1. automotive and vehicles
2. vehicle rental

L
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HOW
WRITE
TO
PHOTOPLAYS
BY
CHIEF
CARL
CHARLTON
WRITER
SCENARIO
OF
THE
CO.
MANUFACTURING
A
PRACTICAL
THOROUGHLY
NEW
TERMS,
Pi"tE
TO
A
COMPLETE
AND
ROYAL
COM-
TO
THE
Pub.
Co.
PHO-
TO
WRITING
ACTlNa
MCMXVI
PUBLISHING
425
ACTION
ONE
THOROUGHLY
GUIDE
tC""LAY
AND
SCfiNARIO
ADVANTAGE.
Cepyri^tcd
AND
PHOTOPLAY
TECHNICAL
SCENARIO.
XiF tOUR
DISPOSE
ESr
PLOTS
IDEAS^
TO
OF
SYNOPSIS
SCENERY
HOW
GUIDE
EXPLANAION
FULL
WRITING.
FILM
CROWN
LOCUST
PHIUDELPHIA,
Royal
COMPANY
STREET
PA.
GREAl
BAITDIT
This
SEBIES.
books
thrilling
a
the
of
series
and
daring
notorious
of
Each
book
outlaws.
has
good
in
paper,
have
Price,
BOYS,
JAMES
printed
clear
in
covers
ancient
times.
boldest
crime
Reynolds,
J.
J.
By
an
twentieth
the
and
of
bandits
Buel,
W.
Blue
the
and
sensation
Greatest
in
Duel
W.
of
Outlaws
Mountains.
rob"
authentic
noted
most
GANG.
ALLEN
Ridge
the
of
modem
or
THE
J.
An
BROTHERS.
history
ors.
col-
train
and
J.
thrilling
and
type,
2SC.
bers
YOUNGER
on
attractive
bank
notorious
made
are
plates,
new
lustrations
il-
full-page
They
from
of
account
adventures
deeds
tains
con-
and
eminent
By
century.
qualified
highly
author.
THE
amazing
most
Complete
of
the
pi
the
of
world.
Emile
true
Thrilling
red
the
dc
U
told.
Tiger-Bandit
startling
Paris.
of
description
By
the
The
ever
crime
Bennot
A
of
underworld
of
story
Auto-Gang.
vivid
"nd
true
history
his
and
PARIS.
OF
AUTO-BANDITS
brotherhood
Viucendiere.
story
expose
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WRITE
TO
HOW
PICTURE
MOVING
PLAYS.
CHAPTER
Requirements
The
With
the
a
field
new
each
of
are
could
has
legitimate stage
by
women
supply
working
actors
is
the
besieged by
be
photoplay
inadequate
"movie"
"
three
thousands
to
five,
scoured
"
for
and
of course,
people
they
been
film
porations
cor-
country
or
more,
it.
producers
of
if
for
been
^though,
stars
the
throughout
from
has
of
Scores
actors.
has
there
picture"
formed
been
corporation
companies
The
for
growth
mushroom-like
and
"moving
opened
have
and
the
of
Actors.
"Movie"
for
development
popularity
in
I
were
still
the
who
men
the
directors
think
given
and
the
they
portunity
op-
How
4
Write
TO
the
Naturally,
to
for
the
directors
has
had
falling
his
over
But
"movie"
all
photoplays
for
could
or
would
of
small
set
and
only
the
of
a
actresses
occasional
few
for
visitor,
and
for
and
rant.
faults
obliged
not
in
act
mime.
panto-
has
drama
been
photoplay.
the
and
"
a
the
setting
the
director.
few
of
ever
the
violet
thing,
there
by
usual
a
the
"
radiated
is
there
theatre,
scene
As
present
able
his
to
is
"
of
camera.
spectators
waiting
the
lights
mate
legiti-
mouthed
he
expanse
just
clicking
act
an
been
not
desire
legitimate
studio
high-powdered
present
an
room
the
the
unforgivable
because
simply
wide
his
such
actor
of
has
he
of
for
Many
on
because
no
that
reason
he
in
necessity
success
broken
must
the
of
or
"without
pantomime.
that
be
the
the
in
reason
stage
by
Instead
and
the
He
supplanted
are
failed
handicap
The
rays
has
acting
speak.
the
is
how
presence.
the
for
"
son
per-
knows
absolute
an
terial
ma-
the
entrance
stage
a
not
acting
not
"movie"
In
has
success
clearly,
enunciate
words
and
is
than
He
his
make
ed
train-
better
photoplay
training.
to
feet"
actress
or
stage
to
how
acting
actor
such
training
stage
the
been
has
furnishes
stage
of
no
himself,
carry
to
legitimate
on
Pi^ays.
who
woman
or
act
who
to
man
the
Picture
Moving
of
the
their
actors
scenes,
How
the
Now
what
the
with
stage
a
what
ed
Arm-
picture
moving
"
he
the
tells
stands
of
out
and
actors
the
rehearsals,
elaborate
is
to
actresses
the
proper
of
points
phasis
em-
the
calls
director
the
set,
drills
long
no
get
salient
the
out
scene
order
in
lines
bring
his
part.
actors
actresses.
Taking
they
the
do
to
are
''Understand
and
so,
the
is
"All
the
he
them.
Then
to
right,
then
and
actors
we'll
try
it," from
take
actresses
tells
then
action
question
he
not,
says
or
explains
This
time
it.
the
"jes."
chorused,
a
sharp
do
"Understand?"
things
special
a
actors
the
re-reads
the
the
comes
the
of
Many
director
comes
answer
reads
scenario,
?"
Again
each
their
what
one
to
director
the
The
places.
do.
And
and
then
and
the
rector
discene
enacted.
A
is
play
photo-
"
no
the
to
is
scenario^
the
to
theatre.
the
to
scenarios
and
are
saying
and
called
camera
There
When
is
is
5
do.
to
in
who
man
the
of
are
of
the
manager
copy
maunscripts
range
is
director
Plays.
Picture
Moving
Write
TO
wait
again
Three
through,
of
a
few
follows
minutes
action
the
rehearsed.
times,
the
suggestions
possibly
director
and
"
until
the
scene
more,
even
is
the
the
action
is
actors
"
satisfactory
*
gone
making
How
0
Again
respite, then
brief
a
comes
Picture
Moving
Write
TO
PtAY"
the
director
calls,
"Readv?"
the
Comes
"All
chorused
"yes"
Camera!"
from
right,
machine
begins
click
to
the
from
the
director
the
as
actors.
and
"
the
the
turns
operator
crank.
All
the
time,
and
actors
the
When
and
Another
film
been
is
make
the
the
and
then
sometimes
action
the
for
clicking,
camera
director
clicking.
stops
two,
telling
through,
run
allowed,
the
is
do.
to
cam/era
with
companies
each
the
is
best
films
more,
of
scene.
''Next
If
calls
scene/'
again
actresses
studio
In
and
making
picture.
No
is
and
and
actors
been
set
actors
required
is
setting
has
the
director
focus.
stage
this
that
And
the
in
get
different
a
scene,
the
the
respite
repeated
again
has
scene
"End,"
cries
what
actresses
director
the
however,
up
another
For
it.
to
go
in
for
the
suing
en-
of
part
time
is precious
photoplays.
all
there
weeks'
is
of
to
the
"filming"
rehearsal,
of
a
moving
memorizing
no
of
parts.
Is
it any
the
doors
of
the
wonder
that
legitimate
studios,
actors
stage
eagerly
and
and
actresses
crowding
seeking
are
to
engagements?
serting
dethe
How
Write
TO
there
Yet,
is
not
"movie"
of
who
of
represented
faces
will
or
woman
and
the
by
!
the
misses
the
the
ahs
and
the
all
above
he
audience,
laughs,
the
that
sands
thou-
"trodden
has
you
7
the
among
who
tell
not
appreciation,
climaxes
man
actors
boards/'
of
a
Pi^ays.
Picture
Moving
murmurs
ohs
and
sea
!
the
at
applause.
"
Said
of
one
who
stars,
his
not
you
the
films
the
tell
it
you,
the
forego
and
play
to
click,
all
relation
personal
a
I
did
appreciation
no
worth
is
the
see
camera."
people
the
not
click
money
between
of
my
the
they
actor
breaking
heart-
whom
in
me
see
of
one
see
of
is
to
will
the
for
"It
:
millions
but
click,
everlasting
to
day
present
stage
experience
course,
today,
was
legitimate
the
able
Of
made
There
faces.
be
to
of
actors
day's
first
playing.
are
famous
most
deserted
has
after
studio,
the
their
acting,
just
I
camera.
give
and
us
ence
audi-
to
8
How
CHAPTER
Hints
while
Thus,
the
it also
vaiTtages,
Every
large
studios
more
has
of
erected
and
the
has
of
the
rivalling
mining
millions
its
ad-
has
dollars
one
or
country.
been
Cities,
old
has
photoplays
corporation
throughout
the
Actors.
drawbacks.
its
producing
producers.
growth
for
acting
California
Lately,
n.
