rock blues jazz acoustic classical songwriting 99 Queen Street South, Mississauga, ON Canada L5M 1K7 Classes For All Levels Beginner, Intermediate & Advanced All Ages Welcome • 12–Adult On Or Off Campus Tuition Toronto, Ontario Session 1: July 17–22, 2011 Session 2: July 24–29, 2011 Vancouver, BC August 7–12, 2011 SPECIAL GUEST ARTISTS Rik Emmett / Orianthi Mike Stern / David Grissom Dave LaRue / Dave Martone Don Ross / Jon Finn / Vito Rezza and more! At Guitar Workshop Plus we possess a strong commitment to music education. Join us this summer and treat yourself to a fun, educational and music-filled experience! For more information call 905.567.8000 or www.guitarworkshopplus.com 2011 Guest Artists Our guest artists share their knowledge and experiences with our students while visiting classes, conducting clinics, and performing concerts. Orianthi | Toronto | Session 2 Orianthi has already experienced what most aspiring musicians only dream of. She’s played with and opened for her hero (Steve Vai), backed an Idol (Carrie Underwood), traded solos with a legend (Carlos Santana) and shared the stage with the King of Pop (Michael Jackson). Originally from Adelaide Australia, she caught her first break when the opportunity to jam with Carlos Santana in her hometown came along. Performances, tours and guest appearances with Steve Vai, ZZ Top and Prince followed. When offered the gig in Michael Jackson’s live band, Orianthi joined a prestigious line of guitar players. Sadly, the tour was not to be and music lost an icon. Before she received the call from the King of Pop, Orianthi had already been hard at work on her debut album, Believe, on which she sings, writes and leads her own band. Her hit single, “According To You” is a great example of her ability to blend a catchy tune with a killer guitar solo. Orianthi packs punch into every turn of phrase, but it’s the shredding that takes her brand of rock to an entirely new level. Mike Stern | Vancouver Session In a career that spans three decades and a discography that includes more than a dozen eclectic and innovative recordings, six-time Grammy nominee Mike Stern has established himself as one of the premier jazz and jazz-fusion guitarists and composers of his generation. Some of his former bandmates include Miles Davis, Jaco Pastorius, Billy Cobham, Blood, Sweat & Tears, Marcus Miller, Bill Evans, David Sanborn, Dave Weckl, Dennis Chambers, and Michael Brecker, among other high-profile innovators. Since his earliest recordings he has grafted elements of rock, blues, soul and more to his solid jazz foundations. He has been named Best Jazz Guitarist Of The Year by the readers and critics of Guitar Player. His latest solo release was nominated for a Grammy for Best Contemporary Jazz Album. David Grissom | Toronto | Session 1 Blues, rock and roll, country, R&B... somewhere in our collective imagination, there’s a crossroads where all of these great musical traditions meet. And that’s where you’ll find David Grissom. David has toured and recorded with artists such as John Mellencamp, Storyville, The Allman Brothers Band, The Dixie Chicks, Chris Isaak, Robben Ford, The Fabulous Thunderbirds, Ringo Starr, Buddy Guy, and many more . His songs have been recorded by Trisha Yearwood, Lee Ann Womack, John Mayall, and Storyville among others. He has been featured several times in Guitar Player, Guitar World, Musician, and Vintage Guitar magazines. 2 Rik Emmett | Toronto | Session 2 Rik Emmett has his fair share of gold and platinum hanging on the wall after surviving three decades in the music biz. Awards ranging from Best Guitarist at the ‘81 Junos to Best Smooth Jazz Guitarist in 2005, along with induction into the Canadian Rock Hall of Fame in ‘93 for his work with Triumph, the Music Industry Hall of Fame in 2007 and the Junos Hall of Fame in 2008 highlight an ever-evolving career. The multi-dimensional guitarist/singer/songwriter at the heart of it has nothing to prove except the dignity and maturity of his continuing commitment to great music. Audiences marvel at his versatility from the hard rock that made his reputation in the first place to classical to jazz to acoustic pop & folk vocal stylings. He is counted amongst the world’s finest guitarists performing alongside legendary performers such as George Benson and Steve Vai. A dozen years as a writer for Guitar Player Magazine and his instructional books demonstrate his commitment to music education. Dave LaRue | Toronto | Session 1 One of the finest bass players around, two time Grammy nominee Dave LaRue has been touring and recording with the Dixie Dregs and the Steve Morse Band since 1988. Dave has also kept busy working with other artists including Joe Satriani, John Petrucci (Dream Theater), the Hellecasters, Pat Travers, Steve Lukather, Mike Stern, Eric Johnson, Andy Timmons, Steve Vai, Albert Lee, Vinnie Moore, Paul Gilbert, Rik Emmett (Triumph), and Tony MacAlpine. Education is a big part of Dave’s career - he wrote an instructional column for Bass Player magazine for several years and served as a member of their Advisory Board. In addition, Dave has an instructional video as well as a bass method book. Don Ross | Toronto | Session 