Macbeth – The Essay These icons indicate that teacher’s notes or useful web addresses are available in the Notes Page. This icon indicates that a worksheet accompanies this slide. This icon indicates that the slide contains activities created in Flash. These activities are not editable. For more detailed instructions, see the Getting Started presentation. 1 of 38 © Boardworks Ltd 2006 Revision 2 of 38 © Boardworks Ltd 2006 The essay title The title of the essay we are going to be writing is: Analyse the character of Lady Macbeth in detail, looking closely at her relationship with her husband. To what extent does she influence Macbeth in committing the murders? What changes take place in her character during the play? part one part three part two 3 of 38 © Boardworks Ltd 2006 The essay title In order to answer the question fully, we shall need to look at the scenes in which Lady Macbeth plays an important part. Find out which these are. Act One, Scene Five Act One, Scene Seven Act Two, Scene Two Act Three, Scene Two Act Three, Scene Four Act Five, Scene One Write a brief summary (one or two sentences) of what happens in each of these scenes. 4 of 38 © Boardworks Ltd 2006 Analysing the play On the following slides you will find a detailed analysis of the six scenes in which Lady Macbeth plays an important role. Although we shall only be looking at the most significant parts of these scenes, make sure that you read them fully yourselves. Before you start to plan your essay, you should read and study these scenes in detail. It is only once you have done this that you will be able to decide what position you are going to take on the essay question. As you read and study the scenes, try to keep the essay question in mind. 5 of 38 © Boardworks Ltd 2006 Act One, Scene Five, lines 1–12 Enter Macbeth’s Wife alone with a letter. Lady Macbeth: They met me in the day of success, and I have learned by the perfectest report they have more in them than mortal knowledge. When I burned in desire to question them further, they made themselves air, into which they vanished. Whiles I stood rapt in the wonder of it, came missives from the King, who all-hailed me Thane of Cawdor; by which title before these Weird Sisters saluted me, and referred me to the coming on of time with, ‘Hail, king that shalt be.’ This have I thought good to deliver thee, my dearest partner of greatness, that thou mightest not lose the dues of rejoicing by being ignorant of what greatness is promised thee. Lay it to thy heart, and farewell. The first time we see Lady Macbeth, she is reading her husband’s letter. We can only guess at her reaction. 6 of 38 Macbeth has written to her so that she can share his joy, and know that she is promised great things. © Boardworks Ltd 2006 Act One, Scene Five, line 1–12 The actress playing Lady Macbeth needs to make a decision about how to read the letter. Do you think she is excited? Amazed? Curious? Why? From the contents of this letter, what kind of relationship do you think Macbeth and his wife have? Imagine you are Lady Macbeth and you have to wait longer for your husband’s arrival. Write your reply to him, describing your feelings about his news and thoughts on his return. 7 of 38 © Boardworks Ltd 2006 Act One, Scene Five, lines 13–28 Lady Macbeth: Now we see her Glamis thou art, and Cawdor, and shalt be reaction. He will What thou art promis’d. Yet do I fear thy nature: be king. It is too full o’ the milk of human-kindness To catch the nearest way. Thou wouldst be great, Art not without ambition, but without The illness should attend it. What thou wouldst highly That wouldst thou holily, wouldst not play false, And yet wouldst wrongly win. Thou’dst have, great Glamis, That which cries, ‘Thus thou must do’ if thou have it, And that which rather thou dost fear to do She is worried that Than wishest should be undone. Hie thee hither, he is too kind to do That I may pour my spirits in thine ear, what is needed. And chastise with the valour of my tongue She uses the All that impedes thee from the golden round, metaphor of ‘illness’ Which fate and metaphysical aid doth seem to describe this. To have thee crown’d withal. She will convince him to do all that is necessary to win the crown. 