REVELS MUSIC MOUNTAIN DULCIMER CATALOGUE 2012: ITEMS FOR SALE OR LOAN (ISSUE 2) Section 1 ² Dulcimers for Beginner/Intermediate players Section 2 ² Dulcimers for Intermediate/Professional players Section 3 ² Historic or Unusual mountain dulcimers Section 4 ² Currently in the Workshop Section 1 ² Dulcimers for Beginner/Intermediate players 1.1 Early 1970s McSpadden Hourglass 3 String £140 McSpadden kit dulcimer from the early 70s. Overall length 35¾´XSSHUERXWò´ORZHUERXWô´ VSL 28½" (long scale). 6½ fret. The kits were a popular way of buying a cheaper instrument from one of the best known and most reliable larger scale dulcimer makers. This is an hourglass model based on the traditional small body Thomas design, with heart-shaped soundholes on a narrow, shallow body. Top, back and sides made of high quality, attractive walnut laminate. Simple, scroll headstock with replacement chrome friction tuners and genuine Koa wood buttons; narrow fingerboard made from solid walnut with a walnut overlay (like the more expensive McSpaddens of the time); brass frets; original walnut nut; zero fret for good intonation; replacement buffalo bone bridge. This one has a high gloss finish. Has had extensive work to improve sound quality, action and intonation. The small body dulcimer is usually bright sounding but this has a somewhat more muted tone, probably resulting from the heavy gloss finish. An attractive and very playable instrument for the dulcimer beginner and intermediate player alike. NB Currently on loan. Note: VSL = Vibrating String Length, i.e. the scale length of the dulcimer. Longer scale lengths often give better tone, but playing is a little more difficult because the fingers have to stretch further. ----- {} ----- 1.2 2009 Tennessee Music Box 4 String Now reduced £160 ono Handmade by Scott M Cowan (?), USA. This looks odd to modern eyes, but as the name suggests, it was a style of dulcimer quite common in parts of SW Tennessee. This modern interpretation of the old design has the front and back made out of book matched Alder. The sides, ends and peg box are quarter sawn White Oak. The fret board itself is made from Hard Maple. 2YHUDOOOHQJWK´lower (and upper!) bout 9", VSL 25¾" (short/medium scale). Open-geared guitar tuners. 6½ fret. /LNHPRVW70%VLWGRHVQ¶WKDYHJUHDWILQHVVH but is very playable, having accurate intonation and a pleasant tone. It is surprisingly light sounding, but with a slight edge to the bass. All the advantages of a modern dulcimer, but in an unusual package. ----- {} ----1.3 Late 60s/early 70s 'DYLV´&KXUFKµ-Style 4 String £160 An attractive maple-bodied instrument handcrafted by Bill Davis from Tennessee. The shape is one made popular by Davis in the late 60s and early 70s, and continued by modern makers such as Mike Clemmer. This one has maple back, sides and top with an DWWUDFWLYH³ILGGleEDFN´JUDLQ. Many of these dulcimers were sold, a fair proportion as kits. The ones built by Davis are usually signed on the lower bout (as this is) and have either better quality woods or more elaborate decoration on the headstock. Most were five string instruments, but from the original nut and bridge (now replaced), this may only have had four (despite the spare tuning peg hole!). Tuning pegs are agricultural (but actually very effective). The fingerboard may be walnut. Has been damp at some stage and hence lost areas of its finish. Needs re-finishing or just oiling to preserve the fine wood grain. 