1. art and entertainment
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University of Florida Performing Arts
2014-2015 Season
From the Director
Greetings! It gives me great pleasure to welcome you to the 2014 – 2015 University of Florida Performing Arts (UFPA) Season.
This season, UFPA is proud to present a line-up of world-class artists, from places both near and far.
The internationalization of the University of Florida continues to be a top priority, and to that end, UFPA will continue to present artists from
around the world. More than 20 countries will be represented by artists as diverse as Diplomats of Drum from Malaysia; Teatro Hugo & Ines
from Peru; DakhaBrakha from the Ukraine; and The Nile Project, which features artists from countries touched by that great and mysterious
river. For the first time we are identifying these live opportunities as “Artists Crossing Borders” which we will carry into future seasons, as well.
At the request of many of our audience members, we have expanded our offerings of singer-songwriter artists. This season’s singersongwriters include Perla Batalla, John Gorka, Tab Benoit, Dala and David Wilcox. Each artist, while unique in their presentation, remains
true to the storytelling tradition of the genre.
Several years ago, UFPA launched its Chords of Color for a Cause series. Featuring performing artists who are cancer survivors or who have
supported a loved one through an experience with cancer, this series demonstrates the profound impact that the performing arts can have
on the healing process. Look for the Chords of Color logo which will identify events presented under the umbrella of this program.
We are fortunate to live in a strong artistic community. To that end, a new set of offerings under the rubric “Local Routes” will provide a pathway
for artists within our community to start appearing under the auspices of UFPA. Stay tuned for an announcement this fall about the local artists
whose talents will be showcased in the intimacy of the Squitieri Studio Theatre, located in the Phillips Center for the Performing Arts.
The experience and power of a live performing arts event is unparalleled. We are appreciative of your continued support in our endeavors
to provide a rich artistic resource for the community.
I look forward to seeing you at one of our events this season.
Warmly,
Michael Blachly, Director
University of Florida Performing Arts
Basetrack
Monday–Tuesday, July 14–15, 7:30 p.m.
Phillips Center
1
EarFilms
What began as a partnership to share
the impact of war on veterans and their
communities has become a full-fledged
theatrical collaboration. Actors, musicians,
and members of Marine Unit 1/8 work in
tandem to create a powerful vision of our
armed forces. With projections of images
and video content taken in Afghanistan and
from veterans at home, performers act as a
catalyst for social change and provide a
connection to the 34,000 men and women
serving overseas.
Sponsored by UF Health Shands
Monday–Friday, August 25–29,
7:30 p.m.
Squitieri Studio Theatre
John McCutcheon:
Joe Hill’s Last Will
Let your imagination take center stage!
Relying solely on a soundscape designed
by Foley artists who’ve worked on the Harry
Potter films, Game of Thrones and The
Hobbit, and guided by narrator and director
Daniel Marcus Clark, EarFilms is an
immersive theatre experience like no other.
Described as “a sonic storytelling experience
for the ears and the imagination,” EarFilms
lets you step into a realm where reality and
dreams blend seamlessly together.
Multi-Grammy nominee and folk legend
John McCutcheon portrays the most
iconic songwriter of the American labor
movement, Joe Hill, as he awaits execution
for murders he claims he didn’t commit.
McCutcheon brings this story of love,
injustice and courage to life with tourde-force acting, rich vocals and stellar
instrumental skills.
Wednesday, September 3, 7:30 p.m.
Squitieri Studio Theatre
800-905-2787
www.performingarts.ufl.edu
Camelot
2
Friday, October 3, 7:30 p.m.
Sunday, October 5, 2 p.m.
Phillips Center
Ribab Fusion
On tour as part of Center Stage
Saturday, September 27, 7:30 p.m.
University Auditorium
Afro Bop Alliance
Friday, September 19, 7:30 p.m.
University Auditorium
The exhilarating Afro Bop Alliance
thrills audiences with their infectious
polyrhythmic grooves, harmonic colorings
and improvisational flights. They were
awarded a Latin Grammy for Best Latin Jazz
Recording for their 2008 album, Caribbean
Jazz Project, which was also nominated
for Best Latin Jazz Album at the Grammy
Awards. Their music has received
critical acclaim worldwide.
Sponsored by UF Health Shands
A fusion of jazz, Moroccan funk and Afropop,
Ribab Fusion invokes the spirit of Morocco’s
southern Atlantic coast with a modern twist.
These seven musicians are on a mission to
revolutionize the ribab, a one-stringed, bowed
instrument. Ribab Fusion’s celebration of
Morocco’s Amazigh culture encompasses
an entire spectrum of music, from slow jams
to ’70s-style funk. The traditional meets
contemporary in this bold and exciting
performance.
The presentation of Ribab Fusion is part of Center Stage,
a public-private cultural exchange program initiated by
the U.S. Department of State’s Bureau of Educational
and Cultural Affairs and produced by the New England
Foundation for the Arts (NEFA) in cooperation with the U.S.
Regional Arts Organizations, with additional support from
the Robert Sterling Clark Foundation and the Asian Cultural Council. General
management for Center Stage is provided by Lisa Booth Management, Inc.
Lynn Harrell, Cello
Sunday, September 28, 2 p.m.
University Auditorium
Two-time Grammy winner Lynn Harrell
celebrates his 70th birthday and 50th year as
a concert cellist. Harrell has been a frequent
guest of leading orchestras around the world,
collaborates regularly with noted conductors,
and has a discography featuring more than
30 recordings. A consummate soloist,
chamber musician, recitalist, conductor and
teacher, his work places him among today’s
finest performing artists.
Sponsored by Dharma Endowment Foundation
Experience Camelot’s “one brief, shining
moment” as Lerner and Loewe envisioned it
in one of theatre’s most legendary musicals.
Recount the time-honored legend of King
Arthur, Guinevere, Lancelot and the Knights
of the Round Table in an enchanting fable
of chivalry, majesty and brotherhood in
this four-time Tony Award-winning show.
Intimate and fresh, never has this story of
passion, pageantry and betrayal been more
captivating. The celebrated score includes
the classics If Ever I Would Leave You, The
Simple Joys of Maidenhood and the title
song, Camelot.
Chris Thile & Edgar Meyer
Monday, October 6, 7:30 p.m.
World Premiere
Phillips Center
UF Symphony Orchestra
Raymond Chobaz, Music
Director and Conductor
Andreas Klein, Piano
The Story of Cinderella
with narration by
Amy Redford
Thursday, October 9, 7:30 p.m.
Phillips Center
Join us for a special evening of orchestral
music from the UF Symphony Orchestra,
led by Maestro Raymond Chobaz. The first
half of the program features pianist Andreas
Klein while the second half is devoted to the
premiere of The Story of Cinderella, with
music from the ballet by Sergei Prokofiev,
text and conception by Raymond Chobaz,
narration by Amy Redford and guest artists
from Dance Alive National Ballet. The
daughter of Academy Award-winning film
director and actor Robert Redford, Amy
Redford has appeared in films as diverse as
Sunshine Cleaning and Maid in Manhattan.
A modern twist on a well-loved fairy tale,
The Story of Cinderella is “about growing up,
about wanting to seek and find, and about
wanting to be found.”
Film Screening
The Guitar
Tuesday, October 7, 7:30 p.m.
Phillips Center
Mandolinist/composer Chris Thile, of
Punch Brothers, and bassist/composer
Edgar Meyer team up once again! These
two MacArthur Fellows will cross traditional
boundaries in a diverse program of largely
original music. The duo has collaborated
on several critically-acclaimed projects
including the Grammy Award-winning Goat
Rodeo Sessions, a 2008 recording of original
compositions and, most recently, Thile’s 2013
solo recording, Bach: Sonatas and Partitas,
Vol. 1, produced by Meyer.
The Guitar, a film directed by Amy
Redford, examines what happens when the
unthinkable occurs. Diagnosed with cancer,
abandoned by her boyfriend and fired from
her job, Melody Wilder must re-invent herself.
Pursuing a lifelong dream to learn the
electric guitar becomes more than crossing
off an item on her bucket list. It becomes the
method by which she is not only transformed,
but emotionally and spiritually healed.
Sponsored by Dharma Endowment Foundation
A TM
Event
800-905-2787
www.performingarts.ufl.edu
Program
Festive Overture — Shostakovich
Rhapsody on a Theme of Paganini for Piano and
Orchestra — Rachmaninov (Andreas Klein, Pianist)
The Story of Cinderella — Music from the ballet by
Sergei Prokofiev, text and conception by Raymond
Chobaz (Amy Redford, Narrator)
3
Cypress String Quartet
Sunday, October 19, 2 p.m.
University Auditorium
4
KEIGWIN + COMPANY
Diplomats of Drum
Thursday, October 16, 7:30 p.m.
Phillips Center
Formed as a team of young street performers
in 2005, the Diplomats of Drum have evolved
into a dynamic band, adding melodic folk
and pop musicians to the ensemble. The
Diplomats create global fusion sounds with a
16-member lineup representing the melting
pot of cultures in Malaysia. Creating “music
without borders,” the band’s debut single,
Forza, topped the Malaysian charts in 2011.
Caravanserai: A place where cultures meet is produced by Arts
Midwest on behalf of the U.S. Regional Arts Organizations
with leadership support from the Building Bridges Program of
the Doris Duke Foundation for Islamic Art. Caravanserai’s film
programming is coordinated on behalf of the program by South Arts.
Formed in San Francisco in 1996, the Cypress
String Quartet has been praised for its
“artistry of uncommon insight and cohesion”
and “beautifully proportioned and powerful”
sound. The ensemble maintains a busy
national and international touring schedule,
and has commissioned and premiered more
than 35 string quartets by leading composers
of our time.
Program
String Quartet in F, Op. 135 — Beethoven
Lento Assai (2009) — Puts
String Quartet in E-flat, Op. 51 (B. 92) — Dvořák
Earl Klugh Trio
Sunday, October 19, 7:30 p.m.
University Auditorium
Grammy-winning guitarist Earl Klugh’s
career spans more than four decades and
includes hundreds of compositions. A true
expression of contemporary jazz, Klugh’s
fingerstyle guitar approach is both complex
and mesmerizing. He has landed four No.
1 records on Billboard’s Jazz Album chart,
and has performed alongside Jimmy Buffett,
Stevie Wonder, Miles Davis and Kenny
Loggins, to name a few.
Tuesday, October 21, 7:30 p.m.