2 One of today’s true innovators of guitar composition and technique, Don Ross has emerged as one of the most respected musicians in Canada and one of the top guitarists in the world. Noted for the emotion and intensity of his playing as well as his use of extended technique, Don’s music borrows from blues, jazz, folk and classical music creating a style that he describes as “heavy wood.” Don is the only person to twice win the U.S. National Fingerstyle Guitar Championship (1988 and 1996). His album Huron Street reached the top ten on the Billboard new age chart. Don passionately plays the six and seven string guitars as well as dobro. He has released several mostly instrumental CDs, has published three instructional videos, several single transcriptions, a book with nine of his pieces, and has worked with Canadian Musician magazine. Don continues to tour extensively in Europe, Canada, the U.S., and Asia. 3 Dave Martone | Vancouver Session Dave has been featured in Guitar Player, Guitar World and Guitar One Magazine where he was voted one of the top 4 underground shredders in North America! In addition to six solo albums and two live concert DVD’s, Dave has appeared on countless compilation albums. Dave has worked with Joe Satriani, Steve Vai, Yngwie Malmsteen, Chad Kroeger, and many others. Jon Finn | Toronto | Session 1 The Jon Finn Group has internationally released several CD’s and has built a solid fan-base worldwide among instrumental rock guitar enthusiasts. His band has opened for Dream Theater, Jeff Beck, Edgar Winter, and many more. Jon has authored several instructional books including the best selling ‘Advanced Modern Rock Guitar Improvisation’ and has also been a columnist for some of the major guitar magazines. His versatility has allowed him to play alongside Steve Morse, Steve Gadd, Steven Tyler, Vince Gill, the Boston Symphony Orchestra, Andy Timmons, Stu Hamm, Gloria Estefan, and John Petrucci among others. Vito Rezza | Toronto | Session 1 Along with teaching Jeremy Taggart (Our Lady Peace), Walfredo Reyes Jr. (Santana), Marvin Smitty Smith ( Jay Leno Show), and many others, Vito has kept a very busy schedule recording with his group “5 after 4” which has also featured the likes of Michael Brecker, Richard Bona, Joey DeFrancesco and Vinnie Cloaiuta and Scott Henderson. He has played with Frank Gambale, Steven Stills, Brian Auger and Guthrie Govan, among others. PAST GUEST ARTISTS INCLUDE Joe Satriani • Alex Lifeson (Rush) • Robben Ford • John Scofield • John Petrucci • Randy Bachman • Paul Gilbert • Andy Summers (The Police) • Billy Sheehan • John Abercrombie • Duke Robillard • Greg Howe • Pierre Bensusan • Jennifer Batten • Sue Foley • Lorne Lofsky • John Knowles • Stu Hamm • Peppino D’Agostino • John Jorgenson • Andy Timmons • Gary Hoey • Tony McManus • Paul Delong • Rick Gratton • Mark Kelso • Orin Isaacs and many others! Please check our website for updates to guest artist lineup. 4 Facilities & locations Toronto: Our program is held at Appleby College in Oakville, Ontario, located 20 minutes west of Toronto. This scenic campus overlooks the shores of Lake Ontario in a beautiful and natural setting and boasts modern facilities including large classrooms, spacious residences, a stage and auditorium, practice rooms, a large dining hall, as well as recreational facilities and athletic fields. Toronto is one of the largest cities in North America with an incredibly vibrant music scene. Attractions include the CN Tower, Massey Hall, Harbourfront, and much more. Travel Information: Students are responsible for their own transportation to and from the campus. Toronto’s Pearson International Airport is the nearest airport located 20 minutes away. Taxi and limousine services are available from the airport. Vancouver: Our program is held on the beautiful campus of Quest University in Squamish, B.C. Conveniently located between Vancouver and Whistler along the Pacific Ocean and Coast Mountains, this location offers brand new facilities and accommodations with the most breathtaking scenery imaginable. This location is just 30 minutes from the world class multicultural city of Vancouver, which boasts a healthy music scene and plenty of attractions including beaches, Stanley Park, and world-class shopping and dining. Whistler, one of North America’s most popular vacation spots, is also located nearby. Travel Information: Students are responsible for their own transportation to and from the campus. Shuttle, taxi, and other ground transportation should be arranged from Vancouver International Airport to the campus. 