MICHAEL SØNDERGAARD
IDENTITY
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CAMPAIGN LOGO FOR WOMANS RIGHT TO BREASTFEED IN PUBLIC
CLIENT: DANISH FEMINISTS
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CLIENT: YARDBIRD PRODUCTIONS
g 3 (alternativt)
LOGO
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CLIENT: GENTOFTE PROVSTI
MICHAEL SØNDERGAARD
IDENTITY
PRINT
SCREEN
GRAPHIC DESIGN
DOUBLE SIDED POSTER DESIGN FOR JESPER JUST EXHIBITION
Jesper Just
Jesper Just
2007
2007
CLIENT: URSULA BLICKLE FOUNDATION
BOX DESIGN FOR AUDIO VERSION OF THE NEW TESTAMENT
Det Nye Testamente
22 cd’er
Indtalt af
Paul Hüttel
Henrik Koefoed Sofie Gråbøl
Lotte Andersen
Lars Mikkelsen
Ellen Hillingsø
Det Nye Testamente
indtalt af danske skuespillere
– En usædvanlig oplevelse
I denne udgave giver seks danske skuespillere teksterne stemme. Stemmernes
forskellighed afspejler, at Det Nye Testamente selv består af flere stemmer, der er
fælles om at fortælle historien om Jesus
Kristus.
Sådan er historien blevet fortalt, hørt og
fortalt igen – igennem generationer. Nu
kan du høre – eller genhøre – historien.
Det Nye Testamente
Det Nye Testamente
Det Nye Testamente omfatter 27 skrifter,
der spænder fra de fire evangelier over
beretninger om den ældste kristne
menighed i Apostlenes Gerninger til en
lang række breve skrevet til personer
og menigheder i den ældste kristenhed.
Og som det sidste af de nytestamentlige
skrifter den storladne og dramatiske
Johannes’ Åbenbaring, der er en vision af
de sidste tider.
Det Nye Testamente
Ingen anden tekst har sat så dybe rødder
i kulturen som Det Nye Testamente. Et
møde med Det Nye Testamentes fantastiske samling af skrifter er et berigende
møde med tekster, der handler om tro,
håb og kærlighed – om liv og død.
Indtalt af
Paul Hüttel
Henrik Koefoed
Sofie Gråbøl
Lotte Andersen
Lars Mikkelsen
Ellen Hillingsø
22 cd’er
Den indtalte tekst er den autoriserede danske
bibeloversættelse fra 1992.
Læs mere på www.bibelselskabet.dk
Bibelselskabets Forlag
ISBN 978-87-7523-552-0
Konsulent: Emmet Feigenberg
Redaktion: Peter Birch Petersen
Grafisk formgivning: Michael Søndergaard
Foto: Rune Hansen (modeller) og Camilla Behr (skuespillere)
2. udgave, 2. oplag
Optaget i Camp David lydstudier, København.
Produceret af SONY/Austria.
All rights reserved. Unauthorized copying, public
performance, hiring or rental of this recording prohibited.
Støttet af Danske Banks Fond.
CLIENT: THE DANISH BIBLE SOCIETY
DBS1360X3
PROFILE BROCHURE
Master in Management of Technology
MMT
HoW Do WE
ENABLE YoUr
DEVELoPMENT?
HoW THE MMT ProGrAM
Took ME To NEW PLACES
“After completing the executive MBA I had some
talks with the executive board and we agreed that
I should step into the board instead of being the
cfo and I have now got a totally new role in the
company. While taking the executive MBA I had
to cope with a lot of things: my personal life, my
work life and the study itself. I really learned how
to prioritize! To be honest I have never been more
stressed in my entire life. But today it is such a gift,
because I know how much I am capable of doing
and I never feel stressed anymore.”
At DTU Business we strongly believe in the action
learning principle; real learning only occurs once
knowledge and frameworks have been applied to
real life assignments and business challenges.
Education that makes a difference
The structure of the program ensures that theories
and methods are applicable in practice. your effort
will only be spend addressing topics, which have the
potential for developing solution-oriented methods
and tools.
from asking relevant questions, conducting thorough analysis and producing valuable managerial
recommendations, the MMT program is based on an
ongoing interaction between participant experiences and relevant frameworks. During the course of
the program roughly 50% of the study time is spent
on company specific assignments and projects.
