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Season 60, Issue 4
May 2015
60 KLIK
YEARS
OFFICIAL NEWSLETTER OF
THE MISSISSAUGA CAMERA CLUB
Read on to learn more about this important
event in our club’s history!
60 Years of Fellowship Through Photography
Editors’ Introduction
This is the 4th and final KLIK for 2014/15. In this issue Hilary Callin outlines a brief history of the
Greater Toronto Council of Camera Clubs (GTCC), and highlights those Mississauga Camera Club
members recognized during the 2015 Interclub Competition. Club Historian Audrey Cherevaty has
again found nuggets of interest in the club archives – several photos and a letter to Canadian
Photonews announcing the club’s first salon in 1955 to exhibit the works of club members. Marty
Pinker provides us his unique perspective on ‘street photography’ and discusses some of his own work
in this genre. Warren Davis passes along an article from the Nikonites website with a valuable tip for
our summer travel photography endeavours. And, last but not least, you’ll find a summary of the
2014/15 competition results and award winners.
We hope that you’ve enjoyed the publication this year, and found the content informative and
interesting. The club has come a long way since its humble beginnings 60 years ago in Lorne Park.
Over the four issues we’ve reminisced on club history, highlighted some of our memorable moments,
and traced the changing technology of photography. For some this was a trip down memory lane,
while for newer members hopefully it provided an opportunity to better understand club tradition.
Thank you to our many contributors, and especially to club historian Audrey Cherevaty who spent
many hours researching the archives looking for photos, announcements, and KLIK articles from a
bygone era.
Thanks also to those readers who took time to give us feedback and suggestions. Over the next few
months we will meet to consider the directions for KLIK in 2015/16. It would be helpful to hear from
as many of you as possible so as to gauge club interest in continuing with this publication, and to
understand what content would have broadest appeal.
You can reach us at [email protected].
Have a great summer!
Co-Editors Pradipta Datta and Jim Evans
Message from the President
Dear Fellow Members of the MCC,
This year we celebrated the 60 th Anniversary of the MCC. Audrey Cherevaty did a wonderful job of
collecting together and publicizing the historical records at our meetings, culminating in a fine
celebration at our Christmas Party.
We could clearly see that this Club has been a source of
enjoyment and sharing in photography for a very long time.
Often we could observe faces of
members who we know in those old photographs: we are sorry to realize that some are missing but it
was also fun to see so many still active as ever. [Photography keeps us young!].
It seems that each year the Executive frets about obtaining sufficient volunteers to run the Club. This
year was no exception. Some say that members need to be happy with a Club before they will sacrifice
their valuable time in volunteering. However, this is an “all volunteer” club. The club is what the
members make it. For those of us who love photography and appreciate the wonderful potential of the
MCC, I believe that dissatisfaction is more of a motivator to volunteer than contentment. If you don’t
like something:
volunteer to change it!
This year we certainly had some major sources of
dissatisfaction: some major motivators for you to volunteer next year!
The 47% increase in the number of registered members (150 to 220) in September, 2012 as a result of
cancellation of our waitlist was a necessary change that is still being felt. The larger Club is more
diverse in interests and experience. It makes for a more difficult audience to satisfy with a speaker
program. Also, often, senior members long for the former “smaller club” environment. Furthermore,
demands on volunteers have increased with new members being concerned about not having sufficient
experience to volunteer and senior members feeling that they have already “done their bit”.
In addition, this year, we went to on-line judging for our digital competitions. This was yet another
necessary change: the old off-line judging method was too much work and stress for all concerned.
Now the judges can relax at home and judge our images at their leisure. Thanks to software
developed by Tess Francis, not only has running the competition become much easier to accomplish
but also the Internet opens up a world of possibilities. Now we are discussing obtaining judges from
across Ontario.....or maybe from across Canada…..or….from anywhere.
Although that’s all fine to consider, competitions are a vital part of our Club. We learn from them and
we obtain public recognition of our photography. We depend on the competition process being of high
quality. However, now we conceivably have judges magnifying our images beyond reason on possibly
un-calibrated monitors without any guidance from the two other judges participating.
Judges are
alone in their evaluation and each image is treated more independently of its order in the competition.
However, scores are more variable as a result and were lower this year (maybe partly because we told
the judges that the average score is six).
Members are accustomed to a more forgiving, relaxed
system that permitted last minute corrections to submissions. Some members had submissions
rejected. There is even a call to return to the previous off-line judging format.
I understand: we put so much into our photography…so much effort and so much of our feelings.
