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gordon huether studio
art matters
introduction
When I was about 17 years old, after making my second
stained glass window at my father’s kitchen table, I
made a life decision: I promised myself that one day I
would edify the spirit of humanity by bringing beauty
and meaning into the world through art. I am happy
to report that almost 40 years later, I am honoring that
promise by creating art every day for every conceivable
kind of building, home and landscape.
From the beginning of my career, I’ve been fascinated
by the interplay between light and glass as I explored
the artistic possibilities of refraction and reflection in
glass fabrications. As I developed as an artist, I began
exploring other media, moving between highly refined,
polished materials like polished aluminum and dichroic
glass to gritty, repurposed and salvaged materials like
rusted steel and weathered wood. I’ve learned to let
the story I am telling lead me towards the right material. Salvaged and repurposed materials
allow me to explore the effect of time and nature on man-made materials or, as in the case
for the Napa 9/11 Memorial, convey the devastating aftermath of inhumanity. Using a variety
of glass techniques and applications for university campuses and houses of worship captures
the experience of inspiration and illumination often found there.
My work investigates intellectual precepts and explores emotional complexities. It is about
shaping a story and expressing an idea, not just creating an object of beauty. When developing
a concept for a new public artwork, I endeavor to connect to the site by researching its history
and culture; connect to the viewer by listening to the community and understanding their
vision for the project; and finally, connect to the landscape and architecture surrounding
the work by choosing materials that respond and engage with the location. For a private
commission, I establish a relationship with the client in order to fully engage with their needs
and goals for the project and create work that meets, if not surpasses, their expectations.
I am passionate about the process of creating art and humbled by the privilege of making
it everyday. In a time when the speed and ease of technology robs us of daily personal
interactions, art has the power to remind us of the importance of the human touch. My spirit
is in everything I make and I am honored to share it with you.
Gordon Huether
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contents
Civic5
Hospitality69
Napa 9/11 Memorial | Napa, CA
Archer Hotel | New York, NY
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The Bridge North Texas | Dallas, TX
10
Sugar House Casino | Philadelphia, PA
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Historic Route 66 | Albuquerque, NM
14
J Vineyards & Winery | Healdsburg, CA
72
Salt Palace Convention Center | Salt Lake City, UT
16
Artesa Vineyards & Winery | Napa, CA
73
Regional San | Sacramento, CA
18
Residential75
Fire Station #17 | San Jose, CA
20
Private Residence | Carmel by the Sea, CA
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Art Walk | Yountville, CA
21
Private Residence | Los Altos, CA 80
Corporate + Private Development23
Private Residence | St. Helena, CA
81
Arburg GmbH & Co. KG | Loßburg, Germany
24
Private Residence | Napa, CA
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535 Mission Street | San Francisco, CA
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Private Residence | San Jose, CA
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Miramar Village | White Rock, BC, Canada
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Spiritual85
TIAA-CREF | Charlotte, NC
36
Congregation Beth Shalom of Napa Valley | Napa, CA
BioMarin Pharmaceutical | Novato, CA
37
Parish Church St. Laurentius | Bobenheim - Roxheim, Germany 88
Deloitte & Touche | San Francisco, CA
38
St. John The Baptist Catholic Church | Napa, CA
89
SmithGroup | San Francisco, CA
39
Jewish Community Center | Long Beach, CA
90
Umpqua Bank | Napa, CA
40
Congregational Church of San Mateo | San Mateo, CA
91
Pfluger Architects | Austin, TX
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Lafayette Orinda Presbyterian Church (LOPC) | Lafayette, CA
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East Village Parking Garage | Kansas City, MO
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Diocese of Santa Rosa | Santa Rosa, CA
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Arena Parking Garage | Stockton, CA
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Transportation95
5th Street Parking Garage | Napa, CA 44
Raleigh-Durham Int’l Airport | Morrisville, NC
Ovation Waterfront Condominiums | St. Petersburg, FL
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Salt Lake City Int’l Airport TRAX Station | Salt Lake City, UT
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Education47
William P. Hobby Airport | Houston, TX
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LBJ Presidential Library | Austin, TX
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Coliseum BART Station | Oakland, CA
108
LBJ School of Public Affairs | Austin, TX
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Jacksonville Int’l Airport | Jacksonville, FL 112
University of Toledo | Toledo, OH
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San Bruno BART Station | San Bruno, CA
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Oregon State University | Corvallis, OR
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SEPTA | Philadelphia, PA
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Healthcare57
Fine Art117
John Muir Medical Center | Walnut Creek, CA
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Celadon Series | Gordon Huether Gallery
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El Camino Hospital | Mountain View, CA
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Big Boy, Metal Meddle Series | Last Call 4|5
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UCSD Medical Center | San Diego, CA
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Gordon Huether Gallery | Popular Science Series
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UCSF Mount Zion | San Francisco, CA
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Magic Lanterns | Gordon Huether Studio
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Sletten Cancer Institute | Great Falls, MT
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About The Artist122
St. Joseph’s Hospital and Medical Center | Phoenix, AZ
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About The Team + The Studio123
Gordon Huether | Résumé124
Index130
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civic
Civic centers present opportunities
for Huether to create work that
expresses the culture, character
and history of a municipality. Cities
throughout the world increasingly
recognize the value of art in
public places and look to artists to
strengthen community identity and
encourage civic pride. Huether creates
iconic gateways, way finders and
sculptural elements that enhance
the public’s engagement and add
vitality and beauty to urban settings.
Napa 9/11 Memorial
Napa, CA | 2013
23’H x 25’D
Salvaged Steel Beams, Glass
Commissioned by the City of Napa
Gretchen Stranzl McCann | Landscape Architect
In a unique public-private collaboration, the citizens of
Napa planned the 9/11 Memorial garden to honor the
memories of those killed on 9/11 and the first responders
who risked their own lives in their efforts to save them.
Huether was commissioned to create the Memorial working
with 30 tons of steel received by the community from the
wreckage of the Twin Towers. The garden and Huether’s
installation have become a place for the community to
engage in quiet contemplation and reflection and express
the courage, caring and compassion the world experienced
in the aftermath of this terrible terrorist act.
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The Bridge North Texas
Homeless Assistance Center | Dallas, TX | 2008
7 Panels, each 8’6”H x 3’6”W
Glass
Commissioned by Dallas County
Overland Partners | Architect
Camargo Copeland | Architect
The Bridge North Texas Homeless Assistance Center
serves more than 6,000 clients throughout the Dallas
Metropolitan area. For the center, Huether created
art glass windows using various glass techniques,
including mouth-blown and etched glass. He forged
a real connection with the Center’s homeless clients;
they contributed personal essays for the project,
portions of which Huether etched into the glass
by-hand. This project received two 2009 American
Institute of Architects Housing Awards and a USGBC
LEED™ Silver Rating.
