Crafting Tradition Do-It-Together Projects that Make Connections Twisted Apple Trees Tzedakah Can Here’s a super simple and very artsy Rosh Hashanah or Tu B’Shevat tree project to enjoy with young kids. The great thing about this craft is that the trees don’t need to look perfect. Though this supply list calls for construction paper, tissue paper is another great idea for a more abstract look. Tzedakah, or charity, is collected and given by Jewish people throughout the year. Make the collection process more exciting by giving the can a little pop of color! You’ll need: • Two paper lunch bags • Red paper • Glue • Scissors How to: On one bag, cut ¾" strips vertically from the opening down about half way. Open the bag so the bottom serves as a base. Next, twist the whole mid-section of the bag for the trunk and then twist together three strips to form the branches. Next cut red leaves or apples out of the paper. Glue to the branches, and admire your festive creation! What’s New with You? You’ll need: • Oatmeal canister, cocoa box or coffee can with lid — emptied and cleaned out • Scissors • Colored paper • Double-sided tape • Markers, crayons, stickers, etc. for decorating How to: Cut a slit in the top of the plastic lid (supervise children with this part!) large enough for quarters to fit through. Next, cut a piece of paper that will fit around the canister. Decorate it with markers, crayons, stickers, etc. using doublesided tape to attach the paper to the canister. Place the lid on top and start saving your pennies for tzedakah! What innovative family education programs are taking place within your doorposts and beyond your gates? Send us your success stories, and we’ll publish as many as possible in future issues of Doorposts. Fax or email your success stories to Joan Wolchansky. fax: 314-432-6150 email: [email protected] Exploring Judaism through the Arts (continued from inside story) entire Jewish calendar. We transferred this to the table mosaic, which we’re still working to complete.” “It was a very rich study,” he says. Music and Drama with Meaning For UH 8th- through 10th-grade families participating in “Torah Alive,” the artistic focus was on Jewish and Israeli music, song and dance. The temple’s educators looked at ways that teen students could experience song and dance in an interactive and meaningful way with their parents. This was a way for them to experience how the performing arts are used to share different experiences, emotions and messages. A take-home CD of popular Israeli songs was created for teens, some more familiar and some with clear political and social themes. Several links to sites with translations of songs were included, as well as information on the artists. One additional medium used to connect with teen families was a “Synaplex Shabbat.” On these occasions, congregants had an opportunity to sing along to some of the CD songs with an Israeli song-leader, to enjoy Israeli food, practice Krav Maga and see an Israeli film. The excellent mix of intergenerational activities appealed to both older students and their parents. Similarly, at the completion of its “Sensing Judaism” project, Bais Abraham held a “Kabbalat Shabbat” filled with music and dancing. On Shabbat morning the usual sermon was replaced by a dramatic performance focusing on the role of freedom in the exodus experience. The Good Book In October, Shaare Zedek began a storytelling program called “Kidrash” for elementary aged kids, according to Hazzan Joanna Dulkin. The new Shabbat morning program was the recipient of a Crown Grant, and will be a monthly Shabbat experience concurrent with the Shabbat morning sanctuary service and Tot Shabbat, for early elementary age (K-3) children and families. “Kidrash is designed for the growing number of families who are aging out of both our Rockin’ Tot Shabbat services and the PJ Library program,” says Dulkin. “Our SZ families have become accustomed to a lively and musical Shabbat service, along with the fabulous books sent to them each month by PJ Library. Both have provided a strong foundation for a positive Jewish identity, and Kidrash is the logical extension. It incorporates pieces of the service with exposure to Torah stories and midrashim, giving time for discussion, reflection and connection.” At Kidrash, families hear stories from the Torah read by volunteers and told by professional storytellers followed by discussion. After each session of Kidrash, families take home discussion questions designed to spark a conversation. “We hope to familiarize and deepen families’ connection with Torah stories, and to develop a comfort in talking about these stories with their peers. Kidrash also aims to introduce families to the interpretive process, empowering them to create their own stories and insights based on the stories presented,” Dulkin says. After each storytelling session, led by a parent or a professional, families have the opportunity to see and hear a few verses of the story from its Biblical source. After hearing about the story, they reconnect with the text in the Torah itself and use the parasha as a jumping-off point for their own midrashim they are encouraged to create at home. Winter/Spring 2012 Exploring Judaism through the Arts Making Religion More Accessible with Painting, Music and Literature According to Jewish history, the sound of learned how to perform the traditional a shofar accompanied God’s gift of the sequence of solemn notes sounded on Torah to the ancient Hebrews as they Rosh Hashanah and Yom Kippur. stood at the foot of Mount Sinai in the desert. The shofar’s soulful music is just Art to Heart one example of how the arts and From King David onward, Jews have Judaism co-exist. expressed themselves through poetry, Through song, sculpture, composing painting and music. In 2006, Bais and crafting, Judaism can be better Abraham congregation spent a year understood by every generation. focused on this premise, using Hands-on art projects can art as a vehicle for making bridge the gap between