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LYON & TURNBULL AUCTIONEERS EDINBURGH
FINE FURNITURE & WORKS OF ART
182 Bath Street, Glasgow G2 4HG
Tel. +44 (0)141 333 1992
Fax. +44 (0)141 332 8240
78 Pall Mall, London SW1Y 5ES
Tel. +44 (0)20 7930 9115
Fax. +44 (0)141 7930 7274
22ND APRIL, 2015
33 Broughton Place, Edinburgh EH1 3RR
Tel. +44 (0)131 557 8844
Fax. +44 (0)131 557 8668
Email. [email protected]
www.lyonandturnbull.com
Wednesday, 22nd April, 2015
33 Broughton Place,
Edinburgh EH1 3RR
www.lyonandturnbull.com
Fine Furniture
& Works of Art
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Fine Furniture &
Works of Art
Including
Selected contents from Cairness House,
Aberdeenshire
Selected contents from Auchtertool House,
Fife
Scottish Collection of Chinese Furniture &
Works of Art
Selected Contents from a Private London
Residence
A Private Collection of Clocks
Property from the Estate of the late
Countess of Lanesborough
Wednesday, 22nd April, 2015
at 10am
Sale Number LT433
Viewing Times
Sunday, 19th April 12 noon - 4pm
Monday, 20th April 10am - 5pm
Tuesday, 21st April 10am - 5pm
Morning of Sale from 9am
Enquiries
Lyon and Turnbull Ltd.
33 Broughton Place
Edinburgh EH1 3RR
Tel. 0131 557 8844
Fax. 0131 557 8668
Email. [email protected]
www.lyonandturnbull.com
Catalogue: £15
This catalogue is dedicated to the memory of our
dear colleague Flo Marshall, who passed away peacefully on
March 23rd, 2015. A memorial evening will be held at our main
Edinburgh saleroom on Tuesday, April 21st at 6pm.
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Buyer’s Guide
This sale is subject to our standard Conditions of Sale (available at the back of every catalogue and on our website).
If you have not bought at auction before we will be delighted to advise you.
Buyer’s Premium &
Other Charges
The buyer shall pay the hammer price
together with a premium, at the
following rate, thereon.
25% up to £50,000 / 20% thereafter.
VAT will be charged on the premium at
the rate imposed by law (see our
Conditions of Sale).
Additional VAT
† VAT at the standard rate payable at the
standard rate on the hammer price
* 5% import VAT payable on the
hammer price
No VAT is payable on the hammer price
or premium for books bought at
auction.
Droit de Suite
§ indicates works which may be subject
to the Droit de Suite or Artist’s Resale
Right, a royalty payment for all qualifying
works of art. Under new legislation
which came into effect on 1st January
2012, this applies to living artists and
artists who have died in the last 70
years. This royalty will be charged to the
buyer on the hammer price and in
addition to the buyer’s premium. It will
not apply to works where the hammer
price is less than €1,000 (euros). The
charge for works of art sold at and
above €1,000 (euros) and below €50,000
(euros) is 4%. For items selling above
€50,000 (euros), charges are calculated
on a sliding scale.
More information on Droit de Suite is
available at www.dacs.org.uk
Registration
Catalogue descriptions
All potential buyers must register prior
to placing a bid. Registration
information may be submitted in person
at our registration desk, by email, by fax
or on our website. Please note that all
first time bidders at Lyon & Turnbull will
be asked to supply the following
documents in order to facilitate
registration:
All item descriptions, dimensions and
estimates are provided for guidance only.
It is the buyer’s responsibility to inspect all
lots prior to bidding to ensure that the
condition is to their satisfaction. If
potential buyers are unable to inspect lots
in person (public viewing times listed in
every catalogue), our specialists will be
happy to prepare detailed condition
reports and additional images. These are
for guidance only and all lots are sold ‘as
found’, as per our Conditions of Sale.
1 – Government issued photo ID
(Passport/ Driving licence)
2 – Proof of address (utility bill/ bank
statement).
We may, at our option, also ask you to
provide a bank reference and/ or
deposit.
Import/Export
Removal of Purchases
Prospective buyers are advised that
several countries prohibit the importation
of property containing materials from
endangered species, including but not
limited to; rhino horn, ivory, coral and
tortoiseshell. Accordingly, prospective
buyers should familiarise themselves with
all relevant customs regulations prior to
bidding if they intend to import lots to
another country. It is the buyer’s sole
responsibility to obtain any relevant
export or import licence. The denial of any
licence or any delay in obtaining licences
shall neither justify the recession of any
sale nor any delay in making full payment
for the lot.
Responsibility for packing, shipping and
insurance shall be exclusively that of the
purchaser. Further information on
Collection & Shipment, including
professional packers and shippers
known to us, can be found at the back of
the catalogue or on our website.
Endangered Species Please be aware
that lots marked with the symbol Y
contain material which may be subject to
CITES regulations when exporting outside
the EU. For more information visit
http://www.defra.gov.uk/ahvla-en/
imports-exports/cites
By registering for the sale, the buyer
acknowledges that he or she has read,
understood and accepted our
Conditions of Sale (available at the
back of every catalogue and on our
website).
Bidding & Payment
For information on bidding options see
our Guide to Bidding & Payment at the
back of the catalogue.
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Meet the Specialists
At Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Our
specialist team are on hand to assist you; whether you are looking for something in particular for
your home or collection; require more detailed information about the history or current
condition of a lot or just want to find out more about the auction process.
Douglas Girton
John Mackie
Theodora Burrell
Gavin Strang
Furniture, Clocks & Works of Art
[email protected]
Ceramics & Glass
[email protected]
Ceramics & Glass
[email protected]
Rugs & Carpets
[email protected]
How to Find Us in Edinburgh
Lyon & Turnbull Saleroom
T
P
Parking
Multi-storey car parking is available at
Greenside Place and in the St. James Centre;
five minutes walk from the saleroom
T
York Place Tram Stop
S
Waverley Station
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Order of Sale
Wednesday, 22nd April, 2015
at 10am
1-170 Selected Contents from
Cairness House, Aberdeenshire
171- 287 Selected Contents from
Auchtertool House, Fife
288-443 Furniture & Works of Art including
A Private Scottish Collection
of Chinese Furniture & Works of Art
354-378
Property from a Private London
Residence 415-443
444-519 Continental Furniture
& Works of Art including
A Private Collection of Clocks
481-497
520-531 Indian & Islamic Works of Art
532-576 Oriental Rugs & Carpets
Front Cover
Lot 460 (detail)
Inside Front Cover
Lot 530 (detail)
Inside Back Cover
Lot 172 (detail)
Lot 38
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Photo: Will Pryce © Cairness House
Selected Contents from
Cairness House, Aberdeenshire
Cairness House is a category A listed building
considered one of the finest examples of domestic
neoclassical architecture in Britain. Constructed
between 1791 and 1797 to designs by the architect
James Playfair, the house is constructed of finely
detailed granite ashlar and consists of a main block
flanked by raised wings with a pair of lower pavilions
extending to the back connected by a semicircular
service wing enclosing a central courtyard. Playfair’s
design incorporates Masonic, Egyptian and Roman
elements in the overall plan which parallel work by the
architect Sir John Soane.
Commissioned by Charles Gordon of Cairness and
Buthlaw, the house remained in the Gordon family until
the 1930s when it was sold to the Countess of Esk. The
post-war years saw Cairness House, like many country
houses in Britain, gradually slip into disrepair and by the
early 1990s it was listed as a ‘Building at Risk’ by the
Scottish Civic Trust. In 2001 the present owners
purchased Cairness and set about an extensive plan of
preservation and restoration of the period interiors.
Years of neglect were reversed, plasterwork and
mouldings repaired, and an authentic colour scheme
reintroduced to recreate the original neoclassical
interiors. Their painstaking work and attention to detail
saw the project win the Georgian Group Architectural
Award for ‘Best Restoration of a Georgian Country
House in Britain’ in 2009.
The contents selected for sale are a reflection of the
interiors at Cairness and include a fine collection of 18th
and 19th century furniture, paintings, and works of art.
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The Entrance Hall
1
GEORGE IV MAHOGANY SERVING
TABLE
EARLY 19TH CENTURY
the shaped bow front top raised on acanthus
carved volute legs headed by patera, and
ending on carved lion paw feet
214cm wide, 92cm high, 52cm deep
£2,000-3,000
2
PAIR OF PAINTED WOOD HALL
STOOLS AFTER A DESIGN BY
CHARLES HEATHCOTE TATHAM
MODERN
each carved with a drapery hung seat and
tapered, fluted flattened legs headed by
rosettes, the whole painted as faux yellow
marble (2)
69cm wide, 52cm high, 50cm deep
£1,500-2,500
3
REGENCY MAHOGANY BREAKFAST
TABLE
EARLY 19TH CENTURY
the moulded circular tilt top over a large
cylindrical column raised on a spreading
circular platform and raised on scroll carved
feet
135cm diameter, 73cm high
£400-600
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TWO PAINTED FIBREGLASS
CLASSICAL BUSTS
MODERN
each depicting a Roman statesman
Larger 85cm high; the other, 78cm high
£200-300
6
5
PAIR OF SCAGLIOLA PEDESTALS
LARGE PAINTED CAST IRON
HALL LANTERN BY LONSDALE &
DUTCH
28cm diameter, 111cm high
MODERN
of hexagonal form, the open green
painted frame with brass ball finials
£2,000-3,000
87cm high
each with a circular white capital and
base, the columns of mottled grey (2)
£250-350
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Fine Furniture & Works of Art 9
One of a pair
7
PAIR OF WROUGHT IRON MARBLE
TOPPED RADIATOR COVERS
8
WEATHERED MARBLE BUST
OF A GENTLEMAN
the rectangular pink and white veined marble
tops above painted scrolling wrought iron
frames backed by brass grilles (2)
19TH / 20TH CENTURY
draped as a Roman nobleman, on a
socle
123cm wide, 76cm high, 22cm deep
77cm high
£800-1,200
£700-1,000
10
9
OAK SETTLE
18TH CENTURY AND LATER
the later high panel back above a long plank
seat and scroll arms, stained and painted
222cm long, 122cm high, 38cm deep
£400-600
GREY MARBLE COLUMN
19TH CENTURY
the circular top above a plain column on
a square base
39cm diameter, 125cm high
£1,000-1,500
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The Egyptian Room
11
FRENCH EMPIRE MAHOGANY PIER
MIRROR AND ASSOCIATED
MARBLE TOPPED CONSOLE TABLE
19TH CENTURY
the rectangular mirror plate beneath an
inverted breakfront frieze and moulded
cornice, flanked by squared half columns, with
gilt metal mounts, 122cm wide, 166cm high;
the console table with a rectangular grey
marble top over a plain frieze and raised on
squared tapering columns with gilt metal
Egyptian head capitals and a mirror back, on a
plinth base, 122cm wide (2)
Mirror 115cm wide; Table 122cm wide
£2,000-3,000
12
FRENCH EMPIRE MAHOGANY
FRAMED OVERMANTEL MIRROR
19TH CENTURY
the squared mirror plate under a moulded
cornice and deep frieze applied with gilt
mounts, flanked by pairs of squared half
columns and candle sconces each issuing two
scrolling candle arms
142cm wide, 135cm high
£2,000-3,000
See illustration opposite
13
REGENCY EGYPTIAN REVIVAL CAST
IRON FIRE GRATE
19TH CENTURY
the pointed back plate and shaped corners
with sunburst detail above a basket with
obelisk finials and central medallion
102cm wide, 63cm high, 34m deep
£2,000-3,000
See illustration opposite
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EARLY VICTORIAN POLISHED
SLATE AND MARBLE MANTEL
CLOCK
19TH CENTURY
the white enamel Roman numeral dial with
a visible escapement, within a case with a
shaped pediment and flanked by uprights
on a stepped base, incised with scrolling gilt
foliage
47cm wide, 40cm high, 17.5cm deep
£200-300
15
REGENCY STYLE MAHOGANY
PEDESTAL DINING TABLE
20TH CENTURY
with three leaf inserts, the demilune ends on
baluster turned supports raised on outswept
legs ending in lion paw caps and castors
74cm high, 210cm long, 80cm wide
£300-500
16
SCOTTISH GEORGE III MAHOGANY STAGE
BACK SIDEBOARD
EARLY 19TH CENTURY
the bow front centre section with a long drawer flanked by
deep drawers and a compartmented upper tier, raised on
reeded turned and tapered legs
225cm wide, 107cm high, 73cm deep
£600-800
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Fine Furniture & Works of Art 13
17
PAIR OF EMPIRE MAHOGANY
BIBLIOTHEQUES, POSSIBLY SWEDISH
19TH CENTURY
the moulded plain cornices above friezes with applied
gilt metal mounts, above pairs of glazed doors lined
with red silk and opening to shelves, flanked by half
columns with gilt capitals; the bases with a pair of panel
doors, raised on square block feet (2)
117cm wide, 211cm high, 42cm deep
£6,000-8,000
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The Library
18
SET OF REGENCY MAHOGANY
METAMORPHIC LIBRARY STEPS
19
EMPIRE STYLE MAHOGANY TUB
ARMCHAIR
20
REGENCY ROSEWOOD FOLIO
STAND
EARLY 19TH CENTURY
with two adjustable leaves on double supports
united by a ring turned stretcher, raised on
platform legs with circular disc feet
71cm wide,135cm high, 43cm deep
19TH CENTURY
the enclosed curved back leading to
downswept arms with swan neck supports
above an upholstered seat, raised on baluster
turned legs ending in brass caps and castors
£800-1,200
61cm wide, 91cm high, 48cm deep
£2,000-3,000
EARLY 19TH CENTURY
with a square section frame with leather lined
tiers and a turned upright hand support, on
brass castors
21
£800-1,200
PAIR OF GEORGE IV MAHOGANY SMALL PEDESTAL
TABLES
22
74cm wide, 108cm high, 66cm deep
REGENCY CAST IRON FIRE GRATE IN THE MANNER OF
GEORGE BULLOCK
19TH CENTURY
the circular tops above a plain frieze, on reeded tapering column
supports on concave triform bases raised on turned feet (2)
EARLY 19TH CENTURY
the uprights applied with brass anthemions and raised on paw feet and
squared end plinths
44cm diameter, 68cm high
93cm wide, 45cm high, 33cm deep
£1,500-2,000
£1,000-1,500
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The Breakfast Room
23
REGENCY GILT FRAMED CONVEX
MIRROR
EARLY 19TH CENTURY
the circular mirror plate in a black slip and ball
mounted moulded frame, with acanthus
cresting and an eagle surmount, and foliate
pendant
120cm high, 56cm wide
£1,000-1,500
24
SET OF EIGHT GEORGE III STYLE
MAHOGANY DINING CHAIRS
LATE 19TH CENTURY
the serpentine top rail over a pierced vasiform
splat and drop in leather seat, raised on
acanthus carved cabriole legs ending in claw
and ball feet (8)
54cm wide, 93cm high, 40cm deep
£600-800
25
REGENCY STYLE MAHOGANY
AND CROSSBANDED PEDESTAL
DINING TABLE
20TH CENTURY
with one leaf insert, the demilune ends
raised on baluster turned supports and
outswept reeded legs ending in brass paw
caps and castors
197cm long, 74m high, 107cm deep
£300-400
26
IMPRESSIVE REGENCY GILTWOOD
AND GESSO PIER MIRROR AND
MARBLE TOPPED CONSOLE
TABLE
19TH CENTURY
the inverted breakfront moulded cornice
above an ebonised frieze centred by a gilt
eagle, over a rectangular mirror plate flanked
by Corinthian columns; the console with a
shaped white marble top raised on scrolling
supports and a mirror back
Mirror, console,130cm wide, 91cm high,
38cm deep
£8,000-12,000
See illustration opposite
27
EMPIRE MAHOGANY SLATE TOPPED
SECRETAIRE
19TH CENTURY
the rectangular black slate top over a top
drawer with a fall front and fitted for writing,
above two further long drawers flanked by
flattened half columns with ormolu Corinthian
capitals, raised on carved gilt paw feet
126cm wide, 92cm high, 55cm deep
£1,500-2,000
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28
CIRCLE OF
HENRY RAEBURN
PORTRAIT OF A LADY IN A WHITE
LACE CAP
oil on canvas; and a companion, A
GENTLEMAN SEATED IN A RED CHAIR,
a pair (2)
150cm x 100cm wide
£1,000-1,500
29
REGENCY PATINATED BRONZE
COLZA CHANDELIER
19TH CENTURY
the corona with chain suspension leading to a
foliate cast circular frame with a central urn
form reservoir and four lamps
70cm diameter, 150cm high approximately
£3,000-5,000
30
FINE EMPIRE MAHOGANY MARBLE
TOPPED COMMODE
EARLY 19TH CENTURY
the breche marble top with a moulded edge, over
a long frieze drawer and three further recessed
long drawers flanked by shaped corbels, on a
plinth base raised on block feet, applied with
anthemion and acanthus ormolu mounts
throughout
133cm wide, 95cm high, 61cm deep
£3,000-5,000
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Fine Furniture & Works of Art 19
31
PARIS PORCELAIN VASE
32
AFTER HIRAM POWERS,
ALABASTER FIGURE OF THE
GREEK SLAVE
19TH CENTURY
of bottle form with a fluted neck and fixed
ring handles, painted with a reserve depicting
a profile bust of a warrior against a turquoise
ground with gilt highlights
19TH CENTURY
the nude figure standing beside a draped
pedestal
35cm high
35cm high
£150-250
33
AFTER MICHELANGELO, BRONZE
FIGURE OF COSIMO DE MEDICI
19TH CENTURY
dark brown patina, inscribed ‘BROQUIN Sc.
