Library & Wyoming music Spring 2010 Roundup musicians Wyoming Library Roundup • Spring 2010 Wyoming, Wyoming! Beloved State of mine! Wyoming’s State Song There has been some confusion in Wyoming as to when the song “Wyoming” became the official state song. According to Wyoming State statutes, the song “Wyoming,” words by Charles E. Winter and music by George E. Knapp, was named the official state song in 1955. But the song had been called the official song for more than 50 years prior to that. Wyoming has several other notable songs that were also known to Wyomingites as the state song. “Over the years, we at the state library have fielded requests for the state song, including its history and background,” says Wyoming State Library Digital Initiatives Librarian Erin Kinney. Kinney says the confusion has been a part of these inquiries. The version we know as the state song was adopted by the Industrial Convention in 1903, according to the Oct. 15, 1903 issue of The Saratoga Sun. As found in the Wyoming Newspaper Project, in the Friday, Oct. 26, 1903 edition of the Grand Encampment Herald, it states that the song was first announced by Governor Fenimore Chatterton at the convention and In the far and mighty West, Where the crimson sun seeks rest, There’s a growing splendid State that lies above, On the breast of this great land; Where the massive Rockies stand, There’s Wyoming young and strong, the State I love! Wyoming, Wyoming! Land of the sunlight clear! Wyoming, Wyoming! Land that we hold so dear! Wyoming, Wyoming! Precious art thou and thine! Wyoming, Wyoming! Beloved State of mine! In the flowers wild and sweet, Colors rare and perfumes meet; There’s the columbine so pure, the daisy too, Wild the rose and red it springs, White the button and its rings, Thou art loyal for they’re red and white and blue, Where thy peaks with crowned head, Rising till the sky they wed, Sit like snow queens ruling wood and stream and plain; ‘Neath thy granite bases deep, ‘Neath thy bosom’s broadened sweep, Lie the riches that have gained and brought thee fame. Other treasures thou dost hold, Men and women thou dost mould, True and earnest are the lives that thou dost raise, Strengthen thy children though dost teach, Nature’s truth thou givest to each, Free and noble are thy workings and thy ways. In the nation’s banner free There’s one star that has for me A radiance pure and splendor like the sun; Mine it is, Wyoming’s star, Home it leads me near or far; O Wyoming! All my heart and love you’ve won! was later endorsed as the official song by the state press association, state industrial convention and the state university—then called the Wyoming State University. In a piece called “The State Song of Wyoming” by Kenneth Crouch in the Vol. 29, No. 1 (April 1957) p. 38 of the Annals of Wyoming, he brings the attention of his readers that there is in fact no state song. Instead, there is a poem written by Winter that was popularly accepted as the state song. As the piece states, in the summer of 1903, Winter wrote the poem while traveling through Pennsylvania. Upon his return, Winter gave the poem to Earl R. Clements, who was the editor of Grand Encampment Herald at that time. Winter told Clements if he wanted a state song he needed to add a melody. Both were delegates in 1903 to the third Wyoming Industrial Convention in Sheridan where the two created a quartet to sing the song. According to the Crouch article, years later Professor George Edwin Knapp created music to go with Winter’s poem and named it the Wyoming March Song. It is Knapp and Winter who are credited for the creation of the state song in the state statutes. 4 Library Wyoming Spring 2010 Roundup Native Wyoming songwriter Les Bowron.........................................3 The Beat Goes On with Musicians in libraries........4 table of contents 20 Smells Like Teen Spirit Teens and Music.........................10 Wyoming All-Around Cowboy ..............................12 Chris LeDoux Wyoming’s Music Festivals.............................15 Musical trio, The Prickly Pair 26 Romance with the Range.......20 Wyoming Arts Council Roster Taking Care of Business. ...22 Wyoming’s historic Composers......................................24 Ten Sleep’s music festival features Wyoming Musicians..............26 Wyoming Library Roundup • Spring 2010 Library Wyoming Roundup Dancing on the Desk Former elementary teacher Eugene Gagliano had a frontrow seat to the everyday trials of school life. In honor of all students who have ever grappled with show-and-tell missteps and problematic classmates, he’s penned a clever poetry collection, My Teacher Dances on the Desk. Episodes from every aspect of school life, from visiting the school nurse to sitting next to the wrong student, are told through humorous verse. Move Me Soon I don’t like sitting next to Rose. She’s always picking at her nose, And chews her fingernails way down, And always wears a pouty frown. From Buffalo, Wyo., Eugene Gagliano is known as “the teacher who dances on his desk.” Gene travels to schools and conferences with presentations as entertaining as they are informative. Wyoming Library Roundup • Spring 2010 Official publication of the Wyoming State Library, the Wyoming Library Association, and the Wyoming Center for the Book Volume 52, Number 2, Spring 2010 ISSN: 0043-9738 Tina Lackey Editor Lesley Rowbal Assistant Editor and Writer Wyoming State Library Publications and Marketing Office 2800 Central Avenue, Cheyenne, WY 82002 307/777-6338 Wyoming Library Roundup is published quarterly by the Wyoming Library Association and the Wyoming State Library. All rights reserved. Contents of this magazine may not be reproduced without the express permission of the publishers. E-mail us at [email protected] The Wyoming Library Roundup is produced in part with Library Services and Technology Act federal funds awarded to the Wyoming State Library program from the Institute of Museum and Library Services. Twain’s recipe on life lacks one important ingredient - great music. Friends, books, a conscience nodding off, and a great song playing on the radio: now that is the ideal existence. For me, great music is melody AND lyric, married together so the lyric speaks what the music feels. Technicians call this prosody. Studio musicians call it “in the pocket.” I like to call it “the sweet spot.” Like hitting a baseball dead center – the bat doesn’t vibrate or sting your hands. Instead it sends a solid, warm sensation from the wood to your palms as the ball leaves the bat screaming toward the fences. A great song does that to the ears when songwriters are skilled or lucky enough to ensure that each musical phrase matches the rhythm and intent of the lyric. The craft of songwriting, like carpentry or sculpture, requires hours of practice: drafting, re-writing, editing, and mental torture. When a songsmith finds the sweet spot, songs like “In My Life”(Lennon/ McCartney) or “I Hope You Dance” (Mark D. Sanders/Tia Sillers) happen, and whether you’re listening to it for the first or hundredth time, the song sends physical and emotional sensations into your mind and body. Many of us can trace memories to songs. A song like “American Pie” (Don McLean) comes on the radio and transports us back to when we fell in love for the first time, felt hearts break for the first time, or saw a great artist in concert for the first time. When I hear “Go Your Own Way” (Lindsey Buckingham) on the radio here in 2010, I remember the color of the t-shirt I wore to the concert back in 1977. I can’t tell the story of how a 7 year old kid from Casper fell in love with music and lyrics, unless I draw a direct path to our local library. I didn’t learn to play piano or drums at the library, and we couldn’t play our records there either. The library is where my imagination was set free – to roam the forest where Twain, Hemingway, Kipling, Shaw, Fitzgerald and even Hunter Thompson all lived. All I had to do was hand the lady my card and she let me take the books home…and for 14 days those books were MINE! I wandered down pathways of carefully chosen words and phrases, and my mind turned those phrases into pictures and mental “movies”… and as fast as I could read the words, so moved the story in my head. At 17, when I became infected by the notion that I could write a song - all those words and phrases were living in my imagination, and parts of the Natrona County Library had become a mini-library