In the Name of Allah the Most Gracious the Most Merciful University of Khartoum Faculty of Arts Department of English Investigating EFL learners’ Paragraph Writing Abilities: A Case Study of Second and Forth Levels English language Students in the Faculty of Arts, University of Khartoum Submitted By Mohammed Mohammed Zein Bushara Abd Al Gadir Supervised By Dr. Tawheeda Osman Hadra A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of M.A. in English Language 2006 Dedications To my Parents Table of Contents I. Page Chapter one: Introduction 1 1.1 Overview. 1 1.2 The Research Problem 3 1.3 Scope of the Research 4 1.3. The Research Questions 4 1.4 The Research Assumptions 4 1.5. The Research Significance 5 1.6. The Research Objectives 5 Chapter Two: Literature Review 7 2.0. Introduction 7 2.1. The Writing Skill 7 2.1.1. What is writing? 7 2.1.2. The Nature of Writing 8 2.1.3. The Purpose of Writing 11 2.1.4. Approaches to teaching writing in EFL classes 12 2.1.5. Approaches and Techniques 20 2.2. 2.2.1. Paragraph Writing What is a Paragraph? 21 21 2.2.2. Paragraph Layout (length and indentation) 23 2.2.3. What is a Topic Sentence? 25 2.2.4. Unity in the paragraph 27 2.2.5. Paragraph Patterns 29 2.2.6. Methods of Developing a Paragraph 30 2.2.6.1. Paragraph Development by Listing and Examples 30 2.2.6.2. Development by Comparison and Contrast 32 2.2.6.3. Development by definition 33 2.2.6.4. Development by classification 33 2.2.6.5. Development by process description 34 2.2.6.6. Development by cause and effect 34 2.2.7. Cohesion and Coherence 35 2.2.7.1. Cohesion 35 2.2.7.2. Coherence 40 2.3. Summary 43 Chapter Three: Methodology of the research 44 3.1. Introduction 44 3.2. Subjects 44 3.3. Materials 45 3.4. Procedures 46 3.5. Techniques of Data Scoring and Analysis 47 Chapter Four: Data Analysis and Interpretation 48 4.1. Introduction 48 4.2. Analysis and Discussion of the Students’ Performance 48 4.2.1 The Students’ Performance in Paragraph Length and Indentation48 4.2.2. The Students' Performance in the Topic Sentence 57 4.2.3. The Students’ Performance in paragraph Unity 67 4.2.4 The Students Performance in Cohesive Devices 76 4.3. 83 Conclusion Chapter Five: Summary, Implications and Recommendations 85 5.0. Introduction 85 5.1. Summary of the Results 85 5.2. Recommendations 87 5.2.1. Pedagogical Implications 87 5.2.2. Suggestion for Further Research 89 Bibliography 91 Appendices 96 Appendix (1) 105 Appendix (2) 106 List of Tables Table page Table (1): Group (A) Performance in Paragraph Length and Indentation Table (2): Group (B) Performance in Paragraph Length and Indentation58 Table (3): Group (A) Performance in the Topic sentence 68 Table (4): Group (B) performance in the Topic Sentence 68 Table (5): Group (A) Performance in Paragraph Unity 76 Table (6): Group (B) Performance in Paragraph Unity 77 Table (7): Group (A) Performance in the Use of Cohesive Devices 84 Table (8): Group (B) Performance in the Use of Cohesive Devices 84 List of Abbreviations C.U.P Cambridge University Press EFL English Language for Foreign Learners L1 First Language L2 Second Language O.U.P. Oxford University Press WWW. World Wide Web Abstract This research is an attempt to investigate paragraph writing abilities among Sudanese EFL learners at university level, and to assess the relationship between the learners’ paragraph writing abilities and their academic levels. In order to set the scene, it is important at the beginning to review some of the related literature concerning the writing skill in general and paragraph writing in particular. The research data were originally written answers to two tests given to the second and fourth level students in the Department of English, Faculty of Arts, University of Khartoum. The results of the research have revealed that the students’ performance shows low grasp of paragraph writing abilities. They have also revealed that the students’ academic levels have strong relation with their performance in certain aspects of paragraph writing such as the topic sentence development, and the unity of thought in a Paragraph. In addition, the performances of both levels in other aspects such as the use of cohesive devices, paragraph length and indentation are poor. Accordingly, the fourth level students outperform their second level counterparts’ in terms of the former aspects of paragraph writing. Furthermore, the results have shown that the students’ lack of awareness of paragraph construction principles seems to correlate with their overall poor performance in paragraph writing where most of it is bellow the average. Chapter One Introduction 1.1 Overview Whenever human beings live together, they develop a system of communication. People share experience, exchange ideas, and transmit knowledge from one generation to another in many different ways; however, languages remain the most effective means of communication. According to Harwer (1983:5) anyone who uses languages as well as a number of different means, may write letters, speak on the telephone, listen to the radio, read newspapers, etc. In general, four language skills can be identified; listening and understanding, speaking, reading and understanding, and writing. Speaking and writing are skills, which involve some kind of production on the part of the language user. Listening and reading, on the other hand, are receptive skills in that the language user is receiving the written or spoken form of language. Concerning the learning of these skills, Harwer (ibid) argues that it is the teacher's responsibility to see that all the four main skills are practised. The division made above between productive and receptive skills suggests that in some way the skills are separated and should be treated as such: on one day students should concentrate on reading and reading only, on the next day, speaking and speaking only, etc. However, one skill cannot be performed without the other. It is impossible to speak about conversation if you only read what you have just written. Furthermore, people use different skills when dealing with the same subject for all sorts of reasons. Someone who listens to a lecture may take notes and then write a report about the lecture. The same person might also describe the lecture to his colleagues, and follow it up by reading an article about it. It can be concluded that focus on one skill leads to practise in the other skills. Arnedt and White (1990:1) state that speech is one of these few basic abilities. People had been talking successfully for thousands of years before writing was invented, and millions of people today get fine with their languages, even though, they do not have written forms. However, through writing we are able to share ideas, persuade and convince people. We are able to discover and articulate ideas in a way that only writing makes possible. Furthermore, McDonough and Shaw (2002: 175) argue that writing has many different functions (i.e. narrative, persuasion, setting out an argument, and so on). 1.2 The Research Problem This research is an attempt to investigate paragraph writing ability of the second and fourth level students in the Department of English, Faculty of Arts, University of Khartoum, and to assess the relation between the learners’ performance in paragraph writing and their academic levels. A paragraph in English is defined as coherent related sentences dealing with a single topic. It should contain certain components: the topic sentence, unity, coherence, and adequate development. In fact, all these components overlap; using and adapting them to achieve the writer's purposes will help him to construct an effective paragraph. Johnstone (2002:101) argues that a written paragraph is described as being unified in content. She states the following requirements for a written paragraph. Firstly, every paragraph must have a topic sentence and the safe place for it is at the beginning of the paragraph. Secondly, there are two patterns, each is describable as a set of structural slots which can be filled with one or more sentences. One pattern involves a Topic (T) slot followed by a Restriction (R) slot, then an Illustration (I) slot; each is more specific than the preceding one. The another pattern starts with a problem (P) slot and followed by one or more solutions (S) slot (A.L. Becker (1965) quoted in Johnstone 2002: 102). Thirdly, parts of the paragraph are often formally marked where markers can be graphic (Indentation or line spacing signals beginnings and ends of paragraphs). 1.3 Scope of the Research This research covers the students' paragraph writing abilities with regard to the paragraph length and indentation, the development of the topic sentence, unity of thought in the paragraph, and the use of cohesive devices. However, the analysis of formal errors is beyond the scope of this dissertation. 1.4 The Research Questions In investigating the research problem, the following questions will be posed: 1. How competent are Sudanese EFL learners in constructing paragraphs in English? 2. Has the paragraph writing ability anything to do with the learners’ academic level? 1.5 The Research Assumptions In answering the research questions, the following assumptions can be made: 1. Generally speaking, Sudanese EFL learners show low grasp of paragraph structure in English due to their limited study of writing. 2. There is a strong relationship between the learners’ academic level and their paragraph writing abilities. Accordingly, the forth level students are assumed to outperform their second level counterparts. 1.6 The Research Significance The significance of this study stems from the fact that EFL Sudanese learners at university level face many difficulties in writing in general and in paragraph construction in particular. The researcher will focus on the requirements and techniques of paragraph writing and attempts to attract attention of English language teachers to focus on this important area in language skills, and English language syllabus designers provide for more exercises and techniques of paragraph writing. 1.7 The Research Objectives The research aims at: 1. Investigating Sudanese EFL learners’ paragraph writing abilities. 2. Increasing motivation of these learners towards writing a unified coherent paragraph. 3. Giving insight into the nature of paragraph writing, with ultimate goals of improving the quality of Sudanese EFL learners in paragraph writing abilities. Chapter Two The Literature Review 2.0 Introduction This chapter discusses the writing skill; definitions of writing, the nature of writing, the purpose of writing, approaches to teaching writing in EFL classes, and approaches and techniques in teaching writing. Moreover, the chapter is going to highlight the paragraph writing: definitions of paragraph, paragraph layout, the topic sentence, unity of thought in a paragraph, and paragraph patterns. Different methods of developing a paragraph such as development by listing, by comparison and contrast, by classification, by description, by definition, and by cause and effect will be discussed. In addition, cohesion and coherence will also be dealt with. 2.1 The Writing Skill 2.1.1 What is writing? In general, writing has been defined both formally and functionally. It is defined formally to show its physical representation as the “recording of human communication using signs or symbols to represent the spoken words” (Macmillan Encyclopedia: 1986: 1317). This definition manifests writing as only visible representation of the human language. The functional definition of writing sets up writing as a communicative event. Peter (1986:169) for example, views writing as “a curiously solitary form of communication addressing an absent and often unknown reader”. Similarly, Conor (1996:71) maintains that writing is an opportunity to explore one’s inner feeling. Of course, spoken form can also be so described, but it is only writing that can be used for communication across time and space. Insights into writing can best be given when contrasted with speaking. However, the relevant literature does not seem to give an equal weight to speaking and writing. In that, many linguists tend to associate writing with secondary status compared to that of speech. For example, the formal definitions of writing, which have been given above, emphasize that writing is a record of speech. Similarly, writing is viewed as “home-maid” of other language skills, and should not, therefore, be approached as a major skill to be developed. Moreover, a historical preference has been given in favor of speaking vis-à-vis writing. In this connection, it is argued that “not only did the spoken language precede the written language historically, but every one of us learnt to speak first long time before we learnt to write (palmer 1991:27). 