L’AINE. FRS’
35cm high
£800-1,200
Note:
Powers’ original marble version, completed in 1844 and
based on the Venus de Milo, is at Raby Castle, Durham
£300-500
34
PAIR OF PATINATED METAL FIGURES OF SPHINXES
Figure 21cm long, 15cm high
Note:
A similar pair from Harewood House, sold Christie’s, 10th April, 1986, lot 54
£200-300
36
35
PAIR OF REGENCY STYLE BRONZE COLZA LAMPS
19TH CENTURY
black patina, each modelled as a cornucopia with boar’s head terminal
(2)
19TH CENTURY
raised on an associated black painted wood plinth (2)
32cm wide, 19cm high
£600-800
SIX WHITE CARVED MARBLE FIRE
SURROUND ELEMENTS
37
THREE SMALL CLASSICAL BUSTS
18TH / 19TH CENTURY
comprising a pair of roundels, two with
acanthus, one with a fruiting cornucopia, and
another roundel (6)
comprising a patinated metal bust of
Menelaus, 20cm high; and a pair of Italian
composition busts of Apollo and Venus, signed
‘A. Giannelli, Italy, 1993’ on square white
marble plinths, 22cm high (3)
largest 17cm x 11cm
£200-300
£200-300
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The Drawing Room
38
FRENCH WHITE MARBLE BUST OF VESTA
G. CANART
signed and dated 1738, on a socle
39
PAIR OF GILT BRONZE FIGURAL CANDELABRA BY
CORNELIUS OF PHILADELPHIA
Note:
A similar bust signed ‘Canart’ sold Christie’s, February 2013, lot 108
EARLY 19TH CENTURY
the central figure of a draped classical maiden issuing one stiff and six
scrolling foliate clad candle arms, on an acanthus and egg and dart cast
quatreform base (2)
£3,000-5,000
71cm high
61cm high
£3,000-5,000
40
SET OF SEVEN SCOTTISH REGENCY
MAHOGANY CHAIRS ATTRIBUTED
TO WILLIAM TROTTER
19TH CENTURY
comprising an armchair and six side chairs
with lotus carved back rails, above drop in
seats upholstered in black horsehair, raised
on tapered reeded legs (7)
56cm wide, 87cm high, 43cm deep
£1,000-1,500
41
EMPIRE MAHOGANY AND MARBLE
TOP COMMODE
CIRCA 1800
with a green marble top over a frieze with
applied rosette, anthemion and acanthus
scroll gilt metal mounts, with similar mounts
to the sides, above a pair of doors with
applied flowering cornucopia, on a plinth base
raised on shaped feet
135cm wide, 105cm high, 61cm deep
£3,000-5,000
See illustration opposite
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42
PAIR OF FINE REGENCY GILT BRONZE THREE LIGHT
PIER LAMPS
EARLY 19TH CENTURY, IN THE MANNER OF THOMAS MESSENGER &
SONS
each with a central waisted reservoir with a berry finial and issuing three
acanthus cast arms, raised on fluted socles with stiff leaf borders (2)
46.5cm wide, 37.5cm high
Provenance:
Purchased Christie’s, London, 22 April 2004, lot 151
Selected items from an historic Scottish country house
Note:
These Roman style oil lamps relate to patterns found in George Smith’s ‘Collection of
Designs for Household Furniture and Interior Decoration’, published in 1808. Leading
manufacturers of lighting fixtures from the period who produced comparable lamps include
Thomas Messenger & Sons of Birmingham and London, and Messrs Hancock and Rixon
£4,000-6,000
43
ITALIAN WHITE MARBLE
BUST OF CAESAR
AUGUSTUS
V GA JASSI, FLORENCE
after the antique, signed, on
turned socle
54cm high
Note:
An identical bust possibly by Gajassi, who was
employed by the Dukes of Sutherland, is at
Dunrobin Castle, Sutherland
£2,000-3,000
44
PAIR OF NEO-CLASSICAL STYLE
TORCHERES
19TH CENTURY
each with a circular grey granite top above a plain
frieze, raised on slender supports headed by lions’
masks and joined by metal cross stretchers, on a
triform base on paw feet (2)
34cm diameter, 104cm high
Note:
A similar example was offered by Christie’s, July 1987, lot 15
£3,000-5,000
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Fine Furniture & Works of Art 23
45
NEOCLASSICAL GILT METAL
CHANDELIER, POSSIBLY
SCANDINAVIAN OR RUSSIAN
EARLY 19TH CENTURY
the flared corona with a central suspension
with radiating scrolling arms with caryatid
mask details and cast candle sconces, the
arms issuing from a circular flared column
with anthemion leaf detail
113cm high, 84cm wide
£10,000-15,000
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Fine Furniture & Works of Art 25
46
FLEMISH CLASSICAL TAPESTRY,
POSSIBLY THE CROWNING OF ALEXANDER THE GREAT,
AFTER DESIGNS FOR THE STORY OF DUCIUS MUS
17TH CENTURY
depicting robed figures standing at the top of the steps of a terrace, with one
figure holding a crown above a kneeling figure clad in armour and an elaborate
gold and blue cloak, with attendants and further armies in the landscape
extending beyond the frame, with floral borders to all sides with trailing roses
and vases of flowers, centred by strapwork cartouches enclosing further
flowers, the top corners marked with plinths supporting bouquets of flowers,
on a brown and saffron ground, with a further narrow banded inner border, the
sable outer selvedge applied with metal-thread braid
330cm high, 455cm wide
Provenance:
Purchased Sotheby’s 29 June, 2005, lot 208, Property of a Lady
Ex Monymusk House
Note:
The composition for this tapestry can be found in the series ‘The Story of Decius Mus’ designed by
Peter Paul Rubens in 1616. The series, excluding the present composition, was ordered by special
commission and comprised seven narrative scenes involving the Roman consul and the Latin War
(340-338BC). The subject could be from the Story of Alexander and depicts the crowning of the
famous King. Other Flemish tapestries of this composition have sold Sotheby’s, London, 4th
December 1964, lot 107, Sotheby’s, London, 23rd, April 1982, and Sotheby’s, London, 20th May 1994,
lot 19A.
