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PRESS KIT
Brittany House Pictures
in association with
Emedia Films
and
Quixotic Road
presents
GOOD OL’ BOY
Starring
Jason Lee
Anjul Nigam
Brighton Sharbino
Hilarie Burton
Roni Akurati
Written by
Anjul Nigam
Paul Quinn
Gregory Scott Houghton
Produced by
Anjul Nigam
Frank Lotito
Steve Straka
Directed by
Frank Lotito
Contact: Anjul Nigam, Producer | Brittany House Pictures | Tel: 818-470-1279 | Email: [email protected]
GOOD OL’ BOY | Press Kit
Page 2 of 16
STORY
Logline:
In 1979, an Indian family moves to America with hopes of living the American Dream. While their 10year-old boy Smith falls head-over-heels for the girl next door, his desire to become a “good old boy”
propels him further away from his family’s ideals than ever before. A tribute to childhood heroes, first
love and growing up in Small Town, America.
Synopsis:
GOOD OL' BOY is the feel-good, coming-of-age story of Smith, a 10-year-old boy from India growing
up in Small Town, America in 1979.
As the boy's family tries to straddle the fine line between embracing the American Dream and
preserving their Indian heritage, we watch our awkward little hero sneak out for a taste of Kentucky
Fried Chicken (even though his family is vegetarian), don a 'Saturday Night Fever' costume, and
contend with his parents as they send him to school with a yellow squash instead of a pumpkin to carve
for Halloween.
And as Smith falls head-over-heels in love with Amy, the girl-next-door, he finds in Amy's father Butch
the all-American cowboy he wishes his own father could be. But alas, when Smith goes on a hunting
adventure with Butch, Smith's father Bhaaskar fears Smith will lose any hope of remaining a
respectable Indian boy and banishes him back to India. Nineteen years later Smith will return to
America, back to a place he once called home.
GOOD OL’ BOY | Press Kit
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PRODUCTION STILLS
Note: These and additional photos available in high resolution at:
www.dropbox.com/sh/dlnzcjr8z57qqo9/AACoBo4hqpGtTekzKVoIjbcHa?dl=0
Jason Lee and Roni Akurati
Roni Akurati
Roni Akurati
Poorna Jagannathan and Anjul Nigam
Roni Akurati and Jason Lee
GOOD OL’ BOY | Press Kit
Roni Akurati and Brighton Sharbino
Anjul Nigam and Poorna Jagannathan
Brighton Sharbino and Roni Akurati
Roni Akurati
James Hyland, Austin Harrod and Jack Hyland
Page 4 of 16
THE MAIN CAST
“Don’t sweat it. You’re still a kid. The best is yet
to come.” ~ Butch Brunner
JASON LEE
(“My Name Is Earl”)
www.imdb.com/name/nm0005134
“When we go back... we’ll live the American
dream, in India!” ~ Bhaaskar Bhatnagar
ANJUL NIGAM
(“Bad Words”)
www.imdb.com/name/nm0631413
“I like the apple pie!” ~ Smith Bhatnagar
RONI AKURATI
(“Another Period”)
www.imdb.com/name/nm4803098
“How am I supposed to pay for our kid’s
shoes?” ~ Nancy Brunner
HILARIE BURTON (“One Tree Hill”)
www.imdb.com/name/nm1122026
“Will you be my partner?” ~ Amy Brunner
BRIGHTON SHARBINO
(“The Walking Dead”)
www.imdb.com/name/nm3276835
“We were so much happier in India... I didn’t
have to clean my own toilet.” ~ Nalini Bhatnagar
POORNA JAGANNATHAN
(“Delhi Belly”)
www.imdb.com/name/nm1567198
GOOD OL’ BOY | Press Kit
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“I love America. The boys are so handsome.”
~ Asha Bhatnagar
SHOBA NARAYANAN
(“Gossip Girl”)
www.imdb.com/name/nm5435474
“On a possum you can plead the first.”
