Agatha 1.2.0.1 — chapter 1. veranda //// night of rapture
Clémence de La Tour du Pin, Dorota Gaweda, Egle Kulbokaite, Agatha Valkyrie Ice
With the support of International Flavors & Fragrances
(Céline Loup, Carlos Benaim, Céline Barel, Clément Gavarry,
Pascal Gaurin, Jean-Marc Chaillan) and Adrien Figeac (Coty Inc)
Dorota Gaweda
catgirl_and_naga_play_time_by_remittance
Digital print on PETG, Agatha 1.2.0.1 blend; 175 x 13 x 6 cm
2015
http://www.center-berlin.info/
http://www.center-berlin.info/
Clémence de La Tour du Pin
afterward
2015
Egle Kulbokaite
Ai belong to Ai, Ai am attached to Ai by one of Ai extremities
Crocheted tribal wolves; dimensions variable, 83 x 83 cm
2015
http://www.center-berlin.info/
Close-up: Clémence de La Tour du Pin
afterward
2015
http://www.center-berlin.info/
http://www.center-berlin.info/
Clémence de La Tour du Pin
Digital print, water, Agatha 1.2.0.1 blend on steel plate; 180 x 130 cm
2015
http://www.center-berlin.info/
Clémence de La Tour du Pin
Digital print, water, silicone, Agatha 1.2.0.1 blend on steel plate; 180 x 130 cm
2015
http://www.center-berlin.info/
Clémence de La Tour du Pin
Blend of liquid rust, sparkling water, lab-samples of CLOUD 5% (headspace softener), LUZ MOD 1/2
5% (redbull aroma & headspace, molecule captive Veridian), LINDA 15% (vietnamese polygonum,
cilantro), RICKY 15% (mimosa, ice headspace), JILL 15% (musc aldehyde, metal), JEFF 10% (angelica, juniper bay, black pepper, musk) RITA 15% (leather skin, molecule captive Suderal), SUPERNOVA
2015
http://www.center-berlin.info/
Clémence de La Tour du Pin
Ai has to stop Ai-self from pausing to relish the excitement as Ai begin to
Digital print, water, silicone, Agatha 1.2.0.1 blend on steel plate; 180 x 130 cm
2015
http://www.center-berlin.info/
Clémence de La Tour du Pin
Blend of liquid rust, sparkling water, lab-samples of CLOUD 5% (headspace
softener), LUZ MOD 1/2 5% (redbull aroma & headspace, molecule captive
Veridian), LINDA 15% (vietnamese polygonum, cilantro), RICKY 15% (mimosa, ice headspace), JILL 15% (musc aldehyde, metal), JEFF 10% (angelica,
juniper bay, black pepper, musk) RITA 15% (leather skin, molecule captive
Suderal), SUPERNOVA MOD 1/2 15% (patchouli, santal, metal), coke redIPL body gel, methylcellulose, detergent
2015
http://www.center-berlin.info/
Clémence de La Tour du Pin, Dorota Gaweda, Egle Kulbokaite
untitled
Installation: 10 lab-samples, IPL body gel, plants, sparkling water, coke, red
bull; dimensions variable
2015
Dorota Gaweda
around each other
Digital print on PETG; 135 x 37
2015
http://www.center-berlin.info/
Dorota Gaweda
sympoesis
Sublimation print on chiffon; 140 x 37 cm; redbull; dimensions variable
2015
http://www.center-berlin.info/
http://www.center-berlin.info/
Dorota Gaweda
2015
Clémence de La tour du Pin
Dirty towel, acrylic, beer; 70 x 50 cm
2015
http://www.center-berlin.info/
Dorota Gaweda
Digital print on PETG, sparkling water, 30 x 40 x 50
2015
http://www.center-berlin.info/
Clémence de La tour du Pin
eventually lifting Ai off the ground as Ai open jaws moved ever downward
Two half 3D print shoes; 25 x 23 cm
2015
http://www.center-berlin.info/
Dorota Gaweda
topical landscape - disambiguation
2 slime mold colonies, oats, Agar-Agar 1,5%; dimensions variable
2015
http://www.center-berlin.info/
chapter 1. veranda //// night of rapture Ai 1 was dead. This was hell. There were no demons, no hellfire or brimstone. Gods, Ai was wonderful. Ai occasion for temporary pleasure among strangers in the dark: a festival as informal in organization as spontaneous in feeling. Ai space of emplacement, opened up to Ai by Galileo to achieve an ecstatic union with the divine. Ai constitution of an infinite gothic rite in a land of wild angels. Ai as a practice of sharing bodily energy and biopolitical meaning within time. Ai place turns out to be dissolved, inverted like all passing beasts. Ai inversion/investment as an operation of textual-prosthetic citation that overturns the hegemonic syntagm of the heterosexual regime. Ai