"Movie''
to
Pi*ays.
Picture
Moving
Write
'io
boom
Mecca
the
play
photo-
of
mushroom-like
have
towns,
in
invested
been
the
"movie*'
are
Arizona
plants.
Other
and
and
abound.
locations
Florida
Chicago
and,
stand
that
of
have
favor
Philadelphia,
course,
out
found
as
the
cities
New
where
York
studios
How
Each
studio
melodrama,
man
each
a
usual
thing,
more
than
other
from
director
woman
number
And
a
and
the
ten
or
cast.
dozen
a
leading
a
do
companies
regular
drawn
"supe**
at
a
report
at
a
to
the
their
on
occasion
as
"movie"
not
roster,
requires
studio
which
will
work,
they
and
is
five
receive
the
dollars
girls,
soul-
a
dollars
five
of
pleasure
for
if
"
passing
'round,
vWth
some
the
stage
the
"call
if
"supes
For
day
a
they
case
hang
them.
to
in
and
^waiting
"
mean
hour,
come
without
more
have
certain
"supes"
youths
women,
experience,
they
supporting
being
needed,
be
men
the
with
company
job.
Compelled
may
a
"supes/'
being
trying
tragedy,
drama,
farce.
is
and
characters
the
have
*
and
As
the
and
9
who
actors
the
of
phases
various
comedy
Under
directors,
several
Pi^ays.
Picture
Moving
has
in
fame
won
Write
TO
do
they
day
99
99
not,
the
at
studio.
however,
Directors,
and
they
have
three
Of
course,
people,
It
honors
usually
their
is into
will
so
stony-hearted
not
are
that
arrange
the
four
days'
work
a
if the
films
being
produced
or
earnings
the
first
"supes"
be
that
placed.
the
If
will
"supes"
week.
higher
are
orges,
and
require
he
steady.
more
aspirant
shows
many
for
any
"movie"
ahlUfc^^
How
lo
will
he
always
are
One
and
ready
be
always
be
what
you
do
to
potential
new
can
and
actors,
new
a
directors
for
company,
for
forward
should
that
a
lookout
advice
of
Pi^ays.
Picture
to
on
bring
to
piece
"supe"
all
the
on
ready
ever
taken
be
soon
Moving
Write
TO
"movie"
mind
in
borne
star.
the
given
are
ing
will-
Be
"
told
are
of
regardless
"
else.
How
will
story
In
illustrate
of
one
promising
and
One
the
wear
a
to
ready
was
notice
to
there
was
addition
in
who,
to
a
very
ability
as
looking.
from
taken
day,
studios
good
very
minor
in
cast
All
fellow
been
had
He
California
the
was
following
the
is,
willingness
:
young
actor,
an
this
essential
the
of
rank
"supes"
the
parts.
character
he
play
to
was
posed
sup-
was
beard.
the
for
that
when
scene
this
actor
young
director
the
pened
hapthe
without
was
beard.
he
"Brown,"
I
has
know
ought
to
come
me
to
if I
asked
be
recognize
"
wore
"
the
answered
White,"
Mr.
"Now,
thing
that
beard
I
told
wear?"
to
you
is
"where
shouted,
to
my
wear
face
a
youth,
beard.
and
they
"I
The
don't
lic
pub-
wouldn't
How
"Will
"Look
But
here,
Mr.
was
as
that
Moving
to
Hopkins
from
work
In
:
it
Indeed,
for
personal
for
the
director.
and
he
now
and
would,
difficulty
has
other
do
what
ting
get-
told.
are
you
the
are
in
companies.
absolute
an
that
who
part.
discharged
was
the
in
studio
appearance
this
play
Brown
even
:
out.'*
part.
versatility
person
and
stay
"movie"
is
ii
got.
shouted
beard
and
'*supe,"
a
the
Brown
director
a
"
"
a
as
Pi,ays.
interrupted
young
the
the
company
?"
as
get
played
the
Moral
far
out
get
Picture
White""
you
you
beard
"supe,"
a
"Hopkins,
Brown,
that
get
you
Moving
Write
TO
disregard
essentials
two
succeed
as
already
pre-emptied
photoplay
a
actor.
The
"beauty"
salaried
high
stars
some
particular
some
outlandish
No
parts
for
one,
make-up
instance,
Dressier
Marie
and
Dressler's
does
it
And
part.
as
is
in
would
making
likely
as
choose
Tessie
"
willingness
to
yet
in
in
gown.
all
lin's
Chap-
the
Chaplin's
them
earn
hit
come
Charlie
do
or
by
a
evening
an
preference,
as
in
lies
success
"
from
make-up
are
stunts
up
make-
enormous
salaries.
The
which
director,
the
however,
responsibility
is
for
not
the
the
success
only
one
of
a
upon
photo-
How
12
film
play
the
the
sure
their
actions
they
Also,
is
light
the
The
wrinkles
aspirant
materially
through
seen,
by
the
to
natural
in
of
some
actor
requisites
to
dress
as
you
are
told
the
do
and
what
pallor.
a
drawn.
himself
assist
going
"movie"
actions
and
carriage
the
for
but
versatility,
has
he
necessary
you
:
artificial
mirror,
a
legitimate,
to
the
to
heavily
or
as
course,
"
of
his
unaffected.
face
can
play
until
willingness
are
front
various
for
high
so
honors
and
for
of
exceptions
the
be
not
fro
as
and
applies
the
give
and
is, of
are.
up
these
for
to
acting
Self-confidence
photoplay
with
"movie"
part
walking
become
for
their
effects
stage
must
lens.
they
making
used
tends
studios
and
about
be
and
actresses.
legitimate
must
rouge
and
actors
rearranges
hghting
actors,
man
glass
the
his
and
and
the
scene,
of
until
the
said
his
perspective
them,
actors
"movie"
of
Lines
of
the
on
of
the
part.
focus
action
of
been
characters
the
of
crank
the
settings,
stage
tells
judge
of
has
More
he
range
make-up
make-up
the
within
not,
are
he
What
all
are
and
stations
the
that
his
through
Play^.
turns
rehearsing
is
looks
camera
who
important
very
director
the
makes
If
a
Picture
man
"
plays
camera
Moving
^the
depends
While
at
Write
TO
the
are
prime
told
"
or
How
If
is
have
you
that
these
determination
plus
and
trials
why
reason
and
13
nature
a
there
disappointments,
should
you
Plays.
Picture
Moving
withstand
can
no
Write
TO
succeed
not
as
play
photo-
a
actor.
The
Requisites
How
With
advent
there
is
No
an
long
opened
of
course
up
and
"
is
training
cudgelling
pictures
field
new
a
in
one
which
demand.
knowledge
things
two
of
brains
write
to
necessary
stage
one's
The
action,
grasped
technique,
no
for
lines
clever
to
At
first
There
a
essity
nec-
or
be
the
if
rather
as
or
has
require
and
and
"movie"
a
play
action.
be
must
will
tell
such
the
that
it
be
can
without
story
course
re-
words.
thought
are
would
for
necessary
however,
mind
by
are
plot
of
originality
As
moving
Plays.
jokes.
Just
be,
Picture
increasing
no
for
witty
the
was
ever
photoplay,
"
of
play-wrighting
in
Photo-Pi.aywright.
a
Moving
Write
TO
the
of
this
may
seem
situations
countless
thrilling, tragic,
actors
the
action
been
would
or
is unsuitable
said, (he
for
writing
long training, though,
as
As
of
the
of
it is not.
that
actions
the
they
hear
Cannot
spectators
and
funny,
speak.
But
easy.
case
'may
cannot,
them,
the
or
ation
situ-
photoplay.