Annette Egede nylander
Nylander
Executive Vice President,
European Energy A/s,
A/S,
MMT class
Class 12
The size of the class is limited to 30 participants,
enabling lively discussions where all have a chance
to contribute.
Faculty
since the start in 1998 a large network of international top faculty from leading business schools and
universities around the world have been at the core
of the MMT Program. Through a careful selection
process we combine our external faculty with cherry
picked internal faculty and senior practitioners for
highly specialized topics. This ensures maximum
flexibility and agility in order to meet industry needs.
PagE 6
Click and
Click and
watch the video
watch the video
DTU BUSINESS MAsTEr In MAnAgEMEnT of TEcHnology – MMT
DTU BUSINESS MAsTEr In MAnAgEMEnT of TEcHnology – MMT
PagE 7
ProGrAM STrUCTUrE
MoDULE A
MoDULE B
MoDULE C
MoDULE D
Strategy
Consultancy Project
Internationalization
Communication
Management
Marketing
Strategic
Strategic
Problem Solving
Problem Solving
Service
and operations
Management
Master Project
Innovation
Leadership
(UC Berkeley)
Leadership
and organizational
Innovation
International
Consultancy
Project
Innovation
Management
Financial Analytics
& Management
Management
of Technology
Philosophy
of Business
Techno-Trends:
Emerging Technologies
and Market opportunities
leading Innovation and
strategic growth
leading organizational change
and Performance
Managing
Business globally
Master Project:
Executing and Implementing
(Part of the Management of Technology module)
Personal Leadership
PagE 8
DTU BUSINESS
FACILITIES
THE InTErnATIonAl InsPIrATIon
THE cAnTEEn
DTU Business is housed in its own department,
designed specifically for the program. The facilities
include an auditorium designed as an amphitheater
with every modern teaching amenity. The structure
of the auditorium stimulates dialogue and is designed to support the knowledge sharing between
the participants.
THE confErEncE rooMs
DTU BUSINESS MAsTEr In MAnAgEMEnT of TEcHnology – MMT
DTU BUSINESS MAsTEr In MAnAgEMEnT of TEcHnology – MMT
PagE 9
THE BEll
THE AUDITorIUM
six separate group rooms adjoin the auditorium,
as well as a lounge area with a “time out” possibility.
In addition to this DTU Business has a flexible and
multipurpose dining area (the canteen) and its own
reference library containing up-to-date literature.
DTU Business has its own IT facilities and assists
participants in connecting to the intranet (DTU’s
“campusnet”), which gives the participants access
to DTU library’s database as well as the materials
used during the courses.
At the time of enrolment, each participant is given
a password for access to DTU Business 24 hours a
day. DTU Business’ facilities serve as a gathering
place for meetings, assignments and projects. for
reasons of confidentiality, DTU Business’ program
participants are the only people allowed to use the
facilities.
THE TIME oUT
THE lIBrAry
THE rEcEPTIon
for participants not living in the copenhagen area,
DTU Business has established agreements with
nearby hotels.
We invite
WE
INVITE you
YoU for
For
A
a GUIDED
guided tour
ToUr
Click and
watch the video
PagE 14
DTU BUSINESS MAsTEr In MAnAgEMEnT of TEcHnology – MMT
DTU BUSINESS MAsTEr In MAnAgEMEnT of TEcHnology – MMT
EErs
EngIn
PagE 15
PH.D.
THE
EngI MASTEr ProJECT ALoNE
nEEr
s
WAS WorTH
MorE THAN THE CoST
oF THE ENTIrE ProGrAM
BUsInE
ss DEV
EloPEr
“My master project was about exploring the
opportunities of a new acquisition. Most of the
recommendations I made have been implemented in
the organisation – some directly as proposed others
have been developed further. This implementation
in real life has been very satisfying for me. for me
the value of the master project more than equals
the costs of the program, as the findings and
decisions made on basis of the projects has been
very beneficial for lundbeck”.
WHo ArE
MY FELLoW
PArTICIPANTS?