£12,000-18,000
The tapestry in situ in the Great Hall, at Monymusk, circa 1960
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47
GEORGE IV ROSEWOOD LIBRARY TABLE
48
EARLY 19TH CENTURY
the rounded rectangular top above two short frieze drawers raised on
end supports on bold scroll carved feet
GEORGE I WALNUT ARMCHAIR
121cm wide, 75cm high, 60cm deep
EARLY 18TH CENTURY
the vase shaped splat and outscrolled arms above a drop in
needlework seat, raised on shell-carved cabriole legs and
ending on trefid feet
£1,000-1,500
74cm wide, 103cm high, 51cm deep
£2,000-3,000
49
NEST OF THREE REGENCY POLLARD OAK TABLES
EARLY 19TH CENTURY
the rectangular tops with an inset moulded edge above a plain frieze, on
leaf clasped uprights raised on downswept legs, raised on scroll feet (3)
50
GEORGE II WALNUT CROSSBANDED FOLDOVER
TEA TABLE
Largest: 56cm wide, 68.5cm high, 35.5cm deep
CIRCA 1730
the top with rounded outset corners above a plain frieze, raised on
straight cabriole legs ending in pad feet
£1,500-2,500
76cm wide, 77cm high, 37cm deep (closed)
£600-800
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Fine Furniture & Works of Art 27
51
AFTER VAN DYCK
FRANCOIS LANGLOIS PLAYING THE PIPES
oil on canvas, in a fine gilt wood frame
possibly Neapolitan or Florentine
107cm x 81cm
£800-1,200
52
EARLY GEORGE III MAHOGANY
FOLDOVER TEA TABLE
MID 18TH CENTURY
the rectangular top with outset rounded
corners above a long frieze drawer, raised on
scroll carved cabriole legs ending on claw and
ball feet
88cm wide, 72cm high, 43cm deep (closed)
£1,200-1,800
53
JAMES ARDEN GRANT
(BRITISH 1885-1973)
PORTRAIT OF A MAN IN A RUFF,
AFTER VAN DYCK
oil on canvas
55
VICTORIAN MAHOGANY FRAMED
ADJUSTABLE GOUT STOOL
38cm x 29cm
MID 19TH CENTURY
the rectangular upholstered top over a double
ratchet mechanism, raised on turned legs with
brass caps and wood castors
£200-300
50cm wide, 23cm high, 39cm deep (closed)
54
JAMES ARDEN GRANT
(BRITISH 1885-1973)
PORTRAIT OF A LADY IN A RED DRESS
oil on canvas
60cm x 46cm
£200-300
57
TWO PAIRS OF TABLE LAMPS
MODERN
comprising a pair of mallet shaped white
glazed ceramic lamps with gilt metal mounts,
44cm high; and a pair of Chinese blue and
white porcelain lamps of baluster form
decorated with scrolling leaves, 47cm high (4)
£250-350
£400-600
56
58
LACQUERED BRASS COLUMN
LAMP
19TH CENTURY
the acanthus cast collar above a tapering
column with a square base, raised on paw feet
48cm high
£300-500
TWO PAIRS OF POTTERY TABLE
LAMPS
MODERN
of facetted mallet form with gilt metal mounts,
one pair 35cm high; the other 28cm high (4)
£250-350
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The Dining Room
59
SET OF TEN GEORGE IV MAHOGANY
DINING CHAIRS, AFTER A DESIGN
BY WILLIAM PLAYFAIR
19TH CENTURY
the panel backs with deep scroll tops supported
by shaped carved supports, over lift out seats
covered in black silk striped upholstery, above
moulded seat rails and raised on lotus carved
turned and tapered legs (10)
54cm wide x 40cm deep x 91cm high
£3,000-4,000
60
PAIR OF FRENCH SATIN GILT ORMOLU
CANDELABRA
EARLY 19TH CENTURY
with a central flame finial above six leaf-clasped candle arms,
each with a mask to the underside, supported on a foliate
cast and reeded column on acanthus clasped tripod legs
ending in paw feet, raised on a concave triform base (2)
69cm high
£4,000-6,000
61
GILT METAL MIRRORED PLATEAU
19TH CENTURY
the shaped oval mirror within a pierced
foliate and scroll gilt border
107cm long, 49cm wide
£300-500
62
FINE GEORGE IV MAHOGANY
EXTENDING DINING TABLE
ATTRIBUTED TO MORGAN
AND SANDERS
EARLY 19TH CENTURY
the rounded rectangular top with a reeded
edge and six leaf inserts, extending on
stretchers on eight set-back turned and
reeded legs ending in brass caps and castors
158cm wide, 555cm long, 72cm high
Provenance:
Purchased Christie’s, April 2004, lot 121
£12,000-18,000
See illustration opposite
63
COMPOSITION MODEL OF
THE MEDICI VASE
painted black, on a square plinth base
50.5cm high
£200-300
See illustration opposite
64
USHAK CARPET
WEST ANATOLIA,
LATE 19TH/EARLY 20TH CENTURY
the red field with blue medallions, within wide
blue and red foliate borders
540cm x 520cm
£1,000-1,500
See illustration opposite
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65
PAIR OF LACQUERED BRASS
COLZA LAMPS
19TH CENTURY
each with flame finial above a central
reservoir with a relief classical mask and
issuing two leaf clasped arms, on a circular
base, converted to electricity (2)
38cm wide, 41cm high
£600-800
66
FINE PAIR OF DANISH BIEDERMEIER
MAHOGANY TALL CABINETS
19TH CENTURY
the shaped top with conforming projecting
moulded detail above a plain frieze with applied
anthemion detail, tall bow door enclosing interior
with shaped shelves and oval base (2)
144cm high, 60cm wide, 40cm deep
£3,000-5,000
67
FRENCH EMPIRE MAHOGANY
PORTICO CLOCK
EARLY 19TH CENTURY
the moulded pediment and frieze above four
columns with gilt metal capitals, the circular
Roman numeral silvered dial with a subsidiary
seconds dial, in a gilt metal bezel, inscribed
‘Baulier et Fils a Paris’, with a grid-iron
pendulum, raised on a plinth base
33cm wide, 59cm high, 20cm wide
£1,200-1,800
68
PAIR OF EMPIRE MARBLE TOPPED
SIDE TABLES
19TH CENTURY
the rectangular grey marble tops over plain
friezes, raised on gilt metal mounted column
supports and mirror panel backs, on plinth
bases (2)
76cm wide, 87cm high, 51cm deep
£2,000-3,000
See illustration opposite
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One of two
69
GILT BRASS RELIEF PROFILE
PORTRAIT OF GEORGE IV
19TH CENTURY
mounted on a black oval ground, in a gilt
and gesso slip and moulded frame
26cm x 23cm
£200-300
70
TWO PLASTER PORTRAIT
ROUNDELS
19TH CENTURY
both circular, the first depicting a profile
portrait of Byron, in a circular moulded frame,
28cm diameter overall; the other a profile
portrait of a gentleman, in a circular moulded
frame, 25cm diameter overall (2)
£300-500
72
GEORGE IV MAHOGANY PEDESTAL
SIDEBOARD, THOMAS MASH,
WARDOUR STREET, SOHO
EARLY 19TH CENTURY
the foliate and scroll carved and shaped back above a
rectangular top with raised side sections over ogee
moulded short frieze drawers, the pedestal end supports
with tapered column fronts flanked by acanthus carved
scrolled corbels with carved paw feet, on a plinth base; with
trade stamp
128cm high, 102cm wide, 74cm deep
£3,000-5,000
71
FOLLOWER OF SIR THOMAS
LAWRENCE
PORTRAIT OF A YOUNG BOY
oil on canvas
38cm x 34cm
£200-300
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Fine Furniture & Works of Art 33
74
MANNER OF JOHN OPIE
HALF PORTRAIT OF A LADY
wearing a brown dress with a high lace collar, oil on canvas
74cm x 64cm
Note:
It has been suggested the sitter of this portrait is Miss Frances Vinicombe
£1,500-2,000
73
SCOTTISH SCHOOL
HALF PORTRAIT OF A GENTLEMAN
oil on canvas
70cm x 56cm
£800-1,200
75
ATTRIBUTED TO DAVID MARTIN (SCOTTISH 1737-1797)
HALF PORTRAIT OF A GENTLEMAN WITH A BOOK
oil on canvas
75cm x 63cm
£1,000-1,500
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76
WILLIAM ETTY, R.A.
(ENGLISH, 1787-1849)
WILLIAM CHARLES MACREADY, ACTING IN
THE ROLE OF HAMLET WEARING A RED TOGA
oil on canvas
93cm x 70cm
Note:
William Macready (1763-1893) was an English actor, known
for his roles in Shakespearean plays and his work within
modern English drama during the first half of 19th century.
His rise to public fame came after his success in the titlerole of Sheridan Knowles’s William Tell, before trips to both
the United States and Europe. In 1837 he joined the
management of Covent Garden, and later Drury Lane in
the 1840s, where he performed for the last time as
Macbeth in 1851.
Macready and Etty met when travelling in Italy during the
1820s and became “very warm” friends for the remainder
of their days after this chance encounter. Documented
evidence of Macready and Etty’s relationship is seen in
letters from the latter, congratulating the former on his
performances in King Lear, Comus and Much Ado About
Nothing, dated 1838-1843. The signed letters are held at
the Folger Shakespeare Library in Washington D.C.
£3,000-4,000
77
SIR HENRY RAEBURN R.A., R.S.A.
(SCOTTISH 1756-1823)
THREE-QUARTER SEATED PORTRAIT OF AN
OFFICER OF THE MADRAS ARTILLERY
oil on canvas, the sitter seated in a green open
armchair and holding a tricorn hat in his right
hand, against trees with a view of the sea in
the distance
127cm x 101.5cm (50in. x 40in.)
Note:
This portrait dates circa 1785 and the sitter has been
traditionally identified as Lt Governor Henry Hamilton,
although this attribution is now questioned. The format of
the portrait follows other known paintings by Raeburn, in
particular a portrait of the Thomas Carmichael, 5th Earl of
Hyndford, which uses the same pose and chair with a tree
in the background for the subject, with the only notable
difference being the far landscape in the background.
Provenance:
McCormick Sale, American Art Association, New York, 15th
April 1920
With Knoedler, 1922
Mr and Mrs van Horn Ely, by whom given to the Phoenix
Art Museum
Anon. sale, Sotheby’s, 8th November 1995, lot 53
Exhibited:
Chicago, The Art Institute, 1895 and 1919
Pittsburgh, Carnegie Institute, 1898
Boston, Copley Hall, 1900
Boston Art Students Association, no.33
£8,000-12,000
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Fine Furniture & Works of Art 35
78
78
EXTENSIVE ROYAL CROWN DERBY
IMARI PALETTE PART TEA SERVICE
20TH CENTURY
variously marked ‘1241’ and with printed
maker’s marks, comprising thirty four side
plates, four cake plates, six small side plates,
forty one tea cups and saucers, fourteen
coffee cans and saucers, two waste bowls, a
sugar bowl, six graduated jugs, and five
additional small saucers (qty)
79
COALPORT PART DESSERT SERVICE
80
19TH CENTURY
comprising twelve dinner plates, seven soup
plates, and a platter
£150-250
£150-250
Plate 24cm diameter; platter 37cm wide
£1,000-1,500
81
GROUP OF CUT AND ETCHED
GLASS DECANTERS
MOST 19TH CENTURY
various shapes and sizes, some stoppers
lacking, other associated (qty)
tallest, 32cm high
£400-600
SPODE’S ‘NEW STONE’ PART
DINNER SERVICE
LATE 19TH CENTURY
painted with roses within a cobalt and gilt
scroll border, printed green mark, comprising
twelve dessert plates, a pair of square dishes,
a pair of oval dishes, and a pair of tazza (18)
82
TWO GLASS HAND BOILERS
each filled with a red liquid; together with
TWO LARGE GLASS WINE FUNNELS (4)
largest, 48cm high; the other, 25cm high
£250-350
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The Butler’s Pantry
83
TWO MODERN SILVER SALVERS
84
TWO EDWARDIAN SILVER UNDERPLATES
C. SHAPLAND & CO, LONDON, 1966
with gadrooned borders, the smaller on three scroll feet, the larger on
four, stamped SHAPLAND, HIGH HOLBORN (2)
LONDON, 1910
with gadrooned borders, marked PLANTE/3 REGENT PLACE (2)
smaller 26cm diameter; larger 36cm diameter
£400-600
£300-400
85
MATCHED PAIR OF GEORGIAN STYLE SILVER SAUCE
BOATS AND ASSOCIATED STANDS
WILLIAM HUTTON & SONS, LONDON, 1896 & 1904
with leaf cast bodies and gadrooned rims, with two associated stands
with gadrooned edges, marked Sheffield 1913 (4)
smaller, 12cm high; larger, 14.5cm high
£300-500
87
PAIR OF NEO-CLASSICAL SAUCE BOATS AND
ASSOCIATED STANDS
C. J. VANDER, SHEFFIELD, 1966 & 1967
with foliate cast scroll handles and gadrooned rims, the oval
stands with gadrooned rims and raised on bracket feet (4)
sauceboat 12cm high; stand 19.5cm long
£400-600
24cm diameter
86
TWO PAIRS OF SILVER SAUCE LADLES
JOHN & WILLIAM DEAKIN, SHEFFIELD, 1913
one pair 13.5cm long; the other 16cm long; together with a SILVER
PIERCED SUGAR SIFTER, London, 1922, 16cm long (5)
£200-300
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Fine Furniture & Works of Art 37
88
ASSEMBLED OLD ENGLISH PATTERN SILVER
FLATWARE SERVICE
VARIOUS DATES AND MAKERS, MOST 20TH CENTURY
comprising twelve dinner forks, twelve soup spoons, twelve dessert
spoons, eleven dessert forks, twelve tea/coffee spoons, six serving
spoons, six avocado spoons, and three butter knives, some engraved
with initial ‘D’ (qty)
89
VICTORIAN SILVER MOUNTED FISH SERVICE
SHEFFIELD, 1911 & 1913
service for twelve with a serving fork and knife, the silverplate blades in
silver collars, cased
£150-250
£1,500-2,000
90
SET OF SILVER ART NOUVEAU CONDIMENTS
variously marked BARNTON SILVER, import marks, comprising a set of
eight salts, with blue glass inserts, 7cm diameter; a pair of matching
mustard pots with blue glass inserts, 9cm high; a set of four matching
peppers, 9cm high; together with a SILVER PEPPER GRINDER, marked
Chester 1938, 10cm high; a SET OF EIGHT SILVER SALT SPOONS, marked
Chester 1746/7; and TWO SILVER MUSTARD SPOONS (qty)
91
MATCHED SET OF HARDSTONE HANDLED FRUIT KNIVES
AND FORKS
19TH CENTURY
with silver collars, the handles made from various hardstones; together
with a quantity of assorted hardstone handles (qty)
£500-700
£300-500
92
NEOCLASSICAL STYLE SILVER PLATE
MIRRORED PLATEAU
the shaped rectangular tray top with a gallery, raised on
paw feet
67cm wide, 5cm high, 42cm deep
£250-350
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94
THREE RETICULATED SILVER