stronger connections learning Torah and with their faith. Made truly understanding possible through its meaning. This a grant from idea has enhanced the Gladys K. the substance Crown Foundation of much of the honoring the memory programming in of Shirlee Green, the congregations and intergenerational series Jewish organizations of workshops that ensued throughout the were called “Sensing Families participate in a reflective Judaism” and were meant St. Louis area. For pre-High Holiday clay workshop example, in preparation for to educate and inspire both at Bais Abraham congregation. the Jewish New Year this those who were familiar past September, children with Torah study, as well as those who and their families carved and were less informed. drilled their very own ram’s horn Bais Abraham Rabbi Hyim Shafner, to create a shofar at Chabad of who planned the workshops, brought Chesterfield’s “Shofar Factory.” When in Arts & Judaism expert Rabbi Chaim the horns were complete, participants (continued inside) Inside this Issue Central Agency for Jewish Education 12 Millstone Campus Drive St. Louis, Missouri 63146 Doorposts is made possible through a grant from the Gladys K. Crown Foundation honoring the memory of Shirlee Green and a matching grant from the Jewish Federation of St. Louis’ Rich Fund. For additional copies of Doorposts, or to add your name to the mailing list, call Joan Wolchansky, 314-432-0020, or email [email protected] Project Director: Joan Wolchansky Editor: Rosanne Tolin Design: 501creative Exploring Judaism through the Arts Interactions: Programs that Work • Crafting Tradition Interactions: Programs that Work For more than 5,000 years, the Jewish family has perpetuated our traditions. And in recent years, synagogues and temples have made Jewish family education a priority. Each issue of Doorposts features family education programs that have successfully promoted intergenerational interactions in the St. Louis community Mezuzah Mitzvah: The University City Shul received a Crown Grant in 2010 to implement its “Mezuzah Making” program. This fun arts and crafts session, led by artist Batya Rich, helped parents and children alike learn about the significance of the mezuzah. The experience was made even more significant as families kept one handmade mezuzah, and gave another as a gift to elderly community members at The Crown Center, the JCA or Covenant House. So a fun, interactive afternoon turned into a true mitzvah project! For more information, contact Rabbi Menachem Tendler, rabbitendler@ ucityshul.org. The Write Kind of Family Time: In October, BSKI launched a family reading and writing program. It’s a multigenerational effort supported by a Crown Grant; grandparent volunteers read to the children and encourage families to use their new library and participate in the program. The BSKI program facilitator is published poet Ann Lesley Rosen, who also serves as the Tot Shabbat service leader. According to Synagogue Administrator Paula Hamvas, the monthly themes allow the family members to discuss spirituality and tradition. “We hope these discussions of Jewish books and the creative writing that follows, in which kids make their own family story books, will have a lasting impact,” she says. Sessions are geared to both preschoolers and older kids. For more information, contact Paula Hamvas, [email protected]. Exploring Judaism through the Arts (continued from front cover) Brovendar of Israel to kick off the project. “He has done a lot of writing about Judaism and the arts, not just as a way of understanding its historic importance, but also of understanding the actual value art itself has in Judaism,” says Shafner. According to Shafner, the arts can speak to people of all ages, providing a great platform for families to learn together. Bais Abraham’s elaborately planned workshops were carried out over the course of a year and involved congregants of all ages. Artists in residence helped lead the sessions. For instance, sculptor Nadine Cohen led a large 50-participant clay workshop in which congregants shaped forms meant to represent basic tenets of the High Holidays. “We did a meditation first and people talked about change and how it relates to Rosh Hashanah and Yom Kippur,” Shafner recalls. Cohen first spoke about “t’shuvah” (repentance), and congregants then created a clay piece of their own to display their process of self-examination. In the fall, Oshra Koren of Israel taught about the nature of artistic vision and diversity within Jewish thought. The synagogue’s second arts weekend also included a lecture by Rabbi Shafner on “Light and Color in the Jewish Tradition” as well as a Sunday workshop in color and collage by his mother, Janet Shafner, of blessed memory, a well-known artist. Her workshop, titled “The Magic of Color,” related the ideas of Kabbalah and Jewish mysticism, and examined the reasons why colors have an impact on us emotionally. The workshop also explored the symbolism of color in Jewish ritual. Congregants then created a personal collage to express their spirituality. Even after the conclusion of the 12-month journey through the arts, Rabbi Shafner continues to hold presentations on examining the ties between Jewish art and Torah. Like Bais Abraham, in 2008, United Hebrew focused its programming efforts, funded by a Crown Grant, around the theme of Jewish and Israeli cultural arts. Religious school teachers integrated the theme of “Torah Alive” as much as possible throughout the school year, according to former UH family educator, Rachel Persellin-Armoza. The 5th and 6th grades studied Jewish and Israeli art and artists. UH created its own art gallery and prepared their own “docents,” and participants enjoyed multi-media activities — all on site. Teachers prepped ahead of time and helped facilitate the day’s programming. Together with their students and their families, they toured the halls of United Hebrew and observed the art that is an important part of the temple, such as hand painted murals, beautiful stained