STYLE January 22 - 28, 2008 The Epoch Times VANDERLEI ALMEIDA/AFP/GETTY IMAGES Dolce & Gabbana, Burberry kick off Milan Fashion Week sari. Such a woman may look and feel awkward in a pair of jeans or in a miniskirt. 4. Femininity: The sari is considered a feminine garment in India. This is very significant. A great deal of the clothing that Western women wear is not gender specific at all, but can be classified as ‘unisex’ clothing. A woman who wishes to feel and to be seen as feminine, may wish to wear a sari as a reaction to the unisex trend. 5. Age: Elderly Indian women are from a generation that was less affected by Western trends. Therefore, they are more likely to retain the form of dressing they practiced when they were young. 6. Interactions with men: Indian women interact with their husbands and sons at home. They may want their men to think of them as traditional wives and mothers. Wearing a sari could go some distance towards creating that image and feeling. 7. Exotica: In the West, the sari is seen as an exotic garment. A pretty woman in a sari may elicit more admiring glances than she would receive in Western clothing. I can imagine many Indian women who would want to keep things that way. The author is a man of Indian origin living in Australia. He does not pretend to understand the psyche of the Indian woman. However, he gives himself permission to speculate. 1 2 3 4 5 6 7 8 9 14 15 16 17 18 19 20 21 24 25 22 36 26 32 37 38 42 43 44 52 57 58 64 68 40 45 48 51 69 70 53 54 59 12 13 27 28 29 30 62 63 33 39 47 11 23 31 35 10 34 41 46 49 55 50 56 60 61 65 66 71 72 ARMOR: Bringing back a look from the medieval days, the Gianfranco Ferre Autumn-Winter 2009-2010 Menswear collection at Milan Fashion Week offered a shirt collar which looks like it could be made of metal, with an elegantly tailored jacket. DAMIEN MEYER/AFP/GETTY IMAGES the toughened economic climate, Bailey said now was a time to stick to strengths. “I feel very similar to what I felt I had to represent for the show— stay in your lane, keep doing what you’re good at and where you come from,” he said. “We come from outerwear, it’s our heritage, it’s our philosophy, hence I wanted to stay close to the familiar.” 55 57 59 61 64 66 68 71 73 74 75 76 77 78 79 67 73 74 75 76 77 78 79 Down 1 2 3 www.CrosswordWeaver.com Across 1 5 9 14 15 16 17 18 19 20 22 24 25 Cart for hauling heavy things Can Harpy Motor vehicle Thin Express joy Cliff Diet Irk Islam’s head Adroit Lager Mexican food brand 27 31 32 34 35 38 40 42 44 46 47 48 50 51 52 Scepter Prefix ten Quit Digit Repute Looking at Afloat (2 wds.) Appearance Lawyer (abbr.) Fountain (abrv.) Recess Horse’s walking sound Unconscious states Bird’s home Stored George Bernard __ Opp. of false Time period Boxer Muhammad Capital of Western Samoa Bard’s before Hints Loop Miserable Internal structure City X Drug doer North American nation Password 4 5 6 7 8 9 10 11 12 13 21 23 26 28 29 Capital of Bangladesh Not urban Dickens’ “__ of Two Cities” (2 wds.) Yoga practicer American sign language Foot nuisances Graceful Surface Cabbage salad Arm extensions Jog Self Reporter’s question Pro Serving of corn Regret Pulls Pain reliever brand ITALIAN TWEED: Gaetano Navarra showed a simple coat during Milan Fashion Week. VITTORIO ZUNINO CELOTTO/GETTY IMAGES 30 31 33 35 36 37 39 41 43 45 49 53 54 56 58 60 61 62 63 65 67 68 Smarter, like an owl Project Air Cushion Vehicle (abbr.) Out loud Out of style Jacob’s father Snack Glorify Grows acorns Moist in nature Bother European sea eagle Navy cleric North northeast Playing field Sneak Name Upon (2 wds.) Nile’s home Dines Speak American Football Conference (abbr.) 69 Also 70 Total 72 Mesh R EW UGH NOY models wore silk-like jackets, handintertwined, in white and black, red, and pink. Burberry Creative Director Christopher Bailey had “modern nostalgia” for the Burberry Prorsum menswear line, using photographer Bill Brandt as a reference. Silhouettes were oversized and tapered, with large black and gray coats over dark skinny trousers. Shirts were simple white, knotted at the collar, and topped with trench coats. Wearing caps, models were accessorized with large Burberry check scarves, rolled around the neck. They also wore knitted, scarf-like belts at the waist. For the evening, Bailey sent out models in midnight blue, green, and plumcolored velvet suits. “I wanted to go back [to] the DNA and the roots of what Burberry’s heritage is about, which is why I did so much outerwear, so many trench coats, I wanted the Burberry