QA MAnAgEr
While 50% of the participants are engineers, the remaining
50% have other educational and professional background. All
have leadership experiences, 71% with line management, the
rest with project management.
HEAD
of DE
PArT
sT
ly
nA
A
IEf
cH
EErs
EngIn
Click and
watch the video
r
gE
nA
PP
sU
CLIENT: DTU BUSINESS / TECHNICAL UNIVERSITY OF DENMARK, DTU
nAgE
r
You are genuinely curious about how other experienced
managers solve company and leadership challenges and you are
willing to share your experiences with the peers in the class. cTo
Michael Bjerno
DTU BUSINESS MAsTEr In MAnAgEMEnT of TEcHnology – MMT
Hr MA
The MMT program is designed for an international audience
who are keenly interested in how companies innovate and
create new business. You may have engineering, science,
commercial or other background, and you feel a deep
engagement in committing yourself to learn new skills
and improve your leadership.
Head of Pharmaceutical Engineering,
H. lundbeck A/s,
MMT class 11
PagE 18
AgEr
An
IT M
ly
AIn
cH
MA
AgEr
r&D MAn
DTU BUSINESS MAsTEr In MAnAgEMEnT of TEcHnology – MMT
PagE 19
MEn
T
EXHIBITION PROGRAM / POSTER
z
are questioned and redemption is actively sought. If Just had previously been
their indiscretions, emotional gambles and self-deception while relationships
relationships in his earlier works now overspills. His familiar faces confront
about other ﬁlms and continues to consciously play on the idea of video art as
slew of other young artists working today with this medium.
the low-ﬁ aesthetic, with its accompanying set of ethical rules, pursued by a
his commitment to acting as both director and editor stand in stark contrast to
cedented in previous ﬁlms. The electricity that supports the various charged
Just seems willing to interrogate his characters in the Trilogy in ways unpre-
on working with trained actors, composers, sound engineers and singers and
works in the context of the gallery. Just’s high-production values, his insistence
Graphic design : Michael Søndergaard / Printed by : Sangill-graﬁsk
site for his practice. The Trilogy still demonstrates Just’s desire to make ﬁlms
into a makeshift cinema, further questioning the context of the gallery as a
his new ﬁlms: the gallery will be transformed for the duration of the exhibition
The intensity of analysis extends also to the strategy Just chooses to display
His practice has always raised questions about the position of ﬁlm and ﬁlm
his other ﬁlms, Just unravels his previous endeavors from the inside out.
The spirit of self-examination lends a new color to Just’s cinephilic embrace.
accomplished that the viewer gains the sense that they are in the presence of
character, identity with identity and all is so tightly controlled and technically
cacophonous and even disturbing. Voice competes with voice, character with
choral quality. But the trilogy explores that choral quality in ways that can seem
ways. This enveloping structure invests Just’s whole corpus with an almost
tory metaphor of sated lust and the emptiness that follows, it is probably at
still punctuated by a ﬁrework display. Although this may be read as an ejaculacourse, a certain ambiguity remains: despite their air of resolution the ﬁlms are
an agent of this interrogation, ultimately performing as the onscreen personi-
doll effect, each tale somehow interlinked with the next so that the multitude
P E R RY R U B E N STE I N GALLE RY
in his Trilogy, Just’s ﬁlms with their covert references to America (the war-
best an abstraction – Just’s deﬁnitively ambiguous last word.
same way that Auster grapples with the peculiarities of the American condition
nation. He even turns the mirror on his elected ﬁlm location – America. In the
Auster’s thoughts in City of Glass mirror Just’s heightened level of self-exami-
ﬁcation of the older man’s state of mind – self-ﬂagellating and suicidal. Of
of ﬁctions and characters seem to chime together over time in unexpected
527 WEST 23RD STREET, NEW YORK, NY 10011 T 212.627.8000
unpack a speciﬁcally American malaise.