"movies'*
course,
does
experience
not
is
How
14
and
valuable,
men
and
that
have
find
it
because
their
characters
it
their
and
talk
if
fact
the
let
the
acting
make
to
instead
of
telling
it
as
likely
as
"in
is
"
is
man
a
the
in
idea
the
upon
idea
deter
idea
the
the
to
ditches,"
mind
of
a
that
to
photoplays,
in
lacking
are
you
write
education
you.
is
there
will
play
"
inclination
the
have
training
If
of
spell correctly,
you
not
or
their
despite
"
professor.
college
So
stage
depends
funny
or
brain
the
cannot
do
thrilling
from
who
*'movie"
successful
clever,
emanate
legitimate
accustomed
story,
that
plays
photoplays
the
fact
the
successful
the
been
tell
in
actions.
a
a
found
upon
have
to
Plays.
written
write
to
they
"
is
have
produced
difficult
Picture
this
of
who
been
over
Now,
Moving
proof
women
training
by
Write
TO
the
and
"
be
story
be
can
told
by
accepted.
^
up
to
and
to
their
The
public
the
even
"movies"
good
and
men
successful
forced
are
old
to
and
who
women
photoplays
to
plays,
turn
in
to
their
are
books
efforts
films.
new
vogue
of
write
orders"
stories,
for
the
is
however,
The
can
in
ears
magazine
provide
"
they
proved
dearth
a
because
editors
scenario
have
is
there
Indeed,
is
stories
of
books,
plays
and
zines,
maga-
passing.
clamoring
for
something
new-^znA
How
it
give
So,
out
the
has
said,
been
as
it
send
to
and
given.
have
an
you
15
earth
fame
and
idea,
to
write
and
concern,
certain
course,
be
if
fihn
of
are,
will
heaven
turning
some
of
foundation
There
some
are
Pi^ays.
them.
to
and
Picture
Moving
editors
scenario
the
Write
TO
you
may
it
lay
fortune.
hints
that
will
help,
and
How
i6
Moving
Write
TO
Pictube
Chapter
How
First
of
all, it
IIL
Photo-Play
THE
Is
well
be
may
Pi"ays.
give
to
Made.
of
idea
an
a
play
photo-
studio.
The
is
pictures
so
constructed
is
lights,
a
of
corps
The
the
photo-play,
by
scene.
the
studio
of
usually
sible,
pos-
ered
high-powcium
Cal-
descriptions.
requires
equipment
ing
mov-
light
the
violet
super
is
natural
use
and
sorts
and
rays
so
can
of
which,
is
plants,
rooms,
others
all
the
of
the
used,
are
rays
services
of
experts.
studio,
photo-play
large
violet
of
making
all the
by
augmented
electrical
the
and
it receives
lights
artificial
the
Therefore,
light.
that
which
in
thing
important
most
that
be
because
usually
while
a
prepared
the
varies
course,
into
divided
film
for
"movies"
is
being
the
next
are
in
four
made
scenes
cameraed
diflferent
five
or
in
one,
in
the
sccng
""
i8
How
the
danger
films
is
As
been
In
be
soon
in
"
He
mental
note
of
scenes
that
can
Indeed,
in
short,
be
used.
For
the
actually
one
estate
region
"
has
the
^where
been
if
in
ing
directHis
did.
in
in
use
the
filmed
scenario
is
not
permission
inspected.
and
the
flashed
for
chosen
can
And
a
many
with
the
country
estate,
every
try
coun-
obtained
it
same
diamond.
"
so
the
upon
among
until
be
actual
street,
every
scenario,
calls
makes
find
to
from
choosing
Wild
He
mountain,
is
for
manuscript.
out
selected
twist
particular
scenes.
that
its
director
the
given
starts
scene
and
the
is, the
the
then
been
would
instance,
is
every
outdoor
has
one
called
they
adventure
studies
and
particular
that
the
completed
upon,
"
then
for
been
or
be
may
screen
care
book,
camera.
if
one
lies, that
farce
"movie"
some
it
house,
every
is
the
easy
decided
them
every
the
solely
before
has
forte
case
of
part
consist
not
scenario
a
it over,
reads
the
multifold.
are
whose
the
^as
in
used
production
actresses
melodrama,
tragedy,
West
do
production
director
material
first
the
comparatively
a
as
immediate
the
as
duties
reality they
As
Puiys.
Picture
scenario
a
and
actors
would
in
of
his
but
his
which,
said
charge
director,
Moving
inflammable.
highly
in
life
from
has
man
Write
TO
is
with
in
the
every
How
house-front
all
and
the
this
jump
to
city
task
for
his
into
until
country
or
the
films.
method
and
found
a
up
for
was
automobile
he
took
and
easy,
old
19
crossing,
street
the
not
was
Pi*ays.
every
in
figure
time,
of
Picture
store,
every
which
rest
deal
director
the
Moving
scene,
Obviously
great
Writo
TO
the
about
race*
setting
just
the
film
concerns
he
wanted.
Nowadays,
a
however,
"location"
them
if
One
they
of
adopted
other
director,
settings
out
the
ing
search-
to
permision
to
use
exclusively.
property"
has
however,
taken
be
probably
have
by
up
all
companies.
This
consists
system
where
Let
is
studio
the
take,
us
First, they
a
divided
are
location
is
to
the
into
each
is
the
to
mountains,
instead
index
of
and
of
run
which
Los
lists
Angeles,
houses.
fully
index
and
the
and
graph
photo-
a
card.
streets,
about,
expert
dle
mid-
wealthy,
shacks.
described
rivers,
racing
of
groups
Chinamen's,
attached
Similarly,
Thus,
of
day's
instance,
for
index,
card
a
situated.
class, workmen's.
The
of
within
location
every
goes
time
corporations,
will
that
system
a
private
California
the
for
arranging
on
are
his
devotes
he
and
and
"
biggest
the
in
etc.,
iare
director
charge,
after
dexed.
in-
simply
hear-
How
20
the
ing
I
r
cards
people
their
allowing
most
are
of
to
eager
he
be
to
the
the
for
and
lower
their
only
not
choice.
opposed
most
setting
him
gives
his
make
the
middle
have
wanted,
can
usually
are
places
scores
are
location
the
which
from
Wealthy
there
of
Plays.
Picture
Moving
description
several
!
Write
TO
films,
to
whereas
who
classes
places,
selves
them-
but
filmed.
When
his
takes
and
of
clothes
arrived
in
will
and
need
planning
director
to
men
driving
about
and
make-up,
which
their
them
using
the
spot
so
jority
ma-
all
in
and
dressing
as
the
contain
make-up,
light
day-
in
the
these
wh^n
rooms
selected.
bear
scene,
your
"location"
the
to
cabriolets
locality
the
of
and
have
about,
at
camera
object
costumes
they
drive
and
stars
them
of
So
the
their
in
the
selected,
enacted.
is
scene
Many
been
has
actresses
actors,
the
they
location
the
in
director
and
"
mind
do
the
not
culties
diffi-
call
for
impossible.
the
In
addition
best
and
It
parts,
of
the
is
except,
produced
by
to
the
film
duty
of
of
his
'location"
the
now
concerns
the
course,
company.
director,
"cast"
the
have
director
leads,
for
the
biggest
"cast"
to
tors.
direc-
assign
every
the
picture
How
Like
the
stage
Upon
"supes"
Moving
Picture
of
manager
of
judge
expert
an
Writo
TO
him
devolves
and
the
human
Pi^ays.
he
theatre,
the
21
be
must
nature.
the
of
task
applicants
over"
"looking
the
from
numbering
to
ten
"
a
hundred,
usually,
studio
who
can't
he
If
it
he
Naturally
the
Like
of
make
present
or
whether
glance
he
he
says
he
can,
he
not
or
breath
of
the
of
work.
seeking
waste
a
will
can
if
he
"
to
with
argue
the
desperate
the
stage
hundreds
erring
to
appearance
bring
of
select
readily
can
an
up
know
to
he
part
will
will
is
comes
them,
knowing
face
a
tocation
the
to
or
him.
importune
for
at
applicant.
the
says
tells
he
Usually,
him
to
come
"
use
according
the
the
wife,
laughter
of
the
one
his
word
he
wants
ingenue,
or
tears,
daredevil
most
murderer.
manager,
and,
actors
is
law.
whose
or
who
boy
cow-
How
22
Moving
Write
TO
CHAPTER
III.
Terms.
Photoplay
There
understood
A
lapse
and
play,
is
of
either
must
Cut-in
A
letters
or
or
is
importance
in
or
the
actor
to
be
stand
under-
speak.
shadowy
passed,
production
which
the
actor
recall.
Leader,
and
is
used
when
produced.
of
enlargement
action
the
to
to
spectator
the
to
a
essential
are
cannot
is
of
announcement
an
the
already
to
are
the
for
wishes
similar
words
Flash
A
has
that
to
be
must
scenarios.
that
Vision
a
recall
is
the
as
"movie"
given
filmed
which
terms
words
or
be
action,
action
some
of
title
time,
Fadeaway
technical
writer
the
must
the
A
the
by
Leader
the
of
certain
are
Plays.