2YHUDOOOHQJWK´XSSHUERXWô´ORZHUERXWǩ96/ORQJLVKVFDOHVKDOORZERG\ò´ No 6½ fret. The combination of large but shallow body with maple sides makes for a loud, but actually quite mellow instrument, with tones perhaps most suited to noter playing. ----- {} ----- 1.4 Late 70s ´&RYHQWU\µ6WULQJ £110 Made by a Coventry man who had a shop, gave lessons and made instruments such as banjos etc. Mahogany single piece back and sides; basic mahogany (?) scroll shaped headstock with friction tuners (one slightly askew); spruce/pine top with heart soundholes. Fingerboard is probably softwood with a beech (?) top face. Replacement bridge with string compensation to improve tone, tuning and action. The workmanship is not always elegant but it functions really well. Overall length 34´XSSHUERXW4½´lower bout 6", VSL 26" (short/medium scale), medium body depth (1Ǭ´1Rw with added 6½ fret. For a smallish instrument this sounds really nice - brash and cheerful. Very playable. 1.5 Mid-70s ´%DUQVWDSOH3DQQLHU0DUNHW6WULQJ Loan only I bought this in the 70s from someone who had a VWDOOLQWKH%DUQVWDSOH3DQQLHU0DUNHW,W¶VPDGH of walnut with a cedar top. The fingerboard is very shallow and appears to be oak. I used to be rude about it, because it had a laughably low action and poorly fitting tuning pegs. Still, it got me into GXOFLPHUV«$QGQRZWKDWWKHDFWLRQKDVEHHQZRUNHGRQDQGWKHSHJVSURSHUO\ seated, it turns out to have a lovely sound ± both loud and mellow. Overall length 33´XSSHUERXW5¼´lower bout 8", VSL 29" (long VFDOHVKDOORZERG\ò´1R 6½ fret. Still has a low action, so easy to play. A really good introduction to the instrument. ----- {} ----1.6 1974 TEARDROP 6 STRING £120 Handmade by Andrea Gilbert in Barlow (? Kentucky or California). Imported into East Anglia by US service personnel in the 1980s. Owned by Ken Okines, 1980s professional folk singer. Unusual ± possibly unique? ± compensating saddle/sliding bridge. Quality Grover tuning pegs. Rosewood fingerboard, walnut (?) soundboard, walnut back and sides, mother of pearl markers. No 6½ fret. Homemade wooden case decorated with some interesting 70s folk ephemera. Good, resonant tone ± a loud instrument, sounding rather like a 12 string guitar. 1.7 Aug 1997 TEARDROP 4 STRING, 3 COURSE £130 Made in Somerset from a kit sold by US luthier suppliers Stewart-Macdonald. The instrument is solid cherry wood, including all major components (back, sides, top, fingerboard, headstock). The kit apparently permitted a wide range of design choices. The builder designed the scroll, soundholes and stained the cherry a slightly purple colour, darker on the top. Top and back overlap the sides. Fretboard and headstock are cut from a single piece of cherry, with no overlay. Frets are broad and accurately placed, and include a 6½ fret but not a 13½. The headstock is shallow with open-JHDUHGWXQHUV7KHUHDUHVKDOORZ³VRXQGSRUWV´EHQHDWKWKH headstock and hitchpin ends of the body. OverDOOOHQJWKó´ORZHUERXWô96/PHGLXPVFDOHGHSWKô´&RPSOHWHZLWK6½ fret. A well-built instrument made from good materials, with good intonation and action. All hardwood construction gives a pleasingly loud, clean and bright sound. Opinions may divide on its DSSHDUDQFHEXWWRSOD\LW¶VWKHHTXDORIPXFKPRUHH[SHQVLYH³QDPH´LQVWUXPHQWV± a bargain! ----- {} ----1.8 Angell Hourglass 4 string £140 (with cloth slip cover) Made by Joyce Angell of Angell Mountain 'XOFLPHUV³(VWDEOLVKHG)HE´7H[DUNDQD Arkansas. Label gives date/model number as 6±AWCH-99. A solid dulcimer, with walnut sides and lighter hardwood top and bookmatched back (possibly cherry?). Unusual double back (for volume?) with internal back plate made from maple (or similar). Elaborate (and very large) hearts and flowers soundhole on lower bout, with no soundhole at all on upper bout. Headstock is walnut with a stylised 3 dimensional scroll and decent quality enclosed guitar machines. Fingerboard also looks like walnut, with no overlay. Boxwood (?) dots on 3rd, 7th and 9th frets; has 6½ and 13½ frets. Zero fret and formica-type guide nut ± originally had formica-type thin bridge also. 2YHUDOOOHQJWK´lower bout 6¾", upper bout 5ò´ERG\GHSWK´96/ôPHGLXPVFDOH Finish is a little glossy and bookmatching of back clumsy, although the soundhole design is pretty and well executed. With new bridge and some work on the lower frets, now sounds soft and sweet with an easy action suited particularly to finger-style playing. 