Phillips Center
Striving to bridge the gap between artistry and
entertainment, KEIGWIN + COMPANY creates
dances that engage broad audiences. The
ensemble’s electrifying brand of contemporary
dance has graced some of the most prestigious
stages in the United States, including the
Kennedy Center and the Joyce Theater.
Founded by artistic director Larry Keigwin,
the company recently celebrated its 10th
anniversary and has created 29 dances to date.
Sponsored by Business Report of North Central
Florida
The Intergalactic Nemesis
Live-Action Graphic Novel
Book One: Target Earth
5
Wednesday, October 22, 7:30 p.m.
Phillips Center
L.A. Theatre Works
Susan Albert Loewenberg,
Producing Director
Presents
John Ball’s
In the Heat of the
Night
Adapted by Matt Pelfrey
Accordion Virtuosi
of Russia
Everything cool these days seems to be
coming out of Austin, Texas, and this show
is the latest example. Telling an all-ages
adventure story set in the 1930s, The
Intergalactic Nemesis mashes up
comic-book and radio-play formats into a
one-of-a-kind theatrical experience, a new art
form, the Live-Action Graphic Novel. Three
actors voice dozens of characters, a Foley artist
creates all the sound effects, and a pianist
plays a cinematic score, while more than
1,250 individual full-color hi-res comic book
panels tell a hilarious sci-fi adventure story
visually from an enormous movie screen.
Sunday–Tuesday, October 26–28,
7:30 p.m.
Phillips Center
Sunday, October 26, 2 p.m.
University Auditorium
The Accordion Virtuosi of Russia was founded
in 1943 by Professor Pavel Smirnov during
the Leningrad siege. This unique ensemble
thrills audiences around the globe with a
diverse repertoire ranging from folk music
to arrangements of rock songs. On three
occasions, the ensemble has participated in
the cultural program for the Olympic Games.
Since its inception, the Accordion Virtuosi of
Russia has been led by three generations of
the Smirnov family: founder, Pavel Smirnov,
and now by his sons Yuri and Vladimir, as well
as his grandson, Yaroslav.
800-905-2787
www.performingarts.ufl.edu
This stage adaptation of John Ball’s thrilling
novel, In the Heat of the Night,
is presented by L.A. Theatre Works — the
leading radio theater company in the United
States for more than two decades. Set in
1960s Alabama, the play depicts the slow
evolution of attitudes in the South as the
nation grapples with integration and the
racial hostilities of the Civil Rights era. The
1967 film adaptation starring Sidney Poitier
netted four Oscars, including best picture.
Sponsored by Dharma Endowment Foundation
Les Ballets Jazz de Montréal
Wednesday, November 5, 7:30 p.m.
Phillips Center
6
The Capitol Steps
Perla Batalla
Monday, November 3, 7:30 p.m.
Phillips Center
The Capitol Steps is the only group that
attempts to be funnier than Congress. They
pride themselves on being nonpartisan
bipartisan equal-opportunity offenders,
spoofing the news of the day to the songs
that you know. They have performed for five
presidents, traveled to all 50 states and their
most recent album is appropriately titled, How
to Succeed in Congress Without Really Lying.
For breaking news, come see the Capitol Steps
and find out … what rhymes with it.
Sponsored by Oak Hammock at the
University of Florida
Thursday, November 6, 7:30 p.m.
Squitieri Studio Theatre
BJM — Les Ballets Jazz de Montréal — is a
repertory company that presents a hybrid
form of dance combining the aesthetics of
classical ballet while embracing many other
different styles. Very contemporary in its
current approach, BJM performances are
explosive, original and accessible, and the
company’s name reflects the ensemble’s
ambition to “jazz up” the classical ballet on
which it prides itself.
Grammy-nominated vocalist, composer
and arranger Perla Batalla honors her
bi-cultural heritage with pure joy. Batalla
first gained attention as a backup singer
for Leonard Cohen, working with him for a
decade before embarking on a solo career —
with Cohen’s encouragement. In addition
to many albums including Mestiza and
Discoteca Batalla, she is also a recipient of
the United Nations Earth Charter Award
for extraordinary devotion to social and
economic justice. Batalla evokes the spirit
and contagious rhythm of her roots.
Apollo’s Fire Baroque Orchestra
7
The Monteverdi Vespers of 1610
Jeannette Sorrell, conducting
Sunday, November 9, 2 p.m.
University Auditorium
Tab Benoit
Friday, November 7, 7:30 p.m.
University Auditorium
Described as a “Cajun man who’s definitely
got the blues,” Tab Benoit grew up in
Louisiana and began playing guitar in his
teens. Hanging out at the Blues Box, run
by guitarist Tabby Thomas, Benoit played
alongside Thomas, Raful Neal, Henry Gray
and other high-profile regulars at the club. In
2007, Benoit received the B.B. King Entertainer
of the Year and Best Contemporary Male
Performer at the Blues Music Awards.
Sponsored by Blue Water Bay
With seven vocal soloists, a professional
choir and an orchestra of period
instruments, Apollo’s Fire will perform
its signature piece — The Monteverdi
Vespers of 1610. Led by award-winning
conductor Jeannette Sorrell, the
ensemble’s CD of this work cracked the
Billboard Top 10 in 2010.
This national tour by Apollo’s Fire is supported
by a generous grant from the National
Endowment for the Arts.
DakhaBrakha
Tuesday, November 11, 7:30 p.m.
Phillips Center
800-905-2787
www.performingarts.ufl.edu
DakhaBrakha — self-described as an “ethnochaos” band — performs unexpected new world
music. With a seemingly limitless vocal range
and a variety of instrumentation — including
Indian, Arabic, African, Russian and Australian
— the quartet creates a transnational sound
rooted in Ukrainian culture.
Hot Sardines
Friday, November 21, 7:30 p.m.
Phillips Center
8
Russian State Symphony
Orchestra
Mannheim Steamroller
Christmas by Chip Davis
Valery Polyansky, Artistic Director
and Chief Conductor
Vladimir Feltsman, Piano
Sunday, November 16, 7:30 p.m.
Phillips Center
Experience the magic! Mannheim
Steamroller Christmas by Chip Davis has
been America’s favorite holiday tradition
and this year marks the 30th anniversary
of the group’s annual tour. Grammy Award
winner Chip Davis has created a show
that features the beloved Christmas music
of Mannheim Steamroller along with
dazzling multimedia effects performed in
an intimate setting. The spirit of the season
comes alive with the signature sound of
Mannheim Steamroller music. Join in the
30th anniversary celebration of Mannheim
Steamroller Christmas. Don’t miss this
ultimate holiday tradition from the No. 1
Christmas music artists in history!
Sponsored by Liquid Creative Studio
Sunday, November 23, 7:30 p.m.
Phillips Center
Dave Mason’s Traffic Jam
Tuesday, November 18, 7:30 p.m.
Phillips Center
Rock and Roll Hall of Famer Dave Mason
leads a journey through rock’s glory days
and retraces the origins of the legendary
band Traffic, which he founded with Steve
Winwood as a teenager. Mason will also
perform the works that launched his
successful solo career during this nostalgic
concert experience.
Sponsored by Gainesville.com, Limerock Road
Neighborhood Grill and WIND-FM
Born at a jam session above a Manhattan
noodle shop, Hot Sardines brings together
the sounds of wartime Paris with New
Orleans jazz and tap dancing. Bandleader
Evan “Bibs” Palazzo and lead singer “Miz
Elizabeth” Bougerol captivate 21st century
audiences with the foot-tapping jazz music
of the 1920s, ’30s and ’40s. Straight from
the era of Louis Armstrong and Fats Waller,
this red-hot band is ready to bring the
house down.
In great demand worldwide, the Russian
State Symphony Orchestra is lauded for
its discipline, flexibility, warmth, nobility
and balance. Following a merger of the
State Symphony Orchestra of the U.S.S.R.
Ministry of Culture and the U.S.S.R. State
Chamber Choir, the ensemble was officially
established in 1991. For this performance,
they are joined by pianist Vladimir Feltsman.
Program
Overture to Ruslan and Lyudmilla — Glinka
Piano Concerto No. 1 in B-flat Minor, Op. 23 —
Tchaikovsky
Symphony No. 1 in D Minor, Op. 13 — Rachmaninov
Sponsored by Dharma Endowment Foundation
9
Mediæval Bæbes
Friday, December 5, 7:30 p.m.
University Auditorium
Mustard’s Retreat
The Good Lovelies
Wednesday, November 26, 7:30 p.m.
Friday, November 28, 4 p.m. and
7:30 p.m.
Squitieri Studio Theatre
Awarded two Canadian Folk Music Awards
in 2013 — for Vocal Group of the Year and
Ensemble of the Year — The Good Lovelies
return to Gainesville with a Christmas-themed
performance. Funny, sassy and upbeat, this trio
delivers catchy songs using various instruments
and textbook three-part harmonies.
If you’ve never celebrated the holiday season
with songs in languages like Middle English,
Medieval French or Cornish, the Mediæval
Bæbes can solve that problem and more with
their particular brand of seasonal carols.
Though they have a repertoire that includes
traditional medieval songs, the group does
modern, too, with eight studio albums and a
spot on the top of the UK classical charts. Their
new CD, Of Kings & Angels: A Christmas Carol
Collection, is a celebration of traditional holiday
music. With humor and an affinity for castles
and cathedrals, the Bæbes bring the medieval
holiday season out of the Dark Ages.
Friday, January 9, 7:30 p.m.
Squitieri Studio Theatre
800-905-2787
www.performingarts.ufl.edu
Grounded in the early folk sounds of the
’60s and utilizing witty storytelling, David
Tamulevich and Michael Hough have been
entertaining audiences since 1974 as Mustard’s
Retreat. What began as a chance meeting of
two-short order cooks has generated a longspanning career with 12 highly acclaimed
recordings. These accomplished musicians
bring along guitars, dulcimers, electric bass, a
mandolin, a harmonica and a pennywhistle, all
intrinsic parts of their open and inclusive style
of entertainment.
Jacksonville Symphony Orchestra
Steven Smith, Conductor
Gabriela Martinez, Piano
Sunday, January 11, 2 p.m.
Phillips Center
10
Julia Bullock, Soprano
from Young Concert Artists
Saturday, January 10, 7:30 p.m.
University Auditorium
As Winner of the 2012 Young Concert Artists
International Auditions and the University of
Florida Performing Arts prize which includes
a concert engagement, soprano Julia Bullock
recently gave debut recitals in New York City
and at the Kennedy Center. Last season, she
performed the title role in Purcell’s The Indian
Queen, directed by Peter Sellars at the Teatro
Real and Perm Opera House, and reprises
the role at the English National Opera in
2015. Past opera roles include Pamina in Peter
Brook’s A Magic Flute, and the title role in
Massenet’s Cendrillon with the Juilliard Opera.