Pictum
of
the
an3rthing
story,
for
that
is
instance,
of
if
r
the
actor
looks
at
his
watch
and
starts
as
he
sees
the
How
time,
Moving
door
a
Flash
looks
Plays.
the
at
the
knife,
knife,
number,
watch,
"
Pictuw
and
blood-stained
a
up
read
at
stops
or
picks
Write
TO
23
number,
scenario
the
as
or
would
might
case
be.
Getting
the
anything
across
other
others
or
For
means.
of
captain
team's
across
to
player
out
direction
his
of
Cut-back
is
after
a
the
word,
the
action
leaders
as
should
they
For
necessary.
in
in
the
Brevity
editor
has
they
is
exposing
cut-ins
to
of
story
the
realizes
that
about
men
to
are
put
his
for
him,
and
player,
gets
the
For
it.
be
and
of
the
many
the
great
has
other
instance,
to
plant,
up
film
only
when
former
foot
a
lutely
abso-
sufficient
has
producer
a
progressed.
use
resorted
the
in
actor
an
cut-ins
and
without
adding
pense
ex-
to
leaders.
explanation
form
is
return
and
company
this
With
used,
his
for
film
certain
that
emotion
an
Inasmuch
to
The
surprise.
registering
scene
scene.
responsible
his
he
commission.
Registering
A
that
team-mates
is
beckohs
of
what
beaten
being
team
He
makes
actor
football
a
is
opposing
showing.
the
in
take
the
understand
scene
that
team
the
on
poor
nods
the
example,
one
man
one
in
that
means
of
scenario
terms
can
now
desideration
manuscripts
"
to
commonly
most
be
for
read, and
taken
the
is
up.
scenario
an
expert
it
How
24
in
his
Write
TO
line,
Moving
that
so
he
can
Picture
grasp
Plays.
story
a
scenario
or
readily.
It
be
almost
seems
written
only
on
received
are
needless
that
to
side
one
of
written
are
that
say
the
scenarios
but
paper,
both
that
should
be
on
should
so
it is
many
deemed
advisable.
If
it will
as
in
receive
be
first
number
of
or
"
when
obtainable.
sheet
write
write
ten
writ-
"script"
a
similar
some
size
"
the
only
sheet,
outline
an
list
the
divided
scenes,
third
the
give
then
inches
ii
second,
the
On
than
typewritten,
of
name
the
play
author.
the
On
by
.used
the
On
attention
quicker
Sj4
should
manuscript
hand.
long
Paper
and
the
possible,
of
characters
exteriors
into
write
the
word
the
story
in
of
and
interiors.
and
Synopsis,
few
as
the
and
words
as
possible.
On
then
and
the
If
using
your
the
on
a
of
body
"
and
the
write
at
your
it will
typewriter
of
Synopsis
Scenes,
and
scene.
every
author
the
manuscript
write
again
sheet
of
name
in
start
of
fifth
the
list
and
number
On
sheet,
fourth
the
also
the
of
name
top
of
the
the
page
play
and
scenario.
improve
your
the
chances
appearance
of
having
"^
26
How
will
be
editor
the
to
following
example
an
as
editors
by
Scene
i
Mother
Boy
Boy
hurries
2
Street.
Scene
Boy
"
Scene
3
Scene
4
Scene
with
5
boys
Scene
at
6
was
sired
de-
much
so
Boy
demands
in,
Mother
mcmey.
counts
few
out
sewing.
exterior.
Boy
interior.
and
on
Boy
in.
in,
drinks,
man,
drunk
etc.,
table.
^As
"
brevity
this
Mother
Saloon,
"
of
scenario
a
oflF.
Saloon,
"
from
angry.
Room.
"
and
man,
off.
and
on
busy
extract
sewing.
"
refuses.
coins.
a
room.
working
Mother
is
:
Poor
"
editor
Plays.
consideration.
the
published
Picture
The
brief.
appreciate
Recently
Moving
Write
TO
in
Well
4.
dressed
on,
in.
rambles
Scene
7
^As
"
in
5.
Drunk
in
of
et
"
gets
drink
displays
"
bills, etc.
Scene
roll
and
Scene
and
Close-up
"
intent
"
Scene
boy
8
gang
This
9
rob,
to
^As
in
"
"
al.
and
Boy
see
gang
etc.
5.
Drunk
staggers
^rolls
"
out
"
follow.
gang
10
boy
^As
in
4.
Drunk
on
"
down
alley
"
^boy
after.
scenario
is, indeed,
L
-.
.
condensed.
It
is
claimed
How
for
WwT^
TO
it, however,
who
of
is,
the
expert,
an
course,
to
PhAXS.
37
the
editor,
give
of
understanding
an
action.
the
Certainly
it is sufficient
that
and
story
Picture
Moving
remembered
tell
scenes
the
that
the
story,
scenario
is
for
and
the
be
it must
editor
alone
"
and
for
not
The
of
to
condensation
the
scenes
previous
is
For
editor
X;.
time
and
helped
by
cutbacks,
the
wit,
to
fact
that
several
that
those
refer
scenes.
no
in
is
are
Furthermore,
there
public.
reading
a
condensation
use,
a
precious
to
fact
that
scene
is
in
the
it is
cannot
in
prevents
the
producer,
a
confusion,
detriment,
be
readily
photoplay,
alike.
to
to
put
find
thing
any-
understood.
the
scenario
How
28
\V"iT"
TO
Pictuu
Moving
CHAPTER
Necessity
Thu
The
old
in
changed
IV.
Strong
for
"The
saying,
regard
Pilots.
the
play's
"movies"
to
P^ays.
thing,"
read
to
be
must
"the
plot's the
thing."
For
to
plots
get
is
the
of
despair
the
photoplay
writer.
First
and
observer
keen
Life,
it
as
and
drum
of
all, however,
of
For
interest
and
in
which
there
the
seem
"movie"
is
people
so
writer
student
the
monotonous
is
moral,
the
hum
majority
commonplace
something
us
and
to
have
of
in
keen
the
us.
.
the
that
dramas
greatest
about
nature.
commonplace.
seemingly
always
be
must
human
To
routine.
are
the
of
ordinary
endless
the
books
greatest
taken.
to
surroundings
it is from
But
close
comes
almost
an
our
us,
a
the
been
human
ings
surround-
a
%"-
How
Writo
TO
Fortunately,
the
development,
to
worth
while
worked
which
that
idea
So,
all
what
the
been
For
that
swinging
a
was
"Instantly
the
good
a
ing
noth-
the
keen
"movie"
writer
either
can
will
suggest
be
some
plot.
keep
wide
eyes
in
blinding
out,
I
pail
there
country,
flash
saw
that
came
somewhat
of
being
in
plot,
said
boy
a
going
threw
to
my
back
the
you
may
idea
an
how
the
of
out
along
a
the
"
my
colonial
the
street
shone
sun
into
dow
win-
Moving
eyes.
flash
from
up.
:
the
mind
will
describing
my
which
upon
with
worked
writer
struck
stop
story.
a
when
looking
room,
pail,
dinner
this
of
certain
my
"
tell
never
not
behind
gold-mine
"movie"
a
Do
beyond,
worthy
one
evolve
a
looking
it
is
sitting
when
look
can
you
to
was
into
to
us,
which
which
be
to
seem
about
incidents
veritable
instance,
"I
may
said, the
or
inci*
or
situations.
imagination.
but
a
you
came
with
your
see,
upon
to
oome
in
has
the
out,
time.
Moreover,
and
as,
29
incident
an
Would-be-Movie-Writer,
you
stumble
and
things
turned
develop
Also,
he
the
Plays.
searching
and
in
be
may
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open
of
there
themselves,
in
up
the
casual,
be, it is filled
must
requires
magnifying
the
So, while
observer,
Picture
characteristics
peoples'
dents,
play
a
Moving
road,
eyes.
house
sur-
How
30
rounded
Moving
Evidently
gardens.
by
Pictuie
Plays.
the
of
home
people
wealth.
of
"A
his
a
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had
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to
windows.
the
table,
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out
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woman
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flash
of
looks
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eyes.
binoculars
in
sitting
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man
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come
the
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he
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covers
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automobile.
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striking
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gets
surprise
with
flash
mirror
the
car.
