Reference alphabet and numbers b k s 2 3 4 or 5 1 2 7 2 2 A B C D F G H H I M N O P Q T U V W X 1 1 1 2 1 2 or 2 3 1 2 1 2 3 3 1 2 e 2 9 10 1 E J R Y 3 4 2 2 1 2 1 1 2 or E K S Z 2 3 1 2 Sa m or i q z 1 1 2 1 h p y 8 2 1 3 or 6 2 1 1 2 3 2 3 1 pl A F L T 2 1 1 2 1 2 1 2 es 1 c d e f g l m n o t u v w x pa g a j r 1 a b c d e f g h i j k l m n o p q r s t u v w x y z aμÇæc±dºÖªä‰ghªiªjkμl¥m¥n¥îÀp±†‹sÿtªuªò¡ôƒöªyz aªÉæc±dºÖªä‰åªçªiªèªêªí¥m¥n¥îÀp±†‹sÿtªuªò¡ôƒöªõ¥ú starting point direction finishing point Capitals: alternative formations are for left-handers. 6 Diagonal joins After a c d e h i k l m n p q s t u x Date _____________ Join at the top of the next letter’s body. Stay at the same angle as the exit. This makes a wedge between the letters. an co dr et he im ki ll mu ny pe qu sl to up xi a¥n±d c¥îÀu¥nªt d¥ï›u¥m dªuºÖªt ˆhºÖ¥ï‹s ˆlªi¥mμbˆ ˆkªiªtºÖ jÖμlμlªy mªu¥sÿt m±a¥nªy pºÖ¥sÿt °ÛuªiªtºÖ ˆs÷lªi±dºÖ îÕ©ªt¥o ˆcªuªp ˆt±a¥xªi pa g e pl Sa m a¥n ˆc¥oˆ d¥rˆ eªt ˆhºÖ i¥m ˆkªi ˆlμl ˆ mªu nªy pºÖ °Ûu ˆs÷l ˆ ˆt¥oˆ uªp xªi es Revising joins 7 Date _____________ Horizontal joins After b f o r v w Ç¡u¥sÿy âÂîÀu¥r ôøîÕñ‚© ˆc±a¥ï‹s îÀò¬e¥n ô¡iªtμh es Ç¡u âÂo îÕ™ ï‹s ò¬e ô¡i pa g bu fo or rs ve wi Join at the top of the next letter’s body. m m±a i±c e±d n±g e±q Sa ma ic ed ng eq pl e Touch joins (or pen lifts) Lift your pen and drop the next letter in. Always use touch joins before a c d g q. Also use touch joins when you write long words. obligatory touch joins m±aªi¥n ˆtªô¡i±û ˆlªiμkºÖ±d ˆl¥îÕ©±g e±°Ûu±aμl * individual choice touch joins h¥î…lªi±d±aªy De±û¥mμǬe¥r ˆtμhªu¥n±dºÖ¥ï‹sÿt¥îÕñ‚®¥s * 8 * * * Date _____________ No joins After g j y z ga jo ye zo ga¥mºÖ jî…kºÖ yeμlμl zî»îÕ® es ga jo ye zo These letters can be joined with speed loops. See page 11. 1 Stay at the angle of the exit to the top of the body. 2 Change to the angle of the down stroke. 3 Go up to the top of the ascender. 4 Come down with a strong down stroke. These letters can be joined with speed loops (page 11). pa g Joining to ascenders Before b f h k l t From horizontal joins ô¬eμb h±aμlªáˆ ˆô¡i¥s÷h ˆcμl¥î«cμk mºÖºÖªt îÀãÎtºÖ¥n ˆÇøî»î…k ˆcªu¥ï‡l ˆc±a¥ï‡t pl m eμb lªáˆ ˆs÷h ˆcμk eªt îÀàˆ î…k ï‡l ˆï‡t Sa eb lf sh ck et of ok rl rt e From diagonal joins 9 Print script for labelling a b c d e f g o p j k l m n r s t u v w x q y z es i h pa g Copy these labels carefully. ruler pad book glue paint scissors knife pl milk apples juice eraser Sa m paper e pencil tape brush the proud Claude was ne kennel. owner of a fi was This kennel a house set attached to den. in a large gar plenty Here he had , and of space to run bury to ce pla a secret his bones. story See pages 38 and 39 for more printing practice. 