2.1.2 The Nature of Writing Raimes (1983:4) believes that writing is not simply speech written down as many linguists assume. Learning to write is not just a natural extension of learning to speak a language. We learn to speak our first language at home without systematic instruction, whereas, most of us had to be taught in schools how to write the same language. She (ibid) arrives at the conclusion that the two processes, speaking and writing, are not identical. Brown and Yule (1983:95) maintain that there is analytic thinking follows the acquisition of writing since it was setting down of speech that enables man clearly to separate words, to manipulate their order and to develop syllogistic forms of reasoning. They go on to make even large claims about the ways in which the acquisition of writing, which permits the man to reflect upon what he has thought, has permitted the development of cognitive structures which are not available to the illiterate. It is worth noting, that the study of language in the twentieth century tended to concentrate on the spoken language. Many linguists from De Sassure through to Chomsky neglected the written mode in favor of the spoken one. This, however, contributed to the fact that writing was for a long time a neglected area in language teaching. However, the assumption that writing is putting the spoken language into a written form is only true for activities like taking down dictation or transcribing a tape (Brookes and Grundy 1998:1). It can, also be argued that writing is more attended to than speaking, i.e. we are more conscious of what we are doing and tend to attach more importance of every kind, knowing that our readers can return to our writing but we can not, and we can not easily rectify misunderstanding on the part of the reader (ibid)). In addition, the autonomy of writing (particularly vis-à-vis speaking) can be shown by its function as a differentiating factor between the literate and the illiterate members of the relevant speech community, while both members can have access to speaking, only literate ones can be said to have access to writing. Broughton et al (2003:116) state that when we write, unlike when we talk, we are engaged in an activity, which is usually at the same time private and public. It is private because the act of composition is by its nature solitary, but it is public in that most writing is intended for the audiences who are extremely difficult to define. The act of writing differs from the talking one in that it is less spontaneous and more permanent, and the resources available for communication are fewer because we can not - as we do in conversation- interact with the listener and adopt as we go along. For this reason, the writing conventions tend to be less flexible than those of conversations, and the language used in writing tends to be more standardized. Historically, writing has many purposes; elaborating on this point will be the subject matter of the coming heading. 2.1.3 The Purpose of Writing If we ask ourselves why we write at all, the answer may well be to pass information to some one we cannot presently talk to. Thus, writing allows us to transcend time (when we leave a note for someone to pick up later) or space (when we send a letter through post). A second answer might be (especially when we think of the needs of society as a whole) to solve the problem of volume, of having to store more than the human mind can remember. In fact, from the beginning of history, man has found it useful to store information, first using special trained “memorizers” from within the community, and then moved on to develop writing-systems. It has been found that written form is the most convenient for the purpose of storing information (Brookes and Grundy (1998:3). A third reason for writing might be to filter and shape our experience. You cannot write without filtering information. As we write, we think about what to write and how to present our experience. Indeed, we may well find that writing helps us to come to term with our experience and understand it better. When we edit what we have written, our writing itself goes through further filtering. The result is that our writing provides our readers with a condensed, economical, and carefully considered version of what we might say to them which is very different from the spoken form. In a sense, we have clarified what we think by forcing ourselves to write it down (ibid: p5). The above mentioned is few among many purposes of writing. In fact, recently most linguists, if not all, advocate the importance of teaching writing skills. However, the question needs to be raised here is: how to teach these skills? The following heading will try to find out an answer to this question. 2.1.4 Approaches to teaching writing in EFL classes Specialists in EFL have now become aware of the significance of developing writing skills among non-native writers of English (Freedman et al ,1983; Raimes, 1983; Zamel, 1985) Raimes (1983: 5) tries to find out an answer to the question of how to teach writing in EFL classes. She assumes that there are as many answers as there are many teachers and teaching styles. In fact, there are a number of things that writers deal with when they produce a piece of writing (i.e. grammar, e.g. rules of verbs, agreements, sentence boundaries, content, clarity, originality, logic, etc, the writing processes; getting ideas, getting started, writing draft, revising, etc, audience and readers, word advice; vocabulary, idioms, topics, etc, organization; the paragraph topic and supported cohesion and unity, mechanics; hand writing, spelling, punctuation, etc. All these elements are used to achieve clear, fluent, and effective communication of ideas. Teachers have developed a variety of approaches to the teaching of writing. Raimes (ibid p 6) reports six approaches to teaching writing in EFL classes. These are: Controlled-to-Free Approach, Free Writing Approach, Paragraph Pattern Approach, Grammar-Syntax-Organization Approach, the Process Approach, and the Communicative Approach. Elaboration on these approaches will be the subject matter of the following subheadings. (a) Controlled-to-Free Approach In the 1950s and early 1960s, the audio-lingual method of language teaching dominated second language learning. Speech attracted the primary concern, while writing served to reinforce speech, in that it stressed mastery of grammatical and syntactical forms. The controlled- to-Free approach in writing is essential: students are first given sentences, then paragraph to copy or to manipulate grammatically. With controlled composition, it is relatively easy for students to write a great deal yet avoid errors and limited opportunity to make mistakes. This approach stresses three things: grammar, syntax, and mechanics. It emphasizes accuracy rather than fluency or originality. (b) The Free Writing Approach The emphasis in this approach is that intermediate level students should put content and fluency first and not worry about the form. To emphasize fluency even more, some EFL teachers begin their classes by asking students to write freely on any topic without worrying about grammar and spelling for five or ten minutes. They have to resort to writing simple sentences. The teachers do not correct these short pieces of free writing; they simply read them or comment on the ideas the writers expressed. Alternatively, some students might volunteer to read their own writings aloud to the class. Concern of audience and content are seen as important in this approach, especially since the free writings often revolve around subjects that the students are interested in, and those subjects then become the basis for other more focused writing task. (c) The Paragraph-Pattern Approach The paragraph-pattern approach stresses that students copy paragraphs and imitate model passages. They put scramble sentences into a paragraph order. This approach is based on the principle that in different cultures people construct and organize their communication with each other in different ways. So, the students need to see, analyze and practice the particularly “English” features of a piece of writing. Similar to this approach, is the Model-based Approach. The emphasis here is on correctness and the adherence to and copying of models. The teachers and the textbooks are the source of language, and the good model is crucial. This Based-model approach was transferred to the more recent interest in rhetorical rather than language structure in written discourse. With such an interest, materials with a focus on the organization of rhetorical acts and manipulation of cohesive features are involved. In both approaches the language based and rhetorical focused approaches, the model text is taken as the starting point; the text is analyzed and studied from features of form, content and organization; linguistic items and rhetorical patterns are manipulated; then a new input is provided as a basis for a parallel writing task. Watson (1982:65) criticized the Model-based approach for mother tongue language teaching and for EFL. He points out that models tend to be too long and too remote from the students’ own writing problems. In general, he views the imitation of models as being “stultifying and inhibiting writers rather than empowering them or liberating them”. This approach is also criticized in that, it exposed students to the formal descriptive categories of rhetoric, offered good examples (usually professional ones) and bad examples (usually the students ones), encourages the students to absorb the features of a socially approved style. This helps the students to analyze the product, but it leaves the process of writing up to inspiration. (d)The Grammar-Syntax-Organization Approach In fact, writing cannot be seen as composed of separate skills, which are learnt one by one. So, teachers advised writing tasks that lead students to pay attention to organization while they work on the necessary grammar and syntax. Students see the connection between what they are trying to write and what they need in order to write. This approach then, links the purpose of a piece of writing and the forms that are needed to convey the message. It can be argued that all of the four approaches, which have been mentioned above, are based on the Product Approach to writing. As its name suggests, this approach is concerned with the finished text. Particularly, it concerns with the manipulation of the language structure of the written text. In 1980s the Product Approach became a subject of criticism for a number of linguists in general and advocates of the Process Approach in particular. Zamel (1983:165) argues that Product Approach was prescriptive, formulaic, and overtly concerned with correctness. Freedman et al (1983:181) considers this approach to be pedagogically weak for the insufficient attention it paid to the writing stages. Krashen (1984:25) also maintains that if the student-writer is able to master, consciously, the entire rules of punctuation, spelling, grammar and style that linguists have discovered and described his reward would be a Ph. D in linguistics, but he would never be a competent writer. (e) The Process Approach Recently, the teaching of writing began to move away from concentration on the written product to an emphasis on the process of writing (Raimes, 1983:10). She assumes that writers should ask themselves not only questions about purpose and audience, but also the crucial questions: How do I write this? How do I get started? All writers must have decisions on how to begin and how to organize the task. Student-writers in particular need to realize that what they first put down on paper is not their finished product, but just a beginning. Jordan (1997:167) states that the prime concern for classroom activities will, therefore, be generating preliminary ideas, prewriting activities, outlining, getting started, producing first draft, revising, proofreading, and developing further drafts. It is true that a student who is given the time for the process to work, along with appropriate feedback from readers such as teachers or other students will discover ideas, new sentences, and new words as he plans. Many teachers in EFL classes now give their students an opportunity to explore a topic fully in prewriting activities (Raimes ibid). Teachers who use the Process Approach give their students two crucial supports: time for the students to try out their ideas and feedback on the content of what they write in their drafts. Although there are many advantages of this approach, there also, are many problems that can be pointed out in connection with the Process Approach. Firstly, if the student is seriously required to workout preliminary ideas (writing processes), he will devote a good deal of time to non-writing tasks. Also this approach does not consider the time limits in EFL classroom activities. Secondly, the Process Approach could not avert from grammatical accuracy and rhetorical formulae. Thirdly, this approach has been argued to centre upon the student-writer as the sole generator of ideas irrespective of the situation in which his writing takes place. Horowitz (1989:144) for example, states that the Process Approach over-emphasizes the individual psychological function and neglects socio-cultural context. In fact, the Process Approach ignores the writers’ purpose and audiences. (f) The Communicative Approach Unlike the Process Approach, the Communicative Approach stresses the purpose of a piece of writing and the audiences. Studentwriters are encouraged to behave like writers in the real world and to ask themselves the crucial questions about purpose and audience: Why am I writing this? Who will read it? Traditionally, the teacher alone plays the role of audience. But some feel that a writer does his best when writing is truly a communicative act, when a writer writes for a real reader. Teachers using the communicative approach, therefore, have extended readership. They extended it to other students in the class, who not only read the piece but actually do something with it, such as respond, rewrite in another form, summarize, or make comment— but not correct (Raimes 1983:9). 