inside my head. I’ve never stopped going to the library, never stopped reading or listening to good books, and never stopped wandering the forests of words and phrases. I can’t stop, because one of these days a word or phrase is going to send a signal to my brain and it’s going to match up with a melody floating around in my subconscious, and BANG! I’m going to write a song that hits that “sweet spot” and all my good friends will be sitting at home reading good books and it will be my song playing on their radios - and that will be the ideal life! Les Bowron, a former Wyoming Legislator, now lives with his wife Beth in Nashville, Tennessee, where he works for Metro Nashville Government and writes songs in his spare time. les bowron, songwriter and former wyoming legislator “Good friends, good books and a sleepy conscience: this is the ideal life.” (Mark Twain) Wyoming Library Roundup • Spring 2010 3 The Beat Goes On Musicians in Wyoming’s Libraries In previous issues of the Wyoming Library Roundup, we’ve showcased librarians across the state with an artistic flair. We’ve also shown light on those who have honorably served our country in the military. But our stories of librarians do not end there. In this latest edition of the Roundup, we explore librarians across the state who have musical talents. They may be a part of an ensemble, band, or write songs. They might even be a combination of it all. We invite you to take another look at the lives of our Wyoming librarians. Byron Tomingas, Teton County Library While growing up, Byron’s father had always been very quiet and very private, but when Byron Tomingas’ uncles came to visit his dad came alive. “When his brothers would come to town they would all pull out their instruments and play. They were all like that and they would just open up and laugh and play and have a good time. I thought, ‘That’s something I want to do,’” says Tomingas, a library assistant at the Teton County Library. And that’s how it was. Music was a pivotal part in the Tomingas family life and upbringing. That is until Tomingas turned five years old when a tragedy hit his family hard. “My oldest brother played trumpet, and at 12 years old he was a prodigy. He was brilliant,” he says. “He was going to be a professional musician, but then all three of us boys got polio, and he ultimately perished.” After that the Tomingas family was different. Music was different. “Music disappeared for the next five to seven years,” he says. 4 Wyoming Library Roundup • Spring 2010 Furthermore, he had a great interest When it was time for Tomingas “It hurt my parents so much that all the in computers as a hobby, so he chose instruments disappeared from the house, to attend college, he chose the to switch his career and hobby. He was University of Wyoming with a major and music was essentially turned off.” going to work on computers and play in psychology. He calls this move Tomingas was the youngest of the guitar on the side. brothers and the middle brother, Henry, “disastrous.” “Science is a real passion for me, so “Right before my finals I would be was eventually the one who would work when personal computers came out, I playing guitar for 10 hours. I thought to bring music back into the family. really tried to learn about them.” ‘this is wrong.’” “He came home one day with a guitar While still in California, Tomingas Tomingas decided that if music was all and slowly music started to be back in absorbed himself in the computer he was doing with his time, then that is the family. He showed me how to play technology field, so much so that when what he should plan on doing with his some chords and my interest only grew he returned to Wyoming he was able to life. He enrolled in the newly created from there.” use some of his technology skills at the California Institute of the Arts. Henry went on to college, but even library. “It was just an extraordinary learning in his absence encouraged his younger “My mom worked at the library, and environment,” Tomingas says. brother to start a band. I thought why not go home, do my “They had the very best performers in “I was a very shy person so the thought concerts and become a librarian instead.” the world as teachers and that’s why it’s of doing this seemed nearly impossible. And that’s what he did. Tomingas always been considered one of the top The last thing on earth I wanted was has been working at the Teton County schools.” everyone looking at me,” he says. Library since 2006—working with the This type of college proved to be a But his love for music pushed him perfect match for him. Upon graduation public in circulation. on stage. He organized a band, which “I had always been such a shy person he worked in a variety of jobs from also allowed him to share the spotlight that it seems almost odd to me that I symphony to TV shows, but California with other people and not have all the could work the circulation desk and talk wasn’t the right fit for him. attention on himself. to so many people.” “The problem is that if you’ve been “I would put together a list of songs and “Four people have always been a lot raised in Jackson Hole, Wyoming, it teach people to play. I was the only one harder for me than 1,000, but it seems really spoils you, and it’s hard to live around that time who knew how to sing I’ve found a way.” anywhere else.” and play, so in order to have my band I had to be willing to teach.” The music kept him busy and helped keep the town teenagers busy as well. At the same time, the band taught Tomingas so much about the business side of the music industry. “We’d rehearse, send out advertising and get the hall set up. If we couldn’t find chaperones to come, we’d hire a policeman.” Library assistant Byron Tomingas has spent the majority of his life playing and making music. Wyoming Library Roundup • Spring 2010 5 Bobby Phillips, Laramie County Library System There was a lot going on for Bobby Phillips when he turned 16. He had just started writing his own music and got his first job. He always expected his first job would be working at McDonalds or some other fast food restaurant, but instead, it was at the Laramie County Library System. “I was in a car accident that year and had to pay for the damages. I found out about this job opening up at the library through my dad’s work, took the interview, and got the job,” Phillips says. And he’s been at the library ever since. Last year he was promoted to a circulation position that allows him to work more with the public. But the great thing about working at the library is that Phillips can still devote a large amount of time to his real passion—music. “When I was five, my grandma gave me this dinky little acoustic guitar. I would bang on it and try to play music,” he recalls. He put the guitar down for quite awhile and didn’t pick it back up until he was 12 or 13 years old. “The music thing dropped off until I read a Stevie Ray Vaughn biography in junior high. I picked up the guitar again and learned how to tune it. I learned how to play songs by ear and continued to play.” Growing up, Phillips says his father was an avid music fan of everything from AC/DC to Dire Straights, and, of course, Stevie Ray Vaughn. “I’d go to school, see someone playing and ask if I could play. I just kept playing and showing more people.” When he started to write his own music, it only got better. “I was asked to join a band. I have been in three different bands in the past,” he says. He plays at many of the bars throughout Cheyenne and along with his band, is trying to branch out to other places in the area. 6 “It’s a tight-knit music scene in Cheyenne. Most of the people who play here have been playing for years and years. I was lucky to know people who already had a foot in the door.” First and foremost, Phillips says he is a guitar player, although he can also play the bass and hold a decent beat on the drum. “I like to pretend I can play keyboards,” he jokes, “but it’s mostly guitar. He also does his own instrumental music at home and even contracts out his musical talents. He recently wrote music for a Laramie County Community College play. The library has been a great place for Phillips to work, he says, especially because he has such a strong interest in music. “One of the cool things about working in a library is I’ve worked a lot with the music collection as a shelver and that really expands your knowledge of Bobby Phillips has been playing