1.9 2001 Bowen Hourglass 4 String £140 + case Handcrafted by Joel H Bowen of Franklin, SW Georgia. This is a solid and rather old-fashioned dulcimer in many respects, with 70s-style Grover ³sta-tite´ tuners and no 6½ fret. Bowen seems to have been making dulcimers on a low volume basis since the late 70s ± KH¶Vlisted as a seller at two Alabama dulcimer festivals between 1977 and 1981 when he would have been in his 40s. This is # 429, suggesting no more than 15-20 a year. Sides and back are made from walnut (?), stained a slightly reddish colour. Top is solid, nicely figured cherry (?), with heart soundholes facing the tail on the upper bout and a kind of bleeding heart motif for the lower bout. Top and back overlap the sides in traditional fashion. Fretboard is probably mahogany and scalloped or arched, with mother of pearl markers at 3 rd, 7th and 13th frets. Headstock is probably walnut with a stylised, hand carved scroll and friction peg tuners with real wood buttons. 2YHUDOOOHQJWKò´ORZHUERXWòXSSHUERXWò´96/ôPHGLXPVFDOH+DQGFDUYHG wooden friction tuners. No 6½ fret (could be fitted for £15). Soft slip case included, hardshell case extra. Light, soft tone with low action. Not perfect construction, but a nice-looking Georgia classic. Section 2 ² Dulcimers for Intermediate/Advanced players 2.1 Dec 1977 McSpadden T34 Teardrop 4 String £225 SOLD T34 Model, No. 4647, handcrafted by the McSpadden workshop in Mountain View, Arkansas and signed by one of their three craftsmen, Richard Stoltze. 2.2 October 1995 Folkcraft CFS Hourglass 4 String £220 SOLD Model CFSHCeW No. 770 made by Folkcraft Instruments, Winsted, Connecticut. Mid-range model from one of the biggest makers in the US, still in as-new condition ± in fact it needs playing in! Bookmatched walnut back with purpleheart inlay. Walnut sides and headstock. Maple cantilevered fingerboard with contrasting purpleheart overlay. Western red cedar top with ³ZHHSLQJKHDUWV´VRXQGKROHV&RPHVFRPSOHWHZLWKRULJLQDOSOHFWUum, noter and spare string set. ----- {} ----- 2.3 February 2007 Sweet Wood Custom Teardrop 6 String £200 Pretty, cXVWRPPRGHOIURP86OXWKLHU'DYLG³+DUSPDNHU´/\QFKDQGKLV6ZHHW:RRG,QVWUXPHQWV company. Made for a customer in Australia who designed the soundholes, it comprises a standard cherry teardrop body, bookmatched on the back; cherry headstock with ebony veneer and high quality Gotoh tuners; cherry fingerboard with highly figured ebony facing and mother of pearl markers; spruce top with heron soundhole on one side and bullrushes on the other. It has three paired strings with drop pins so you can temporarily remove one string from each outer pair. Overall length 34½´lower bout 8", VSL 25¾" (short/medium scale), deepish body (2¼´As a modern instrument has the complete set of extra frets: 1½, 6½, 8½ and 13½. Must have been subject to extremes of humidity somewhere, because the fingerboard has humped, requiring considerable fret levelling. With new bridge and new action sounds a different instrument ± rich, jangly, the kind of dulcimer equivalent of a 12 string guitar. Unique, exciting to look at and play. ----- {} ----- 2.4 August 2009 McSpadden Walnut Hourglass 4 String £275 SOLD Model 4FHWW (4 string Flat peghead, Hourglass, Walnut