SWEETMEAT DISHES
LATE 19TH / EARLY 20TH CENTURY
comprising a pair of dishes, Birmingham,
1913, 17.5cm long; and a larger dish, Sheffield,
1897, 24cm long (3)
£150-250
93
EGYPTIAN REVIVAL SILVER PLATED
HOT WATER URN
LATE 19TH CENTURY
of flattened urn form with a sphinx finial and
bird’s head handles, raised on slender flat
reeded support headed by Egyptian masks, on
a concave base raised on ball feet
35cm high
£150-250
96
MISCELLANEOUS SILVER
TEASPOONS AND SERVING PIECES
comprising a set of six seal top teaspoons,
Sheffield, 1909, cased; another set of six seal
top teaspoons, Sheffield, 1909, cased; set of
six bright cut Georgian teaspoons, London,
1794; a pair of pickle forks with mother-ofpearl handles, Sheffield, 1911, cased; a silver
handled cake knife, marks rubbed, cased; and
two silver seal top spoons, one unmarked
(qty)
£200-300
95
ASSEMBLED THREE PIECE SILVER
TEA SERVICE
EARLY TO MID 20TH CENTURY
comprising a teapot with an ebonised handle
and finial, London 1943; with an associated
sugar bowl and cream jug, Birmingham, 1906;
and a silver spoon, London, 1902 (4)
£250-350
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Fine Furniture & Works of Art 39
97
GROUP OF SILVER SUGAR NIPS AND
CADDY SPOONS
comprising two pairs of Georgian sugar nips, one
with shell cast ends and engraved decoration,
maker’s mark ‘CB’ the other marks rubbed; a
silver shell cast caddy spoon, Chester, 1737; and a
continental gilt metal foliate cast caddy spoon (4)
£150-250
98
GROUP OF SILVER SERVING PIECES
LATE 19TH / EARLY 20TH CENTURY
comprising a pair of salad servers, Sheffield, 1914,
29cm long; another pair of salad servers,
Birmingham, 1913; 29cm long; a sandwich server,
London, 1894, 26cm long; and a pair of grape shears,
monogrammed ‘R’, Sheffield, 1931 (6)
£250-350
99Y
FOUR IVORY HANDLED SERVING PIECES
19TH / 20TH CENTURY
comprising a silver trowel-shaped cake server, Turner
& Simpson, Birmingham, 1931; a silver toast fork,
Sheffield, 1893; a silverplate cheese scoop; and a
French silver plate joint holder (4)
£150-250
100
SILVERPLATE FLATWARE SERVICE
102Y
LARGE GROUP OF IVORY
HANDLED DINNER KNIVES
monogrammed ‘E’, comprising twelve dessert
spoons, twelve dessert forks, twelve table
spoons, twelve table spoons, twelve soup
spoons, four table spoons, two sauce ladles, a
soup ladle, and a large stuffing spoon
LATE 19TH / EARLY 20TH CENTURY
various makers and sizes, comprising smaller
matching sets, all with stainless steel blades
(qty)
£150-250
£250-350
101
LARGE GROUP OF DECANTER
LABELS
19TH / 20TH CENTURY
comprising silver plate and enamel examples
(qty)
£120-180
103Y
SILVER AND SILVER GILT FOUR
PIECE TEA AND COFFEE SERVICE
CARRINGTON & CO., LONDON, 1929
comprising a teapot with ivory handle and
finial, a hot water kettle with ivory handle and
finial, a sugar bowl and a milk jug, each with
gadrooned borders, the sugar bowl and milk
jug with serpent handles (4)
Hot water kettle 32cm high
£1,800-2,500
See illustration on the following page
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The Morning Room
104
GEORGE III STYLE MAHOGANY FRAMED
WING ARMCHAIR
MODERN
with a loose cushion seat, upholstered in light blue tweed with nail head
trimming, on square tapered legs joined by stretchers
105
GEORGE III MAHOGANY DROP LEAF TABLE
80cm wide, 98cm high, 54cm deep
18TH CENTURY
the oval top above a plain frieze and raised on cabriole legs ending in
claw and ball feet
£400-600
105cm wide, 69.5cm high
£400-600
106
GEORGE I STYLE MAHOGANY
PARCEL GILT FOOT STOOL
EARLY 20TH CENTURY
the rectangular needlework upholstered seat
raised on shell and scroll carved cabriole legs
ending in claw and ball feet
57cm wide, 44cm high, 45cm deep
£300-500
107
REGENCY MAHOGANY
BREAKFAST TABLE
EARLY 19TH CENTURY
the rounded rectangular tilt top on a baluster
column raised on four downswept reeded legs
ending in brass lion’s paw caps and castors
107cm wide, 74cm high, 122cm deep
£700-900
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108
LARGE EARLY VICTORIAN MAHOGANY
LIBRARY BOOKCASE
19TH CENTURY
the moulded cornice above three glazed doors flanked and
divided by half columns, opening to shelves; the lower part
with arched mirror panel doors, on a plinth base
257cm wide, 278cm high, 60cm deep
£2,000-3,000
109
LATE REGENCY MAHOGANY
SMALL ÉTAGÈRE
110
VICTORIAN MAHOGANY
SUTHERLAND TABLE
19TH CENTURY
with three tiers, on brass castors
19TH CENTURY
of typical form on trestle supports
33cm wide, 68cm high, 33cm deep
103cm wide, 72cm high, 90cm deep open
£200-300
£300-500
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111
LIBERTY & CO. PEWTER AND
ENAMEL BOX
EARLY 20TH CETURY
of rectangular form, the hammered slightly
domed cover centred by an enamel plaque
depicting snowdrops, opening to a wood lined
and divided interior, stamped 0123 to the
underside
20cm wide, 6cm high, 10.5cm deep
£300-400
112
THREE AUSTRIAN ‘ATTIC’ STYLE
TERRA COTTA TOBACCO JARS
19TH CENTURY
of globular form with recessed covers,
decorated with anthemion and key borders (3)
£150-250
113
TWO VICTORIAN BEADWORK
FIRESCREENS
19TH CENTURY
of shield shape, depicting grey roses within
decorative borders, one with fringed tassels,
the other with fringing; on extending gilt brass
wall mounts (2)
45cm wide, 57cm high
£200-300
114
COMPOSITION BUST OF
MINERVA
on a socle base
65cm high
£300-500
115
EBONISED AND PARCEL GILT
LAMP
116
AMERICAN EBONISED WALL
CLOCK BY SETH THOMAS
MODERN
the knopped column on a circular base with a
reeded edge and raised on scroll feet; with a
cream shade
LATE 19TH CENTURY
the Roman numeral cream dial in an
octagonal case with applied gilt roundels
60cm high excluding shade
£150-250
£200-300
64cm high
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The Master Bedroom
117
DUTCH ROSEWOOD, EBONISED AND
FRUITWOOD SHRANK
LATE 17TH CENTURY
the wide projecting cornice above a pair of raised panel
cupboard doors centred by foliate carved panels, flanked and
divided by half pilasters and opening to a shelved interior,
above a long drawer to the base, raised on large bun feet
224cm high, 224 cm wide, 87cm deep
Provenance:
Purchased Christie’s, June 2005, lot 76, Property from Callaly Castle, Alnwick,
Northumberland
Note:
A very similar example is illustrated in Holländische Möbel und Raumkunst von
1650-1780, Dr C.H. de Jonge, Julius Hoffman, Stuttgart, p. 96, fig 151.
£3,000-5,000
118
IMPRESSIVE ANGLO-COLONIAL
PADOUK FOUR POSTER BED
119
PAIR OF PAINTED FAUX MARBLE
PLINTHS
120
VICTORIAN UPHOLSTERED
NURSING CHAIR
EARLY 19TH CENTURY
the heavy cornice raised on turned and reeded
columns, with an arched headboard and panel
footboard, with red and gold silk hangings
MODERN
of plain square form with a moulded base,
painted grey with white marbling (2)
35cm wide, 71cm high, 35cm deep
19TH CENTURY
the padded back and seat in pale checked
upholstery, raised on turned legs with brass
caps and castors
186cm wide, 279cm high, 228cm long
£200-300
60cm wide, 72cm high, 56cm deep
£5,000-8,000
See illustration opposite
£200-300
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121
MACHINE WOVEN VERDURE
TAPESTRY
in the 17th century style, depicting a pair of
geese on a river in a wooded landscape,
within a floral border
208cm wide, 329cm high
£800-1,200
122
EDWARDIAN SMALL WALNUT
FRAMED SOFA
EARLY 20TH CENTURY
the low back and high scrolled arms above a
stuff over seat, in pink damask upholstery,
raised on short legs
154cm wide, 72cm high, 77cm deep
£600-800
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Fine Furniture & Works of Art 47
123
MANNER OF JAMES WARD
WOUNDED HORSE
oil on canvas
£2,000-3,000
124
VICTORIAN BRASS FIGURAL
OIL LAMP
19TH CENTURY
the etched globe shade and glass chimney
supported by a standing classical female, on a
circular pedestal and square plinth base;
converted to electricity
79cm high overall
£300-500
125
VICTORIAN TAXIDERMY BIRD
DISPLAY
19TH CENTURY
comprised of eight birds mounted on
branches, in a glass dome
34cm high overall
Note:
The birds eggs illustrated here are not included in the sale
£200-300
126
RHINOCEROS FOOT DOOR STOP
19TH CENTURY
weighted, with a metal handle
22cm high
£300-500
127
COLLECTION OF MEN’S HATS
19TH / 20TH CENTURY
comprising two black silk top hats, a leather
top hat case, a Panama hat, bowler, a straw
boater, and five felt fedoras (11)
£300-400
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128
THREE PAIRS OF RED LINEN AND
GREEN VELVET CURTAINS AND
PELMETS
BY COLEFAX AND FOWLER
comprising six curtains of red linen with wide
green velvet borders, and three matching green
velvet pelmets (9)
each panel 204cm wide, 346cm long approx.
Provenance:
Purchased Christies, June 2005, lot 1076, Property from
Moundsmere Manor, Hampshire
£800-1,200
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The Empire Bedroom
129
EMPIRE MAHOGANY LIT EN BATEAU IN
THE MANNER OF S. JAMAR
EARLY 19TH CENTURY
with tall upright head and footboards, the columns
with gilt metal capitals
113cm high, 216cm wide, 125cm deep
£800-1,200
130
CHARLES X MAHOGANY MARBLE TOPPED
COMMODE
19TH CENTURY
the associated grey marble top above four long drawers
and raised on bracket feet
98cm wide, 85cm high, 44cm deep
£400-600
131
FRENCH EMPIRE MAHOGANY
DRESSING TABLE IN THE
MANNER OF JACOB
EARLY 19TH CENTURY
the rectangular mirror plate flanked by plain
column supports above two short drawers;
the lower part with a white marble insert top
with a long frieze drawer over two further long
drawers flanked by columns, with gilt metal
mounts throughout
113cm wide, 198cm high, 55cm deep
£800-1,200
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132
EMPIRE MAHOGANY AND
ORMOLU MOUNTED ARMOIRE
19TH CENTURY
the plain cornice above a mirrored door
flanked by pilasters, above a base drawer
109cm wide, 224cm high, 49cm deep
£800-1,200
133
LOUIS FRANCOIS CHARON
(FRENCH 1783-1840S)
EIGHT ENGRAVED PRINTS OF NAPOLEON’S
OFFICERS
Including, Marceau, Drouot, Sebastiani,
Carnot, Crouchy, Victor and Brune, framed (8)
50.5cm x 36.5cm excluding frame
£500-800
134
SET OF FOUR REGENCY
MAHOGANY DINING CHAIRS
19TH CENTURY
the back rails carved with scroll ends centred
by flowerheads above a horizontal splat and
horsehair upholstered red seat, raised on
carved tapered legs (4)
48cm wide, 84cm high, 42cm deep
£300-500
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The Yellow Bedroom
135
EARLY VICTORIAN SATIN BIRCH
FOUR POSTER BED
MID 19TH CENTURY
the moulded cornice raised on bold octagonal
fluted columns and hung with burgundy
cotton plush hangings, with a panel footboard
raised on block feet
169cm wide, 241cm high, 209cm long
£3,000-5,000
136
VICTORIAN MAHOGANY
COLUMN CHEST OF DRAWERS
19TH CENTURY
the rectangular top above a long frieze drawer
over three deep short drawers and three
further long drawers flanked by half columns,
raised on turned feet
127cm wide, 126cm high, 54cm deep
£300-500
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137
PAIR OF EDWARDIAN WING
ARMCHAIRS
EARLY 20TH CENTURY
with loose cushion seats upholstered in a
floral fabric, raised on cabriole legs
ending in pad feet (2)
73cm wide, 97cm high, 55cm deep
£300-500
138
VICTORIAN MAHOGANY SIDE
TABLE
19TH CENTURY
the moulded rectangular top above two
short frieze drawers, raised on turned
legs
78cm wide, 70cm high, 49cm deep
£150-250
139
VICTORIAN MAHOGANY
WINDOW SEAT
19TH CENTURY
with open sides above a rexine covered seat,
raised on slightly splayed legs
136cm wide, 70cm high, 37cm deep
£300-500
140
MANNER OF CHARLES STUART
HIGHLAND SCENE
oil on canvas
91cm x 121.5cm
£300-500
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The Blue Bedroom
141
GEORGE III MAHOGANY
FOUR POSTER BED
LATE 18TH CENTURY
the carved cornice hung with printed
cream linen hangings above tapered
and fluted supports carved with
acanthus, with a plain headboard,
raised on square block feet
164cm wide, 240cm high, 214cm long
£2,000-3,000
142
VICTORIAN MAHOGANY CHEST
OF DRAWERS
MID 19TH CENTURY
the rectangular top above three short and
three long graduated drawers, on splayed feet
143
GEORGE III MAHOGANY
FOLDOVER GAMES TABLE
144
SET OF FOUR EDWARDIAN
MAHOGANY PARLOUR CHAIRS
EARLY 20TH CENTURY
in the Chippendale style, the seats in checked
upholstery, raised on cabriole legs (4)
116cm wide, 109cm high, 52cm deep
18TH CENTURY
the rectangular foldover top opening to a
green leather lined surface, raised on reeded
straight legs
£200-300
92cm wide, 72cm high, 44.5cm deep (closed)
£200-300
£200-300
44cm wide, 93cm high, 39cm deep
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145
EDWARDIAN MAHOGANY
BOWFRONT WARDROBE
EARLY 20TH CENTURY
the bowfront arch moulded cornice above a
pair of doors with oval panels with boxwood
stringing opening to hanging space, over a
single base drawer, raised on splayed feet
144cm wide, 204cm high, 52cm deep
£300-500
146
THREE PAIRS OF LINED LINEN
CURTAINS WITH PELMETS
MODERN
printed with orchids in baskets on a green
ground, the matching pelmets with green
fringe tassels (9)
each panel 97cm wide, 295cm high approx;
pelmet 214cm wide, 39cm high
£400-600
147
TWO MYTHOLOGICAL SUBJECT
PRINTS
19TH CENTURY