glass windows, ritual treasures and personal art pieces in the sanctuary. Families also explored special “Museum Galleries” set up at the temple and learned about different symbols, messages and styles prevalent with these artists. These included the works of Jewish artists from the United States, Israel and Europe. During religious school the week following this activity, students created beautiful art pieces inspired by the program. Following its conclusion, these pieces were displayed throughout the synagogue for several weeks. Faith Based Fun As part of the artful year, sixth-grade UH B’nai Mitzvah students made their own tallitot. Thanks to Crown Grant funding, a large group of families could participate. The resulting program included nearly 50 parent/student teams, each creating their own unique prayer shawls. In addition to the keepsake tallit, families also received handouts with explanations on the mitzvah of tying tzitzit. A special moment occurred when one of the past Tallit Workshop participants brought in her parents and her tallit, and shared her Bat Mitzvah experience and what inspired the designs she chose for her tallit. In another workshop led by Rabbi Brigitte Rosenberg, younger children created “Shema” pillows in which they designed their own pillows adorned with the ritual bedtime prayer. Likewise, Rabbi Levi Landa of the St. Louis Chabad says many of their programs are craft based. “This past December was our fourth year of a pre-Hanukkah menorah workshop at Home Depot,” he says. The company sponsors supplies, and Chabad puts together the program. “Last year we prepared for 350 kids and ran out of supplies!” He describes the menorah making as simple and open-ended. The candle holders are made of wood and glue and then decorated with a variety of materials — sequins, tiles, and paint to name a few. “Each family has one to take home, and it is meaningful to them when they use it.” Chabad has a series of craft based workshops, from shofar making to another highly popular session, the Matzah Bakery. “There’s nothing that compares to rolling up your sleeves and getting involved. This isn’t just for kids. There’s something about working with your hands that makes learning come alive,” says Landa. He points out that hands-on projects make more lasting impressions than lessons in a classroom setting. “Families always tell me they talk about their matzah making at the seder table. Our goal is to demystify ritual objects we use in Judaism, and have fun while doing it.” At congregation Neve Shalom in St. Louis, congregants began making a mosaic table as part of a project on neglected Jewish arts. They started by illustrating either an event or custom in the Jewish year in the form of a decorative motif. Then they selected colors and arranged tiles, much like artists did in ancient synagogues. “We were encouraged by the children who dove right into the project. We talked about the remarkable Jewish imagination reflected in the ancient mosaics,” says Neve Shalom Rabbi James Goodman. To start, congregants learned about three ancient synagogues featuring art that served as research examples for the project. Once they finished the preliminary study, congregants did a practice piece, working with images created through study of the imagery of several important sites of ancient mosaics. Everyone participated in analyzing the classic pieces, then made their own. They drew them first, and then worked to make samplers using cut tiles placed on squares of wood. “We put the images up on the wall and discussed them. Then with the help of the more artistically gifted in the group, attendees of all ages made their own,” says Goodman. The individual pieces were finally integrated into one large creation. The large, community mosaic will eventually adorn a table top in the synagogue. Goodman calls the mosaic project a spectacular learning experience. “The (resulting piece) includes images that depict important dates covering the (continued on back cover) Crafting Tradition Do-It-Together Projects that Make Connections Twisted Apple Trees Tzedakah Can Here’s a super simple and very artsy Rosh Hashanah or Tu B’Shevat tree project to enjoy with young kids. The great thing about this craft is that the trees don’t need to look perfect. Though this supply list calls for construction paper, tissue paper is another great idea for a more abstract look. Tzedakah, or charity, is collected and given by Jewish people throughout the year. Make the collection process more exciting by giving the can a little pop of color! You’ll need: • Two paper lunch bags • Red paper • Glue • Scissors How to: On one bag, cut ¾" strips vertically from the opening down about half way. Open the bag so the bottom serves as a base. Next, twist the whole mid-section of the bag for the trunk and then twist together three strips to form the branches. Next cut red leaves or apples out of the paper. Glue to the branches, and admire your festive creation! What’s New with You? You’ll need: • Oatmeal canister, cocoa box or coffee can with lid — emptied and cleaned out • Scissors • Colored paper • Double-sided tape • Markers, crayons, stickers, etc. for decorating How to: Cut a slit in the top of the plastic lid (supervise children with this part!) large enough for quarters to fit through. Next, cut a piece of paper that will fit around the canister. Decorate it with markers, crayons, stickers, etc. using doublesided tape to attach the paper to the canister. Place the lid on top and start saving your pennies for tzedakah! What innovative family education programs are taking place within your doorposts and beyond your gates? Send us your success stories, and we’ll publish as many as possible in future issues of Doorposts. Fax or email your success stories to Joan Wolchansky. fax: 314-432-6150 email: [email protected] Exploring Judaism through the Arts (continued from inside story) entire Jewish calendar. We transferred this to the table mosaic, which we’re still working to complete.” “It was a very