sides/back and Walnut top) McSpadden signed by the craftsman, Brant Richardson, who built it - and all in absolutely mint condition. Still has original label attached, McSpadden starter kit (including care instructions, music book, noter, pick and guarantee), protective case and sales invoice. Sold in September 2009 by a well-known specialist dulcimer shop in Black Mountain, N Carolina and clearly never touched. Has an easy action, but with a longish scale and all-hardwood construction it also plays with a lively and well balanced sound. ----- {} ----- 2.5 Mid 1970s? ´.HLVWHUµ+RXUJODVV6WULQJZLWKRULJLQDOPXOWLcoloured suede cover bag Loan Only Unknown maker, but purchased in North Carolina by Don Keister of Washington DC. Unusual large, hand-carved, open scroll headstock with elegant, tapering shallow peg box and replacement gold banjo geared tuners. Heart-shaped soundholes (pointing to tail), inlay down middle of non-bookmatched back. Walnut peghead, back and sides with spruce (?) top. Softwood fingerboard with nicely figured walnut overlay and brass frets. Right hand end of fingerboard, from strum hollow to end pins, is undercut ± i.e. cantilevered over the soundboard/top. Woodworking is generally good but the fretting is not perfect and the original finish poorly applied and uneven. Overall length 34½´ORZHUERXWXSSHUERXWò´96/VKRUWPHGLXPVFDOHZLWK]HURIUHW 'HHSHUWKDQDYHUDJHERG\DWǪ´2ULJLQDOO\ZLWKVWDQGDUGYLROLQYLRODHERQ\WXQHUV. Newly fitted 6½ fret. Light construction, deepish body and cantilevered bridge/saddle result in a warm, attractive, loud tone, emphasising the bass, but with a short decay. Guitar-like. ----- {} ----- 2.6 March 1982 Fellenbaum Hourglass 4 String Loan Only No. 314. handcrafted by Tom Fellenbaum, Black Mountain, North Carolina. (DUO\H[DPSOHRI)HOOHQEDXP¶VFODVVLFXQGHUVWDWHGVW\OH(OHJDQWPLQLPDOLVWZDOQXWKHDGVWRFN with handcarved, matching walnut paddle-shaped pegs (now replaced with geared banjo tuners). Walnut sides and back (single piece, not bookmatched). Walnut fingerboard and nickel frets. Spruce top with elegant f-holes (diamond centres). Light, compact, unshowy instrument. Badly damaged on the far side when purchased but neatly repaired by Tom himself in 2011. 2YHUDOOOHQJWKô´ORZHUERXWǪXSSHUERXWǫ´96/òPHGLXPORQJVFDOH6½ fret. Light, responsive construction gives a bright, loud tone with an attractive depth of sustain and colour. A classic dulcimer sound. ----- {} ----- 2.7 Aug 1996 Folkcraft Hourglass 4 string £200 inc case Model FSHW No. 2688 made by Folkcraft Instruments, Winsted, Connecticut. Popular model from one of the biggest and best makers in the US, still in as-new condition. One piece solid walnut back, walnut sides and headstock, latter with good quality open-geared tuners. Walnut cantilevered fingerboard with no overlay. Walnut top with cute cat-shaped soundholes on lower bout and cat footprints on upper bout. Comes complete with (slightly untidy) hardshell case. 2YHUDOOOHQJWK´ORZHUERXWǪXSSHUERXWǫ´96/ôPHGLXPVFDOH&RPSOHWHZLWK6½ fret. Spotless finish with attractive walnut grain on top and sides. Well-made instrument with easy action and DVWURQJEDODQFHGYHU\³GXOFLPHU\´VRXQG ----- {} ----- Section 3 ² Historic or Unusual mountain dulcimers 3.1 1968 ´)airportµ)rank Bond Hourglass 4 String NFS Created by the once fashionable English maker Frank Bond ± a favourite of Roger Nicholson ± DQGSXUFKDVHGIRUWKH)DLUSRUWKRXVHKROGE\)DLUSRUW&RQYHQWLRQ¶VILUVWIHPDOHVLQJHU-XG\'\EOH Chosen (and presumably used by) Richard Thompson (her then boyfrLHQGDQGRU³7\JHU´ Hutchings. Elegant headstock like the prow of a boat, with a heart cutout on the underside. Slim, elegant outline with softwood (spruce) top AND