check to be in a very strong way,” Bailey told Reuters after the show. “I feel it’s a good moment to go back to who you are and what you stand for.” Luxury brands have not been spared by the credit crunch and in W I S E R MILAN (Reuters)—Italy’s Dolce & Gabbana and Britain’s Burberry kicked off Milan’s Fashion Week last Saturday with both design houses going back to their roots in their menswear collections for next winter. Italy’s most famous designer duo said they went back to the brand’s origins for their Autumn/Winter 2009–2010 line, “with a black and white portrait of Sicily, revisiting all the hues from baroque to neorealism to aristocracy.” Their show was one of the first of 40 catwalk presentations during Milan’s menswear fashion week, which run until Tuesday and comes as the economic recession begins to bite hard in the United States and elsewhere. Models, dressed in caps, were sent out in quilted-silk trousers with a tuxedo stripe, quilted satin robes, and military-style jackets. Ties were slim on mainly white and black shirts. Their creations were mostly in black, blue, brown, and gray, but fuchsia and light pink loafers added color. Domenico Dolce and Stefano Gabbana also showed off “Gold Edition” jeans, featuring 24-carat gold metal details. For the evening, Crossword VALUING TRADITION: Modern Indian women sometimes choose to wear the traditional Indian women’s clothing, the sari. PHOTOS.COM MARCIO MADEIRA/AFP/ GETTY IMAGES IMAGES A L E V E The interesting thing about Indian women in the West wearing saris is that not all of them do. Many, especially the younger women, have adopted Western clothing. However, most of them do not entirely abandon the sari and do wear one on formal occasions. At that time, the garment becomes a marker of the Indian identity. In India itself, the sari is becoming less common. Women have started changing over to the salwar kameez(a tunic with side seams open below the waist and loose-fitting pants with legs narrow at the bottom) and to Western clothing with gusto. The reasons are obvious. Both the salwar and Western clothes allow for greater freedom of movement. The last thing a busy working woman wants is to wear something cumbersome. In an attempt to explain the sariwearing trend in the West, I have come up with seven reasons: 1. Identity: An Indian woman in the West is surrounded by people who are not Indian. In such an environment, she is likely to grow more conscious of her ethnicity. She then may feel the need to reinforce her identity by wearing a garment that affirms it. After all, even when she wears Western clothes, people respond to her as an Indian. So, she might as well embrace her identity fully by wearing something from her own culture. The sari also serves to remind her of her roots. It becomes an item of culture she can wear. 2. Modesty: An Indian woman may not wish to wear skimpy outfits in the way some Western women do. At the same time, she wishes to be comfortable and move freely. The sari could be an answer to this dilemma. 3. Comfort: A woman who is used to wearing the sari is accustomed to thinking of the garment as a part of her. She may be comfortable in it, physically and temperamentally. Her posture, movement and body language may be attuned to the AFP/GETTY IMAGES H A U L S Epoch Times Staff MIXING PATTERNS: Another Giulia Borges design put the same earrings with a totally different style of outfit during Rio Fashion Week. FRONTIER FASHION : A creation by designer Giulia Borges presented during the Rio Fashion Week Autumn-Winter 2009 collection, at the Marina da Gloria on Jan. 12. VANDERLEI ALMEIDA/AFP/GETTY E G Y P T By CHERIAN PHILIPOSE COOL: A creation by designer Filhas de Gaia at the Rio Fashion Week presented at the Marina da Gloria.MARCIO MADEIRA/ CIRCLES AND LINES: Designer “Filhas de Gaia” had fun with splashes of color and balloons of fabric on Jan. 13 for the Rio Fashion Week Autumn-Winter 2009 collection. O N T O P Why wear a sari when you can wear a tanktop On the stage of this Brazilian fashion capital, designers presented their newest lines for buyers from around the world. The Rio Fashion Week was held Jan. 12 through 16. T I T L E With even the hottest designers on discount these days, there is also little incentive to shop private label. Such merchandise often does not carry the same style as products from brands, which know how to add the sizzle to their goods. “Most department store private label brands don’t offer anything Epoch Times Staff B L E SH L I M L A I T E A