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This Page + Next: Aluminum Yucca | Historic Route 66 | Albuquerque, NM | 2003
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This Page + Next: Salt Palace Convention Center | Salt Lake City, UT | 2006
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Vessel | Regional San (Sacramento Regional County Sanitation District) | Sacramento, CA | 2009
Waterfall | Regional San (Sacramento Regional County Sanitation District) | Sacramento, CA | 2009
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Fire Station #17 | San Jose, CA | 2008
Red Head | Art Walk | Yountville, CA | 2013
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corporate + private development
Huether’s work for corporate
settings and private development
is a reflection of the private
sector’s commitment to enhancing
environments where the public
and
private
intersect. These
commissions often provide Huether
with an opportunity to enrich
and heighten the aesthetics of
a space and allow for art to be
integrated into a site, blurring the
lines between art and architecture.
Globussphäre
Arburg GmbH & Co. KG
Loßburg, Germany | 2009
16’ DIA
Stainless Steel, Pyrex, Dichroic Glass,
Boro-artistic Glass Rods
Commissioned by Arburg GmbH & Co. KG
Schmelzle + Partner Architekten BDA | Architect
Arburg, a leading manufacturer of injection molding
machines for plastics, commissioned Huether to create this
oversized globe for the exterior of its new customer center.
The spherical form symbolizes Arburg’s global reach and
the dichroic glass panels and acrylic rods reference the
company’s product. The sculpture is a vibrant complement
to the building’s stacked rectangles and has become an
iconic and unifying symbol for the entire community.
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Applique da Parete
535 Mission Street | San Francisco, CA | 2014
140’L x 18’H x 15”D
Dichroic Glass, Mirrored Glass, Etched Glass
Commissioned by Boston Properties
Boston Properties | Developer
HOK | Architect
Boston Properties developed 535 Mission, a 27-story
addition to the San Francisco skyline, and commissioned
Huether to create artwork for the lobby space. The multipieced work starts on the building’s exterior façade on
Mission Street, continues through the lobby and comes
to an end on the Minna Street façade, breaching the
traditional boundary between outdoor and in.
Huether’s large-scale wall installation brims with vibrant
color, texture and pattern that is refracted, transmitted
and reflected, resulting in a wall of light that brings life
and excitement to 535 Mission’s public space.
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Rostrum
Miramar Village | White Rock, BC, Canada | 2013
14’W x 14’H x 8’D
Stainless Steel, Locally Sourced Cedar Blocks
Commissioned by Bosa Properties
Bosa Properties | Developer
NSDA Architects | Architect
Rostrum, an amphitheater-like installation made of
stainless steel and native cedar timbers, takes its aesthetic
cue from the landscape and architectural design of the
site. Huether blurs the line between art, sculpture and
nature by creating beautiful art that also functions as an
outbuilding. Residents engage with Rostrum by using the
space as a gathering place, as well as interacting with it
as art. Huether embedded fifty LED lights into the curved
stainless steel pipes to create a beautiful glow at night.
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Glass Forest | TIAA-CREF | Charlotte, NC | 2002
The Great Wall | BioMarin Pharmaceutical | Novato, CA | 2005
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Deloitte & Touche | San Francisco, CA | 1999
SmithGroup | San Francisco, CA | 2005
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Umpqua Bank | Napa, CA | 2005
Aha Moment | Pfluger Architects | Austin, TX | 2014
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Red Eye | East Village Parking Garage | Kansas City, MO | 2010
Arena Parking Garage | Stockton, CA | 2006
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Retro Woman | 5th Street Parking Garage | Napa, CA | 2008
O Wave | Ovation Waterfront Condominiums | St. Petersburg, FL | 2009
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education
Inspired by the intellectual
inquiries undertaken within
educational settings, Huether
creates work that introduces
beauty and vitality to
campuses, while engaging the
minds and spirits of professors,
researchers, students and
community members.
Lady Bird Mural
LBJ Presidential Library | Austin, TX | 2011
16 Panels, each 10’H x 4’W
Thermally Bonded Print & Acid Etch on Glass,
Fused Glass Flowers
Commissioned by University of Texas at Austin
Skidmore, Owings & Merrill | Architect
Brooks, Barr, Graeber and White | Architect
Huether’s striking glass-paneled mural memorializes Lady
Bird Johnson’s tireless support of President Johnson,
civil rights, social justice and the Highway Beautification
Act. Huether worked with Lady Bird’s daughters, project
architects and Presidential Library staff to select imagery
that reflects Lady Bird’s dynamic personality and life
experiences. Back lit with fiber optic illumination, the mural
acts as a wall of light for the corridor space. A border of
Lady Bird’s beloved Texas wildflowers, fabricated in fused
glass adds a bold flourish to this beautiful installation.
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LBJ School of Public Affairs | University of Texas | Austin, TX | 2010
Portal | University of Toledo | Toledo, OH | 2013
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This Page + Next: Hoops | Oregon State University | Basketball Practice Facility | Corvallis, OR | 2014
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healthcare
Huether believes that art
integrated into a healthcare
setting enhances patients’ well
being, reduces stress and serves
as a welcome respite from
often difficult circumstances.
By integrating his work into
hospital chapels, meditation
spaces, gardens, and lobby
and reception areas, Huether
creates work that adds beauty
and palliative elements to
the healthcare environment.
Mountain Range &
River of Light
John Muir Medical Center | Walnut Creek, CA | 2010
Mountain Range - 90’L x 6’6”H x 2’D
Corten Steel, Glass
River of Light - 190’L x 4”- 11”W
Integrated Glass Tiles
Commissioned by John Muir Health
Gates + Associates | Landscape Architect
Drawing inspiration from environmentalist John Muir’s reverence for
the San Francisco Bay Area’s natural beauty, Huether incorporates
references to the Bay Area’s mountains and waterways and integrates
natural landscape and architectural elements into the overall design.
Mountain Range, fabricated with two layers of acid-etched glass
and one layer of Corten steel, adds rhythm and dimension to the plaza
space and is illuminated by LEDs for an ambient glow at night. The
200-foot, dichroic glass River of Light embedded in the plaza serves
as a way-finder, leading visitors from the parking lot to the building’s
entrance. This two-part installation serves as an iconic, place-making
sculpture work for the John Muir Medical Center.
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Light Forest | El Camino Hospital | Mountain View, CA | 2010
Pixel Care | El Camino Hospital | Mountain View, CA | 2009
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UCSD Medical Center | Meditation Room | San Diego, CA | 1992
UCSF Mount Zion | Comprehensive Cancer Center | Quiet Room | San Francisco, CA | 2001
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Sletten Cancer Institute | Great Falls, MT | 2006
St. Joseph’s Hospital and Medical Center | Meditation Room + Rotunda | Phoenix, AZ | 2006
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hospitality
Hotels, resorts, restaurants and
wineries
present
wonderful
opportunities for Huether to work
with design teams and developers
to create work that enhances
the site’s ambiance. Huether’s
work often ignites connections
and conversation among guests
and further creates a “brand
identity” that broadens the reach
of these hospitality settings.