8 of 38 © Boardworks Ltd 2006 Act One, Scene Five, lines 36–52 Lady Macbeth: … The raven himself is hoarse She has already That croaks the fatal entrance of Duncan decided that Under my battlements. Come, you spirits Duncan must die. That tend on mortal thoughts, unsex me here And fill me from the crown to the toe top-full If her femininity Of direst cruelty. Make thick my blood; is taken away, Stop up the access and passage to remorse, she can be cruel. That no compunctious visitings of nature Shake my fell purpose, nor keep peace between She is keen to The effect and it! Come to my woman’s breasts, And take my milk for gall, you murdering ministers, feel no remorse. Ironic in view of Wherever, in your sightless substances, You wait on nature’s mischief. Come, thick night, what happens to And pall thee in the dunnest smoke of hell, her later. That my keen knife see not the wound it makes, Nor heaven peep through the blanket of the dark To cry, ‘Hold, hold!’ She wants the night to come, and hide the crime from her and from heaven. 9 of 38 © Boardworks Ltd 2006 Act One, Scene Five, lines 36–52 10 of 38 © Boardworks Ltd 2006 Act One, Scene Five, lines 52–58 As soon as her husband arrives, Lady Macbeth hails him by his new titles, and suggests the future possibilities. Enter Macbeth Lady Macbeth: Great Glamis! worthy Cawdor! Greater than both by the all-hail hereafter! Thy letters have transported me beyond This ignorant present, and I feel now The future in the instant. Macbeth: My dearest love, Duncan comes here tonight. Lady Macbeth: And when goes hence? Macbeth: Tomorrow, as he purposes. 11 of 38 Macbeth’s very first words are about the King. He is coming to visit them that night. Lady Macbeth asks when Duncan is leaving, so that she can make her deadly plans. © Boardworks Ltd 2006 Act One, Scene Five, lines 58–71 Lady Macbeth: O never Lady Macbeth Shall sun that morrow see! warns him Your face, my thane, is as a book where men that his face May read strange matters. To beguile the time, might give Look like the time; bear welcome in your eye, away his evil Your hand, your tongue: look like the innocent flower intentions. But be the serpent under’t. He that’s coming She uses the Must be provided for; and you shall put metaphor of a This night’s great business into my dispatch; book that can Which shall to all our nights and days to come be read. Give solely solelysovereign sovereign sway and masterdom. Give sway and masterdom. Macbeth must learn to disguise Macbeth: We will speak further. his true intentions. Lady Macbeth: Only look up clear; To alter favour ever is to fear. Which line shows an Leave all the rest to me. example of sibilance? She tells him that he Click again to see. should leave things to her. 12 of 38 © Boardworks Ltd 2006 Act One, Scene Seven, lines 31–47 Macbeth: As soon as his wife We will proceed no further in this business … enters, Macbeth tells her he will not kill the King. Lady Macbeth: Was the hope drunk Wherein you dressed yourself? Hath it slept since? green And wakes it now to look so green and pale greenand andpale pale He defends himself At what it did so freely? From this time after she questions Art thou Such I account thy love. Art thouafeard afeard his masculinity, To be the same in thine own act and valour telling her that he is As thou art in desire? Wouldst thou have that manly. Which thou esteem’st the ornament of life, And live thineown ownesteem, esteem, live aa coward cowardininthine There are three threeLetting ‘I dare not’ wait upon ‘I would’, word phrases in Lady Like the poor cat i’the adage? Macbeth’s attack that Macbeth: Prithee peace. accuse Macbeth of I dare do all that may become a man; being a coward. What Who dares do more is none. are they? Click again to find out. 13 of 38 © Boardworks Ltd 2006 Act One, Scene Seven, lines 47–61 She accuses Macbeth of going back on his word, even though it was she who suggested the murder. Again, she questions his manhood. She uses a horrific Macbeth: If we should fail? image of killing her Lady Macbeth: We fail! baby to show how But screw your courage to the sticking place, committed she is to And we’ll not fail ... the task. Lady Macbeth: What beast was’t then That made you break this enterprise to me? When you durst do it, then you were a man … … I have given suck, and know How tender ‘tis to love the babe that milks me; I would while it was smiling in my face Have plucked my nipple from his boneless gums And dashed the brains out, had I so sworn as you Have done to this. Macbeth still fears failure. She tells him he must have courage. 