mongering drum roll; the New York courtroom; the July 4th ﬁrework ritual) try to
a ruthless self-interrogation on the part of the ﬁlmmaker. Through referencing
work is multi-layered and self-referential. Film wrapped within ﬁlm, a Russian
to examine and quote. Like Cervantes in Don Quixote, Just’s larger body of
clutching, yet he seems to strut with a greater sense of his own ﬁlms as work
Screaming Men’s Choir, a recurring motif in each three instalments, becomes
taken to task; ends are heavily implied if not visualized. The role of the Finnish
appears to have shifted emphasis in the Trilogy. Unrequited expressions are
fascinated with the emotional or sexual gambling of his older characters, he
the world and demands that the world reveal itself to him.
physical eye of the writer, the eye of the man who looks out from himself into
buried in the body of the breathing self. At the same time, it was also the
letter ‘i,’ standing for ‘investigator,’ it was ‘I’ in the upper case, the tiny life-bud
Private Eye. The term held a triple meaning for Quinn. Not only was it the
between art and truth.
accompany ﬁlmic cultural transmissions, deftly exploiting the shady commerce
clichés, but instead is dicing with the presumptions of falsity that usually
acters to intense scrutiny. In so doing he is not merely ﬂirting with cinematic
about ﬁlms that he himself has authored, Just subjects his methods and char-
provides an intriguing parallel:
York Trilogy of his own (which ironically also explores the nature of identity),
But these new ﬁlms go further. Paul Auster, who famously authored a New
picturing of other worlds. Just’s new work broadens his range: by making ﬁlms
a construct that can verge on the real through the invention of ﬁctions and the
It Will All End In Tears
And Dreaming Is Nursed In Darkness
A Little Fall of Rain
Jesper Just
J E S P E R J UST
I T W I LL A LL E N D E N D I N TE A R S
2006
By James Lindon
Jesper Just is known for making ﬁlms about other ﬁlms. He has shot more
A Little Fall of Rain
And Dreaming Is Nursed In Darkness
It Will All End In Tears
Eponine whispers to Marius just before she expires in Les Misérables:
passed he stuffs his pockets with the fallen rose petals that lay strewn around
the roof of an abandoned building. A smiling Lilleøre casually pursues him,
than a dozen short ﬁlms altogether, identiﬁed by their shared romance-soaked
him.
but the camera never unites the two again. A cutaway then reintroduces the
sensibility and exploration of (often erotically) charged relationships between
Don’t you fret, M’sieur Marius
older and younger men. With his mandatory casting of a winsome and blond
I don’t feel any pain
The second ﬁlm, And Dreaming Is Nursed In Darkness (a title appropriated
building, holding hands. They perform their ‘Utilegumenn’ (the Icelandic word
youth, Johannes Lilleøre, and a rotating repertory of dustier types, Just’s works
A little fall of rain
from Jean Genet’s The Miracle of the Rose) opens in the New York Supreme
for ‘Outlaw’) and jump in unison from the ledge. Their action is followed swiftly
splice ﬁlm noir aesthetics with camp ballads and music-box tearjerkers to carry
Can hardly hurt me now
the viewer to an emotional semi-climax. He mixes real life situations with their
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twelve shouting choristers, who are perched and teetering on the edge of the
Court with a wide-angle shot of an empty Jury Box whose twelve empty chairs
by an eruption of jubilant ﬁreworks. Crackle after crackle in red, white and blue,
are stiff and expectant. Careful pools of light create a characteristically cine-
redolent of the colours of the American ﬂag, the electricity of events passed
absurd emotional outgrowths, taking both halfway to Melancholia but stopping
Just appropriates these sentiments for the title of the ﬁrst part of his Trilogy
matic and dreamlike atmosphere that suggests the labyrinthine hotel in Alain
sparks and explodes. The old man, still clinging to an iron pylon, is crying as
before anything concrete can be declared.
and pilfers the campy spirit of Eponine’s passing as well. Emerging from
Resnais’s psychoarchitectural classic L ‘ Année Dernière à Marienbad. The
the innocuous crackle evolves into a rasping burr of artillery ﬁre. The ﬁlm fades
the swirling mist of a Japanese Garden and a hauntingly arranged score, A
camera angles out revealing the old man on the stand, caged by a dappled
with the Manhattan skyline scored raw, ﬂayed by ﬁreworks.