on and off since he was a child. music,” he says. how to do something guitar wise or “With having access to such a vast recording wise, there’s a book to do it.” library, I know that if I want to learn Wyoming Library Roundup • Spring 2010 Jennifer Giese, Thayne Library Music has always been a part of her life, no matter her age or life’s circumstances. “There’s only ever been maybe a short time without music: I need it,” says Thayne Library Aide Jennifer Giese. Giese has been singing since her youth, whether that be through school or church choirs or smaller groups. “Music was the biggest part of my life while I was living in Houston for about 30 years and singing in the symphony chorus,” she says. That group was special Jennifer Giese, far left, makes sure she’s a part of the music community no matter where she lives. and Giese says they sang which is a little group of mainly research. I was one of those weird all types of music with very famous snow birds who sing popular stuff at kids who would go to the library with conductors. nursing homes, around senior centers, index cards just to research and write But as she and her husband got older flag ceremonies and what not.” papers.” they were looking for a place to retire She’s also part of a group called Not long after the Thayne branch and get out of the “big, nasty city,” Summer Friends. opened, Giese made her call to the she jokes. “We’re called that because I’m the library offering to help in any way “We had done a lot of traveling to only one who lives here full time.” possible. She told them she had always figure out where we wanted to retire. Sometimes the group also teams up wanted to work in a library. We knew we wanted to be somewhere with a male quartet around town. “Now I’ve been working here as a where we could experience all the Giese says that one of the first things library aide and assistant part-time seasons. We had always vacationed in she and her husband did when they pretty much since we first opened up, mountainous areas and we loved it.” got to the area was go get a library and I just love it.” As they were looking for a place, card, and when she found out there Giese went into accounting when they drove through Star Valley, Wyo. was going to be a Thayne library she she was younger, and says she always “We said ‘Wow, this is just what we knew it was something she wanted to thought the library would have been wanted,’” she recalls. be a part of. the right place for her. But even if She and her husband found a piece “When I was in high school, I she’s not sure of her decision back of property and in about three years went to our little branch library then, she feels very comfortable with they built their perfect home. and pleaded for a summer job. They her life choices right now. Giese quickly became involved in the told me they didn’t hire high school “With the library and the music, I’m music community in her new Thayne. people,” she says. a pretty happy camper.” “After we moved here I found “But I thought the library was a the Star Valley Ranch Singers, perfect place. I had always loved doing Wyoming Library Roundup • Spring 2010 7 Jenita Calton, Carbon County Library In her nearly 20 years in Rawlins, she has seen the music scene have its ups and downs. “Probably about 10 years ago they had a Rawlins Community Band and then that kind of petered out,” says Carbon County Technology Librarian Jenita Calton. In addition to being a member of the ensemble, Jenita Calton also directs the Rawlins Children’s Hand Bell Choir. But four years ago Calton and some of her fellow musician friends brought the band back. “We decided we wanted to do a whole new thing in a whole new way.” Calton, one of four members of the new “band,” started talking and created an entirely new organization which included bylaws and a board. That is when the ensembles started. “Very quickly we grew from four people to six and had a really hard time finding music because we had a flute, clarinet, trombone and a cello,” she jokes. “What do you do with that?” But that was then, and now their ensemble has grown to more than 20 people. One way they increased their numbers was by working with the high school band. “We’re still missing some areas but now we can play regular songs and make it work. We’re a lot better. We really love it.” The ensemble has a regular season and takes off January, May and August, after their big concerts at the end of the season. 8 “Most of us probably played instruments in high school and then just kind of stopped,” Calton says. She started playing the trombone in sixth grade. “Then you grow up and you stop doing it because you don’t have anyone to play with anymore. This is a great way for a bunch of us to say ‘Wow, I can still play the horn or the flute or whatever.’” The best part of the ensemble for Calton has been watching it grow. “Those from the earlier years still remember when there were only six or seven of us.” “When a fellow trombonist started playing with me it was one of the most exciting days because I wasn’t the only one playing that part all the time and had someone to learn with and from.” Calton says her own musicianship is better than it’s ever been. She says she thinks that is because she is more mature, experienced and focused than she was in her youth. “I’m the kind of person who loves collaborating with people, so the growth of the group and how we work together Wyoming Library Roundup • Spring 2010 is great for me.” When Calton originally joined the Rawlins Community Band it became a real part of her, just the way the library did. She started at the library 14 years ago while her daughter was just starting school and her son was at home with her. “The library was moving shelves and the penitentiary guys came to move books. Well they just left them in these stacks on the floor and it was a mess. The library asked for volunteers from the community to help out, so I came to help,” she says. At the same time she had been looking for a part-time job where she could still have the flexibility to be with her kids. “I didn’t want to work when my kids weren’t in school. I had all these conditions, but the library was great. We made it work.” Calton says while she was in college at Utah State as a wildlife major she worked at the library. “It’s funny how it all works out. It all kind of makes sense now.” She is also the director of the Rawlins Children’s Hand Bell Choir. Jessica Neiweem, Park County Library Park County Teen Librarian Jessica Neiweem doesn’t just work with her coworkers, sometimes she performs for them, too. Neiweem and her band mate, Al Dimond, performed at the library in November. She says performing in front of her coworkers and library patrons is both exciting and challenging. “Al really enjoys performing here but I’m just not as into performing in public,” she says. Teen librarian Jessica Neiweem and Al Dimond form the band City Steve and the Neon Lights. “My favorite Cowboy Poet showed up and I Neiweem admits that she feels like “My intro professor in library school thought ‘He’s never going to look at me she’s been singing forever. She was in said, ‘I have been on the Admissions the same way again,’” she jokes. choir in elementary school and took Committee and can say the only thing The duo met during Neiweem’s piano and guitar lessons. all of you have in common is that you’re sophomore year of college and started But it was librarianship that led all crazy enough to want to go to library recording music together in 2008. Neiweem to the state of Wyoming. She school.’” “He was taking part in the RPM was a creative writing major in college, After completing her master’s degree, Challenge and was kind of struggling but with a limited number of career Neiweem says she was open to going with lyrics. I helped him out with that opportunities, Neiweem says she wanted pretty much anywhere. album and we had a really good time and to do something she would love and “I was looking for a library position worked really well together,” she says. that would put food on the table. anywhere in the country,” she says. The RPM Challenge literally challenges “At the time I thought well, I “The people here seemed to really musicians to create an entire album am working in the library as an click and things went well when I in the month of February. “Record an undergraduate and I think I could do interviewed. It has been a great fit.” album in 28 days, just