1. No category

L E N S E S
P. 4
Randall Cipriano / Philippine
P. 9
Hiroshi Seo / Japan
P.13
Ben Cherry / UK
P. 5
P. 6
Laith Al-Majali / Jordan
P. 9
P. 1 0
Bert Stephani / Belgium
P.14
Visit these links to learn
what the professionals are saying about
X mount lenses and X accessories and
see some of the beautiful results!
Norifumi Inagaki / Japan
P. 1 5
Zack Arias / U.S.A.
P. 7
Torwong Salwala / Thailand
Jim Marks / UK
P. 8
Massimiliano Angeloni / Italy
P. 1 1
Masaaki Aihara / Japan
P. 1 6
Jakub Cejpek / Czech
Yukio Uchida / Japan
P. 1 2
Ignasi Raventós / Spain
P. 1 6
Michael Cruz / UAE
XF LENS
X-Accessories
http://fujifilm-x.com/xf-lens/
http://fujifilm-x.com/accessories/
Specifications are subject to change without notice.
For more information, please visit our website:
http://www.fujifilm.com/products/digital_cameras/accessories/
c 2014 FUJIFILM Corporation
& A C C E S S O R I E S
SINGLE F O CAL LENGTH
Ultra-Wide
XF14 mmF2.8 R
Wide Angle
Semi-Wide
XF18 mmF2 R
P.4
XF23 mmF1.4 R
P.5
• Lens configuration
10 elements in 7 groups
(includes 2 aspherical and
3 extra-low dispersion elements)
• Focal length
(35mm format equivalent)
f=14mm (21mm)
• Angle of view/90.8°
• Max. aperture/F2.8
• Min. aperture/F22
• Focus range
Nomal:30cm Macro:18cm • Max. magnification/0.12x
Semi-Wide
P.6
• Lens configuration
8 elements in 7 groups
(includes 2 aspherical elements)
• Focal length
(35mm format equivalent)
f=18mm (27mm)
• Angle of view/76.5°
• Max. aperture/F2.0
• Min. aperture/F16
• Focus range
Nomal:0.8m Macro:18cm - 2.0m
• Max. magnification/0.14x
• Lens configuration
11 elements in 8 groups
(includes 1 aspherical elements)
• Focal length
(35mm format equivalent)
f=23mm (35mm)
• Angle of view/63.4°
• Max. aperture/F1.4
• Min. aperture/F16
• Focus range
Nomal:0.6m Macro:28cm • Max. magnification/0.1x
Standard
XF27 mmF2.8
P.7
XF56 mmF1.2 R
P.8
• Lens configuration
7 elements in 5 groups
(includes 1 aspherical elements)
• Focal length
(35mm format equivalent)
f=27mm (41mm)
• Angle of view/55.5°
• Max. aperture/F2.8
• Min. aperture/F16
• Focus range
Nomal:0.6m Macro:34cm • Max. magnification/0.1x
Innovative technology takes
image quality to new heights
lenses built to deliver
the highest image quality
15
Mid-Telephoto
XF35 mmF1.4 R
P.9
• Lens configuration
8 elements in 6 groups
(includes 1 aspherical elements)
• Focal length
(35mm format equivalent)
f=35mm (53mm)
• Angle of view/44.2°
• Max. aperture/F1.4
• Min. aperture/F16
• Focus range
Nomal:0.8m Macro:28cm - 2.0m
• Max. magnification/0.17x
• Lens configuration
11 elements in 8 groups
(includes 1 aspherical and
2 extra-low dispersion elements)
• Focal length
(35mm format equivalent)
f=56mm (85mm)
• Angle of view/28.5°
• Max. aperture/F1.2
• Min. aperture/F16
• Focus range
Normal:0.7m Macro: 0.7m -3m
• Max. magnification/0.09 x
Mid-Telephoto
NEW
XF 56mmF1.2 R APD
Mid-Telephoto
XF60 mmF2.4 R Macro
P.9
• Lens configuration
11 elements in 8 groups
(includes 1 aspherical and
2 extra-low dispersion elements + APD filter)
• Focal length
(35mm format equivalent)
f=56mm (85mm)
• Angle of view/28.5°
• Max. aperture/F1.2
• Min. aperture/F16
• Focus range
Normal:0.7m Macro: 0.7m -3m
• Max. magnification/0.09 x
P.10
• Lens configuration
10 elements in 8 groups
(includes 1 aspherical and
1 extra-low dispersion elements)
• Focal length
(35mm format equivalent)
f=60mm (91mm)
• Angle of view/26.6°
• Max. aperture/F2.4
• Min. aperture/F22
• Focus range
Nomal:0.6m Macro:26.7cm - 2.0m
• Max. magnification/0.5x
The basic concept of the X-Mount lenses is to offer premium image quality and operability. To do this and deliver high quality images in almost any conditions,
Fujifilm has combined its optical and digital technologies, developed over many years, to offer enhanced features including resistance to dust, water,
and low temperatures, high-speed autofocus with the use of a triple linear motor, and five-stop image stabilization.
Joining the lineup are the 56mm F1.2 R APD and two zoom lenses, the 18-135mm F3.5-5.6 R LM OIS WR and 50-140mm F2.8 R LM OIS WR.
Fujifilm has further plans to introduce an even greater variety of lenses. (*See p.17)
The premium image quality delivered by the X System is made possible through the joint development of camera bodies and lenses.
It is no exaggeration to say that the astonishingly sharp image results are attributable to the X-Mount lenses, which take image capture to a whole new level.