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Lichtregen | Archer Hotel | New York, NY | 2014
Bundled Stix | Sugar House Casino | Philadelphia, PA | 2010
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J Vineyards & Winery | Healdsburg, CA | 1999
Artesa Vineyards & Winery | Fountain | Napa, CA | 1999
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residential
Residential commissions provide an
opportunity for Huether to create work
on a more intimate scale. Often the
result of an intense collaboration with
the client, Huether’s artwork for a private
residence is his direct response to the
aesthetics of the home, the location and
collaboration with the homeowner’s
vision. Three-dimensional sculptures,
doors, art glass wall applications
and suspended installations are just
some of the approaches Huether has
integrated into his client’s residences.
Private Residence
Carmel by the Sea, CA | 2009
Outdoor Wall, Foyer Glass Screen, Bathroom Glass
Installations & Guest Room Glass Installation
Commissioned by Lynda & Tom Christal
Overland Partners | Architect
Huether was inspired by the motion of sand and water
for the art glass additions to a client’s home in Carmel by
the Sea. Huether etched delicate sand patterns on a glass
garden wall in the home’s landscaped exterior space that
is illuminated by programmed LEDs at night. Cascading
water and sea foam inspired the glass screen separating
the home’s foyer from the dining area. Dichroic glass was
inserted between two slabs of etched glass, creating a
shifting display of color that is transformed as light, and
the viewer’s angle, changes throughout the day.
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Private Residence | Suspended Sculpture | Los Altos, CA | 2010
Stix & Stones | Private Residence | St. Helena, CA | 2006
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Private Residence | Office Glass Sliding Door | Napa, CA | 2012
Private Residence | Glass Front Door | San Jose, CA | 2008
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spiritual
Huether’s art work in houses of
worship and community-gathering
spaces gives artistic expression to
the liturgical and spiritual. Often
working in close collaboration with
the congregation, Huether’s work
breathes new life into sanctuaries,
strengthening the experience of
worshipers and reaffirming the
enduring appeal of religious art and
cultural symbols throughout the world.
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This Page + Next: The Twelve Tribes of Israel | Congregation Beth Shalom of Napa Valley | Napa, CA | 2014
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Parish Church St. Laurentius | Bobenheim - Roxheim, Germany | 2013
Radiant Cross | St. John The Baptist Catholic Church | Napa, CA | 2012
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Jewish Community Center | Long Beach, CA | 1999
The Tree of Life | Congregational Church of San Mateo | San Mateo, CA | 2013
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Lafayette Orinda Presbyterian Church (LOPC) | Lafayette, CA | 2009
Diocese of Santa Rosa | Santa Rosa, CA | 1998
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transportation
Huether approaches the integration
of art in transportation systems as an
opportunity to engage travelers and
revitalize their experience of the transit
space. Local and regional identity
is often at the heart of Huether’s
concepts in transportation hubs and his
work conveys the cultural vitality and
character of the region. For travelers
undertaking a daily commute or a
significant voyage, Huether’s artwork
injects a sense of surprise and discovery
in an often sterile and impersonal space.
Highwire Travelers
Raleigh-Durham International Airport, Terminal 1 Baggage Claim | Morrisville, NC | 2014
Figures heights range between 5’2” and 6’2”
Stainless Steel, High-density Foam, Polyurethane Plastic, Latex Paint
Commissioned by the Raleigh-Durham Airport Authority
Clark Nexsen | Architect
To create this installation of seven life-sized figures for the baggage claim area of the new terminal at the RaleighDurham International Airport, Huether scanned models with a three-dimensional digital scanner then employed a
CNC machine to carve the figures out of high-density foam. The installation ingeniously integrates technology with
the creative process and is designed to introduce surprise and whimsy into the space. The neutral color of the figures
blends gracefully with the light and airy building aesthetic.
Each figure has a personal connection to Huether. Family, friends and co-workers, along with a self-portrait, are
included and represent the wide-array of travelers who will experience the terminal on a daily basis. Each of the
“travelers” carries their own baggage, adding further distinction to each character and relating to the experience
of the real travelers in the baggage claim area below. The installation provokes a strong response from travelers,
whether by identifying with the figure balancing precariously while holding suitcases on the tightrope or the “tourist”
photographing the scenery from her perch on an overhead beam.
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The Canyon
Salt Lake City International Airport TRAX Station
Salt Lake City, UT | 2012
96’L x 3’ – 8’H
Powder-Coated Steel
Commissioned by the Utah Transit Authority
FKKR Architects | Architect
For The Canyon, Huether evoked the profile of nearby
Wasatch and Oquirrh Mountain ranges, and then visually
segmented the mountain scape by placing vertical steel
plates at specific distances apart along the station’s platform.
The sculpture is powder-coated to resemble the intense burnt
orange colors of the sun setting in Bryce Canyon. The steel
plates, much like rows of grapevines or trees in an orchard,
appear to “open and close” as passengers speed by from the
seat of a commuter train or car. What is clearly stationary
appears to be in motion for observers of this passively kinetic
installation.
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Over Houston
William P. Hobby Airport | Houston, TX | 2009
6 Panels, each 11’H x 20’W
Fused, Etched, Enameled, Carved,
Sand-blasted, Laminated Glass
Commissioned by the Houston Airport System
Lockwood, Andrews & Newman | Architect
Huether created Over Houston by photographing the
city and its environs from the window of a small chartered
plane. He then abstracted and integrated vibrant colors into
the images for use in this luminous installation. Huether
used special art glass techniques, including etching, fusing
and laminating to fabricate the 48 individual panels. Over
Houston tells a story of air travel and illuminates the
unique, natural and urban landscape as seen from above.
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A-Round Oakland
Coliseum BART Station | Oakland, CA | 2014
50 Fused Glass Discs, 18”– 36” DIA
Commissioned by Bay Area Rapid Transit (BART)
ED2 International | Architect
Huether created this hip, active, engaging, sophisticated
and gleaming installation in response to the diverse
community that BART serves. The fused glass discs that
Huether installed transmit and refract color, creating
a constantly shifting pattern of light and shadow that
bounces throughout the BART station. This complex and
multi-dimensional installation delights and engages
travelers as they embark on their journeys.
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This Page + Next: Gotta Go! | Jacksonville International Airport | Jacksonville, FL | 2008
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San Bruno BART Station | San Bruno, CA | 2002
SEPTA | Frankfort Transportation Center | Philadelphia, PA | 2001
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fine art
Huether explores different media in
his smaller-scale fine art work by
investigating the seductive properties
of richly saturated color, natural and
artificial light sources, lush textures,
and using quirky repurposed vintage
imagery. Huether’s work is deeply
personal and intensely eclectic.