2.1.5 Approaches and Techniques All the approaches just mentioned do, of course, over-lap. It is seldom to find a classroom where a teacher is devoted to one approach and excludes all others. A teacher using a communicative approach or a process approach is still using other approaches as the students need them; model paragraph, controlled- composition, free writing, sentences exercises, and paragraph analysis are useful in all approaches. Raimes (1983:11) assumes that there are many ways to teach writing. Although, the techniques are drawn from all approaches and address various features that a writer needs to consider in producing a piece of writing, they still have something in common. They stem from the basic assumption that writing means writing a connected text. It can be argued that all these techniques and approaches are set to enable the students to organize well-structured text through specific techniques in order to compose a good piece of writing such as the following heading (paragraph writing). 2.2 Paragraph Writing As mentioned in (2.1.3) that one purpose of writing is communication. When people write, they pass their ideas and information to their readers. In major fields of study, research, business, it is extremely important for a person to be able to communicate well in writing. However, the problem of the writer is basically a problem of control. In order to achieve this control, writers must ask themselves two questions: 1. What do I wish to say? 2. How to say it? Raimes (983:10) raises a similar question: “How do I write this?” McCarty (1998:9) assumes that sometimes the writer has lots of ideas, but he may not know which of them are relevant. How to say it, or how to write it covers all writing skills, i.e. graphical or visual, grammatical, stylistic, as well as rhetorical and organizational skills, particularly paragraphing. 2.2.1 What is a Paragraph? There are many definitions for the term paragraph in relevant literature. The followings are few among many: Davidson (1964: ) states that the word paragraph comes from two Greek words, “Para” which means by the side of, and “graphein” which means to write. He found that writers formally put a mark by the side of a passage to draw attention to a division of thought. He argues that a paragraph may be defined as the rounded development of a single idea. In other words, paragraphs are devices for showing minor divisions of thought within the whole written form such as a text or composition. Longacrer (1979:105) assumes that the paragraph is a unit of written material that consists of a series of sentences for the sake of developing a main or controlling idea. That is to say all sentences in the paragraph must completely and accurately develop a central idea through logical order or organization. McCarty (1998:57) also states that as the writer develops his paragraph, he needs to keep his ideas under control and to organize these ideas from the readers’ viewpoint, e.g. go from overview to details rather than from details to overview. Furthermore, Johnstone (2002:102) views the written paragraph as being unified in content (I.e. having a “topic” expressed in a “topic sentence” and, at least in some writing traditions, developed into sentences). Langman (2003:11) maintains that a paragraph typically starts with a point, and the rest of the paragraph provides specific details to support and develop that point. An effective paragraph, then, must not only make a point, but must be supported by specific evidences, reasons, and examples. Even if readers do not agree with the writer, at least they have in front of them the evidences on which the writer has based his\her opinion. Readers are like juries; they want to see the evidences so that they can make their own judgment (Langman ibid: p 12). In sum, all the definitions above emphasize that a paragraph always contains a single idea, one subject, one main idea, a controlling idea, or central idea. In fact, the central idea and the supporting sentences of the paragraph usually have a certain length and shape which traditionally called “Paragraph Layout”. 2.2.2 Paragraph Layout (length & Indentation) (A) Paragraph Length It has been discussed in (2.2.1) that the paragraph is a group of sentences. However, how many sentences does the paragraph contain? Davidson (1964: ) made attempts to find an answer to this question. He states that the length of an ordinary paragraph depends on the degree of elaboration needed to bring out the topic clearly. He adds that some paragraphs are quite short, while others are extremely long. Research has shown that the average paragraph in English has five to ten sentences, with seventy five to one hundred and fifty words. McMahan and Day (1984:87) add that occasionally, though, for rhetorical reason a paragraph may be a single sentence. Johnstone (2002: 102) maintains that a paragraph length varies across written medium; paragraphs in newspaper columns are usually shorter than paragraphs in books. Rooks (2003:6) also points out that the Number of sentences in a paragraph depends on its subject. A paragraph with a simple subject may have five sentences, but a paragraph about difficult subject may have ten sentences. (B) Indentation When a writer writes, he always keeps his audience and readers in mind. Certain readers expect him to use certain conventions, like manner that helps in communicating with audiences. Often these conventions are signals that help the readers to predict what will come next. One important convention to follow is indenting the first line of each paragraph. This indentation tells the readers that the writer is beginning a new paragraph (Kathleen et al (1982:43)). According to Brown and Yule (1996:95) it might seem that identifying the formal demarcation of chunk, written or printed discourse is relatively simple task. After all, written discourse is divided into paragraphs whose boundaries are marked by indentation. Similarly, Brown and Yule (ibid) for example, appeal to languages other than English for evidence that there are formal linguistic markers of the beginning and ending of paragraphs. What is immediately noticeable in the discussion of these markers is that they are genre-specific. They also describe the marking of paragraph boundaries as one form of partitioning in discourse. Just as parts of sentences are formally marked, parts of paragraphs are also marked. Markers can be graphic (indentation or line spacing signal beginnings and endings of paragraphs), lexical (a head word in the paragraph’s first slot can be referred to in subsequent slot), or it can be grammatical (syntactic parallelism can signal that set of sentences belong to the same part). A shift in a verb can signal a new slot such as transition words (i.e. “but”, “for example”, etc) (Johnstone: 2002:105). 2.2.3 What is the Topic Sentence? Just like the term “Paragraph”, the topic sentence has a number of definitions in the concerned literature. It has been defined as the central idea of the paragraph. Similarly, Smith and liedlich (1965:4) assume that the sentence which expresses the controlling idea of a paragraph is called the topic sentence upon which the unity of the paragraph is based. Another definition is given by Rooks (1999: 10); he clarifies that the first sentence of every paragraph you write should be the topic sentence. In fact, it communicates the subject of the paragraph by giving the reader the general subject, and the specific parts of the general subject that will be developed in the paragraph. He adds that the topic sentence serves as a guide in determining what details are needed to make the central idea clear for readers, as well as what details are irrelevant. A topic sentence usually appears at or near the beginning of the paragraph. In this position, it announces in advance what the paragraph is about. Occasionally, it occurs at the end to summarize what has been said, or else where. It may appear in the middle as a kind of link between the two parts. McMahan and Day (1984: 89) argue that writers sometimes put their topic sentence in the middle or at the end as a matter of style. They, furthermore, determine three positions of the topic sentence: A. At the beginning: If you put each topic sentence at the beginning of its paragraph, your readers can grasp the outline of your essay just by glancing at the topic sentences, an arrangement that makes for clarity and easy reading. In fact, most paragraphs start out with the topic sentences following by examples, details, subordinates, etc. B. At the end: Any time you develop a paragraph using inductive reasoning (gathering specific evidences and examples from which you draw conclusion), the topic sentence quite naturally comes at the end. The topic sentence can also be put at the end as a mean of achieving variety and emphasis. C. In the middle: Putting the topic sentence in mid paragraph occasionally is another way of achieving variety and thus making your writing more interesting. However, Johnstone (2002: 102) states that the writer of an English paragraph may, in fact, be more free to decide what will go and where. Langman (2003: 13) adds that it is often better to state your point in the first sentence of your paragraph, and the paragraph will be unified if all details support the point in the topic sentence. 2.2.4 Unity in the paragraph As it has been mentioned in (2.2.1), the paragraph is a development of a single idea, and this development depends on the topic sentence, and succeeding several other sentences, which in some way contribute to or support the idea of the topic sentence. In other words, all the sentences must be related to the topic sentence and must, therefore, refer to it. If a paragraph announces its main idea in the topic sentence and if all supporting sentences contribute to the readers understanding of the main idea, it can be said that the paragraph has unity of thought which is an inherent attribute of a good paragraph. It is true that an effective paragraph has unity. This unity can be tested by checking the relationship between each sentence and the central idea, the writer must be certain that each statement relates to the restriction of the topic. In fact, some students do spoil what is potentially a good piece of writing as they run into less obvious but similarly troublesome unity problems (Allen and Park 1969:18). Allen and Park (ibid: p19) state that, in order to achieve the unity, a writer must stick to the point; he should say one thing about one topic in each formal unit of his essay – the sentence, the paragraph, groups of paragraphs in the organization of a paper, and the essay as a whole. Although the principle of unity is easy to define as a definition, maintaining that principle when you write is often difficult. If a paragraph is said to be unified, only one thing must be said about the topic. Information and ideas not closely related to the feature of the topic, no matter how interesting, should be either omitted or clearly indicated as subordinate in importance Imhoof and Hudson (1975: 120) add that the paragraph is a unit of thought concerned with exposition of a single idea, and if it is to communicate that idea clearly and concisely, it must possess oneness. Paragraph is unified when it states only one central idea that is developed by all other statements in the paragraph. Understanding the principle of unity is not as difficult as it has been mentioned above. In practice, however, students often violate it. Allen and Park (1969:19) report that students violate the principle of unity for two reasons: First, it is violated because the writer of the paragraph momentarily forgets his central point and introduces a sentence or two not sufficiently related to the topic. Second, because the writer is “Sentence oriented”; he sees and uses the sentence as a unit for the expression of one idea, but not the paragraph. 2.2.5 Paragraph Patterns The relevant literature highlights two types of frameworks for the paragraph. Becker (1965) quoted in Johnstone (2002:101) suggests that there are two main patterns of the paragraph, each is describable as a set of structural\semantic slots which can be filled with one or more sentences. One pattern involves Topic (T), Restriction (R), and Illustration (I). Winterowd and Murray (1985: 52) argue that the first two parts (i.e. T and R) identify the central idea of the paragraph. Illustration, the third part of the pattern, gives further development to the central idea with examples, comparison, or further specific statements. Each one of the three elements is more specific than the preceding. The other pattern, on the other hand, starts with a problem (P) slot and proceeds with one or more solutions (S). In this pattern, the paragraph begins with an introductory sentence that explains the situation and raises the problem, followed by an explanation that gives the solution to the problem. Becker (ibid) assumes that in some paragraphs, the slot (S) is filled with an embedded (TRI) structure. 2.2.6 Methods of Developing a Paragraph As it has been mentioned in (2.2.2) the topic sentence starts the main idea in each paragraph, but most paragraphs need more sentences. To develop or to flesh out that main idea, you need to supply facts, figures, reasons, examples, and illustrations - in short, concrete details- that pertain to your topic sentence (McMahan and Day1984: 94). It is true that a paragraph is not simply a loose collection of sentences or even simply a sequence of sentences. It is an organic entity - a group of related sentences that develop a single idea. Scholars have developed several methods and patterns of logical organizations through which a paragraph can be developed. The following are some of these methods. 2.2.6. 