because you can,” this after I graduate too,” she recalls. She says she was open to doing pretty the site says. That is 10 songs or 35 But that job at the library wasn’t much anything as long as it was in a minutes of original material recorded in always a lot of fun Neiweem says. She public library. the month of February. worked as a shifter. Neiweem says she loves how libraries They have previously recorded under “For six hours a day I would pick and music both represent the best parts the names Elko West and City Steve books up and move them to a different of us. and the Neon Lights. Their music is location. So I was saying ‘I love libraries, “Music as an art form helps you access available on the RPM Web site. but I’m not sure if this is necessarily the your whole and helps you integrate “Fortunately, Al and I are dating, so role I want to play in them,’” she says. your experiences in life and libraries can we live together--which makes recording Neiweem made her decision and really help us do the same thing.” really easy. Anytime we’re at home it headed to library school. becomes a recording session.” Wyoming Library Roundup • Spring 2010 9 Smells LikeTeen Spirit Teens complaining of boredom have not gone unnoticed, especially by libraries in Wyoming. “They were always saying ‘We’re bored. There’s nothing to do,’” says Ellie Eaton, Assistant Youth Services Librarian at the Sweetwater County Library. “So, I said OK well what do you want to do? What are you interested in? They said music, poetry, acting and art. And that’s where this all started.” That’s when the library started to offer a variety of activities, especially in music. “The teens wanted to listen to music and have concerts. Because all events at the library are free, this was a great opportunity to do something for the teens and also give back to the community,” Eaton says. Donations from these events go to local food banks, help pay for people’s bills who have been involved in an accident, and however else the library and teens can help. “The library now holds several events focusing on music in some locations other than the library. We use venues throughout the community such as parks,” Eaton says. “When planning last summer’s Benefit Metal Show a band member of the metal band Picture It In Ruins provided the substantial damage deposit on behalf of the library in order to enable us to use a larger venue in town, which allowed us to accommodate the 450 attending patrons.” Shane Siler, bass player for the band Never Reaching Tomorrow plays during the Sweetwater County Library’s big concert last summer. 10 Wyoming Library Roundup • Spring 2010 Shari Haskins, Young Adult Services says she and others have also been able Last year’s annual benefit/metal Librarian for the Riverton Branch to see musicians’ skills grow, especially concert came in response to grief Library, has also paid some special from the Poetry Jams. of losing two young men in their “Poetry Jams offer a really comfortable attention to their local bands. community. “It all began in 2004 with the Rock the environment for individuals to perform “Everyone handles grief differently and Vote concert for the presidential, national and often musicians will end up being many people feel helpless about it,” she and local elections,” Haskins says. featured in one of our concerts later.” says.” “We had the Fremont County Election “To see the growth in these people is The funds raised from the show were Office at the concert to help register just amazing,” Eaton says. used to buy a memory tree for both new voters. We also had state and local The Poetry Jams are geared toward young men and at the request of the candidates present, and they had their two families another tree will be planted people of high school age and up chance to speak to the crowd.” because the material is completely in memory of a two-year-old boy who After the Tsunami in South Asia in uncensored. With an open mic died very close to the same time. December 2004, the library held a setting, there is a variety of poetic There has been more than one benefit concert for Tsunami Aid in and music genres that make the jams occasion where the library has been 2005. They’ve also hosted three Darfur unique. filled to capacity. Awareness and benefit concerts. “We had two young men who started “This is so neat because by doing Haskins has said that sometimes out performing the theme to the Pink these concerts, Poetry Jams and other Panther at a Poetry Jam. Since then they teens don’t get enough exposure and events we’re able to get people into the awareness and she feels like it’s part of helped found a heavy metal band and library who would not ordinarily walk her job as someone who disseminates are one of our featured bands at the through our doors. It’s almost a sneaky information to bring awareness. way to grab the attention of people who benefit concerts.” “The bands have always been excited The library holds the Poetry Jams may not realize the variety of materials about participating and very generous about once a month, which fills to available,” Eaton says. with their help in organizing these capacity the library’s multi-purpose “There are many teens whom as I get benefits along with the set up and room with others filling the foyer and to know them and their interests, I am breakdown,” Haskins says. clustered around the doors in the main able to slyly suggest books to them that “I will continue to use our local talent room. I feel will interest them. In some cases I and this is an excellent way for the Sweetwater County isn’t the only encounter closet readers who are better bands to expose their ‘sounds.’” versed in classics than I, and yet previously library that coordinates these events. didn’t feel it was ‘cool’ to advertise this fact.” Eaton says everyone who works with the libraries to help put on these concerts and attend are very respectful. Some of these bands are just looking for a way to showcase their music and can’t afford a big venue, and also with a limited number of venues in the area it’s a great opportunity for the library and the bands. Through these programs, Eaton A large crowd is nothing strange for the events put on by the Sweetwater County Library. Wyoming Library Roundup • Spring 2010 11 Remembering Wyoming’s All-Around Cowboy As of March 2010, it has been five years since the death of renowned country music artist and Wyomingite Chris LeDoux. For most of LeDoux’s fans this is a shock, because in the last five years his fans’ loyalty and love have not faded. The life and a half size sculpture of LeDoux, titled “Good Ride Cowboy” 12 by D. Michael Thomas, will be unveiled during LeDoux’ memorial park dedication June 18-19 this summer in Kaycee, Wyo. “There was never any give in Chris’ character,” says friend and former guitarist and road manager for Ledoux, Mark Sissel. “Everything was real about him. He Wyoming Library Roundup • Spring 2010 was the epitome of the real American cowboy. People saw that he was true, and people draw on that kind of thing.” Sissel spent 16 years as a member of LeDoux’s band, Western Underground. “Sixteen years is longer than most marriages, and to end that time without having a bad thing to say--in all those years--well, that says a lot about who (Left) Mark Sissel, left, and Western Underground perform with Chris Ledoux. Photo by Paula Goodell. “If someone gave him a love song about a brown-eyed, red-haired girl you can bet he was going to change the lyrics Chris was,” he says. to a green-eyed, When Sissel met blonde-haired LeDoux in 1989, girl. It was always he knew little about about his wife,” him or his music. he says. “If there were Sissel says that people attending his he has never show who had never met anyone like heard his music, you LeDoux and he can guarantee by the probably never end of the show they will. were leaving fans.” “He was positive After Sissel was in nature, a kid hire, LeDoux at heart. He had gave the band the a strong character name Western and knew what Underground. That he wanted and was before he was went for it. He signed to Capitol was very focused, Records in the early and very loyal 1990s. By then, in all things. He LeDoux already The bronze Chris LeDoux statue, titled Good Ride Cowboy, was created by D. Michael was just truly the had a pretty strong Thomas--who was one of LeDoux’s favorite sculptors. great American following. He had Cowboy.” been selling his records