Z O O M LENS
Ultra-Wide
XF10-24 mmF4 R OIS
P.11
• Lens configuration
14 elements in 10 groups
(includes 4 aspherical and
4 extra-low dispersion elements)
• Focal length
(35mm format equivalent)
f=10-24mm (15-36mm)
• Angle of view/110°-61.2°
• Max. aperture/F4
• Min. aperture/F22
• Focus range
Normal:0.5m Macro: 24cm • Max. magnification/
0.16x(Telephoto)
Standard
XF18-55 mmF2.8-4 R LM OIS
P.12
• Lens configuration
14 elements in 10 groups
(includes 3 aspherical and
1 extra-low dispersion elements)
• Focal length
(35mm format equivalent)
f=18-55mm (27-84mm)
• Angle of view/76.5°-29.0°
• Max. aperture/F2.8-F4.0
• Min. aperture/F22
• Focus range
Normal:0.6m (whole zoom position)
Macro:[Wide] 30cm - 10m
[Telephoto]40cm - 10m
• Max. magnification/
0.15x(Telephoto)
High Magnification
NEW
XF18-135mmF3.5-5.6 R LM OIS WR
P.13
• Lens configuration
16 elements in 12 groups
(includes 4 aspherical and
2 extra-low dispersion elements)
• Focal length
(35mm format equivalent)
f=18-135mm (27-206mm)
• Angle of view/76.5°-12°
• Max. aperture/F3.5-F5.6
• Min. aperture/F22
• Focus range
Normal:0.6m Macro: 0.45cm • Max. magnification/
0.27x
Telephoto
NEW
XF 50-140mmF2.8 R LM OIS WR
P.14
• Lens configuration
23 elements in 16 groups
(includes 6 extra-low dispersion
elements incl.1 super ED lens)
• Focal length
(35mm format equivalent)
f=50-140mm (76-213mm)
• Angle of view/31.7°-11.6°
• Max. aperture/F2.8
• Min. aperture/F22
• Focus range
Normal:1m Macro: 1m -3m
• Max. magnification/
0.06x(Wide) 0.12x(Telephoto)
Telephoto
XF55-200 mmF3.5-4.8 R LM OIS
P.15
• Lens configuration
14 elements in 10 groups
(includes 1 aspherical and
2 extra-low dispersion elements)
• Focal length
(35mm format equivalent)
f=55-200mm (84-305mm)
• Angle of view/29.0°-8.1°
• Max. aperture/F3.5-F4.8
• Min. aperture/F22
• Focus range
Normal:1.1m Macro:1.1m - 3m
• Max. magnification/
0.18x(Telephoto)
Standard
XC16-50 mmF3.5-5.6 OIS
P.16
• Lens configuration
12 elements in 10 groups
(includes 3 aspherical and
1 extra-low dispersion elements)
• Focal length
(35mm format equivalent)
f=16-50mm (24-76mm)
• Angle of view/83.2°-31.7°
• Max. aperture/F3.5-F5.6
• Min. aperture/F22
• Focus range
Normal:0.6m (whole zoom position)
Macro:[Wide] 30cm - 10m
[Telephoto]40cm - 10m
• Max. magnification/
0.15x(Telephoto)
Telephoto
XC50-230 mmF4.5-6.7 OIS
P.16
• Lens configuration
13 elements in 10 groups
(includes 1 aspherical and
1 extra-low dispersion elements)
• Focal length
(35mm format equivalent)
f=50-230mm (76-350mm)
• Angle of view/31.7°-7.1°
• Max. aperture/F4.5-F6.7
• Min. aperture/F22
• Focus range
Normal:1.1m Macro:1.1cm - 3m
• Max. magnification/
0.2x(Telephoto)
Single- focal Length Ultra Wide Angle Lens
Single-focal Length Wide Angle Lens
X-Pro1 : F2 1/110 sec. ISO200
Photographer_
Laith Al-Majali / Jordan
Photographer_
Randall Cipriano / Philippine
X-T1 : F10 30sec. ISO200
XF14 mmF2.8 R
Lens configuration
10 elements in 7 groups
(includes 2 aspherical and 3 extra-low dispersion elements)
Focal length
(35mm format equivalent)
f=14mm (21mm)
Clear, high-resolution,
high-contrast images
from edge to edge
90.8°
F2.8
F22
7 (rounded diaphragm opening)
1/3EV (19 steps)
Nomal : 30cm - Macro : 18cm 0.12x
65.0mm x 58.4mm
235g (excluding caps and hoods)
58mm
This super-wide angle lens produces a tr uly extraordinary view of
the world. With an angle of view that's greater than 90º and virtually
none of the distortions that normally affect wide-angle lenses, thanks to
its optical compensation alone, dynamic compositions are within easy
reach. With high resolution maintained from the center to the edges, it's
the perfect partner for richly detailed landscapes and emotive architectural scenes. What's more, smooth bokeh is achieved when focusing close to
the lens at its maximum apertures and its “distance index” and “depth-offield scale” can be used to improve manual focusing.
ED Lens
Aspherical Lens
Angle of view
Max. aperture
Min. aperture
Aperture control Number of blades
Stop size
Focus range
Max. magnification
External dimensions
Weight
Filter size
4
Aspherical
Lens
HT - EBC
AF / MF
XF18 mmF2 R
Aspherical Lens
ED
Lens
Focusing ALG
HT - EBC
Lens configuration
8 elements in 7 groups
( includes 2 aspherical elements)
Focal length
(35mm format equivalent)
f=18mm (27mm)
Angle of view
Max. aperture
Min. aperture
Aperture control Number of blades
Stop size
Focus range
Max. magnification
External dimensions
Weight
Filter size
76.5°
F2.0
F16
7 (rounded diaphragm opening)
1/3EV (19 steps)
Nomal :0.8m - Macro :18cm - 2.0m
0.14x
64.5mm x 33.7mm
116g(excluding caps and hoods)
52mm
Shoot everything
from landscapes to group shots
with wonderful detail
and crisp, clear details
Aspherical
Lens
At an equivalent of 27mm, this lens can easily be used for a range of
subjects from striking wide-angle landscapes to dramatic street photography. Although small enough not to weigh you down it packs in a large F2
maximum aperture allowing you to shoot in low-light conditions without
camera shake, as well as freeze moving subjects. Delicate subjects are
rendered with richly graduated tones, razor-sharp focus is achieved in
finely textured details like fabric, fur and bird feathers, and to top it off,
smooth bokeh ensures the lens is well suited to portraits, too.
5
Single-focal Length Large Aperture Wide Angle Lens
Single-focal Length Wide Angle Lens
X-T1 : F2.8 1/3200sec. ISO200
Photographer_
Torwong Salwala / Thailand
Photographer_
Massimiliano Angeloni / Italy
X-M1 : F2.8 1/200sec. ISO6400
XF27 mmF2.8
XF23 mmF1.4 R
Aspherical Lens
HT - EBC
Lens configuration
11 elements in 8 groups
( includes 1 aspherical elements)
Focal length
(35mm format equivalent)
f=23mm (35mm)
Angle of view
Max. aperture
Min. aperture
Aperture control Number of blades
Stop size
Focus range
Max. magnification
External dimensions
Weight
Filter size
6
Aspherical Lens
AF / MF
63.4°
F1.4
F16
7 (rounded diaphragm opening)
1/3EV (22 steps)
Nomal : 0.6m - Macro :28cm 0.1x
72.0mm x 63.0mm
300g (excluding caps and hoods)
62mm
Turn everyday scenes into art
with this F1.4 lens's
elegant bokeh
Aspherical
Lens
Presenting a classic 35mm focal length with an angle-of-view that closely
matches the human eye, this lens is ideally suited to documentary shots,
candid street photography and full-length portraits. Its compact size
belies the fast F1.4 maximum aperture within, which provides a beautifully shallow depth-of-field and large bright bokeh, as well as aiding low
light shooting. The 23mm lens also a provides a “distance index” and
“depth-of-filed” scale allowing precise manual focusing.