It is widely collected, favored by
interior designers and exhibited at
museums and galleries in major
cities throughout the United States.
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Above: Celadon Series | 2010 | Below: Gordon Huether Gallery
Above: Big Boy, Metal Meddle Series | 2012 | Below: Last Call 4|5 | 2012
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Above: Gordon Huether Gallery | Below: Popular Science Series | 2014
Above: Magic Lanterns | 2005 | Below: Gordon Huether Studio
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about the artist
Gordon Huether, the child of German immigrants,
was born in Rochester, New York in 1959 and
raised in Napa, California where he still resides
and is an active member of the community. With
dual citizenship in Germany and the United States,
Huether has moved between the two countries
throughout his life. He learned art composition
and appreciation at an early age from his father,
an artist and craftsman who designed window
displays for a department store in the small town
of Napa. International experiences and the verdant
countryside of the Napa Valley region strongly
influenced Huether’s initial artistic exploration and he resolved at an early age to create a lasting impact
on the world through the creation of large-scale public art.
In 1987, Huether opened his studio in Napa, California and in 1989 he received his first public art
commission from the University of Alaska Geophysical Institute. For the first time, Huether collaborated
with architectural, design and construction teams to realize his vision, a significant step forward in his
career. In his nearly 30-year career, Huether has created more than 70 public art installations for city
centers, transportation hubs, and corporate and university campuses throughout the world. He has
completed several hundred private commissions, in addition to creating fine art work.
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about the team + the studio
Gordon Huether Studio + Gallery is a turnkey, full
service studio that works closely with institutions,
city governments, private developers, consultants
and individual clients to develop, fabricate and install
unique, one of a kind large-scale, site specific public
art and private commissions. A highly professional,
skilled and experienced team of fabricators and
artisans work at the studio with Huether from initial
design concept to project development, fabrication
and final installation. A fully staffed administrative
office coordinates and oversees client services and
all business matters relating to the creation of art,
ensuring that every project is executed on time and on budget and every client’s needs are met.
The “Hay Barn” houses Gordon Huether’s design studio, project gallery, fabrication facilities, administrative
offices and gallery. Guests are welcome to visit Gordon Huether Studio + Gallery. The Gallery is located at
1821 Monticello Road in Napa, California and is open Monday through Friday, from 9 AM - 4 PM. For afterhours appointments or groups of more than four people, please call 707.255.5954 to schedule a visit.
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gordon huether | résumé
BIRTHPLACE
1959Rochester, NY
EDUCATION
1990-92
Life Center Collaborative Project with Professor Johannes Schreiter, Napa, CA
1986
Pilchuck Glass School, Stanwood, WA
1980-82
Apprenticeship at Universal Glass Studio, Blieskastel, Germany
LECTURES / TEACHING / APPOINTMENTS
2014
AAAE Arts in the Airport Workshop, “Trials, Tribulations & Triumphs of Integrating Art into Airports” San Francisco, CA
2011
American Institute of Architects Design Conference, “The Great Collaboration: Integrating Art & Architecture”
Monterey, CA
2009
Stained Glass Association of America, “Stained Glass Then and Now” Oklahoma City, OK
University of San Francisco, School of Architecture, “Art in Architecture” San Francisco, CA
2008
Homeless Assistance Center, “Art Matters” Dallas, TX
2007
BECon Conference, “Making Art, Love and Money” Portland, OR
2006
Board Member, American Institute of Architects SF, Center for Architecture & Design
2005
Chairman, Planning Commission, Napa, CA
2002
President, Board of Trustees, Napa Valley Museum, Napa, CA
2000
Urban Art Commission & The American Institute of Architects, “Designing our Community Through Art in Architecture”
Memphis, TN
1999
American Institute of Architects National Conference, Guest Lecture, “Public Art in America” Dallas, TX
1998
American Institute of Architects National Conference, “Redefining Contemporary Glass”
San Francisco, CA
1997
Society for Environmental Graphic Design National Conference, Guest Lecture,
San Francisco, CA
1996
PLANETREE Annual Conference, “Light and Color: Elements that Heal” San Francisco, CA
MOST RECENT SELECTED EXHIBITIONS
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1997 – Present
Resident Artist, Artesa Winery, Napa, CA
2014 – Present
Rotating Solo Exhibit at St. Supéry Estate Vineyards & Winery, Rutherford, CA
2012 – 2014
Art On First, Public Art Walk, Napa, CA
2010 – 2015
Art Walk, Yountville, CA
2014
12 x 12, Artamo Gallery, Santa Barbara, CA
2009
Beauty, Group Exhibition, The Gallery at Cliff Lede Vineyards, Yountville, CA
2007
Metal Matters, Solo Exhibition, Robert Mondavi Winery, Oakville, CA
2006
Art + Architecture, Group Exhibition. Keller Estate Winery, Petaluma, CA
2005
Summer in Southpark, Group Exhibition. Andrea Schwartz Gallery, San Francisco, CA
2005
Orange Door-Blue Window, Solo Exhibition. Metalstone Gallery, New York, NY
2005
Group Exhibition, Artamo Gallery, Santa Barbara, CA
2005
El Paseo Exhibition, El Paseo Drive, Palm Desert, CA
2004
In Nature’s Light, New York Hall of Science, New York, NY
AWARDS
2014
Napa 9/11 Memorial, CoDAWOrX Video Awards Top 100, Collaboration of Art and Design
2013
John Muir Medical Center, CoDAWOrX Awards Top 100, Collaboration of Art and Design
2010
Certificate of Merit, American Society of Interior Designers, California Peninsula Chapter
2009 Gotta Go, Jacksonville International Airport, Jacksonville, FL, Best Public Art in the United States, Americans for the Arts Public Art Network
2009 The Bridge Homeless Assistance Center, Dallas, TX, Featuring a Public Art Installation by Gordon Huether, Housing Committee Award for Special Housing, American Institute of Architects, Award for Community-Informed Design, Department of Housing and Urban Development
2006 Stockton Arena Public Parking Structure, Stockton, CA, Best Public Art in the United States, Americans for the Arts Public Art Network
SELECTED PUBLIC ART AWARDS
2014
Rockland County Office Building | AIPP Sculpture, New City, NY
Awarded by: Rockland County Art in Public Places
535 Mission Street, San Francisco, CA
2013
Awarded by: Boston Properties
Wards Corner, Norfolk, VA
Awarded by: City of Norfolk
Basketball Practice Facility, Oregon State University, Corvallis, OR
Awarded by: Oregon State Arts Commission
Hatcher Road Streetscape Project, Phoenix, AZ
Awarded by: City of Phoenix
University of Toledo Roundabout, Toledo, OH
Awarded by: University of Toledo
Raleigh-Durham International Airport, Raleigh, NC
2012
Awarded by: Raleigh-Durham International Airport
Parish Church St. Laurentius, Bobenheim-Roxheim, Germany
Awarded by: Bistum Speyer, Episcopalian Building Authority
BART Oakland Coliseum Connector Station, Oakland, CA
Awarded by: Bay Area Rapid Transit Authority
Henry Belmon Research Center, Oklahoma State University, Oklahoma City, OK
Awarded by: Oklahoma Art in Public Places
Centennial Plaza Sculpture, Peoria, AZ
Awarded by: City of Peoria
Century Napa Valley Cineplex, Cinemark, Napa, CA
2011
Awarded by: Peter A and Vernice H. Gasser Foundation, Inc.