Sissel says LeDoux’s music, not only because it was independently for years LeDoux really believed in the lifestyle he real, but also because it was all positive. through the rodeo circuit. sang about, he believed in the West. “The early fans could have cared less if LeDoux didn’t have any cheating, “He once joked about being the only fighting, did-me-wrong songs. Chris went main stream, actually they person who liked to irrigate, but that “Positive music was always important probably liked it better when he wasn’t. was Chris. This place was his home.” to him. It was important the kind of That’s because Chris had always been Although LeDoux was a Wyomingite, message he sent out to his fans about his their guy.” he didn’t start out that way. He was music and who he was.” LeDoux sold nearly $4 million in born in Mississippi and moved around LeDoux was always very true to records before he was even signed, Sissel himself; no matter how big he got, there with his military family. When the says. family moved to Texas, he found a way were certain things he wouldn’t do. “By the time he got signed, he had of life that he loved. “Before every show he’d have me go already built a following that he was “I think he had some uncle stick him tell the meet and greet folks that there honestly barely aware of,” Sissel says. on a calf and went to it,” Sissel says. “It always surprised him when all these would be no hugging or kissing Chris. The family eventually moved to He was more than willing to take people showed up to the shows.” Cheyenne and when it was time to pictures with the fans, but if it was with Sissel says he remembers LeDoux move again, LeDoux decided that he a woman you can bet his hands were asking more than once, “why do you wasn’t leaving. folded in front of him.” think all these people come out and “He wasn’t leaving Wyoming. He This was all out of respect for his follow this raggedy old Cowboy?” had found his place and then he really wife. LeDoux never wanted a picture “Because they believe in you. Hell, I became that guy.” of him to end up in some magazine of believe in you. We have no reason not It took a while to figure out what him and a female fan. His wife was too to,” Sissel would tell him. Western Underground was going to do important for that. There was something refreshing about Wyoming Library Roundup • Spring 2010 13 after LeDoux’s death. “We talked about what we were going to do for several months, and then someone invited us to come play and that really helped us.” To sing the songs, the band hired Dustin Evans who opened up 20 to 25 of LeDoux’s shows. “He knew all the material and was a great guy. He wasn’t someone to fill Chris’s shoes by any means, but he was someone who could pay respect to the music,” he says. They continued to do shows throughout the last half of 2005. Sissel says the shows were almost therapeutic for the band. “We really went out late that first year to just play a few shows and kind of tip our hats and say goodbye to these special places we’d played many times over the 15-16 years, and really say farewell given the fact that Chris didn’t ever get a chance.” That first year they played mostly songs they had performed with LeDoux. They added a song called “King of Wyoming,” co-written by Sissel that paid homage to LeDoux. “It felt so good to be out there and I think it helped some of the fans too. Actually, I know it did.” Sissel says they had a lot of fans come up and just be thankful to hear the music again. That’s what Western Underground had really wanted too. “There were some who just couldn’t The life and a half sized statue will be unveiled during the Chris LeDoux Memorial Park handle coming to the shows, and Dedication on June 18-19. I certainly understand that. It was band was struggling with those same other band members. different for everyone.” emotions. But with each year the band “There’s an awful lot of memories there He recalls playing a show in Oregon continues to add its own music to the and it feels good when we can all get and watching two women in the front lineup. In 2007, they recorded an album together and remember Chris and all row and their reaction to the music. of all their own material. those times,” Sissel says. “There were two fairly young gals in “Our music is still in the same taste Sissel talks a lot about how real the front row and they were crying at that Chris would like. It’s still about this LeDoux’ character was, how he was the beginning of the show. I watched area and it’s still all positive in nature,” that guy, that great American Cowboy. them throughout the show and they Sissel says. But even with all those things LeDoux slowly began screaming and carrying The show is now about 50 percent was, Sissel says there was really only one on--just having a good ole’ time by the LeDoux music and 50 percent their own. thing he wanted to be remembered for. end,” Sissel says. “No matter what, Chris and “If I’m to be known for anything, I’d “So at the end of the show I put down hope it was for being a good husband my guitar and went up to them and said remembering him will always be a part of our shows.” and father,” LeDoux would say. ‘do you feel better now?’ And they said Telling stories about LeDoux, can yes, we do, and we’re glad we came.” sometimes by hard for Sissel and the That was nice to see, because the 14 14 Wyoming Library Roundup • Spring 2010 Wyoming music festivals turn heads Beartrap Summer Festival, Aug. 7-8, 2010 The Beartrap Summer Festival, held on Casper Mountain, is a premiere Central Wyoming event for families, music lovers, and anyone who enjoys a good party in the Wyoming sunshine. The festival started 16 years ago as a showcase for bluegrass music, and live musical performances are still the heart of the event. Over the years, they’ve diversified the music to include elements like western swing and contemporary folk, and added well known headliners like Asleep at Wheel, the Nitty Gritty Dirt Band, and Ricky Skaggs – but the emphasis remains acoustic, accessible, and fun. In addition to music, the festival serves as an outdoor marketplace for many regional vendors. They have up to 80 vendors selling their arts and other commodities as well as a tempting array of foods from finger snacks to hot meals. Beartrap has always been a family-friendly event, with Wyoming Library Roundup • Spring 2010 15 special activities for children throughout both days and a no-alcohol policy. There’s also a Pickin’ Tent where local musicians can play together, as well as seminars put on by the visiting bands. Many families use the festival as an anchor event for reunions and family camping trips, and it has become a favorite with locals and folks who come from around the state and the region to attend. The festival began as a co-operative project between GapWest Broadcasting (then under the banner of Clear Channel Radio) and Natrona County, and they are still the primary organizers. But they couldn’t do it without the numerous other supporters and sponsors – many of whom have been with there since the beginning. The number of sponsors and attendees who come back year after year is the best evidence that the Beartrap Summer Festival is one terrific party Big Horn Mountain Festival, July 9-12, 2010 The Big Horn Mountain Festival is a premier, family-friendly, three-day music festival dedicated to promoting acoustic American roots music through performances and workshops. Various musical genres are presented at the festival including bluegrass, old-time cowboy, blues, old time Appalachian, and folk. The Big Horn Mountain Festival continues to showcase performers from around the country and the world, many of whom have Grammy and other prestigious awards under their belts. The 2010 sixth annual festival features The Grascals, The Steep Canyon Rangers, The Wiyos, Anne & Pete Sibley, The Jalan Crossland Band, Troxel & Krieger, Too Wet To Plow, D. Michael Thomas, Anastasia's Fault, and Ralph Reed Jr. Wyoming's Mandolin and Banjo State Championships are hosted at the festival, and there are contests for fiddle and guitar players as well. Professional musicians lead a variety of workshops for the amateurs, and jam sessions last well into the night at the campgrounds. Food and craft vendors, instrument raffles, and a band scramble round-out 16 Wyoming Library Roundup • Spring 2010 the fun and enjoyment for everyone. The festival will begin early Friday afternoon, July 