HT - EBC
Lens configuration
7 elements in 5 groups
( includes 1 aspherical elements)
Focal length
(35mm format equivalent)
f=27mm (41mm)
Angle of view
Max. aperture
Min. aperture
Aperture control Number of blades
Stop size
Focus range
Max. magnification
External dimensions
Weight
Filter size
55.5°
F2.8
F16
7 (rounded diaphragm opening)
1/3EV (16 steps)
Nomal :0.6m - Macro :34cm -0.1x
61.2mm x 23.0mm
78g(excluding caps and hoods)
39mm
The smallest, lightest lens
in the X series will free
your photography
Aspherical
Lens
At just 78g and thin enough to slip in your pocket, this lens is the perfect
match for smaller bodies such as the X-M1, instantly creating a compact,
light and versatile camera that you can take anywhere. High-speed and
smooth AF is achieved thanks to its light lens elements and high-torque
DC coreless motor, while the F2.8 aperture offers extremely high resolution when shooting wide open. The 41mm equivalent focal length also
makes it the most adaptable lens, equally suited to portraits, landscapes
and architecture.
7
Single-focal Length Large Aperture Standard Lens
Single-focal Length Large Aperture Mid-range Telephoto Lens
NEW
XF56 mmF1.2 R APD / XF56 mmF1.2 R
ED Lens
Aspherical Lens
HT - EBC
APD Filter
XF56mmF1.2 R APD
XF56mmF1.2 R
Lens configuration
Focal length
(35mm format equivalent)
X-Pro1 : F2.5 1/151 sec. ISO800
Angle of view
Max. aperture
Min. aperture
Aperture control Number of blades
Photographer_
Yukio Uchida / Japan
Stop size
XF35 mmF1.4 R
Focusing ALG
Aspherical Lens
Lens configuration
8 elements in 6 groups
( includes 1 aspherical element )
Focal length
(35mm format equivalent)
f=35mm (53mm)
Angle of view
Max. aperture
Min. aperture
Aperture control Number of blades
Stop size
Focus range
Max. magnification
External dimensions
Weight
Filter size
8
HT - EBC
44.2°
F1.4
F16
7 (rounded diaphragm opening)
1/3EV (22 steps)
Nomal :0.8m - Macro : 28cm - 2.0m
0.17x
65.0mm x 50.4mm
187g(excluding caps and hoods)
52mm
Aspherical
Lens
The ultimate standard lens,
which introduced
the optical power of the X series
Offering a standard 53mm equivalent focal length and a super-fast
aperture of F1.4, this is the ideal first prime lens for X series photographers. The lens's “All-element feed” design banishes optical defects,
achieving exceptional sharpness at the point of focus and gentle bokeh in
the background. Proving its true value across almost any subject, at the
maximum F1.4 aperture, perfectly clear details are reproduced, with
high-contrast results even in low-light conditions, and even in close-up
photography perfor mance is not deg raded with aber rations
eliminated. Its high-perfomance and versatility make it an essential acquisition for all X series owners.
XF56 mmF1.2 R APD
11 elements in 8 groups
X-T1 : F1.2 1/180 sec. ISO200
f=56mm (85mm)
Photographer_
28.5°
F1.2
F16
7 (rounded diaphragm opening)
1/3EV (23 steps)
*1/2EV,from max.aperture to next step,only
Hiroshi Seo / Japan
(includes 1 aspherical and 2 extra-low dispersion elements+APD Filter)
Focus range
Normal: 0.7m Macro : 0.7m -3m
Max. magnification
External dimensions
Filter size
0.09 x
73.2mm x 69.7mm
62mm
The lineup includes a lens featuring
an APD filter that produces
beautiful bokeh in a wide range of
shooting conditions.
Aspherical
Lens
ED
Lens
Photographer_
Bert Stephani / Belgium
XF56 mmF1.2 R
X-E2 : F4 1/180 sec. ISO200
A large-diameter medium-telephoto prime
lens. The fast F1.2 lens produces creamy
bokeh, while its 56mm focal length, equivalent to 85mm in 35mm film format, offers a
comfortable shooting distance from the
subject. X-Series cameras have won a solid
reputation for their faithful reproduction of
skin tones and combining them with this lens
delivers the ultimate portrait photography
results. The built-in APD filter, the pinnacle
of Fujifilm's nanotechnology, produces even
smoother bokeh, making the subject stand
out even more and enhances creativity, not
only for portraits, but also on a wide range of
other subjects.
9
Single-focal Length Mid-range Telephoto Lens
X-E2 : F2.8 1/750 sec. ISO200
X-T1 : F4.5 21.6sec. ISO3200
Photographer_
Photographer_
Norifumi Inagaki / Japan
Masaaki Aihara / Japan
XF60 mmF2.4 R Macro
ED Lens
Aspherical Lens
Lens configuration
Focal length
(35mm format equivalent)
Angle of view
Max. aperture
Min. aperture
Aperture control Number of blades
Stop size
Focus range
Max. magnification
External dimensions
Weight
Filter size
10
Ultra Wide Angle Zoom Lens
HT - EBC
10 elements in 8 groups
(includes 1 aspherical and 1 extra-low dispersion elements)
f=60mm (91mm)
26.6°
F2.4
F22
9 (rounded diaphragm opening)
1/3EV (20 steps)
Nomal :0.6m - Macro :26.7cm - 2.0m
0.5x
64.1mm x 63.6mm
215g (excluding caps and hoods)
39mm
Medium-telephoto macro lens
offers the highest level of detail
in the X series
XF10-24 mmF4 R OIS
Aspherical
Lens
ED Lens
ED
Lens
With a minimum focusing distance of 26.7cm and a maximum magnif ication of 0.5x, this macro lens combines aspherical and ED elements to
prevent distortion and control color aberrations. Its 90mm equivalent
focal length allows you to shoot from a moderate distance from the
subject and from infinity to its closest setting, it offers extremely high
levels of detail–the highest resolution of XF/XC lenses. Offering a
maximum aperture of F2.4 it creates beautiful bokeh and can therefore
also double up as a portrait lens.