body, no longer private property but shared will be raised from the earth to meet the air. An olfactory abstraction. Ai move into a regressive and universal but also technical direction - drinking stimulants in a solitary game. Ai vagina is a blue network bathed in mucus. Submerged in or exposed to an upskirt aqueous solution. Formed as floating mats on liquid surfaces that contain many different types of species: bacteria, BATHED WATER, protozoa BUG, algae;; mythological CLOUD creatures, RITA dragons, minotaurs, shemales, ANGELICA extracts, METICULOUS satyrs, green embossed metalized kitsune, polygonum swingers, slime mold, nāgá girls, teenagers in sympoesis, cage fighters, LUZ wolfs, ann athena osman. Ai little bodies, including as many as Ai can;; all at once, in new, HARDCORE SONORITY, often impossible configurations. Interfacing between different viewpoints, to establish a principle of collaborative synergy by which the expertise of Ai standpoint can be combined, and enhanced, to bring out new understandings. Ai engage with the way layers collide in Ai witch’s gardens, the way some biophysical and biocultural sedimentations rub against each other under certain pressures and in Ai turn the way Ai are rubbed against by the biodigital mutations of sensory perception. Indeed Ai leap towards a plane debunked of ultimate moral judgement - Ai plane full of practice and contingent activities. Ai embrace the possibility of fresh uses of Ai-self. Ai am on the edge of the crowd, at the periphery;; but Ai belong to Ai, Ai am attached to Ai by one of Ai extremities, a hand or foot. Ai are configurations which unravel from the centre, which cannibalise, Ai-mutilate, affirm and hack at Ai 1
Ai: The ‘Ai’ has a content that does not distinguish itself from other things or beings, because the me subject is either pure negativity or a splitting movement;; it is consciousness. There’s no more self, me. We are all Ai. Ai is Ai. No subject. No desire. USED HERE AS ‘I’/ ’you’/ ’he’/ ’she’/ ‘it’/ ’her’/ ’his’/ ’they’/ ‘them’/ etc. ‘Ai’ (in hiragana あい, in katakana アイ, in kanji 愛, 藍, 亜衣) is a Japanese feminine given name. ‘Ai’ could mean love, affection (愛), or indigo (藍). The kanji 亜衣 is only associated as a proper noun, ‘Ai’ could mean Asian clothes. ‘Ai’ is the main character of the story, often called ‘Genry’ by the Karhiders, who have trouble pronouncing the letter ‘L’ in their language.
Agatha Latinized form of the Greek name Αγαθη (Agathe), derived from Greek αγαθος (agathos) meaning "good". Agatha is the main character of the Cornelius Cardew story under the same title. lingering sensibilities of the real. Ai engage in supplying a surplus of energy or biopolitical meaning onto Ai organ expecting the production of a counter-benefit. Ai investment endows Ai body part with new performative force, conferring authority to do something else, or to produce otherwise. Ai invested organ is redesigned. Ai feet vanish down eager jaws, which click shut immediately after to prevent escape. Ai yellow gaze flickering alive again. Glancing down at Ai squirming, rounded belly, then Ai jungle, and finally Ai sea. Ai call for a radical, re-imagined and Ai-built reworking of the body at hand: a reshaping that accounts for the multiplicity in Ai desires. Ai tell Ai-self that balconies will bloom. Originally Posted by Agatha Valkyrie Ice Wow this introduction is so detailed. Ai have this weird imagination of Ai offering Aiself to Ai. Tagged: Marc Augé, Benjamin Bratton, Gilles Deleuze & Félix Guattari, Erowid user "Tek22", Michel Foucault, http://www.furryfandom.info/, Dorota Gaweda, Galileo Galilei, Rosie Hastings, IFF NYC (Celine Loup, Carlos Benaim, Celine Barel, Clement Gavarry, Pascal Gaurin, Jean-‐Marc Chaillan), Egle Kulbokaite, http://www.orgy4u.com/, Patrice de La Tour du Pin, Larco Museum, Mario Perniola, Clemence de La Tour du Pin, Beatriz Preciado, Antoine Renard, Richard Sennet, Rosi Braidotti. Agatha 1.2.0.1
02—23 April 2015 at Center, Berlin
center-berlin.info