9, and run until late Sunday afternoon, July 11, with a traditional gospel show on Sunday morning. Both RV and tent camping are available at the Johnson County Fairgrounds in Buffalo where the event takes place. More information about the Big Horn Mountain Festival can be found at www. bighornmountainfestival.com or by calling the Buffalo Chamber of Commerce at 307-684-5544. Wyoming Old Time Fiddle Association, May 29-30, 2010 The Wyoming Old Time Fiddle Association (WOTFA), is a group of old time fiddlers from all over Wyoming who enjoy playing and listening to fiddle music. The organization has been in existence since the 1970s, and began holding the State Contest in Shoshoni. The contest continued in Shoshoni for more than 30 years, but moved to Thermopolis a few years ago. Old time fiddle music is tuneful, rhythmic and danceable. In the typical fiddle contest a fiddler will play three kinds of tunes: a hoedown (such as Arkansas Traveler), a waltz (such as Peek-a-boo), and a tune of choice (such as Dill Pickle Rag). A contest is an opportunity for a fiddler to compare his or her playing to others, but more importantly it is a chance to see old friends. The best music is usually in the jam sessions that go on all day and night at a fiddle contest. The 2010 State Contest will be held in Thermopolis at the Hot Springs County High School May 29-30, 2010. For more information, contact Contest Director Ed Capen (307921-8120) at [email protected] or WOTFA President Dick Enders at [email protected]. For more information about the Wyoming Old Time Fiddlers, the state contest, and other fiddle everts, please visit www.wyomingfiddle.org. Happy Jack Music Festival, July 30-Aug. 1, 2010 If you love music and love the outdoors, this festival is for you. The Happy Jack Music Festival will be held July 30–Aug. 1 at the amphitheater at Curt Gowdy State Park, on the north side of the highway. This beautiful state park is located 24 mi. west of Cheyenne and 23 mi. east of Laramie on Highway 210 (Happy Jack Road). In these times of economic hardship, free entertainment helps the pocketbook and the music lifts the spirit. Although the music is free, this festival is a fundraiser for the Friends of Curt Gowdy State Park, a group whose mission is to raise awareness about the park through activities such as this music festival. All day fees and camping fees will go to the Friends group to help them continue. Fees are as follows: Daily Park use: $4 resident, $6 non-resident. Overnight use camping fee, includes daily fee: $10 resident, $17 nonresident. Bands from Wyoming, Colorado and Tennessee are donating their time and talent to this effort and will provide all types of acoustic music – Bluegrass, Country, Folk, Celtic, Gospel, Old Time, Original Songs – something for everyone. There will be a fiddle contest, jamming, workshops, and a worship service Sunday morning. Great concessions will be available on site all weekend. On Saturday there will be activities for children in the Kid’s Tent. In addition to the music, enjoy other activities in the park and nearby – fishing, hiking, mountain biking on world class trails, rock climbing or just relaxing in the sunshine. The amphitheater is also handicapped accessible. So, as John Prine sings – “Blow up the TV, throw away the paper, Go to the country”. For more information, call Dave or Julee, 307-433-9463, or go to www.hjmusicfestival.com. Wyoming Library Roundup • Spring 2010 17 Grand Teton Music Festival, June 30-Aug. 14, 2010 Gail Williams is one of the finest French horn players in the world. Retired from the Chicago Symphony Orchestra after 20 years, she still performs at the highest level with the Chicago Chamber Musicians. It sounds glamorous, but it’s hard work. “Even though it might be one of the best gigs in the world,” says Williams, “it’s still a job.” So what does Gail Williams do in the summer, between regular seasons in Chicago? For the past 18 years, she has played with the Grand Teton Music Festival in Walk Festival Hall in Teton Village, spending up to seven weeks performing with 200 like-minded artists from the best ensembles throughout the country. “It rejuvenates my batteries,” she says. “I don’t know if anyone really calls it your job – you’ve chosen to do it, you don’t need to do it. There’s no tenure, everyone is playing at their best. It’s a very special music making opportunity.” Williams isn’t alone holding that attitude, which is why so many come back year after year, for 20, 30 even 40 years or more. Jennifer Ross, a violinist with the Pittsburgh Symphony, has been coming for 28 years. “It takes a certain kind of person to play in an orchestra all year long and then, during their vacation time, come to Wyoming to play in an orchestra some more, at a fraction of our salary,” Ross says. “Many of my colleagues in the Pittsburgh Symphony think I’m crazy ... but only the ones who’ve never played here and never felt the magic.” In 2011, the Grand Teton Music Festival marks its 50th season. Over that half century, the basic structure of the festival has been well established: Tuesdays through Thursdays are dedicated to chamber music, works for smaller ensembles or soloists, often a grab-bag of musical treats. Fridays and Saturdays feature the Festival Orchestra, with up to 100-plus instruments as well as guest soloists and guest conductors – brilliant stars in the classical music firmament. Overseeing the proceedings is Donald Runnicles. As Music Director of the Deutche Opera Berlin, Chief Conductor of the BBC Scottish Symphony Orchestra, Principal Guest Conductor of the Atlanta Symphony Orchestra, and former Music Director and Principal Conductor of the San Francisco Opera, he’s a pretty bright star himself. His interest in GTMF, and appointment as its Music Director in 2006, speak volumes about the allure of the festival. For this 49th season – June 30Aug. 14 – Runnicles has secured another world-class roster of guests, including violinist Sarah Chang, pianist Stephen Hough and conductor Mark Wigglesworth. Programs feature universal favorites (Beethoven’s Symphony No. 5, Mozart’s “Jupiter” Symphony), 20th-century masterpieces (Berg’s Violin Concerto, Debussy’s La Mer), and neglected gems (such as 18 Wyoming Library Roundup • Spring 2010 works by J.S. Bach’s sons). Other events include a free Fourth of July concert, the family-friendly “6:15 Music Machine,” pre-concert talks, free Tuesday night “Inside the Music” programs, and the “Music in Nature” program – in which a string quartet plays free programs in the national park. Such gatherings give audiences the chance to explore the music and musicmaking process, and deepen the ties between the Jackson Hole community and long-thriving artistic community created anew each summer in Walk Festival Hall. For additional information or to purchase tickets, contact the Festival Box Office at 733-1128 or go online to www.GTMF.org. Oyster Ridge Music Festival, July 30-Aug. 1, 2010 The Oyster Ridge Music Festival (ORMF) committee believes that music should be enjoyed by all. Because of this they host a three-day music festival that is free to the public. Oyster Ridge is the largest free festival in Wyoming and won the 24th Annual Governor’s Art Award in 2005. Organizers pride themselves in having an intimate venue on the Famous Historic Triangle Park in Kemmerer. For the three days, attendees hear music that varies from traditional bluegrass to exciting, innovative and edgy original compositions. Strings and percussion instruments combine with vocal talent to offer an auditory feast that satisfies the hunger for live performance. The event is supported entirely by sponsorships and donations making it even more remarkable. The Oyster Ridge Music Festival has allowed this small town to experience world-class music of various genres and appreciates the variety of styles and techniques. The community has come together to support this musical experience, which has now taken on a life of its own, one that presents participants with a unique opportunity to interact with the arts in Wyoming. The mission of the Oyster Ridge Music Festival is to create a premier, quality music event to attract a large community audience while also appealing to those from surrounding areas. Every year the festival hires around ten to eleven bands to perform. The festival also organizes different workshops each year that students from around the region can attend. Generally