Aspherical Lens
HT - EBC
OIS
Lens configuration
14 elements in 10 groups
(includes 4 aspherical and 4 extra-low dispersion elements)
Focal length
(35mm format equivalent)
f=10-24mm (15-36mm)
Angle of view
Max. aperture
Min. aperture
Aperture control Number of blades
Stop size
Focus range
Max. magnification
External dimensions
Filter size
110°-61.2°
F4
F22
7 (rounded diaphragm opening)
1/3EV (16 steps)
Normal: 0.5m Macro : 24cm 0.16x (Telephoto)
78mm x 87mm(Wide)/ 87mm(Telephoto)
72mm
SM
Aspherical
Lens
Shoot everything from
dynamic wide-angle to snaps
with this versatile zoom
ED
Lens
Providing a maximum horizontal field of view of 100º, this lens covers
a 15-36mm equivalent focal length range, allowing you to capture
anything from grand, sweeping landscapes to dramatic architecture with
ease. It also has the highest magnification of any dedicated APS-C wideangle zoom lens meaning that you can quickly switch to the long end and
use it as a standard lens for portraits and snap shots.
11
Standard Zoom Lens
High Magnification Zoom Lens
X-T1 : F4 1/64sec. ISO1600
X-T1 : F10 1/1600sec. ISO800
Photographer_
Photographer_
Ignasi Raventós / Spain
Ben Cherry / UK
XF18-55 mmF2.8-4 R LM OIS
ED Lens
Aspherical Lens
Lens configuration
Focal length
(35mm format equivalent)
Angle of view
Max. aperture
Min. aperture
Aperture control Number of blades
Stop size
Focus range
Max. magnification
External dimensions
Weight
Filter size
12
HT-EBC
OIS
14 elements in 10 groups
(includes 3 aspherical and 1 extra-low dispersion elements)
f=18-55mm (27-84mm)
76.5°-29.0°
F2.8-F4.0
F22
7 (rounded diaphragm opening)
1/3EV (19 steps)
Normal:0.6m - (whole zoom position)
Macro: [Wide] 30cm - 10m [Telephoto] 40cm - 10m
0.15x (Telephoto)
65.0mm x 70.4mm(Wide) / 97.9mm(Telephoto)
310g (excluding caps and hoods)
58mm
LM
Aspherical
Lens
ED
Lens
Highly versatile standard zoom with
image quality close to prime lenses
The perfect lens for almost any subject, its 27-84mm equivalent focal range
covers photographers' most frequently used settings, meaning you can shoot
high-quality snap shots, portraits and landscapes without swapping lenses.
Despite its bright F2.8-4 aperture range, the lens is extremely light and
compact, making it a great partner for smaller X series bodies and its
high-speed and quiet AF with “linear motor” allows focusing performance
that's close to single focal length lenses. High-performance image
stabilization technology allows you to shoot anytime and anywhere, and
with least distortion at the wide-angle setting and excellent sharpness at the
telephoto end it's a uniquely versatile option for X series photographers.
NEW
XF18-135 mmF3.5-5.6 R LM OIS WR
ED Lens
Aspherical Lens
Lens configuration
Focal length
(35mm format equivalent)
Angle of view
Max. aperture
Min. aperture
Aperture control Number of blades
Stop size
Focus range
Max. magnification
External dimensions
Weight
Filter size
HT-EBC
OIS
LM
WR
ED Lens
16 elements in 12 groups
(includes 4 aspherical and 2 extra-low dispersion elements)
f=18-135mm (27-206mm)
76.5°-12°
F3.5-F5.6
F22
7 (rounded diaphragm opening)
1/3EV (17 steps)
Normal:0.6m Macro:0.45m 0.27
75.7mm x 97.8mm(Wide) / 158mm(Telephoto)
490g (excluding caps and hoods)
67mm
Aspherical Lens
A versatile all-weather zoom lens covering
focal lengths from wide angle to telephoto
This lens covers a range from wide angle (equivalent to 27mm in 35mm
film format)to telephoto, for portraiture and sports photography. Its
resistance to dust, water and low temperatures, along with the image
stabilization function equivalent to 5.0 stops* (based on CIPA standards),
make it the optimum zoom lens for all shooting conditions.
13
TELE-PHOTO Zoom Lens
TELE-PHOTO Zoom Lens
X-T1 : F4.2 1/500sec. ISO6400
Photographer_
Jim Marks / UK
Photographer_
Zack Arias / U.S.A.
X-T1 : F5.6 1/180sec. ISO200
NEW
XF50-140 mmF2.8 R LM OIS WR
Super ED Lens
Nano GI Coating
TLM
Super
ED Lens
HT-EBC
Focal length
(35mm format equivalent)
Angle of view
Max. aperture
Min. aperture
Aperture control Number of blades
Stop size
Focus range
Max. magnification
External dimensions
Weight
Filter size
14
Aspherical Lens
ED Lens
1/3 EV Step Ring
LM
OIS
ED
Lens
Lens configuration
XF55-200 mmF3.5-4.8 R LM OIS
23 elements in 16 groups
(includes 6 extra-low dispersion elements incl.1 super ED lens)
f=50-140mm (76-213mm)
31.7°-11.6°
F2.8
F22
7 (rounded diaphragm opening)
1/3EV (19 steps)
Normal:1m Macro: 1m - 3m
0.06x (Wide) 0.12x (Telephoto)
82.9mm(Wide) / 175.9mm(Telephoto)
995g (excluding caps/hood/tripod mount)
72mm
A telephoto zoom packed with
the latest technology to achieve F2.8 across its entire range.
It's perfect for capturing high quality images in even
the most difficult shooting conditions.
A telephoto zoom offering the most frequently used telephoto focal lengths,
equivalent to 76mm to 214mm in 35mm film format, and a maximum aperture
of F2.8. It features the latest technology, including dust/water and low
temperature resistance, a triple linear motor, and the world's top image
stabilization technology equivalent to over 5.0 stops* (based on CIPA
standards), so that users do not miss a shot in any conditions. Its advanced
performance makes it a perfect choice, not only for portraiture and snapshots,
but also to capture fast-moving subjects in sports or wildlife photography, and
for general outdoor nature photography.