~ Officer Dick
JAKE BUSEY
(“Starship Troopers”)
www.imdb.com/name/nm0000998
"While my neighbors were at church trying to reach heaven,
heaven came to my own backyard and reached out to me."
“You’re in heck of a pickle here, Smith.”
~ Officer Bob
TIM GUINEE
(“Iron Man 1 & 2”)
www.imdb.com/name/nm0347375
~ Older Smith Bhatnagar (Narrator)
SAMRAT CHAKRABARTI
(“Waiting City”)
www.imdb.com/name/nm1589782
“In the future, make sure your mama reads the notes we send home.”
~ Mrs. Reynolds
ALISON WRIGHT
("The Americans")
www.imdb.com/name/nm2226071
GOOD OL’ BOY | Press Kit
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NOTES FROM THE CREATIVE TEAM
Director’s Statement:
When I first read the script for GOOD OL’ BOY, I couldn’t put it down… I had to finish it. It had a profound effect
on me, maybe because of my upbringing. Although my background is not East Indian, I could relate to the trials
and tribulations of growing up in the 70s as a boy from an immigrant family.
I’m a first generation Italian-Australian. My parents immigrated to Australia in the late sixties. So I experienced
first hand the cultural intolerance of others. The clash of cultures, the nuances that made us laugh but made
other people confused. But most importantly it was the longing to just fit in… to belong.
This story of an Indian boy named Smith living in America is an exploration of innocence, a humorous journey
seen through the eyes of an awkward little ten-year-old child from somewhere else. And still, Smith shows us all
how wonderful it is to be a boy, to experience first love, friendship and most importantly, how to appreciate each
other’s differences. It’s everyone’s story.
I was always a big fan of the TV show “The Wonder Years” and the movie STAND BY ME. I immediately thought
of these two when I read the script. So when I had the opportunity to direct this picture, I wanted to create a very
nostalgic piece, something that we could look at as adults but remember as children. The challenge was creating
a period piece on a very small budget… and I feel we have achieved this from just the right amount of nostalgia,
through visuals, sound and music.
Although the film is about life in the 1970s, it touches on issues that are very contemporary. It’s a family film that
will stir the hearts of young and old and most of all, make us laugh, cry and reflect. This is an American story that
needs to be told.
.
As John F. Kennedy said, “If we cannot end now our differences, at least we can help make the world safe for
diversity.”
Franco Lotito
Director / Producer
Producer / Writer’s Note:
Like many independent films, GOOD OL’ BOY was marred with a series of false starts. There was that one time
when a high school friend introduced the project to a billionaire friend of his. Within a week, the billionaire was on
board to finance the entire budget as long as we agreed to include his son, a recent NYU Film School graduate, in
some producing capacity on the project. No brainer… done! The billionaire circulated the project to his team for
review and due diligence. And so it went through the ranks. Accountant: approved; in-house attorney: approved;
business manager: approved; out-side entertainment attorney: approved. Six months later, it landed back on the
billionaire’s desk with multiple layers of approval stamps that now merely required his final signature. Before
signing, I was scheduled to get on the telephone with him as a formality before closing the deal. The day before
our scheduled call, the billionaire's former wife sued him for $250 million... and our project quickly moved to the
back-burner, where it remains to this day. I’m not sure if he knows the film can now be removed from the burner.
Then there was the time when... well, I could go on. The fact is, although there were many hoops and hurdles to
overcome in getting this film made, there were just as many blessings that the universe provided in the project’s
journey to the screen.