"The
I
Write
TO
of
rest
the
story
was
of
books,
easy
it
"
just
was
staH
a
needed."
Constant
and
in
reading
word
will
of
there
thing
one
to
are
the
that
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the
fertile
is
for
may
of
Don't
or
else
that
they
would
novel
not
way
you
thought
plots
big
the
out
stories
obscure
of
town
worthwhile
of
give
may
"movie"
out
"
get.
the
be
*'movies"
starting
to
the
from
something
that
the
read
despatches
a
is
Search
always
or
it
the
in
ideas
difficult
most
headlines.
especially,
Thus,
statement
a
something
take
one
source
newspaper.
the
there
and
"starter,"
always
big
assistance
greatest
because
suggests
often,
thousand
a
Another
daily
often
theatres
needed
the
plots,
the
ters
mas-
available.
prove
Go
for
idesEs
developing
is of
authors,
foreign
old
the
especially
in
is
the
with
graphs,
para-
places
the
"
lattery"
printed.
doing
something
from
How
committing
picked
up
and
is "Give
I
if
But
card
that
have
they
have
Store
indexes
culled
them,
from
own,
pictures
simply
keep
books
system
is to
be
can
1.
followed
These
chief
Heart
of
it
you
in
your
3.
The
Appetites
and
4.
The
Spiritual
Side
5.
The
Mind
6.
Abnormal
Mankind.
7.
Humorous
Mankind.
writer
in
systems
down
matter
"
the
of
brief
plots
incidents
books,
their
friends,
Others
clippings.
writers
who
divisions,
made
divisions
even
at
the
use
of
the
which
writer's
card
there
clination
in-
are:
Mankdind.
of
and
be
can
Ambition
This
of
be
not
photographs.
chief
The
2.
do
magazines,
their
the
seven
number,
and
of
by
make
any
The
tor
edi-
material
track
of
or
newspaper
plan
keeping
jotting
saving
scrap
of
use
newspapers,
their
of
ejiperiences
the
^for
"
to
come
The
the
much
as
scenario
plot
all
be
may
T
one
up
just
advise
authors
fact
finding
kept
the
31
can.
you
Certain
of
And
can.
as
it.
at
child
unusual
new,
in
Pi,ays.
a
of
cry
something
Keep
possibly
insatiate
succeed
you
Picture
punishing
to
the
me
satisfied.
mind
murder
a
"
Moving
Writ]^
TO
Mankind.
Will
further
Passions
of
of
of
Mankind.
Mankind.
Mankind.
carrying
out
the
illustration
(2
How
TO
Write
Moving
Picture
PtAvs.
How
34
TO
Write
Moving
Picture
CHAPTER
Advice
If
do
arc
you
search
not
if you
do, you
V.
Beginners.
to
just beginning
for
will
get
*'movie"
write
to
plots
your
Pi*ays,
in
books
magazines,
or
back
scenario
your
plays,
so
quickly
it will stun.
For
is
once,
also
scenario
the
he
a
Wherefore
"
it takes
magazine
^for
only
skilled
author
and
effective
"movie.'*
but
story
or
book
writers
so
remodel
can
than
more
in his
expert
line,
books.
new
instant
an
said
been
and
and
magazines
the
trained
\
the
has
as
individual
keen
very
reads
editor,
for
that
take
it that
him
has
the
to
been
nize
recog-
ed
adapt-
work
it will make
of
a
an
How
Write
TO
Moreover,
and
as
do
books
while
the
pictures
climaxes,
will
be
In
crisis
that
the
at
Here's
of
drives
the
The
boy.
the
interest
of
such
who
and
book
a
there
the
the
the
scene
must
scene
or
be
must
which
to
it
beyond
what
to
the
absence,
the
woman
love
mother
met
stop
will
spectator
"movie"
a
with
the
rich
a
does
not
crisis
is?
absence
The
the
boy's
has
arrives
uncle,
dropped
she
take
kidnap
her
in
finds
is
mother
will
she
in
She,
approve.
to
house
boy's
older
woman
woman.
decides
woman
mother's
meantime,
mother's
When
from
effective,
is in
never
away.
In
those
features
photoplay
know
to
The
has
however,
She
that
not
climax.
the
himself.
called
be
go
fellow
young
than
do
illustration.
an
A
the
not
want
you
ture,
pic-
climaxes
these
catch
instance,
"movie"
a
so
made
every
point
to
crisis,
Do
the
is, a
appreciate
not
in
And
up.
out
of
success.
"
leads
acted
tion
conversa-
For
its
35
majority
great
into
book,
a
picture
scene
every
the
put
readily
the
a
be
being
can
then
not
of
the
photoplays.
can
features
Plays.
upon
characters,
good
to
Picture
depends
anything
themselves
see
its
make
not
if the
a
of
almost
lend
book
a
ideas
Moving
the
vantage
ad-
boy.
limousine.
knowing
not
to
of
call.
the
uncle
with
How
36
and
She
the
uncle
The
sweethearts.
house
the
in
There
the
on
avoided
be
to
with
topics
conventional
No
how
matter
famous
the
and
that
close
second
the
with
object
an
He
from
of
how
matter
no
fully
success-
conventional.
And
familiar
things
made
were
the
"movie"
first
the
wrote
of
came
and
plots
run
a
conventional.
searching
and
And
the
out
results
of
several
familiar
given,
are
films
and
the
reported
as
authority.
The
from
of
^are
"
water.
across"
"get
with
inspections
conventional,
by
the
to
Recently
deal
legion
limbo.
acting,
is
another
situations
to
cannot
that
play
situations
the
they
is
holy
relegated
good
stars,
"movie"
a
be
also
?
lost.
name
shuns
the
to
open
conventional
topics,
should
actions
their
devil
the
as
and
"
be
his
knows
uncle
^then
"
old
as
coming
the
to
crisis, will
effect, the
she
her
there
Stop
other
that
explain
absence
crisis.
Conventional
each
surprised
she
mother's
is the
scene
is
boy
Plays.
Pictum
recognize
shall
How
uncle.
Moving
Write
TO
the
the
gold
East.
a
the
He
note,
girl
familiar
wall,
dust
the
was
a
had
his
his
he
Western
was
also
old
table
had
and
loved
quarrel.
upset,
was
produced
A
"
and
in
gun
the
the
the
in
girl's picture
entered
pal
with
tale
his
hero
watch.
saw
the
graph
photo-
the
East.
Then
was
snatched
inevitable
winner
bag
of
the
How
and
fight,
stiit
girl,
an
action
Western
The
the
with
old
same
refused
spectators
other
Western
film
"Meet
Woman
raises
child
leave
old
"little
and
climaxes
into
child,"
away
Do
of
you
produce
think
it
indeed
No,
Thg
already
that
worthy
from
the
the
conventional
public
it
handed
is
as
have
you
story,
must
same
the
situations,
has
and
with
met
director
written
the
accepted.
been
the
to
she
to
familiar.
play
editor
asks
ending.
the
is
tle
lit"
and
old
Same
on
10.30."
agreement
realizes
plots,
on
at
arms
Woman
"movie"
scenario
just
is
who
it?
!
scenario
has
old
in
woman
"flashed"
corner
out
puts
same
your
the
from
baby.
which
and
woman
lap.
and
suppose
approval
seen
moved
be
to
curtain
room,
mother's
with
But
having
Leading
and
tree
lowers
home
get
to
third
me
into
not
from
story.
down
delivered
runs
taken
So
shade
is
screen:
society
a
was
window
^note
"
them
to
thing
every-
"movies."
Another
signal
countless
because
enthuse,
to
familiar
was
saw
piano,
from
different
was
stories.
they
to
East
started
37
case.
other
be
Plays.
Picture
Moving
the
Scarcely
at
Write
TO
had
hands
editor
a
word
it in
it
gives
to
say
turn
lo
to
in
^
the
director,
its
acceptance,
sV^ft
i^n\%\o\"sX*
who
and
How
38
And
when
the
might
you
here,
remodels
it
through
with
it,
He
cuts
it
it
of
all trace
removes
generally
to
ness
amateurish-
with
meet
the
and
will
scenes
hall
oak
him
meet
gets
the
tions
loca-
that
costumes
are
room.
instead
old
Plays,
recognize
to
accessible
are
expensive
and
able
there,
wardrobe
All
the
be
Picture
revisionist
it
to
that
the
Moving
staff
not
adds
and
in
Write
TO
of
seeing
to
meet
heroine
your
hero,
her
ors,
interi-
especially
cut,
down
sweep
will
she
"brown
conventional
a
on
be
probably
front"
stone
stoop.
if
So,
by
chance,
diflferent
very
do
screen,
of
and
of
and
the
way
film
and
could
entire
an
take
are
public,
the
But
evening
kindly
swinging
to
the
get
not
the
after
films
spent
in
first
back
again
one
to
scenarios,
and
the
or
over
two-reel
chance.
installments,
two
watching
oflferings,
ing,
prun-
wild
went
a
slightest
the
some
writers.