guitar, banjo, mandolin, vocal, songwriting and fiddle workshops are available and taught by different professional band members. ORMF is also the home of the state Fingerpick and Flatpick contests. The Wyoming State contests are held during the last day of the festival. The winners become the state champions and as part of the prize, admission and entry into the National Flatpick and Fingerpick contests are provided. Another activity at the festival is the Infamous Band Scramble. In the Band Scramble, musicians are randomly grouped into a band. Winners are chosen by the crowd on the basis of stage presence and overall impression. This event has always been one of the most popular at the Oyster Ridge Music Festival because it is open to all levels of musicians. The Band Scramble usually consists of about 75 contestants. The Oyster Ridge Music Festival has become the highlight of the year for many residents of Kemmerer and the surrounding communities as evidence by the increase in numbers of attendees. Kemmerer is known for the festival, but the state is recognized for the best free entertainment in the West. It is through combined efforts that this festival is in existence today. The festival is an exceptional event and the more support it receives the better it will continue to be. Wyoming Library Roundup • Spring 2010 19 Romance with the Range The Prickly Pair “If it’s in you, it’s going to come out of you,” that’s what musician Les Hamilton says about people born with artistic abilities. “When you’re unabashed about what you let flow out of you it becomes very real for your listeners. That’s very readable and people pick up on that.” Locke says their newest member, Norman Winter, is the future of their music genre. He and his wife Locke are part of the ensemble, the Prickly Pair. They’re also joined by Norman Winter. Both had musical up-bringing but took a long break from the music scene. “We turned pro when most everyone else in our industry starts to give up. We turned pro in our 40s and it’s been quite a ride,” Les says. Les grew up in rural Wyoming and played music from a very early age. He played music with his family and also joined the string program at school and learned to play the violin. “Back then you didn’t know any nice standup musicians. The idea of being a musician was kind of taboo.” But at the same time, Les says if he showed up at a family function, he was expected to join in. “That was part of the deal. Playing was a family thing or a real ‘churchy’ thing when you did play, it was important.” Locke knew how to play the guitar when she was young, but says she isn’t an overly great singer—Les argues this opinion. Regardless, she still focused a lot on her singing. Then she left singing 20 Wyoming Library Roundup • Spring 2010 for nearly 25 years and had a career as a horse trainer. “I’ve read that if you have a musical gift and you’re not doing something with it, you will be miserable. That led me back to my desire to sing,” she says. Then the universe set it up, she says, so she could meet Les so the two could create music together and also wed. “Everything was sort of meant to be,” Locke says. The two met in 1993 at a cowboy music show in Riverton. They soon started doing gigs at different resorts and guest ranches before officially becoming the Prickly Pair in 1995. “We’ve both played music for as long as we can remember. A love of the West and the lifestyle brought us to our roots and the kind of music we do today,” she says. They describe their sound as a unique and refreshing blend of old time fiddle, cowboy tunes, vintage Western and folk tunes that trace cowboy music to its Celtic roots. Their type of music doesn’t really fit in any particular genre, although the group can be heard on Americana folk music radio from time to time. Six out of their seven albums have charted on American folk music radio. The two started out doing covers of more famous traditional songs and started to add their own songs and rework songs of the past with new lyrics and melodies. “When people hear we play country music they think it will be like what they hear on the radio, and the music we play has some roots there but it’s nothing like what we do. We have a very niche market,” Les says. And they’ve been very successful in this niche market. The two aren’t ones to toot their own horns but were nominated for Best Group or Duo of the Year in 1998 by the Western Music Association. They were also nominated for the Rising Star Award in 1998 by the Academy of Western Arts. After taking a break from the Western Music Association, they rejoined recently and were nominated in six categories and walked off with Best of the Best Harmony Singing Group in Western Music. The two love the music part of their life but admit they have a harder time touring because they don’t want to leave their home. “We live in such a beautiful place, that it gets harder and harder to take ourselves away,” Les says. Locke says, “I think we’ll eventually retire and probably take gigs as they come instead of shopping around for them—which we’ve really started to do more of now.” Locke thinks their third and newest member, Winter, will carry on their music. “I can definitely see him going out and joining and forming another band at some point and taking that sound to venues. He’s really excited about the music. Younger people are drawn to him and want to find out more about him. That’s how it will all live on.” Les says he thinks at some point they may start putting on workshops or offering some kind of help to aspiring musicians in their genre. “You can spend a lot of time in school, but sometimes spending 10 or 30 minutes with a pro can teach you more than a whole semester of class work,” he says. For more information on the Prickly Pair or to see when they’re coming to a venue near you, visit www. pricklypair.com. Les and Locke Hamilton along with Norman Winter make up the group. The Prickly Pair. Wyoming Library Roundup • Spring 2010 21 Paul Taylor is an acclaimed Australian performing artist who delights in sharing the culture of his homeland. Takin’ Care of Business Being selected to the Wyoming Arts Council (WAC) Artist Roster can help a struggling artist. “Sometimes this is the push they need,” says WAC Literature, Visual and Performing Arts Specialist Mike Shay. “I’ve had plenty of artists say, ‘This was the last time I was going to give it a go. I was so close to just giving up.’” Not only does the roster help artists, it also gives places like schools and libraries a place to go when they’re looking to bring in some entertainment. “If a library is looking for more activities when students are on break, they can come to our site and check out what we have that might help,” he says. To get these artists, whether that be in performing arts, folk arts, or literary arts, libraries can apply for grants through the arts council to offset the cost. Usually these are matching grants. “This gives a lot of the smaller libraries an opportunity to 22 Wyoming Library Roundup • Spring 2010 bring some really neat stuff to their area,” Shay says. Artists are selected once a year by an arts council committee. These selected artists are assigned to the current roster. “We meet for about a day and let our committee go through all the applicants. The arts council doesn’t decide who gets added to the roster, instead we’re just there to help the committee.” Every five years everyone on the roster is required to reapply. This helps the council determine who has become inactive on the roster and others who may have moved and not notified the council. “Many arts councils use rosters from other states to locate people to bring in their state, just like people from outside the state use ours.” Shay says the work artists do in libraries helps artists a great deal. “We have great libraries in the state and with Wyoming being such a word-of-mouth state, if people like what you’re doing the word will get around.” This means more opportunities for Wyoming’s artists. “The majority of the artists on our roster are performing artists, but there’s such a variety in the ones listed,” Shay says. When they started the roster there were only about 20 people featured. Now the roster has grown to feature more ~Mike Shay, Wyoming Arts Council than 65. “The roster has a potential to be as large as it wants to be,” he says. There is no set number of artists accepted each year. The council starts