I first learned of the project when writer Gregory Scott Houghton had asked me to become attached as an actor to
his original script, which he had based on his roommate Ramesh Raju’s personal life experience growing up as
an immigrant in Oklahoma. Seeing that the project was in an embryonic stage and needed a producer to move it
forward, I optioned the property and... well, I did absolutely nothing with it for some time to come. I knew I needed
GOOD OL’ BOY | Press Kit
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someone to collaborate with, but who? Well, it just so happened after seeing and falling in love with a film called
THIS IS MY FATHER, I had the fortune of meeting its writer/director Paul Quinn at a mutual friend’s party. But
unfortunately, I didn’t have the courage to share with him about my little project; I let the opportunity slip by, or so I
thought. As fate would have it, six months later I received a telephone call: “Hi, this is Paul Quinn, we met at
Carlo’s party several months ago. So, I understand you’re selling your Mercedes 280SE?” That’s right, I had a
classic 1971 sedan and I needed to sell it. Paul came to look at it, didn’t buy the car that I had listed for the sale
price of $6,000 (good thing, as I ultimately sold it to someone for $600!), but I did manage to pass along the script
for GOOD OL’ BOY. Paul read it within a few days (a miracle in Hollywood time) and called me: “This needs to
be made.” The story hit home for Paul: growing up outside of Chicago to Irish immigrant parents, Paul’s brother
was banished to Ireland as a youngster as his parents felt the child was becoming too Westernized for his own
good. So, Paul came on board and he and I spent the next year doing a page-one rewrite of the script, the one
that would eventually make its way up on screen.
Another blessing lay in how the song “Evergreen Cassette,” a tune that so poetically graces our movie, found its
way to us just in the knick of time. In the midst of the craziness of principal photography, in my stream of over
one hundred emails a day, I received an email from Indian-American musician Siddhartha (“Sidd”) Khosla. Sidd
said that through a mutual friend he had learned of GOOD OL’ BOY and he was contacting me to share how our
story was so close to his own: in the year 1979 (the year in which GOOD OL’ BOY is primarily set), at the age of
two, his parents who were financially-strained graduate students at Yale University, made the very difficult
decision to send Sidd back to India to be raised by his grandparents. Over the years, his mother would send
letters on an audio cassette which Sidd would listen to and then record over and send back to her in the States.
Mother and son continued circulating the same cassette for several years until the son eventually returned to
America to be with his parents. Sidd wrote the song “Evergreeen Cassette” as a tribute to his mother, and it
arrived in my email inbox just in time for us to make certain adjustments in the script that we were then able to
incorporate into our shoot. Our discovery of the song was so serendipitous and its placement in the film is
profoundly perfect!
While there were many bumps on the road to completion of our movie, the rewards have outweighed the hurdles.
Ever since that time over a decade ago when Paul Quinn and I first began working on the GOOD OL' BOY script,
we knew this story, inspired by Ramesh Raju’s life experiences, was ultimately about inspiration and the
American Dream. We knew it needed to be shared with the world. And we knew that such dreams are not
geographically limiting, as is apparent in the character Bhaaskar’s promise to his wife: "Be patient, Mummi. When
we go back, we will live like rajas and ranis. We will live the American Dream... in India."
Anjul Nigam
Producer / Writer / Actor (“Bhaaskar”)
GOOD OL’ BOY | Press Kit
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THE TEAM
Anjul Nigam, Producer / Writer
www.imdb.com/name/nm0631413
Anjul Nigam is a veteran actor who has been working in the entertainment industry for over 25 years. A graduate
of New York University's Tisch School of the Arts, Anjul is a founding partner at Brittany House Pictures where he
oversees all aspects of project selection, development, and production. In addition to starring with Jason Lee, he
is a producer/writer on GOOD OL' BOY, having spearheaded the development of the project and overseeing all
creative concerns from screenplay stage and continuing through distribution. In development at Brittany House
are two additional feature films (a drama and a comedy), an animated feature, two scripted television shows, two
reality television series and a web-series. Anjul has also recently entered into a development deal with 20th
Century Fox / Fox Digital Studios to produce, write and star in “The Accidental Guru,” a show that he has cocreated. Next up, Anjul is Producing the romantic comedy THE COOK AND THE CRITIC with Frank Lotito, his
GOOD OL’ BOY producing partner and director.