She made her San Francisco Symphony debut
in West Side Story in Concert, conducted
by Michael Tilson Thomas, and is currently
pursuing an Artist’s Diploma at Juilliard.
Sponsored by UF Health Shands
The Official Blues Brothers
Revue™
For more than 60 years, the Jacksonville
Symphony Orchestra has hosted some
of the most renowned artists of the past
century including Luciano Pavarotti, Itzhak
Perlman and Benny Goodman, to name a
few. For this engagement, the orchestra will
be led by conductor Steven Smith — music
director of the Grammy-winning Cleveland
Chamber Symphony and Ohio’s Composer
of the Year in 2008 — and Venezuelan
pianist Gabriela Martinez.
Program
Emperor — Beethoven
Midsummer Night’s Dream Overture — Mendelssohn
King Lear — Berlioz
Emperor Waltz — J. Strauss, Jr.
The Nile Project
Thursday, January 15, 7:30 p.m.
Phillips Center
Founded in 2011 to better the lives of
Nile citizens, The Nile Project brings its
message to the University of Florida in
an effort to inspire, inform and empower
the community to work together to foster
ecological sustainability. The Nile Project’s
musical ensemble features a pan-Nile
percussion section, an orchestra of global
instrumentalists and vocalists singing in 11
different languages.
Saturday, January 17, 7:30 p.m.
Phillips Center
In this blend of humor and music, the
characters of Jake and Elwood Blues, along
with the eight-piece Intercontinental Rhythm
& Blues Revue Band, bring the passion of
the Blues Brothers back to life. Featuring the
classics Soul Man, Rubber Biscuit, Gimme
Some Lovin’ and more, the Official Blues
Brothers Revue brings the hits from the
original film and subsequent albums to the
stage. They pay homage to Chicago’s rich
history of blues, gospel and soul music in a
way that is fun for audiences of all ages.
Sponsored by The Gainesville Sun
ZAP MAMA
&
ANTIBALAS
11
Wednesday, January 21, 7:30 p.m.
Phillips Center
Zap Mama, the Afro-European vocal
quartet, and Antibalas, the pioneers of
Afrobeat, will come together to celebrate the
evolution of contemporary Afro music. The
groups have collaborated with numerous
artists including Black Thought, Questlove,
Erykah Badu and Common. Individually,
Zap Mama & Antibalas incorporate a
multitude of genres — together the result is
unmatchable. This performance will combine
the vocal technique and European polyphony
of Zap Mama with Antibalas’ New York
City Latin funk and traditional drumming of
Cuba and West Africa.
Sponsored by UF Health Shands
Chanticleer
Arlo Guthrie
Alice’s Restaurant
50th Anniversary Tour
Friday, January 23, 7:30 p.m.
University Auditorium
Thursday, January 22, 7:30 p.m.
Phillips Center
This concert celebrates the 50th anniversary
of the event that inspired one of Arlo
Guthrie’s most treasured songs — Alice’s
Restaurant Massacree. Rarely performed live
due to its 18-minute length, this performance
will feature the timeless classic, as well as
many other favorites from Guthrie’s catalog.
Sponsored by McGurn Investment Company
800-905-2787
www.performingarts.ufl.edu
Since its founding in 1978 by Louis Botto,
Chanticleer has won multiple Grammys
and awards. The 12-member all-male
vocal ensemble’s repertoire spans ten
centuries from Renaissance polyphony to
contemporary, jazz, spirituals and world
music. Chanticleer’s mission is to adapt to
the rapidly changing dynamics of the music
industry while still encouraging appreciation
for the art of ensemble singing through live
performances, education, recording and the
creation of new works.
15Malaysia
Tuesday, January 27, 7:30 p.m.
Phillips Center
12
UFPA Annual Gala:
MASQUERADE
Saturday, January 24, 6–11 p.m.
Phillips Center
Enjoy a festive and fun evening on the
Phillips Center Main Stage. With a gourmet
dinner, dancing to live music and the chance
to bid on an array of unique auction items,
the UFPA Annual Gala is sure to be a hit!
Proceeds will benefit the live performing
arts in our community. Tickets are $200 per
person if purchased by November 1, 2014.
Prices then increase to $225. Upgraded
Club level tickets are $300 each and include
exclusive benefits.
The Step Crew
Sunday, January 25, 2 p.m.
University Auditorium
Sponsorship opportunities are available. For
questions or more information, call 352-273-2480.
Six charismatic dancers and a five-piece
band create a unique Celtic show by
combining Irish step, traditional tap and
Ottawa Valley step with flair and humor.
This high-energy ensemble of awardwinning performers — including champion
stepdancers and fiddlers — has taken
audiences and critics by storm.
The 5 for 10 discount does not apply to gala tickets.
Sponsored by Gainesville Health & Fitness
An innovative film project produced by noted
musician, actor and filmmaker Pete Teo, the
film series includes 15 shorts featuring some
of the best-known actors, musicians, spiritual
leaders and political leaders in Malaysia.
Originally made for release on the Internet,
the films examine sociopolitical issues
central to modern society, from corruption
and freedom of speech to racism, religion
and cultural identity. In a multiracial country
where public expressions on race, religion
and politics are often regarded as taboo and
subject to media censorship, 15Malaysia is
groundbreaking.
Caravanserai: A place where cultures meet is produced by Arts
Midwest on behalf of the U.S. Regional Arts Organizations
with leadership support from the Building Bridges Program of
the Doris Duke Foundation for Islamic Art. Caravanserai’s film
programming is coordinated on behalf of the program by South Arts.
Jeremy Denk, Piano
Thursday, January 29, 7:30 p.m.
Phillips Center
After winning a 2013 MacArthur Award
and being named Musical America’s
2014 Instrumentalist of the Year, pianist
Jeremy Denk has established himself as
one of America’s most compelling artists.
Thought-provoking and multi-faceted,
Denk is also known for writing about music,
and has been featured in The New Yorker,
among other prominent publications.
13
Black Violin
Saturday, January 31, 7:30 p.m.
Phillips Center
David Wilcox
Friday, January 30, 7:30 p.m.
Squitieri Studio Theatre
David Wilcox knows that hearing the right
song at the right time can change a life, and
his repertoire has been called a strong elixir
— music distilled. His acoustic guitar and
honest baritone combine with rich, insightful
lyrics that weave layers of metaphor into
his music. This celebrated songwriter and
creator of more than 18 albums is celebrating
a brand new collection of music with his
album blaze.
Black Violin brings together classical music
and pop culture genres including hip-hop,
R&B and rock. Classically trained in viola and
violin respectively, Wilner “Wil B” Baptiste
and Kevin “Kev Marcus” Sylvester add drums
and a DJ onstage. After graduating college,
the duo started working in a hip-hop studio
until they finally fused the two genres. Since
then, they have individually and together,
collaborated with sensations like P. Diddy,
Kanye West, 50 Cent, Tom Petty, Aerosmith,
Aretha Franklin and The Eagles.
Sponsored by Gainesville Guardian and
UF Health Shands
Joe Crookston
Thursday, February 5, 7:30 p.m.
Squitieri Studio Theatre
800-905-2787
www.performingarts.ufl.edu
A master of guitar and storytelling, Joe
Crookston’s spirit and playfulness is apparent
as soon as his fingers touch the strings. His
music speaks of the contrasts between light
and dark, cynicism and hope, and the cycle
of life and rebirth. Crookston’s unstoppable
energy and humor have led to an enduring
career and his most recent album, Able Baker
Charlie & Dog, was named the International
Folk Alliance’s album of the year.
Hermès Quartet
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from Young Concert Artists
Sunday, February 8, 2 p.m.
University Auditorium
CHICAGO
Sunday, February 8, 7:30 p.m.
Phillips Center
Cyrus Chestnut Quartet
Dave Brubeck Reimagined
Les Ballets Trockadero
de Monte Carlo
Friday, February 6, 7:30 p.m.
Phillips Center
Affectionately known as The Trocks, this
group of ballet enthusiasts presents a playful
view of the classical dance style in parody
form. Blending its dance knowledge with
comedic timing, the troupe proves that men
can perform ballet maneuvers without falling
flat on their faces.
Saturday, February 7, 7:30 p.m.
University Auditorium
Cyrus Chestnut grew up in a home filled
with music, so it’s no surprise that his path
led him to the Berklee College of Music.
After graduating, he worked with such
preeminent jazz artists as Jon Hendricks,
Terence Blanchard and Wynton Marsalis. In
his latest musical endeavor, Chestnut and his
quartet pay homage to the legendary Dave
Brubeck with a unique interpretation of his
endearing music.
The highly acclaimed Hermès Quartet
“will likely take their place among the top
quartets of our time” (The Washington Post).
Having performed across Europe, the Parisbased Quartet made their U.S. debut in 2013
to rave reviews at Carnegie’s Zankel Hall
and the Kennedy Center’s Terrace Theater.
Comprised of violinists Omer Bouchez and
Elise Liu, violist Yung-Hsin Chang, and
cellist Anthony Kondo, the Quartet won
First Prize at the 2011 Geneva International
Music Competition and the “Coup de Coeur
Breguet” prize, landing a recording on the
Ysaÿe Records/Nascor label.
Program
Quartet No. 62 in C Major, Op. 76, No. 3 (“Emperor”) —
Haydn
String Quartet No. 1 in A Minor, Op. 41, No. 1 —
Schumann
Quartet No. 2 (“Intimate Letters”) — Janáček
A true New York City institution, CHICAGO
has everything that makes Broadway great:
a universal tale of fame, fortune and all that
jazz; one show-stopping-song after another;
and the most astonishing dancing you’ve
ever seen. No wonder CHICAGO has
been honored with six Tony Awards, two
Olivier Awards, a Grammy and thousands of
standing ovations. It’s also no surprise that
CHICAGO has wowed audiences all around
the world, from Mexico City to Moscow, from
São Paulo to South Africa. Whether you’re
looking for your first Broadway musical,
whether you’ve seen the Academy Awardwinning film and want to experience the
show live on stage, or whether you’ve seen
it before and want to recapture the magic,
CHICAGO always delivers.
Sponsored by Best Western Plus Gateway Grand
and Keith Watson Events
Maya Beiser
Uncovered
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Friday, February 13, 7:30 p.m.