Just premieres his new ﬁlmic trilogy shot in anamorphic 35-mm, It Will All End
Little Fall of Rain, the ﬁrst installment in Just’s trilogy is brimming with pruned
light that pours down upon him. Lilleøre watches on. The silent compact is
In Tears, this September at Perry Rubenstein Gallery. Deeply indebted to the
bushes, ﬂowing waterfalls and shufﬂing Koi. Enter a gently perspiring older
broken by the Jurors, played by the Finnish Screaming Men’s Choir (Mieskuro
Just’s wholesale digestion of the formal language and methods of ﬁlm media
noir aesthetics of Hitchcock and Fassbinder, Hayne and von Trier, if playful
man who stumbles upon Just’s ubiquitous protagonist Johannes Lilleøre
Huutajat), who rapidly ﬁle in to announce their judgement. Their bawling
and history have long been evident in his artistic project. The quoting of cam-
with noir conventions, each of the ﬁlms that comprise the Trilogy (A Little Fall
through a void in the garden wall. The old man lingers on an ornamental bridge
reinterpretation of Cole Porter’s I Got You Under My Skin cuts through the
era shots, for example, such as the close-ups on mouths in The Lonely Villa
of Rain, And Dreaming Is Nursed In Darkness and It Will All End In Tears)
– an awkward denizen in the almost dark. With a seemingly divine extension of
calm. Torturous and accusatory, their shouting symphony offers the old man no
(2004) – a pithy homage to David Lynch (the baby in Eraserhead, Dorothy in
take the viewer on surreal, elliptical, smoke and mirrors journeys in which ends
his arm, Lilleøre touches the old man who is swiftly consumed by the gesture
respite, culminating in the verse, “Don’t you know you fool, you never can win/
Blue Velvet, and Mrs. Tremmond eating creamed corn in Fire Walk With Me)
are not only left untied but fraying at the edges. Each ﬁlm, in turn, attempts
and ossiﬁed by ecstasy. Cue Prestissimo drum roll from Lilleøre and the old
Use your mentality, wake up to reality.” Embarrassed and judged and apparent-
or the music-box kiss in Something to Love (2005), a clear allusion to James
a search for personal meaning and the metaphysical crises that ensue if one
man gurgling with delight as a confetti of love and rose petals cascade around
ly choking on unspoken words, the old man vomits up red rose petals. Lilleøre
Stewart and Kim Novak’s spinning kiss in Hitchcock’s Vertigo. The Trilogy
accepts that the self is fractured and divided, rather than ﬁxed and immutable.
him. He bursts into a falsetto rendition of Buck Ram’s Only You, but the cam-
intervenes and leads him away.
itself, inﬂected with elements of Todd Hayne’s Poison, could certainly be read
I Drum,
W Athe story
E ofI a
as an abstract homage to Volker Schlöndorff’s The Tin
T
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The ﬁlms examine solitude and obsession, of how one informs the other, and
era is separating the two ﬁgures now and Lilleøre’s drum roll strikes a sombre
underlying all three is a moody atmosphere of self-loathing and the absurdity of
reveille. The roll reaches crescendo and the old man is knocked unconscious
High above the urban brawl, the Trilogy is resolved with a twinkling Manhattan
boy in Danzig, armed with a tin drum, who decides at his third birthday not to
searching for something forbidden, something beyond reach, something which
by a sudden gust of wind. When he awakes he is being ogled by a band of
skyline as backdrop and a Lynchian soundtrack percolating through a synthe-
is – by deﬁnition – unknowable.
sinister onlookers, and in a desperate effort to hide/recapture the incident just
sizer. The old man, terriﬁed having been awoken by a nightmare, darts across
grow up on account of the Nazi horrors that surround himL on the eve of WorldR
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CLIENT: JESPER JUST / PERRY RUBENSTEIN GALLERY
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War II. Just’s cinephilia in the new Trilogy is therefore just as
W
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BOOK COVER
CLIENT: DET KGL. VAJSENHUS FORLAG
S
ydafrika efter apartheid-regimets fald.
Occupy-bevægelsen satte navn og
Mulder – en hollænder i 50-årsalderen
adresse på kilderne til vor tids kriser:
September 2011: Inspireret af Det Arabiske Forår
– er tilbage i det land, der er en del af hans
Wall Streets banker, store virksomheder
og
oprørsbevægelser
i
Europa
slår
et
par
tusinde
og andre af den ene procent, der gør
historie og den mand, han engang var. En
mennesker sig ned omkring Wall Street i New
krav på verdens rigdom for dem selv
gammel ven har inviteret ham til at komme
på bekostning af de 99 procent.