In addition to his work as a producer/writer, Anjul is an established actor who currently recurs on HBO’s TRUE
DETECTIVE and JIMMY KIMMEL LIVE, and completed a long-term assignment as a co-spokesperson for the cell
phone provider MetroPCS, appearing as "Ranjit" in the company's highly popular ad campaign "Tech & Talk With
Ranjit and Chad.” In film, Anjul was recently seen as a supporting lead in Universal / Focus Features’ BAD
WORDS for director Jason Bateman and will next be seen in OF GODS AND KINGS for director Joe Estevez. He
has appeared as one of the supporting leads in Hallmark's BACK WHEN WE WERE GROWNUPS with Faye
Dunaway and Peter Fonda under the direction of Ron Underwood; as one of the leads in 20th Century Fox's THE
FIRST $20 MILLION IS THE HARDEDST with Rosario Dawson and directed by Mick Jackson; and one of the
supporting leads in Universal's SPEAKING OF SEX with Bill Murray and James Spader for director John
McNaughton. Anjul has also appeared in the blockbuster movies TERMINATOR: SALVATION for Warner
Brothers and CLOVERFIELD for Paramount. In television, Anjul has recurred as "Dr. Raj" on ABC's GREY'S
ANATOMY and as "Nurse Manoj Nakshi" on the ABC medical drama MDs, and one of the leads in the ABC
miniseries TOM CLANCY'S NETFORCE and in Showtime's SILVER STRAND. He has guest-starred on more
than 50 primetime series including BATTLE CREEK, REVENGE, CHILDRENS HOSPITAL, GHOST
WHISPERER, LIE TO ME, CRASH, SUPERNATURAL, CSI, CSI: NEW YORK, MEDIUM, HUFF, SHARK, ER
and NYPD BLUE. In theater, Anjul has appeared alongside fellow-NYU alumnus the late Philip Seymour Hoffman
in the controversial production of Shakespeare’s THE MERCHANT OF VENICE under the direction of Peter
Sellars and which played at the Royal Shakespeare Company in London and The Goodman Theatre in Chicago.
Frank Lotito, Director / Producer
www.imdb.com/name/nm1638157
Frank Lotito recently completed principal photography as a producer on THE LOOKALIKE, a crime thriller starring
Justin Long, Jerry O'Connell, Luis Guzmán, John Corbett, Gina Gershon and Steven Bauer. Shot on location in
New Orleans, Louisiana, the film has been acquired for distribution by Arclight Films.
Originally an
actor/comedian from Melbourne, Australia, Frank produced the feature film BIG MAMMA'S BOY, which he also
co-wrote and starred in the title role. The film had a nationwide theatrical release in Australia, followed by a
television and DVD / Blu-ray release, and it is currently in circulation worldwide through international sales agent
Media Luna. In television, Lotito has produced (with Ian Thorpe) FISH OUT OF WATER directed by Richard
Gray, a 2-hour documentary on the environment for the Foxtel network; THE PHONE hosted my Justin Melvey for
Fox 8; STEFANO'S COOKING PARADISO, an eight-part series for Lifestyle Food; and VANCOUVER DREAMS,
a two-hour special about the 2010 Winter Games also for the Foxtel network. Next up is the romantic comedy
THE COOK AND THE CRITIC which Frank will direct and is producing with Anjul Nigam, his GOOD OL’ BOY
producing partner.