University Auditorium
Mummenschanz:
Musicians of Silence
UNCOVERED is a concert of startling
classic rock tunes, re-imagined and
re-contextualized, in stunning performances
by Maya Beiser. A “cover tune” can be
an homage to the original, but these
“uncovers,” in new arrangements by Evan
Ziporyn, attempt to do more — to evoke
the unprecedented power of the music of
Led Zeppelin, Jimi Hendrix, Pink Floyd,
Nirvana, Janis Joplin and Howlin’ Wolf, as
musical masterpieces and as totems of our
collective consciousness. Maya releases
UNCOVERED, the album, on the innova
label in summer 2014.
Pasadena Roof Orchestra
Friday, February 20, 7:30 p.m.
Phillips Center
Get up and swing! When it comes to
authentic dance band and early swing music,
the Pasadena Roof Orchestra has no equal.
Under the guidance of band-leader and
singer Duncan Galloway, the Pasadena Roof
Orchestra’s show is full of fun, full of rhythm
and, of course, full of swing. Formed more
than 40 years ago, the band is truly worldclass, having appeared at major concert halls
from New York to London and Berlin to
Hong Kong.
Communicating through a solely visual
spectacle, this theatre troupe creates a
compelling experience that is completely
soundless. The language of Mummenschanz
is universal, transcending cultural boundaries
through the manipulation of shadow, light
and everyday objects. Each scene ignites
a different effect in the viewer, tapping
into the entire spectrum of emotion, and
leaving endless room for interpretation.
Mummenschanz reminds us of the power of
silence and engages audiences in a way words
cannot describe.
Sunday, February 15, 2 p.m.
University Auditorium
800-905-2787
www.performingarts.ufl.edu
JERSEY BOYS
Tuesday–Sunday, February 24–March 1, 7:30 p.m.
Saturday–Sunday, February 28–March 1, 2 p.m.
Phillips Center
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Marcus Roberts Trio
Saturday, February 21, 7:30 p.m.
University Auditorium
Since losing his sight at age five, Marcus
Roberts has been composing, arranging
and performing his style of virtuosic jazz
piano. His trio includes drummer Jason
Marsalis and bassist Rodney Jordan,
and their recent recording New Orleans
Meets Harlem, Volume 1 celebrates the
combination of ragtime and blues. Roberts’
jazz improvisation and versatility have led
to such roles as associate artistic director for
the Savannah Music Festival, the mentorship
of upcoming musicians and leadership in
master classes and workshops worldwide.
Sponsored by UF Health Shands
Danish String Quartet
Sunday, February 22, 2 p.m.
University Auditorium
Recently named a New Generation Artist
by BBC Radio 3, the Danish String Quartet
has fast become one of classical music’s
preeminent string quartets. The New York
Times recently selected a concert by the
ensemble as a highlight of the year.
Program
String Quartet No. 1 — Bartok
Traditional Scandinavian folk music — arr. Danish
String Quartet
Quartet No. 4 in F Major — Nielsen
“TOO GOOD TO BE TRUE!” raves the
New York Post for JERSEY BOYS, the Tony,
Grammy and Olivier Award-winning Best
Musical about Rock and Roll Hall of Famers
The Four Seasons: Frankie Valli,
Bob Gaudio, Tommy DeVito and Nick
Massi. This is the true story of how four
blue-collar kids became one of the greatest
successes in pop music history.
They wrote their own songs, invented
their own sounds and sold 175 million
records worldwide — all before they were
30! JERSEY BOYS features their hit songs
Sherry, Big Girls Don’t Cry, Rag Doll, Oh
What a Night and Can’t Take my Eyes Off
You. “IT WILL RUN FOR CENTURIES!”
proclaims Time Magazine.
JERSEY BOYS contains authentic “profane Jersey
language” and may not be recommended for all ages.
Dresden Philharmonic
Orchestra
Michael Sanderling,
Conductor
Johannes Moser, Cello
Wednesday, March 4, 7:30 p.m.
Phillips Center
Long a beacon of the cultural life of their
home city, the Dresden Philharmonic
Orchestra was formed in 1870 to bring a
“new spirit” to the city’s music scene. It is a
spirit that guides the orchestra to this day.
In addition to its classical-romantic core
repertoire, the Dresden also commissions
new works. For this performance, the
orchestra will be led by conductor Michael
Sanderling and joined by GermanCanadian cellist Johannes Moser.
Visions from Cape Breton
and Beyond
A Celtic Family Celebration
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Tuesday, March 10, 7:30 p.m.
Phillips Center
Wayang Kulit: The Shadow
Play of Kelantan
Friday, March 13, 7:30 p.m.
Phillips Center
Ballet Hispanico
Sunday, March 8, 7:30 p.m.
Phillips Center
Founded in 1970 by Tina Ramirez, the
mission of Ballet Hispanico is to “explore,
preserve and celebrate Latino cultures
through dance.” Recognized as the
nation’s leading Latino dance company,
Ballet Hispanico has toured the U.S. and
throughout the world. In addition to
live performances, the company makes
education a focus of their mission,
providing numerous classes, workshops
and school residencies from their home
base in Manhattan.
With fellow fiddler and husband Donnell
Leahy, violin superstar Natalie MacMaster
has created a new stage show featuring
the couple’s children alongside singers
and dancers from their hometowns of Cape
Breton and Lakefield, Ontario. “To call Natalie
MacMaster the most dynamic performer in
Celtic music today is high praise, but it still
doesn’t get at just how remarkable a concert
artist this Cape Breton Island fiddler has
become” (The Boston Herald).
800-905-2787
www.performingarts.ufl.edu
This renowned troupe uses hand-crafted
leather puppets to project shadows onto a
screen, creating plays based on treasured
Malaysian folk tales. Behind the screen is
a puppet master who uses dozens of voices
and leads a folk music ensemble that uses a
variety of hand drums, gongs, cymbals and
wind instruments.
Seating for this performance will be on the Phillips
Center Main Stage. Tickets will be sold as general
admission.
Caravanserai: A place where cultures meet is produced by Arts
Midwest on behalf of the U.S. Regional Arts Organizations
with leadership support from the Building Bridges Program of
the Doris Duke Foundation for Islamic Art. Caravanserai’s film
programming is coordinated on behalf of the program by South Arts.
Miloš
Tuesday, March 24, 7:30 p.m.
Squitieri Studio Theatre
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Swingtime featuring
The Jive Aces
Saturday, March 14, 7:30 p.m.
University Auditorium
The Jive Aces are the UK’s top jive and
swing band, and in 2012, were semi-finalists
on Britain’s Got Talent. Simon Cowell
applauded them, saying “absolutely
brilliant! That really put me in a good
mood.” The Jive Aces are renowned for
their high energy jump jive music, a sort
of swing meets rock ’n’ roll spectacle with
a dash of rhythm and blues. They feature
songs made famous by such greats as
Louis Prima, Benny Goodman and Louis
Armstrong along with their lively original
tracks. Joined onstage by three swing
dance couples known as The Tinseltown
Jitterbugs, this performance will make it
nearly impossible not to dance in your seat.
Sponsored by North Florida Retirement Village
Dala
Saturday, March 21, 7:30 p.m.
Squitieri Studio Theatre
The eloquent voices of the duo Amanda
Walther and Sheila Carabine have already
touched the hearts of UFPA audiences.
Back for more, Dala’s powerful harmonies
are exemplified in their studio album Best
Day. This latest release is the epitome
of the duo — reflective, introspective and
emotional. Dala has performed at some
of North America’s highest profile music
festivals, including New Orleans Jazz Fest
and Mariposa. With their bold new album,
this folk duo is as ethereal as ever.
Joshua Bell, Violin
Sam Haywood, Piano
Sunday, March 22, 7:30 p.m.
Phillips Center
Avery Fisher Prize recipient Joshua Bell is
often referred to as the “poet of the violin.”
With a No. 1 recording on the Billboard
Classical chart, Bell is adept as a soloist,
chamber musician, recording artist and
orchestra leader. He is the first person
to be appointed music director of the
Academy of St Martin in the Fields since
the orchestra’s formation in 1958.
Sponsored by SFI
After topping numerous classical music
charts with his debut album in 2011, Miloš
Karadaglić received Gramophone’s coveted
Young Artist of the Year Award. He went
on to earn the prestigious Classic Brit
(UK) and Echo Klassik (Germany) awards
in 2012. On the heels of a new album,
Aranjuez, Karadaglić joins us for an intimate
performance in the Squitieri Studio Theatre.
Centre Chorégraphique National de Créteil
et du Val-de-Marne/Compagnie Käfig
Correria Agwa
Wednesday, March 25, 7:30 p.m.
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Phillips Center
Sara Gazarek
Thursday, March 26, 7:30 p.m.
Squitieri Studio Theatre
Centre Chorégraphique National de Créteil
et du Val-de-Marne/Compagnie Käfig was
created in 1996 by Mourad Merzouki. Born
in Lyon, Merzouki studied martial arts and
circus arts before discovering hip-hop at the
age of 15. Merzouki’s company “combines
street dance with the circus to provide a gaspworthy, lighthearted, enormously creative
show” (Chicago Tribune). In 2006, Merzouki
met 11 young dancers from Rio de Janeiro.
The Brazilian dancers had their roots in the
favelas, and their individual stories struck a
profound chord with the Compagnie Käfig
choreographer. With a mix of hip-hop,
capoeira, samba, electronica music and
bossa nova, Agwa and Correria are two dance
events filled with energy and invention.
Sponsored by UF Health Shands
Winner of the prestigious Downbeat
Student Music Award for Outstanding
Collegiate Jazz Vocalist, Sara Gazarek
continues to seamlessly combine the
intimacy of singer/songwriter stylings with
the musical and improvisational elements
of jazz. Blessed with a gorgeous, translucent
voice, excellent pitch and supple sense of
time, Gazarek is steeped in the jazz tradition,
but is not afraid to embrace the music
that moves her generation. Her newest
release, Blossom & Bee, is an inspired and
emotionally expressive album filled with the
originality and artistry that Gazarek exudes.
Besides recording and performing live, she
is currently on faculty at the University of
Southern California, leading their awardwinning vocal jazz ensemble.
Cicely Parnas, Cello
from Young Concert Artists
Saturday, March 28, 7:30 p.m.