rich study,” he says. Music and Drama with Meaning For UH 8th- through 10th-grade families participating in “Torah Alive,” the artistic focus was on Jewish and Israeli music, song and dance. The temple’s educators looked at ways that teen students could experience song and dance in an interactive and meaningful way with their parents. This was a way for them to experience how the performing arts are used to share different experiences, emotions and messages. A take-home CD of popular Israeli songs was created for teens, some more familiar and some with clear political and social themes. Several links to sites with translations of songs were included, as well as information on the artists. One additional medium used to connect with teen families was a “Synaplex Shabbat.” On these occasions, congregants had an opportunity to sing along to some of the CD songs with an Israeli song-leader, to enjoy Israeli food, practice Krav Maga and see an Israeli film. The excellent mix of intergenerational activities appealed to both older students and their parents. Similarly, at the completion of its “Sensing Judaism” project, Bais Abraham held a “Kabbalat Shabbat” filled with music and dancing. On Shabbat morning the usual sermon was replaced by a dramatic performance focusing on the role of freedom in the exodus experience. The Good Book In October, Shaare Zedek began a storytelling program called “Kidrash” for elementary aged kids, according to Hazzan Joanna Dulkin. The new Shabbat morning program was the recipient of a Crown Grant, and will be a monthly Shabbat experience concurrent with the Shabbat morning sanctuary service and Tot Shabbat, for early elementary age (K-3) children and families. “Kidrash is designed for the growing number of families who are aging out of both our Rockin’ Tot Shabbat services and the PJ Library program,” says Dulkin. “Our SZ families have become accustomed to a lively and musical Shabbat service, along with the fabulous books sent to them each month by PJ Library. Both have provided a strong foundation for a positive Jewish identity, and Kidrash is the logical extension. It incorporates pieces of the service with exposure to Torah stories and midrashim, giving time for discussion, reflection and connection.” At Kidrash, families hear stories from the Torah read by volunteers and told by professional storytellers followed by discussion. After each session of Kidrash, families take home discussion questions designed to spark a conversation. “We hope to familiarize and deepen families’ connection with Torah stories, and to develop a comfort in talking about these stories with their peers. Kidrash also aims to introduce families to the interpretive process, empowering them to create their own stories and insights based on the stories presented,” Dulkin says. After each storytelling session, led by a parent or a professional, families have the opportunity to see and hear a few verses of the story from its Biblical source. After hearing about the story, they reconnect with the text in the Torah itself and use the parasha as a jumping-off point for their own midrashim they are encouraged to create at home. Winter/Spring 2012 Exploring Judaism through the Arts Making Religion More Accessible with Painting, Music and Literature According to Jewish history, the sound of learned how to perform the traditional a shofar accompanied God’s gift of the sequence of solemn notes sounded on Torah to the ancient Hebrews as they Rosh Hashanah and Yom Kippur. stood at the foot of Mount Sinai in the desert. The shofar’s soulful music is just Art to Heart one example of how the arts and From King David onward, Jews have Judaism co-exist. expressed themselves through poetry, Through song, sculpture, composing painting and music. In 2006, Bais and crafting, Judaism can be better Abraham congregation spent a year understood by every generation. focused on this premise, using Hands-on art projects can art as a vehicle for making bridge the gap between stronger connections learning Torah and with their faith. Made truly understanding possible through its meaning. This a grant from idea has enhanced the Gladys K. the substance Crown Foundation of much of the honoring the memory programming in of Shirlee Green, the congregations and intergenerational series Jewish organizations of workshops that ensued throughout the were called “Sensing Families participate in a reflective Judaism” and were meant St. Louis area. For pre-High Holiday clay workshop example, in preparation for to educate and inspire both at Bais Abraham congregation. the Jewish New Year this those who were familiar past September, children with Torah study, as well as those who and their families carved and were less informed. drilled their very own ram’s horn Bais Abraham Rabbi Hyim Shafner, to create a shofar at Chabad of who planned the workshops, brought Chesterfield’s “Shofar Factory.” When in Arts & Judaism expert Rabbi Chaim the horns were complete, participants (continued inside) Inside this Issue Central Agency for Jewish Education 12 Millstone Campus Drive St. Louis, Missouri 63146 Doorposts is made possible through a grant from the Gladys K. Crown Foundation honoring the memory of Shirlee Green and a matching grant from the Jewish Federation of St. Louis’ Rich Fund. For additional copies of Doorposts, or to add your name to the mailing list, call Joan Wolchansky, 314-432-0020, or email [email protected] Project Director: Joan Wolchansky Editor: Rosanne Tolin Design: 501creative Exploring Judaism through the Arts Interactions: Programs that Work • Crafting Tradition Interactions: Programs that Work For more than 5,000 years, the Jewish family has perpetuated our traditions. And in recent years, synagogues and temples have made Jewish family education a priority. Each issue of Doorposts features family education programs that have successfully promoted intergenerational interactions in the St. Louis community Mezuzah Mitzvah: The University City Shul received a Crown Grant in 2010 