GOOD OL’ BOY | Press Kit
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CREDITS
[OPENING TITLES]
Ponca City
Presents
a
Brittany House Pictures
Production
in Association with
Emedia Films
and
Quixotic Road
Starring
Jason Lee
Anjul Nigam
Brighton Sharbino
Hilarie Burton
Poorna Jagannathan
Samrat Chakrabarti
Shoba Narayanan
Alison Wright
Jake Busey
Tim Guinee
And Introducing
Roni Akurati
as Smith
GOOD OL’ BOY
Casting Directors
Jeanne McCarthy
Nicole Abellera
Costume Designer
Mirren Gordon-Crozier
Editor
Joshua Rathmell
Production Designer
Sam Lisenco
GOOD OL’ BOY | Press Kit
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Musical Score
Michael Lira
Director of Photography
Thomas Scott Stanton
Line Producer
Michelle Cameron
Co - Executive Producers
Joe Accurso
Patrick Murray
Steven Thibault
Executive Producer
Winson Ho
Executive Producers
Paul Quinn
Aaron L. Gilbert
Produced By
Anjul Nigam
Frank Lotito
Steve Straka
Written By
Anjul Nigam
Paul Quinn
Gregory Scott Houghton
Directed By
Frank Lotito
*******************************************************************************
[END TITLES]
A Ponca City Production
In association with Media House Capital and Crystal Wealth
Co-Producers
Michelle Cameron
Jonathan Rosen
Anjalika Mathur Nigam
Aldo LaPietra
Raub Shapiro
J.D. Seraphine
Daniel J. Coplan
Unit Production Manager
Naomi Wells
GOOD OL’ BOY | Press Kit
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CAST
Butch Brunner
Bhaaskar Bhatnagar
Amy Brunner
Nancy Brunner
Smith Bhatnagar
Nalini Bhatnagar
Older Smith Bhatnagar
Asha Bhatnagar
Officer Dick
Officer Bob
Mrs. Reynolds
Billy MacNamara
Stan Swanson
Steve Swanson
Patrick
Dude 1
Dude 2
Rock Star Trick-or-Treater
Boxer Trick-or-Treater
Vampire Trick-or-Treater
Middle-Aged Vampire
Smiling Woman
Christian Man / Drugstore Employee
Christian Woman
Mayor
Paramedic Clemmons
Police Officer
Older Asha Bhatnagar
Woman Walking Dog
Dachshund
Jason Lee
Anjul Nigam
Brighton Sharbino
Hilarie Burton
Roni Akurati
Poorna Jagannathan
Samrat Chakrabarti
Shoba Narayanan
Jake Busey
Tim Guinee
Alison Wright
Austin Harrod
James Hyland
Jack Hyland
Paul Castro Jr.
Deema Aitken
Ben Sloane
Jeremiah Burch III
Luke Trevisan
Asher Kaminsky
Edward Prostak
Laurie Dawn
Randall McNeal
Henny Russell
Mike Lisenco
Dan Coplan
David Aranovich
Jessica Minhas
Jennifer Bagley
Greta
PRODUCTION CREW
First Assistant Director
Second Assistant Director
Second Second Assistant Director
Michael S. Chandler
Alex Schwerin
Dan "Sully" Sullivan
Script Supervisor
Erika Sanz Corbacho
Camera Operator
First Assistant Camera
Second Assistant Camera
Third Assistant Camera
DIT
Camera Intern
Thomas Scott Stanton
Mikey van Beuren
Kevin Edward Steen
Shabier Kirchner
John Kersten
Conor McKenna
Still Photographer
Sabrina Lantos
Gaffer
Best Boy Electric
Third Electric
Justin Kemper
Josh Batista
Greg Meola
GOOD OL’ BOY | Press Kit
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Key Grip
Best Boy Grip
Third Grip
Best Boy Key Grip
Tyler Chong
Ethan June
Jack McDonald
Winson Ho
Sound Mixer
Boom Operator
Diana Sagrista
Chris Schneider
Art Director
Set Decorator
Property Master
Steven Grise
Kirsten Thorson
Katy Porter
Assistant Costume Designer
Costume Supervisor
Costume Assistant
Costume Intern
Costume Intern
Costume Intern
Mel Kier
Tammy Gibbens
Amira-Sade Moodie
Stacy Jansen
Erik Flores
Brittany Moskowitz
Key Make-up & Hair
Make-up & Hair
Additional Hair
Assistant Hair Stylist
Jacqueline Risotto
Emily Nowacki
Jose L. Lopez
Sal Falcone
Stunts
Motorcycle Coordinator
Choreographer
Electronic Press Kit DP
Michael S. Chandler
Justin Kell
Hallie Bulleit
Fraser Green
Production Coordinator
Production Supervisor
Assistant Production Coordinator
Assistant Production Coordinator
Key Production Assistant
First Team Production Assistant