Squitieri Studio Theatre
800-905-2787
www.performingarts.ufl.edu
Recognized for bringing “velvety
sound, articulate passagework and keen
imagination” to her performances (The New
York Times), cellist Cicely Parnas made
her Carnegie Hall concerto debut in 2012,
performing the Saint-Saëns Cello Concerto
with the New York String Orchestra under
Jaime Laredo. Winner of the 2012 Young
Concert Artists International Auditions,
Parnas has also performed at the Lied Center
of Kansas and the University of Georgia,
and was among the first to be featured as
an inaugural Young Artist-in-Residence on
NPR’s Performance Today series.
ROSANNE CASH
THE RIVER AND THE THREAD
IN CONCERT
Friday, April 3, 7:30 p.m.
Phillips Center
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PHILIP GLASS
An Evening of Chamber Music
Featuring
New York Chamber Soloists
Septet and Octet
Sunday, March 29, 2 p.m.
University Auditorium
The New York Chamber Soloists have
performed at the Metropolitan Museum of Art,
UCLA Live and Kravis Center — all without
a conductor. This variably-sized ensemble
has more than 300 works in its repertoire.
Contemporary composers have recognized
the innovative spirit of the Chamber Soloists
and have written more than 25 original works
for them.
Program
Septet in E-flat Major, Op. 20 — Beethoven
Octet in F Major, D. 803 — Schubert
Singer and songwriter Rosanne Cash’s new
show celebrates the release of her criticallyacclaimed album, The River and the Thread.
The River and the Thread (January 2014, Blue
Note Records) is a collection of new original
songs that connect and re-connect Cash to
the American South, the place of her birth
and the home of her ancestors. Cash follows
her acclaimed Grammy nominated and
award-winning album The List (2009) with
her own poetic survey of places and people
of The South on these beautiful and varied
songs written with her collaborator, musical
director and husband, John Leventhal.
Sponsored by Blue Water Bay and Gainesville
Magazine
California Guitar Trio
and Montreal Guitar Trio
Friday, April 10, 7:30 p.m.
University Auditorium
Two world-renowned guitar trios combine
for an unforgettable evening. Featuring
virtuosi from four countries — Belgium,
Canada, Japan and the United States — the
California Guitar Trio and the Montreal
Guitar Trio combine their talents for a
performance of original compositions and
fresh arrangements of progressive rock,
world, jazz and classical music. Between
them, they have released more than 16 CDs
and explored nearly every style of guitar
playing imaginable.
Philip Glass and Tim Fain
Sunday, April 12, 7:30 p.m.
Phillips Center
Composer Philip Glass performs an
intimate duet evening of chamber music
with dynamic young violinist Tim Fain in
an all-Glass program featuring works for
solo piano, solo violin and duets featuring
both musicians. One of the few musicians
for whom Glass has composed solo
material, Fain was recently selected as one
of Symphony and The Strad magazines’
“Up-and-Coming Musicians” and has won
an Avery Fisher Career Grant and a Young
Concert Artists International Award. He
is the featured violinist in the films Twelve
Years a Slave and Black Swan.
John Gorka
Saturday, April 18, 7:30 p.m.
University Auditorium
21
BBC Concert Orchestra
Keith Lockhart, Principal Conductor
Charlie Albright, Piano
Friday, April 17, 7:30 p.m.
Phillips Center
Under the direction of Keith Lockhart, the
BBC Concert Orchestra is one of the UK’s
most versatile ensembles. The orchestra
gives regular broadcasts on BBC Radio 3
and has performed at The Queen’s Diamond
Jubilee Concert. Regular performance
venues for the orchestra include the British
landmarks Queen Elizabeth Hall in London
and Watford Colosseum.
Program
The Wasps Overture — Williams
A Shropshire Lad: Rhapsody for Orchestra —
Butterworth
Piano Concerto No. 2, F Major, Op. 102 — Shostakovich
(Charlie Albright, Piano)
Symphony No. 8, G Major, Op. 88 — Dvořák
Sponsored by Sam and Connie Holloway and
Plaza Royale Associates
Teatro Hugo & Ines
Saturday–Sunday, April 18–19, 4 p.m.
Squitieri Studio Theatre
Beloved all over the world, the Peruvian
based Teatro Hugo & Ines has performed
throughout the Americas, Europe and Asia.
With amazing dexterity and delightful
creativity, this dynamic duo transforms
the ordinary into the extraordinary in
performances for adults and children alike.
Combining mime, dance and puppetry, Hugo
& Ines create a riot of characters composed of
knees, feet, hands, elbows and a handful of
props. In Short Stories, we are introduced to
a parade of memorable beings who, in their
brief moments on the scene, play out the
poetic moments of daily life.
800-905-2787
www.performingarts.ufl.edu
Called “the leading singer/songwriter of
the New Folk movement” by Rolling Stone
magazine, John Gorka is an honored icon of
the folk tradition. Many well-known artists
have recorded and/or performed Gorka’s
songs including Mary Chapin Carpenter,
Mary Black and Maura O’Connell. His
video for the single, When She Kisses Me,
was featured on VH-1’s Current Country,
CMT and the Nashville Network. With a
distinctive baritone voice, quirky humor,
endearing stage show and legendary
song-craft, he weaves a magical spell that is
described simply as “Gorka.”
22
Ukulele Orchestra of Great Britain
Sunday, April 19, 2 p.m.
Phillips Center
Misha Dichter and the
Harlem Quartet
Sunday, April 26, 2 p.m.
University Auditorium
The world-renowned all-singing, all-plucking
superstars return to Gainesville with their
toe-tapping music, hilarious banter and
sheer superlative entertainment. This time,
the Ukulele Orchestra of Great Britain
features more songs, more tunes and even
more ukuleles. From Lady Gaga to Ride of
the Valkyries, from Housewives Choice to
Voodoo Chile, the ensemble’s genre-crashing
antics continue.
Piano legend Misha Dichter, who has
thrilled audiences for more than five
decades, teams with the Harlem Quartet, an
ensemble dedicated to advancing diversity
in classical music and engaging young and
new audiences.
Program
Adventures of Hippocrates — Corea
(Featuring the Harlem Quartet)
Piano Quintet in E-flat Major, Op. 44 — Schumann
Piano Quintet in A Major, B. 155 — Dvořák
All programs, artists and events are subject to change.
Please check the UFPA website
www.performingarts.ufl.edu
for current information about upcoming performances.
UFPA Affiliate Membership
Patron Information
*You must purchase tickets to the five performances at the same
time. Discount pricing does not apply to previously purchased
tickets.
Ticket sales cover only part of UFPA’s operating costs in
presenting the artists seen on our stages. For the other portion,
UFPA relies on donations from patrons and community members
like you.
Buy tickets to just five or more performances and
save 10 percent* off single ticket prices! You may
choose any five UFPA events during the 20142015 Season. To receive the Five for Ten discount, tickets must be
purchased at the Phillips Center Box Office.
Ticket Refunds
Producer/$500-999
Director/$250-499
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StageHand/$50-99
Star/$1,000-1,749
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Manager/$100-249
Headliner/$1,750-2,499
If you are interested in making a gift that will
have an even greater impact on the future of
University of Florida Performing Arts, please
contact the UFPA Development Office at 352273-2470.
UFPA Affiliate decal
Name listed in performance program distributed at all UFPA events
Priority handling of UFPA preseason ticket orders
Advance notice of added UFPA-presented performances
Ticket exchange on UFPA-presented performances free of charge
Priority ticketing before all lower level memberships
Invitation to annual Season Opening Celebration
Invitation for two to a Phillips Center Backstage Tour
Guest pass for two for one intermission reception for UFPApresented performances
Invitations to open rehearsals and master classes
Priority parking for UFPA-presented performances
Private, unlisted hotline to purchase best available tickets by phone
Season access to intermission receptions for all UFPA-presented
performances
Invitation to the Season Preview, a special reception hosted by
UFPA’s Director to announce the upcoming season
Name listed on Phillips Center lobby donor board
Invitation to a reception with the Director and selected artists
Invitation for two to the UFPA Annual Director’s Dinner
Private pre-party reception and program recognition for designated
performances
Invitation to travel with UFPA staff to performance conferences/
festivals
Two complimentary tickets to the UFPA annual fundraising event
SuperStar/$2,500-4,999
To become a UFPA Affiliate, please select your
level of giving and add your contribution to
the “Purchase Totals” section on your ticket
order form. This amount may be eligible for a
charitable contribution income tax deduction
when you file your annual tax return. For all
questions regarding the Affiliates program, call
352-273-2703.
All benefits are non-transferrable. At the StageHand
through SuperCelebrity levels, 100 percent of your
payment will be treated as a tax-deductible charitable
contribution. A contribution at the Benefactor level will
be reduced by the value of the tickets to the UFPA annual
fundraising event, and the remainder will be treated as a
tax-deductible charitable contribution.
Celebrity/$5,000-7,499
In addition, you have the satisfaction of
knowing you are part of a nationally-recognized
performing arts program, making our
community a culturally vibrant place to live,
work and visit. Without leaving Gainesville, you
can experience a variety of talented and awardwinning artists from around the world.
Invest TODAY, Ensure TOMORROW
UFPA Affiliate Benefits by Giving Level
UFPA’s policy prohibits refunds on tickets except in the case
of an event cancellation or date change. If you are unable to
attend a UFPA-presented event, you may donate your ticket(s)
to the box office, thus allowing another patron(s) to purchase
them and enjoy the performance. The ticket(s)
must have been purchased through the Phillips
Center Box Office or via UFPA’s website,* and
must be returned at least 24 hours prior to the
performance. You will be given a receipt for
the value of the ticket(s). This amount may be
eligible for a charitable income tax deduction
when you file your annual tax return.
SuperCelebrity/$7,500-9,999
An Affiliate membership is an easy way to
invest in UFPA. Your personal contribution
helps sustain quality performances and cultural
enrichment for our community. Additionally,
as an Affiliate Member, you’ll receive a variety
of benefits that will enhance your performing
arts experience. Affiliates at the Manager
level and above receive preferred handling of
UFPA preseason ticket orders, priority seating
and advance notices of added performances
throughout the season.
Five for ten! Buy multiple tickets and save.
Benefactor/$10,000 and above
Why should you invest in University of
Florida Performing Arts?
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Ticket Exchanges
Tickets purchased from the Phillips Center Box
Office or via UFPA’s website for any UFPApresented event may be exchanged for another
UFPA-presented event during the 2014-2015
Season, for a $5 transaction fee. Exchanges are
available up to 24 hours before the performance,
in person only at the Phillips Center Box
Office. If the exchange is for a higher-priced
ticket, you are responsible for the difference in
cost. If the exchange is for a lower-priced ticket,
the difference may qualify as a tax deductible
donation to University of Florida Performing Arts.