to implement its “Mezuzah Making” program. This fun arts and crafts session, led by artist Batya Rich, helped parents and children alike learn about the significance of the mezuzah. The experience was made even more significant as families kept one handmade mezuzah, and gave another as a gift to elderly community members at The Crown Center, the JCA or Covenant House. So a fun, interactive afternoon turned into a true mitzvah project! For more information, contact Rabbi Menachem Tendler, rabbitendler@ ucityshul.org. The Write Kind of Family Time: In October, BSKI launched a family reading and writing program. It’s a multigenerational effort supported by a Crown Grant; grandparent volunteers read to the children and encourage families to use their new library and participate in the program. The BSKI program facilitator is published poet Ann Lesley Rosen, who also serves as the Tot Shabbat service leader. According to Synagogue Administrator Paula Hamvas, the monthly themes allow the family members to discuss spirituality and tradition. “We hope these discussions of Jewish books and the creative writing that follows, in which kids make their own family story books, will have a lasting impact,” she says. Sessions are geared to both preschoolers and older kids. For more information, contact Paula Hamvas, [email protected]. Exploring Judaism through the Arts (continued from front cover) Brovendar of Israel to kick off the project. “He has done a lot of writing about Judaism and the arts, not just as a way of understanding its historic importance, but also of understanding the actual value art itself has in Judaism,” says Shafner. According to Shafner, the arts can speak to people of all ages, providing a great platform for families to learn together. Bais Abraham’s elaborately planned workshops were carried out over the course of a year and involved congregants of all ages. Artists in residence helped lead the sessions. For instance, sculptor Nadine Cohen led a large 50-participant clay workshop in which congregants shaped forms meant to represent basic tenets of the High Holidays. “We did a meditation first and people talked about change and how it relates to Rosh Hashanah and Yom Kippur,” Shafner recalls. Cohen first spoke about “t’shuvah” (repentance), and congregants then created a clay piece of their own to display their process of self-examination. In the fall, Oshra Koren of Israel taught about the nature of artistic vision and diversity within Jewish thought. The synagogue’s second arts weekend also included a lecture by Rabbi Shafner on “Light and Color in the Jewish Tradition” as well as a Sunday workshop in color and collage by his mother, Janet Shafner, of blessed memory, a well-known artist. Her workshop, titled “The Magic of Color,” related the ideas of Kabbalah and Jewish mysticism, and examined the reasons why colors have an impact on us emotionally. The workshop also explored the symbolism of color in Jewish ritual. Congregants then created a personal collage to express their spirituality. Even after the conclusion of the 12-month journey through the arts, Rabbi Shafner continues to hold presentations on examining the ties between Jewish art and Torah. Like Bais Abraham, in 2008, United Hebrew focused its programming efforts, funded by a Crown Grant, around the theme of Jewish and Israeli cultural arts. Religious school teachers integrated the theme of “Torah Alive” as much as possible throughout the school year, according to former UH family educator, Rachel Persellin-Armoza. The 5th and 6th grades studied Jewish and Israeli art and artists. UH created its own art gallery and prepared their own “docents,” and participants enjoyed multi-media activities — all on site. Teachers prepped ahead of time and helped facilitate the day’s programming. Together with their students and their families, they toured the halls of United Hebrew and observed the art that is an important part of the temple, such as hand painted murals, beautiful stained glass windows, ritual treasures and personal art pieces in the sanctuary. Families also explored special “Museum Galleries” set up at the temple and learned about different symbols, messages and styles prevalent with these artists. These included the works of Jewish artists from the United States, Israel and Europe. During religious school the week following this activity, students created beautiful art pieces inspired by the program. Following its conclusion, these pieces were displayed throughout the synagogue for several weeks. Faith Based Fun As part of the artful year, sixth-grade UH B’nai Mitzvah students made their own tallitot. Thanks to Crown Grant funding, a large group of families could participate. The resulting program included nearly 50 parent/student teams, each creating their own unique prayer shawls. In addition to the keepsake tallit, families also received handouts with explanations on the mitzvah of tying tzitzit. A special moment occurred when one of the past Tallit Workshop participants brought in her parents and her tallit, and shared her Bat Mitzvah experience and what inspired the designs she chose for her tallit. In another workshop led by Rabbi Brigitte Rosenberg, younger children created “Shema” pillows in which they designed their own pillows adorned with the ritual bedtime prayer. Likewise, Rabbi Levi Landa of the St. Louis Chabad says many of their programs are craft based. “This past December was our fourth year of a pre-Hanukkah menorah workshop at Home Depot,” he says. The company sponsors supplies, and Chabad puts together the program. “Last year we prepared for 350 kids and ran out of supplies!” He describes the menorah making as simple and open-ended. The candle holders are made of wood and glue and then decorated with a variety of materials — sequins, tiles, and paint to name a few. “Each family has one to take home, and it is meaningful to them when they use it.” Chabad has a series of craft based workshops, from shofar making to another highly popular session, the