Lens configuration
Focal length
(35mm format equivalent)
Angle of view
Max. aperture
Min. aperture
Aperture control Number of blades
Stop size
Focus range
Max. magnification
External dimensions
Weight
Filter size
14 elements in 10 groups
(includes 1 aspherical and 2 extra-low dispersion elements)
f=55-200mm (84-305mm)
29.0°-8.1°
F3.5-F4.8
F22
7 (rounded diaphragm opening)
1/3EV (17 steps)
Normal:1.1m Macro: 1.1m - 3m
0.18x (Telephoto)
75mm x 118mm(Wide) / 177mm(Telephoto)
580g (excluding caps and hoods)
62mm
4.5-step image stabilization
and high-speed AF
with superb image quality
across the entire zoom range.
Super
ED Lens
ED Lens
Aspherical
Lens
Offering sharp, detailed pictures across its complete zoom, this lens
provides an 84-305mm equivalent focal range, making it the ideal
companion for sports, action and wildlife assignments. The use of a “super
ED” element, comparable to fluoric lenses thoroughly removes color
distortions, while high-resolution is achieved throughout the the F3.5-4.8
aperture range. Thanks to its HT-EBC coatings, high-contrast pictures are
achieved, even in back-lit situations. Image stabilization allows sharp results
at shutter speeds up to 4.5 stops slower then usual, so you can shoot handheld
with confidence and the lens's “linear motor” provides high-speed autofocus.
15
Standard Zoom Lens
Lens Road MAP
XC16-50 mmF3.5-5.6 OIS
ED Lens
Aspherical Lens
Lens configuration
Focal length
(35mm format equivalent)
Angle of view
Max. aperture
Min. aperture
Aperture control Number of blades
Stop size
Focus range
Max. magnification
External dimensions
Weight
Filter size
HT-EBC
OIS
High-quality XF/XC lenses produce the best image quality and
combined with enhanced X Series bodies, it offers new possibilities.
SM
12 elements in 10 groups
(includes 3 aspherical and 1 extra-low dispersion elements)
[ X Mount Lens ] FUJINON XF/XC LENS Series
f=16-50mm (24-76mm)
83.2°-31.7°
F3.5-F5.6
F22
7 (rounded diaphragm opening)
1/3EV (17 steps)
Normal:0.6m - (whole zoom position)
Macro: [Wide] 30cm - 10m [Telephoto] 40cm - 10m
0.15x (Telephoto)
62.6mm x 65.2mm(Wide) / 98.3mm(Telephoto)
195g (excluding caps and hoods)
58mm
Affordable zoom lenswith image quality
close to professional models
2014
2015
XF90mmF2 R
XF60mmF2.4 R Macro
f=60mm(91mm)
XF56mmF1.2 R
f=56mm(85mm)
XF56mmF1.2 R APD
Single
Focal
Length
X-M1 : F8 1/1400 sec. ISO200
XF27mmF2.8
f=27mm(41mm)
Photographer_
Offering everything from simple indoor shooting to
capturing grand landscapes in the wild, this standard
zoom lens covers an equivalent focal range of 24-76mm
in 35mm terms. Boasting a construction and quality that
belies its affordable price, it's composed of three aspherical
elements and one ED lens which together offer image detail
that's close to the professional 18-55mm model. Recommended for beginners and as an excellent back-up lens.
XF35mmF1.4 R
f=35mm(53mm)
Jakub Cejpek / Czech
XF23mmF1.4 R
f=23mm(35mm)
Aspherical
Lens
XF18mmF2 R
f=18mm(27mm)
XF16mmF1.4 R
ED
Lens
XF14mmF2.8 R
f=14mm(21mm)
XF50-140mmF2.8 R LM OIS WR
XF16-55mmF2.8 R WR
TELE-PHOTO Zoom Lens
XF10-24mmF4 R OIS
XC50-230 mm F4.5-6.7 OIS
ED Lens
Aspherical Lens
Lens configuration
Focal length
(35mm format equivalent)
Angle of view
Max. aperture
Min. aperture
Aperture control Number of blades
Stop size
Focus range
Max. magnification
External dimensions
Weight
Filter size
HT-EBC
OIS
Super Tele-Photo Zoom Lens
Zoom
SM
XF55-200mmF3.5-4.8 R LM OIS
f=55-200mm(84-305mm)
13 elements in 10 groups
(includes 1 aspherical and 1 extra-low dispersion elements)
XF18-55mmF2.8-4 R LM OIS
f=50-230mm (76-350mm)
f=18-55mm(27-84mm)
31.7°-7.1°
F4.5-F6.7
F22
7 (rounded diaphragm opening)
1/3EV (15 steps)
Normal : 1.1m Macro : 1.1cm - 3m
0.2x (Telephoto)
69.5mm x 111mm(Wide) / 177mm(Telephoto)
375g (excluding caps and hoods)
58mm
XF18-135mmF3.5-5.6 R LM OIS WR
First-class optical performance and
image stabilization combine in this powerful
and adaptable zoom.
Providing a truly versatile 35mm equivalent focal range
of 76-345mm, this compact and lightweight telephoto
zoom delivers in all areas. High optical performance and
image stabilization allow distant subjects to be captured
with maximum clarity, while a stepping motor allows
smooth and accurate auto focus. The 4.6x zoom includes
one aspherical and one ED lens element which keep
images sharp even when shooting in minimal light.
16
f=10-24mm(15-36mm)
f=18-135mm(27-206mm)
XC50-230mmF4.5-6.7 OIS
f=50-230mm(76-350mm)
XC16-50mmF3.5-5.6 OIS
f=16-50mm(24-76mm)
Touit 2.8/50M
Zeiss
Touit
Lens
Touit 1.8/32
Touit 2.8/12
X-M1 : F7.1 1/100sec. ISO6400
Photographer_
Focal length (35mm format equiv.) The roadmap is as of November, 2014. Specifications are subject to change.
Michael Cruz / UAE
Aspherical
Lens
ED
Lens
ZEISS Autofocus Lenses for X-mount
World-class precision, exceptional image quality and high-grade workmanship
come together perfectly in the new ZEISS Touit lenses for the Fuji X-mount system.