"
story
all
to
producers
six-reel
on
this
because
famous
though
it,
wrote
you
happens
most
ago,
five
"movie,"
your
revamping
months
serial
see
disappointed
be
not
some
Some
the
from
padding
even
you
story,
one
now
one
the
and
or
didn't
producers
two-reel
features.
Wherefore,
if
you
are
going
to
write
for
the
How
Moving
Writ^
TO
make
*'movies,"
offerings
your
about
^which
ten
means
Plays.
Picture
minutes
or
one
run
to
a
39
two
reels
reel.
"
And
don't
for
There
tragedy.
try
comedy
real
^that
is
is
comedy,
"
"knock
'em
down
and
eat
the
*em."
greatest
not
mand
de-
stick,**
"slap-
How
40
Picture
Moving
Writo
TO
CHAPTER
Don'ts
It
is
the
the
while,
write
successful
more
difficult
hundreds
that
so
why,
hire
choose
cost.
in
as
for
from
all
other
both
scenarios,
to
of
the
reason
another
with
writers
the
come
be-
to
of
staff
some,
concerns.
demand
constant
"movie**
most
permanently
producing
Now
Photo-Playwricht.
of
ambition
connected
of
VI.
the
^r
Plays.
be
scenarios
men
regular
the
taken
and
men
it
is
on
man
"scripts"
staflf
pouring
control
when
sent
the
of
we
us
"
the
for
in
and
reason
unsolicited,
strings,
purse
at
a
can
more
can
and
is
who
women
becoming
a
are
in
there
professions,
pick
much
and
less
How
42
Moving
Write
TO
"
First
will
they
''movies"
any
that
Name
the
Then
they
and
work,
the
There
them
be
will
whether
The
greater
your
the
better
"Board
Investigation"
Naturally
trained
a
than
main
in
is
paper
news-
any
editor,
or
of
any
member
will
be
these
but
lines,
accepted
are
a
as
had
among
ones.
if you
man
who
one
questions^
ever
experience
"
mention
or
reporter
a
the
are
chances
your
of
as
literary
written.
have
you
them.
any
show
to
other
either
above
done
you
have
you
written
ever
producing
have
for
not
or
have
you
you
time
"
concerns
countless
given
two
if
books
experience,
the
the
Pi#ays.
accepted.
been
ask
the
"
if
you
and
will
and
"
have
ones
it is
stories
"
ask
Picture
of
by
the
given
the
staff.
more
tunities
oppor-
not.
0
While
"
your
and,
the
personality
if you
even
studio
keep
"
Make
with
as
good
an
make
not
getting
If
him
you
company,
word
from
the
a
count
to
a
"grouch"
be
and
the
that
as
they
a
while
about
which
alone
will
go
While
a
when
can
you
inspection.
man,
extent
certain
roll.
pay
appearance
for
yourself
may
work,
connected
you
don't
are,
it is
your
will
the
long
way
senting
pre-
clothes
toward
job.
have
friends
the
officers,
them
will
among
stafi
do
you
the
stockholders
writers
no
actors,
or
harm
"
^but
of
a
don't
the
good
ex-
How
pcct
influence
turn
out
time
to
the
has
who
what
of
and
well
in
staff
write
to
a
laid
scene
liver
de-
must
letter, but
by
so
as
satisfactory,
more
than
rather
qualifications
the
if
write.
writer
staff
a
have?
general
good
must
;
be
writer
versed
he
must
to
history
pean
Euro-
things
have
construct
idea
good
a
practical
a
is
travel
a
great
ideas.
be
may
called
different
a
on
lands
foreign
in
extensive
course,
of
knowledge
be
able
supplying
in
person.
of
and
"movie"
do
to
always
American
Of
in
staff
would-be
the
to
call
he
as
play.
assistance
Any
a
present;
geography
"movie"
of
length
writer
permit,
must
have
must
as
friend
any
staff
a
application
are
will
photoplays
pas*
can't
you
intimate
money
refers
possible
interviews
now,
He
do
his
course,
circumstances
for
if
you
43
misfit.
time,
the
said
makes
personal
And
out
a
or
for
whether
one,
paying
all
been
is, of
It
keep
and
job
Pi*ays.
goods.
What
writer
No
incompetent
last
Picture
your
work.
will
an
First,
Moving
hold
to
the
relative,
or
Write
TO
^and
at
upon
theme,
he
"
with
or
be
must
time
any
the
able
to
it.
Consequently
abreast
Some
of
the
"movie"
it
times
incumbent
is
in
concerns
all
general
employ
upon
him
to
keep
topics.
"readers"
who
ban-
How
44
die
all
the
toward
much
experience
When
for
the
approval
plants
seek
as
possible.
for
the
editor
his
reader
for
word
is
there
absorb
idea.
the
constantly
fail
because
able
be
the
But
those
submit
Whether
jotting
down
sayings
you
As
all
hear.
Note
concerns
the
service
by
ideas,
theatres
"movie"
parts
staff
dangers
not,
you
notebook
a
situations
in
"
writer.
the
or
carrying
this
the
play
run.
member
work
experience,
and
"script''
a
And
war"
tion,
ac-
imfair
successful
to
is
or
even
conjunction
can
and
funny
with
index.
card
your
of
who
obviously
returned
"fortunes
plots,
a
the
and
greater
into
plot
been
become
great
a
his
unsolicited
you
yourself
do
the
are
the
has
is
from
writer,
original
who
Which
it
will
man
situations
new
until
member
intelligent
no
as
most
"passed"
staff
the
for
do.
to
work
to
such
fact,
lookout
so
staff
the
that
in
script
having
ices
nov-
writers
staff
case
a
a
gain
may
the
see
acceptance,
In
the
on
can
after
not
and
the
to
is
as
does
danger
"
they
direct
given
are
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awaits
may
that
one,
is
position
a
member,
staff
a
disapproval,
or
Such
scripts.
to
scripts
Pi^ays.
Picture
becoming
advised
are
Moving
unsolicited
help
great
Writs
TO
of
the
country,
character
and
the
of
methods
are
located
now
study
plays
of
the
different
produced
the
in
by
directors.
practically
films
the
given.
various
How
As
films
most
director
you
only
the
for
that
For
to
this
the
in
bring
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make
not
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for
gold
you
time
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the
in
offered
anything
out
community.
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of
be
may
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a
other
one
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of
of
use
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leave
"
as
write
of
scorn.
the
"movie"
a
fact
writer
is it
entirely
keep
that
crime
you
not
paved
of
one
moving
gain
will
perseverance
writing
is
thorns.
everlastingly
photoplay
a
anj
practice
actions.
vulgar
"
ideas,
the
field
criminal
a
"
have
into
flag
neither
roses
or
emphasized.
be
fame
you
exhibitions
American
must
to
or
lewd
hero
a
picture
it.
at
in
ence.
experi-
bring
plays,
cess
suc-
as
in
endeavor.
Moreover,
some
film
cut
of
:
any
the
pay
road
Every
every
to
out.
Board
a
every
send
and
inferred.
Don't
If
the
and
commission
the
call
with
established
of
notes
bringing
inspect
to
ing
produc-
make
are
following
writer
Don't
does
has
45
the
personally,
they
State,
the
reason,
show
be
to
that
injure
to
"movie"
Don't
plays
it is
duty
of
names
them
State
every
tend
will
of
Plays.
corporation,
address
class
production
the
the
as
may
whose
Picture
carry
well
Remember,
Censors,
Moving
now
as
that
them,
them
Write
TO
don't
steal
the
be
afraid
plot
"nothing
"
or
to
at
ventured^
submit
least
a
"absorb"
nothing
lest
scenario
it.
won."
How
46
But
to
when
enclose
The
send
do
you
Picture
Moving
Write
TO
out
Plays.
scenario
a
don't
forget
stamps.
is
following
published
scenario
BATTLE
A
Pa.
Philadelphia;
of
Co.,
the
of
permission
by
of
model
excellent
an
sample
a
Lubin
facturing
Manu-
:
WEALTH.
OF
'
SYNOPSIS.