Lost or misplaced tickets cannot be exchanged.
*Tickets purchased through third-party ticketing
sites are not eligible for ticket refunds or
exchanges.
Children
Each child, regardless of age, must have a ticket
and be able to sit quietly in their seat throughout
the performance. Children unable to do so,
along with the adult accompanying them, will be
asked to leave the hall. Child-in-lap tickets may
be purchased for children ages two and under for
$10 for many UFPA-presented performances.
Group Ticket Sales
Gather nine of your closest friends, family members or coworkers
and save! Groups of 10 or more receive a 10 percent discount for
most shows. For more information please contact the Phillips
Center Box Office.
UF Student Tickets
24
UFPA offers discounted tickets to UF students to many
performances. Student tickets are $10 for all UFPA-presented
performances aside from the three musicals (Camelot,
CHICAGO and Jersey Boys), which are $20. Tickets may
be purchased in person at the Phillips Center Box Office or
by calling 352-392-2787 or 800-905-2787. Each student may
pick up only one ticket per performance with a valid Gator 1
card. (The Gator 1 card must say “STUDENT” on it.) Non-UF
students may purchase discounted balcony tickets for select
performances. Tickets are subject to availability and may be
limited for select events. Visit www.performingarts.ufl.edu for
more information and for student ticket on-sale dates.
Please note: The Gator 1 card used for purchase must be
presented for entry to the performance.
Student ticket prices for University of Florida Performing Arts events
are supported in part by University of Florida Student Government.
Rush Tickets
Rush tickets for seats in the balcony may be available for select
UFPA-presented performances two hours prior to the event
start time at a discounted rate. Tickets are available only at the
Phillips Center or University Auditorium box offices. There is
no guarantee that rush tickets will be available for a particular
event. Please plan accordingly.
Late Seating Policy
Late arrivals are distracting to the artists and fellow audience
members. Patrons who arrive late will not be seated until there
is an appropriate time for the ushers to do so. Please be aware
that this may result in missing a portion of the performance.
This policy is handled in accordance with contractually binding
artists’ preferences. Please allow ample time for travel and
parking prior to an event. Lobby doors open two hours and
theater doors open 30 minutes prior to performance times.
Please note: The box office will not issue refunds for missed or
partially missed performances. Please plan to arrive at least 30
minutes prior to an event’s published start time.
Elevators — An elevator is located on the east side of the
Electronic Courtesy
Theater Wheelchair Seating Locations —
Wheelchair and companion seating are available on the
orchestra and mezzanine levels of the Phillips Center, on the
main floor in the back of University Auditorium, and on the
main floor (front row) of the Squitieri Studio Theatre. Please
request wheelchair seating at time of ticket purchase, or choose
wheelchair seating options when purchasing tickets online.
Cameras and recording devices are not permitted in the
performance halls. Patrons with these items will be asked to check
them at the reception office in the lobby or return items to their
vehicles. Violators of this policy are subject to removal and will
be required to erase/delete any recorded material or photographs.
Please remember to turn off all mobile phones and devices, pagers
and electronic watch alarms before entering the theater.
Please note: Texting during performances is not permitted.
Backpacks and Large Bags
Backpacks and large bags are not permitted in the performance
halls. Please leave them in your vehicle. If you choose to check
these items, UFPA cannot be held responsible for any damage that
may occur. You are also welcome to check your coat, hat, umbrella
or other items at the reception office.
Smoking and Tobacco Use
To promote the health and well-being of faculty, staff,
students and visitors, the University of Florida is a
tobacco-free campus. The use of cigarettes or other
tobacco products in UF buildings (including the Phillips Center
and University Auditorium), parking lots, in vehicles or elsewhere
on campus is prohibited.
Accessibility
UFPA is committed to making its facilities and performances
accessible for all patrons. Amenities include:
Parking — ADA-accessible parking spaces for the Phillips
Center are available on the south side of the parking garage,
on the first level of the garage and near the Florida Museum of
Natural History. ADA-accessible parking spaces adjacent to
the elevators are available on the second, third and fourth floors
of the parking garage. ADA-accessible parking for University
Auditorium is available in the nearby parking lots, and for some
events, on the service drive adjacent to Peabody Hall on the north
side of Union Road. See page 25 for details.
Phillips Center lobby. The University Auditorium elevator is
located across from the main staircase in the lobby.
Wheelchair Reservations — Two wheelchairs are available
for patrons needing assistance from the lobby entrance to their
seats. Please check in with the head usher or the office assistant
in the reception office. Wheelchair use is free. Wheelchairs may
not be used for an entire performance.
Restrooms — Restrooms in the upper and lower lobbies of the
Phillips Center and lower lobby of University Auditorium provide
facilities for those with disabilities.
Audio Aids — Assistive listening devices (using
headphones or personal LOOP) are available to patrons.
Please make your request at the reception office in the lobby.
Sign Language Interpretation — Sign language
interpretation is available when requested at least four
weeks in advance of a performance. This service is subject
to interpreter availability and is provided at the discretion of
management. For more information or to request sign language
interpretation service, please call 352-273-2457.
UFPA will hold four seats for deaf and companion seating for
patrons who specifically request them. These seats will be
reserved in a seating area where deaf patrons will have a line of
sight to see the language interpreter and the stage. Tickets will
be sold through the Phillips Center Box Office. These seats will
not be released for sale to the general public until the day of the
performance.
Visual Aids — Large print programs are available by calling
352-273-2457 at least three weeks prior to a performance.
For more information about UFPA special services, please
call 352-273-2457. Patrons may also call the Florida Relay
Service at 800-955-8771 for TDD message translation.
University Ave.
SW 2nd Ave.
SW 34th St.
UFPA’s website, www.performingarts.ufl.edu, has it all —
expanded performance information, links to artist websites, video
clips, performance reviews and much more.
The Curtis M. Phillips, M.D. Center for the Performing Arts and
University of Florida Performing Arts’ Administrative Offices
are located in the Cultural Plaza near the intersection of 34th
Street and Hull Road on the University of Florida campus, with
convenient access from I-75 at the Archer Road (No. 384) and
Newberry Road (No. 387) exits. For detailed driving directions,
please call the Phillips Center Box Office at 352-392-2787 and
select option four.
Phillips Center
3201 Hull Road
PO Box 112750
Gainesville, FL 32611-2750
Administrative Office Phone: 352-273-2457
Administrative Office Fax: 352-392-3775
Administrative Office Hours: Monday – Friday, 8:30 a.m. – 5 p.m.
Box Office Phone: 352-392-ARTS (2787), 800-905-ARTS (toll-free
within Florida)
Box Office Fax: 352-392-1562
Parking for the Phillips Center is available in the parking garage
and surface lots at the University of Florida Cultural Plaza. Please
plan to arrive early.
Harn Museum of Art
Florida Museum of
Natural History
Phillips Center
for the
Performing Arts
Squitieri
Studio Theatre
Lake Alice
Mowry
her
Arc
ZA
LA
RP
E
UTL
B
Dr.
Exit 384
University Auditorium
333 Newell Drive
PO Box 112755
Gainesville, FL 32611-2755
Phone: 352-392-2346
Fax: 352-392-5269
Office Hours: Monday – Friday, 8:30 a.m. – 5 p.m.
The University Auditorium Box Office is open 90 minutes prior to
performance time on the day of show only.
Parking for University Auditorium is available on the University
of Florida campus at Union Road off SW 13th Street (200 yards
from the Auditorium), and in the parking garage at Newell
Drive and Museum Road off SW 13th Street (400 yards from the
Auditorium). Please plan to arrive early.
SW 16th
Newell Rd.
Baughman Center
Hull Rd.
Directions and Parking
Inner Rd.
Center Dr.
Radio Rd.
I-75
Stadium Rd.
25
Ave.
SW 13th St.
UFPA on the Web
Century
Tower
Museum Rd.
Ifas Research Dr.
Gift certificates for any UFPA event are available in any
denomination through the Phillips Center Box Office.
Certificates are valid for two years from the date of purchase.
University
Auditorium Union Dr.
Stadium Rd.
Gale Lemerand Dr.
Gift Certificates
Stadium
SW 26th St.
OAKS
MALL
Buckman Dr.
Newberry Rd.
SW 23rd Dr.
Exit 387
Museum Rd.
UFPA welcomes volunteers as ushers and hospitality hosts. Please
call the Volunteer Hotline at 352-273-2469 for more information.
Surge Area Dr.
Volunteers
Rd.
UFPA Venues
Other venues
Parking Areas
University of Florida
Cultural Plaza
N
Gotcha Ride Shuttle
University of Florida Performing Arts offers
Gotcha Ride Shuttle — a free parking shuttle
service. For all UFPA-presented performances
at University Auditorium, shuttles run one hour
prior to the start of the event, and for 30 minutes
following the end of the performance. The Gotcha Ride parking
shuttle runs along Newell Drive, picking up at the northwest
corner of the parking garage at Newell Drive and Museum Road,
and dropping off at the west entrance of University Auditorium.
Look for the Gotcha Ride signs.
For information on ADA-accessible parking, see Accessibility
section on page 24.
PHOTO CREDITS — Front cover and inside front cover – Cypress String Quartet: Basil Childers. Page 1 – Basetrack: Courtesy of EnGarde Productions. EARFILMS: Courtesy of 2Luck Concepts. John McCutcheon: Courtesy of Mike Green and Associates. Page 2 – Afro Bop Alliance: Courtesy of Capital Music. Ribab Fusion: Courtesy of Lisa Booth Management. Lynn Harrell: Christian Steiner. CAMELOT: Courtesy of The Road Company.