1 Paragraph Development by Listing and Examples Before discussing this method, it is better to shed light on the sentence function in a paragraph development. According to Imhoof and Hudson (1975:110) sentences in most well-written paragraphs may be categorized into four general functions: firstly, paragraph introducers which are sentences that establish the topic focus of the paragraph as a whole, secondly, paragraph developers which point examples and details of various kinds that support the ideas set forth by the paragraph introducers, thirdly, viewpoints or context modulators, these are sentences that provide smooth transition between different sets of ideas, fourthly, paragraph terminators, which logically conclude the ideas discussed in the Paragraph in a psychologically satisfying manner. In fact, not all pieces of writing comply with this analysis; however, most successful paragraphs usually contain these four sentence types. Concerning the paragraph development by listing and examples, Imhoof and Hudson (ibid) assume that a listing paragraph has several parts. First, a paragraph introducer –both a topic introducer and a topic sentence are used to open the paragraph. Next, supporting examples are listed with aids of connectors. Sometimes modulator sentences are used between different sets of ideas. Finally, a terminator sentence brings the paragraph to a logical conclusion. It is helpful to learn two common ways of organizing support in a listing paragraph –listing order and time order. Through listing order, a writer can organize supporting evidences in a paper by providing a list of two or more reasons, examples, or details. The most important or interesting item is usually presented at the end of the paragraph because readers most likely remember the last thing they read. Certain transition words are used to indicate listing order (e.g. first, second, next, finally, etc.). Time order, on the other hand, is also used by the writer to present details in the order in which they occur. Many transition words are used to indicate the time order in a paragraph (e.g. before, after, now, later, etc.). In fact, many paragraphs, especially the paragraphs that tell a story or give series of directions, are organized in time order. 2.2.6.2 Development by Comparison and Contrast A comparison paragraph, as its name indicates, compares similar aspects of qualities of two objects. On the other hand, contrast paragraph compares dissimilar aspects of two subjects. In both the comparison and contrast paragraphs there are two procedures that may be followed. The first method alternates examples of subject “A” with examples of subject “B”; the contrast or comparison may occur in the same sentence, or they may be in consecutive sentences. The second method presents the whole subject “A” examples together, then the whole subject “B” examples together. Moreover, the support for comparison or contrast consists of examples, judgments, factual details, etc. 2.2.6.3 Development by definition In a sense, any paragraph that answers the question: “What is it?” uses definition as a method of development. A definition paragraph describes, explains, or defines an unfamiliar term by relating that which is unknown to that which is already known. It makes use of the techniques of comparison, contrast, and synthesis, often in combination. More specifically, a definition paragraph may be developed by using comparison sentences that show an unknown term as same as the known term. In any case, a given definition of a paragraph, whether developed by comparison, contrast, or synthesis, or combination, normally ends with a sentence that summarizes the distinctive features of the term being defined (Imhoof and Hudson 1975:116). 2.2.6.4 Development by classification Another common and useful method for developing a paragraph is classification. In one sense, almost all writing involves classification. At some points in a piece, the writer establishes some sets of categories which he has discovered while analyzing his topic or synthesizing his ideas. In fact, the writer of classification paragraph organizes items or ideas to be discussed into relatively homogeneous groups, or splits his/her subject into smaller parts in the topic sentence and then develops each part in turn, using any suitable method of development. 2.2.6.5 Development by process description Process description method is similar to the procedures followed in conducting a scientific experiment. The descriptive paragraph requires descriptive details which are usually intended to convey an impression –how something looked, smelled, tasted, etc. 2.2.6.6 Development by cause and effect The final method is the development of paragraph by exploring the causes or effects of an idea, event, or situation. The writer sometimes follows out a chain of reasoning from one idea to another or from one thing to another, and he may go from causes to effects, or vice versa. To sum up, all these methods discussed in this section, represent different means of developing a paragraph used most frequently by writers. It is often to combine two or more methods in a single paragraph. In fact, these methods are not limited to paragraphs in their usefulness. A single method might extend over several paragraphs, or even an entire essay. Sometimes the use of several methods is a good way to explain a complicated idea fully. Whether it could be one method or several, in one paragraph or more, the development of one’s idea should always be full enough for the situation and for the readers. 2.2.7 Cohesion and Coherence As mentioned in (2.2.4), one of the most important principles of writing is sticking to the point. However, the writer may sometimes find that even though he carefully sticks to his central thesis in his paragraph, the paragraph would still sound odd and disjointed. To overcome this problem, the writer needs to know more about cohesion and coherence. 2.2.7.1 Cohesion: W hen the writer is writing, it is worth bearing in mind that it helps his readers if he can see clearly the relationship between his sentences. Quite often, he can show this relation with particular joining words or phrases. However, this relation between sentences is called cohesion. Cohesion is defined by Conor (1996:25) as the use of explicit linguistic devices to signal relations between sentences and parts of a text. Brown and Yule (1996:197) take the view that the primary determinant of whether a set of sentences do or not constitute a text, depends on cohesive relations between sentences which create a great texture. A text has a texture and this distinguishes it from something that is not a text - the texture is provided by cohesive relations. Cohesive relations within a text are set up “where the interpretation of some elements in the discourse is dependent on that of another”, one presupposes the other in the sense that it can not be effectively decoded except by recourse to it ( Halliday and Hassan ibid: P4). Johnstone (2002:119) states that the best treatment of cohesion is given by Halliday and Hassan. They describe five general and lexical strategies that writers \speakers use (and readers\hearers expect) for showing how the meanings of parts of different sentences are related to each other by linking some elements in one sentence with some in another. These cohesive devices create ties between sentences. For more illustration, the five cohesive devices will be the subject matter of the following sub-titles. 1. Reference According to Halliday (1985) referential ties are created when an item in one sentence refers to an item in another sentence, so that in order to interpret part of one sentence readers or hearers have to refer to some part of the other sentences. Similarly, Brown and Yule (1996:95) assume that referential ties direct the hearer\readers to look elsewhere for their interpretation, whether their interpretation lies outside the text or lies within the text. Halliday (ibid:181) argues that there are three types of references: A. A particular or circumstantial element introduced at one place in the text can be taken as reference for something that follows (traditionally, this relation is called cataphora). It is an exophoric relation that pointing outside the text. It is possible to have anaphoric relation in which such items pointing backward to earlier sentences. For more illustration consider Halliday’s examples: (1) Cataphora relation: She comes in blue, the queen. (2) Exophoric relation: Look at it (the sun). (3) Anaphoric relation: Look at the sun. It is going down. B. The second type of reference is demonstrative like these, those, this, that, etc. They may also be either exophoric or anaphoric. C. The third type is comparative reference which sets up a relation of contrast. Any expression such as “the same”, “another”, similar, and related adverbs such as likewise, equally, and many others presume some standard of reference in the preceding text. However, comparative reference can also be used cataphoricaly. 2. Conjunction Halliday and Hassan (1976:320) state that human languages are characterized by a set of logical relations that are embodied in the different conjunction forms of coordination, opposition, modification, etc. Halliday (1985) defines conjunction as a clause or clause complex, or a larger stretch of text, may be related to what follows it by one or other specific set of semantic relations. He further introduces English conjunction under three broad headings, as shown bellow: i) Elaboration such as opposition (e.g. in other words, similarly, etc). ii) Extension: such as addition and variation (e.g. also, either, however, otherwise, etc). iii) Enhancement: spatio (e.g. there, throughout, etc) manner (e.g. thus, likewise, etc), causal conditional (e.g. therefore, consequently, etc). 3&4 Substitution and Ellipsis These two kinds of cohesive devices are presented together due to their functional similarities. In fact, each can be defined in terms of the other. Ellipsis is defined as substitution by zero. Whereas substitution is defined as explicit ellipsis (Halliday and Hassan 1976: 317). Halliday (1985: 297) adds that Ellipsis contributes to the semantic structure of the discourse by setting up a lexcogrammatical relation. Such relation is always between words rather than between meanings. Substitution, on the other hand, serves as a place-holding device, showing where something has been omitted and what its grammatical function would be. Moreover, Halliday (ibid) focuses on three main contexts for ellipsis and substitution, namely, the clause and verbal groups and the nominal group. 5. Lexical Cohesion Halliday and Hassan (1976: 318) identify two processes as possible source of textual cohesion. One process is that of reiteration; it means the repetition of lexical items or the use of synonyms. The second process is collocation; it is defined as the tendency of some words to occur in the lexical environment of other words. To illustrate these two processes, consider Halliday and Hassan’s example below: Soon her eye fell on a little glass box lying under the table: she opened it, and found in it a very small cake, on which the words “EAT ME” were beautifully marked in currants. “well, I will eat you”, said Alice, “ and if it makes me larger, I can reach the key; and if it makes me smaller, I can creep under the door, so either way, I’ll get into the garden, and I don’t care what happens” She ate a little bit, and said anxiously, which way? Which way? Holding her hands on the top of her head to feel which way it was growing, and she was quite surprise to find that she remained the same size (P. 320). In this passage there are many occurrences of reiterated forms such as eat, ate, eat. There are also occurrences of collocations: i.e. open, key, and door. The occurrence of these lexical forms has been argued to achieve cohesive effects by continuity of lexical meanings. 2.2.7.2 Coherence Halliday and Hassan (1976:11) assume that discourse sentences cohere as far as their meaning is concerned. Coherence may be established by looking for how much the sentences in question do inter-relate in meaning. Structural definition of coherence has been proposed by SCinto (1977:9-12)); he points out that there are four ways to establish coherence. Firstly, coherence can be created by logical cohesion. Secondly, it can be conceived as the “degree to which meaning of an element of a text contributes or distracts from the larger meaning of the text as a whole”. Thirdly, a possible source of textual coherence is “syntactic connectivity”. SCinto (ibid: p10) defines syntactic connectivity as a matter of possible concatenation of sentences. The forth source of coherence is the lexical cohesion. However, explanation of textual coherence in a pure structural term does not appeal to many linguists. For instances, Widdowson (1977: 31) points out that it is not always necessary that relationship between propositions within the same discourse to be signaled linguistically. He argues that the meaning of the text does not always exist ready-made, i.e. it has to be worked out by hearers or readers. When a piece of writing has coherence (or it coheres), its ideas move in smooth, straight uninterrupted line from the beginning to the end. Accordingly, a coherent text must proceed logically and smoothly through sensible ordering of items or ideas in the paragraph and linking the sentences with transitional devices so that they follow smoothly from one idea to the next, uniting the paragraph into coherent whole. Concerning coherence in a paragraph (for the sake of the research), it has been argued that a paragraph has coherence when its sentences are woven together or follow into each other. If a paragraph is coherent, the reader moves easily from one sentence to the next without feeling that there are gaps in thought. If a paragraph lacks coherence, the reader will feel that the sentences, not the paragraph, is the unit of writing, and he is reading a collection of separate statements rather than integrated discussion. Smith (1968: 85) states that clear readable paragraphs must be coherent as well as unified and well developed. Their sentences must not only adequately develop a controlling idea, they must link together smoothly. Each sentence should lead into the next, so that the reader can easily follow the progression of thought. To achieve the orderly progression in a paragraph, you must arrange your materials in some logical sequence and provide connecting links between sentences. If your paragraph is to be coherent, then, you must first arrange your materials in a logical order. The kind of order you use will depend upon your purpose and the nature of your materials. Winterowd and Murray (1985: 66-72) provide six model orders to develop a coherent paragraph: 1- Chronological order: events here are organized according to time order. 