14 of 38 © Boardworks Ltd 2006 Act One, Scene Seven, lines 47–59 15 of 38 © Boardworks Ltd 2006 Act Two, Scene Two, lines 1–13 Lady Macbeth: That which hath made them drunk hath made me bold What hath quenched them hath given me fire. - Hark! - Peace! It was the owl that shrieked, the fatal bellman She is excited by Which gives the stern’st good-night. He is about it. the thought of The doors are open, and the surfeited grooms the crime. Do mock their charge with snores; I have drugg’d their possets That death and nature do content about them She tells us about her Whether they live or die. part in the crime – she Macbeth (within): Who’s there? What, ho! has drugged the guards. Lady Macbeth: … I laid their daggers ready; He could not miss ’em. Had he not resembled My father as he slept, I had done’t. Lady Macbeth is afraid that Macbeth will not have committed the crime. She says she would have done it herself, if he had not looked like her father. 16 of 38 © Boardworks Ltd 2006 Act Two, Scene Two, lines 32–48 Macbeth: … I had most need of blessing, and ‘Amen’ Stuck in my throat. Macbeth continues to rant – he says he heard a voice warning him. Lady Macbeth: These deeds must not be thought After these ways; so, it will make us mad. Macbeth is … nervous so she Macbeth: tries to calm him. Still it cried ‘Sleep no more!’ to all the house; Ironically, she ‘Glamis hath murdered sleep, and therefore Cawdor tells him not to Shall sleep no more, Macbeth shall sleep no more.’ think of it, or it will Lady Macbeth: send him mad. Who was it that thus cried? Why, worthy thane, She tells him he is You do unbend your noble strength, to think a coward and is So brain-sickly of things. Go, get some water, angry he brought And wash this filthy witness from your hand. Why did you bring these daggers from the place? the daggers. Find five qualities that Lady Macbeth exhibits here. 17 of 38 © Boardworks Ltd 2006 Act Two, Scene Two, lines 55–68 Lady Macbeth: … If he do bleed, I’ll gild the faces of the grooms withal, For it must seem their guilt. [Exit. Knock within.] Macbeth refuses to return the daggers, so his Macbeth: Whence is that knocking? wife takes over. How is’t with me when every noise appals me? She will smear What hands are here! Ha – they pluck out mine eyes! the grooms’ Will all great Neptune’s ocean wash this blood faces with blood Clean from my hand? No, this my hand will rather so they seem The multitudinous seas incarnadine, guilty. Making the green one red. [Enter Lady Macbeth.] Macbeth says that he will Lady Macbeth: My hands are of your colour; but I shame never be able to wash the blood off his hands. To wear a heart so white … A little water clears us of this deed; Again, she questions his courage. Ironically, she How easy it is then! thinks ‘a little water’ will clear away the crime. 18 of 38 © Boardworks Ltd 2006 Act Three, Scene Two, lines 4–28 Lady Macbeth: Nought’s had, all’s spent, Lady Macbeth is Where our desire is got without content. starting to feel guilt ‘Tis safer to be that which we destroy and regret, rather Than by destruction dwell in doubtful joy. than joy. [Enter Macbeth] When he How now, my lord? Why do you keep alone, enters, she Of sorriest fancies your companions making, reminds him Using those thoughts which should indeed have died that he must With them they think on? Things without all remedy not think Should be without regard; what’s done is done. about their crimes. Macbeth: We have scorch’d the snake, not killed it … When he is doubtful, … Better be with the dead ... she reminds him that he must look the Lady Macbeth: Come on, part at their banquet Gentle my lord, sleek o’er your rugged looks, Be bright and jovial with your guests tonight. that night. Why do you think she pretends to him that she is not feeling guilty? 