
20
21
Lecture C1
Holiday starts
24 Lunar NY
25
26
27
28
4
5
6
7
11
12
13
14
18
19
20
21
25
26
27
28
1 April
2
3
Lecture A1
Week 2
11
12
13
Lecture A2
Week 3
18
19
20
Lecture B1
Week 4
25
26
27
Lecture B2
Week 5
1 February
2
3
Lecture B3
Week 6
8
9
10
Lecture B4
Week 7
Week 8
15
22
16
23
Holiday ends
Week 9
1 March
2
3
Lecture C2
Week 10
8
9
10
Lecture C3
Week 11
15
16
17
Lecture C4
Week 12
22
23
24
Lecture D1
Week 13
29
30
31
Lecture D2
Week 14
5
6
Ching Ming
Week 15
12
7
Easter
Easter
4
Holiday starts
8
9
10
11
15
16
17
18
Holiday ends
13
14
Lecture D3
Week 16
19
20
21
22
23
24
25
Week 17
26
27
28 Final due
29
30
1 May
2
3
Lectures
Area A “World War Z” – Globalization, Theories and Concepts
Week 1. Lecture A1, Introduction:
(6th January, 2015)
Is the world making zombie?
- Questioning globalization
Reading:
Du Gay, Paul. Doing Cultural Studies: the Story of the Sony Walkman. London:
SAGE Publications, 1997. (Section 1 – Making Sense of the Walkman; Section 2 –
The Production of the Sony Walkman.)
Pieterse, Jan Nederveen. Globalization and Culture: Global Mélange. New York:
Rowman & Littlefield, 2004. (Chapter 1 – Globalization: Consensus and
Controversies.)
(13th January, 2015)
Lecture A2:
Is the global zombie mutating?
Week 2.
-
Discoursing globalization
Reading:
Harvey, David. Spaces of Hope. Berkeley: University of California Press, 2000.
(Chapter 4 – Contemporary Globalization.)
Hardt, Michael and Negri, Antonio. Empire. Cambridge: Harvard University Press,
2000. (Chapter 1.1 – World Order, Chapter 2.1 – Two Europes, Two Modernities,
Chapter 3.1 – The Limit of Imperialism.)
Robertson, Roland. Globalization: Social Theory and Global Culture. London: SAGE
Publications, 1992. (Chapter 4 – World-Systems Theory, Culture and Images of
World Order.)
Area B “War of the Worlds” – Production, Running and Working in the ‘Runaway
world’
Week 3. Lecture B1:
(20th January, 2015)
Is McDonald loving you?
- Producing (in) globalization
Reading:
Edgell, Stephen. The Sociology of Work: Continuity and Change in Paid and Unpaid
Work. London: SAGE Publications, 2012. (Chapter 5 –Industrial Work: Fordism,
Neo-Fordism and Post-Fordism; Chapter 6 – Service Work: Fordism, Neo-Fordism
and Post-Fordism.)
Ritzer, George. The McDonaldization of Society. 20th Anniversary Ed. London: SAGE
Publications, 2013. (Chapter 1 – An Introduction to McDonaldization; Chapter 2 –
The Past, Present, and Future of McDonaldization: From the Iron Cage to the
Fast-Food Factory and Beyond.)
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(27th January, 2015)
Lecture B2:
Is Fordism killing you?
- Working (in) globalization
Week 4.
Reading:
Bryman, Alan. “The Disneyization of Society” In McDonaldization: The Reader, edited
by George Ritzer, 52-59. London: SAGE Publications, 2002.
Newman, Katherine S. Falling from Grace: Downward Mobility in the Age of
Affluence. Berkeley: University of California Press, 1999. (Chapter 2 – Downward
Mobility in the Age of Affluence; Chapter 3 – Rejected Managers and the Culture of
Meritocracy.)
Sennett, Richard. The Corrosion of Character: The Personal Consequences of Work in
the New Capitalism. New York: W.W. Norton, 1998. (Chapter 2: Routine; Chapter 5 –
Risk; Chapter 6 – The Work Ethics; Chapter 7 – Failure.)
(3rd February, 2015)
Lecture B3:
Is Creativity saving you?
Week 5.
-
Relaxing (in) globalization
Reading:
Caldwell, John Thornton. Production Culture: Industrial Reflexivity and Critical
Practice in Film and Television. Durham and London: Duke University Press, 2008.