10 picture Speed loops aªÉæc±dºÖªä‰åªçªiªèªêªí¥m¥n¥îÀp±†‹sÿtªuªò¡ôƒöªõ¥úˆ ✤ Speed loops should be small because they are meant to join letters in the shortest possible way. ✤ Use less pressure on the loop than on the down stroke of the letter itself. ✤ Use crisp turns on the loops as well as on the letters themselves. ✤ The loop should be no more than half as wide as the body of the letter. åˆ èˆ õˆ úˆ è¥îÀõ¥îÀu¥s Joining from descenders ˆtªçºÖªõˆ eªíªÉøîÀwˆ ˆcªçªiªíªíªõˆ gjyz ✤ Make sure that the up stroke of the loop crosses the tail es of the letter at the base line. Then continue up to the top of the body of the letter. Joining to ascenders b f h k l pa g ✤ From a diagonal exit: Continue the exit stroke straight up, almost to the top of the ascender. Then make a small loop and continue the downstroke. ✤ From a horizontal exit: Move from the horizontal exit stroke up m pl e to a small loop, then continue down. ˜Äˆ ˜áˆ ˜ç ˜ê ˜í ˆtªç±a¥nªê¥s ˆc¥ï¯aªô¡ì Sa Practise speed loop joins here. Then go to pages 42 and 43 for more practice. … from descenders ˆå¥oˆ ˆ åºÖªt ˆ è±a¥r ˆ èªu±å ˆ õºÖ¥s õ¥îÀu ˆ ú¥î»o ú¥îÕ©ºÖ … to ascenders: diagonal joins l±aªÄˆ iªíªíˆ … to ascenders: horizontal joins m¥îÀň îÀàˆ a¥sÿç pªi±cªê p±aªí îÀé a¥ï›ë îÀô¡ì 11 Date _____________ a a A A aμb aªi a¥n a¥s aªy e±a m±a î«a ˆt±a ôæa Touch join to a Diagonal joins from a aμlμl a¥mºÖ e±a¥r p±aªt lºÖ±a ˆs÷h±a Spelling: add-a-letter ï¯aªt ï¯aªtºÖ gï¯aªtºÖ es aªt gï¯aªtºÖ¥r pa g a e a a¥n ˆt±a¥n ˆtμh±a¥n ˆtμh±a¥nμk ˆtμh±a¥nμk¥s Fluency Sa m pl An aªtμl±a¥s i¥s a Çøî»î…k îÀàˆ m±aªp¥s, u¥sÿu±aμlμlªy îÀàˆ ˆc¥îÀu¥nªt¥ï›iºÖ¥s, ˆsŸÖ±a¥s a¥n±d î«û±a¥n¥s. A ˆsÿt¥ï·eºÖªt dªi¥ï·e±cªt¥îÕñ›y ˆc¥îÀò¬e¥ï‹s a sÈm±aμlμlºÖ¥r a¥ï·e±a, a¥n±d i¥n±cμlªu±dºÖ¥s m¥îÕñ·e dºÖªt±aªiμl. 12 EXTRA: Who was Atlas? Where are the Atlas Mountains? Date _____________ b b Çæa Ç¡i Ç¿lˆ Çøo Çøs B B aμb Ç¿b eμb mμb î…b Joins to b Horizontal joins from b Ǭe±a ǃñ›i aμÇ¡y iμǬe a¥ï‡b ï›iμb Ǭe±a¥r ˆsÿt±aμb ô¬eμb Ç¡i¥sŒcªuªiªt ÇøîÕñ·e Ç¡u±cμkºÖªt jî…b gï›uμb pa g Çæa¥n±d es Spelling: each vowel in turn e ˆc¥ï›iμb Fluency Sa m pl In 1850 tμhºÖ âÎi¥ï‹sÿt Çøî»aªtμl¥î»a±d îÀà Bï›iªtªi¥s÷h c¥îÕ©ªò¡i±cμt¥s a¥ï‚ñ›i±ò¬e±d i¥n WA. Beªtªô¬eºÖ¥n 1850 a¥n±d 1868, tμhºÖªy Ç¡u±iμlμt ǃñ›i±dªge¥s a¥n±d ñ‹î»a±d¥s, a¥n±d ôøîÕñ‡ëºÖ±d îÕ© â„a¥ï‹m¥s. EXTRA: Why did convicts first arrive in other parts of Australia? 13 Date _____________ c c ˆc±a ˆcμh ˆcªi ˆc¥r ˆcªy C C a±c e±c l±c ï¯c x±c Touch join to c Diagonal joins from c ˆcªi¥n ˆcμlºÖ a±û ï¯cμh a¥ï¯c l±a±c ˆcμh¥î»î»sŸÖ ˆcμhºÖªáˆ ˆcμhªuªtºÖ ˆcμh¥îÀi¥r ˆsŒcμhºÖ¥mºÖ es ˆcμh±aªi¥n pa g Spelling: ‘ch’ has many sounds. (Read these aloud.) e ˆcμhºÖ¥mªi¥sÿt Fluency Sa m pl Cî»î…k¥s dºÖμlªi±cªi¥îÀu¥s dªi¥n¥nºÖ¥ï‹s Ha¥s a hªi±gh ˆcμhºÖªáˆ ’s h±aªt Eò¬e¥ï›y mºÖ±aμl i¥s ˆsÿpºÖ±cªi±aμl: a FaμÇ¡uμl¥îÀu¥s âÁÖ±a¥sÿt! 14 EXTRA: Write a poem in this style using one of the other spelling words. ˆsŒcμh¥î»î…l ˆcμh±a¥ï¯a±cªtºÖ¥r Date _____________ d d d±d dºÖ dªi d¥s dªy D D e±d l±d î«d ï¯d u±d Touch join to d Diagonal joins from d dªiºÖ d¥ï¯a i±dºÖ u±d±d iºÖ±d ˆsŸÖ±d Spelling: -ed or -d for past tense ˆc¥ï›iºÖ±d es ˆc±aμlμlºÖ±d pa g ˆsœî…l±d h¥îÀpºÖ±d gï¯aμǿǬe±d ˆsŒaªi±d l±aªi±d pμl±aªye±d hºÖ±a¥ï¯d e e±cμh¥îÃe±d Fluency Sa m pl DîÀuμÇ¿lºÖ îÀpªp¥î»sÿiªtºÖ¥s: lªi±ghªt i¥s ˆtμhºÖ îÀpªp¥î»sÿiªtºÖ îÀàˆ d±a¥ï‡k. It i¥s aμl¥sœo ˆtμhºÖ îÀpªp¥î»sÿiªtºÖ îÀàˆ hºÖ±aªò¡y. Ol±d i¥s ˆtμhºÖ îÀpªp¥î»sÿiªtºÖ îÀàˆ Çøî…tμh yîÀu¥n±g a¥n±d nºÖªw. EXTRA: Show these double opposites in a diagram or picture. 15
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