Promotions to higher expertise level, awards and trophies become very important to some.
Under
these circumstances it’s very difficult to accept criticism other than unadulterated praise for our
photographs. At the same time, we realize that we must accept negative comments if we are ever to
improve our photography. That said, when a judge’s comment is totally irrelevant or just plain
incorrect, it’s insult added to injury. When it’s said in public it’s even more difficult to accept with a
smile. However, we’re all in this together. It’s all part of the entertainment and education. An
alternative is to post anonymously on a website and privately see comments on our work. However,
I’ve been there, done that. It’s not nearly as much fun as laughing together about all this!
O.K., so our program does not please everyone. Our competition systems are not perfect. However,
we can and will do much better: some solutions are in progress: Special Interest Groups allow small
groups of members to pursue their main interests. The Show-Off photo essays at each meeting show
our individuals and groups in action. More surveys are on the way to help define member preferences.
Bob Mongrain came up with some elegant software to help members avoid mistakes in competition
submissions. These solutions come from members. The success of this Club rests primarily with the
membership. To reiterate: this is your Club. Volunteer. Have some fun. Laugh. Ask questions of
your executive. Let them know what you want. Even better: join the executive. [It’s quite an
education!] Participate.
Enjoy the company of so many talented people who share a love of
photography with you.
Appreciate the diversity.
Help us to come up with new ideas and to
implement them. I invite you to help us make this Club what you want it to be!
See you in September.
Steve Balke
President
Mississauga Camera Club
Mississauga Camera Club’s History with the
Annual GTCCC Interclub Competition
Where we’ve been, where we’re going ... the past, present and future
By Hilary Callin
The Greater Toronto Council of Camera Clubs
(GTCCC) is an association of photographic clubs
in the Greater Toronto area. At present, the
member clubs range from Hamilton and
Kitchener-Waterloo in the west, Newmarket in
the north, and Oshawa in the east. A major
event in the Council calendar is the annual
Interclub Competition, in which member clubs
(including MCC) compete against each other for
a number of prizes and trophies in various
categories.
As we celebrate 60 years of wonderful
photography, education and friendship at the
Mississauga Camera Club, we thought it would
be a good time to look at our club’s history with
the GTCCC Interclub Competition. This is a
competition amongst local camera clubs and has
often been described as a premier competition, a
great source of pride & success within the MCC.
Sandra Hawkins, “At the Well”, Honourable Mention 2015
Contributions to this summary have been provided by a number of MCC members: Bob Bateman,
Audrey Cherevaty, Warren Davis, Cecil Lindsay and Bruce Peters.
Included in this summary, you will find the 4 topscoring images from the most recent 2015
Interclub Competition. I would love to include the
winning images from all of the past competitions,
but they are so numerous that it just wouldn’t be
possible! I hope you enjoy these images and that
they inspire you to join us in the competition in
2016.
Ina Miglin, “Driving Through Mountains”, Honourable Mention 2015
Some background information …
"As a result of informal meeting held in the summer of 1987, the GREATER TORONTO COUNCIL OF
CAMERA CLUBS was officially formed at a meeting held on October 29, 1987, at North York Central
Library. At that meeting, the following delegates were elected to the Executive, to hold office until
December 31, 1988: Chairman - Stuart Freedman; Vice-Chairman - Karl Reeser; Treasurer - Robert
Bateman; Secretary - Karin Adams; Executive Member - Vern Mossey."
One of the main objectives of this new council was to pool and co-ordinate resources to promote
activities which would otherwise be out of reach of individual clubs.
Approximately 15 clubs
participated. The first major activity was a one-day seminar with George Lepp as keynote speaker, a
sold-out success.
The first GTCCC Inter-Club Slide and Print Competition took place in 1989. The Kodak Company in
Toronto allowed GTCCC to use their auditorium for that first show. GTCCC had to pay a rental fee
(which included coffee and donuts). Kodak opened their staff store for all attendees and their sales
reached about $20,000 for that one night. They were so impressed with the turnout (all 495 seats
were sold out) that they offered the venue at no charge thereafter, and they included free coffee and
donuts.
The annual Interclub Competition has resulted in a number of awards and trophies for Mississauga.