the first depicting ‘The Abduction of Deianeira
by the centaur Nessus’ after Guido Reni; the
other ‘The Education of Achilles by the centaur
Chiron’, after Jean Baptiste Regnault, in gilt
frames (2)
87cm x 69cm excluding frame
£150-250
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The Urn Bedroom
148
GEORGE III
MAHOGANY FOUR
POSTER BED
LATE 18TH CENTURY
the moulded cornice supported
by acanthus carved and reeded
columns, with an upholstered
headboard and printed cotton
hangings, on tapered block feet
154cm wide, 210cm high,
223cm long
£1,000-1,500
149
SCOTTISH REGENCY DEMILUNE
FOLDOVER TEA TABLE
EARLY 19TH CENTURY
the foldover top with a bead moulded edge
above a single frieze drawer, raised on turned,
reeded and tapered legs
96cm wide, 73cm high, 47cm deep (closed)
£300-500
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150
LATE REGENCY MAHOGANY
SMALL WARDROBE
EARLY 19TH CENTURY
the moulded cornice above a pair of doors
with oval crossbanded panels, opening to
hanging space, raised on splayed feet
113cm wide, 194cm high, 59cm deep
£800-1,200
151
FOLLOWER OF JOHN
MACWHIRTER
HIGHLAND STREAM IN SPATE
oil on canvas
£400-600
152
OAK PANEL CHEST
the hinged top over a panelled front, raised on
ogee block feet
97cm wide, 65cm high, 58cm deep
£150-250
153
TWO PAIRS OF LINED FLORAL
CHINTZ CURTAINS
MODERN
depicting baskets of flowers and fruits on a
cream ground (4)
189cm wide, 280cm high
£300-500
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The Red Bedroom
154
GEORGE III
MAHOGANY FOUR
POSTER BED
18TH CENTURY WITH
ALTERATIONS
the moulded cornice raised on
tapered columns and a
serpentine headboard, on
shaped feet, with polished floral
chintz hangings
174cm wide, 206cm high,
223cm deep
£800-1,200
155
EDWARDIAN UPHOLSTERED ARMCHAIR
EARLY 20TH CENTURY
the square back and enclosed arms above a stuff
over seat, raised on square tapered mahogany legs
ending in brass caps and wood castors; in polished
floral chintz
64cm wide, 91cm high, 53cm deep
£200-300
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156
GEORGE III MAHOGANY
WASHSTAND
18TH CENTURY
of cubic form with an adjustable rising mirror
over a later blue and white transferware basin,
above a dummy drawer, cupboard door and
base drawer, raised on slender tapered legs
ending in brass caps and castors
44cm wide, 86cm high, 43cm deep (closed)
£300-500
157
GEORGE III OAK PANELLED CHEST
18TH CENTURY
the hinged top above a three panel front,
raised on stile feet with later castors
123cm wide, 72cm high, 55cm deep
£200-300
158
STANLEY AYERS (20TH CENTURY)
SEATED LADY
oil on canvas
74cm x 48.5cm
£200-300
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The Attics & Stables
159
ARTS & CRAFTS OAK PANEL
SINGLE BED
EARLY 20TH CENTURY
of pegged post and panel construction
108cm wide, 131cm high, 211cm long
£300-400
160
COLLECTION OF NEOCLASSICAL
STYLE GILT METAL CURTAIN AND
DRAPERY ACCESSORIES
comprising tie backs, pole finials, etc. (qty)
£200-300
161
COLLECTION OF NEOCLASSICAL
STYLE GILT METAL DOOR
ACCESSORIES
comprising door knobs, finger plates, handles,
lock covers, escutcheons, etc. (qty)
163
GROUP OF GILTWOOD WALL
BRACKETS AND APPLIQUES
various sizes, some pairs, including a set of
four anthemion curtain tie backs (qty)
£150-250
£200-300
COLLECTION OF NEOCLASSICAL
STYLE GILT METAL MOUNTS AND
APPLIQUES
comprising various plates, mounts, finials, etc
(qty)
£200-300
LARGE GEORGIAN CAST IRON
RANGE
LATE 18TH / EARLY 19TH CENTURY
the panelled uprights cast with trellis and
joined by wrought iron rails
122cm wide, 68cm high, 43cm deep
164
162
165
LARGE COLLECTION OF CERAMIC
FINGER PLATES AND DOOR
KNOBS
19TH / 20TH CENTURY
various sizes, in black and cream glaze;
together with a pair of amber glass finger
plates and door knobs, and miscellaneous
door fixtures and fittings (qty)
£150-250
£200-300
166
SET OF FOUR PAINTED CAST
IRON LAUNDRY POSTS
19TH CENTURY
painted green with yellow painted pineapple
finials
£250-350
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The Gardens
167
PAIR OF COMPOSITION STONE
FIGURES OF THE MEDICI LIONS
after the Antique (2)
68cm long
£400-600
168
COMPOSITION STONE FIGURE OF
A CLASSICAL MAIDEN
the figure in contrapposto with right arm
raised holding an urn
137cm high
£500-700
169
CAST IRON GARDEN URN AND
FIRE CLAY PLINTH
the urn of flattened campana urn with lobed
sides and an everted rim; the squared plinth
cast with laurel wreaths on a moulded base (2)
Urn 40cm high, 52cm diameter; plinth
52cm high
£300-500
170
PAIR OF CAST IRON
GARDEN URNS
of campana form (2)
62cm high
£200-300
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Image courtesy of David Wear
Selected Contents from
Auchtertool, Fife
Auchtertool House in Fife was the home of the late
Peter Nicholson and his wife Lori. The grade B listed
house, dating to the early part of the 19th century, is a
perfect example of a classic Georgian country house.
Commodious without being ostentatious, Auchtertool
adheres to the classic proportions and influences that
dominated domestic and public architecture during the
Georgian period. From an early age Peter Nicholson
had a strong interest in history, architecture, and
antiques, and in particular all things Scottish. At
Auchtertool he and Lori were able to create a home to
display a collection built up over many years, fashioning
interiors redolent in the look and feel of a Scottish
baronial house, all applied with a sense of history,
comfort, and a touch of whimsy. Peter was a skilled
restorer and craftsman, and a number of the pieces in
the house were handmade by him in his workshop. He
not only restored items, but sympathetically
incorporated antique elements into new pieces, or
completely recreated antique items for modern living.
Lyon & Turnbull is pleased to be able to offer this
uniquely Scottish collection for sale.
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The Entrance Hall
171
EARLY GEORGIAN OAK DRESSER
18TH CENTURY
the long rectangular moulded top above six
short panel moulded drawers, raised on block
feet
218cm wide, 89cm high, 61cm deep
£500-700
172
WILLIAM BRODIE, R.S.A.
(SCOTTISH 1815-1881)
WHITE MARBLE BUST OF A GENTLEMAN
the subject with sideburns and a moustache,
signed ‘W BRODIE RSA Sc’ and dated 1880, on
a socle base
70cm high
£200-300
173
CONTINENTAL WALNUT ARMOIRE
19TH CENTURY AND LATER
the projecting moulded cornice with dentil detail and
applied mouldings, above a pair of fielded panel doors with
applied foliate swags and carved oval bosses, on a shaped
stepped base raised on bun feet
180cm wide, 190cm high, 67cm deep
£500-700
174
PAIR OF TEAK PEDESTALS
175
LARGE TERRACOTTA JAR
MODERN
the square tops above an egg and dart and
leaf carved frieze, above panelled sides, on leaf
carved moulded square bases (2)
19TH CENTURY
with applied strap handles over moulded oval
armorials
41cm wide, 67cm high, 41cm deep
£250-350
£150-250
50cm diameter, 83cm high approximate
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176
SEVEN PAINTED WOOD DECOY DUCKS
20TH CENTURY
various sizes, with carved feather and painted detail
(7)
largest 38cm long
£250-400
177
CHARLES II OAK ARMCHAIR
17TH CENTURY
the scroll carved crest rail above a recessed
double panel back and plank seat flanked by
scroll arms, raised on turned column legs
joined by peripheral stretchers
60cm wide, 108cm high, 39cm deep
£400-600
178
GEORGE II PROVINCIAL OAK
SIDE TABLE
18TH CENTURY
the rectangular top with a moulded edge over
a long frieze drawer raised on turned
columnar legs joined by an H stretcher
80cm wide, 69cm high, 48.5cm deep
£250-350
179
ITALIAN WALNUT CASSONE
19TH CENTURY
the stepped and moulded hinged top above a
front panel carved with foliate scrolls and
mythical beasts, with iron loop handles to the
sides, above a gadrooned moulded base,
raised on carved paw feet
165cm long, 57cm high, 61cm deep
£500-800
180
TWO STAG’S HEAD TROPHY
MOUNTS
both mounted on oak shield backs, the first,
with eight points, 74cm wide; the second, with
twelve points, 68cm wide (2)
£300-500
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Fine Furniture & Works of Art 65
181
JAMES ALEXANDER EWING
(SCOTTISH 1843-1900)
WHITE MARBLE BUST OF AN OLD WOMAN
the sitter wearing a close bonnet and shawl,
signed ‘EWING FECIT GLASGOW 1871’, on a
socle base
66cm high
£300-500
182
WHITE MARBLE FIGURE
19TH CENTURY
modelled as a classical young man holding a
flaming censer in his left hand, on a circular
base
69cm high
£500-700
183
LEOPARD SKIN RUG
EARLY 20TH CENTURY
223cm long
£200-300
184
BLACK FOREST STYLE MIRROR
20TH CENTURY,
INCORPORATING EARLIER ELEMENTS
the oval mirror plate in a moulded frame
mounted with stag antlers and surmounted by
a carved stag’s head with glass eyes
68cm wide, 107cm high
£250-350
185
TWO DEERSKIN COVERED
DOME TOP TRUNKS
18TH / EARLY 19TH CENTURY
both with banded and studded decoration, the
larger with initial ‘M.I’’ (2)
larger 76cm wide, 31cm high, 42cm deep;
smaller 53cm wide, 28cm high, 33cm
£200-300
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The Study
186
FOLLOWER OF ALLAN RAMSAY
HALF LENGTH PORTRAIT OF JAMES GORDON
inscribed, feigned oval, oil on canvas
76cm x 63cm (30in x 25in)
£600-900
187
FOLLOWER OF ALLAN RAMSAY
HALF LENGTH PORTRAIT OF JOHN STEWART
inscribed and dated 1743, oil on canvas,
feigned oval
76cm x 63cm (30in x 25in)
£600-900
188
OAK JOINT STOOL
17TH CENTURY AND LATER
the rectangular seat with a
moulded edge above a scroll cut
frieze, raised on turned legs joined
by peripheral stretchers
43cm wide, 58cm high, 28cm deep
£200-300
189
DUTCH WALNUT SIDE CABINET
190
GEORGE II ELM SIDE CHAIR
18TH CENTURY AND LATER
the later rectangular moulded top above two
short frieze drawers over a pair of moulded
doors, raised on a moulded plinth base
18TH CENTURY
the shaped crest rail over a vasiform splat and
drop in seat raised on cabriole legs joined by
an H stretcher and ending on pad feet
130cm wide, 125cm high, 56cm
39cm wide, 96cm high, 40cm deep
£600-900
See illustration opposite
£250-350
191
WILLIAM & MARY STYLE BEECH
ARMCHAIR
19TH CENTURY
the upright rectangular back and padded seat
upholstered in gros point upholstery, with
stained beech scroll arms raised on block and
turned legs joined by peripheral stretchers
65cm wide, 121cm high, 44cm deep
£300-500
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192
CONTINENTAL WALNUT ARMCHAIR
LATE 19TH CENTURY
the upholstered back and seat in blue and yellow damask, the
walnut scrolling arms with leaf carved terminals, on carved
baluster legs joined by a shaped X-form stretcher
63cm wide, 105cm high, 52cm deep
£400-600
193
VICTORIAN WALNUT LIBRARY TABLE
19TH CENTURY
the shaped rectangular top with a gilt tooled leather insert,
above a deep frieze with lateral drawers, raised on leaf carved
cabriole legs
172cm wide, 79cm high, 95cm deep
£700-1,000
194
W.A.S. BENSON STYLE BRASS TELESCOPIC
STANDARD LAMP
19TH CENTURY
the central column mounted with scrolling strapwork and
four curved legs ending in paw feet; with a cream silk shade
180cm approximately excluding shade
£250-350
195
WILLIAM AND MARY WALNUT, FRUITWOOD AND
OYSTER VENEERED ESCRITOIRE
LATE 17TH CENTURY AND LATER
the moulded cornice above an ogee moulded frieze drawer over an inlaid
fall front opening to an interior fitted with compartments and small
drawers, on a later stand with a frieze drawer, raised on spiral turned legs,
joined by a shaped X form stretcher and ending on scrolled feet
86cm wide, 135cm high, 45cm deep
£2,000-3,000
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Fine Furniture & Works of Art 69
196
SPANISH STYLE WALNUT LOW TABLE
19TH CENTURY AND LATER
in the 17th century style, the bead and reel moulded top above
a foliate and mask carved frieze fitted with a long drawer, raised
on turned trestle legs with iron stretcher bars
91cm high, 64cm high, 62cm deep
£500-800
197
VICTORIAN SCOTTISH CARVED WALNUT AND
UPHOLSTERED ARMCHAIR AND FOOTSTOOL
19TH CENTURY
in the 17th century style, the square back and stuff over seat
upholstered in green velvet with tassel trimming, the arm terminals
carved as lions’ masks, on spiral carved legs joined by an H stretcher (2)
Armchair: 62cm wide, 91cm high, 44cm deep; Stool 45cm wide, 45cm high,
39cm deep
£300-500
199
FURNITURE DESIGN AND ARCHITECTURE
NINE BOOKS
including Newlands, James. The carpenter and joiner’s
assistant, 1860; Rowe, Eleanor, editor. Studies from the
museums: wood carvings, folio 1 only, with 18 plates; Ross,
Frederick. The ruined abbeys of Britain, [1892?], volume 1
only; Chancellor, Alfred Ernest. Examples of old furniture
English and foreign, 1898; Small, John William. Scottish
woodwork of the sixteenth & seventeenth centuries…,
[1898?]; Tanner, Henry. English interior woodwork of the
xvi, xvii & xviiith centuries, 1902; MacQuoid, Percy. A
history of English furniture: the age of walnut, 1905; and 2
others, sold not subject to return
£150-200
200
198
COLIN GRAEME
(BRITISH 1858-1910)
RETRIEVER WITH RABBIT
oil on board, signed
46cm x 35.5cm (18in x 14in)
£300-500
SCOTTISH AND SPORTING INTEREST,
SEVEN BOOKS
comprising Scott, Sir Walter. Provincial antiquities and