(Chapter 3: Trade Images and Imagined Communities [Below the Line].)
Crang, Mike. Cultural Geography. New York: Routledge, 1998. (Chapter 9: Culture
of Production.)
Lazzarato, Maurizio, “Immaterial Labour” In Radical Thought in Italy: A Potential
Politics, edited by Paolo Virno and Michael Hardt, 133-50. Minneapolis, Minn.:
University of Minnesota Press, 1996.
(10th February, 2015)
Week 6. Lecture
B4:
Is Logo comforting you?
- Branding (in) globalization
Reading:
Harbord, Janet. Film Cultures. London: SAGE Publications, 2002. (Chapter 4:
Marketing films and audiences; Chapter 5: Postmodern praxes: production on the
national and global stage.)
Klein, Naomi. No Logo: No Space, No Choice, No Jobs. New York: Picador, 2002.
(Chapter 1: New Branded World; Chapter 2: The Brand Expands – How the Logo
Grabbed Center Stage; Chapter 6: Brand Bombing – Franchises in the Age of the
Superbrand.)
Ready to submit Mid-term Paper? Deadline: 17th February, 2015
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Area C “The Lost World” – Reception, Reading and Misreading the world
Week 7. Lecture C1:
(17th February, 2015)
How do Beatles move the world and Wynners move Hong Kong?
- Popularizing in globalization
Reading:
Buxton, David. "Rock Music, the Star System, and the Rise of Consumerism." In On
Record: Rock, Pop, and the Written Word, edited by Simon Frith and Andrew
Goodwin, 427-40. London: Routledge, 1990.
Ehrenreich, Barbara, Elizabeth Hess, and Gloria Jacobs. "Beatlemania: Girls Just
Want to Have Fun." In The Adoring Audience: Fan Culture and Popular Media,
edited by Lisa A. Lewis, 84-106. London: Routledge, 1992.
Mahtani, Minelle and Scott Salmon. "Site Reading?: Globalization, Identity, and the
Consumption of Place in Popular Music" In Popular Culture: Production and
Consumption, edited by C. Lee Harrington and Denise Bielby, 165-79. Oxford:
Blackwell, 2001.
Lecture C2:
(3rd March, 2015)
How do Jay Chou (周杰倫) dress in Green (Green Hornet) and Lee
Byung Hun ( 李秉憲) kill in Red (Red 2) ?
- Acting in Hollywood
Week 8.
Reading:
Fore, Steve. "Jackie Chan and the Cultural Dynamics of Global Entertainment." In
Transnational Chinese Cinemas: Identity, Nationhood, Gender, edited by Sheldon
Hsiao-Peng Lu, 239-62. Honolulu: University of Hawaii Press, 1997.
Giardina, Michael D. "Global Hingis: Flexible Citizenship and the Transnational
Celebrity." In Sport Stars: The Cultural Politics of Sporting Celebrity, edited by
David L. Andrews and Stevens J. Jackson, 201-17. London: Routledge, 2001.
Lo, Kwai-Cheung. Chinese Face/Off: The Transnational Popular Culture of Hong
Kong. Urbana: University of Illinois Press, 2005. (Chapter 5: Charlie Chan Reborn as
Jackie Chan in Hollywood-Hong Kong Representations.)
Lecture C3:
(10th March, 2015)
How do Disney become wonderland and Chungking become forest?
- Exoticizing in Hong Kong
Week 9.
Reading:
Foglesong, Richard. "Walt Disney World and Orlando: Deregulation as a Strategy for
Tourism" In The Tourist City, edited by Dennis R. Judd and Susan S. Fainstein,
89-106. London: Yale University Press, 1999.
Hall, Stuart. “The Spectacle of the ‘Other’” In Representation: Cultural
Representations and Signifying Practices, edited by Stuart Hall, 223-79. London:
SAGE Publications, 1997.
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Mathews, Gordon. Ghetto at the Center of the World. Hong Kong: Hong Kong
University Press, 2011. (Chapter 1: Place; Chapter 5 – Future.)
Sassen, Saskia and Frank Roost. "The City: Strategic Site for the Global Entertainment
Industry" In The Tourist City, edited by Dennis R. Judd and Susan S. Fainstein,
143-54. London: Yale University Press, 1999.