5 Seminars general information Seminars are courses which concentrate on specific topics and will sometimes feature guest instructors. Generally, seminars are designed for the intermediate to advanced player although some may be open to all levels. Students are evaluated to ensure that they are at an appropriate level for the course. Seminar students meet with the instructor all day and, because there is no restriction to class size, do not take part in rhythm section classes. Faculty led ensembles for seminars depend upon class size and format. Clinics G uitar Workshop Plus is a program designed for aspiring musicians of all ages to promote the growth and development of musical knowledge and skills. Our program is unique in that we cater our instruction to the student’s personal style, level of experience, and musical goals. We create a healthy, non-competitive, and supportive environment in which to learn. Each day consists of morning and afternoon classes that involve a hands-on approach, late afternoon clinics, ensemble performances, and evening concerts. Students will also enjoy visits from world-class guest artists and have many performance opportunities. DVD recordings of the student performances are available after the sessions. The complete immersion in music allows students to walk away with enough material and musical ideas to last until next year. Whether you just started playing recently and want to get started in the right direction, or you’ve been playing professionally and want to further develop your craft, you will find what you’re looking for at Guitar Workshop Plus. Currently, instruction is provided for guitar, bass, drums, keyboard and vocals. Students can elect to study one class OR seminar each session. The guitar program is extensive and unique in that students elect to study the style that they enjoy most. Guitar styles include rock, blues, jazz, acoustic, classical and a guitar course for the absolute beginner. We also offer comprehensive bass, drums, keyboard, vocal and songwriting classes covering various styles, theory, performance, and technique. Each course combines hands-on technique with musicianship skills such as theory, ear training, rhythm studies, etc. In addition, most of these classes include a one-hour per day rhythm section class in which students are given the opportunity to play with the faculty rhythm section and apply the skills and knowledge they are acquiring in class. In addition, all students may attend clinics. Each day, two or three clinics are offered covering topics such as improvisation, songwriting, vocals, scales and modes, building technique, slide, percussion, hand drumming and more. Students are welcome to sign up for these clinics on campus. Our Administration Our administration has been responsible for organizing and directing summer music programs across North America for the past fifteen years. Founded by Brian Murray, a Toronto based guitarist/performer/educator, the Guitar Workshop Plus administration and faculty have developed a loyal student base due to the positive experience, excellent curriculum, professional faculty, visiting guest artists, and the opportunity to meet other people who share the same musical interests. Our Faculty Our faculty is carefully selected and comprised of professional musicians and instructors with extensive experience teaching in workshops, private settings, and post-secondary institutions. These talented educators have considerable recording backgrounds, perform around the world, author instructional books and write columns for music magazines. Classes Classes are offered for varying skill levels ranging from beginner to advanced. On the first day of the session, all students are evaluated to ensure that they are placed in the appropriate class level thereby maximizing their learning potential. Class sizes are small to promote individualized attention for each student as well as to facilitate ensemble arrangements. 6 7 Guitar for the Complete Beginner | This class is designed for guitarists of all classes available Rock Guitar | This course covers all of the necessary elements of playing rock guitar. Techniques including bending, hammer-ons, pull-offs, slides, vibrato, and tapping are covered. Other topics include chord work, pentatonic scales, arpeggios, and modes. From the classic rock sounds of Led Zeppelin and Jimi Hendrix to the modern styles of Foo Fighters and Nickelback, this course will help any aspiring rock guitarist. Blues Guitar | Designed for the aspiring blues guitarist, this course covers the styles of blues masters such as B.B. King, Albert Collins, Eric Clapton, and Stevie Ray Vaughan. Topics include pentatonic scales, chord voicings, arpeggios, turnarounds and developing ‘feel’ through the use of blues techniques such as bends, slides, and vibrato. Jazz Guitar | Students will learn and develop the skills required to effectively perform jazz guitar in the style of masters such as Jim Hall, Pat Metheny, John Scofield, and Joe Pass. Topics include harmony, chord voicings and extensions, swing feel comping, chord/melody approaches, and extensive improvisation studies such as scales, modes, arpeggios, and creating lines. Swing, bebop, Latin, and modal styles will be covered by analyzing jazz standard repertoire. Classical Guitar | From Paganini to Rodrigo, this course will explore a variety of right hand finger-picking techniques, musical understanding and interpretation of pieces. Topics will include classical arpeggios, flamenco rasgueados, tremolos, and a study of repertoire of some of the greatest composers such as Sor and Brouwer. Students will leave this class with the skills necessary to express themselves on classical guitar as well as skills useful for other styles of playing. The course will culminate with an ensemble performance at the end of the session. Acoustic Guitar | Essential elements of acoustic guitar playing are covered for solo performance and vocal accompaniment. Topics include flatpicking, finger picking, chord harmony, scale theory, alternate tunings, and slide. From the Delta blues sound of Robert Johnson to the folk stylings of Joni Mitchell and James Taylor to the modern acoustic sounds of Michael Hedges and Dave Matthews, this course is a must for the acoustic guitarist. 