picturesque scenery of Scotland, 1826, 2 volumes bound
as one; [Stuart, John] Sculptured stones of Scotland, 1867,
‘XI’ only (pp.lxxvii-lxxxv, with plates 1-37); McIntye North,
C.N. The book of the Club of the True Highlanders, 1880, 2
volumes bound as one; Gibb, William, artist. The royal
house of Stuart, 1890; Scottish national memorials, 1890;
“The Sportsman” British sports and sportsmen: shooting
and deerstalking, 1913; Mackay, J.G. The romantic story of
the Highland garb and the tartan, 1924; sold not subject to
return
£300-350
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201
LION SKIN RUG
EARLY 20TH CENTURY
full head pelt, on a felt ground
248cm long
£300-500
202
LARGE CURLY HORN SNUFF MULL
203Y
IVORY AND HORN POWDER FLASK
of traditional form with well coiled body, large butterfly hinge to horn
cover with vacant cartouche; together with a HORN POINT SNUFF MULL
with simple mounts (2)
the flattened cow horn body with applied ivory terminal and
cap, the cap with carved interlaced decoration
14cm long
£300-500
£300-500
204
TWO CARVED COW HORN
POWDER FLASKS
of simple form, with engraved Celtic
borders and brass mounts, both with
wooden and brass mounted pull off covers
(2)
29cm and 26cm long
£300-500
205
SMALL BRASS PLAID BROOCH
CIRCA 1690
of annular form, with engraved six pointed
star bosses, the pin lacking
8cm diameter
£200-300
17.5cm long
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Fine Furniture & Works of Art 71
206
207Y
FIVE SMALL STAVED LUGGIES
ENGLISH IVORY AND STEEL HUNT KNIFE
four with twin handles and one a beaker, each composed of feathered
alternating staves and with reeded banding (4)
the ivory grip inscribed to one side ‘Su TM 1878’ and with twenty two
years stags, blade marked F West London, 2014
7.2cm to 5.2cm diameter
16cm long, closed; 28cm long open
£300-500
£500-800
208
CARVED OAK THREE LUGGED QUAICH
MID 18TH CENTURY
of traditional staved form with brass binding and three integral lugs
209
diameter of bowl 14cm
of traditional form with feathered
staves and rush banding (2)
£400-600
TWO SINGLE HANDLED
STAVED BICKENS
18.5cm, 17cm and 4.5cm high
£300-500
210
212
CARVED HUNTING HORN
LEATHER SPORRAN
211
HORSEHAIR SPORRAN
LATE 18TH CENTURY
the tooled leather pouch with studded
details and hinged engraved white
metal cantle
EARLY 19TH CENTURY
with six black tassels set in simple bells,
the leather cantle with applied cantle rim
and boar’s head crest
25cm long (excluding tassels)
43cm long
£400-600
£200-300
213
GROUP OF FOUR HORN BEAKERS
214
FIVE HORN BEAKERS
the polished horn with a deeply carved scene
of hare coursing, with simple scalloped brass
mounts and a horn mouthpiece
each of tapering form with simple reeded rims
(4)
of traditional form, plain and shaped
examples (5)
tallest 13.5cm
9.5cm to 5cm high
46cm long
£200-300
£200-300
£150-250
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The Rose Drawing Room
215
WILLIAM & MARY STYLE
WING ARMCHAIR
19TH CENTURY
the high square padded back and arms above
a loose cushion seat, upholstered in pale rose
velvet, raised on scroll carved legs joined by a
turned H-form stretcher
79cm wide, 117cm high, 59cm deep
£400-600
216
WILLIAM & MARY WALNUT
CROSSBANDED DWARF
CHEST ON STAND
17TH CENTURY AND LATER
the quarter veneered top above three short
and two long drawers; the later low stand with
a scrolled apron raised on baluster legs joined
by shaped peripheral stretchers
101cm wide, 102cm high, 55cm deep
£800-1,200
217
SPANISH STYLE OAK AND
SLATE TOPPED TABLE
the rectangular moulded top with a slate
panel insert, above a scroll cut frieze with
brass straps, raised on trestle supports joined
by a cross stretcher
143cm wide, 74cm high, 56cm deep
Provenance:
Made at Auchtertool House
£400-600
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218
DUTCH ROSEWOOD AND
WALNUT MARQUETRY
CENTRE TABLE
19TH CENTURY
the rectangular top with all over floral and bird
marquetry above a long frieze drawer, raised
on square baluster legs joined by a shaped X
form stretcher and ending on large bun feet
112cm wide, 76cm high, 80cm deep
£1,500-2,500
219
GEORGE I STYLE WING SETTEE
MODERN
the triple part back with a serpentine top rail
above a loose cushion seat, upholstered in
floral fabric with braid trimming, raised on
block and ring turned legs joined by turned
stretchers
182cm wide, 127cm high, 60cm deep
Provenance:
Made at Auchtertool House
£800-1,200
220
GEORGE I STYLE WING SETTEE
MODERN
the triple part back with a serpentine top rail
above a loose cushion seat, upholstered in
floral fabric with braid trimming, raised on
block and ring turned legs joined by turned
stretchers
182cm wide, 127cm high, 60cm deep
Provenance:
Made at Auchtertool House
£800-1,200
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Fine Furniture & Works of Art 75
221
FLEMISH STYLE WALNUT
UPHOLSTERED ARMCHAIR
19TH CENTURY
the square padded back above a loose
cushion seat flanked by spiral carved straight
arms, raised on block and turned legs joined
by a spiral carved H-form stretcher
60cm wide, 88cm high, 44cm deep
£300-500
222
CONTINENTAL WALNUT
RENAISSANCE STYLE
SECRETAIRE A ABBATANT
19TH CENTURY
the projecting cornice above egg and dart
moulding, the frieze with two drawers, carved
putto, the double hinged fall front with strap
work hinges and large escutcheon and flanked
by carved figural columns opening to an
interior fitted with drawers and architectural
niche compartments, the pull out lopers with
ram’s head terminals; the lower part with two
frieze drawers above a pair of arched panel
doors flanked by further carved figures, raised
on carved hairy paw feet
112cm 190cm high, 46cm deep
£1,200-1,800
223
LOUIS XIV STYLE WALNUT
UPHOLSTERED ARMCHAIR
19TH CENTURY
the padded arched back and seat covered in
sage green patterned velvet, flanked by foliate
carved scroll arms, raised on square tapered
legs joined by a shaped X-form stretcher
75cm wide, 133cm high, 52cm deep
£400-600
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PAIR OF SILVER AND CUT GLASS PARAFFIN LAMPS
DATED 1908
each with a frosted shade and cut glass reservoir, above the silver
Corinthian-cast column, stepped base and gadrooned border,
hallmarked London 1908, with a presentation inscription for
Major O. J. Lockett, officer of the 13th Hussars, and maker‘s marks
(2)
225
FOLLOWER OF WILLIAM AIKMAN
HALF LENGTH PORTRAIT OF A LADY IN BLUE
DRESS WITH RED SHAWL
oil on canvas, feigned oval
76cm x 63cm (30in x 25in)
£800-1,200
74.5cm high overall
£800-1,200
227
226
VICTORIAN BURR WOOD TABLE
BOX, BY MARSHALL & SONS,
EDINBURGH
of square form, the figured wood with brass
mounts and inset agate bosses, opening to a
wood lined interior with an inscribed maker’s
plaque
18.5cm wide, 9cm high, 19cm deep
£250-400
PAIR OF DUTCH
BAROQUE STYLE
BRASS FIRE DOGS
the triple ball uprights with
flame finials on bases cast
with hippocamps and lion’s
masks, raised on claw and
ball feet (2)
100cm high, 43cm wide
£200-300
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The Dining Room
228
FRENCH GOTHIC STYLE OAK
AUMBRY
LATE 19TH CENTURY
the plain top with a moulded cornice above a
pair of doors with carved Gothic arcading,
flanked by carved figures of knights in arched
niches; above two short frieze drawers over a
recess with linen fold back panels, raised on
bracket feet
150cm wide, 140cm high, 45cm deep
£1,000-1,600
229
OAK REFECTORY TABLE
MODERN
in the 17th century style, the three plank top above a
carved frieze, raised on carved baluster legs with
fluted details, joined by peripheral stretchers
249cm long, 78cm high, 86cm wide
Provenance:
Made at Auchtertool House
£800-1,200
230
BRASS BOUND ‘ZANZIBAR’
CHEST
18TH CENTURY
the hinged top over a panel front carved
with an urn issuing foliate scrolls, with
pierced brass corner brackets and inlaid
panels, on a plinth base
134cm wide, 63cm high, 62cm deep
£600-800
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231
GEORGE III STYLE
MAHOGANY DISPLAY
CABINET
MODERN, INCORPORATING SOME
EARLIER ELEMENTS
the bold swan neck pediment
above a frieze with dentil and
blind fret mouldings, over a pair of
18th century astragal glazed doors
opening to a green painted
shelved interior, raised on tall
moulded square legs ending in
block feet
178cm wide, 210cm high,
37cm deep
£500-800
232
MATCHED SET OF SILVER
AND SILVER PLATED PISTOL
GRIP FLATWARE
VARIOUS DATES AND MAKERS
comprising ten small table knives with
silver handles; eighteen plated table
knives of various sizes; and six plated
table forks; together with a GEORGE III
SERPENTINE MAHOGANY KNIFE BOX,
34.5cm high (qty)
£1,000-1,500
233
GEORGE III MAHOGANY
FOLDOVER TEA TABLE
18TH CENTURY
the rounded rectangular foldover top opening
on double gatelegs above a deep frieze
centred by an inlaid panel, raised on square
tapered legs
94cm wide, 74cm high, 47cm deep
£250-350
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234
MANNER OF SIR GEORGE HARVEY
THE PET HAWK
oil on panel
37cm x 51cm (14.5in x 20in)
£400-600
235
WILLIAM & MARY WALNUT CHEST ON STAND
LATE 17TH CENTURY AND LATER
the moulded cornice above two short and three graduated long
drawers; the later stand with a moulded and scrolled apron
raised on baluster legs, joined by shaped peripheral stretchers
103cm wide, 133cm high, 56cm deep
£500-800
236
GEORGE I STYLE WALNUT AND PARCEL
GILT CABINET ON STAND
20TH CENTURY
the moulded cornice over a pair of glazed doors with
shaped panes and rope twist gilt details, opening to a
shelved interior; the stand with two frieze drawers
raised on C scroll legs joined by a shaped peripheral
stretcher, on bun feet
104cm wide, 188cm high, 27cm deep
£600-800
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237
DUTCH MAHOGANY PRESS
CUPBOARD
EARLY 19TH CENTURY
the arched moulded cornice centred by carved shell
cresting above a pair of shaped moulded doors
opening to shelves; the lower part of bombe outline
with three long drawers raised on ogee bracket feet
175cm wide, 244cm high, 63cm deep
£1,000-1,500
238
FRENCH EBONISED AND BRASS LINED
BUREAU PLAT
19TH CENTURY
the tooled and gilt red leather insert in a rectangular
top with a moulded edge, above a long frieze drawer
and raised on square tapered legs joined by a shaped
X form stretcher and ending on tapered foliate feet
124cm wide, 80cm high, 70cm deep
£800-1,200
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Fine Furniture & Works of Art 81
239
ATTRIBUTED TO SIR
JOHN WATSON
GORDON
FULL LENGTH PORTRAIT OF A
HIGHLAND CHIEFTAIN SIR
FRANCIS GRANT IN FULL
HIGHLAND DRESS
oil on canvas
215cm x 120cm (84.5in x 47.5in)
Note:
This impressive portrait of the painter Sir
Francis Grant (1803-1878), resplendently
dressed in full Highland regalia as an
Esquire to the Knight Marischal, evokes all
the Scottish national pride and
romanticism of the early 19th century. Last
exhibited by the R.S.A. in 1824, and the
subject only recently identified, this
dynamic portrait of the dashing young
artist swathed in metres of red tartan, is
representative of a group of portraits
meant to convey an unequivocable
Scottish identity.
Beginning with the publication of Sir
Walter Scott's novel Waverley in 1814,
there was renewed interest in the history,
culture and traditional dress of Scotland,
and it was with Scott's influence that
George IV's visit to Edinburgh was
organised in 1822, the year this portrait
was painted. The royal visit, the first for a
British monarch since 1650, was marked
with a series of high profile events,
processions and pageants, all to celebrate
the Scottish national identity and reinforce
the King's ties to Scotland and improve his
popularity after his accension to the
throne the year before.
Sir John Watson Gordon (1788 - 1864)
succeeded Sir Henry Raeburn as the
preeminent Scottish portrait painter of the
first half of the 19th century. He painted
many famous Scottish individuals
including Sir Walter Scott and James
Andrew Ramsay, 10th Earl and 1st
Marquess of Dalhousie. Watson Gordon
and Grant exhibited at the Royal Academy
throughout the nineteenth century with
the former elected President in 1850 and
Grant in 1866.
£2,000-3,000
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Arms & Armour
240
GERMAN BREAST PLATE
CIRCA 1500
rope moulded neck and arm cuts missing
lance rest corroded overall
12in high
£300-500
241
ITALIAN BREAST PLATE
EUROPEAN BURGONET
SPANISH SHOT PROOF BREAST
PLATE
CIRCA 1600
with rope moulded neck decorated with triple
lines around the edge
14in high
£500-700
£800-1,200
243
242
19TH CENTURY
in the 16th century style, of peascod form,
with raised central rib, decorated with three
long panels of etched foliate scrolls, two neck
buckles and raised rivet heads throughout
244
GERMAN BACK PLATE
13in high
245
GERMAN COMBED BASSINET
CIRCA 1590
the crown with scalloped edge, large frontal
rim with pierced applied decoration, two ear
flaps hinged and pierced
19TH CENTURY
in the 16th century style, the entire plate
etched with two figures of knights in armour,
rope moulded edges, foliate infill
CIRCA 1600
of patinated blackened iron, with rose head
brass rivets, hinged combined ear and cheek
pieces, short peak.