Find more information about these lenses at
h ttp : //w w w . z e i s s . c o m /
17
Tec hno lo g y
< Coating & Glass >
< Optics >
All-Lens-Group (ALG) Focusing
HT-EBC (High Transmittance Electron Beam Coating)
Focusing ALG
HT-EBC
6.5%
HT-EBC (High Transmittance Electron Beam Coating) is the
multi-layer coating technology developed to enhance the many
high-performance lens elements used in broadcast lenses. Lenses with
HT-EBC boast a high transmittance (99.8%) and low reflectivity
(0.2%) over a broad wavelength band and deliver uniform
performance that extends to light in the visible spectrum. This high
transmittance rate enables the transmission of reds, blues and other
light that dramatically influence photographic expression to the
sensor surface. Thanks to the excellent applicability of the process,
the entire lens surface can be treated with highly durable HT-EBC, realizing
high edge-to-edgetransmittance. XF lenses treated with HT-EBC
are also highly resistant to ghosting and lens flares caused by stray
light. For the photographer, this advanced coating technology means
more freedom in selecting angles and composing the shot.
Adoption of the ALG focusing approach of moving all lens groups
together minimizes aberrations and fluctuations due to the focus
position and maximizes lens performance across the focus drive
range. Because there is no change in the relative position of the
lens groups during focusing, the in-focus plane is sharp and the
description of the out-of-focus plane does not change, which
means no degradation of the bokeh
effect due to the focus distance. This
lens design approach requires
moving many lens groups and
consequently a powerful driving
mechanism. XF lenses adopt a high
-torque DC coreless motor for
XF35mmF1.4 R
exceptionally responsive performance.
reflectance (%)
6.0%
1.0%
0.2%
0.0%
400nm
450
500
550
600
650
700nm
wavelength (nm)
Non-coat
Conventional
coating
HT-EBC
Transmittance Rate Comparison
Inner Focusing
Because the weight of the elements within a lens affects auto
focus speed, it makes sense for them to be as light as possible. In
the zoom lenses, XF23mmF1.4 R, and XF56mmF1.2 R an internal
Aspherical Lens
ED Lens
Aspherical lenses eliminate and correct aberrations to deliver
premium image quality. A single aspherical lens has the effect of
multiple spherical lenses, thereby reducing the total number of
elements and enabling the development of more compact-sized
lenses. XF/XC lenses contain aspherical lenses along with other
glass elements molded in a precise metal die. This enables
high-performance lens coatings to be added, such as HT-EBC, that
combat flare and ghosting.
ED / Super ED Lens
ED Lens
Aspherical Lens image
Spherical lens
Nano GI Coating
A new-generation of coating technology that reduces reflected
light by placing cone-shaped "Boehmite" nanoparticles, smaller
than the wavelength of visible light, over the lens surface in a
moth-eye structure. The technology seamlessly adjusts the
differences in the refraction index between air and glass to prevent
reflections and produce clear images with reduced flare and
ghosting. The use of an index-matching layer further enhances the
coating's effect. This can be applied to a diverse range of glass
materials with low to high refractive indices.
Incident light
Reflected Light
Transmitted Light
General Anti-reflective Coating
Nano GI Coating
Nano GI
Coating
Multi-layer
Coating
Matching Layer
Glass
Glass
Metal mold for producing the aspherical lens
Aspherical lens
APD Filter
APD Filter
An optical filter that reduces the amount of light passing through
the perimeter of the lens to create silky bokeh effects.
Light-absorbing nanoparticles are synthesized on thin film to
create a compact and lightweight APD filter offering optimum
gradation from the perimeter to the centre of an image. This filter
has been introduced to the 56mm F1.2 R APD ahead of others in
the lineup.
APD Filter
Out-focus
Object
Lens
Image Plane
In-focus Object
Photographed image
Super ED Lens
In the case of conventional optical glass lenses, the longer the
focal length, the more difficult correction of chromatic aberration
becomes. Color fringing results from light rays of different
wavelengths focusing at different points. The solution is extra low
dispersion glass which has different dispersion characteristics
from conventional optical glass. It can correct various aberrations,
produce color fringing-free quality from edge to edge, and achieve
sharp high-contrast descriptive performance. ED glass lenses have
superb characteristics, but their manufacture is extremely difficult,
and the larger the diameter of the lens, the higher the precision of
processing (polishing) technology that is demanded. The same
advanced polishing technology that produces the ultra large-scale
ED glass lens elements used in acclaimed Fujinon broadcast lenses
is also used to create the premium XF lens.
18
focusing method is used for high-speed auto focus, moving the
relatively small and light-weight lens elements installed from the
center to the back of the lens, to bring the subject rapidly into focus.
Nano GI Coating
Normal lens
ED lens
To tell what a lens does and how it will help your photography, just look
at the letters and numbers in its name. They have the following meanings:
Axial
chromatic
Aberration
> Wide
Axial
chromatic
Aberration
> Narrow
APD Filter
Making Sense of lens names
. Lens series (XF or XC) / . Focal Length / . Maximum aperture of the lens/
. Presence of an aperture ring / . Refers to "Linear Motor" / . Indicates the use
of an "Optical Image Stabilizer"/ . Indicates the Capability for Macro photography
/ . Indicates Weather Resistance ability / .Refers to "APD Filter"
XF 55-200 mm F3.5-4.8 R LM OIS
XF 60mm F2.4 R Macro
XF18-135 mm F3.5-5.6 R OIS WR
XF56mmF1.2 R APD
19
Tec hno lo g y
< Drive & Control >
Image Stabilization
OIS
Fujifilm's image stabilization technology boasts the world's
best performance, equivalent to over 5 stops (based on CIPA
standards). It uses a high-precision gyro sensor with quartz
oscillators for advanced signal-detection performance.
Fujifilm's unique Drift Tracking technology, which extracts
only the camera-shake elements of detected signals, enables the
correction of low-frequency camera shake that occurs at slow
shutter speeds.
* 'Drift' refers to low-frequency signals that occur with a gyro sensor and
constitutes noise that hampers the detection of camera-shake signals.
LM ( Linear Motor )
1/3-Step Aperture Ring
Detected
Camera-shake Amount
Detected
Camera-shake Amount
The time required for the detection
and the correction of high frequency
camera-shake elements
Camera-shake elements
Extract only
the camera-shake
element eliminating
the drift element
Drift elements
Time
Time
High-frequency camera-shake
Low-frequency camera-shake
Low-frequency camera-shake elements
need to be detected and corrected
when the shutter runs slowly.