Unit Production Assistant
Production Assistant
Background Production Assistant
Office Intern
Office Intern
Meredith King
Anjalika Mathur Nigam
Madeleine Askwith
Adam Peryer
Drew Johnson
Chelsea Meador
Michael Fuller
Peter Garafalo
Sanford Jackson
Julia Becker
Julia Perri
Production Legal Services
Lender’s Legal Services
Offices of Daniel J. Coplan
Adam Davids
Additional (New York) Casting
BREAKTHROUGH Casting
Dana Lockhart
Johanna Tacadena
Patricia Gallio
Background Casting
BREAKTHROUGH Casting
Caterer
Craft Services
David Zimmerman
Jay Scrimizzi
Location Manager
Steven Harris
GOOD OL’ BOY | Press Kit
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Location Scout
Jillian Fisher
Post Sound Facility
Dig It Audio
Post Production Supervisor
Sound Designer
Sound Editor
ADR Editor
Foley Artist
Sound Mixer
Michelle Cameron
Diana Sagrista
George Dellinger
Tom Efinger
Kate Bilinski
Jeff Seelye
Post Production Sound Services
Troy Entertainment
Sound Editor & Re-Recording Mixer
Additional Foley Effects
Music Editing
Technical Engineer
Andrew Troy
Mathew Troy
Dionysius Fernandes
Andrew Troy
Phillip Bif Vincent
Final Re-record
Additional Sound Design & Mix
Post Production Manager for Backlot
The Backlot Post (Melbourne, Australia)
Craig Jansson & Mark D'Angelo
Tony Ianiro
Music Supervisor
Additional Vocals
Jon Mooney
Lauren Orrell
Final Finishing & Color
Colorist
Color Supervisor
CVLT Production
Michael Dwass
Liam Gordon
Chavvah Stuart
Visual Effects Artist
Main Title Design by
John Morena
John Morena
SOUNDTRACK
"STAYIN' ALIVE"
Performed by Funky Town
Writers: Barry Gibb, Robin Gibb, Maurice Gibb
Courtesy of Two Camels Music and Warner Tamerlane Publishing Corp / Crompton Songs
“I ONLY HAVE EYES FOR YOU”
Performed by The Flamingos
Courtesy of Rhino Entertainment Company
By arrangement with Warner Music Group Film & TV Licensing
"YOU SHOULD BE DANCING"
Performed by Funky Town
Writers: Barry Gibb, Robin Gibb, Maurice Gibb
Courtesy of Two Camels Music and Warner Tamerlane Publishing Corp / Crompton Songs
"I CAN'T HELP MYSELF (SUGAR PIE HONEY BUNCH)”
Performed by Four Tops
Writers: Brian Holland/Edward Jr. Holland/Lamont Dozier
GOOD OL’ BOY | Press Kit
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Courtesy of Sony / ATV Music Publishing
Courtesy of Motown Records under license from Universal Music Enterprises
"INDIAN LOVE CALL"
Performed by Slim Whitman
Writers: Rudolf Friml, Oscar Hammerstein II, Otto A. Harbach
Courtesy of Warner Brothers Music Corp
"DON'T BREAK THE HEART THAT LOVES YOU"
Performed by Connie Francis
Writers: Benny Davis & Ted Murray
Courtesy of Sony / ATV Music Publishing
"SUGAR SUGAR"
Performed by The Archies
Writers: Jeff Barry & Andy Kim
Courtesy of Sony / ATV Music Publishing
“DON'T TAKE YOUR GUNS TO TOWN”
Performed by Johnny Cash
Writer: John R. Cash
Courtesy of Warner Chappell Music Publishing
"EVERGREEN CASSETTE"
Performed by Goldspot
Writer: Siddhartha Khosla
Published by Dev Dutt Music (BMI)
Courtesy of MT HOBOKEN RECORDS / NICE MUSIC GROUP
SPECIAL THANKS
Ramesh Raju
Nigam Family
Mathur Family
Katia, Sofia and Oliver Lotito
Straka Family
Hammerschmidt Family
Lisa DiSante Frank
Makan Delrahim
Dennis Brilla
Jacob Mosler
Joel Hatch
Rajani Akurati
Angela Sharbino
David Harrod
Tom O’Brien
Bhavani Rao
Sonia Pandya
Fraser Green
Hallie Bulleit
Deb D'April
Hayes Clement
Hilarie Chalmers
John and Cathy Buonfiglio
Joseph Stulb
GOOD OL’ BOY | Press Kit
Jerry Kearney
Monto Lagatas
Jason Galizia
Richard Gray
Toni Lipari
Stephen Jess
Trish Fuller
Lisa Gunning
Mr. and Mrs. Joe Staton
Avella Family
Kuppenheimer Family
Tom Clapper
Joe Kennedy
John and Cathy Buonfiglio
Kristi-Jo Weber McCabe
Gary Heckelman
Bert Cordero
Donna Domiano and Arthur Clifford
Sonja Tsypin and Noa Bricklin
Egidio Tinti, Kingston Police Dept.