back, (brazilian?) rosewood sides. Heart-shaped soundholes (pointing to tail). Mahogany neck with rosewood (?) overlay and nickel frets. Light construction and softwood back give this a light, transparent and sweet sound. An attractive and historic instrument. ----- {} ----3.2 1974 HOURGLASS 3 STRING, 3 COURSE Handmade by Gene Wiggins, N Georgia. NFS Dr Wiggins was an ethno-musicologist who built mountain and hammered dulcimers in small quantities. The whole instrument (apart from the tuning pegs) appears to be of walnut and has an elegant shape with some unusually advanced construction features. The narrow fingerboard is scalloped and the tailpiece cantilevered to allow maximum movement of the soundboard. Strutting is light and two soundposts run diagonally from the treble side to the bass in the lower bout. The sides and top are thin to maximise sound pressure. 2YHUDOOOHQJWK´ORZHUERXWóXSSHUERXWò´96/óORQJVFDOH:RRGHQIULFWLRQ tuners. No 6½ fret. Very loud with short attack, a clear treble and a rumbling bass. A historic and unusual, but extremely playable, mountain dulcimer. 3.3 1980s (?) Galax-style Hourglass, 3 String £160 Unknown maker. Looks like a replica of early Virginian dulcimers made around the Galax area. Has three hand-carved wooden tuning pegs for three unwound, unison strings. Sides, back and top are walnut, stained a reddish colour. The body is large and shaped with the equal sized bouts and reversed curve at the headstock end which are typical of some earlier Virginian dulcimers. The fingerboard is one piece of walnut without overlay. Simple scroll head, like Fellenbaum. Unusual brass tailpiece and distinctive D-shaped end block made from laminated strips of wood. Both nut and bridge are chunky plastic. 2YHUDOOOHQJWKò´XSSHU ERXWORZHUERXW´GHSWKó´96/PHGLXPVFDOHNo 6½ fret. High action and unison strings give a distinctive whining, trebly sound typical of the Galax and ideal for fast, noter playing in a string band/dance music context. An interesting but useable rarity. ----- {} ----- 3.4 Early 70s A W Jeffreys Hourglass 3 String £180 (inc soft case) Classic model from A W Jeffreys, Jr, Staunton, Virginia with Serial No. 2883. The Jeffreys formed the Appalachian Dulcimer Corporation as a genuine family business from the early 60s onwards. A W and his son Jay made most of the bodies; daughter Jan pasted the labels and sanded the soundholes; mother Johnnie (Virginia) ran the business side of things VHH-DQ¶VSRVWVRQ http://www.mudcat.org/thread.cfm?threadid=60386 for more details). This dulcimer appears to be signed JCJ, presumably therefore put together by Jay. The dulcimer is plain, almost austere in design, with a high quality laminated walnut back and sides and solid spruce top; rounded heart soundholes pointing towards the tail end. The peghead is also walnut, with a stylised scroll and standard rosewood violin pegs. The fingerboard is walnut without an overlay. Walnut nut and bridge with zero fret (indicating a later model). Broad frets with no 6½ fret. Simple wooden dowel as string anchor. Overall length 32¼´XSSHU bout ´, lower bout 6½´GHSWKò´, VSL 27¼" (medium scale). Relatively low action and medium scale length make for a dulcimer that is easy to play ± and started many people off with the instrument. A soft, trebly voice that is archetypical old-style dulcimer. Only let-down is the imperfect intonation, especially on fret 1 ± as with all Jeffreys apparently. Better suited therefore for noter playing rather than finger chording. This one is in perfect condition, having been little played ± a very collectable classic. 