University Health System, Medical Center Campus, San Antonio, TX
Awarded by: Bexar County Hospital District
Exchange Parkway Median Enhancement, Allen, TX
Awarded by: City of Allen
Houston Police Department, Midwest Police Station, Houston, TX
2010
Awarded by: Houston Arts Alliance, City of Houston
Sun Tran Bus Storage & Maintenance Facility, Tucson, AZ
Awarded by: Tucson Pima Arts Council
127
South Patrol Station, Kansas City Police Department, Kansas City, MO
Awarded by: Kansas City
The Canyon, TRAX Station, Salt Lake City International Airport, Salt Lake City, UT
Awarded by: Salt Lake City, Utah Transit Authority
Millcreek Community Center, Salt Lake County, UT
Awarded by: Salt Lake County, UT
Rostrum, Miramar Town Center, White Rock, BC, Canada
2009
Awarded by: City of White Rock, BOSA Properties
LBJ Presidential Library & School of Public Affairs, Austin, TX
Awarded by: University of Texas, Austin
2300 Empire Center, Burbank, CA
Awarded by: WH Empire Center, Chicago, IL
O Wave, Ovation Condominiums, St. Petersburg, FL
2008
Awarded by: JMC Communities, St. Petersburg, FL
East Village Parking Facility, Kansas City, MO
Awarded by: Kansas City Municipal Art Commission
Lot 5 Project, Chapel Hill, NC
Awarded by: Town of Chapel Hill
Napa Fifth Street Parking Garage, Napa, CA
Awarded by: City of Napa
Jack London Square, Oakland, CA
Awarded by: City of Oakland, Jack London Square Partners
Gotta Go, Jacksonville International Airport, Jacksonville, FL
2007
Awarded by: Jacksonville International Airport Arts Commission
Richmond Civic Center, Richmond, CA
Awarded by: City of Richmond
Tucson Justice Court, Municipal Court Complex, Tucson, AZ
Awarded by: Tucson Pima Arts Council
Texas Tech University School of Law, Lubbock, TX
Awarded by: Texas Tech University
John Muir Medical Center, Walnut Creek, CA
Awarded by: John Muir Health Foundation, City of Walnut Creek
Dallas Homeless Assistance Center, Dallas, TX
2006
Awarded by: Dallas County
Marsh Creek Bridge, Brentwood, CA
Awarded by: The City of Brentwood
Sacramento Regional County Sanitation District, Sacramento, CA
Awarded by: Sacramento Metropolitan Arts Commission
The Collection, Burbank, CA
Awarded by: City of Burbank, Champion Development
Salt Palace Convention Center, Salt Lake City, UT
2005
Awarded by: Salt Lake County
Foothills Recreation & Aquatics Center, Glendale, AZ
2005
128
Awarded by: Glendale Arts Commission
2004
San Jose Fire Department Station 17, San Jose, CA
Awarded by: City of San Jose, CA
St. Josephs Hospital and Medical Center, Phoenix, AZ
Awarded by: St. Joseph’s Hospital and Medical Center
Issaquah Transit Center, Issaquah, WA
Awarded by: Sound Transit Board
Arena Parking Structure, Stockton, CA
Awarded by: City of Stockton
San Mateo Public Library, San Mateo, CA
Awarded by: City of San Mateo
Polaris K-12 Alternative School, Anchorage, AK
2003
Awarded by: Municipality of Anchorage
San Joaquin Council of Governments, Stockton, CA
Awarded by: City of Stockton, San Joaquin Council of Governments
William P. Hobby Airport, Houston, TX,
Awarded by: Houston Airport System, Cultural Arts Council of Houston and Harris Counties
BioMarin, Novato, CA
Awarded by: BioMarin Pharmaceutical Inc.
Denver International Airport Child Care Center, Denver, CO
2002
Awarded by: Denver International Airport Public Art Program
Aluminum Yucca, East Gateway Project, Albuquerque, NM
Awarded by: City of Albuquerque, New Mexico Arts
Playground Fantastico, Napa, CA
Awarded by: City of Napa, Napa Valley Arts Council
Sunnyvale Older Adults Center, Sunnyvale, CA
Awarded by: City of Sunnyvale, CA, Sunnyvale Arts Commission
BART San Bruno Station, San Bruno, CA
2001
Awarded by: Bay Area Rapid Transit Authority
Sacramento Midtown Parking Garage, Sacramento, CA
Awarded by: Sacramento Metropolitan Arts Commission
SEPTA Frankford Transportation Center, Philadelphia, PA
Awarded by: Philadelphia Arts Commission, Southeastern Pennsylvania
Transportation Authority
2000
Charles Schwab Building, San Francisco, CA
Awarded by: San Francisco Arts Commission , HOK Architects
Hickory Ridge Middle School, Memphis, TN
Awarded by: Memphis Arts Council, Memphis City School Board
Recreation & Fitness Center, University of Oregon, Eugene, OR,
1999
Awarded by: Oregon Arts Commission, Oregon University System
Mozart Corporation, Mountain View, CA
1998
Awarded by: City of Mountain View, Korth, Sunseri, Hagey Architects
Widstoe Hall Science Learning Center, Utah State University, Logan, UT
Awarded by: Utah Arts Council, Utah State University
Utah Transit Authority Delta Center Station, Salt Lake City, UT
1997
129
Awarded by: Salt Lake City Arts Council, Utah Transit Authority Arts in Transit Program
Entertainment Partners, Burbank, CA
Awarded by: City of Burbank, Daniel Chudnovsky Architects
Skaggs Biology Building, University of Utah, Salt Lake City, U
Awarded by: Salt Lake City Arts, University of Utah
SELECTED PRIVATE COMMISSIONS
130
2014
Provenance Hewitt Vineyards, Rutherford, CA
Commissioned by Provenance Hewitt Vineyards
Nichols Residence, St. Helena, CA
Commissioned by Amy & John Nichols
Otton Residence, Napa, CA
Commissioned by Nancy & Terry Otton
Congregation Beth Shalom, Napa, CA
2013
Commissioned by: Congregation Beth Shalom
Fischer Residence, Napa, CA
2012
Commissioned by: Karen & Joe Fischer
St. John the Baptist Catholic Church, Napa, CA
2011
Commissioned by: St. John the Baptist Catholic Church
Jacober Residence, New York City, NY
2010
Commissioned by: Dana & Joseph Jacober
Temple Beth Elohim, Wellesley, MA
Commissioned by: Temple Beth Elohim
Vasudevan Residence, Los Altos, CA
2010
Commissioned by: R. & Jayashree Vasudevan
Arburg GmbH & Co. KG, Loßburg, Germany
2009
Commissioned by: Eugen Hehl, Arburg GmbH & Co. KG
Christal Residence, Carmel by the Sea, CA
2008
Commissioned by: Lynda & Tom Christal
Warner Residence, San Jose
Commissioned by: Laurie & Mike Warner
Gotschall Residence, Laguna Beach
Commissioned by: Susan & Ed Gotschall
Weiss Residence, Big Sur, CA
Commissioned by: Jean & Tim Weiss
Taft Residence, Los Altos, CA.