While we may not have records for every year of participation, we do have the following details: 1992,
the 4th annual Interclub Photographic Competition - MCC won the DayMen Trophy; 1993 - MCC won the
Freedman Trophy; 1999 - MCC won the Club Award for Pictorial Slides; 2005 - the Freedman Trophy;
2006 - MCC won the Colour Print, the Digital Nature and the Digital Pictorial Divisions and also
captured the Freedman Trophy; 2007 & 2008 – the Colour Prints Division; 2009 - we succeeded in 3 of
the 4 Divisions (Colour Prints, Nature Projected and Pictorial Projected) but narrowly missed bringing
back the Freedman Trophy; 2010 – MCC was the top-ranking club and received the Freedman Trophy
again.
The Mississauga Camera Club has been a strong competitor, historically, thanks to our many talented
members. We have consistently received first,
second and third place awards, along with
numerous Honourable Mentions. It is a valued
and important opportunity for individual
members to contribute to our club’s victory
at a premier interclub competition. It is
rewarding for individual members, and at the
same time we would like to emphasize that the
CUMULATIVE score of all the qualified images from
each club establishes the final ranking and the
resulting club
recognition.
Ina Miglin, “Autumn in Tombstone Territorial Park”,
Honourable Mention
Something that I found interesting in researching the history was
to discover that a few issues and challenges developed in 2006,
including heated debate about whether digital images would be
accepted for the competition. Does this surprise you? The digital
world seems so essential to photography now, but perhaps the
transition to digital was not always a smooth process! Apparently,
MCC had transitioned from slides and film to digital fairly quickly
and painlessly during the period of 2002 to 2004. After down-tothe-wire discussions within GTCCC, the 2006 competition
proceeded with new categories for Digital Pictorial and Digital
Nature.
Hilary Callin, “Lower Antelope Slot Canyon”,
Honourable Mention 2015
And did you know … that the current GTCCC is not the first of its
kind in the GTA?
Back in the 1950's there was a similar
organization, which ended sometime in the 1960's.
We hope that you have enjoyed hearing about some of the GTCCC history … and perhaps at some point
we can showcase some of our past winning images, to give sufficient credit to our amazing
photographers.
We’d like to encourage all members to contribute in 2015/16! Please send in any additional
information or stories you’d like to share about your GTCCC experiences.
And if anyone would like to volunteer a few times a year with the GTCCC activities, please let me know.
I welcome your feedback and input at [email protected].
Below: Lorne Park Public School where the club
held its meetings in the early years. The club’s
first ‘salon’ was held in the school’s auditorium in
1955 ... read on!
The First Exhibition
Editor: In the course of her research, Audrey Cherevaty was able to find this 1955 letter to Canadian
Photonews announcing MCC’s first salon ... an exhibition of black & white prints where viewers judged
the images and selected the winners. Some photos of this exhibition follow in the next page.
Mrs. G.A. Haley (centre), Mrs. Marg Moutrie (left) and Mrs.
Naylor are shown serving tea (with fine china & silver no less!)
View of print exhibit - four 8' panels were extended
diagonally across the South wall of the auditorium
Left: President G.A. Haley shows
Reeve of Toronto Township,
Mrs. Marie Fix, around the
exhibition
Right: Mrs. G.A. Haley, wife of
President, is shown examining
prints accompanied by the first
visitor to the show
A Perspective on Street Photography
Interview with Marty Pinker
Editor: How would you define ‘street photography’?
Marty: Street photography captures unposed scenes in public places, and depicts snippets of what
goes on in the real world. It's the art of capturing a Henri Cartier-Bresson "decisive moment"
which, seconds later, will not exist.
Editor: What interests you most about this genre?
Marty: I find that street photography often results in more meaningful images than ones that are
planned and orchestrated, like landscapes and portraiture. I enjoy its challenges.
Editor: Are there any specific themes or ideas that you like to capture and convey in your photos?
Marty: I like to seek unique and interesting off-beat individuals immersed in their everyday
activities. I attempt to capture magic life moments which others might overlook. The behaviour of
others in candid situations is fascinating!
Editor: What makes a good street-photography photo?
Marty: Street images should evoke a reaction, perhaps amuse, or tell a story which can be freely
interpreted.
Editor: How do you go about getting a good shot?
Marty: You must plan for the unexpected, so that you're fully prepared when a split second photo
opportunity unfolds in front of you. You always need to put yourself in the right place for it to
happen.
Editor: Some people don’t like having their photos taken by strangers, more so in some cultures
than others ... How do you handle that controversial side of street photography?
Marty: Ideally, the subjects will be unaware that you are shooting them. If I see a person I want
to shoot, I will often pretend to shoot other scenes around them, and then very swiftly swing in to
include them. I am discreet. I try not to intrude on peoples' lives. I am bold, but retreat quickly,
and focus on another subject before they catch on. I respect private property, and cease
photographing if requested. I rarely encounter negative reactions. More often than not, people
apologize to me for getting in the way of my shot!