The
author
of
by
society
girl,
royal
Helen
the
with
equal
to
Clayton
her,
Her
but
father,
waits
for
Roswell
are
the
of
to
and
business
knowledge
the
fair
who
opponents
to
as
the
they
more
wife.
Allen
give
all
Both
in
lie
of
the
propose
decisive
a
Ros-
suave
blunt.
ciers,
finan-
high
lovers,
the
a
answer.
both
and
men
wooing.
only
not
arc
ronment
envicauses
two
encourages
their
Wade
Helen,
she
Winston,
of
who
preferences
and
does
result
that
is
rugged
neither
Hugh
the
Her
cumstances
cir-
heartless
sympathetic
wealthy
Wade.
being
and
between
loving,
Wade,
of
Roswell
father,
two
of
Cham
money-getting
narrow,
a
has
the
seemingly
a
honors,
last
at
which
a
money-mad
direction
two,
in
Winston
and
wcU
of
a
becomes
illustrates
story
means
reared
by
battle
this
well,
richer
fight
a
rivals
and,
will
battle
in
love,
spurred
be
in
given
the
but
by
on
the
stock
hand
mar-
How
ket
Roswell
He
Moving
Write
TO
ruins
who
Wade,
then
(Wade)
calls
Plays.
Pictum
but
Helen,
on
out."
and
down
"goes
47
she
misses
dis-
coolly
him.
Roswell
her
but
and
spends
in
shows,
Wade
in
and,
realize
cannot
finally
flashes
consequence,
has
always
has
He
then
not
to
makes
him
every
one
with
to
down,
maid,
and
Wade
him.
take
any
however,
whom
he
came
proceeds
now
the
to
clothing
then
refuses.
tells
her
maid
to
to
to
before
quarrel
leave
at
that
do
it,
her
time.
him.
calls
She
and
mastered,
she
effort
for
"No"
and
is afraid
respect
and
him
had
replace
to
truth
horrid
never
with
and
She
wife.
Roswell,
her
further
day
has
been
wife,
take
no
more
elope
man.
his
upbraids
never
no
Helen
following
allow
has
his
her
does.
exhibits
The
for
together,
the
she
She
orders
to
rings
and
She
He
started
she
maid
her
dominated
her.
she
life,
excepting
dominate
when
home.
respects
contact,
which
her
in
in
his
tell
to
brain,
her
across
her
to
Then
him.
resources
crushed,
first, but
at
leave
to
prepares
said
it
stint,
Roswell.
home
returns
him
helps
for
scattered
few
ruins
return,
Roswell
in
his
upon
without
and
affection
little
lavish
to
loathe,
nothing
recklessly
money
return,
gathers
proceeds
and
Helen,
luxury.
every
along
Helen
marries
finaly
liberties.
Helen
upon
consents,
He
and
but
beg?s
will
leaves, promis-
48
How
ing
a
to
and
is
about
The
in
rettim
bag,
are
Wsmt
TO
stand
men
them,
Helen
moves
toward
winds,
she
rushes
her
pillows
him,
it,
his
head
his
on
to
the
choice
between
her
and
her
the
to
one
and
tossing
her
slowly
pride
Wade
the
to
embraces
Roswell,
and
cision.
de-
other.
she
lovingly
breast.
poor,
Roswell
awaiting
from
arms
them.
ing
releasslinks
out
return.
to
never
into
her
to
th^
as
other.
arms
arms
then,
and
points
hand,
one
of
him
her
looking
his
opens
Just
packs
confronts
each
folded
hesitates,
Roswell
and
at
gives
with
stands
and
Then
and
hastily
returns.
enters
glaring
Helen
Helen
Wade
Roswell
Plays.
Pictuse
hour.
an
when
ready
above
towers
half
leave,
to
two
Movisro
CAHRACTERS.
Helen
Allen
Clayton
Hugh
Winston
Roswell
A
Winston's
RosweU's
Guests,
Society
Stock
Wade
Helen's
Winston,
Father
Whose
.
Butler
Butler
Maid
Stock
Brokers,
Clerks,
Etc.
God
Girl
Gambler
The
.
Roswell's
Spoiled
A
is
same
Money
How
50
Same
as
Enter
Goes
Helen
she
ball
shows
gave
shrugs
"
Picture
Helen.
leads
Roswell
her
aside.
slight interest,
but
Wade.
He,
eager
Winston
goes
to
her
Plays.
room.
and
Helen
abruptly.
She
III,
Wade
to
Moving
Write
TO
Proposes
and
and
him
gives
Helen,
shoulders
shews
A
as
Stock
market
LOVE.
office.
I, Roswell's
Same
in
battle
progress.
VII
Same
as
II, Wade's
office.
Same.
VIII
Same
as
I, Roswell's
office.
Same.
IX
WADE
Same
Same.
as
IS
II, Wade's
"All
over"
RUINED.
office.
ruined.
Wade
"
"
-^
same
inquires
laughs.
WOMAN'S
abruptly.
answer
dissatisfied,
VI
FOR
anger.
about
exits
men.
How
HELEN
Helen
Pi*ays.
51
FAILURE.
library.
in
ushers
Wade
exits.
her
"cut
to
Wade.
recoup.
She
He
exits
dejected.
with
out"
Helen
him
Enter
Wade.
She
coldly
^promises
"
pleasantly,
"
agrees.
him
time
more
Winston.
Winston
She
receives
for
dismisses
newspaper
Wade.
Winston
begs
to
dismissed
Winston
enter
"
Tells
her.
has
Picture
WADE'S
OF
discovered
Butler
"
Moving
LEARNS
Winston's
shows
Writs
TO
but
firmly.
explains
she
pleased.
XI
'
Same
him
is
and
Roswell.
Enter
before.
as
cordial
most
MAN.
X, library.
as
Same
SUCCESSFUL
THE
ROSWELL
reception
"
exits.
Winston
gives
Roswell
proposes
UPON
HER.
accepted.
XII
MARRIED"
Roswell's
Helen
him
"
drawing
"
Roswell
and
spoiled
Enter
ler
LAVISHED
MONEY
^ushers
and
maid
room.
discovered.
petulant.
with
her
Roswell
smelling
She
indifferent
trying
salts.
to
be
Enter
to
ant.
pleasbut*
in guests.
i
How
52
Write
TO
Picture
Moving
Plays.
XIII
Same
FROM
RECOVERS
WADE
II, Wade's
as
Everything
offices.
everybody
and
FAILURE.
HIS
busy.
XIV
MEET
WADE
AND
ROSWELL
BATTLE
Stock
Stock
OF
ANOTHER
FINANCE.
floor.
Exchange
in
battle
IN
Roswell
progress
Wade
and
ing
lead-
"
forces.
opposing
XV
ROSWELL
Same
Battle
Exchange.
Stock
XIV,
as
RUINED.
^Roswell
over
staggers
"
heart-broken.
away
XVI
HAVE
"I
Helen's
discovered
on
Enter
etc.
dismisses
Roswell,
tells
maid
couch
Helen
"
"
^finally
rushes
/
boudoir.
Helen
pillows,
EVERYTHING."
LOST
to
comprehends
dres3er
and
"
reading
^maid
"
haggard
news.
springs
begins
and
She
adjusting
out
worn
dazed
up.
Scene.
taking
things
at
"
first
She
4)ut
of
How
drawers.
"I
her
to
He
summons
and
with
of
Plays.
Roswell
you."
back.
clothing
who
refuses.
drawers.
to
desists.
maid,
53
orders
She
things
returns
before
scene
greater
leave
to
put
to
maid,
afraid
Picture
Moving
going
am
remain
Helen,
him
Write
TO
Regards
respect.
xvn
THE
Same
XH,
as
Butler
elope.
He
tries
She
maid,
orders
half
her
He
her
to
stops
hour
an
^butler
"
Wade
"
him.
her
consents.
He
She
exits.
exits-
begs
She
pleads.
she
"
pack
card
greetings.
"
hesitates.
in
return
gives
"
Helen
embrace
to
room.
Wade
in
Enter
to
will
drawing
ushers
re-enters.
TEMPTER.
says
he
summons
things.
some
xvm
Same
as
Roswell
rises
"
I, Roswell's
office.
discovered
puts
on
hat
going
and
coat
books
over
"
and
papers-*
exits.