8 ages who have very limited playing experience. Basic guitar skills such as positioning, tuning, chords, strumming, and single note playing are learned. Songs from a variety of styles including, rock, blues, folk and others are studied while applying skills learned in class. Bass Guitar | Bass players of all levels will benefit from this course. Bass skills needed to play many styles including jazz, rock, funk, Latin, and blues are covered. Topics include chord progressions, creating bass lines, improvisation, ear training, and theory. Bass techniques such as slapping, popping, and chords are also explored. Students enrolled in this course will have extensive ensemble performance opportunities. Drums/Percussion | Designed for drummers of all levels, this intensive course covers all styles of music. Conducted in group and private lessons, students will study groove, technique, syncopation, polyrhythms, brush technique, soloing, reading, and other drum and percussion concepts. Students enrolled in this course will have extensive ensemble performance opportunities. Keyboard | Keyboard players of all levels will work with instructors in a setting that enables students, including those classically trained, a chance to explore improvised and popular contemporary music styles including jazz, blues and rock. Curriculum topics include triads, intervals, chord voicings & progressions, inversions, scales and modes, soloing, rhythm section fundamentals, synthesis and midi recording. Students enrolled in this course will have extensive ensemble performance opportunities. Vocals | For vocalists of all levels, this course is designed to develop individual vocal style, expand vocal range and increase overall vocal ability while learning to sing the songs you enjoy. Learn techniques that are used in singing pop, jazz, blues, rock, country, and folk. Topics include chest, middle, and head voice, breathing, vibrato, licks and trills, and daily warm ups. Also explore diet, body movement and overcoming stage fright. Students enrolled in this course will have extensive ensemble performance opportunities. Songwriting | Through a combination of individual and interactive in-class study and performance, this course will introduce students to the basics of the art—and business—of song writing. Open to students of various levels, the course will be divided into three main study areas: lyricwriting, song structure, and the business of songwriting. The course will focus on popular or mainstream genres, and the class will analyze songs from a wide range of popular song-writers, including Bob Dylan, Sheryl Crow, and Avril Lavigne. Students will be encouraged to collaborate with their classmates and perform songs created in class as an ensemble. 9 APPLICATION FORM Indicate Skill Level and Class OR Seminar Choice for the session(s) you are attending: Applications will be accepted on a first-come first-serve basis space permitting. You may fax or mail us your completed application form. All applications must be accompanied by payment in order to be processed. � Session 1 (Toronto) July 17–22, 2011 Payment Policy: Payment in full is preferred and may be made by cheque, money order, or credit card. All students residing outside of Canada must pay by credit card or money order. � Session 2 (Toronto) July 24–29, 2011 Paying by cheque or money order: For those students paying by cheque or money order, a convenient installment plan is available as follows: � Session 3 (Vancouver) Aug. 7–12, 2011 ___________________________________ • A minimum deposit of $350 per session will be accepted with the application form. The remaining balance shall be due in two equal payments on or before May 1, 2011 and June 1, 2011. Accommodation: • Subject to space availability, applications will still be accepted after June 1, 2011, however, the full tuition fee must accompany the application form. � On-Campus Student Name: ____________________________________________________________ First (Class or Seminar Choice here) � Requested Roommate’s Name ____________________________________________ Tuition Amount Chart: Please note: All credit card registrations are charged the full tuition amount in Canadian dollars. If paying by cheque, please mail full payment or a deposit of $350 per session and post-dated installment cheques along with your application. Outstanding balances not paid by June 1, 2011 are subject to a late fee. Upon receipt of a notice of cancellation in writing before May 1, 2011, total payment received minus a $250.00 cancellation fee is refundable. Cancellation notices will only be accepted via registered mail. After May 1, 2011, all fees are non-refundable. (Class or Seminar Choice here) � Off-Campus (no accommodation needed) GUITAR WORKSHOP PLUS Phone: (905) 567-8000 • Fax: (905) 785-2831 Website: www.guitarworkshopplus.com • Email: [email protected] ___________________________________ � Beginner � Intermediate � Advanced � Private Room Please print clearly, complete all information and send applications to (Class or Seminar Choice here) � Beginner � Intermediate � Advanced Paying by credit card: The full tuition amount will be charged when the application is received. We accept Visa and MasterCard. 