American Girl’s Fund for Children Family Series The Gruffalo’s Child Adapted from the multi-award-winning book by Julia Donaldson and Axel Scheffler ‘Aha, oho, a trail in the snow...’ Tall Stories Theatre Company (creators of the Gruffalo and Room on the Broom stage shows) is proud to present this magical, musical adaptation of The Gruffalo’s Child. The Gruffalo said that no Gruffalo should Ever set foot in the deep dark wood... But one wild and windy night the Gruffalo’s child ignores her father’s warning and tiptoes out into the snow. After all, the Big Bad Mouse doesn’t really exist… does he? SAT, MAY 9, 2015 | Capitol Theater The Gruffalo’s Child | OVERTURECENTER.ORG 1 DOUBLE YOUR PASSION MAKE A GIFT NOW! overturecenter.org/makeagift 6 0 8 . 2 5 8 .4 97 9 JOHN MANIACI Kids in the Rotunda Free most Saturdays April through November 2 OVERTURECENTER.ORG | The Gruffalo’s Child Thank you for joining us at today’s performance! We appreciate how passionate you are for the arts. By making a gift today, you will help ensure that everyone in our community has access to the arts—whether it be through Overture’s Onstage Field Trip program, Teaching Artist Training, Community Ticket Voucher, Kids in the Rotunda or one of our additional community programs. Also, all gifts received by June 15 will be matched, dollar for dollar, up to a total of $200,000. This match is made possible by the extraordinary support of two Local Legends- an anonymous donor in honor of Overture CEO Ted DeDee and his late wife Gail, and Ron and Deborah Krantz. ABOUT THE SHOW When Julia Donaldson and Axel Scheffler created The Gruffalo’s Child as a sequel to their first book The Gruffalo, it felt like a natural progression that Tall Stories should develop a second Gruffalo show. Once again we were faced with lots of challenges and decisions. How could we transform a five-minute book into a one-hour play while staying true to what the author and illustrator created? The Gruffalo himself has become a bit of an icon since our first association with him – how could we live up to the audience’s expectations? How would the fox, the owl and the snake have changed since the first production? Who would speak the lines from the book this time? What kind of music should we write? And then there’s the Big Bad Mouse, of course – how would we create him on stage? Throughout rehearsals, we worked with the performers, designers and composers to come up with the production which opened at London’s Polka Theatre in autumn 2005. Since then, the show has continued to develop, with the input of many performers and creative talents. The Gruffalo’s Child has followed in its predecessor’s ‘paw prints’ – and we hope that you enjoy watching it as much as we enjoyed working on it! TALL STORIES THEATRE COMPANY Tall Stories creates entertaining and imaginative performances for audiences of all ages. The company is a not-for-profit organisation which tours the UK and the world with its exciting blend of storytelling theatre, original music and lots of laughs. Since 1997, when Olivia Jacobs and Toby Mitchell set up the company, Tall Stories shows have performed all over the UK, and as far afield as America, Australia, Canada, China, Germany, Poland and Taiwan. Snow White and The Gruffalo have performed to sell-out audiences on Broadway, and Tall Stories shows have been produced by local companies in Australia, Chile, Germany and Singapore. Their production of The Gruffalo has been released on DVD by the Really Useful Group, and a picture book has been published based on their show The Snow Dragon. In 2013, Tall Stories’ production Room on the Broom was nominated for a prestigious Olivier Award for Best Family and Entertainment Show. www.tallstories.org.uk. The Gruffalo’s Child | OVERTURECENTER.ORG 3 CREATIVE TEAM Olivia Jacobs – Director / Writer Olivia trained at Central School of Speech and Drama and the University of London. Directing credits for Tall Stories include: Emily Brown and the Thing (UK); The Gruffalo (UK inc. West End & International tours inc. Broadway, Australia & North America); Room on the Broom (UK inc West End & International tours); Mr Benn (UK & International); How the Giraffe got its Neck (UK & International); Monster Hits (UK & International); Something Else (UK & International); Them With Tails (UK); Mum & the Monster (UK) and Snow White (UK & International inc. Broadway). Olivia was previously Artistic Director of Camden People’s Theatre where she directed The Monkey’s Paw and The Necklace. She is joint artistic director and co-founder of Tall Stories. Toby Mitchell – Creative Producer / Writer Toby studied at Cambridge University and trained at Central School of Speech and Drama. Directing credits for Tall Stories include: My Brother the Robot (UK & Poland), The Snail and the Whale (UK, Poland, Hong Kong, Singapore), Twinkle Twonkle (UK, USA), Does a Monster Live Next Door? (UK), Cat and No Mouse (UK), The Snow Dragon (UK, USA, Poland, Hong Kong, Singapore), The Owl and the Pussycat (UK) and Alice and Mr Dodgson (UK). He recently directed German-language productions of The Gruffalo and The Gruffalo’s Child in Bonn. Other directing/devising work includes: Monsters Got Talent, A British Guide to French Pop, The Island of First Loves and The Egg. He is co-founder and joint artistic director of Tall Stories. Bryony Shanahan – Associate Director Bryony Shanahan is co-artistic director of Snuff Box Theatre. Directing credits include: Bitch Boxer (Soho Theatre/UK tour/Adelaide Fringe Festival); Operation Crucible (Finborough Theatre); Chapel Street (UK tour); You and Me (Greenwich Theatre/UK tour); The