MMUSICMAG.COM MAY 2012 ISSUE BEHIND THE CLASSICS WRITTEN BY: ROBBIE ROBERTSON RECORDED: MAY 1969, LOS ANGELES PRODUCED BY: THE BAND AND JOHN SIMON RICK DANKO: BASS, VIOLIN, VOCALS LEVON HELM: LEAD VOCALS, DRUMS GARTH HUDSON: MELODICA, TRUMPET RICHARD MANUEL: PIANO, VOCALS ROBBIE ROBERTSON: GUITAR Barry Feinstein FROM THE ALBUM: THE BAND (1969) Levon Helm, Rick Danko, Robbie Robertson, Richard Manuel, Garth Hudson “The Night They Drove Old Dixie Down” THE BAND The Band formed in the early 1960s as the backing group for rockabilly singer Ronnie Hawkins. All the members were from Ontario, Canada, save for one: drummer Levon Helm, who had relocated to that area along with fellow Arkansas native Hawkins. As the group split from Hawkins to perform and record with Bob Dylan and eventually begin a career as a standalone act, guitarist Robbie Robertson developed into a master songwriter—and Helm’s Southern heritage became a favorite well of inspiration. In 1968, Robertson had just become a father for the first time. The presence of his baby daughter Alexandra meant the rock ’n’ roller in the house had to keep quiet, which left Robertson composing on piano rather than his usual guitar. One day he came up with a chord sequence while daughter was asleep, and returned to it endlessly for the next eight months—but lyrics stubbornly eluded him. “I’d sit down at the piano and play these chords over and over again,” he said. “And then one day the rest of it came to me. Sometimes you have to wait a song out.” The words that at last came to Robertson were written from the point of view of an American Southerner at the end of the Civil War. Armed with library books recommended to him by Helm, Robertson painted a fictional picture in a historical frame. In the months following the war’s end, a Tennessean named Virgil Caine reflects upon the devastation it has wrought upon his life. His community has been destroyed by the scorched-earth tactics of Union Gen. George Stoneman, and his 18-year-old brother has been killed by a Yankee soldier. Robertson tweaked the lyrics upon the advice of Helm, who asked that an approving verse about Pres. Abraham Lincoln be excised and that a reference to Confederate Gen. Robert E. Lee—who, he noted, personally opposed slavery and secession—be rendered “with all due respect.” Robertson finished up the song during a writing trip to Hawaii just before the sessions for the Band’s second album were to begin. Following the success of 1968’s Music From Big Pink, the group elected to record in L.A. rather than its home base of Woodstock, N.Y. Their tour manager arranged to rent a Sunset Plaza Drive home once owned by Sammy Davis Jr. The group set up an ad hoc recording studio in the cavernous pool house, installing an eighttrack 3M tape machine. “We boxed in some of the windows and taped down the metal fireplace so it wouldn’t rattle,” Helm recalled. “The Night They Drove Old Dixie Down” was among nine songs the Band whipped out in succession there, learning each during the afternoon and evening before recording the next morning. For “Dixie” the group laid down the basic track with Helm singing while he played drums. “That wasn’t easy, but Levon had been doing it live,” recalled producer John Simon, “so he’d make way for his vocal and support it as opposed to being a bashy drummer who’d cause drum leakage getting into the vocal microphone.“ Most of the members were multi-instrumentalists, allowing for carefully deployed melodic touches like a violin part from bass player Rick Danko and a trumpet line by keyboardist Garth Hudson. The song was never a hit for the Band, but reached No. 3 in a 1971 cover by Joan Baez. The version played at the farewell performance by the group’s original lineup, held Nov. 25, 1976, in San Francisco, was “maybe the best live performance of this song we ever gave,” Helm said. From that night through his death in April 2012 at age 71, he never sang it onstage again. –Chris Neal 78 M3-Vol3-Mag-GOLD-vs1.indd 78 5/20/12 3:55 PM
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