10in high
17in high
13in high
£800-1,200
£1,000-1,500
£1,200-1,800
246
247
248
PAIR OF GOTHIC STYLE LEGHARNESSES
CIRCA 1830
decorated with brass flower head rivets, on
maroon background on each cuisse, with plain
greaves
POLE ARM
with long heavy triangular section blade, with
reinforced point, associated haft and base
83in long
£200-300
PAIR OF SCOTTISH HIGHLAND
TARGES
decorated with roundels, brass plates and
tooled strap work, the back covered in leather
and with iron grips, with a central brass boss
threaded to take a spike (2)
33in high
21” diameter
Note:
Possibly for the Eglington Tournament
£200-300
£250-350
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249Y
MAMALUKE HILTED GENERAL
OFFICER’S PRESENTATION
SWORD
the gilt metal hilt of matted brass, ivory slab
sided grip with original bullion sword knot
through the pierced pommel, the corroded
curved single edged clipped point blade
inscribed in a panel; “The Blade Of This Sword
Presented / By Major General Archibald
Campbell KCB / To Captain Angus MacDonald”;
the other side etched trophies of arms
250
HEAVY CAVALRY TROOPER’S
BACK SWORD
1778 PATTERN
the iron grip of flat section with two swept
bars with replacement grip, vase shaped
pommel, single edge blade with wide central
un-marked fuller, together with a PAIR OF
STEEL SPURS tied with a red ribbon (3)
36in blade
£400-600
36in blade
Note:
Archibald Campbell of Inverneill (1739-1791)
£700-1,000
251
ENGLISH HUNTING HANGER
252
CONTINENTAL HUNTING
HANGER
CIRCA 1690
with black patinated iron guard with double
hand guard and flat section knuckle guard
that screws to the pommel, wooden grip
missing cover and with remains of copper
wire, the curved single edged blade with two
fullers
CIRCA 1700
cast brass hilt with shell knuckle guard of
baroque form with stag horn grip, bun-shaped
segmented pommel, the single edged blade
etched with VIVAT ORANGE and foliage scroll
decoration
29in blade
23in blade
£300-500
£500-700
253
HUNTING HANGER
CIRCA 1750
with gilt brass hilt the hand guard in the form
of a pierced shell knuckle guard decorated
with cast scrolls, black leather grip bound with
a double twist of copper wire, single edge
blade with central fuller
21in blade
£250-350
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Fine Furniture & Works of Art 85
255
SPANISH MIQUELET LOCK
SPORTING GUN
CIRCA 1800
with two stage barrel octagonal at the breech
stamped Lazarino the walnut full stock
damaged at the muzzle replacement ramrod
58in long
£600-800
256
PERCUSSION SPORTING GUN
signed Cox & Son, two stage barrel, pale
walnut full stock, brass trigger guard
51in long
£300-500
257
254
GERMAN OR BOHEMIAN LARGE DOUBLE HANDED
PROCESSIONAL SWORD
with scroll cross guard, wooden grip, the blade with leather hand
grip before two projecting pointed arms curling towards the blade
tip, the double edged blade with waves the entire length
5ft 7in overall
£3,000-5,000
PERCUSSION LARGE BORE WILD
FOWLING GUN
the lock signed G. Warr, three stage barrel,
octagonal at the breech, then twelve sided,
walnut half stock, iron furniture, trigger guard
with acorn finial, silver barrel bolt
escutcheons, old brass repair at the hand
48in long
£500-700
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The Refectory
258
FRENCH PROVINCIAL
FRUITWOOD SIDE CABINET
EARLY 19TH CENTURY
the moulded top above three short frieze
drawers with steel strapwork, escutcheon and
knob; over a pair of moulded cupboard doors
with further steel strap work and foliate
carved panel, above a shaped moulded apron
and short cabriole legs with scroll feet
137cm wide, 96cm high, 50cm deep
£400-600
259
TWO PEWTER TAPPIT HENS
LATE 18TH/ EARLY 19TH CENTURY
each of typical form, the first with a knopped finial and
inscribed initials W.W / M.L, 30cm high; the second, with
inscribed initials I B C, 28.5cm high; together with a
COLLECTION OF MISCELLANEOUS PEWTER, including a
candlestick, tankards and two sugar sifters (qty)
£300-500
261
PAIR OF OAK JOINT STOOLS
MODERN
the rectangular plank seats with a moulded edge
above a plain frieze, raised on baluster turned legs
joined by peripheral stretchers (2)
47cm wide, 57cm high, 30cm deep
Provenance:
Made at Auchtertool House
£300-400
260
GROUP OF TWENTY FIVE PEWTER PLATES
18TH / 19TH CENTURY
with foldover rims; two bearing touchmarks for HARRIS, LONDON; two
bearing touchmark WHITEHAVEN; sixteen bearing initials M R C; two bearing
initials CRM; and three unmarked or with indistinct marks (25)
Most: 24cm diameter
£400-600
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262
GEORGE III OAK CHEST
18TH CENTURY
the rectangular hinged top above a triple
panel front with two short drawers to the
base, raised on stile feet
150cm, 91cm, 56cm
£400-600
263
SET OF SIX OAK AND LEATHER
UPHOLSTERED CHAIRS
19TH CENTURY
comprising two armchairs and four side
chairs, with brown leather upholsered
backs and seats above turned and tapered
legs joined by peripheral stretchers (6)
Armchair 61cm wide, 89cm high, 45cm deep
£500-700
264
LARGE OAK REFECTORY TABLE
MODERN
the plain rectangular top above a carved frieze,
raised on square baluster legs, joined by scroll
carved peripheral stretchers
292cm long, 75cm high, 85cm deep
Provenance:
Made at Auchtertool House
£1,000-1,500
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PAIR OF OAK SIDE TABLES
AFTER A DESIGN BY SIR ROBERT LORIMER
MODERN
the demilune tops raised on scroll cut and shaped flattened
supports joined by arched stretchers (2)
121cm wide, 74cm high, 61cm deep
Provenance:
Made at Auchtertool House
Note:
The original tables were designed by Lorimer circa 1916-1920 for William S.
Miller, Balmanno Castle, Scotland. This pair was made by Peter Nicholson
using Tuscan oak.
£300-500
266
CONTINENTAL BEECH FRAMED
SETTEE
LATE 19TH CENTURY
the rectangular padded back and seat
upholstered in green velvet, with scrolling leaf
carved open arms, raised on eight shaped and
reeded legs joined by shaped H-form
stretchers
147cm wide, 110cm high, 62cm deep
£600-900
267
NEAR PAIR OF FLEMISH WALNUT
AND UPHOLSTERED OPEN
ARMCHAIRS
17TH CENTURY AND LATER
each with a padded arched back over a stuff
over seat upholstered in blue and gold
brocade, flanked by scroll arms, raised on
scroll legs joined by scrolling H-form
stretchers (2)
One: 65cm wide, 112cm high, 48cm deep;
the other 63cm wide, 113cm high, 48cm deep
£800-1,200
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The Kitchen
268
GEORGIAN OAK LIVERY CUPBOARD
18TH CENTURY AND LATER
the moulded cornice above a pair of four panel doors with large metal
hinges, above a triple panel base, raised on later bun feet
169cm wide, 167cm high, 61cm deep
£600-800
269
PAIR OF OAK PANEL ARMCHAIRS
MODERN
the tall arched panelled backs and flat scrolled arms above solid seats,
raised on turned legs joined by peripheral stretchers
56cm wide, 119cm wide, 39cm deep
Provenance:
Made at Auchtertool House
£400-600
270
LARGE SCRUBBED PINE SCULLERY TABLE
19TH CENTURY
the four plank top above a single frieze drawer, raised on square
straight legs
198cm wide, 76cm high, 88cm deep
Provenance:
Ex Edinample Castle
£400-600
271
GEORGE III AND LATER PINE DRESSER
18TH CENTURY WITH ALTERATIONS
the plate rack with a moulded cornice above a plain frieze and an
arrangment of shelves, with a later panelled back; the base with a
moulded top above three central wide drawers and candle drawers to
each side, raised on straight legs with shaped brackets
252cm wide, 191cm high, 61cm deep
£1,000-1,500
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The Bedrooms
272
NEAR PAIR OF WILLIAM & MARY
STYLE OAK SIDE TABLES
MODERN
the rectangular tops above plain friezes and
raised on block and bobbin turned legs joined
by an H stretcher (2)
One: 77cm wide, 72cm high, 52cm deep; the
other: 74cm wide, 74cm high, 52cm deep
Provenance :
Made at Auchtertool House
£500-1,000
273
CHARLES I OAK TESTER BED
PART 17TH CENTURY, MADE UP
the carved cornice and panelled tester above a
panelled headboard carved with stylised flower
motifs and architectural niches, the plain panelled
footboard with a pair of large turned column
supports; with a modern base and mattress
142cm wide, 221cm high, 204cm long
Provenance:
Victor Needham Ltd, Moortown House, Hants
See illustration opposite
£1,000-2,000
274
CONTINENTAL CARVED
CHESTNUT AND WALNUT
CUPBOARD
19TH CENTURY
the projecting cornice above a pair of
moulded panel doors flanked by carved putti
and foliate pilasters; the lower part with two
short frieze drawers above two further doors,
flanked by carved mask and fruiting foliate
pilasters, raised on carved crouching animal
feet
129cm wide, 211cm high, 50cm deep
£600-900
275
THREE DEERSKIN COVERED
TRUNKS
18TH / EARLY 19TH CENTURY
of various sizes and shapes, with straps and
studded decoration and metal loop handles
(3)
Largest 99cm long; medium 95cm long;
smallest 85cm long
£300-500
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RENAISSANCE REVIVAL CARVED
OAK BOOKCASE CABINET
19TH CENTURY
in two parts, the deep cornice above a chipcarved and gadrooned frieze and arched
recess with shelves flanked by pilasters carved
with lion and figural masks; the lower part
with long drawer over a carved cupboard door
flanked by further pilasters, on a plinth base
83cm wide, 204cm high, 44cm deep
277
GEORGIAN OAK CHEST
£400-600
18TH CENTURY
the hinged top above a four panel front and
sides
151cm long
£400-600
278
VICTORIAN UPHOLSTERED
CHAISE LONGUE
19TH CENTURY
the curved back and scroll arms and long
padded seat in red tartan upholstery,
raised on turned ebonised legs ending
on wood castors
163cm long, 79cm high, 89cm deep
£200-300
279
PAIR OF OAK SIDE TABLES
MODERN
in the 17th century style, the moulded
rectangular tops over a hinged compartment
and raised on turned splayed supports joined by
peripheral stretchers (2)
61cm wide, 62cm high, 38cm deep
Provenance:
Made at Auchtertool House
£300-500
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Fine Furniture & Works of Art 93
280
CHARLES II OAK TESTER BED
17TH CENTURY WITH ALTERATIONS
the moulded cornice above a carved
panelled headboard with a central figure
of the Virgin Mary, the triple panel
footboard with bold turned column
supports
145cm wide, 186cm high, 197cm long
£1,000-1,500
281
NEAR PAIR OF WILLIAM & MARY
STYLE OAK SIDE TABLES
MODERN
the moulded rectangular tops above a pair of
short panelled frieze drawers over scroll cut
open work aprons, raised on block and bobbin
turned legs united by H stretchers (2)
91cm wide, 70cm high, 55cm deep
Provenance:
Made at Auchtertool House
£800-1,200
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283
EARLY VICTORIAN MAHOGANY AND UPHOLSTERED
ARMCHAIR
MID 19TH CENTURY
the button upholstered back and wide seat between part padded arms,
in red plush upholstery, on spiral carved supports raised on lobed and
foliate carved legs with castors
79cm wide, 97cm high, 60cm deep
£300-400
282
GEORGE I WALNUT CHEST ON STAND
EARLY 18TH CENTURY
in two parts; the moulded cornice above two short and three long
graduated drawers; the stand with two further long drawers and
raised on slender tapering circular legs and joined by a shaped
peripheral stretcher, on bun feet
102cm wide, 173cm high, 55cm deep
£1,500-2,000
284
WILLIAM & MARY WALNUT AND
MARQUETRY ESCRITOIRE
18TH CENTURY
the hinged fall front opening to an interior
fitted with drawers and a central cupboard
door above a recess; the stand with a frieze
drawer and raised on spiral carved legs joined
by wavy peripheral stretchers on bun feet
109cm wide, 154cm high, 50cm deep
£2,000-3,000
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285
LATE GEORGE III OAK CHEST OF DRAWERS
EARLY 19TH CENTURY
the caddy top above one long drawer over two short and two further
long drawers, raised on bracket feet
84cm wide, 84cm high, 44cm deep
£300-500
286
287
REGENCY MAHOGANY AND INLAID CHEST OF
DRAWERS
EARLY 19TH CENTURY
the rectangular top above three short and three long drawers outlined
with ebonised stringing, the oval brass hand pulls embossed with
anchors, above a shaped apron raised on bracket feet
117cm wide, 99cm high, 52cm deep
£300-500
GOOD SCOTTISH REGENCY MAHOGANY LINEN PRESS,
BY WILLIAM DOW, PERTH
EARLY 19TH CENTURY
the moulded cornice above a pair of panelled doors marked at the
corners with reeded mouldings and flanked by reeded half columns,
opening to sliding shelves; the lower part with two short over three long