99 Queen Street South, Mississauga, Ontario, Canada L5M 1K7 ___________________________________ � Beginner � Intermediate � Advanced � Between Session Accommodation � 1 Day Early Arrival (fees are in Canadian dollars and include all applicable taxes) Tuition Fee ($850/session) __________________ On-Campus Room & Board ($430/session) __________________ $50.00 Registration Fee ($50) (non-refundable) + __________________ Multi-Session Discount (–$100.00) – __________________ Sub Total: = $ __________________ Optional Extras: Amp Rental ($40) Private Room ($350) Extra Night (Early Arrival)($120) Between Session Accom. ($150) Meal Package ($180) Last $ $ $ $ $ Total: = $ __________________ __________________ __________________ __________________ __________________ __________________ Age: ___________ Gender: Male � Female � Payment Method: Name of Parent/Guardian: ________________________________________ (if under 18) � Cheque or money order enclosed Address: ________________________________________________________________ Credit Card Number: ______________________________ Exp. Date:_____________ City: ____________________________________________ Prov./State: _____________ Card Holder Name: ______________________________________________________ Country: __________________________________ Postal/Zip Code: ________________ Card Holder’s Signature: __________________________________________________ Telephone (Res):______________________________ (Bus):_______________________ Applicant’s Signature: ____________________________________________________ E-mail: __________________________________________________________________ Parent/Guardian’s Signature (if under 18) __________________________________ How did you hear about our program? Please Specify (Include Name) Date: __________________________________________________________________ � Advertisement � Teacher � Music Store � Web Site � Friend __________________________________________________________________ 8 10 Tel. 905.567-8000 � Other � Visa � MasterCard By signing this application, I state that I have read, understand, and agree to follow Guitar Workshop Plus Inc.’s policies. www.guitarworkshopplus.com 119 Monster Chops (Vancouver Session) with Dave Martone 2011 seminars available Lone Star Guitar (Toronto Session 1) with Emile D’eon and special guest David Grissom Get in touch with your “Lone Star” guitar style. This class is designed to help you get your Texas Blues and Rock playing on track by studying the styles of Freddie King, Stevie Ray Vaughan, Jimmy Vaughan, Doyle Bramhall II, Red Volkaert, and Billy Gibbons. This course will include working on chord/scale relationships, 3 and 4 note arpeggios, major and minor blues scales, rhythm and lead playing styles, and soloing over popular blues and rock material. String bending, double stops, open string scales, and pedal steel licks will also be covered in this class. Other topics include how to set up your gear for maximum tone and how to prepare for “playing the gig.” There will be lots of opportunity to play in this class. Emile is an exceptional instructor and has performed with Rik Emmett, Natalie McMaster, and Don Thompson, among others. His playing can be heard on radio, television and numerous recordings. Austin’s very own David Grissom will be a special guest to this class to demonstrate and answer any questions you may have about his unique style and extensive experience. Pop Guitar for Rockers and Songwriters (Toronto Session 2) with Donna Grantis and special guest Orianthi Designed for guitarists of all levels, this course will provide aspiring rock guitarists and songwriters with an in depth analysis of pop rock songs through the study of chord progressions, melody and form. Other key topics will include ear training, fretboard knowledge, playing with feel and lead guitar improvisation. This seminar will investigate the playing styles of various guitar icons and teach you how to effectively learn from your favourite guitar heros and heroines. A long time member of the GWP family, Donna is a Toronto area guitarist/songwriter/musical director who has worked with Amanda Marshall, Juno award winning artists Divine Brown and Jacksoul, Shakura S’Aida and blues legend Coco Montoya, among others. Special guest Orianthi, will visit the class and share her knowledge with us. Let’s Rock! Advanced Modern Rock Guitar Improvisation (Toronto – Session 1) with Jon Finn Designed for intermediate to advanced level players, Jon will teach a personalized and detailed course laying out a clear method for rock improvisation. Although this workshop will offer strenuous and intense chops-building exercises, the main focus is to develop a set of