SEE SAW AND SOLFA Sequential songs and games for preschool kindergarten and elementary school . “The education of the musical ear can be most successful if it is begun early, in kindergarten and the primary grades, even earlier if possible. … To be internalized, musical learning must begin with the child’s own natural instrument – the voice.” Zoltan Kodaly See Saw and Solfa is designed to help teachers offer a comprehensive Kodaly based music education program for young children. The goals are to maximize music learning in a child’s early formative years and to create a supportive environment encouraging co-operation and self-confidence as well as musical knowledge Preschools, Kindergartens and Elementary schools are ideal places to introduce the structure and language of music. To this end my presentation will: - outline basic concepts needed for a teacher to gain confidence in offering a Kodaly based music education program. - offer insights into teaching sequential music classes through singing and action games. - help prepare effective lesson plans which incorporate teaching basic rhythms, pitch accuracy, staff notation and music symbols. -involve active participation in songs and games – come prepared to play! - suggest resource books to use in classroom or private lessons. BASIC SEQUENTIAL CONCEPT: Hearing – singing – internalizing – reading – writing – creating -a learning sequence also recognized by Montessori and Suzuki methods EFFECTIVE LESSONS PLANS: -½ hour optimum class length -½ hour outline: gathering game or song – 5 minutes review challenging game or song - 10 minutes main new concept - 10 minutes easy song or game and closing song - 10 minutes -sequence: start with a quiet seated game, alternate seated with movement activities, build to a “climax” (main concept of lesson) , “cool down” with familiar or easy material. 1 GUIDELINES (S&S = See Saw & Solfa; TT = Tune Travels; * song sheets in S&S) YEAR ONE Social Goals: participation in a group, co-operation, development of selfconfidence. Musical goals: exploration of sound through singing and action group games which use ta, ti-ti and s m, s l m Rhythm - ta, titi – by rote only Pitch – s m and s l m - by rote only Repertoire: seated Stuffies game Doggie *Bounce High Pumpkin (little pumpkins) Snowman (K4 puzzle) Truck Twinkle (with cloud) Timbre game movement *See Saw Bell Horses Bow Down Buttercup Tick Tock Juba Hippity Hop Jennifer Smith YEAR TWO Musical Goals: through simple songs and games refine listening skills, introduce visual recognition of basic rhythmic and interval patterns, write rhythms Rhythm: ta, ti-ti, rest, too-oo (visual and written recognition) Pitch: (aural only) review s m and s l m introduce m r d and s m d Hand signs: (visual only) for above pitches Contrasts: high-low, loud-soft, fast-slow Repertoire: (also review Year One repertoire adding visual and written elements) seated movement *Lucy Locket (rocket, snowball) Hill Dill *Mouse Mousie *Tideo Cobbler Cobbler Cut the Cake Snowman puzzle *Hot Cross Buns Popsicle Stick Rhythms Oliver Twist Mystery Song Live Rhythms *Match Me card game Treasure Hunt - rhythm Twinkle (with cloud) Elevator & Candle Disappearing note Rhythmic “dictation” of known songs (S&S sheets) *Song card games *Contrast cards *Emotion cards *R Fish 2 YEAR THREE Musical Goals: learn more complex rhythms and intervals, develop accuracy of pitch, introduce music staff, more emphasis on visual and written games Rhythms: aural, visual and written - review ta, ti-ti, rest, too-oo; learn tika-tika Pitch: review s m and s l m later m r d – introduce on 3 line staff: aural only - s m d and d m s; introduce d r m l s Hand Signs: reinforce above pitches, Treasure Hunt (TT pp.80-83 sfa & hand signs) Repertoire: seated *Dinah *Who’s that? *Great Big House The Friends of Jo Lemonade movement *Knock the Cymbals Gregory Grats Peas Porridge Tinker, tailor Charlie over the Ocean Closet Key Games: felt staff; magnetic staff; Rhythm cards (TT pp.21-22) Match Me - rhythm (TT pp.46-47), Hand sign cards for solfa learned (S&S p.117), First Liners –rhythm & solfa (S&S pp.95-102), worksheets (S&S pp105-113), YEAR FOUR/FIVE Excellent preparation for the study of an instrument. Musical Goals: ready knowledge of solfa notation and hand signs, names of treble clef notes on staff, joining up rhythmic patterns and pitch notes on the staff, begin to study the structure of scales. Rhythm: ti-tika, tika-ti, ti-ta-ti (syn-co-pa), tri-o-la (TT Rhythm Fish pp43-44); time signatures (TT Rhythm Layout pp64-70) note values (TT Pizza & Pizette pp53-63) Pitch solfa: drmsl (TT Treasure Hunt pp.80-83, Card Games p.25) Pitch names on staff: (TT Tune pp.12-16, Card Games pp.25-29; 34-39), Flying Note Pitch: minor scale (aural only) Willum, My Paddle, Land of the Silver Birch Scales: modulator (TT p.99) Signs and Italian terms: Tune (pp.9 & 89) Repertoire: *Weevily Wheat, Circle ‘round the Zero, Obiswana, Green Grows the Willow Tree, A Sailor Went to Sea, *Wallflowers, *Rocky Mountain, How many Miles to Babylon, Willum, My Paddle, Land of the Silver Birch 3
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