Matzah Bakery. “There’s nothing that compares to rolling up your sleeves and getting involved. This isn’t just for kids. There’s something about working with your hands that makes learning come alive,” says Landa. He points out that hands-on projects make more lasting impressions than lessons in a classroom setting. “Families always tell me they talk about their matzah making at the seder table. Our goal is to demystify ritual objects we use in Judaism, and have fun while doing it.” At congregation Neve Shalom in St. Louis, congregants began making a mosaic table as part of a project on neglected Jewish arts. They started by illustrating either an event or custom in the Jewish year in the form of a decorative motif. Then they selected colors and arranged tiles, much like artists did in ancient synagogues. “We were encouraged by the children who dove right into the project. We talked about the remarkable Jewish imagination reflected in the ancient mosaics,” says Neve Shalom Rabbi James Goodman. To start, congregants learned about three ancient synagogues featuring art that served as research examples for the project. Once they finished the preliminary study, congregants did a practice piece, working with images created through study of the imagery of several important sites of ancient mosaics. Everyone participated in analyzing the classic pieces, then made their own. They drew them first, and then worked to make samplers using cut tiles placed on squares of wood. “We put the images up on the wall and discussed them. Then with the help of the more artistically gifted in the group, attendees of all ages made their own,” says Goodman. The individual pieces were finally integrated into one large creation. The large, community mosaic will eventually adorn a table top in the synagogue. Goodman calls the mosaic project a spectacular learning experience. “The (resulting piece) includes images that depict important dates covering the (continued on back cover) Interactions: Programs that Work For more than 5,000 years, the Jewish family has perpetuated our traditions. And in recent years, synagogues and temples have made Jewish family education a priority. Each issue of Doorposts features family education programs that have successfully promoted intergenerational interactions in the St. Louis community Mezuzah Mitzvah: The University City Shul received a Crown Grant in 2010 to implement its “Mezuzah Making” program. This fun arts and crafts session, led by artist Batya Rich, helped parents and children alike learn about the significance of the mezuzah. The experience was made even more significant as families kept one handmade mezuzah, and gave another as a gift to elderly community members at The Crown Center, the JCA or Covenant House. So a fun, interactive afternoon turned into a true mitzvah project! For more information, contact Rabbi Menachem Tendler, rabbitendler@ ucityshul.org. The Write Kind of Family Time: In October, BSKI launched a family reading and writing program. It’s a multigenerational effort supported by a Crown Grant; grandparent volunteers read to the children and encourage families to use their new library and participate in the program. The BSKI program facilitator is published poet Ann Lesley Rosen, who also serves as the Tot Shabbat service leader. According to Synagogue Administrator Paula Hamvas, the monthly themes allow the family members to discuss spirituality and tradition. “We hope these discussions of Jewish books and the creative writing that follows, in which kids make their own family story books, will have a lasting impact,” she says. Sessions are geared to both preschoolers and older kids. For more information, contact Paula Hamvas, [email protected]. Exploring Judaism through the Arts (continued from front cover) Brovendar of Israel to kick off the project. “He has done a lot of writing about Judaism and the arts, not just as a way of understanding its historic importance, but also of understanding the actual value art itself has in Judaism,” says Shafner. According to Shafner, the arts can speak to people of all ages, providing a great platform for families to learn together. Bais Abraham’s elaborately planned workshops were carried out over the course of a year and involved congregants of all ages. Artists in residence helped lead the sessions. For instance, sculptor Nadine Cohen led a large 50-participant clay workshop in which congregants shaped forms meant to represent basic tenets of the High Holidays. “We did a meditation first and people talked about change and how it relates to Rosh Hashanah and Yom Kippur,” Shafner recalls. Cohen first spoke about “t’shuvah” (repentance), and congregants then created a clay piece of their own to display their process of self-examination. In the fall, Oshra Koren of Israel taught about the nature of artistic vision and diversity within Jewish thought. The synagogue’s second arts weekend also included a lecture by Rabbi Shafner on “Light and Color in the Jewish Tradition” as well as a Sunday workshop in color and collage by his mother, Janet Shafner, of blessed memory, a well-known artist. Her workshop, titled “The Magic of Color,” related the ideas of Kabbalah and Jewish mysticism, and examined the reasons why colors have an impact on us emotionally. The workshop also explored the symbolism of color in Jewish ritual. Congregants then created a personal collage to express their spirituality. Even after the conclusion of the 12-month journey through the arts, Rabbi Shafner continues to hold presentations on examining the ties between Jewish art and Torah. Like Bais Abraham, in 2008, United Hebrew focused its programming efforts, funded by a Crown Grant, around the theme of Jewish and Israeli cultural arts. Religious school teachers integrated the theme of “Torah Alive” as much as possible throughout the school year, according to former UH family educator, Rachel Persellin-Armoza. The 5th and 6th grades studied Jewish and Israeli art and artists. UH created its own art gallery