Page 3 – Chris Thile & Edgar Meyer: Courtesy of Red Light Management. Amy Redford: Courtesy of Amy Redford. Andreas Klein and Raymond Chobaz: Courtesy of Marianne Schmocker Artists. Page 4 – Diplomats of Drum: Courtesy of Arts Midwest. Cypress String Quartet: Basil Childers. Earl Klugh: Courtesy of Ed Keane Associates. KEIGWIN + COMPANY: Courtesy of KEIGWIN + COMPANY. Page 5 – THE INTERGALACTIC
NEMESIS: Bork Hamilton, projected artwork by Tim Doyle. Accordion Virtuosi of Russia: Courtesy Arts Management Group. L.A. Theatre Works: Courtesy of Baylin Artists Management. Page 6 – The Capitol Steps: Courtesy of The Capitol Steps. Les Ballets Jazz de Montréal: Courtesy of Les Ballets Jazz de Montréal. Perla Batalla: Courtesy of Cadence Arts Network. Page 7 – Tab Benoit: Jerry Moran. Apollo’s Fire Baroque Orchestra:
Sally Brown. DakhaBrakha: Evgen Rakhno. Page 8 – Mannheim Steamroller: Courtesy of Mannheim Steamroller. Dave Mason: Chris Jensen. Hot Sardines: Harry Fellows. Valery Polyansky: Courtesy of Arts Management Group. Page 9 – The Good Lovelies: Courtesy of Herschel Freeman Agency. Mediæval Bæbes: Courtesy of IMG Artists. Mustard’s Retreat: Courtesy of Courtesy of Tamulevich Artist Management. Page 10 – Julia Bullock:
Christian Steiner. Gabriela Martinez: Courtesy of Jacksonville Symphony Orchestra. The Nile Project: Courtesy of SRO Artists. The Official Blues Brothers Revue: Courtesy of the Roots Agency. Page 11 – ANTIBALAS: Marina Abadjieff. Arlo Guthrie: Courtesy of Rising Son Records. Chanticleer: Courtesy of Opus 3 Artists. Page 12 – Pete Teo: Courtesy of Arts Midwest. The Step Crew: Courtesy of Arts Management Associates. Jeremy Denk:
Michael Wilson. Page 13 – David Wilcox: Courtesy of the Roots Agency. Black Violin: Courtesy of the Roots Agency. Joe Crookston: Courtesy of Tamulevich Artist Management. Page 14 – Les Ballets Trockadero de Monte Carlo: Courtesy of IMG Artists. Cyrus Chestnut: Courtesy of Ina Dittke & Associates. Hermès Quartet: François Sechet. CHICAGO: Paul Kolnik. Page 15 – Maya Beiser: ioulex. Pasadena Roof Orchestra: Courtesy of Alliance
Artist Management. Mummenschanz: Courtesy of CAMI. Page 16 – Marcus Roberts Trio: Courtesy of SRO Artists. Danish String Quartet: Courtesy of Kirshbaum Demler & Associates. JERSEY BOYS: Joan Marcus. Johannes Moser: Uwe Arens. Page 17 – Ballet Hispanico: Courtesy of IMG Artists. Donnell Leahy and Natalie McMaster: Courtesy of CAMI. Wayang Kulit: Courtesy of Arts Midwest. Page 18 – The Jive Aces: Courtesy of Arts
Management Associates. Dala: Courtesy of the Roots Agency. Joshua Bell: Lisa Marie Mazzucco. MILOŠ: Lars Borges/Mercury Classics. Compagnie Käfig: Michael Cavalca. Sara Gazarek: Courtesy of Ed Keane Associates. Cicely Parnas: Christian Steiner. Page 20 – New York Chamber Soloists: Courtesy of Melvin Kaplan Associates. Rosanne Cash: Patrick McBride. California Guitar Trio: Courtesy of SRO Artists. Philip Glass: Courtesy of
Pomegranate Arts. Page 21 – Keith Lockhart: Courtesy of CAMI. Teatro Hugo & Ines: Courtesy of Lisa Booth Management. John Gorka: Courtesy of Tamulevich Artist Management. Page 22 – Ukulele Orchestra of Great Britian: Kirill Semkow. Harlem Quartet: Courtesy of Sciolino Artist Management. Page 26 – KEIGWIN + COMPANY: Courtesy of KEIGWIN + COMPANY. Back cover – Cyrpess String Quartet: Basil Childers.
2014-15 Season Sponsors
Ticket Information
There are five easy ways to order:
By phone — Call the Phillips Center Box Office at 352-392-ARTS
(2787) or toll-free within Florida, 800-905-ARTS (2787). For TDD
message translation, call the Florida Relay Service at 800-955-8771.
Please have your Visa, Discover or MasterCard ready for payment.
Sam&Connie
Holloway
26
Phillips Center Box Office hours of operation:
May – August: Monday – Friday, noon to 6 p.m.
September – April: Monday – Saturday, noon to 6 p.m.
By fax — Fax your completed order form with Visa, Discover
or MasterCard payment information to the box office at 352-8461562.
By mail — Complete your order form and send with check, or
Visa, Discover or MasterCard payment information to:
Phillips Center Box Office
University of Florida Performing Arts
PO Box 112750
Gainesville, FL 32611-2750
Online — Visit the University Florida Performing Arts website at
www.performingarts.ufl.edu.
In person — Tickets may be purchased in person at the Phillips
Center Box Office.
Going Green
Through the extensive recycling of paper and plates, energy conservation strategies and more, UFPA is making every
effort to lower our organization’s carbon footprint. Help us and the environment by employing one or more of the
following strategies:
•Recycle your program book after the performance. When you return your book to our ushers after an event, you help
avoid unnecessary printing — saving both trees and money.
• Let us know if you are receiving duplicate mailings. UFPA makes every effort to produce printed materials that meet
professional standards of environmental responsibility. You can help by alerting us when you’re receiving more than
one copy of any of our direct mail pieces. Call the Phillips Center Box Office at 352-392-ARTS (2787) to have the
duplicate address eliminated from our mailing list. And in the meantime, pass along the extra copy to a friend.
• Carpool to UFPA performances. This helps reduce traffic congestion and pollution, and gives you time to catch up
with family and friends.
Note: To receive the Five for Ten discount, tickets must be
purchased at the Phillips Center Box Office. See page 23 for more
information.
For your convenience, the Phillips Center Box Office is open two
hours prior to performance time and through intermission for
in-person sales to all UFPA-presented events. For other events, the
box office is normally open one hour prior to performance time and
remains open 30 minutes after the event begins.
Every patron, regardless of age, must have a ticket for admission
to University of Florida Performing Arts events.
REMOVE ALONG PERFORATION
Place Your Order
By phone 352-392-ARTS (2787)
800-905-ARTS (toll-free within Florida only)
Online By fax 352-846-1562
In person Phillips Center Box Office
www.performingarts.ufl.edu
(Beginning July 11 at noon)
Order Form
By mail Phillips Center Box Office
University of Florida
PO Box 112750
Gainesville, FL 32611-2750
Attention SEAT SPONSORS!
Seat Sponsor buying period is June 2-5. Please note that in order to retain your active sponsorship, you must purchase tickets to at least seven performances per sponsored seat during your buying period.
Your seats will not be guaranteed after these dates.
Please note: For performances at University Auditorium and the Squitieri Studio Theatre, Phillips Center Seat Sponsors will be placed in the best available seating according to their UFPA Affiliate level.
UFPA Affiliate Buying Period
Affiliates may purchase a maximum of four tickets per performance prior to the public on the following dates:
Benefactors, SuperCelebrities and Celebrities................................ June 9-10
SuperStars and Performance Sponsors...............................................June 12-13
Headliners.............................................................................................................June 16-17
Stars..........................................................................................................................June 19-20
Producers..............................................................................................................June 23-24
Directors................................................................................................................June 26-27
Managers and Student Affiliates................................................... June 30-July 1
Remember, priority within your Affiliate level is determined by the date your ticket order is received. You do not have to wait until the beginning of your buying period to send in your order.
Name — Last/First
Mailing Address — PO or Street/City/State/Zip Code
Daytime Phone Evening Phone
Do we have your email address?
When you join the University of Florida Performing Arts email list, you receive up-to-the-minute information about UFPA performances. Get advance notices about on-sale events, performance reminders and discount ticket offers to
some of the newest and hottest performing artists around.
Email Address
We will do our best to fill your seating needs and requests. If your seating preference is not available, you will be placed in the next best section. Please note if accessible seating is needed. List your seating preference below by venue:
Seating at the Phillips Center
Seating at University Auditorium
Circle method of payment: Check or money order (payable to UNIVERSITY OF FLORIDA) MasterCard Visa Discover Credit Card Number/Expiration Date
Print Name as it Appears on Card Signature
REMOVE ALONG PERFORATION
REMOVE ALONG PERFORATION
A UFPA’s 2014-2015 Season go on sale to the public
Tickets for
Friday, July 11 at noon.
A INDIVIDUAL Tickets
For tickets, call 352-392-ARTS (2787) or www.performingarts.ufl.edu.
Choosing 5 or more different performances entitles you to a 10% discount! (For details, see page 23.)
Performance
Date/Time
Price per Ticket
Qty.
Total
For Box Office use only
1
2
3
4
5
6
buy more and save!
7
8
9
10
11
12
13
14
15
16
Reserve your tickets early to guarantee
your place at this season’s annual gala!
For you convenience, you may pay for your tickets by check
(separate from your performance ticket order), credit card
(a separate transaction billed to your account) or online at
www.performingarts.ufl.edu/giving/gala. Tickets are $200
per person if purchased by November 1, 2014. Prices then
increase to $225. Upgraded Club level tickets are $300
and include exclusive benefits.
Number of tickets
charged to card
For questions or more information, call 352-273-2480.
PURCHASE
Totals
Record the totals from all applicable sections.
Level
Name as you wish it to appear in UFPA publications (UFPA Affiliates only):
Subtotal $
Deduct 10% if 5 or more
different performances are purchased.
Individual Ticket Total $
Transfer Individual Ticket Total
to the Purchase Totals section below.
A
Individual Ticket Total$
B
Affiliate Membership Total (page 23)
$
C
Gala Tickets Total (5 for 10 discount does not apply)
$
Add Processing Fee $ 5.00
Total Payment Enclosed$
REMOVE ALONG PERFORATION
Pricing by Venue
Squitieri Studio Theatre (continued)
Unless designated as General Admission, all seating is reserved.
Curtis M. Phillips, M.D. Center for the Performing Arts | Main Stage
1 — Pit (Pit seating is limited and subject to availability)
2 — Front Orchestra (Rows A-P) and Mezzanine
3 — Rear Orchestra (Rows Q-Z)
4 — Front Balcony (Rows J-V)
5 — Rear Balcony (Rows W-X)
Page
1 Basetrack
Mon., July 14, 7:30 p.m.
1 Basetrack
Tues., July 15, 7:30 p.m.
2Camelot
Fri., Oct. 3, 7:30 p.m.
2Camelot
Sun., Oct. 5, 2 p.m.
3 Chris Thile & Edgar Meyer
Mon., Oct. 6, 7:30 p.m.
3 Film Screening: The Guitar
Tues., Oct. 7, 7:30 p.m.
3 UF Symphony Orchestra
Thurs., Oct. 9, 7:30 p.m.
4 Diplomats of Drum
Thurs., Oct. 16, 7:30 p.m.