Metal Lens Barrel & Exterior Finish
The XF lenses embody premium quality. The lens barrel and exterior elements are
made of high quality aluminum. Especially the finely machined rings are individually
milled from a solid metal block, and every detail of every part is carefully finished to
ensure comfort of operation and consistently high quality. When mounted on the
body, the balance, appearance and even the way it feels when held for a shot are
designed to multiply the pleasure of photography.
LM
The Linear Motor technology, which directly moves lens elements in the non-contact
state, enables silent operation and excellent response. XF18-55mmF2.8-4R LM
OIS and XF55-200mmF3.5-4.8R LM OIS incorporates the Linear Motor technology
into the focusing unit and image stabilization unit to achieve high-speed and
high-precision focusing as well as advanced image stabilization.With excellent
energy efficiency, the technology demonstrates its strong benefit in video recording and
other shooting conditions that involve constant lens movements.
Triple Linear Motor
Weather Resistance /
Dust Resistance / Freeze Resistance
TLM
The Triple Linear Motor system is a new technology involving three actuators,
positioned at 120 degree intervals on the optical axis, to deliver silent operation and
excellent response in large-diameter lenses. Since the actuators are positioned to
form an equilateral triangle around the lens's centre of balance, the drive unit's center
of balance matches the point of force. The minimal drive loss and outstanding torque
deliver rapid movement of lens elements in large lenses.
Stepping Motor
120°
120°
WR
The lens barrel is is sealed at various points to enhance its air-tightness and prevent
dust and water ingress. The XF50-140mm F2.8 R LM OIS features a design that
absorbs the temperature difference between the outer and inner parts of the lens to
minimise the impact on optical parts and also uses electronic parts that guarantee
operation in low temperatures down to -10°C.
120°
Linear Motor
AF/MF Switch Mechanism
with Distance Index
SM
AF /MF
“Depth-of Field”Scales
The XF14mmF2.8 R and XF23mm F1.4 R lenses have an AF/MF switch mechanism,
which allows manual focusing using the lenses' distance index and depth-of-field
scales by moving the focus ring back and forth. Additionally, an S-AF+MF stand-by
MF mode, which allows fine adjustment using the focus ring after autofocusing
without having to switch focus mode, will be available for all the XF lenses.
Improving autofocus, the stepping motor turns one step per pulse allowing a high
level of control, and because it directly drives the focus lens without using a gear,
it is silent and more suitable for movie shooting. The simple structure also helps
downsize the focus unit. The AF drive system of the XF 10 - 2 4 m m F 4 R OIS, XC
16-50mmF3.5-5.6 OIS and XC 50-230mmF4.5-6.7 OIS lenses all adopts the
stepping motor.
*New firmware that enables stand-by MF mode for each camera body will be available from November 2014
Circular Aperture
Distance Index
X-mount acquired its high optical design flexibility owing to its short flange back
distance and wide opening, thus achieving high resolution all the way to the edge of
the image. Moreover, X Mount features 10 contact pins for communication of the
unique optical profile of the mounted lens and other data to the camera body and for
electronic control of the lens. Referencing these data, the camera body can perform
optimum image processing and produce images with enhanced resolution and an
improved S/N ratio.
The beautiful bokeh effect of the XF/XC lens is a reflection of
Fujifilm’s uncompromising attention to the shape and the
manufacture of the aperture diaphragm blades. The aperture
consists of multiple diaphragm blades, which usually have an
identical radius (R, angle).
Non-circular aperture
20
For photographers who are particular about even the slightest difference in exposure
and depth of the field, XF lenses let you adjust the aperture in steps of 1/3 EV. These
tiny increments on a relatively small diameter lens mean that the rotation angle for
each step is very small; consequently, there is a need for clear tactile confirmation of
how much the aperture is adjusted as the user rotates the ring. XF lenses adopt a
rotation angle of 4 degrees per 1/3 stop. Each full stop also gives a stronger clicking
sensation than that of 1/3 stops, so that you can feel how much the aperture is adjusted
while keeping your eye on the viewfinder.Also in the case of the zoom lens with
anaperture ring that operates any focal distance setting, the enhancement of the
clicksensation and the setting of a slightly larger rotation angle of 6 degrees per1/3
stop lets you shift from maximum to minimum aperture in one simple action.
Circular aperture
21
X Accessories
Hand Grip
M Mount Adapter
The M Mount adapter lets you use an incredibly wide selection of lenses with an X
Mount-equipped camera body. Made from the same high-grade metal material used in X
Mount cameras and the XF lens X Mount, the adapter is engineered to ensure a
high-precision fit. It also features electronic contacts for communicating signals with the
camera body and a function button that lets users smoothly choose settings and functions for
the mounted lens (Shoot Without Lens, focal length settings, various image corrections, etc.)
*1 Also in the case of the X-Pro1, the bright frame in the Optical Viewfinder mode changes
according to the lens focal length setting for easy shooting.*2
*1 X-Pro1 requires firmware version 1.11
or higher.
*2 The bright frame may not be displayed
for lenses with certain focal lengths.
Compatible with:
Signal
Contacts
X-Pro1/X-T1/X-E2/X-E1/X-M1/X-A1
Function
Button
MHG-XT Small/Std/Large
The Small version is a base model. The metal-made Standard version is
Compatible with: X-T1
< Compatible Lenses >
Protector F ilter
VG-XT1
This dust and water-resistant vertical battery grip features a shutter
release along with buttons for AE-L, AF-L and Focus Assist and twin
command dials to give users the same operation whether the camera is
held vertically or horizontally. It houses an extra battery (NP-W126) to
capture around 700 images when combined with the battery in the
camera body while the tripod mount hole is positioned in line with the
optical axis.
compact, but offers an improved hold, with easy access to the memory card, and
allows for direct mounting on a tripod head. The Large version features a
baseplate milled from aluminum and a larger handgrip that offers a solid hold
and a stylish look. It gives sufficient clearance from the base of the body to
prevent any interference with a tripod head, plus the tripod mount hole is
positioned in line with the optical axis. With all versions, users can access the
battery compartment even when the grip is attached.
Compatible with: X-T1
XF27mmF2.8
XF60mmF2.4 R Macro
PRF-39
X100T/X100S/X100 (AR-X100 required)
The ultimate protector filter
with a surface reflection rate
under 0.3% which is one of
the lowest in the world.
The same multilayer Super
EBC (Electron Beam Coating)
used on the surface of XF
lenses is also applied to the
inner face of the filter to
thoroughly control ghosting
and flares.