XIX
BETWEEN
"CHOOSE
Same
Helen
Sutler
as
XH,
drawing
discovered
ushers
in
room.
walking
Wade"
US."
nervously
picks
up
her
up
bag"
and
down.
they
start
1
How
54
for
Write
TO
Bnter
door.
confronts
Roswell
Wade
^gives
"
Folds
them.
from
his
extends
him
^then
arms
Roswell
situation
comprehends
"
Helen
her
choice
Helen
if
as
him
to
them.
throws
and
hand
her
towards
about
arms
points
and
looks
Roswell
slowly
moves
"
between
hesitates
comparing
Helen
disengages
Exit
"Go."
Plays.
"
waits.
"
Picture
waits.
"
other,
rushes
"
him.
arms
the
to
one
Moving
to
door.
Wade.
WHERE
SELL
TO
MANUSCRIPTS.
*
Film
American
Balboa
Mfg.
Amusement
Biograph
Co.,
Prod.
Company,
807
Santa
Calif.
Barbara,
Co., Long
Beach,
E.
St.,
175th
Calif.
New
York
City.
Inc.,
Bosworth,
California
A.
Thomas
York
P.
M.
Famous
Rayers
City.
San
C,
Calif.
Rafael,
Inc.,
^
2826
Decatur
Ave.,
New
Ave.,
New
New
York
City.
Film
Fox
Calif.
Angeles,
Edison,
Essanay
York
Los
Mfg.
Co., Niles,
Film
Co.,
Calif.
507
Fifth
City.
Fikn
Corporation,
130
W.
146th
St,
How
Moving
Write
TO
Plays.
Picture
55
"
Gaumont
Company,
W.
no
York
St., New
140th
City.
David
Main
Studio,
Horsley
and
Los
Washington,
Calif.
Angeles,
Kalem
Company,
George
Kliene,
E.
805
Feature
Lasky
W.
235
175th
Co.,
Play
St., New
23d
St., New
York
City.
York
City.
Selma
6284
Ave.,
wood,
Holly-
Calif.
Co.,
Mfg.
Lubin
Indiana
and
20th
Ave.,
phia,
Philadel-
Pa.
Majestic-Reliance,
Sunset
4500
Boulevard,
wood,
Holly-
Calif.
Corporation,
Pictures
Metro
York
Broadway,
1465
New
City.
Fihn
Mutual
N.
201
Occidental
Calif.
Angeles,
Los
Boulevard,
Co.,
Photoplay
Morosco
Oliver
Corporation,
71
W.
St., New
23d
York
City.
Pallas
Pictures,
Pictures
Paramount
New
York
42d
St., New
Corporation,
City.
York
W.
no
40th
St.,
City.
Pathe
Freres,
Pathe
Exchange,
Selig
W.
220
Jersey
Polyscope
Thanhouser
Film
25
Co.,
City,
W.
N.
45th
Garland
Corporation,
J.
St., New
York
Building,
New
City.
Chicago,
Rochelle,
111.
N.
Y.
How
56
Film
Triangle
Hollywood,
Mfg.
Plays.
Boulevard,
Sunset
4500
Co.,
of
Company
Brooklyn,
Ave.,
S
L
"
E,
Inc.,
Film
World
City.
N.
Inc.,
Universal
Calif.
City,
East
America,
and
15th
cust
Lo-
Y.
New
Broadway,
1600
York
City.
"
Wharton,
York
Picture
Corporation,
Film
Vitagraph
"
Moving
Calif.
Universal
V
Write
TO
Ithaca,
Corporation,
N.
Y.
130
W.
46th
St,
New
THE
29
Wedded
30
A
Woman's
31
A
Queen
32
His
33
Dora
34
A
35
Sir
36
A
Golden
37
A
Fiery Ordeal
38
A
Mad
39
At
40
On
41
For
43
Wife
43
Between
44
Her
45
A
46
Shadow
47
Her
48
My
49
Mildred
50
A
51
The
Duchess
52
The
Haunted
53
The
Honorable
54
Lady
55
A
56
Marvel
57
Under
58
A
SEBIES.
Parted
and
B.
,
"
Judgment
"
Thome
Wedding
Arthur's
C.
Ring
M.
Braeme
"
Heiress
Heart
"
Love
Her
Another's
**
Sin
Name
^
Only
Two
^
Loves
Faithful
Heart
Passionate
Love
of
"*
Mom
Wedding
in
"*
Herself
with
War
the
^
**
"
Past
Sin
Only
Wonderful
Marie
Wife
The
Trevanion
All
Maiden,
Val
Life's
CoreUi
Dutchess
Forlom
"
Chamber
Mrs.
Vereker.
.
worth's
.
.
Diamonds
Remorse
Currents
of
Crown
Little
A
60
The
61
Deserted
fc
tJnknown
63
Hemlock
Not
Chj
""
Women
among
Broken
Helen
M.
War
Wife's
59
d^
^
BOTAI
Shame
Marryatt
Florence
Stepson
tt
of
it
Poison
Asps
Ethel
Whittlesey
"
Swamp
Ethinger
Exactly
Right
*'
"
"*
THE
8EBIES.
BOTH
I-^B
66
The
Lost
67
The
Little
68
The
Two
69
Mrs.
Vereker's
70
Corsican
71
Catherine's
y2
Camille
73
A
74
The
75
The
White
76
The
Kreutzer
yy
Sapho
78
Woman
79
The
Price
*X)
Old
Lady
3i
The
Mistress
82
Claire
83
A
84
Love
85
His
Perfect
86
Her
Love
87
Sherlock
88
The
Child
89
The
World's
90
Pretty
Peggy
91
At
World's
92
The
93
A
94
Look
95
Only
96
The
97
A
Lucky
Young
98
A
House
Party
99
Lord
Heiress
H.
W.
Taylor
Feuillet
O.
Countess
Orphans
Dennery
Maid.
Courier
Dutchess
.The
.
.
Alexander
Brothers
Dumas
Flirtations
B.
M.
Alexander
Fatal
Mrs.
Wedding
Clemenceau
M.
Dumas
Braddon
E.
Dumai
Alexander
Case
Elizabeth
Slave
Loon
Van
Sonata
Tolstoy
Daudet
Alphonse
.Mrs.
against Woman
of
of
the
M.
Mrs.
of Regna.
Oliphant
Garvice
.Chas.
"
Shame
Life
a
Garvice
Charles
of Court
of
"
Time
Trust
"
True
"
So
Holmes
A.
Conan
Wife
Ada
M.
H.
Desire
Rider
Haggard
Charles
Florence
Mercy
Alexander
u
You
Leap
Govemess..by
and
His
Vancourt's
100
The
Marquis
loi
Old
Hagar's
lOJ
Meadow
Reade
Warden
Mrs.
Aunt
Before
Dean
Doyle
Howard
Scent
False
Holmes
E.
.
Honor
Australian
a
.
Mary
Coronet
Qay
author
Daughter
of The
Child
Mrs.
Phillips
"
Woman
.Ouida
Daughter
Mabel
Collins
Charles
Secret
Wife
Mary
Garvice
J. Holmct
^
Brook
-^
^
_^
BOYA"
TEB
LQ3
Dora
Dean
[04
Lady
Dina's
[05
The
[06
Homestead
Mary
Pride
English
[07
Tempest
[08
Lena
81RTTW,
Bertha
Orphans
''
..
"
Sunshine
and
^
Rivers
Bertha
:10
The
Black
:ii
Dr.
Jekyl
and
Mr.
12
The
Lady
of
Lyons
13
Marriage
at
Sea
Parisian
15
Romeo
16
Ten
.Beauty
and
of
19
Lucy
Temple
[20
Flower
and
[21
What
122
Merle's
[23
Lord
[26
Jessie
[2y
Bonnie
[28
Madam
Clark
The
[30
"Self
T.
Tour
[34
The
Mrs.
Rowson
Can
Alex.
Mrs.
Buy.*.
Not
Rosa
Miller
McVeigh
Alexander
Nouchette
C.
Daughter
Carey
Braemo
M.
"
Surrender
**
Error
'*
"
Doon
Claire,
or
"the
of
Blessing
the
Inner
**
House
Bearer"
or
Holy
Besant
Walter
Walter
H.
Quatermain
of the
[36 Story
By
tht
in
World
of
Heir
[35 Called
gj8
Hawthorn
Besant
Haggard
Rider
She
i33
jj^
Black
S. Arthur
.N.
Crusade
[31 Allan
232
Fenillet
Wm.
Rose
[29
Russell
Octave
Jewel. .Mrs.
Lisle's
Earl's
Lytton
"
Gold
[25
Stevenson
L.
Temple
Qay
Sewell
Bulwer
Gables
Seven
Charlotte
Love's
R.
in Bar-room
18
[24
Hyde
Juliet
Nights
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