Denne
driaan
van Dis (f. 1946) erYorks
en affinansdistrikt.
sin generaførste bog om Occupy Wall Street-betions største forfattere i Holland. Han debuog lære det nye Sydafrika at kende – se hvad der
vægelsen, dens baggrund, målsætninPeter Kemp, f. 1937, er leder af Center for Etik
terede med romanen Nathan
Sid, historien
Bevægelsen
spreder sig hurtigt til Boston,er blevet af deres
drøm.
ger og krav, udgives på dansk
endreng,
måned
om en
som vokser op mellem to kulturer
og Ret i København og professor emeritus i filoChicago, Los Angeles og hundredvis af andre
efter dens udgivelse i USA.
– det paradisiske, men koloniale Indonesien og
sofi
ved
Institut for Uddannelse og Pædagogik
byereri iUSA.
for få uger har besættelserne
det grå, triste Holland. Van Dis
det Inden
hele taAdriaan van Dis
fortæller levende og komprimeret
Vi er de 99% er en antologi.
del af af kultursammenstød, en interesse
(DPU), Århus Universitet. 2000-2005 var Kemp legetEn
optaget
og
protesterne
spredt
sig
til
hele
verden,
til
over
bogen handler om selve bevægelsen.
to exceptionelle
mænds
eventyr.
Begge
bundet
der gennemsyrer hele hans forfatterskab. Tik
der af
Institut for
Pædagogisk
Filosofi
ved DPU,til
1.500erbyer
fra Madrid til Cape Town og fra Buenos
Hvordan startede Occupyer
Wall
Street
hans
niende roman. På dansk
tidligere
1971-91
var han
anmelder
filosofi ved
Poliet land de både
elsker
ogfast
hader.
Ogafderes
drøm,
helt konkret? Hvordan foregår
det i romanerne HusetAires
udkommet
i klitterne
(1996)
til Hongkong.
tiken og–i 1980
medstifter de
af foreningen
Filosofisk
deres farlige drøm
de idealer,
kæmpede
for
praksis? Hvad er sammenhængen
mel- (2008). Han har vundet en række
og Vandreren
Forum, hvis sommermøder siden 1986 afspejles i
litterære
priser og bor i dag i Paris.
lem bevægelserne i Spanien,
GrækenVI ER DE 99% er en øjenvidneberetning fradengang for fyrre
år siden, hvor modstanden mod
land og Egypten og den i USA? Hvad er
de filosofiske essays i bogen Den hvileløse tanke
Det Amerikanske Efterår, Occupy Wall Streetapartheid også
varPræsident
deres kamp,
deres
skæbne.i fimetoderne og målene?
(2007).
for den 22.
verdenskongres
Danske kritikere skrev bl.a. bevægelsen
om Vandreren:
set
indefra,
et
signalement
af
losofi i Seoul i 2008.
Øjenvidneberetninger fra Zuccotti Park,
van Dis får fortalt dens
sin historie
ideer ogpåkrav. Men det er også et budNu
på, er Mulder tilbage. Han kigger ind i fattigNew York, der er (var) det”Adriaan
helt centrale
elegant
Han mestrer antydningens kunst
sted for bevægelsen, veksler
med vis.
taler
hvordan den selv kan medvirke til at skabedommen,
et
ser Kemp
det nye
Sydafrikas
uoverskuelige
har deltaget
i debatten
om sprogfilosofi,
til fuldkommenhed og samtidig refererer han
og erklæringer. Om nødvendigheden
fænomenologi,
marxisme, teknologietik,
til et af 1800-tallets hovedværker,
Klokkeren
fra for de 99 og ikke kun
samfund,
som fungerer
for
problemer,
møder
voldenteologi,
og korruptionen,
af forandringer. Og om at få styr på
Notre Dame af Victor Hugo ... men uden at der
bioetik og medicinsk etik, pædagogik, politisk
den ene procent.
bankerne og de finansielle bevægelser,
oplever splittelsen
og umuligheden af nogensinde
egentlig er tale om en gentagelse. Tværtimod
filosofi m.m. og desuden skrevet bøger om bl.a.
så grådigheden kan stoppes
og de 99de gamle tematikker, så modviljen
nyfortolkes
at
komme
overens
medDerrida,
fortiden.
procent få ordentlige levevilkår.