Urry, John and Jonas Larsen. The Tourist Gaze 3.0. London: SAGE, 2011. (Chapter 4:
Working under the Gaze; Chapter 5 – Changing Tourist Culture; Chapter 6 – Places,
Buildings and Design.)
Lecture C4:
(17th March, 2015)
How do My Love from the Star (來自星星的你) touch Asians and I am
a Singer? (我是歌手) touch Chinese?
- Recentering in Media
Week 10.
Reading:
Iwabuchi, Koichi. Recentering Globalization: Popular Culture and Japanese
Transnationalism. Durham: Duke University Press, 2002. (Chapter 1: Taking
"Japanization"
seriously:
Cultural
globalization
reconsidered;
Chapter
2:
Trans/nationalism: The discourse on Japan in the global cultural flow.)
Kellner, Douglas. Media Spectacle. London: Routledge, 2003. (Chapter 3: The sports
spectacle, Michael Jordan, and Nike.)
Leung, Lisa Yuk-ming. "Ganbaru and its transcultural audience: imaginary and reality
of Japanese TV dramas in Hong Kong " In Feeling Asian Modernities: Transnational
Consumption of Japanese TV Dramas, edited by Koichi Iwabuchi, 89-106. Hong
Kong: Hong Kong University Press, 2004.
Area D “The World is not Enough” – Joy to the world?!
Week 11. Lecture D1:
(24th March, 2015)
Why does Facebook like you?
- Technologizing globalization
Reading:
Appadurai, Arjun. Modernity at Large: Cultural Dimensions of Globalization.
Minneapolis, Minn.: University of Minnesota Press, 1996. (Chapter 2: Disjuncture
and Difference in the Global Cultural Economy; Chapter 3: Global Ethnoscapes:
Notes and Queries for a Transnational Anthropology.)
Mohammed, Shaheed Nick. Communication and the Globalization of Culture: Beyond
Tradition
and
Borders.
Lanham:
Lexington
Books,
2011.
(Chapter
4:
Neo-imperialism, Media, and Culture; Chapter 5: New Mythology, New Media, and
the Globalization of Culture.)
Richardson, Ingrid, “Sticky Games and Hybrid Worlds: A Post-phenomenology of
Mobile Phones, Mobile Gaming and the iPhone" In Gaming cultures and place in
Asia-Pacific, edited by Larissa Hjorth and Dean Chan, 213-36. London: Routledge,
7
2009.
(31st March, 2015)
Lecture D2:
Why does the Nature hug you?
- Greening globalization
Week 12.
Reading:
Castellsi, Manuel. The Power of Identity. Malden, Mass: Blackwell, 1997. (Chapter 3:
The Greening of the Self: the Environmental Movement.)
Christoff, Peter, “Ecological Citizens and Ecologically Guided Democracy" In
Democracry & Green Political Thought: Sustainability, Rights and Citizenship,
edited by Brian Doherty and Marius de Geus, 151-69. London: Routledge, 1996.
Harvey, David, “What’s Green and Makes the Environment Go Round" In The
Cultures of Globalization, edited by Fredric Jameson and Masao Miyoshi, 327-55.
Durham, N.C.: Duke University Press, 1998.
(14th April, 2015)
Lecture D3:
Why does Revolution push you?
- Moving globalization
Week 12.
Reading:
Hill, Symon. Digital Revolutions: Activism in the Internet Age. Oxford: New
Internationalist, 2013. (Chapter 6: Cyberactivism Explodes; Chapter 7: Fighting
Corporations in Cyberspace.)
Choudry, Aziz, “Global Justice? Contesting NGOization: Knowledge Politics and
Containment in Antiglobalization Networks” In Learning from the Ground up:
Global Perspectives on Social Movements and Knowledge Production, edited by
Aziz Choudry and Dip Kapoor, 17-34. New York: Palgrave Macmillan, 2010.
Robotham, Don. Culture, Society and Economy: Bringing Production Back In.
London: SAGE Publication, 2005. (Chapter 8: Alternatives: A Global Approach to
Anti-Globalization; Chapter 9: The Noisy Sphere and the Hidden Abode.)
End of the course  Ready to submit Final Paper? Deadline: 28th April, 2015
References
Andrews, David L. and Stevens J. Jackson. ed. Sport Stars: The Cultural Politics of Sporting
Celebrity. London: Routledge, 2001.
Appadurai, Arjun. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis, Minn.:
University of Minnesota Press, 1996.