2- Spatial order: this model is based on the physical relationship among items in order to give the readers a clear picture about the topic. 3- Order of importance: if an expository paragraph is developed with reasons or examples, the illustration sentences are often arranged in order of importance. 4- Transition words. 5- Repetition for coherence. 6- Using several strategies for coherence (i.e. transition devices, pronouns, paraphrase, repetition, etc.). 2.3 Summary This chapter has discussed definitions of writing, nature of writing, the purpose of writing, approaches to teaching writing, and approaches and techniques in teaching writing. Relevant literature of paragraph writing has been introduced; definitions of paragraph, paragraph layout, the topic sentence development, paragraph patterns, and the unity of thought in a paragraph. Various methods of developing a paragraph have been highlighted; development by listing, by comparison and contrast, by definition, by classification, and by cause and effect. Finally, Cohesion and coherence have also been dealt with. Chapter Three Methodology 3.1 Introduction This chapter outlines the methodology of the research: introduces the subjects, describes the materials used in eliciting the research findings, shows the procedures, and highlights the techniques of data scoring and analysis. 3.2 Subjects The subjects of the study consist of sixty students from the Department of English, Faculty of Arts, University of Khartoum: thirty are from the second level (Group A) and thirty are from the fourth level (Group B). Both groups are asked to write paragraphs. The students in group (A) range between 16 – 19 years old. They have nine years of EFL study: four years at the basic school level, three years at the higher secondary school level, and two years at the university level. At the latter level, the subjects have studied two EFL courses in the first year and two courses in the second year. Worth mentioning, the students at the University of Khartoum, faculty of Arts usually take English language as a compulsory subject in the first year and specialization usually takes place after the second year. The students in group (B) range between 19 – 23 years old. They all have eleven years of EFL study: four years at the basic school level, three years at the higher secondary school level, and four years at the university level. In fact, in their university study, the subjects have studied one advanced composition course. Nine and more years of learning could be enough for EFL students to become good writers, but general observation and research findings do not seem to reinforce this expectation. However, their overall English performance has often been reported to be bellow average. This can, no doubt, be argued to have negative implications on their paragraph writing abilities. 3.3 Materials Materials of this study were originally written answers to two tests: the first one was given to the students in group (A). They were given three topics and requested to write only one paragraph in not less than (75) words. The first paragraph was descriptive, the second and the third ones were argumentative. The second test was given to the students in group (B), and they were given the same topics as group one. 3.4 Procedures As shown in (3.3.) the materials of this study were originally answers to achievement tests. Three familiar topics were chosen for paragraph writing. These were: 1- Describe your university (describe either buildings, labs, libraries or lecture rooms). 2- “Smoking is bad for health”. Develop this sentence into a paragraph; show how it is bad for health. 3- The conflict in Darfur is a political rather than an ethnic one. Develop this sentence into a paragraph. In one hour lecture, the students in group (A) were requested to develop only one paragraph from the above topics without any instructions on how to develop it. A few questions were raised about the length of the paragraph, some students finished their writing at the first thirty minutes, and few of them kept writing until the last minute of the prescribed time. The students in group (B) as described in (3.2.) were also requested to develop a paragraph. Because the researcher wanted to investigate the relation between the students’ academic level and their paragraph writing abilities, the same topics and the same time limit given to group (A) was also given to group (B). Students in the forth level seemed to be more confident while they were writing. Most of them finished in the first fifteen minutes, and no one stayed till the last minute. 3.5 Techniques of Data Scoring and Analysis The results of the study will be analyzed in terms of percentages, and the performance of the subjects will be measured by scores. The total scores of the test are eighty marks, divided equally into four elements, each of which carries twenty marks: 1- The Length of paragraph and indentation; 2- The Topic sentence development; 3- The Unity of thought in a paragraph; 4- The Use of cohesive devices. Chapter Four Data Analysis and Interpretation 4.1 Introduction This chapter focuses on the presentation and discussion of the results arrived at through the tests of writing a paragraph given to the subjects in question. An overall investigation of the paragraph writing abilities among the students of both groups will be dealt with in details. The discussion of the students’ performance will move gradually from the layout of the paragraph to the inner structure. In other words, paragraph length and indentation will be dealt with first, and then comes the development of the topic sentence, paragraph unity, and the use cohesive devices. Throughout the discussion of these paragraph features, comparison between the performances of the students in group (A) and their counterparts in group (B) will be highlighted, and interpretations and explanations of the results will be worked out. 4.2 Analysis and Discussion of the Students’ Performance 4.2.1 The Students' Performance in Paragraph Length and Indentation The normal length of a paragraph in English as stated by MacMahan and Day (1984:87) ranges between five to ten sentences, with seventy five to one hundred and fifty words representing standard connected sentences. Kathleen et al (982:43) points out that one important convention to follow, when you are writing a paragraph, is to indent the first line of each paragraph. This indentation tells the reader that the writer is beginning a new paragraph. So, judging by the criteria above, 66,6% of the students in group (A) failed to indent their paragraphs and meet the required length of a standard paragraph. They obtained grades ranging between (0 – 9), taking the pass grade to be (10). Examples: Ex (1) University of Khartoum is very big, but the lectures rooms are very small that all the students cannot sit, because the furniture are very bad and the chairs is broken. Ex (2) The smoking is bad for health, because effects on human and causes diseases, lungs not able to protoct the body from insect. Away from the grammatical and spelling complications, the paragraphs in the examples above do not comply with the conventional layout of paragraph as the students started writing from the beginning of the line paying no attention to the indentation, which is an inherent attribute of the standard paragraph. The so called paragraphs in the examples above are considered inadequately short ones (i.e. example (1) consists of (30) words and another one contains (22) words); they apparently do not comply with the average length that determines the flow of the topic to be written about. In fact, most of the students in group (A) wrote very short pieces of writing which are very hard to be called paragraphs when measuring them against the criteria stated by MacMahan and Day above. See the examples below: Ex (3) I think smoking is bad for health because it cause many kind of desese. one of main effect in smoking is cancer which is very dangerous and its hard to recover. (31 words). Ex (4) university of Khartoum is very bigger and older building in sudan and we found many lecture rooms labs and libraries. we found many furniture, chair and bunch and table, cafeteria and two field the west one and este field found many faculty in center. (46 words) and we While (33,4%) of the students observed the indentation; however, they produced inadequately short paragraphs. Consider the following examples: Ex (5) The smoking isbad of health, because it effect on human is causing disease’s lungs not able to protection the body from jerth and insect . it’s not work with good health perhaps cause suretan and other desease. (36 words) Ex (6) The conflict in Darfur I think is poltical rather than ethnic. arab and nonarab live in Darfur together, and their fathers and grandfathers live together without any clash between them. I think the peole fighting now are not from darfur, they are not belong arab or nonarab. (48 words) Based on the linguistic analysis above which is supported by examples from the subjects’ writing, we can say that the students in group (A) confused the terms “paragraph length and indentation”. They either produced a non-indented short piece of writing, which is - by no means qualified to be a paragraph, or a single sentence paragraph and sometime separate sentences in separate lines. Thus we can draw a conclusion that the students of this group do not have enough knowledge of the implication of the terms paragraph length and indentation. In group (B) the situation is not much better as 63, 4% of the students failed to produce indented adequately long paragraphs. See the examples: Ex (7) My University is big and the buildings are very old and also the lecture room but there some new lectures rooms, and the labs are exclusive only to the scientific faculties, the libraries are very interested and comfortable. Ex (8) In this crowded world there are many victims of smoking. It destroys lungs of smokers and it is the main cause cancer and the diseases of veins. In addition to this it has indirect syptomaics such as that, the smokers usually have high depression. It has also great influence on the sexual ability of the smokers. Just like the students in group (A), the students in examples (7) and (8) above started their paragraphs from the beginning of the line leaving no space to mark the indentation. The paragraph in example (7), for instance, is inadequately short: it consists of a long single sentence, which includes (38) words. As readers, we expect writer of this paragraph to extend his description of the buildings to include: e.g. the number of the buildings, spacing and the materials of which they were built, i.e. he should write an overview of his university; however, he came up with very limited fragmented ideas, thus violating the required length that determines the flow of the paragraph. Similarly, the paragraph in example (8) is also a short one as it contains (56) words comprising four sentences, each of which is written on a separate line. Indeed, if we consider the paragraph as a unit of writing which has a certain layout and average length, the students' paragraphs above, no doubt, would fall short of such qualifications. This result indicates that these students are totally unaware of the implication of the terms of paragraph length and indentation. 