N S H R EWD T EGA S E E RA R E C L S A D V A T EN U Y WA N D E S I GN OWN E Y M I EN A A P S E C N E S T K Ho-hum Fashion too exciting on a fashion level,” said Needham & Co analyst Christine Chen, who cited Bloomingdale’s Aqua line as an exception. As Poser explained: “You can’t do a blue and white shirt with a French cuff at private label. It has to be a volume item.” The importance of brands is seen at Wal-Mart Stores Inc, which has been touting the apparel labels it offers like surf brand OP and girl’s denim line l.e.i. “Branded product is what’s moving,” said Warren Clamen, chief financial officer of Iconix Brand Group Inc, which owns and licenses consumer brands, including Candie’s, Rampage, Roca Wear and OP. “It’s the bread and butter.” Amid fierce competition and a consumer averse to spending, department stores need to differentiate, said Raymond James’ Sam Panella, speaking during a retail panel at the conference, which invites small- and mid-cap consumer companies. “Getting the different brands in there, finding the next upcoming brand, being ahead of the curve [is important] to get that customer in that door,” said Panella. A key reason department stores have embraced the private label business is that it eliminates the middleman. Whereas most branded apparel sold at full price carries gross margins of 50 percent, private label equivalents can be 70 percent, said Beder. “That was always the sexiness of it,” Beder said. But when discounting occurs, as retailers discovered this fall and holiday season, that boost in margin evaporates, and the retailer has no recourse in recouping it. Many vendors have also been walking away from the private label business, including men’s apparel maker Perry Ellis International Inc and Brown Shoe Co Inc, where private label makes up 15 percent of its wholesale business, but is declining. At Oxford Industries, the company sees growth in its Tommy Bahama and Ben Sherman brands, while it shrinks its private label businesses for men’s tailored clothing and dress shirts to make that unit leaner and more profitable. “The smart retailers out there are very focused on having special product, compelling product that brings the consumer into the store,” said Tom Chubb, the company’s executive vice president. “You have to give them a reason to come there.” (Editing by Phil Berlowitz) Today’s Solution A S L F OR RU E O A K E R EN A T S DANA POINT, Calif. (Reuters)— The private label apparel business is falling out of fashion in the struggling U.S. retail environment, as branded clothing is seen as a more compelling option for consumers—and less risky to retailers. For department stores, brand-centric is the order of the day, said apparel insiders this week assembled at the ICR XChange investor conference in Dana Point, California. While shoppers have cut back sharply on buying nonessential items like clothing in the recession, they still show a preference for known brands when they do make purchases, industry executives and analysts said. And even though stores have had to discount those famous names sharply—making them all the more attractive to consumers—the retailers with clout can go back to vendors to recapture lost margins. “With branded apparel you have a bailout,” said Sterne Agee analyst Sam Poser. “You [a retailer] can call [a vendor] and say, ‘Our margins aren’t what we agreed, send me a check.’” The popularity of private label— in which retailers put their own labels on what are often lower-priced goods made for them by vendors—goes up and down in retail, said Brean Murray Carret analyst Eric Beder. “At times it’s seen as a savior and at times it’s seen as a disaster,” Beder said. “We had a period where people wanted more private label because department stores wanted a higher margin. But now private label has become more of a burden.” G-III Apparel Group Inc, which does private label for J.C. Penney Co among others, has noticed the shift and is seeking more retailers who want to carry their own label. “We need more private label opportunities,” said G-III’s Chief Operating Officer Wayne Miller. “They [retailers] want to do more branding.” As shoppers cut back on spending, each purchase takes on more importance, so consumers are less inclined to buy something that doesn’t excite them. Rio de Janeiro Fashion Week DRA Y A U T O CRA G CA L I A L E T A P I A L A S S OS A K U S A D E CA R A T S E F OUN C OM A Private label eclipsed by brands in U.S. retail slump B7
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