Axford, Barrie and Richard Huggins. ed. Cultures and / of Globalization. Cambridge: Cambridge
Scholars Publishing, 2011.
Beck, Ulrich. What is Globalization? Cambridge: Polity Press, 2002.
8
Bell, Daniel. The Cultural Contradictions of Capitalism: 20th Anniversary Edition. New York:
Basicbooks, 1996.
Berry, Chris, Nicola Liscutin and Jonathan D. Mackintosh. ed. Cultural Studies and Cultural
Industries in Northeast Asia. Hong Kong: Hong Kong University Press, 2009.
Bhabha, Homi K. The Location of Culture. London: Routledge, 1994.
Caldwell, John Thornton. Production Culture: Industrial Reflexivity and Critical Practice in Film
and Television. Durham and London: Duke University Press, 2008.
Castells, Manuel. The Power of Identity. Malden, Mass: Blackwell, 1997.
Choudry, Aziz and Dip Kapoor. ed. Learning from the Ground up: Global Perspectives on Social
Movements and Knowledge Production. New York: Palgrave Macmillan, 2010.
Crang, Mike. Cultural Geography. London: Rouledge, 1998.
Crothers, Lane. Globalization and American Popular Culture. 3rd edition. Lanham: Rowman &
Littlefield Publishers, 2013.
De Certeau, Michel. The Practice of Everyday Life. Berkeley: University of California Press, 1988.
Doherty, Brian and Marius de Geus. ed. Democracry & Green Political Thought: Sustainability,
Rights and Citizenship. London: Routledge, 1996.
Du Gay, Paul. Doing Cultural Studies: the Story of the Sony Walkman. London: SAGE Publications,
1997.
Edgell, Stephen. The Sociology of Work: Continuity and Change in Paid and Unpaid Work. London:
SAGE Publications, 2012.
Escobar, Arturo. Encountering Development: The Making and Unmaking of the Third World.
Princeton, NJ: Princeton University Press, 1995.
Frith, Simon and Andrew Goodwin. ed. On Record: Rock, Pop, and the Written Word. London:
Routledge, 1990.
Hall, Gary and Clare Birchall, ed. New Cultural Studies: Adventures in Theory. Athens: The
University of Georgia Press, 2006.
Hall, Stuart. Representation: Cultural Representations and Signifying Practices. London: SAGE
Publications, 1997.
Harbord, Janet. Film Cultures. London: SAGE Publications, 2002.
Hardt, Michael and Negri, Antonio. Empire. Cambridge: Harvard University Press, 2000.
Harrington, C. Lee and Denise Bielby. ed. Popular Culture: Production and Consumption. Oxford:
Blackwell, 2001.
Harvey, David. Seventeen Contradictions and the End of Capitalism. New York: Oxford University
Press, 2014.
-------. Spaces of Hope. Berkeley: University of California Press, 2000.
-------. The Condition of Postmodernity. Malden: Blackwell Publishing, 1990.
Hill, Symon. Digital Revolutions: Activism in the Internet Age. Oxford: New Internationalist, 2013.
Hjorth, Larissa and Dean Chan. ed. Gaming cultures and place in Asia-Pacific. London: Routledge,
2009.
Iwabuchi, Koichi. ed. Feeling Asian Modernities: Transnational Consumption of Japanese TV
Dramas. Hong Kong: Hong Kong University Press, 2004.
9
-------. Recentering Globalization: Popular Culture and Japanese Transnationalism. Durham: Duke
University Press, 2002.
Jameson, Fredric and Masao Miyoshi. ed. The Cultures of Globalization. Durham, N.C.: Duke
University Press, 1998.
Jameson, Fredric. Postmodernism or, the Cultural Logic of Late Capitalism. Durham: Duke
University Press, 1991.
Judd, Dennis R. and Susan S. Fainstein. ed. The Tourist City. London: Yale University Press, 1999.
Kellner, Douglas. Media Spectacle. London: Routledge, 2003.
Klein, Naomi. No Logo: No Space, No Choice, No Jobs. New York: Picador, 2002.
Lash, Scott and John Urry. Economies of Signs and Space. London: SAGE Publications, 2002.
Lefebvre, Henri. The Production of Space. Malden: Blackwell Publishing, 1991.
Lewis, Lisa A. ed. The Adoring Audience: Fan Culture and Popular Media. London: Routledge,
1992.