tools to help you expand your vocabulary when improvising. Topics covered include fretboard geometry — a new look at pentatonics, rhythmic and thematic development, analysis of chord progressions, modal improvisation, arpeggios, alternate pentatonics, creative expression and much more. 12 This new and exciting seminar will help you take your playing way beyond the next level! If you want licks, ideas, techniques, and just overall fun, look no further! Topics will include, but will not be limited to Super Sweeping, Hybrid Rolling Techniques, Insane tapping and bubble tapping, Hammer on out of nowhere, Rhythmic displaced arpeggios, Blues Modes, Dominant Pentatonic and Hexatonic Scales, Severe Hybrid Picking Techniques, Diatonic and non-Diatonic soloing ideas, Diminished applications and more! There will be lots of in class performing and jamming. One lucky student in this class will walk away with a brand new guitar courtesy of GWP and Parker guitars!!! Classic Rock Styles (Toronto - Session 2) with Pete McDonald and special guest Rik Emmett Classic Rock from the 60’s, 70’s and early 80’s has proven the test of time and remains one of the more popular genres. From the Beatles, Rolling Stones, Hendrix, and the Allman Brothers to The Eagles, Lynyrd Skynyrd, ZZ Top, and Aerosmith, this course will cover all the necessary elements of the classic rock sound which continues to influence bands today. This style incorporates a strong blues base and slick scales with memorable phrases for soloing techniques. You will expand your knowledge of the fretboard so that you are comfortable rockin’ out in any position and in any key. Topics will include chords & progressions and the theory behind them, alternate picking techniques that evolved into what we have today, an analysis of solos from some of the most famous classic rock tunes, and using guitar harmony with two or more players. A look at the guitars, amps, and pedals used to create the signature classical rock sounds will also be covered. Hall of famer Rik Emmett will pay a special visit to this class. Jazz Styles (Vancouver Session) With Daryl Jahnke and special guest Mike Stern Open to any guitarist with a keen interest in improvisation, this course will emphasize ear training and a deeper understanding of the fingerboard by examining familiar chord and scale structures, creating new ones, and discovering fresh harmonic and melodic ideas. Using repertoire ranging from Hendrix’s “Little Wing” to Coltrane’s “Giant Steps” to Metheny’s “Bright Size Life,” we’ll cover modal chord/scale relationships, expanded pentatonic and triad applications, chord voicing analysis and a variety of rhythmic styles from swing to samba to odd meter funk grooves. Time will also be spent exploring the creation of technical exercises tailored to your own specific needs and aspirations. Daryl has toured Canada, Japan and the UK and performed with Paul Jackson, Jeff Berlin and Terumasa Hino as well as many of Canada’s finest jazz artists. He is currently the head of the Jazz and Contemporary Guitar department at the VCC School of Music. This course will also enjoy a visit from jazz guitar superstar Mike Stern! 13 Our Students Our program is open for beginner to advanced students aged 12 through adult. Our students come from diverse backgrounds including young-aspiring musicians, adult hobbyists, high school and postsecondary students pursuing music careers, semiprofessional and professional musicians. Students are welcome to attend individually, with friends or family, and even as a complete band. On-Campus Students—Housing and Meals On-campus students stay in the dormitories and are provided with three meals per day. The cafeteria offers a wide selection of food and vegetarian options are always available. Students are housed according to age and gender. Groups of under age students are supervised by staff members who also stay in the dorm house. Arrangements can be made to be roomed with a specific roommate. Please include your roommate’s name on the application form. A limited number of private rooms are also available for an additional fee. Off-Campus Students Students who do not stay on campus overnight during the session pay a lower tuition fee. Meals are not included but a weekly meal plan is available for an additional cost. Underage Students Unless accompanied by an approved member of the staff and a signed parental permission form is on file, students under the age of 18 are not permitted to leave campus. Those under age students who drive to the campus must leave their car keys with the office at the beginning of the session. Off campus students who are under age 18 must be signed in and out by their parents/legal guardians when they arrive and leave the campus. Parents of under age students must notify the office staff if their child takes prescription medication. All medicines must be stored in our office and will be dispersed as per written instructions outlined on the health form. 14 Student Policies To maximize the enjoyment of the session for all participants and to create a friendly and creative atmosphere, a certain code of conduct must be followed. Students who violate the stated rules and regulations