2006
Commissioned by: Edward & Pamela Taft
Owens Residence, Elmhurst, IL
Commissioned by: Gigi Owens
The Rock, St. Helena, CA
Commissioned by: St. Helena Castle Investments
Devine Residence, Laguna Beach, CA
2005
Commissioned by: Leason Pomeroy, L3 Architects
Sletten Regional Cancer Institute, Great Falls, MT
Commissioned by: Benefis Healthcare
Umpqua Bank, Napa, CA
Commissioned by: The Gasser Foundation
Patin Residence, Irvine, CA
Commissioned by: Nicolas Patin
Hospice of Napa Valley, Napa, CA
2004
Commissioned by: Hospice of Napa Valley
UCSF Parnassus, Mofit-Long Emergency Center, San Francisco, CA
Commissioned by University of California San Francisco
Congregation Beth Israel, San Diego, CA
2001
Commissioned by: Congregation Beth Israel in conjunction with Austin Veum Robbins & Parshalle
The Glass Forest, TIAA-CREF Corporate Headquarters, Charlotte, NC
2000
Commissioned by: TIAA-CREF in conjunction with - Hughes Good O’Leary & Ryan
UCSF Comprehensive Cancer Care Center at Mount Zion, San Francisco, CA
Commissioned by: University of California at San Francisco Arts for Recovery Program
J Vineyards & Winery, Healdsburg, CA
1999
Commissioned by: Judy Jordan in conjunction with Hall & Bartley
KPMG, Los Angeles, CA
Commissioned by: KPMG in conjunction with BC Art Consultants
Art Hotels Sapporo, Sapporo, Japan
1998
Commissioned by: Art Hotels Sapporo in conjunction with Killingsworth, Stricker, Lindgren,
Wilson + Assoc. Arch.
Jewish Community Center of Long Beach, Long Beach, CA
Commissioned by: The Jewish Federation of the Long Beach and Greater Orange County
131
index
Introduction 1
Photography | Sara Frances
Civic 5
Napa 9/11 Memorial 6
Napa, CA | 2013
23’H x 25’D | Salvaged Steel Beams, Glass
Commissioned by the City of Napa
Gretchen Stranzl McCann | Landscape Architect
Infinity Visuals | Photography
The Bridge North Texas 10
Homeless Assistance Center | Dallas, TX | 2008
7 Panels, each 8’6”H x 3’6”W | Glass
Commissioned by Dallas County
Overland Partners | Architect
Camargo Copeland | Architect
Hovis Smith | Photography
Aluminum Yucca 14
Historic Route 66 | Albuquerque, NM | 2003
22’H x 15’W x 15’D
Salvaged Aluminum, Solar Powered LED Lighting
Commissioned by New Mexico Arts
Gordon Huether, Alexander Albrecht | Photography
Salt Palace Convention Center | Interior 16
Salt Lake City, UT | 2006
12’H x 55’W x 4’D | Salvaged Metal
Commissioned by Salt Lake City and County
EDA Architects | Architect
Paul Richer | Photography
Salt Palace Convention Center | Exterior 17
Salt Lake City, UT | 2006
18’H x 90’W x 3’D | Salvaged Metal, Harlequin Paint
Commissioned by Salt Lake City and County
EDA Architects | Architect
Paul Richer | Photography
Vessel 18
Regional San (Sacramento Regional County Sanitation District)
Sacramento, CA | 2009
14’H x 6’W | Glass
Commissioned by Sacramento Metropolitan Arts Commission
Williams + Paddon | Architect
Misha Bruk | Photography
Waterfall 19
Regional San (Sacramento Regional County Sanitation District)
Sacramento, CA | 2009
11 Waves, each 13’6”H x 70’W | Acrylic, Stainless Steel Aircraft Cable
Commissioned by Sacramento Metropolitan Arts Commission
Williams & Paddon | Architect
Misha Bruk | Photography
132
Fire Station #17 20
San Jose, CA | 2008
22’H x 2’W | Aluminum, Dichroic Glass
Commissioned by the City of San Jose
Banducci Associates | Architect
Misha Bruk | Photography
Red Head 21
Art Walk | Yountville, CA | 2013
20’H x 4’W x 4’D | Powder-Coated Steel
Commissioned by the Town of Yountville
Infinity Visuals | Photography
Corporate + Private Development 23
Globussphäre 24
Arburg GmbH & Co. KG | Loßburg, Germany | 2009
16’ DIA | Stainless Steel, Pyrex, Dichroic Glass, Boro-artistic Glass Rods
Commissioned by Arburg GmbH & Co. KG
Schmelzle + Partner Architekten BDA | Architect
Arburg GmbH & Co. KG | Photography
Applique da Parete 28
535 Mission Street | San Francisco, CA | 2014
355 Panels, entire Installation: 140’L x 18’H x 15”D
Dichroic Glass, Mirrored Glass On Edge, Etched Dichroic Glass,
Etched Glass
Commissioned by Boston Properties
HOK | Architect
Steel Blue LLC | Renderings
Rostrum 32
Miramar Village | White Rock, BC, Canada | 2013
14’W x 14’H x 8’D | Stainless Steel, Locally Sourced Cedar Blocks
Commissioned by Bosa Properties
Miramar Development Company | Developer
NSDA Architects | Architect
Sama Jim Canzian | Photography
Glass Forest 36
TIAA-CREF | Charlotte, NC | 2002
15’H x 25’W x 25’D | Steel, Pyrex Tubes, Glass
Commissioned by TIAA-CREF
Hughes, Good, O’Leary & Ryan | Landscape Architect
Steve Dolan | Photography
The Great Wall 37
BioMarin Pharmaceutical | Novato, CA | 2005
2’H to 6’H x 200’L | Corten Laser-Cut Steel
Commissioned by BioMarin Pharmaceutical
NBBJ | Architect
SWA Group | Landscape Architect
Misha Bruk | Photography
Deloitte & Touche 38
San Francisco, CA | 1999
8’H x 7’W x 8”D | Glass, Steel
Commissioned by Deloitte & Touche
Misha Bruk | Photography
SmithGroup 39
San Francisco, CA | 2005
10’H x 8’W | Safety Glass, Collaged, Digital Silk-Screened Image
Commissioned by SmithGroup
SmithGroup | Architect
Gordon Huether Studio | Photography
Umpqua Bank 40
Napa, CA | 2005
8’H x 18”W x 18”D | Starphire Glass on Edge
Commissioned by Umpqua Bank
Wayne Holland | Architect
Infinity Visuals | Photography
Aha Moment 41
Pfluger Architects | Austin, TX | 2014
24’L x 14’H x 7’D | Steel, Paint
Commissioned by Pfluger Architects, Aha Digital Marketing + Creative
Eric Pohl | Photography
Red Eye 42
East Village Parking Garage | Kansas City, MO | 2010