19 of 38 © Boardworks Ltd 2006 Act Three, Scene Four, lines 49–58 Macbeth: Thou canst not say I did it; never shake Thy gory locks at me. Ross: Gentlemen, rise. His highness is not well. Macbeth talks to the ghost of Banquo, whom he has just had murdered. Lady Macbeth takes charge. Lady Macbeth: She tells the Sit, worthy friends. My lord is often thus; lords that And hath been from his youth. Pray you keep seat. Macbeth has The fit is momentary; upon a thought been prone to He will again be well. If much you note him, fits from his You shall offend him and extend his passion. youth. Feed, and regard him not. – Are you a man? In an aside to Macbeth, she again questions his Macbeth: Aye, and a bold one, that dare look on that ... manhood. Which qualities does she exhibit in this scene? 20 of 38 © Boardworks Ltd 2006 Act Three, Scene Four, lines 59–73 Lady Macbeth: O proper stuff! Lady Macbeth tells This is the very painting of your fear. him that he is This is the air-drawn dagger which you said imagining things, Led you to Duncan. O, these flaws and starts, just as he did the Impostors to true fear, would well become dagger when he A woman’s story at a winter’s fire, was thinking about Authorized by her grandam. Shame itself! killing Duncan. Why do you make such faces? When all’s done You look but on a stool. She likens him to a woman Macbeth: Prithee, see there! Behold! Look! Lo! – How say you? … Lady Macbeth: Macbeth: 21 of 38 What, quite unmanned in folly? If I stand here, I saw him. Lady Macbeth: telling a story. She cannot see the ghost, only a stool. Fie, for shame! Again, she questions his manhood. © Boardworks Ltd 2006 Act Three, Scene Four, lines 92–109 Macbeth (sees the Ghost): Avaunt, and quit my sight! Let the earth hide thee! Thy bones are marrowless, thy blood is cold. Thou hast no speculation in those eyes Which thou dost glare with. Macbeth continues to talk to the ghost, telling it to go. Lady Macbeth: Think of this, good peers, But as a thing of custom; ’tis no other; Lady Macbeth Only it spoils the pleasure of the time. continues to cover for Macbeth: … Hence, horrible shadow! Unreal mockery, hence! [Exit Ghost] Why, so; being gone, I am a man again. – Pray you sit still. him. She manages to stay calm in this difficult situation. Lady Macbeth: You have displaced the mirth, broke the good meeting With most admired disorder. When the ghost disappears, Macbeth calms down. He uses his wife’s words, and tells them that he is ‘a man again’. 22 of 38 © Boardworks Ltd 2006 Act Three, Scene Four, lines 113–121 Macbeth: … When now I think you can behold such sights And keep the natural ruby of your cheeks, When mine is blanched with fear. Macbeth asks how the others can remain as normal, when his face is pale with fear. Ross: What sights, my lord? Taking control Lady Macbeth: once again, Lady I pray you speak not; he grows worse and worse. Macbeth quickly ends the banquet, Question enrages him. At once, good night. before things get Stand not upon the order of your going; any worse. But go at once. Macbeth seems to be having a … [Exit Lords] breakdown. His words suggest his highly troubled mental state. Macbeth: It will have blood, they say; blood will have blood ... 23 of 38 © Boardworks Ltd 2006 Act Five, Scene One, lines 2–15 Doctor: The final time we see Lady Macbeth, … When was it she last walked? she has gone mad. The doctor and her maid discuss the symptoms. Gentlewoman: Since his majesty went into the field I have seen her rise from her bed, throw her nightgown upon her, unlock her closet … yet all this while in a most fast sleep. The maid explains how she has been sleepwalking. Doctor: A great perturbation in nature, to receive at once the benefit of sleep and do the effects of watching. In this slumbery agitation, besides her walking and other actual performances, what, at any time, have you heard her