30% of the students in group (B) observed indentation; however, they came up with short paragraphs which do not comply with the length of a standard paragraph as stated by MacMahan and Day (1984:87). Consider the examples below: Ex (9) My university has good building because it has build by British system But the lecture room they are very old and the lab also very bad The library you can find ancint books you have find very good bunches. (30 words) Ex (10) I think the conflict in darfur is ethnical more than political because that is my point of view. People live in darfur for many years and we do not hear about conflict like this in their grandfathers or fare grandfathers. For this reasons I think the political reasons are responsible for this war. (53 words) 6,7% of the students in group (B) used indentation and came up with the right length of a paragraph. See the example bellow: Ex (11) As far as Darfur is considered to be a multi cultural, religious and linguistic region, conflict among of it's people should of course be a logical one. In my view point, the current conflict is a political one, but unfortunately it has been gravitated by politicians in order to be an ethnic conflict. I think the sheer responsibility of this conflict lies on the shoulder of the central government, because it has armed the Janjweed troops to stand against the non-Arab tribes in order to achieve some sort of power balance in the region. Consequently, the government should be accused by the Security Council as being responsible in way or another of the humanitarian crisis. The paragraph in example (11) is one of a few examples among the students’ writings where the student observed the indentation and successfully managed to write enough sentences and words (115 words in particular). In other words, the student opened his paragraph with a long sentence, which contains (25) words, introducing the cultural, religious, and linguistic nature of the Darfur region. Then he moved to the body of the paragraph, in which he introduced his viewpoints and gave supporting evidences. In conclusion, we can say that this paragraph contains enough sentences and words which determines the flow of its topic. Depending on the analysis above, which is supported by examples from the subjects’ writing, we can say that the students in Group (B) also do not have enough knowledge of the implication of the terms of paragraph length and indentation. Although the students in this group have relatively long experience with EFL writing, they still face problems in paragraph writing technicalities. With reference to the students’ performance in paragraph length and indentation, it appears clearly that the poor performance of the students in both groups is noticeable. A similar result is arrived at by Younis (1999:30): who conducted a research investigating paragraph writing competence among university students. His subjects were chosen from the students at the preliminary year in the Faculty of Medicine, University of Khartoum. Younis found that most of his subjects wrote the intended paragraphs paying no attention to the idea of the average length that determines the development of the topic sentence, i.e. they did not govern the length of the paragraph by the amount of information needed to develop the topic sentence. The result above reveals the poor performance of the students in paragraph length and indentation. This can also be supported statistically from the data analysis where 13,3% of the students in group (A) obtained grades ranging between (0-4), and 53,3% of them obtained grades ranging between (5-9) - taking the pass grade to be (10). Similarly, 16,7% of the students in group (B) obtained grades ranging between (0-4), and 46,7% of them obtained grades ranging between (5-9). In fact, more than 60% of the students in each of the groups scored grades less than the pass grade. The tables bellow show the statistical figures in details: Table (1): Group (A)'s performance in paragraph Length and Indentation Grade Frequency Percentage 0-4 4 13,3% 5-9 16 53,3% 10-14 6 20% 15-20 4 13,3% Total 30 99,9% Table (2): Group (B)'s performance in Paragraph Length and Indentation Grade Frequency Percentage 0-4 5 16,7% 5-9 14 46,7% 10-14 9 30% 15-20 2 6,7% Total 30 100% The question needed to be raised here is: What are the reasons underlying the students' poor performance in paragraph length and indentation? These reasons can be attributed to the weak background of the students in English in general, and to the total absence of writing practice in particular in the EFL courses taught at the faculty. 4.2.2 The Students' Performance in the Topic Sentence Rooks (1999:11) maintain that what a reader expects when he\she enters a new paragraph is to hear one declares a point in the topic sentence and then offer support for the point. If you violate this expectation– if a paragraph wanders aimlessly among half dozens of points, or if it declares points without offering any evidence to support – then the reader becomes confused or irritated by your argument. He won’t want read any further. Concerning the performance of the students in group (A) with regard to the topic sentence development, most of them are found to be unaware of the implication of the term “topic sentence development”. 69,9% of them totally deviated from the topic sentence. See the examples: Ex (12) Smoking is bad for health because it causes many diseases like cough. smoking is a big cause to lost more of our money to buy something is not necessary in our life… Ex (13) the smoking is bad for health and grave habit in the society. in my view is grave habit. It become unmistakable and familiar habit for young people than the old. The women also become to practice this hardful things in the society. Although mankind and women know the smoking is useless for healthy but it become as routine part from their dialy life. But from the bitty, even the teenager practice this grave habit. Indeed, if we consider the paragraph as a unit of thought related to the main point presented in the topic sentence, these examples above, no doubt, would fall short of such a qualification. Each of which seems to consist of a list of disconnected sentences. Apart from the indentations that should mark each one, there is no one sign to qualify them as paragraphs. Lansford and Connors (1989) state that a successful paragraph should have three attributes: Unity (focusing on one idea), Coherence (its parts are clearly related) and development (its main idea is supported with its specifics). So judging by these criteria, the paragraphs cited in examples (12&13) seem to lack even partial development; they are all a jumble of single-sentences with no supporting specifics, each of which could be a topic sentence in its own right. In example (12), for instance, the student put down a sentence at the beginning of the paragraph, part of which could be considered a topic sentence. As readers, we expect the student to develop this sentence and follow it up by a series of sentences to reinforce his statement, to show how smoking is bad for health and to come up with a number of examples of diseases caused by smoking. Contrary, the student came up with a new sentence which carries a new idea. Without supporting the first sentence, the student jumped to write about the economic effects of smoking although the prescribed paragraph is: “Smoking is bad for health” (See 3.4.). From the beginning of the paragraph, readers feel astray and notice how the student is moving from sentence to sentence without developing one topic sentence, exactly as described by Kathleen et al (1982:44) who says: “if you do not focus your paragraph on a central idea, your reader may become confused or even annoyed, since your paragraph may indicate that you yourself are not sure of what you want to say.” In example (13), the student completely deviated from the topic sentence. In that he stated his topic at the beginning of the paragraph: “smoking is bad for health and grave habit in the society”. In this opening sentence the student raised two points: "health and social aspects of smoking"; however, he devoted the rest of the paragraph to develop the second point (social consequence of smoking). The readers would be interested to know how smoking is bad for health. In fact, readers are like juries, they want to see evidences, reasons, and examples. Even if they do not agree with the writer, at least they should have in front of them evidences on which the writer based his\her opinion (Landman 2003:11). In return, the writer of this paragraph did not convince the reader. He\she introduced no specifics to support the first part of his statement which is laid down in the first sentence. He devoted the rest of the paragraph to the second part of the idea, leaving the earlier one undeveloped. While the rest of the students in group (A) either rewrote the sentences, which were given in the test, considering them as topic sentences and partially developed them, or wrote paragraphs, in most cases, consisting of a series of separate sentences, each of which has an idea capable of being developed in a separate paragraph: e.g. Ex (14) The conflict in darfur is political and it is ethnic. I think the people in that place live in peace although they are different trips. But the government go there and make the problem. Also I think the conflict is between the arab and nonarab because the arab people killed the non arab and after that they fighted each other. Ex (15) my university have many beautiful buildings such as big library and big halles for studing different subjects. The lecture room contain many chair which are very confortable. In the middle of university we find long street round this street many bunches. We find too offices which have modern furnitures like chairs and tables. With reference to group (A)’s paragraphs, we can see that there are two features characterizing the students' paragraphs: they either deviated from the topic sentence or accumulated a number of undeveloped topic sentences into a single paragraph. A similar result is arrived at by Abdullah (2000:187): who conducted a research to evaluate Sudanese EFL writing discourse competence. His subjects were chosen from the students in some national Sudanese universities. Abdullah found that there were two patterns that characterized the students' paragraphs: first, some students handled a whole essay in a single paragraph; second, a single paragraph may itself embody a number of paragraphs. Concerning the students in group (B), their performance in developing the topic sentence reveals that 53,3% of them failed to develop their topic sentences: 33,3% of them totally deviated from the topic sentence, while 20% were able to partially develop it. Those who completely failed to develop their topic sentences –just like the students in group (A) – came up with a series of sentences each of which could be considered a topic sentence in its own right. To illustrate this point, consider the following examples: Ex(16) I think the conflict in Darfur rather political than an ethnic one. This my opinion and the reality on the ground so. Darfur is consists of more than one tribes, these tribes naturally mixed up with each other and made social textile that make the people live together in spite of differences in language or color as one tribe. The conflict of resources raises occasionally. Ex (17) My university has got ahigh building it has divided in more tha six department, Any department have one or two lecture's room or partically laps. Also has got libraries. One it is called Main library and art library. More ever have other department libraries. In addition to have all equipments like comfortable chairs and bunches and so on. So I am going to say my university it is most famous university in Sudan. In example (16), the student opened his paragraph by a statement, which supposed to be a topic sentence, claiming that “the conflict in Darfur is political rather than an ethnic one”. No specifics are presented to support this comparison statement; however, the student thrust a new topic sentence, which can be developed into a paragraph in its own right. Instead of strengthening his argument and showing how the conflict in Darfur is a political rather than an ethnic one, the student moved to write about the social textile in Darfur and he tried to develop this topic by introducing specifics, but he left his topic sentence at the beginning of the paragraph undeveloped. Away from the spelling, inflection, and cohesion complications, in example (17) the student devoted a big part of the paragraph to report the parts of his university: buildings, departments, lecture rooms, libraries, labs, equipment, chairs, benches, etc; however, he gave description to no one of them. The student inconveniently introduced a new idea in the last sentence (i.e. my university is most famous university in Sudan), which seems to be illogical since he did not present any premises to justify this concluding statement. Imhoof and Hudson (1975:120) state that "the conclusion is usually a single sentence at the end of the paragraph and is often a restatement, in different words, of the controlling idea". They add that "a successful paragraph usually contains a paragraph terminator, which logically concludes the idea discussed in the paragraph in a psychological satisfying manner". So judging by these criteria, the student neither restated his main idea in the concluding sentence nor does the concluding sentence logically bring the paragraph to the end in a satisfying manner. However, only 13,3% of the students in Group (B) managed to develop their topic sentences and end up with good paragraphs. See the example bellow: Ex (18) Smoking is bad for health. This is true fact because smoking is very dangerous for our health and it is the main cause for many diseases like cancer, and lungs diseases, and heart attack, and a lot of other diseases. Smoking is also bad for our health because it make healthy people do not eat their Normal meals. Smoking is not bad only for smokers but it is also bad for the people who sit with the smokers. The negative smokers may face the same health problem. At the end I can say that smoking is really dangerous for health. The paragraph in example (18) is considered as one of the well developed paragraphs written by a student in group (B). The student here put down the topic sentence "smoking is bad for health" at the beginning of the paragraph, which gives the reader a clue about the idea that will be discussed in the paragraph (i.e. health hazards of smoking), and then he went on to develop this controlling idea, introducing specifics such as kinds of diseases caused by smoking (i.e. cancer, lung disease, and heart attack). Subordinates were introduced to strength the statement in the topic sentence: the negative impact of smoking on the smokers' appetite and the consequence of passive smoking. The student also introduced a concluding sentence at the end of the paragraph in which he restated his controlling idea. Eventually, we can say that the development of this paragraph supports its controlling idea and logically relates to it. In conclusion, we can see that the performance of both groups of the students varies with regard to the topic sentence development. A little progress can be seen on