taking applications in September and The Fat City Mardi Gras Band is a unique band that blends the announces the roster during the fall season. best of Fat Tuesday’s celebration music. “The roster really does two things for artists: it gives them credibility, a real stamp of approval; and it serves as project with the artist. A contract is signed and the WAC a resource to the communities.” funding is paid directly to the grantee. After choosing an artist, organizers must finalize the Sometimes artists apply for one of the individual grants themselves. This can help them finish a book or record a CD. For more information on how to apply for a performing arts grant or an individual grant, visit the WAC Web site at http:// wyoarts.state. wy.us. “The roster really does two things for artists. It gives them credibility, a real stamp of approval. And it serves as a resource to the communities.” David L. Shaul, a Wyoming native, is a virtuoso performer on both folk and pedal harp. Wyoming Library Roundup • Spring 2010 23 historic composers of Wyoming Wyoming has been home to more than 100 composers in its past. Most of their names and the music they composed have been lost to history. Names like Flora Heathman, Mabel Cuthbert, Mary Morris and John Morgan. Compositions with titles like “Take Me Back to Frontier Days”, “Western Plains” and “Fall Flowers in Wyoming.” Most had careers unrelated to their music. Dr. Irvin Blake was a beloved pioneer physician of Buffalo in the early 1900’s. He was also a composer of waltzes. David G. Thomas moved to Wyoming in 1878 and was employed in the coal mines. He held public offices in Sweetwater and Uinta counties and served as the State Coal Mine Inspector. He wrote poetry and words for “My Sweet Wyoming Rose.” J. Emilus Blivin of Rock Springs wrote the music. (The Wyoming Press, April 28, 1906) Some worked as teachers in the public schools of Wyoming. John J. Brueggemann of Rock Springs was responsible for the development of the music education programs for the Sweetwater County schools. He also organized a school of music in Rock Springs and lead the orchestra at the Rialto Theater. More information about him can be found at the American Heritage Center in Laramie. “Wyoming Moods” and “Wyoming Youth” are two of his better known orchestral compositions. Many played important roles in Wyoming’s early music history. Mary Lee Merritt and Mary Read Rogers both wrote music and served as president of the Wyoming Federation of Music Clubs. Alice Ross, composer of “Wyoming Sketches,” a set of tone 24 Wyoming Library Roundup • Spring 2010 poems for organ, helped found the Cheyenne Little Symphony, the predecessor of the Cheyenne Symphony. Cady Kenney had many songs published while he taught music and established the Rawlins Conservatory of Music. Sometimes, compositions are more well known than their composers. Marie Montabe Horton authored the pageant play “Gift of the Waters” while Corrine Barrow Williams wrote some of its music. The “Gift of the Waters” Pageant, first held in 1925, still occurs every August at the Big Spring in Hot Springs State Park, Thermopolis. Jack Bryant was commissioned by the Wyoming Department of Commerce and Industry to write “That’s Wyoming” the state’s golden anniversary theme song. And Lorene M. Decker wrote “Yankie Sammies” in 1918, a copy of which is housed in the British Library Reference Collection. According to “Wyoming A Guide to its history, highways, and people” compiled by workers of the Work Projects Administration in Wyoming in 1941, John L. Hunton of Laramie “is the only Wyoming composer whose work is known to any extent outside the State. In his piano and violin studies, which describe the roundups, cattle stampedes, blizzards, the beauty of hazy prairies, and similar Western scenes, he has woven original versions of some of the oldest cowboy songs. For the piano Hunton wrote ‘Sagebrush,’ ‘Prairie Dogs,’ ‘Indian Paintbrush’ ‘Jackrabbits,’ ‘Autumn Aspen,’ and ‘Blizzards’…” Copies of Hunton’s Sketches of the West: suite for piano solo can be found at the University of Wyoming Libraries. Finally, there are many composers who were affiliated with the University of Wyoming. George Edwin Knapp became director of music at the University of Wyoming shortly after World War I. He is most well known as the composer of the music of the Wyoming March Song, our state song, for which Charles E. Winter wrote the words (see story elsewhere in this issue). June Etta Downey was a noted professor of philosophy and psychology at the University but she also wrote the words and music to the UW Alma Mater. Allan Arthur Willman, who was chairman of the music department at the university from 1942-1974, was a classical composer and the recipient of the Paderewski Prize for his symphonic poem, Solitude. He was also the founder of the Wyoming Music Teachers Association. Willman’s papers are held by the American Heritage Center in Laramie. This is just a sampling of the composers who have lived in Wyoming. It does not recognize any of the composers of the past 30 years. Sources used include Wyoming Composers compiled by The Wyoming Federation of Music Clubs, 1941 and Wyoming Composers A Bicentennial Review by Curtis Snook and David Tomatz, 1976. The Wyoming State Library also has a set of index cards, circa 1940-1960, that list Wyoming composers and their music. The American Heritage Center in Laramie holds the papers of a number of Wyoming composers. Also, the Hebard Collection at the University of Wyoming Libraries has a large collection of original music by Wyoming’s composers. ~by Venice Beske, Special Projects Librarian at the Wyoming State Library. Images courtesy of University of Wyoming Libraries Wyoming Library Roundup • Spring 2010 25 Library Wyoming Presorted Standard U.S. Postage PAID Cheyenne, WY Permit. No. 7 Roundup Wyoming State Library 2800 Central Avenue Cheyenne, WY 82002 http://will.state.wy.us/roundup The Wyoming Library Roundup is a quarterly publication of the Wyoming State Library, the Wyoming Library Association and the Wyoming Center for the Book. If you would like to continue to be on our mailing list, if your address has an error that needs correction or you know of someone who would like their name added or you would like your name removed from our mailing list, please send your request to: Wyoming State Library, Publications and Marketing Office, 2800 Central Avenue, Cheyenne, WY 82002. Music festival in Ten Sleep features Wyoming musicians NOWOODSTOCK is an annual music festival held the second full weekend of August in Vista Park, Ten Sleep, Wyoming. Vista Park, true to its name, provides an engaging panorama of the eastern flank of the Big Horn Mountains, red rock cliffs, and Ten Sleep Creek. Ten Sleep, population 304, is the perfect setting for an enjoyable and entertaining weekend of music, friends and fun. The festival is dedicated to bringing excellent talent to the Big Horn Basin. Over the past nine years approximately 70 percent of the acts have been from Wyoming or have strong connections to the state. Folk, singer/songwriter, jazz, blues, bluegrass, western, country, Hispanic, Celtic, and just about any combination of musical styles have graced the stage at NOWOODSTOCK. Many of the attendees cite the variety of musical styles as their favorite part of the event. NOWOODSTOCK X is scheduled for August 13-15, 2010. Tickets are available at the main Wyoming Library Roundup • Spring 2010 entrance to the park and are priced at $15 Friday and Sunday, $20 Saturday, or $30 for the weekend. NOWOODSTOCK offers a family friendly environment and children under 12 are admitted free. Local and regional artists provide an array of jewelry, art, turned bowls, blown glass, and much more for sale. Ten Sleep’s own Jalan Crossland is the most popular act at NOWOODSTOCK. He is the only artist to appear every year since the festival started in 2001. Regardless of who is on the bill, Jalan is the biggest audience draw. “Jalan will play every year until he tells me he doesn’t want to play anymore,” Festival director Pat O’Brien says. The beauty of the setting, the quality of the music, and the demeanor of the crowd offer a truly relaxing and totally unique experience. There are no hassles, no huge crowds, and no problems encountered by festival-goers. For more information on Wyoming’s music festivals, see page 15 in the magazine.
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