Lo, Kwai-Cheung. Chinese Face/Off: The Transnational Popular Culture of Hong Kong. Urbana:
University of Illinois Press, 2005.
Lu, Sheldon Hsiao-Peng. ed. Transnational Chinese Cinemas: Identity, Nationhood, Gender.
Honolulu: University of Hawaii Press, 1997.
Mathews, Gordon. Ghetto at the Center of the World. Hong Kong: Hong Kong University Press,
2011.
Mohammed, Shaheed Nick. Communication and the Globalization of Culture: Beyond Tradition
and Borders. Lanham: Lexington Books, 2011.
Newman, Katherine S. Falling from Grace: Downward Mobility in the Age of Affluence. Berkeley:
University of California Press, 1999.
Ong, Aihwa. Flexible Citizenship: The Cultural Logics of Transnationality. Durham and London:
Duke University Press, 1999.
Pieterse, Jan Nederveen. Globalization and Culture: Global Mélange. New York: Rowman &
Littlefield, 2004.
Piketty, Thomas. Capital in the Twenty-First Century. Cambridge: The Belknap Press of Harvard
University Press, 2014.
Ritzer, George. ed. McDonaldization: The Reader. London: SAGE Publications, 2002.
-------. The McDonaldization of Society. 20th Anniversary Ed. London: SAGE Publications, 2013.
Robertson, Roland. Globalization: Social Theory and Global Culture. London: SAGE Publications,
1992.
Robotham, Don. Culture, Society and Economy: Bringing Production Back In. London: SAGE
Publications, 2005.
Sennett, Richard. The Corrosion of Character: The Personal Consequences of Work in the New
Capitalism. New York: W.W. Norton, 1998.
Soja, Edward W. Postmodern Geographies: The Reassertion of Space in Critical Social Theory. 4th
ed. London: Verso, 1994.
Tomlinson, John. Globalization and Culture. Chicago: the University of Chicago Press, 1999.
Urry, John and Jonas Larsen. The Tourist Gaze 3.0. London: SAGE, 2011.
10
Virno, Paolo and Michael Hardt. ed. Radical Thought in Italy: A Potential Politics. Minneapolis,
Minn.: University of Minnesota Press, 1996.
Wilson, Rob and Wimal Dissanayake, ed. Global / Local: Cultural Production and the
Transnational Imaginary. 3rd ed. Durham and London: Duke University Press, 2005.
Žižek, Slavoj. In Defense of Lost Causes. London: Verso, 2008.
-------. Living in the End Times. London: Verso, 2011.
Honesty in Academic Work: A Guide for Students and Teachers
The Chinese University of Hong Kong places very high importance on honesty in academic work
submitted by students, and adopts a policy of zero tolerance on cheating and plagiarism. Any
related offence will lead to disciplinary action including termination of studies at the University. All
student assignments in undergraduate and postgraduate programmes should be submitted via
VeriGuide with effect from September 2008: https://veriguide2.cse.cuhk.edu.hk/cuhk/
Although cases of cheating or plagiarism are rare at the University, everyone should make
himself/herself familiar with the content of this website and thereby help avoid any practice that
would not be acceptable.
Section 1 What is plagiarism
http://www.cuhk.edu.hk/policy/academichonesty/p01.htm
Section 2 Proper use of source material
http://www.cuhk.edu.hk/policy/academichonesty/p02.htm
Section 3 Citation styles
http://www.cuhk.edu.hk/policy/academichonesty/p03.htm
Section 4 Plagiarism and copyright violation
http://www.cuhk.edu.hk/policy/academichonesty/p04.htm
Section 5 CUHK regulations on honesty in academic work
http://www.cuhk.edu.hk/policy/academichonesty/p05.htm
Section 6 CUHK disciplinary guidelines and procedures
http://www.cuhk.edu.hk/policy/academichonesty/p06.htm
Section 7 Guide for teachers and departments
http://www.cuhk.edu.hk/policy/academichonesty/p07.htm
Secton 8 Recommended material to be included in course outlines
http://www.cuhk.edu.hk/policy/academichonesty/p08.htm
Section 9 Electronic submission of assignments via VeriGuide
http://www.cuhk.edu.hk/policy/academichonesty/p09.htm
Section 10 Declaration to be included in assignments
http://www.cuhk.edu.hk/policy/academichonesty/p10.htm
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