the performance of the students in group (B), which seems to support the second assumption of the research which says: There is strong relation between the learners' academic levels and their paragraph writing abilities. Accordingly, the forth level students outperform their second level counterparts. Furthermore, the above result can be supported statistically from the data analysis where 46,7% of the students in group (A) scored grades ranging between (0-4), and 23,3% scored grades ranging between (5-9). While 33,3% of the students in group (B) scored grades ranging between (0- 4), 20% of them scored grades ranging between (5-9), and 46,6% of the students in group (B) scored grades over the pass grade - taking the pass to be (10). See the tables bellow: Table (3): group (A)'s performance in the topic Sentence Grade Frequency Percentage 0-4 14 46,7% 5-9 7 23,3% 10-14 9 30% 15-20 0 0% Total 30 100% Table (4): group (B)'s performance in the topic Sentence Grade Frequency Percentage 0-4 10 33,3% 5-9 6 20 % 10-14 10 33,3% 15-20 4 13,3% Total 30 99,9% 4.2.3 The Students' Performance in Paragraph Unity Imhoof and Hudson (1975:109) state that unity in a paragraph is secured by establishing a controlling idea, or a topic sentence, and then by selecting material which is closely enough related to the topic sentence that truly develops and supports it. If you were writing a paragraph to develop the topic sentence "Economic inflation directly affects the ordinary persons' standard of living", the comment "directly affects the ordinary persons' standard of living" would justify and suggest supporting statements about food costs, clothing prices, mortgage interest rates, and rent level, but probably not statements about endangered species of animals or changing weather patterns in North America. Accordingly, the researcher tries to evaluate the students' performance in paragraph unity: 66, 7% of the students in group (A) failed to maintain unity of thought in their paragraphs. They spoiled the unity either by adding unrelated material or sentences the contents of which are not adequately interrelated to form a unit of thought. See the examples bellow: Ex(19) In the world there is bad things in our lives. e.g pollution, deforestation, fat, smoking. all these bad things I think are bad for our health. smoking gives our health a lot of ills that means human do not work because the health become very bad. The smoking pollutes the air and the place . Ex (20) Darfur is alarge state in Eastern Sudan and many tribes with many races live in it. They live in peace but there is alittle trouble some times happen. The conflict in Darfur firstly is an ethnic and after the government divided in 1998 this ethnic conflict move to the top because the state of Darfur is the central element of the government party. At the end I think the conflict is ethnic one. The students in the examples above spoiled the unity of their paragraphs by adding ideas which are not closely related to their central ideas. In example (19) for instance, the paragraph lacks unity because the student introduced materials that do not relate to his\her restricted topic: "smoking is bad for health". The student devoted a big part of his\her paragraph to report a number of bad things for human beings' lives such as pollution, deforestation, fat, and at the end he revealed the subject matter of the paragraph. Similarly, the paragraph in example (20) lacks unity of thought because the student introduced a sentence at the beginning of the paragraph which carries a geographical idea about Darfur: "Darfur is a large a state", then he thrust another idea about the peaceful co-existence in Darfur, and at end he also introduced a new idea about the nature of conflict in the area: "the conflict in Darfur is an ethnic one". The unity of thought in this paragraph is violated as the student skipped around from one idea to another, exactly as described by Allen and Park (1979:18) who state that "students violate the principle of unity for two reasons: first, it is violated because the writer of the paragraph momentarily forgets his\her central idea and introduces a sentence or two not sufficiently related to the topic. Second, because the writer is "a sentence-oriented"; he sees and uses the sentence as a unit for the expression of one idea, but not the paragraph". With regard to the students in group (B), their performance in paragraph unity reveals that (53, 3%) of them violated the unity of thought in their paragraphs – just like the students in group (A). They did not stick to the central ideas of their paragraphs, and some of them introduced sentences which do not contribute to the readers' understanding of the main idea of the paragraph. See the examples bellow: Ex(21) When dealing with international problem, I think it is necessary to distinguish between clashes that grow up for political, economical, and ethnical reasons. And who is responsible about escalating of the problem. I will consider Darfur issue as one of the African Horn issue. Regarding to historical disorder in the region. But I think the government is responsible for greation of the problems between the ethnical groups in the region. Especially in ethnical cleansing, massacre. Genocide. In my opinion Darfur conflict is ethno-poltical problem that characterized after the political conflict between the governce groubs, after joined for popular defence. Ex (22) Smoking is one of the beggest health problem because it can be considered as a threat in contemporary world. The common disease that caused by smoking are cancer, lung diseases, also smoking make blood poison and other diseases. So there are many society and organizations broking out to act on fighting the smoking and in all aspects. And also there are medical organizations supported by UN to work hard to prevent smoking because it going to be a great problem in the world. The paragraphs in the examples above lack the unity of thought because each of which contains more than one idea. In example (21), for instance, the paragraph contains multi ideas: the writer raised the idea of distinguishing different types of clashes at the beginning of the paragraph, then he moved to the idea of government's responsibility towards creation of the conflict. At the end he expressed his opinion about the conflict. Similar situation is described by Allen and Park (1979: 19) who state that "the writer sometimes violates his paragraph unity because he puts down one sentence, and then thinks up another; working from his second sentence, he creates a third, and from the third, a forth, and so on. The consequence of such a method of composing is often a gradual shifting of the subject ground, sometimes so imperceptible as one reads from sentence to sentence that one must compare the beginning of the paragraph to the end to realize how far the writer has gone astray from what he started out to say. Similarly, the paragraph writer in example (22) introduced the health consequence of smoking in the first two sentences; however, he dedicated the rest of the paragraph to the organizations which fight against smoking. On the other hand, only 10% of the students in Group (B) came up with unified paragraphs obtaining grades ranging between (15-20). They succeeded to stick to the central idea of their paragraphs – giving them unity as defined by Allan and Park (1969:20) who point out that "in order to have unity a writer must stick to one point. He should say one thing about one topic in each formal unit". See the examples bellow: EX (23) The conflict in Darfur is political rather than ethnic. The political nature of the conflict came as the result to accumulation of marginalization in the area many decades , especially on the level of development. This political nature has been crystallized in armed rebellion which has been trying, for political reasons, to depict what is running in Darfur as an ethnic conflict between Arabs and Africans or non-Arabs. In fact the tribes of Darfur live together for thousands of years in peace without such kind of clashes, therefore the conflict in Darfur is just temporary political ones. EX (24) My university is the very green university. From the door of the university you find hundreds of green trees, these tree are in lines which gives the university very beautiful shape. Some of theses trees are very old and some of them are young. You can find mango trees, mahoganee trees, palm leaves trees and many anothers. Between trees you can find grasses. And water always is runing in small chanels. In my university some time you can see animals like monkeys which are very interesting animals. My university is just like forest. Away from the grammatical, spelling, and cohesion complications, the paragraphs in examples (23&24) are unified in thought. For instance in example (23) the student presented information about one central idea: "the conflict in Darfur is political rather than ethnic one". All the other sentences relate to the central idea, and justifications are presented to support the comparison statement laid down on the topic sentence. Similarly, in example (24) for instance, although the student deviated from the prescribed paragraph, he came up with a unified paragraph. He discussed a single idea: "the green cover in the university". In that he described trees, grass between trees, and gave examples of the types of trees. He also introduced a subordinate idea such as the kind of animals usually live in green areas like monkeys. In the concluding sentence the student restated his main idea in different words (i.e. my university is just like a forest), which brings the paragraph to the end in a psychological satisfying manner. In conclusion we can see that the performance of both groups varies with regard to the paragraph unity. A little progress can be observed in the performance of group (B), which could be attributed to the fact that these students have been studying English language for more years (i.e. eleven years in particular), while the students in group (A) have been studying English for eight years. Furthermore, this result seems to support the second assumption of the research (see 1.5). The above result, which shows that the students in group (B) outperform their group (A) counterparts in maintaining the paragraph unity, can be supported statistically: 10% of the students in group (A) scored grades ranging between (0-4), and 56,7% of them scored grades ranging between (5-9), taking the pass grade to be (10). On the other hand, 13,3% of the students in group (B) scored grades ranging between (0-4), and 40 % ranging between (5-9), while 36,7% of the students in group (B) scored grades ranging (10-14) – over the pass grade. The tables below summarize the results: Table (5): group (A)'s performance in paragraph unity Grade Frequency Percentage 0-4 3 10% 5-9 17 56,7% 10-14 10 33,3% 15-20 0 0% Total 30 100% Table (6): group (B)'s performance in paragraph unity Grade Frequency Percentage 0-4 4 13,3% 5-9 12 40 % 10-14 11 36,7% 15-20 3 10% Total 30 100% 4.2.4. The Students' Performance in Cohesive Devices: Readers are confused when a text lacks cohesion: they cannot easily follow from one part to another, cannot tell which ideas are more important, and cannot determine how ideas are related. To connect the pieces of a text and to signal their relationships, skilled writers usually make use of cohesive devices. Zamel (1983:22) states that cohesive devices are crucial in writing, for they turn separate clauses, sentences, and paragraphs into connected prose, signaling the relationships between ideas, and making obvious thread of meaning the writer is trying to communicate. With reference to the performance of group (A) in the use of cohesive devices, it has been shown that 76,7 % of the students failed to select correct cohesive devices in their paragraphs, and only 23,3% handle the matter of using cohesive devices – they obtained grades ranging between (10-14), taking the pass grade to be (10). The poor performance of the students in the use of cohesive devices is manifested in inappropriateness, redundancy, and insufficient use of links. The examples below are the cases in points: Ex (25): The university of Khartoum it is the biggest university in Sudan. In the university there are many beautiful lecture rooms. In these lecture rooms we can understand the lectures easy from him. However every where you can find bunches. Last, the University of Khartoum it is the mother of universities and it is very nice. Ex (26): The conflict in Darfur it is political rather than ethnic. The government is responsible for everything in Darfur. Therefore I think the people in that place live together for many years without any problem. All tribes live without fighting in the past, only three years ago started fighting In example (25) the use of the pronoun "it" (in lines 1&5) can be classified as redundant, because the pronoun "it" in both cases is a repeated subject in the sentences which makes them redundant. Another use of cohesive device is that the student inappropriately used the pronoun "him" (in line 4); he used the pronoun without any a prior reference, thus disturbing the readers who might wonder to whom the pronoun "him" refers? The student also inappropriately used the linking word "however" (in line 4) which indicates adversative addition; however, the addition in the example is a positive one. In example (26), for instance the word "therefore" is an incorrect conjunctive adverb connector, since the context and logic do not warrant a true cause-effect relationship between the two adjacent sentences. As for insufficient use of linking devices, it is a noticeable phenomenon among group (A)'s writing. For