Editor: What makes an attractive street-photography venue?
Marty: Markets and street events attract an interesting cross section of society. People are
generally too busy with their activities, (shopping, watching or participating) to notice me. Crowds
enable you to disguise your focus of interest.
Editor: Can you provide some examples in the GTA?
Marty: My favourite locations are Kensington Market, the St. Lawrence Market, Queen Street West
and Chinatown. Events in Mississauga's Celebration Square are often fruitful. I've had lots of luck
at parades like Caribana in Toronto, Southside Shuffle in Port Credit and the Bread & Honey
Festival in Streetsville.
Editor: When are the best times to find good photo opportunities?
Marty: Get to the location early, ahead of the crowds, if possible. This gives you time to scout out
potential scenes. Lots of situations present themselves in the preparations before the event itself.
Sometimes the spectators are more interesting than the actual event.
Editor: What considerations do you give to choice of photography equipment when planning a
street-photography outing? Do you rely on any one lens specifically and why? What are your
primary camera settings?
Marty: I use an 18-105mm zoom lens with my Nikon D90, which I find meets the large majority
of my needs. Many street photographers use a 50mm prime lens, but I find it difficult to compose
a scene quickly with mine. I never use a telephoto lens on the street. Having said that, the
equipment you use is of low importance compared to your ability to see and respond to a "decisive
moment." There's no time for manual settings on the street. Of course, you need a high ISO, 800
or higher, and I generally use a P setting.
Editor: Getting started in street photography might be intimidating for novices ... What tips would
you give them?
Marty: As a starting point, it's a good idea to go out with a group. That will give you experience in
shooting on the street. However, you may find that the company of many other photographers will
distract you from your primary purpose. I am a member of, and highly recommend, the Toronto
Photo Walks Group. I have been participating in their twice monthly outings for a number of
years. But I generally get my best street images in the company of one other person.
To join the Toronto Photo Walks Group, like their Facebook page, and you will be kept in the loop.
They pick a different Toronto neighbourhood on bi-monthly Saturdays. The walks are particularly
well organized, and follow a detailed Google maps route, starting at 10.00, and breaking at noon
for a pub lunch, then on through the afternoon until 6.00 pm for further pub libations.
Editor: Could you tell us a little bit about the Street Photography SIG such as when they meet,
outing venues, etc?
Marty: The MCC Street SIG is less active. We have had outings to Liberty Village, Port Credit,
Graffiti Alley, the Distillery District, Niagara-on-the-lake, Ward's Island and the Ice Festival in
Yorkville. At this time, we need a volunteer to organize more frequent activities. Please contact
me, [email protected], if you would like to step forward!
Editor: Which sources have you’ve found particularly helpful?
Marty:
http://erickimphotography.com/blog/start-here/
http://en.wikipedia.org/wiki/Street_photography
http://digital-photography-school.com/?s=street+photography
http://www.thomasleuthard.com/Book/GoingCandid.pdf
http://thomas.leuthard.photography/wp-content/uploads/2014/02/CollectingSouls.pdf
http://www.vivianmaier.com/
Editor: Could you provide a few examples of your street photography images and explain what
you captured and why you found it interesting?
A Few Of My Favourites
Busker, Montmartre
This fiddler serenaded us as we
wined and dined in an outdoor café.
I took a number of shots, but this
one stood apart from the others, with
the alignment of the girl on her cell
phone, and the beggar in the
background.
Queen Street Gentleman
Taken on a Street SIG outing. I tried
to appear as if I was shooting the
street landscape, but he clearly
realised he was key for inclusion. He
passed us without incident, but why
was he dressed like that, and where
was he headed?
Scott's Breakfast Stand
This is one of my favourite places to shoot at
Rochester’s public market. I always sit at the
stand to have one of their breakfast sandwiches,
and shoot the comings and goings. They know me
now, and do not object. In this shot, I like the
combination of silhouette, shadow and colour.
Weirs Beach, New Hampshire
Weirs Beach is a small resort town on
Lake Winnipesaukee. The setting appealed
to me: a truck, graffiti, the collection of
signage and great shadows. I was rewarded
when a girl entered the scene to look for
someone or something, and placed herself
perfectly in the shot.
Yellow Parking Ticket
A random parking lot on College
Street during a street festival. A
potentially boring shot until this
character, dressed in yellow,
stepped up to buy his ticket.