Altitude Brothers (UK tour); Doctor Faustus (St Mary Magdalene Church, Paddington) and Babies (Southwark Playhouse). Bryony recently won a BBC Performing Arts Award to work at the Royal Exchange Theatre where she assisted on Sarah Frankcom’s Hamlet with Maxine Peake, and will also develop new Snuff Box piece; Weald by Daniel Foxsmith. Her work as an assistant director also includes Around the World in 80 Days (New Vic Theatre/Royal Exchange Theatre) and The Gruffalo’s Child (UK & North America tour). Bryony trained on The National Theatre Studio Directing Course and at East 15 Acting School. Isla Shaw – Designer Isla trained at Wimbledon School of Art & Swinburne University, Australia. For Tall Stories, My Brother the Robot, Snail and the Whale, Mr Benn, Them with Frozen Tails, Twinkle Twonkle, Something Else, How The Giraffe Got Its Neck, Does a Monster Live Next Door, Monster Hits, The Gruffalo’s Child, The Gruffalo, Mum and the Monster & Snow White. A Midsummer Night’s Dream & Macbeth (Shakespeare’s Globe), Jump & The Garden of Dreams (Live Theatre), La Rondine (BYO Peacock Theatre), The Wedding Singer (Mark Goucher – UK Tour), The Taming of the Shrew (Creation Theatre, Oxford Castle), The Barber of Seville (Denmark), Copenhagen (Watermill Theatre), The Strauss Gala (Raymond Gubbay), Clown (Bristol Old Vic), Maria de Buenos Aires (Norwich Theatre Royal & Tour), Neville’s Island (Watermill Theatre). James Whiteside – Lighting Designer Tall Stories credits include: The Gruffalo, The Gruffalo’s Child, Room on the Broom, Snow White and Mr Benn. West End credits include: Midnight Tango (Aldwych), Never Forget (Savoy), Footloose (Novello and Playhouse), Holding the Man (Trafalgar Studios), The Female of the Species (Vaudeville) and Calamity Jane (Shaftesbury). Other recent credits include: A Marvellous Year for Plums, Wallenstein, Funny Girl, The Lion, the Witch and the Wardrobe, Alice in Wonderland and The Snow Queen (Chichester Festival Theatre); A Christmas Carol, Arcadia and Grimm Tales (Library, Manchester); The Odd Couple, Moonlight and Magnolias and 4 OVERTURECENTER.ORG | The Gruffalo’s Child CREATIVE TEAM cont. Twelfth Night (Perth Theatre);The Absence of Women (Lyric, Belfast), Salonika (West Yorkshire Playhouse); and tours of Shaun’s Big Show and Guess How Much I Love You. Jolly Good Tunes – Composers and Sound Production Jon Fiber and Andy Shaw of Jolly Good Tunes have composed and recorded songs and sound effects for theatre since 1997. Current show highlights include Emily Brown and The Thing (UK Tour), What the Ladybird Heard (UK and international tour), The Gruffalo (UK and international tours), The Gruffalo’s Child (UK and international tour), Mr Benn (UK tour), William’s Monster (UK and international tour), My Brother the Robot (UK tour), Them with Frozen Tails (UK tour), Something Else (UK tour), The Snow Dragon (UK and international tour), How the Giraffe Got Its Neck (UK tour), Twinkle Twonkle (UK Tour), The Night before Christmas (UK tour), Don’t Let the Pigeon Stay Up Late (UK and US tour), The Life and Adventures of Santa Claus (UK and US tour) and sound design for The Tiger Who Came to Tea (UK tour). CAST Sarah Kameela Impey – The Gruffalo’s Child Sarah trained at Arts Ed. Her theatre credits include: ‘Nell’ in the national tour of The Curiosity Shop, ‘Noor’ in Finding Noor and ‘Cinderella’ in Cinderella - a Fairytale with the Tobacco Factory and Travelling Light. Sarah has also trained in basic Aerial circus with Upswing and Circus Space and has appeared in features and shorts such as Halcyon Heights and Perceptions. She would like to dedicate this tour to Thomas Hare, an incredible actor and writer who passed away in early 2013. A fund has been set up in his name ‘The Tommy Vine Fund’ and will provide financial and physical aid for emerging young artists creating their own work. Sally Ann Staunton – Mouse Cumbrian born and bred Sally grew up (well she’s still a very little mousey 5’1”!) surrounded by countryside – just like in the Deep Dark Wood! After graduating from the University of Central Lancashire in Theatre Practice, Sally’s theatre credits include The Boy Who Cried Wolf (Tutti Frutti National Tour in association with York Theatre Royal), The Confessional Booth at the Henley Festival (Dot Comedy), Spit Nolan and Precious Bane (Interplay National Tour), This Land (Zoo, Edinburgh Fringe Festival), Hell and High Water (Mikron Theatre), Salsa Saved The Girls (Old Red Lion), Much Ado About Nothing (Hackney Empire) and Final Farewell (Salford Lowry). Sally’s also Fairy ‘Oshi’ for London based Adrenalin Dance. Alex Scott Fairley – Predators Alex studied at Jesus College, Oxford University. Recent credits include: Romeo und Julia (Openhouse Theater, Vienna), Pool (Brockley Jack, London) Lady Windermere’s Fan, A Chorus of Disapproval, Single Spies and Hello, Dolly! (all for Pitlochry Festival Theatre). Other credits include; Blood Brothers (Phoenix Theatre, London); Doctor Faustus (Creation Theatre, Oxford); An Inspector Calls (International Theatre, Vienna); A Capital Affair (Vienna’s English Theatre); The Merry Wives of Windsor and A Midsummer Night’s Dream (both Guildford Shakespeare Company); Mexican Hayride and Flahooley! (Both Sadler’s Wells); Enjoy! (York Theatre Royal) and various pantomimes at the Millfield Theatre, London. Alex has previously toured North America with Pigeon Party! Don’t Let The Pigeon Drive The Bus! (Both Big Wooden Horse Theatre); and with Tall Stories in The Gruffalo and Room on the Broom. Alex was also the translator for Der Grüffelo (Junges Theater, Bonn). 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