example, in these paragraphs: Ex (27) Smoking is bad for health. It is very bad it make many diseases. Like cancer and heart disease and many other. The smoking it is bad social behavior. Negative smoking is the third bad thing. Smoking is very negative for our health. Ex (28) I think the conflict in Darfur is political proplem not ethnic conflict. the political partys are responsible for that conflict. The two tribe fight each other for political reason not ethnic. This is my opinion about this conflict. Away from the unity of thought and the topic sentence development, the paragraphs in the examples above lack cohesive devices. In example (27), for instance, there is complete absence of links as the paragraph-writer wrote separate sentences and he did not use a single linking word between them. For instance, it would have been correct if the student used additional conjunctions such as "also" at the beginning of the forth sentence in order to introduce another bad aspect of smoking. In addition, it would have been more rhetorical if the student used linking word to show that he is concluding his idea (I.e. finally, at the end, etc). Similarly, in example (28) the paragraph-writer wrote his paragraph in separate sentences and did not use linking works to signal the relationships between the ideas in these sentences; for instance there is a cause and effect relationship between the ideas in the first and the second sentences which can be signaled by devices such as “therefore”, “consequently”, etc. With regard to Group (B)'s performance in the use of cohesive devices, the situation is not much better as 66,7% of the students failed to select correct cohesive devices in their paragraphs. Inappropriateness, redundancy, and insufficient use of links feature the students' paragraphs. See the examples bellow: Ex (29) Smoking is bad for health. It is as far many reasons that smoking is bad for health it has strong relation with cancer and heart attacks and lung diseases and blood diseases and heart diseases and many other. Secondly smoking is bad for health is that smokers, through negative smoking, cause health damage for others. Ex (30) Darfur is milti-cultural region where people lived in peace. Moreover there is small clashs between the people there. It also merely a political crisis which enclude avariety of personal benefits, and also the reason of this conflict is the international organizations and UN and USA, and also the Sudanese opposition. In example (29) the student inappropriately used “as far” ( in line 1) getting the reader confused by semantic and syntactic inappropriate use. He also introduced the word “secondly” (in line 4) which indicates listing; however, he missed the linking word “firstly”, thereby confusing the reader who has certain expectation about what can and can not follow the particular linking word. Similarly, in example (30) the student inappropriately used the device "moreover", since the sentence, which follows the device, does not form a positive additional idea to the preceding one. It would have been correct if the student used negative additional device such as "however". It also appears that there is excessive use of certain devices such as "also", and "and". The student used these connectives to establish cordinated sentences that convey ideas of addition. A similar situation is described by Khamra (1986:21) that such a student suffers not only from ignorance of rhetorical principles that underlie English discourse, but from deficiency in the following two areas: (1) the ability to write long sentence that requires various coordinating and subordinating tools, and (2) knowledge of the meaning and proper use of linking devises, especially those needed to establish intersentential relationships. Generally speaking, the overall performance of both groups of the students in the use of cohesive devices, in comparison with other paragraph features, is poor. The analysis reveals that this feature represents a real problematic area for the students. A similar result is arrived at by Gubair (1985): he conducted a research based on Halliday and Hassan’s theory of Coherence and Cohesion. His subjects were chosen from second and forth year students at university level. He investigated the students’ performance in the use of cohesive devices in English language and the strategies they use when lacking the knowledge of cohesive devices. Gubair concluded that the students had problems with cohesion and coherence, and that a couple of compensatory communicative strategies, such as overgeneralization and avoidance of using specific ties, were used. Moreover, he observed that the students always rely on L1. Furthermore, the statistical analysis reveals that the students' performance in the use of cohesive devices is poor: 56,7% of the students in group (A) scored grades ranging between (0-4), and 20% of them scored grades ranging between (5-9). Similarly, 16,7% of the students in group (B) scored grades ranging between (0-4), and 50% of them scored grades ranging between (5-9). See the table below: Table (7): Group (A)'s performance in Cohesive Devices Grade Frequency Percentage 0-4 17 56,7% 5-9 6 20% 10-14 7 23,3% 15-20 0 0% Total 30 100% Table (8): Group (B)'s performance in Cohesive Devices Grade Frequency Percentage 0-4 5 16,7 5-9 15 50% 10-14 9 30% 15-20 1 3,3% Total 30 100% The reason behind the students' poor performance in the use of cohesive devices can be attributed to the insufficient instruction on cohesive devices at both levels (pre-tertiary and tertiary level). This justifies the fact that the performance of the students of both groups is poor although they are at different academic levels. 4.3 Conclusion Analysis of the students’ performance shows that the overall performance of the students in paragraph building is poor. Although the students in group (B) outperform their group (A) counterparts, still the general Mean remains below the average (i.e. 39,86). It has also been shown that the students in both groups show low grasp of paragraph length and indentation and the use of cohesive devices; while in the other paragraph features, such as the topic sentence development and the unity of thought, the group (A)'s performance is worse than their group (B) counterparts’. The overall poor performance in paragraph writing among the students can be attributed to the weakness of general standard in English language, which resulted from insufficient instruction of practice the writing skills at both levels (school and university). Regarding the school level, the subjects were taught (SPINE SEIRES) in the English language syllabuses. In (SPINE) a little concern is paid to the components of writing a good text. The total percentage of writing activities of the last book of the series (i.e. SPINE 6) is about 25% of the whole textbook. In each of the ten chapters comprising the book, there are four sections, one of which is devoted to writing activities, usually entitled: notes, summary and composition. There is total absence of models and exercises on paragraph writing. At the university level; however, the situation is worse as there is only one course on writing among eighteen EFL courses given to the students at the Department of English, Faculty of Arts, University of Khartoum throughout their university study. Chapter Five Summary, Implications and Recommendations 5.0 Introduction The aim of this chapter is to summarize the results of the study, evaluate the study, show its pedagogical implications in the light of its results and suggest areas for further research. 5.1 Summary of the Results The research has been an attempt to investigate the paragraph writing ability of Sudanese EFL learners at university level, and to evaluate the relation between the learners’ paragraph writing abilities and their academic levels, taking the case of the second and forth level students at the University of Khartoum, Faculty of Arts, Department of English. In investigating the research problem the following questions have been posed: 1. How competent are Sudanese EFL learners in constructing a paragraph in English? 2. Have the paragraph writing abilities anything to do with the learners’ academic level? In searching for these questions, the following assumptions have been made: 1. Generally speaking, Sudanese EFL learners show low grasp of paragraph structure in English due to their limited study of writing. 2. There is a strong relationship between learners’ academic level and their paragraph writing abilities. Accordingly, the fourth level students outperform their second level counterparts. These assumptions have been realized in terms of the following results: 1. 80, 3% of the second level students' performance in paragraph writing is below the average. 2. 60 % of the forth level students' performance in paragraph writing is below the average. 3. The study has shown that the students in both levels show inadequate grasp of the paragraph length and indentation and the use of cohesive devices. 4. The performance of the forth level students is better than their second level counterparts in terms of the topic sentence development, and the unity of thought in the paragraph. 5.2 Recommendations 5.2. 1 Pedagogical Implications Although this research is basically concerned with the paragraph writing abilities of Sudanese EFL learners at the tertiary level, its results can be useful and of great value for learners, as well as teachers and course designers. As shown in (1.7.) one objective of the research is to improve Sudanese EFL learners’ paragraph writing abilities. Students, in fact, have to concentrate on both theoretical and practical principles of paragraph writing. The results of the study reveal some major problems in paragraph writing among Sudanese EFL learners such as inadequate development of the topic sentence, lack of unity, and wrong use of cohesive devices. Therefore, the students have to pay more attention to the requirements of paragraph writing and should practise reading good paragraph models to view how professional writers construct their paragraphs. The results of this research can also, be useful for teachers. It has shown that there is insufficient instruction and training in writing a paragraph. In lectures, teachers should give their students more practise on paragraph writing. Teachers should follow the following techniques: a. Give the students scramble sentences and ask them to rearrange them into a proper paragraph. b. Ask the students to write a short paragraph about themselves titled, for instance “Write a paragraph about yourself.” The paragraph should include personal data such as name, address, age and place of birth. Assure your students that they cannot fail this assignment. Everyone who completes it will receive the pass grade. Read the papers and record personal comments in order to give feedback. c. Before the students can develop main ideas and give supporting details, they need to have an idea about understanding how things are related and practice the subordination of one idea to another. Provide plenty of practice by having students think of as many subtopics to an idea as possible. d. Provide the students with different techniques of developing a paragraph such as development by listing, comparison, description, etc, to enable them to recognize the structure of paragraph discourse and functions of language. Finally, the results of the research can also, be useful for course designers. The research findings show that there are shortcomings in terms of paragraph writing exercises in Sudanese EFL syllabus at university level. Therefore, the concerned EFL course designers should design sort of remedial work on the basics of paragraph writing in English, and this work should take a form of intensive paragraph writing practice. The course designers also should design a training course for the Sudanese EFL teachers at all levels –pre-tertiary and tertiary – in paragraph writing in order to qualify these teachers to do the job properly. 5.2.2 Suggestion for Further Research As shown in (1.5.), this study is evaluative in nature. It sets out to assess the extent to which Sudanese EFL learners in the University of Khartoum, Faculty of Arts, Department of English have good knowledge in terms of paragraph writing as a result of their long experience (average of ten years) with EFL courses. The research also aims at assessing the relation between paragraph writing ability and the students’ academic level. However, this study has merely scratched the surface of paragraph writing. More research is required to complement the findings of the present study. The following are a few possible directions for further research: 1. This study has been carried out on students who belong to a single university (i.e. University of Khartoum). In fact, the students who join this university relatively score higher grades in the Sudanese School Certificate Exams in comparison to the students who join other universities. So, these independent variables may lead to the argument that, depending on what kind of university the students belong to, they can have different writing behaviors. Further research, therefore should be directed to investigate the paragraph writing abilities of students across Sudanese universities. 2. The present study sheds light on the nature of paragraph writing and investigates paragraph writing abilities among the researched subjects. However, the paragraph is a unit of writing that comes before the essay. Further research, therefore should deal with the essay writing ability. Bibliography Allen, D. and J. Parks (1969): Essential Rhetoric. Boston: Mifflin Co. Allright, R. 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