CREATIVE TECHNIQUE:
DELETE TOURISTS FROM TRAVEL PHOTOS
THIS LITTLE TECHNIQUE MAKES IT EASY TO GET RID OF THE TOURISTS IN YOUR TRAVEL
SHOTS! (PHOTO FROM STOCK)
This is an awesome trick for travel photographers. Sometimes you’re at an amazing location, but there are
people in the way of your shot. If you want to take a picture of a landmark and people are in your shot, you
will likely spend the rest of your adult life cloning people out of the shot unless you try this technique.
Step 1: Set your camera on a tripod.
Step 2: Take a picture about every 10 seconds until you have about 15 shots, depending on how fast people
are walking around.
Step 3: Open all the images in Photoshop by going to File > Scripts > Statistics. Choose “median” and select
the files you took.
Step 4: Bam! Photoshop finds what is different in the photos and simply removes it! Since the people moved
around, it fills the area where someone was standing with part of another photo where no one was there.
UPDATE: The “statistics” script mentioned here is only available in Photoshop Extended or in the Creative
Cloud version of Photoshop; however, as someone mentioned in the comments, you can get a somewhat
similar effect in recent versions of Photoshop Elements by going to Enhance > Photomerge > Scene Cleaner.
4th Competition Results
Season 2014 - 2015
Ribbon Winners
Fourth Competition - May 2015
Digital Beginner
Digital Advanced
Pictorial
1ST
2ND
3RD
HM
HM
David Stronghill
Penny Albright
Sue Adorjan
Liz McNally
Liz McNally
Pictorial
A Mothers Embrace
Old Blue Eyes
January Surprise
The Ring Toss Game
The Calm After The Storm
24
24
22
22
20
1ST
2ND
3RD
HM
HM
HM
Robert Bateman
Tony Paine
Warren Davis
Bob Warren
Marty Pinker
Ina Miglin
Five Sea Urchin Shells
Sun Breaks On Zebra Mountain
Girl On Carousel
Flatiron Building
Harbour Ice
Having Fun
1ST
2ND
3RD
HM
HM
HM
Tony Paine
Bob Hawkins
Raymond Hsu
Vincent Filteau
Adela Tivadar
Alan Gray
Marmot
Coopers Hawk Feeding
Great Blue Heron Building Nest
Grebe Feeding Chick Big Fish
Brown Pelican
Elephant Stripping Baobab Tree
25
23
22
22
22
21
Nature
Nature
1ST
2ND
3RD
HM
John Bennett
Ingrid Liem
Lori Metcalfe
Ingrid Liem
Northern Saw Whet Owl
Sea Lions Pair
Bald Eagle
Great Blue Heron Pair
24
21
21
20
Digital Intermediate
Creative
Pictorial
1ST Mark Fenton
2ND Efraim Perl
3RD Efraim Perl
Ice Ship
Grand Teton
Autumn In The Rockies
23
23
22
HM
HM
Flaming Hair Figure Study
Air Show
21
21
Craig Stirton
Donna Miller
Nature
1ST
2ND
3RD
3RD
Linda Hilliard
Sophie Matta
Alan Munro
Jennifer Fowler
Black Bear
Portrait Of Iguana
Backlite Canyon
The View From Mesa Arch Utah
25
25
24
24
23
22
21
20
20
20
1ST Tony Paine
2ND Marty Pinker
3RD Al Tilson
The View From Here
Flight Over Venice
Thruogh A Frosted Window
24
24
23
Prints Level 1
Pictorial
1ST
2ND
3RD
HM
HM
HM
Vincent Filteau
David Field
John Moore
Craig Stirton
Sue Adorjan
Sue Adorjan
Monarch Butterfly Feeding
Summer Palace-Jaipur
Far from the Madding Crowd
Mynarski Memorial Lancaster
Kingfisher resting from hunt
Rainbow Feathers
24
23
23
22
22
22
Prints Level 2
Pictorial
Creative
1ST Donna Miller
2ND Craig Stirton
3RD Craig Stirton
Venice Carnival
You Must Have Tea
Mybootswillwalkalloveryou
23
21
20
1ST
1ST
3RD
HM
HM
Tony Paine
Marty Pinker
Tony Paine
Ina Miglin
Sandra Hawkins
Marylin and the Big O
Montmartre Paris
San Miguel Bike Courier
Spring in Rockies