18’H x 50’W | Laminated GNA Glass, Hand-painted Aluminum, Acrylic
Commissioned by Kansas City Municipal Art Commission
BNIM | Architect
360 Architecture | Architect
Misha Bruk | Photography
Arena Parking Garage 43
Stockton, CA | 2006
16’H x 32’W | Toy Cars, Steel Frame
Commissioned by the City of Stockton
WMB Architects | Architect
F+H Construction | Design Build
Misha Bruk | Photography
Retro Woman 44
5th Street Parking Garage | Napa, CA | 2008
19’H x 7’W | High Density Thermoencapsulated Film Photo Print,
Stainless Steel, Hubcaps
Commissioned by the City of Napa
RIM Architects | Architect
Misha Bruk | Photography
O Wave 45
Ovation Waterfront Condominiums | St. Petersburg, FL | 2009
16’H x 12’W x 4’D | Stainless Steel, Dichroic Glass
JMC Communities | Developer
Santiesteban & Associates Architects | Architect
Bob Horn | Photography
Education 47
Lady Bird Mural 48
LBJ Presidential Library | Austin, TX | 2011
9’8”H x 62’6”W | 16 Panels, each 10’H x 4’W
Thermally Bonded Print, Acid Etch on Glass, Fused Glass Flowers
Commissioned by University of Texas at Austin
Skidmore, Owings & Merrill | Architect
Brooks, Barr, Graeber and White | Architect
Misha Bruk | Photography
LBJ School of Public Affairs 52
University of Texas | Austin, TX | 2010
9’6”H x 16’ W | Thermally Bonded Print & Acid
Etch on Tempered Glass with GNA Glass, Patinated Laser-cut Steel
Commissioned by University of Texas at Austin
Skidmore, Owings & Merrill | Architect
Brooks, Barr, Graeber and White | Architect
Misha Bruk | Photography
Portal 53
University of Toledo | Toledo, OH | 2013
14’H x 14’W x 4’D | Aluminum, Dichroic Glass
Commissioned by the University of Toledo
Munger Munger + Associates Architects Inc. | Architect
Logan Robertson | Photography
Hoops 54
Oregon State University | Basketball Practice Facility
Corvallis, OR | 2014
4’1”W x 40’H x 4’1”D | 154 Metal Basketball Hoops
Commissioned by Oregon’s One Percent for Art In Public Places Program,
Managed by the Oregon Arts Commission
HNTB | Architect
Josh Partee | Photography
Healthcare 57
Mountain Range & River of Light 58
John Muir Medical Center | Walnut Creek, CA | 2010
Mountain Range | 90’L x 6’6”’H x 2’D | Corten Steel, Glass
River of Light | 190’L x 4’ - 11’W | Integrated Glass Tiles
Commissioned by John Muir Health
Gates + Associates | Landscape Architect
Misha Bruk | Photography
Light Forest 62
El Camino Hospital | Mountain View, CA | 2010
4’W x 10’H x 25’L | Pyrex Tubes, Laminated Dichroic Fins,
Mirror Polished Stainless Steel Tubes
Commissioned by El Camino Hospital
KMD Architects | Architect
Misha Bruk | Photography
Pixel Care 63
El Camino Hospital | Mountain View, CA | 2009
88 Wall Sculptures, entire Installation: 17’H x 19’W x 10”D
Stainless Steel, Dichroic Glass
Commissioned by El Camino Hospital
KMD Architects | Architect
Misha Bruk | Photography
UCSD Medical Center 64
Meditation Room | San Diego, CA | 1992
10’H x 15’W | Glass with Sculpted Lead
Commissioned by the University of California, San Diego
Carmen Farnum Igonda | Design
KMD Architects | Architect
Misha Bruk | Photography
133
UCSF Mount Zion | Comprehensive Cancer Center 65
Quiet Room | San Francisco, CA | 2001
Medallion – 5’6”DIA | Glass, Steel
Commissioned by the University of California, San Francisco
SmithGroup | Architect
Misha Bruk | Photography
Sletten Cancer Institute 66
Great Falls, MT | 2006
1 Panel, 6’H x 2’W | 1 Panel, 10’H x 4’W | Glass
Commissioned by Benefis Healthcare
NTD Stichler | Architect
JK Lawrence Photography | Photography
St. Joseph’s Hospital and Medical Center 67
Meditation Room + Rotunda | Phoenix, AZ | 2006
Meditation Wall | 8’H X 6’W | Glass, Dichroic Glass, Steel
Stations of Cross | 4”H x 4”W | Glass, Dichroic Glass
3 Rotundas | Each 10’H x 24’W | Glass
Commissioned by Catholic Healthcare West
Perkins + Will | Architect
Mark Delasso | Photography
Hospitality 69
Lichtregen 70
Archer Hotel | New York, NY | 2014
2 Panels, each 3’5”W x 4’D x 3’ - 4’L
Dichronized Acrylic, Acrylic Rods
Commissioned by Lodgeworks
Glen & Company | Interior Designer
Alex Hayden | Photography
Bundled Stix 71
Sugar House Casino | Philadelphia, PA | 2010
6 Bundles, each 8’L x 18”W x 20”H | Acrylic Rods, Dichroic Acrylic,
Hot Rolled Patinated Steel
Commissioned by Floss Barber Inc. in conjunction with
Sugar House Casino
Floss Barber Inc. | Interior Designer
Misha Bruk | Photography
J Vineyards & Winery 72
Healdsburg, CA | 1999
18’H x 24’W | Steel, Glass on Edge, Fiber Optics
Commissioned by Judy Jordan
Hall & Bartley Architects | Architect
Misha Bruk | Photography
Artesa Vineyards & Winery 73
Fountain | Napa, CA | 1999
6 Sculptures, each 7’H | Cast Resin, Aluminum Composite
Commissioned by The Raventos Family
Domingo Triay | Architect
Adrián Gregorutti, Artesa | Photography
Residential 75
Private Residence 76
Foyer Glass Screen, Outdoor Wall, Living Room Glass Installation &
Bathroom Glass Installations | Carmel by the Sea, CA | 2009
134
Glass, Dichroic Glass, LED Lighting
Commissioned by Lynda & Tom Christal
Overland Partners | Architect
Misha Bruk | Photography
Private Residence 80
Suspended Sculpture | Los Altos, CA | 2010
40 Strands, entire Installation: 14’H x 8’6”D
Art Glass Bubbles, Dichroic Glass, Stainless Steel
Commissioned by a Private Client
Gordon Huether Studio | Photography
Stix & Stones 81
Private Residence | Stairwell Sculpture | St. Helena, CA | 2006
30’H x 3’D | Glass Rods, Dichroic Glass
Commissioned by Kathy Smith, Castle Trove Inc.