3.5 1983 Clifford Glenn Hourglass 4 String NFS Dated January 10th 1983 and made by Clifford Glenn, Sugar Grove, N Carolina for the husband of Louisa M Douglass from Chapel Hill, NC. Clifford Glenn and his father Leonard kept the flame alive in the Appalachians between the traditional makers and the coming of the folk revival in the 60s and 70s. They represent a very important part of the dulcimer¶V heritage. These are truly handmade, beautifully crafted LQVWUXPHQWVDVGHVFULEHGLQ5DOSK/HH6PLWK¶VIDPRXVERRN ³$SSDODFKLDQ'XOFLPHU7UDGLWLRQV´ This instrument is made entirely of wormy chestnut, except for the nut, bridge and large, handcrafted tuning pegs which are made of walnut. A letter from Clifford to Mrs Douglass, which accompanies the instrument, runs in part as follows: ³7KHUHDVRQ,PDGHLWIURP&KHVWQXWLVWKDWQRWORQJDJR,PDGHDQRWKHURQHMXVWOLNHLWH[FHSWWKDW it was a three stringer, and it was one of the best singing ones I ever made. I have made but very few like this (all chestnut wood) and it has probably been 20 years since I made the last one. One RIWKHUHDVRQVKDVEHHQWKDWZHGLGQ¶WKDYHWKHFKHVWQXWZRRGXQWLOFRPSDUDWLYHO\UHFHQWO\«, thought your husband might appreciate the fact that this wood is becoming increasingly rare, as it is not growing an\PRUHIRUWKHEOLJKWNLOOHGWKHQDWLYHDPHULFDQFKHVWQXWWKHVHPDQ\\HDUVDJR´ Overall length 36ò´XSSHU bout 5¾", lower bout 6¾´GHSWKǫ´, VSL 28" (medium/long scale). Unexpectedly, has a 6½ fret. This is a delightful dulcimer. Long, light and elegant, with an inscribed purfling mark round the top, it has a beautiful, natural golden finish. Intonation is not perfect, but it has a gorgeous, big and attractively mellow voiceHQGRUVLQJ&OLIIRUG¶VFORVLQJFRPPHQWVLQKLVOHWWHUWRWKHQHZRZQer: ³$Q\ZD\WKHGXOFLPHUGLGWXUQRXWWRVRXQGDERXWDVJRRGDVWKHWKUHHVWULQJHUDQG,GRKRSH\RXU KXVEDQGOLNHVLW´ 3.6 Various Epinettes Des Vosges NFS 1RPDNHU¶VQDPHEXWVHYHUDOFOXHVKHOSLGHQWLILFDWLRQDQGGDWLQJ (c1900). ,WLVD9DOG¶$MRO-style instrument but its length, number of strings (3 melody, 4 drone), the 6½ fret and its decal or transfer flower decoration suggest an instrument from Flanders or Brabant in the North. A very similar dulcimer (top instrument above) appears in the catalogue of a large scale epinette maker from the turn of the century called Coupleux, based in Turcoing/Lille ± right on the Belgian border in the North East of France. The headstock appears to be have been machine-shaped from a hard, white wood such as beech or maple. The sides are softwood, probably spruce or pine. The top and back are likely to be hardwood, perhaps fruit wood (cherry/apple/pear)? Soundholes are simple shapes formed from holes ± a quatrefoil towards the bass and a duofoil in the treble. The brass staple frets (running under the melody strings only) are arranged diatonically (but with a 6½ fret) and attached directly to the soundboard. The nut is brass and the bridge hardwood. Overall length 25¼ (64mm), width ó´PPWDSHULQJWR´PPGHSWKó´PP96/ôPP6HYHQGXOFLPHUSLDQR pin style tuning pegs. Unfortunately, the body is significantly distorted and hence unlikely ever to be strung, but given the small volume of the body and very light construction, it is likely to have been typically light and trebly. LH epinette was handcrafted by Michael W Fluegge, Osnabruck, Germany (10/2009). Small 9DOG¶$MROmodel of epinette with 2 melody strings (chanterelles) and 3 drones (bourdons). Has a shallow rectangular box structure superimposed on a larger, more curvaceous body. Body (sides, back, peghead) is made from German cherry. Fretboard and peghead overlay are URVHZRRG5HGGLVKRUQDPHQWDO³OHDYHV´RQWRSDUHVWHDPHGSHDU1XWDQGbridge are ebony. Soundboard is an unknown African softwood. 16 fret fingerboard has modern guitar-type frets DUUDQJHGGLDWRQLFDOO\OLNHDGXOFLPHU2YHUDOOOHQJWK´XSSHUERXW´ORZHUERXWǩ´96/ò or 47mm (very short scale!). 