At the Well
TROPHY WINNERS
DIGITAL
Creative
Pictorial
Nature
Beginner
Intermediate
Advanced
Photo Essay Favourite
Annette Seip
Ina Miglin
Bob Hawkins
Lori Metcalfe
Efraim Perl
Ina Miglin
Ingrid Liam
PRINTS
Best Print
Level One
Level Two
Tony Paine
Vincent Filteau
Tony Paine
AWARDS
James D Cranston
Sandra Hawkins
Maurice de Cunha
Efraim Perl
24
24
23
23
23
Season 2014 - 2015
SEASON LEADERBOARD
May 2015
DIGITAL
Beginner
Lori Metcalfe
Ingrid Liem
David Stronghill
Sue Adorjan
Misbah Ali
Bashar Darghawth
Liz McNally
Tetyana Boronylo
Pat Donaldson
Raymond Eng
MaryAnn Rowsome
Jean Girard
Chuck Hammill
Tom Snow
Maggie Knight
Penny Albright
Hani Anton
Eleonora Roberts
Judy Stuart
Gwen Caudle
Wendy Mullinder
Vinod John
Gerard Foraie
Holly Lumley
John Bennett
Maureen Rodrigues
Paul Lindo
Evarist DSouza
Intermediate
249
246
245
243
235
234
234
227
193
183
182
131
111
106
69
63
61
59
59
58
52
48
47
44
41
40
37
34
ADVANCEMENTS:
Sue Adorjan
Misbah Ali
Liz McNally
PRINTS
Efraim Perl
Jim Evans
Craig Stirton
Donna Miller
Rick DaSilva
Chantal Chapdelaine
Doug Johnston
Alan Munro
Jennifer Fowler
Janet Dixon
Sophie Matta
Juri Vosu
Mark Fenton
Myra Jones
Linda Hilliard
Rob Thorne
Nigel Roberts
Angela Murphy
Advanced
267
252
252
247
245
244
243
242
232
228
226
147
123
111
110
82
53
44
Bob Hawkins
Ina Miglin
Tony Paine
Vincent Filteau
Raymond Hsu
Adela Tivadar
Stephen Balke
Robert Bateman
Al Tilson
Warren Davis
Kevin Chan
Marty Pinker
Jon Clarke
Robert Mongrain
David Penty
Paul Ewington
Fred Dixon
Sandra Hawkins
Linda Wiesner
Bruce Peters
Alan Gray
Robbie Robinson
Bob Warren
Annette Seip
Leonie Holmes
Marcus Miller
Laurie Fenos
Kay Woollam
Janet Brazier
ADVANCEMENTS:
Efraim Perl
Jim Evans
Craig Stirton
Level One
276
276
276
268
266
261
258
258
257
256
255
249
248
244
242
239
235
235
229
226
184
181
157
137
123
87
64
61
59
Vincent Filteau
Craig Stirton
David Field
Sue Adorjan
Mark Fenton
John Moore
Annette Seip
Chantal Chapdelaine
Lori Metcalfe
David Stronghill
Fred Walker
ADVANCEMENTS:
Sue Adorjan
Vincent Filteau
Craig Stirton
David Field
Level Two
Tony Paine
Marty Pinker
Al Tilson
Sandra Hawkins
Stephen Balke
Ina Miglin
Robbie Robinson
Leonie Holmes
Myra Jones
Marcus Miller
Rob Thorne
Bob Hawkins
Rainer Rothfuss
CLUB CHAMPION
Tony Paine
Volunteers Of The Year
180
177
176
174
91
86
60
43
40
20
19
Audrey Cherevaty
Uliana Yaworsky
191
184
181
179
178
174
170
130
120
91
90
85
85
KLIK SUBMISSIONS
KLIK welcomes feedback, comments and suggestions; articles; tips, tricks and techniques; interesting
web sites; images with comments. All submissions are usually published in the first available issue.
Please send your submissions to:
[email protected].
Please visit our Affiliated organisations for news about events, competitions and special offers.
The Photographic Society of America
http://psa-photo.org/
The Canadian Association for Photographic Art
http://capacanada.ca/
THE MISSISSAUGA CAMERA CLUB
Meetings:
Cawthra Seniors’ Community Centre,
1389 Cawthra Road, Mississauga
E-Mail: [email protected]
Web: http://www.mississaugacameraclub.ca
The Mississauga Camera Club is a member of the Greater Toronto Council of Camera Clubs (GTCCC),
Canadian Association of Photographic Art (CAPA), the Photographic Society of America (PSA) and
is affiliated with the Mississauga Recreation and Parks Department and the Mississauga Arts Council.