Marx, Sartre,
Ricœur og Lévinas. Senest
mod det fremmede og sammenstødet mellem
forskellige kulturer bliver ført helt frem til
er udkommet Verdensborgeren som pædagogisk
En del er skrevet af folk, der har vævore dage med globalisering og alt hvad den
ideal (2005), Den nye verdensorden (2007) og Kliret med fra begyndelsen. Men bogen
indebærer.”
bringer også bidrag fra mere kendte
mabevidsthedens barrierer (2009).
- Fyens Stiftstidende
skribenter som Naomi Klein, Richard
Wilkinson, Rebecca Solnit”Denne
og Ralph
lille store roman fortjener mange læsere, er,
og at
detde
er derfor virkelig velkomment, at vi
Nader. Det centrale synspunkt
den deres
så hurtigt på dansk, og at oversættel99 procent har magten til får
at føre
er så
god.
krav og ønsker igennem –sen
at der
lige
nu Ja, den er faktisk mere end god,
simpelt i en klasse for sig selv.”
er et momentum, der skal ganske
udnyttes.
- Information
ISBN 978-87-7973-530-9
Tiderne Skifter
A
Occupy Wall Street-bevægelsen
Occupy
Wall Street
bevægelsen
Tiderne Skifter
87-7973-521-7
Efter fyrre år vender Mu
Foto: Merlijn Doomernik/Hollandse Hoogte
k om etik,
en og retsnkning, og
. Som filobevist om,
n samtidig
hele er det
e ideer og
prøve vore
hed.
Peter Kemp
FILOSOFIENS VERDEN
vi i globaan tænke
at ophæve
orskellige
okrati med
BOOK COVERS
”En bog om at holde sig i form mentalt og have
blik for det, man ikke ønsker at se. En tankevækkende bog.”
- Kristeligt Dagblad
Tiderne Skifter
ISBN: 978-87-7973-493-7
hollænder i 50-årsalderen
i Paris – tilbage til det land
del af hans historie: Sydaf
land, hvor han og hans ve
begyndelsen af 1970’erne
ret i kampen mod aparthe
Det var en tid, hvor der
idealisme – og til romantik
forelskede sig i den smukk
Catherine, som blev arrest
sendt i fængsel. Han rejste
Europa og så hende aldrig
Vennen Donald blev i Sy
har nu inviteret ham på be
der trænger til afveksling
og flyver til Sydafrika. Et r
syd for Cape Town indloge
i en nedslidt feriebolig.
”USA er i dag det rigeste land,
verden endnu har set, og har en
overflod af naturressourcer såvel
som af sygeplejersker, læger,
universiteter, lærere, boliger
og mad – så også vores krise er
en fordelingskrise. Alle kunne
have alt, hvad de har brug for,
og de rige ville stadig være rige
nok, bortset fra at ordet nok
ikke findes i deres ordbog. De er
grådige, og deres trediveårige
forsøg på at tilrane sig mere og
mere har udhulet det, som er
absolut nødvendigt for restens
overlevelse og værdighed.”
Sydafrika efter aparthe
– Rebecca Solnit
ROMAN
TIDERNE SKIFTER
anderledes, men fattigdom
af utryghed og en mange
forståelse tager til. De rig
trukket sig tilbage til skarp
tede boligområder højt op
terne; fiskerbyen nedenfo
af fattige sorte med desill
misbrugerbørn.
Hendrik er et af dem. H
derløs dreng fra landsbyen
af det stof, som de lokale
Mulder finder ham på gad
brækket arm, bringer ham
let og udvikler sammen m
et brændende behov: De
venner vil genopleve de id
engang kæmpede for, tag
fortabte, gøre ham ”clean
galt.
Omslagsfoto © Gian Paolo Barbieri
Omslagsdesign: Michael Søndergaard
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