say? The doctor asks what she has been saying in her sleep, but the maid is too scared to tell him. Gentlewoman: That, sir, which I will not report after her. 24 of 38 © Boardworks Ltd 2006 Act Five, Scene One, lines 26–39 Doctor: Lady What is it she does now? Look how she rubs her hands. Macbeth is continually Gentlewoman: rubbing at It is an accustomed action with her to seem thus her hands, washing her hands. I have known her continue in this a as though quarter of an hour. to wash Lady Macbeth tries to them. Lady Macbeth: rub the spots of blood Yet here’s a spot. from her hands. … Out, damned spot! Out, I say! – One: two: why then, ’tis time to do‘t. – Hell is murky! – Fie, my lord, fie! A soldier and afeard? – What need we fear who knows it, when none can call our power to accompt? – Yet who would have thought the old man to have so much blood in him? She talks of how they should not care who knows about the murders, as no one can charge the king and queen. 25 of 38 © Boardworks Ltd 2006 Act Five, Scene One, lines 41–49 Lady Macbeth: The Thane of Fife had a wife; where is she now? – What, will these hands ne’er be clean? – No more o’that, my lord, no more o’that: you mar all with this starting. Notice how this entire scene is written in prose, rather than verse. The doctor Doctor: and maid are Go to, go to: you have known what you should not. fearful, both about what Gentlewoman: She has spoke what she should not, I am sure of that. she has done, and about the Heaven knows what she has known. consequences Lady Macbeth: for them. Here’s the smell of the blood still. All the perfumes of Arabia will not sweeten this little hand. Oh! Oh! Oh! As well as seeing the blood, Lady Macbeth also believes she can smell it. 26 of 38 © Boardworks Ltd 2006 Discussion 27 of 38 © Boardworks Ltd 2006 Part One 28 of 38 © Boardworks Ltd 2006 Quotations 29 of 38 © Boardworks Ltd 2006 The essay title Now that you have studied the relevant scenes in detail, you are ready to plan your essay. Here is a reminder of the essay title: Analyse the character of Lady Macbeth in detail, looking closely at her relationship with her husband. To what extent does she influence Macbeth in committing the murders? What changes take place in her character during the play? 30 of 38 © Boardworks Ltd 2006 Writing an essay 31 of 38 © Boardworks Ltd 2006 Part One The first part of the question asks you to do two things: analyse her character in detail and look closely at the couple’s relationship. Analyse the character of Lady Macbeth in detail, looking closely at her relationship with her husband. The words ‘analyse’ and ‘in detail’ tell you that you must look deeply into these aspects, weighing up both sides of every issue and giving as much information as you can. 32 of 38 © Boardworks Ltd 2006 Part One – power 33 of 38 © Boardworks Ltd 2006 Part One Use the brainstorm below to write out your ideas about what to include when answering the first part of the essay question. Part One 34 of 38 © Boardworks Ltd 2006 Part Two The next part of the question asks you to explore how far she influences her husband when it comes to killing Duncan, Macduff’s family and Banquo. To what extent does she influence Macbeth in committing the murders? This part asks you a question, and you will therefore need to come to a decision. Some commentators believe that Macbeth has already made up his mind, whilst others feel that his wife is a powerful influence on him. 35 of 38 © Boardworks Ltd 2006 Part Two Use the brainstorm below to write out your ideas about what to include when answering the second part of the essay question. Part Two 36 of 38 © Boardworks Ltd 2006 Part Three Finally, you are asked about the changes in her character. You will need to look at the subtle changes as well as her descent into madness. What changes take place in her character during the play? 37 of 38 © Boardworks Ltd 2006 Part Three Use the brainstorm below to write out your ideas about what to include when answering the third part of the essay question. Part Three 38 of 38 © Boardworks Ltd 2006
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