Carly Williams, Kingston City Clerk
Kevin Gilfeather, Rotary Park
Laurent Rejto, Hudson Valley Film Commission, Inc.
Dennis Larios, Montrepose Cemetary
Page 15 of 16
Gigi Genna-Weinberg and Win Morrison, Win
Morrison Realty
Meagher Elementary
Adams Fairacre Farms
Habitat For Humanity Restore
Duo Bistro
Dominick's Cafe
STS Auto
City of Kingston
Hand Held Films
All toys, merchandise and officially licensed poster relating to "Star Wars" motion pictures appear with permission
from and courtesy of Lucasfilm Ltd. LLC
KFC, Kentucky Fried Chicken and Colonel Sanders' image are registered trademarks of KFC Corporation
Distribution Advisory Services provided by Preferred Content
Filmed With the Support of the New York State Governor’s Office for Motion Picture and Television Development
Special thanks to SAG-AFTRA (Screen Actors Guild - American Federation of Television and Radio Artists) to
which the film has been a signatory production of.
All names, characters and events portrayed in this film are fictitious. Any resemblance to any person living or
dead is purely coincidental.
This film may not be exhibited, broadcast, aired, copied, duplicated, digitized, published, streamed online,
distributed or reproduced in any manner, in whole or in part, without the prior written permission of Ponca City
LLC.
Copyright © 2015 Ponca City LLC
BRITTANY HOUSE PICTURES IN ASSOCIATION WITH EMEDIA FILMS PRESENTS A PONCA CITY PRODUCTION
GOOD OL’ BOY
STARRING JASON
LEE ANJUL NIGAM BRIGHTON SHARBINO HILARIE BURTON AND INTRODUCING RONI AKURATI
MCCARTHY NICOLE ABELLERA COSTUME DESIGNER MIRREN GORDON-CROZIER
EDITOR JOSHUA RATHMELL PRODUCTION DESIGNER SAM LISENCO ORIGINAL SCORE MICHAEL LIRA
DIRECTOR OF PHOTOGRAPHY THOMAS SCOTT STANTON LINE PRODUCER MICHELLE CAMERON
CO-EXECUTIVE PRODUCERS JOE ACCURSO PATRICK MURRAY STEVEN THIBAULT
EXECUTIVE PRODUCERS WINSON HO PAUL QUINN AARON L. GILBERT
PRODUCED BY ANJUL NIGAM FRANK LOTITO STEVE STRAKA
WRITTEN BY PAUL QUINN ANJUL NIGAM GREGORY SCOTT HOUGHTON
DIRECTED BY FRANK LOTITO
CASTING DIRECTORS JEANNE
Contact: Anjul Nigam, Producer | Brittany House Pictures | Tel: 818-470-1279 | Email: [email protected]
GOOD OL’ BOY | Press Kit
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