or whose behaviour jeopardizes the enjoyment and safety of other participants will be dismissed from the program without refund of tuition. Illegal drugs and alcohol are not permitted on campus. Possession or use of these substances results in immediate dismissal from the program without refund of tuition. Students must provide their own instrument and are responsible for their personal belongings and equipment. Guitar Workshop Plus will not be held responsible for these items. Participants in the program may be photographed during class or performances for use in promo material or our website. Regardless of age, all participants must complete a health form before they can be admitted into the program. Should a medical situation arise or if there are any pre-existing or current medical conditions that we should be aware of, we must have this information on file. Please note, however, that we are not a special needs program. All medical expenses are the responsibility of the student or their parent/guardian. Guitar Workshop Plus will not be held responsible for the cost of any medicine or medical services. Guitar Workshop Plus reserves the right to refuse admission to the program at it’s discretion. Session Dates and Fees Session 1 (Toronto): July 17–22, 2011 Session 2 (Toronto): July 24–29, 2011 Session 3 (Vancouver): August 7–12, 2011 Students attending multiple sessions receive a $100 discount. Fees: Registration Fee (non-refundable) . . . . . . . . . . . . . . . . . . . . . . . . . . $50 Tuition Fee (per session) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $850 OPTIONAL FEES (per session): On-Campus Room & Board. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $430 Amp Rental. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $40 Meal Package (off campus students) . . . . . . . . . . . . . . . . . . . . . . . $180 Extra Night (early arrival, lodging only). . . . . . . . . . . . . . . . . . . . $120 Between Session Lodging (multi session students). . . . . . . . . . .$150 Private Room . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $350 *All fees in Canadian dollars. For U.S. customers, fees will be less depending on the exchange rate. 15 Scholarship Information T he Guitar Workshop Plus scholarship fund is made possible by the generous support of the following companies: Godin, Roland, D’Addario and Evans. These companies value music education and support the Guitar Workshop Plus program so that students of all ages and backgrounds have the opportunity to attend our program and study with some of the finest musicians and educators in the music industry. A limited number of full and partial scholarships for all instruments are available. Awards are based on musicianship, reference letters, and financial need. All scholarship applications must be postmarked by April 30, 2011 and applicants will be notified no later than May 31, 2011 if they have received a scholarship. Scholarship applicants must follow the application process and payment schedule outlined on the Guitar Workshop Plus application form. Applicants who are awarded scholarships will be refunded the value of the scholarship. If for any reason a recipient is unable to accept the scholarship or attend, Guitar Workshop Plus must be notified in writing by June 30, 2011. To be considered for a scholarship award, applicants must send the following materials: • Completed scholarship application (page 19) • Completed Guitar Workshop Plus application form (page 10) along with full payment or deposit cheque • Letter of intent stating musical interests, musical goals, and reasons for seeking a scholarship • CD or cassette demo including two songs (clearly labeled and not more than 10 minutes in length) • Two letters of reference (teachers, employers, etc.) ® 16 17 Scholarship Application Form Refer to page 16 for scholarship requirements. Name:_ ________________________________________________________________ Address:________________________________________________________________ ______________________________________________________________________ Phone:_________________________________________________________________ Email:_ ________________________________________________________________ Age: ___________ Number of years playing: ______________ Private Lessons: p Yes p No If yes, for how long?______________________________ Theory Knowledge: p None p Beg. p Int. p Adv. Music Reading Ability: p None p Beg. p Int. p Adv. Tablature Reading Ability: p None p Beg. p Int. p Adv. How many sessions do you plan to attend?_ _____________________________________ Education: p High School Marital Status: p College/University p Highest level completed ______ p Single p Married p Divorced Household Income: p Below 35,000 p 50,000 – 65,000 p 80,000 – 100,000 p 35,000 – 50,000 p 65,000 – 80,000 p Above 100,000 The information above is true to the best of my knowledge: Signature:_______________________________________________________________ Parent / Guardian Signature:_ _______________________________________________ (if applicant is under 18) For more information call 905.567.8000 or www.guitarworkshopplus.com 18 19
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