and prepared their own “docents,” and participants enjoyed multi-media activities — all on site. Teachers prepped ahead of time and helped facilitate the day’s programming. Together with their students and their families, they toured the halls of United Hebrew and observed the art that is an important part of the temple, such as hand painted murals, beautiful stained glass windows, ritual treasures and personal art pieces in the sanctuary. Families also explored special “Museum Galleries” set up at the temple and learned about different symbols, messages and styles prevalent with these artists. These included the works of Jewish artists from the United States, Israel and Europe. During religious school the week following this activity, students created beautiful art pieces inspired by the program. Following its conclusion, these pieces were displayed throughout the synagogue for several weeks. Faith Based Fun As part of the artful year, sixth-grade UH B’nai Mitzvah students made their own tallitot. Thanks to Crown Grant funding, a large group of families could participate. The resulting program included nearly 50 parent/student teams, each creating their own unique prayer shawls. In addition to the keepsake tallit, families also received handouts with explanations on the mitzvah of tying tzitzit. A special moment occurred when one of the past Tallit Workshop participants brought in her parents and her tallit, and shared her Bat Mitzvah experience and what inspired the designs she chose for her tallit. In another workshop led by Rabbi Brigitte Rosenberg, younger children created “Shema” pillows in which they designed their own pillows adorned with the ritual bedtime prayer. Likewise, Rabbi Levi Landa of the St. Louis Chabad says many of their programs are craft based. “This past December was our fourth year of a pre-Hanukkah menorah workshop at Home Depot,” he says. The company sponsors supplies, and Chabad puts together the program. “Last year we prepared for 350 kids and ran out of supplies!” He describes the menorah making as simple and open-ended. The candle holders are made of wood and glue and then decorated with a variety of materials — sequins, tiles, and paint to name a few. “Each family has one to take home, and it is meaningful to them when they use it.” Chabad has a series of craft based workshops, from shofar making to another highly popular session, the Matzah Bakery. “There’s nothing that compares to rolling up your sleeves and getting involved. This isn’t just for kids. There’s something about working with your hands that makes learning come alive,” says Landa. He points out that hands-on projects make more lasting impressions than lessons in a classroom setting. “Families always tell me they talk about their matzah making at the seder table. Our goal is to demystify ritual objects we use in Judaism, and have fun while doing it.” At congregation Neve Shalom in St. Louis, congregants began making a mosaic table as part of a project on neglected Jewish arts. They started by illustrating either an event or custom in the Jewish year in the form of a decorative motif. Then they selected colors and arranged tiles, much like artists did in ancient synagogues. “We were encouraged by the children who dove right into the project. We talked about the remarkable Jewish imagination reflected in the ancient mosaics,” says Neve Shalom Rabbi James Goodman. To start, congregants learned about three ancient synagogues featuring art that served as research examples for the project. Once they finished the preliminary study, congregants did a practice piece, working with images created through study of the imagery of several important sites of ancient mosaics. Everyone participated in analyzing the classic pieces, then made their own. They drew them first, and then worked to make samplers using cut tiles placed on squares of wood. “We put the images up on the wall and discussed them. Then with the help of the more artistically gifted in the group, attendees of all ages made their own,” says Goodman. The individual pieces were finally integrated into one large creation. The large, community mosaic will eventually adorn a table top in the synagogue. Goodman calls the mosaic project a spectacular learning experience. “The (resulting piece) includes images that depict important dates covering the (continued on back cover) Crafting Tradition Do-It-Together Projects that Make Connections Twisted Apple Trees Tzedakah Can Here’s a super simple and very artsy Rosh Hashanah or Tu B’Shevat tree project to enjoy with young kids. The great thing about this craft is that the trees don’t need to look perfect. Though this supply list calls for construction paper, tissue paper is another great idea for a more abstract look. Tzedakah, or charity, is collected and given by Jewish people throughout the year. Make the collection process more exciting by giving the can a little pop of color! You’ll need: • Two paper lunch bags • Red paper • Glue • Scissors How to: On one bag, cut ¾" strips vertically from the opening down about half way. Open the bag so the bottom serves as a base. Next, twist the whole mid-section of the bag for the trunk and then twist together three strips to form the branches. Next cut red leaves or apples out of the paper. Glue to the branches, and admire your festive creation! What’s New with You? You’ll need: • Oatmeal canister, cocoa box or coffee can with lid — emptied and cleaned out • Scissors • Colored paper • Double-sided tape • Markers, crayons, stickers, etc. for decorating How to: Cut a slit in the top of the plastic lid (supervise children with this part!) large enough for quarters to fit through. Next, cut a piece of paper that will fit around the canister. Decorate it with markers, crayons, stickers, etc. using doublesided tape to attach the paper to the canister. Place the lid on top and start saving your pennies for tzedakah! What innovative family education programs are taking place within your doorposts and beyond your gates? Send us