Samonsky + Pometta | Architect
Misha Bruk | Photography
Private Residence 82
Office Glass Sliding Door | Napa, CA | 2012
4’7”W x 6’9”H | Glass
Commissioned by Karen & Joe Fischer
Juan Carlos Fernandez | Remodel Architect
April Powers | Interior Design
Adrián Gregorutti | Photography
Private Residence 83
Glass Front Door | San Jose, CA | 2008
85”H x 70”W | Glass
Commissioned by Laurie & Mike Warner
James G. Stavoy | Architect
Misha Bruk | Photography
Spiritual 85
The Twelve Tribes of Israel 86
Congregation Beth Shalom of Napa Valley | Napa, CA | 2014
12 Windows, each 3’2”W x 3’7”H
Fused Glass, Laminated Glass
Commissioned by Congregation Beth Shalom
Paul Kelly Architect | Architect
Frank Deras Jr. | Photography
Parish Church St. Laurentius 88
Bobenheim-Roxheim, Germany | 2013
5 Panels, 6’W x 12’H each
Sandblasted Glass, Dichroic Glass, Hand Crafted Brass Elements
Commissioned by Bistum Speyer, Episcopalian Building Authority
Ludwig Becker | Architect
Leo Ohl | Remodeling Architect
Sebastian Willeke | Photography
Radiant Cross 89
St. John The Baptist Catholic Church | Napa, CA | 2012
30‘H x 16’W x 2’3“D | Glass
Commissioned by St. John the Baptist Catholic Church
Aesthetics in Architecture – Wayne Waechtler | Architect
Infinity Visuals | Photography
Jewish Community Center 90
Long Beach, CA | 1999
10’H x 10’W x 2”D | Glass
Commissioned by the Long Beach Jewish Community Center
VCBO Architecture | Architect
Misha Bruk | Photography
Gotta Go! 112
Jacksonville International Airport | Jacksonville, FL | 2008
2 Murals, each 35’H x 35’W | Digital Print, Dichroic Glass
Commissioned by Jacksonville International Airport Arts Commission
RSH Architects | Architect
Misha Bruk | Photography
The Tree of Life 91
Congregational Church of San Mateo | San Mateo, CA | 2013
5 Chancel Windows, each 2’W x 10’H | Glass
Commissioned by the Congregational Church of San Mateo
Architectural Resources Group, Inc. | Architect
Infinity Visuals | Photography
San Bruno BART Station 114
San Bruno, CA | 2002
2 Murals, each 15’H x 15’W | Glass
Commissioned by Bay Area Rapid Transit (BART)
Greg Roja & Associates | Architect
HNTB | Architect
Misha Bruk | Photography
Lafayette Orinda Presbyterian Church (LOPC) 92
Lafayette, CA | 2009
17’H x 5’2”W | Glass, Steel
Commissioned by LOPC
HKIT Architects | Architect
Misha Bruk | Photography
Diocese of Santa Rosa 93
Santa Rosa, CA | 1998
6’3”H x 2’6”W | Glass
Commissioned by the Diocese of Santa Rosa
Gordon Huether Studio | Photography
Transportation 95
Highwire Travelers 96
Raleigh-Durham International Airport | Terminal 1, Baggage Claim
Morrisville, NC | 2014
Figures heights range between 5’2” and 6’2”
Stainless Steel, High-density Foam, Polyurethane Plastic, Latex Paint
Commissioned by the Raleigh-Durham Airport Authority
Clark Nexsen | Architect
Sterling E. Stevens | Photography
The Canyon 100
Salt Lake City International Airport TRAX Station
Salt Lake City, UT | 2012
96’L x 3’ - 8’H | Powder-Coated Steel
Commissioned by the Utah Transit Authority
FKKR Architects | Architect
Michael Skarsten | Photography
Over Houston 104
William P. Hobby Airport | Houston, TX | 2009
11’H x 120’W (24 Panels, 8’H x 5’W; 24 Panels, 3’H x 5’W) | Glass
Commissioned by the Houston Airport System
Lockwood, Andrews & Newman | Architect
Misha Bruk | Photography
A-Round Oakland 108
Coliseum BART Station | Oakland, CA | 2014
50 Fused Glass Discs, 18” - 36” DIA
Commissioned by Bay Area Rapid Transit (BART)
ED2 International | Architect
Adrián Gregorutti | Photography
South Eastern Pennsylvania Transit Authority (SEPTA) 115
Frankford Transportation Center | Philadelphia, PA | 2001
6 Towers, each 22’ Tall | Stainless Steel, Glass
Commissioned by SEPTA in conjunction with the
Philadelphia Art Commission
Synterra, Ltd. | Reconstruction Architect
Jenny Lynn | Photography
Fine Art 117
Gordon Huether Gallery 118
Adrián Gregorutti | Photography
Celadon Series | 2010 | 17”W x 28”H x 4”D each 118
Salvaged Wood, Dichroic Glass, Photo Transfer on Glass
Adrián Gregorutti | Photography
Big Boy, Metal Meddle Series 119
2012 | 11.5’W x 38”H x 3”D
Salvaged Metal, Glass Lenses
Adrián Gregorutti | Photography
Last Call 4|5, Last Call Series 119
2012 | 59”W x 26”H x 3”D
Salvaged Steel, Fused Glass, Fused Glass
Joey Colombo | Photography
Gordon Huether Gallery 120
Adrián Gregorutti | Photography
Popular Science Series | 2014 |12”W x 12”H x 3.25”D 120
Salvaged Materials, Shellac
Adrián Gregorutti, Christina Rosenberger | Photography
Gordon Huether Studio 121
Adrián Gregorutti | Photography
Magic Lanterns | 2009 | 13’9”W x 2’7”H x 5’D 121
Hand-Colored Glass Slides, Fresnel Lenses, Acrylic
Adrián Gregorutti | Photography
About The Artist 122
Ed Anderson, Christina Rosenberger | Photography
About The Team + The Studio 123
Misha Bruk | Photography
135
gordon huether studio
art matters
1821 Monticello Road
Napa, CA 94558
707.255.5954
g o r d o n h u e t h e r. c o m