A NEEDLE PULLING THREAD w w w. a n e e d l e p u l l i n g t h r e a d . c o m w w w. t h e n e e d l e w o r k p a g e s . c o m [ online ] “ Snowflakes” by Valerie Austin originally published in A Needle Pulling Thread® Magazine Volume 3 Issue 1 (Festive 2007) A Needle Pulling Thread Magazine is published quarterly and offers a wonderful variety of seasonal needlework projects including quilting, knitting, crochet, rug hooking, cross-stitch, beading, embroidery, creative sewing, fibre art, and much more…all created by talented and unique Canadian designers. For complete information and to subscribe please visit: www.aneedlepullingthread.com. This document is for personal non-commercial use only and is protected by copyright. All designs, patterns, information, and photographs contained in this document are copyrighted material owned by their respective creators or owners. Except for your own personal non-commercial use, reproduction or distribution in full or in part is prohibited without the written consent of A Needle Pulling Thread Magazine. ©2012 A Needle Pulling Thread® in the Spotlight Valerie Austin Great Village, Nova Scotia T he year is 1970. Picture a young girl, around eightyears-old, doing her first needlepoint. It’s a simple design of a poodle. Fast forward a few years and the same girl is now 12 opening a Christmas present. She had always admired her mother’s McCall’s Needlework Treasury, and the gift is the canvas and wool to do the featured needlepoint design–two Siamese cats curled up together. Fast forward a few more years and the young woman now spends her free time doing latch hooking, knitting, needlepoint, and she has discovered counted cross-stitch. A few years later, a school teacher by profession, she buys a cross stitch pattern from a favourite shop to do for her mother as a gift. The design reminds her of one of the quilts her mother made. She often visits the shop where she found the pattern and wishes she could run her own store. Her parents buy a bed and breakfast and her mother asks her to design markers for the bedrooms of the inn. They are primitive in design, but it’s a first attempt and fit the bill. A few more years go by and the woman is now married with a child of her own. One day she happens to see an advertisement offering a cross-stitch design business for sale. Her grandmother left her some money and it goes towards buying that business, which was AppleCross Designs, the same one that had produced the cross-stitch quilt pattern. Somehow it all seemed very right. I was that girl. My mother always had handwork around the house. She knit clothing for her children, Barbie doll clothes, or afghans. There were often quilts in the frames or on the bed. The quilt design that graces the cover of our catalogue was the first one she ever made when she was a teenager; it’s a Sunburst quilt. I had always wanted to reproduce that quilt design as a piece of needlework. Needlepoint designs also hung on the wall. Once I began counted cross-stitch, she also took up the craft. For intricate designs, like samplers, I must admit I prefer the look of linen, otherwise I tend to use 14-count Aida fabric. It really depends on the design and the desired outcome. My kits all use 14-count Aida cloth, but all the patterns in AppleCross Designs are available as kits or charts, so the needleworker can do whatever size and use whatever type of fabric or thread preferred. My designing experience so far has been twofold. I enjoy the symmetry of quilt designs, some from familiar quilt designs, and some variations. Reproducing the old patterns, can be like a tribute to the past. The “Snowflakes” design in this magazine also incorporates several simple flakes, similar in size and structure. Using a similar symmetry to that of Read more in our Festive 2007 issue! 38 A Needle Pulling Thread | Festive 2007 “I enjoy the symmetry of quilt designs, some from familiar quilt designs, and some variations. Reproducing the old patterns, can be like a tribute to the past.” Snowflakes cross-stitch 39
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