4Keigwin + Company
Tues., Oct. 21, 7:30 p.m.
5The Intergalactic Nemesis
Wed., Oct. 22, 7:30 p.m.
5 L.A. Theatre Works: In the Heat of the Night
Sun., Oct. 26, 7:30 p.m.
5 L.A. Theatre Works: In the Heat of the Night
Mon., Oct. 27, 7:30 p.m.
5 L.A. Theatre Works: In the Heat of the Night
Tues., Oct. 28, 7:30 p.m.
6 The Capitol Steps
Mon., Nov. 3, 7:30 p.m.
6 Les Ballet Jazz de Montréal
Wed., Nov. 5, 7:30 p.m.
7 DakhaBrakha
Tues., Nov. 11, 7:30 p.m.
8 Mannheim Steamroller Christmas
Sun., Nov. 16, 7:30 p.m.
8 Dave Mason’s Traffic Jam
Tues., Nov. 18, 7:30 p.m.
8 Hot Sardines
Fri., Nov. 21, 7:30 p.m.
8 Russian State Symphony Orchestra
Sun., Nov. 23, 7:30 p.m.
10 Jacksonville Symphony Orchestra
Sun., Jan. 11, 2 p.m.
10 The Nile Project
Thurs., Jan. 15, 7:30 p.m.
10 The Official Blues Brothers Revue™
Sat., Jan. 17, 7:30 p.m.
11 ZAP MAMA & ANTIBALAS
Wed., Jan. 21, 7:30 p.m.
11 Arlo Guthrie
Thurs., Jan. 22, 7:30 p.m.
12 15Malaysia
Tues., Jan. 27, 7:30 p.m.
12 Jeremy Denk, Piano
Thurs., Jan. 29, 7:30 p.m.
13 Black Violin
Sat., Jan. 31, 7:30 p.m.
14 Les Ballets Trockaderos de Monte Carlo
Fri., Feb. 6, 7:30 p.m.
14 Chicago
Sun., Feb. 8, 7:30 p.m.
15 Mummenschanz: Musicians of Silence
Fri., Feb. 20, 7:30 p.m.
16 JERSEY BOYS
Tues., Feb. 24, 7:30 p.m.
16 JERSEY BOYS
Wed., Feb. 25, 7:30 p.m.
16 JERSEY BOYS
Thurs., Feb. 26, 7:30 p.m.
16 JERSEY BOYS
Fri., Feb. 27, 7:30 p.m.
16 JERSEY BOYS
Sat., Feb. 28, 2 p.m.
16 JERSEY BOYS
Sat., Feb. 28, 7:30 p.m.
16 JERSEY BOYS
Sun., March 1, 2 p.m.
16 JERSEY BOYS
Sun., March 1, 7:30 p.m.
16 Dresden Philharmonic Orchestra
Wed., March 4, 7:30 p.m.
17 Ballet Hispanico
Sun., March 8, 7:30 p.m.
17 Visions from Cape Breton and Beyond
Tues., March 10, 7:30 p.m.
17 Wayang Kulit: The Shadow Play of Kelantan
Fri., March 13, 7:30 p.m.
18 Joshua Bell and Sam Haywood
Sun., March 22, 7:30 p.m.
19 Compagnie Käfig
Wed., March 25, 7:30 p.m.
20 ROSANNE CASH
Fri., April 3, 7:30 p.m.
20 PHILIP GLASS/Tim Fain
Sun., April 12, 7:30 p.m.
21 BBC Concert Orchestra
Fri., April 17, 7:30 p.m.
22 Ukulele Orchestra of Great Britain
Sun., April 19, 2 p.m.
1
2
3
4
5
$35 General Admission
$35 General Admission
$65 $65 $55 $45 $45
$65 $65 $55 $45 $45
$40 $40 $30 $20 $20
$10 General Admission
— $35 $30 $25 $25
$35 $35 $25 $20 $20
$40 $40 $30 $20 $20
$35 $35 $30 $20 $20
$35 General Admission
$35 General Admission
$35 General Admission
$50 $50 $40 $30 $30
$40 $40 $30 $20 $20
$40 $40 $30 $25 $25
$60 $60 $45 $35 $35
$40 $40 $30 $20 $20
$30 $30 $25 $20 $20
— $65 $55 $40 $40
— $40 $30 $20 $20
$35 $35 $25 $20 $20
$40 $40 $30 $20 $20
$40 $40 $30 $25 $25
$50 $50 $40 $30 $30
$35 $35 $25 $20 $20
$45 $45 $35 $25 $25
$35 $35 $25 $20 $20
$40 $40 $30 $20 $20
$65 $65 $55 $45 $45
$35 $35 $25 $20 $20
$75 $65 $55 $45 $35
$75 $65 $55 $45 $35
$75 $65 $55 $45 $35
$75 $65 $55 $45 $35
$75 $65 $55 $45 $35
$75 $65 $55 $45 $35
$75 $65 $55 $45 $35
$75 $65 $55 $45 $35
— $65 $50 $40 $40
$35 $35 $25 $20 $20
$40 $40 $30 $25 $25
$25 General Admission
$65 $65 $55 $45 $45
$40 $40 $30 $20 $20
$55 $55 $40 $30 $30
$60 $60 $45 $35 $35
— $65 $50 $40 $40
$30 $30 $25 $20 $20
Phillips Center | Squitieri Studio Theatre
Page
1EarFilms
Mon., Aug. 25, 7:30 p.m.
1EarFilms
Tues., Aug. 26, 7:30 p.m.
1EarFilms
Wed., Aug. 27, 7:30 p.m.
1EarFilms
Thurs., Aug. 28, 7:30 p.m.
1EarFilms
Fri., Aug. 29, 7:30 p.m.
All prices include a $2 service charge and a $2 parking fee.
Reserved Seating
$35 General Admission
$35 General Admission
$35 General Admission
$35 General Admission
$35 General Admission
Page
Reserved Seating
1 John McCutcheon
Wed., Sept. 3, 7:30 p.m. $35
6 Perla Batalla
Thurs., Nov. 6, 7:30 p.m. $35
9 The Good Lovelies Wed., Nov. 26, 7:30 p.m. $35
9 The Good Lovelies Fri., Nov. 28, 4 p.m. $35
9 The Good Lovelies Fri., Nov. 28, 7:30 p.m. $35
9 Mustard’s Retreat
Fri., Jan. 9, 7:30 p.m. $35
13 David Wilcox
Fri., Jan. 30, 7:30 p.m. $35
13 Joe Crookston
Thurs., Feb. 5, 7:30 p.m. $35
18 Dala
Sat., March 21, 7:30 p.m. $35
18 Miloš
Tues., March 24, 7:30 p.m. $35
19 Sara Gazarek
Thurs., March 26, 7:30 p.m. $35
19 Cicely Parnas, Cello
Sat., March 28, 7:30 p.m. $35
21 Teatro Hugo & Ines
Sat., April 18, 4 p.m.
Adults: $25, Children: $15
21 Teatro Hugo & Ines
Sun., April 19, 4 p.m.
Adults: $25, Children: $15
University Auditorium
Page
2 Afro Bop Alliance
Fri., Sept. 19, 7:30 p.m.
2 Ribab Fusion
Sat., Sept. 27, 7:30 p.m.
2 Lynn Harrell, Cello
Sun., Sept. 28, 2 p.m.
4 Cypress String Quartet
Sun., Oct. 19, 2 p.m.
4 Earl Klugh Trio
Sun., Oct. 19, 7:30 p.m.
5 Accordion Virtuosi of Russia
Sun., Oct. 26, 2 p.m.
7 Tab Benoit
Fri., Nov. 7, 7:30 p.m.
7 Apollo’s Fire: The Monteverdi Vespers
Sun., Nov. 9, 2 p.m.
9 Mediæval Bæbes
Fri., Dec. 5, 7:30 p.m.
10 Julia Bullock, Soprano
Sat., Jan. 10, 7:30 p.m.
11 Chanticleer
Fri., Jan. 23, 7:30 p.m.
12 The Step Crew
Sun., Jan. 25, 2 p.m.
14 Cyrus Chestnut Quartet
Sat., Feb. 7, 7:30 p.m.
14 Hermès Quartet
Sun., Feb. 8, 2 p.m.
15 Maya Beiser
Fri., Feb. 13, 7:30 p.m.
15 Pasadena Roof Orchestra
Sun., Feb. 15, 2 p.m.
16 Marcus Roberts Trio
Sat., Feb. 21, 7:30 p.m.
16 Danish String Quartet
Sun., Feb. 22, 2 p.m.
18 Swingtime with The Jive Aces
Sat., March 14, 7:30 p.m.
20 New York Chamber Soloists
Sun., March 29, 2 p.m.
20 California Guitar Trio and Montreal Guitar Trio
Fri., April 10, 7:30 p.m.
21 John Gorka
Sat., April 18, 7:30 p.m.
22 Misha Dichter and the Harlem Quartet
Sun., April 26, 2 p.m.
Seating at the
Curtis M. Phillips, M.D.
Center for the Performing Arts
3
Price 1
Price 2
Pit and Rows A-P
in the Orchestra
Rows Q-Z in the
Rear Orchestra
3
$20
$20
$20
$20
$20
$20
$15
$25
$20
$20
$25
$20
$25
$20
$20
$20
$20
$20
$20
$20
$25
$25
$20
University
Auditorium
Squitieri
Studio Theatre
3
4
2
2
Stage
1
Upper Level
Price 1
Price 3
2
$25
$25
$30
$25
$30
$25
$20
$35
$30
$30
$30
$25
$30
$25
$25
$25
$30
$25
$25
$35
$30
$30
$35
Seating at
Seating at the
5
2
1
Stage
Lower Level
1
$30
$35
$40
$35
$40
$30
$25
$45
$35
$35
$40
$35
$40
$35
$35
$30
$40
$35
$30
$45
$35
$35
$45
Rows A -I in the Mezzanine
Rows J-X in the Balcony
Accessible Seating is available in
Row I and Y of the Orchestra
and Row I of the Mezzanine
Stage
Reserved Seating —
Pricing at one level
Accessible Seating
is available in the
first rows
Price 1
Price 2
Price 3
Front Orchestra
Rows A-P in the Orchestra;
Mezzanine; Upper level,
house right and left
Rear Orchestra
Rows Q-CC in the Orchestra
Balcony
Upper level, house rear
Accessible Seating is available in
Row CC of the Orchestra
University of Florida
Performing Arts
PO Box 112750
Gainesville, FL 32611-2750