your success stories, and we’ll publish as many as possible in future issues of Doorposts. Fax or email your success stories to Joan Wolchansky. fax: 314-432-6150 email: [email protected] Exploring Judaism through the Arts (continued from inside story) entire Jewish calendar. We transferred this to the table mosaic, which we’re still working to complete.” “It was a very rich study,” he says. Music and Drama with Meaning For UH 8th- through 10th-grade families participating in “Torah Alive,” the artistic focus was on Jewish and Israeli music, song and dance. The temple’s educators looked at ways that teen students could experience song and dance in an interactive and meaningful way with their parents. This was a way for them to experience how the performing arts are used to share different experiences, emotions and messages. A take-home CD of popular Israeli songs was created for teens, some more familiar and some with clear political and social themes. Several links to sites with translations of songs were included, as well as information on the artists. One additional medium used to connect with teen families was a “Synaplex Shabbat.” On these occasions, congregants had an opportunity to sing along to some of the CD songs with an Israeli song-leader, to enjoy Israeli food, practice Krav Maga and see an Israeli film. The excellent mix of intergenerational activities appealed to both older students and their parents. Similarly, at the completion of its “Sensing Judaism” project, Bais Abraham held a “Kabbalat Shabbat” filled with music and dancing. On Shabbat morning the usual sermon was replaced by a dramatic performance focusing on the role of freedom in the exodus experience. The Good Book In October, Shaare Zedek began a storytelling program called “Kidrash” for elementary aged kids, according to Hazzan Joanna Dulkin. The new Shabbat morning program was the recipient of a Crown Grant, and will be a monthly Shabbat experience concurrent with the Shabbat morning sanctuary service and Tot Shabbat, for early elementary age (K-3) children and families. “Kidrash is designed for the growing number of families who are aging out of both our Rockin’ Tot Shabbat services and the PJ Library program,” says Dulkin. “Our SZ families have become accustomed to a lively and musical Shabbat service, along with the fabulous books sent to them each month by PJ Library. Both have provided a strong foundation for a positive Jewish identity, and Kidrash is the logical extension. It incorporates pieces of the service with exposure to Torah stories and midrashim, giving time for discussion, reflection and connection.” At Kidrash, families hear stories from the Torah read by volunteers and told by professional storytellers followed by discussion. After each session of Kidrash, families take home discussion questions designed to spark a conversation. “We hope to familiarize and deepen families’ connection with Torah stories, and to develop a comfort in talking about these stories with their peers. Kidrash also aims to introduce families to the interpretive process, empowering them to create their own stories and insights based on the stories presented,” Dulkin says. After each storytelling session, led by a parent or a professional, families have the opportunity to see and hear a few verses of the story from its Biblical source. After hearing about the story, they reconnect with the text in the Torah itself and use the parasha as a jumping-off point for their own midrashim they are encouraged to create at home. Winter/Spring 2012 Exploring Judaism through the Arts Making Religion More Accessible with Painting, Music and Literature According to Jewish history, the sound of learned how to perform the traditional a shofar accompanied God’s gift of the sequence of solemn notes sounded on Torah to the ancient Hebrews as they Rosh Hashanah and Yom Kippur. stood at the foot of Mount Sinai in the desert. The shofar’s soulful music is just Art to Heart one example of how the arts and From King David onward, Jews have Judaism co-exist. expressed themselves through poetry, Through song, sculpture, composing painting and music. In 2006, Bais and crafting, Judaism can be better Abraham congregation spent a year understood by every generation. focused on this premise, using Hands-on art projects can art as a vehicle for making bridge the gap between stronger connections learning Torah and with their faith. Made truly understanding possible through its meaning. This a grant from idea has enhanced the Gladys K. the substance Crown Foundation of much of the honoring the memory programming in of Shirlee Green, the congregations and intergenerational series Jewish organizations of workshops that ensued throughout the were called “Sensing Families participate in a reflective Judaism” and were meant St. Louis area. For pre-High Holiday clay workshop example, in preparation for to educate and inspire both at Bais Abraham congregation. the Jewish New Year this those who were familiar past September, children with Torah study, as well as those who and their families carved and were less informed. drilled their very own ram’s horn Bais Abraham Rabbi Hyim Shafner, to create a shofar at Chabad of who planned the workshops, brought Chesterfield’s “Shofar Factory.” When in Arts & Judaism expert Rabbi Chaim the horns were complete, participants (continued inside) Inside this Issue Central Agency for Jewish Education 12 Millstone Campus Drive St. Louis, Missouri 63146 Doorposts is made possible through a grant from the Gladys K. Crown Foundation honoring the memory of Shirlee Green and a matching grant from the Jewish Federation of St. Louis’ Rich Fund. For additional copies of Doorposts, or to add your name to the mailing list, call Joan Wolchansky, 314-432-0020, or email [email protected] Project Director: Joan Wolchansky Editor: Rosanne Tolin Design: 501creative Exploring Judaism through the Arts Interactions: Programs that Work • Crafting Tradition
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