6½ fret. Very light construction gives a large and balanced sound which belies its small size - especially if played on a table top for added resonance. RH epinette is a student model from the eminent luthier/player Christophe Toussaint. Simple, maple box body with 3 melody and 3 drone strings; staple-type frets. No 6½ fret. Endpins ± placed on a printed stave ± show the notes to which the strings should be tuned! Section 4 ² Currently in the Workshop 4.1 November 1980 HOURGLASS 4 STRING, 3 COURSE NFS Handcrafted by Marnie Barberi MacLean, Westminster Dulcimers, Westminster West, Vermont. An unusual instrument from a small, craft maker. Slim maple headstock with rosewood violin pegs; a cantilevered maple fingerboard with rosewood overlay, hollowed out beneath; maple sides and bookmatched maple back; cherry (?) endstock with single button (violin?) string anchor; good quality cedar top with an unusual soundhole design, each being formed from slices of walnut. Unusually for this age of instrument, has both 6½ and 13½ fret. When purchased, had damaged top edge, cracked top and loosened back/headstock. Very little strutting or lining meant, together with inadequate gluing surfaces, that it was basically falling apart. The integrity of the body has now been secured but it remains a little untidy in detail. The action and intonation have also been improved, including provision of a compensating bridge. Overall length 3´lower bout ô´, upper bout 6¼´96/ǩ" (very long scale). 6½ and 13½ fret. This is a long, elegant instrument with attractive, contrasting woods. Following the extensive work, it has emerged as a stunning instrument, refined, clean/bright and transparent sounding, with a very loud voice, emphasising the mid-range. ----- {} ----- 4.2 Mid 70s Magic Mountain Model 5400 ´.LWµ6WULQJ NFS An exciting project ± which has not progressed too far at the moment because of the pressure of set-up work etc in the workshop. 7KLV³NLW´ZDVDGYHUWLVHGLQ(YHU\WKLQJ'XOFLPHUODVW$XWXPQE\Jim Shellnutt who designed and built high-end Magic Mountain dulcimers in the 1970s. This was the last set of parts from the original workshop, still unassembled after nearly 40 years and left over when the business was sold and he turned to antique restoration. Made of beautiful curly maple and sitka spruce, this is a work-in-progress instrument, unfinished, in three parts - a completely assembled body, a completely assembled neck, and a completely assembled "elephant trunk" scroll headstock. It comes straight out of the Magic Mountain dulcimer production of the mid-1970's. 32" long x 7 ¾" wide x 2" deep, 4 "C" shaped sound holes, top edges routed for 1/16" violin purfling and 1/16" edge binding, back edges routed for 1/16" edge binding, highly figured curly Broadleaf maple back and sides (book matched), extremely tightgrained book matched Sitka spruce top. The figure in the maple runs the entire length of the sides and back (not just a few curls on one end); it is exceptional. This instrument body was designed and built for high-tension strings. It has full interior bracing for the Magic Mountain "box beam" construction. Neck - American Cherry with black fiber fretboard, fretted, sanded and ready to use. Mother-ofpearl position dots (6 total), 32"L x 1 ½"W x ǫ"D, 30" scale length, diatonic with "extra" fret. The first picture is of a contemporary 5400 from Jim¶VSHUVRQDOFROOHFWLRQWKHVHFRQGWKHIXOO\ DVVHPEOHGERG\DZDLWLQJVXLWDEOHELQGLQJIXOO\IUHWWHGILQJHUERDUGDQGKHDGVWRFNIURPWKH³NLW´ Geoff Black Tel: 01989 720242 or 07817 310083 Email: reeve-black_revells[at]msn.com
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