PRF-49S
PRF-52
XF18mmF2 R
XF35mmF1.4R
X30/X20/X10 (LH-X10 required)
PRF-58
XF14mmF2.8 R
XF18-55mmF2.8-4 R LM OIS
XC16-50mmF4.5-6.7 OIS
XC50-230mmF4.5-6.7 OIS
FinePix HS50EXR / HS30EXR / HS20EXR
PRF-62
XF23mmF1.4 R
XF56mmF1.2 R /APD
XF55-200mmF3.5-4.8 R LM OIS
PRF-67
XF18-135mmF3.5-5.6 R LM OIS WR
PRF-72
XF10-24mmF4 R OIS
XF50-140mmF2.8 R LM OIS WR
X-S1
FinePix S1(AR-S1 required)
MHG-XPRO
MHG-XE
HG-XM1
GB-001
This hand grip boosts the camera's
grip performance and portability. It
consists of a baseplate milled from
aluminum block and a grip that
matches the body style, delivering a
solid, reliable grip that looks great, too.
This hand grip comprises a baseplate
milled from aluminum block and a
grip that matches the body style to
deliver a solid, reliable grip that
looks great, too.
This hand grip has been designed
based on human enginaThis hand
grip has been designed to deliver a
more solid grip and adds mobility
during shooting.eering in pursuit for
better hold performance. It gives
added mobility during shooting.
This grip strap gives a more assured
hold when fitted to a camera body. It
can be combined with a hand grip to
achieve an even higher level of
stability.
Compatible with: X-E2/X-E1
Compatible with: X-Pro1
Compatible with:X-T1/X-E2/X-E1/X-M1/
X-A1/X-S1/X100S/X100/FinePix HS50EXR
Compatible with: X-M1/X-A1
Shoe Mount F lash
EF-42
Tilt angle: 90°. Swivel angle: 180°
(Left) and 120° (Right).
Requires 4xAA batteries.
EF-X20
Compatible with: X-Pro1/X-T1/X-E2/
X-E1/X-M1/X-A1/X100S/X100/X20/X10/
XS1/FinePixHS50EXR/HS30EXR/
HS20EXR/S1/SL1000/SL300/X100T/ X30
This stylish and compact dedicated external flash
offers the same dial operation as X Series
cameras, so it's intuitive to use and has a similar
look to the body. It has been designed with great
attention to detail, including weight distribution
when attached to the camera body, visibility of the
shutter speed dial, and the extensive use of metal
parts for an enhanced feel. It requires 2xAAA
batteries.
Compatible with: X-Pro1/X-T1/X-E2/
X-E1/X-M1/X-A1/X100S/X100/X20/X10/
X-S1/FinePix/S50EXR/HS30EXR/
HS20EXR/S1/SL1000/X100T/X30
Stereo Microphone
MIC-ST1
RR-90
Compatible with: X-T1/X-E2/X-M1/X-A1/XQ1/
FinePix S1/X100T/X30
22
This half case, specifically designed for the
X-Pro1, is made from genuine leather for a
luxury feel. Can only be used with XF18mm,
XF27mm or XF35mm lenses.
EF-20
Remote Release
Compatible with: X-E1/X-S1/FinePixHS50EXR/
HS30EXR/HS20EXR/S9100/S9000/S100FS
BLC-XT1
LC-XPro1
Tilt angle: 90°
Requires 2xAA batteries.
Compatible with: X-Pro1/X-T1/X-E2/X-E1/X-M1/
X-A1/X100S/X100/X20/X10/X-S1/FinePix
HS50EXR/HS30EXR/HS20EXR/S1/SL1000/
SL300/X100T/X30
RR-80A
L eather Case
RR-90
Allows users to set the microphone level while checking the
level meter on the camera. It features a 2.5mm jack, and can
be fitted with a conversion adapter to connect to supported X
Series models.* The included adapter is required to convert
the terminal for camera connection.
Compatible with: X-T1/X-E2/X-E1/X100S*/X20*/X-S1*/FinePix HS50EXR/X100T/X30
Compatible with: X-Pro1
This half case, specifically
designed for the X-T1, is
made of genuine leather
for a luxury feel. Users
can access the SD card and
battery without removing
the camera from the case.
It comes with a shoulder
strap, also made of leather,
and a wrapping cloth to
cover your camera when
putting it in a bag.
Compatible with: X-T1
BLC-XE1
This half case, specifically designed for the
X-E1 / X-E2, is made from genuine leather for
a luxury feel and has a contoured grip for a
solid hold. Users can access the SD card and
battery without removing the camera from the
case, which comes supplied with a wrapping
cloth for the camera.
BLC-XM1
This half case, specifically designed for the
X-M1, is made of genuine leather for a
luxury feel. Users can access the SD card and
battery, or mount the camera on a tripod
without removing the camera from the case.
Compatible with: X-E2/X-E1
Diopter Correction L ens
DPC+3/DPC+2/DPC+1/DPC-1/DPC-2/DPC-3
Compatible with: X-M1/A-1
Designed specifically for the X-Pro1. Simply attach it to the
viewfinder to enable diopter corrections, which improves comfort
while shooting using the viewfinder. It is available in a total of six
strengths to cater for a wide range of users.
23
L E N S E S
P. 4
Randall Cipriano / Philippine
P. 9
Hiroshi Seo / Japan
P.13
Ben Cherry / UK
P. 5
P. 6
Laith Al-Majali / Jordan
P. 9
P. 1 0
Bert Stephani / Belgium
P.14
Visit these links to learn
what the professionals are saying about
X mount lenses and X accessories and
see some of the beautiful results!
Norifumi Inagaki / Japan
P. 1 5
Zack Arias / U.S.A.
P. 7
Torwong Salwala / Thailand
Jim Marks / UK
P. 8
Massimiliano Angeloni / Italy
P. 1 1
Masaaki Aihara / Japan
P. 1 6
Jakub Cejpek / Czech
Yukio Uchida / Japan
P. 1 2
Ignasi Raventós / Spain
P. 1 6
Michael Cruz / UAE
XF LENS
X-Accessories
http://fujifilm-x.com/xf-lens/
http://fujifilm-x.com/accessories/
Specifications are subject to change without notice.
For more information, please visit our website:
http://www.fujifilm.com/products/digital_cameras/accessories/
c 2014 FUJIFILM Corporation
& A C C E S S O R I E S