drawers with lion mask handles, flanked by further half columns, raised
on short block feet; one drawer with a paper trade label ‘William Dow,
Cabinetmaker, Upholster, no 4 St. John’s Street, Perth’
142cm wide, 216cm high, 68cm deep
£1,200-1,800
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Furniture & Works of Art
288
CONTINENTAL CARVED WOOD,
GESSO AND POLYCHROME
FIGURE OF A BOY
18TH CENTURY
the nude figure standing with his left arm
raised, on a square moulded plinth base with
traces of gilt
77.5cm high
£300-500
289
CONTINENTAL CARVED WOOD,
GESSO AND POLYCHROME
FIGURE OF CHRIST
18TH CENTURY
the draped figure standing in contrapposto,
raised on a socle base with painted scroll
detail
65.5cm high
£300-500
290
FLEMISH NEEDLEWORK UPHOLSTERED
WALNUT OPEN ARMCHAIR
17TH CENTURY
the padded arched back and seat in gros and petit point
needlework flanked by continuous scrolling arms, raised
on scrolled legs joined by a scrolling H-form stretcher
61cm wide, 112cm high, 48cm deep
£1,000-1,500
291
PAIR OF GILTWOOD AND GESSO
PRICKET STICKS
18TH CENTURY
of baluster form with leaf carved details on a
triform base with scroll feet (2)
85cm high
£300-500
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ENGLISH SCHOOL, MINIATURE
PORTRAIT OF A GENTLEMAN
EARLY 18TH CENTURY
oil on metal, oval, depicting a gentleman
wearing a long brown wig with a lace cravat; in
a conforming metal box with a hinged cover
5.7 x 4.6cm
£250-350
293
PAIR OF CHARLES II STYLE OAK
ARMCHAIRS
19TH CENTURY
the scrolled crest rails carved with serpents
above panel backs carved with stylised flower
motifs, the plank seats flanked by downscrolling
arms, raised on baluster turned legs joined by
peripheral stretchers (2)
126cm wide, 58cm high, 44cm deep
£800-1,200
294
CHARLES II OAK CHEST
17TH CENTURY
the quadruple panel hinged top above a
foliate scroll carved frieze and panel front
carved with geometric lozenges and scrolling
foliage, raised on stile feet
156cm wide, 77cm high, 61cm deep
Provenance:
The Estate of the late Countess of Lanesborough
£300-500
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295
MARQUETRY LONGCASE CLOCK
BY JOHN TAYLOR, LONDON
EARLY 18TH CENTURY
the moulded straight cornice above square brass dial
with silvered Roman numeral chapter, subsidiary
seconds dial and date aperture, above a rectangular
trunk door with a round lenticle and raised on a plinth
base, the whole in flower and bird marquetry
49cm wide, 219cm high
£3,000-4,000
296
GERMAN WALNUT, MARQUETRY AND
EBONISED CABINET
17TH CENTURY AND LATER
the hinged shaped top above a cupboard door disguised as
three drawers with animal marquetry reserves, raised on block
feet
66cm wide, 83cm high, 46cm
£300-500
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PINE TRESTLE TABLE
18TH CENTURY AND LATER
the long rectangular top on squared end
supports with trestle bases joined by a
stretcher rail
198cm wide, 74cm high, 78cm deep
£600-800
298
AMERICAN VINEGAR STAINED
POPLAR CHEST
MID 19TH CENTURY
the hinged top opening to a void interior with
a candlebox and two drawers, over a long
base drawer, in yellow stain with brown
ragged decoration, on turned feet
124cm wide, 78cm high, 62cm deep
£300-500
299
GEORGE III OAK AND
MAHOGANY BANDED DRESSER
18TH CENTURY
the inverted breakfront cornice above a
serpentine frieze and open shelves flanked by
shelves and cupboard doors; the lower part
with a pair of cupboard doors flanked by
banks of two short drawers, above a
serpentine apron, raised on short cabriole legs
ending in carved claw feet
169cm wide, 202cm high, 46cm deep
£500-700
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300
GEORGE III MAHOGANY
PANELLED CORNER CUPBOARD
18TH CENTURY
the moulded cornice above an arched
panelled door opening to shaped shelves
94cm wide, 141cm high, 56cm deep
£400-600
301
GEORGIAN OAK LIVERY
CUPBOARD
18TH CENTURY
the plain moulded cornice above a foliate
carved frieze and pair of doors with arched
panels, above two short base drawers, raised
on later flattened bun feet
147cm wide, 194cm high, 54cm deep
£700-1,000
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GEORGE II WALNUT OPEN ARMCHAIR
18TH CENTURY
the shaped crest rail over a vasiform splat and
drop in needlework seat flanked by flattened
outscrolled arms, raised on cabriole legs joined by
a turned H stretcher and ending on pad feet
67cm wide, 107cm high, 44cm deep
£400-600
303
GEORGE II STYLE MAHOGANY
AND GILT MIRROR IN THE
MANNER OF WILLIAM KENT
19TH CENTURY
the rectangular mirror plate in a parcel gilt
and mahogany frame carved with shells, fruit,
flowers, and foliate scrolls and surmounted by
a pediment with an eagle cresting
94cm wide, 168cm high
£800-1,200
304
ROCOCO REVIVAL PAINTED AND
PARCEL GILT NEEDLEWORK
UPHOLSTERED STOOL
CIRCA 1830
the serpentine shape floral needlework
upholstered seat on a grey painted and gilt frame
carved with rocaille, C-scrolls, flower heads, raised
on cabriole legs ending in scrolled toes
58cm wide, 43cm high, 51cm deep
305
GEORGE III MAHOGANY TILT
TOP TRIPOD TABLE
18TH CENTURY
the circular top over a baluster turned
column and scroll legs ending in carved
pad feet
84cm diameter 73cm high
£300-500
Provenance:
The Estate of the late Countess of Lanesborough
£400-600
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307
SCOTTISH GEORGE III
MAHOGANY AND
INLAID LONGCASE
CLOCK BY DALLAWAY &
SON, EDINBURGH
92cm wide, 73cm high, 45cm deep
18TH CENTURY
the high swan neck pediment above
an arched brass dial with a boss
inscribed with the maker’s name,
above a Roman numeral chapter
with subsidiary seconds and
calendar dials, flanked columns with
gilt metal Corinthian capitals, above
a trunk door inlaid with a fan
medallion and flanked by brass
mounted quarter columns, on a
plinth base raised on bracket feet
£800-1,200
49cm wide, 229cm high, 25cm deep
306
GEORGE III MAHOGANY
FOLDOVER CARD TABLE
18TH CENTURY
the serpentine foldover top with a flower and
ribbon carved edge above a deep frieze,
raised on square chamferred legs with pierced
brackets
Provenance:
Property from a Highland Estate.
£700-1,000
308
CHIPPENDALE STYLE MAHOGANY LADY’S
DESK
LATE 19TH CENTURY
the shaped rectangular top with a green leather insert within
a leaf tip carved moulded edge, above a concave central
frieze drawer flanked by banks of two short serpentine
drawers, raised on acanthus and scroll carved cabriole legs
ending in raised scroll feet
122cm wide, 75cm high, 68cm deep
£2,000-3,000
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GEORGE III STYLE MAHOGANY
URN STAND
19TH CENTURY
the square tray top with a moulded edge and
notched corners, raised on shell and scroll
carved cabriole legs ending in pad feet
36.5cm wide, 48cm high, 36.5cm deep
£500-700
310
CHINESE CHIPPENDALE STYLE
MAHOGANY DISPLAY CABINET
ON STAND
LATE 19TH CENTURY
the broken swan neck fretwork pediment
above a foliate carved moulded frieze and a
pair of glazed doors carved with rock work, C
and foliate scrolls, opening to a silk lined
interior with shelves, above three short
drawers to the base carved with drapery
swags; the lower part with two short frieze
drawers raised on openwork trellis straight
legs united by a scrolled carved X form
stretchers joined by a raised tier, on foliate
carved feet
112cm wide, 229cm high, 52cm deep
£4,000-6,000
311
GEORGE III MAHOGANY
BUTLER’S TRAY
18TH CENTURY
of staved oval form with twin handles, bound
with two brass bands
59cm wide
Provenance:
Property from a Highland Estate.
£300-500
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312
GROUP OF WORCESTER
PORCELAIN TEA WARES
18TH CENTURY
comprising three teacups and three
saucers, two painted with flowers
within blue and gilt borders, the other
painted with blue flower sprigs and
sprays; a ‘Mons’ pattern boullion cup
and saucer; a blue ground tea bowl
and saucer; and a blue ground coffee
can, various marks (11)
312
£300-500
313
GROUP OF WORCESTER
BLUE AND WHITE
PORCELAIN
18TH CENTURY
comprising a ‘Three Flowers’ pattern
cabbage moulded jug, 18.5cm high; a
‘Peony’ pattern flower moulded sauce
boat, 8.5cm high; a ‘Prunus Root’
pattern tea bowl and saucer, and a
‘Mansfield’ pattern tea bowl and
saucer, all with blue crescent marks (6)
313
£300-500
314
GROUP OF WORCESTER
PAINTED PORCELAIN
MID-LATE 18TH CENTURY
comprising a pair of blue scale baluster
vases, decorated with exotic birds, with
blue fretted square marks,
19.5cm high; two blue scale dishes,
each with a waved rim and decorated
with exotic birds and insects, with blue
fretted square marks, 21cm and
19cm diameter; and a further dish, of
similar form, painted with a central
floral spray within a cobalt and gilded
rim, painted blue W mark,
19cm diameter (5)
£300-500
315
314
THREE WORCESTER
SPARROW BEAK MILK JUGS
18TH CENTURY
including a ‘Broken Fence’ pattern
example; one with Chinese figures; and
one with polychrome flowers (3)
315
tallest 9.5cm
£200-300
316
TWO WORCESTER LOW
CHELSEA EWERS
18TH CENTURY
both decorated with flower sprigs and
moulded acanthus to the bases, gilt
rims (2)
one 11cm long; the other 11.5cm long
£250-350
316
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NEAR SET OF SEVEN ENGRAVED AND CUT
WINE GLASSES
18TH CENTURY
each with a cylindrical bowl etched with a hoho bird and
blossoming foliage, possibly 19th century, above the facet cut
stem and circular foot (7)
largest 14.5cm high
£500-700
318
GROUP OF GEORGIAN STEM GLASSWARE
18TH / 19TH CENTURY
comprising a wine glass with an etched bowl and a facet cut
stem, 14.5cm high; a wine glass with a double opaque twist stem,
13.5cm high; and facet cut taper stick with a domed foot, 15cm high; together
with a LATE VICTORIAN SILVER MOUNTED PINCHED GLASS DECANTER, date
mark 1899, 28.5cm high; and a CUT GLASS DECANTER AND STOPPER,
23cm high (5)
£300-500
319Y
GROUP OF THREE PORTRAIT
MINIATURES
LATE 18TH/ EARLY 19TH CENTURY
each in an ebonised frame, comprising of: a
portrait of Sir John Boyd, inscribed OCTOBER
1821, handwritten label to verso, 7.5 x 6cm;
an oval portrait, by David Gibson, believed to
be Mrs Hudson of Shawhall, signed and dated
GIBSON/ 1797, handwritten label to verso, 7 x
5.5cm approx.; and a gentleman in a
powdered wig, 7 x 5.5cm approx. (3)
£300-500
320
GEORGE III MAHOGANY AND
BRASS PLATE BUCKET
LATE 18TH CENTURY
of typical form with slat slides and a brass
bound top with swing handle, now fitted with
a brass liner
31cm diameter, 29.5cm high
£600-800
321
GEORGIAN MAHOGANY
KNIFE BOX
322
GEORGE III MAHOGANY
APOTHECARY BOX
with a sloped lid of serpentine form, painted
with reserves depicting floral sprays within
ebony banding, opening to a fitted interior
converted to a stationery box, on brass ball
feet
18TH CENTURY
of rectangular form with a brass carrying
handle, opening to reveal a fitted interior with
two glass funnels and six glass bottles with
stoppers
23cm wide, 42.5cm high, 34.5cm deep
20cm wide, 15.5cm high, 14cm deep
£300-500
£150-250
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323
GEORGE III MAHOGANY
CELLARETTE
18TH CENTURY
of cubic form with a cove moulded hinged
cover, the compartmented interior marked in
ink ‘Sherry.’, ‘Sweet.’, ‘Port.’, and ‘Whisky’, with
brass handles to the sides, on bun feet with
later porcelain castors
46cm wide, 41cm high, 33cm deep
£300-500
324
GEORGE III MAHOGANY
BOWFRONT CHEST
18TH CENTURY
the bowfront top with boxwood banding
above four graduated drawers, over a
serpentine apron and raised on splayed feet
102cm wide, 99cm high, 54cm deep
£400-600
325
GEORGE III MAHOGANY
‘UNIVERSAL’ TABLE AFTER A
DESIGN BY THOMAS SHERIDAN
18TH CENTURY
the draw leaf top with a moulded edge over
one fitted and one plain long drawer flanked
by small dummy drawers; the three remaining
sides with dummy drawers, raised on square
tapered legs ending in brass caps and castors
198cm long, 75cm high, 107cm deep (extended)
£3,000-5,000
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GEORGE III MAHOGANY,
SATINWOOD, INLAY AND PENWORK
SERPENTINE CHEST OF DRAWERS
LATE 18TH CENTURY
the serpentine top centred by an oval musical
trophy and bordered by laurel banding, above
four line inlaid serpentine long drawers, the top
drawer fitted with a baize line brushing slide and
fitted compartments, on bracket feet
107cm wide, 83cm high, 58cm deep
£3,000-4,000
327
PAIR OF REGENCY PATINATED
AND GILT BRONZE LAMPS
converted from candlesticks, each with a
gadrooned drip tray above the acanthus leaf
cast knop and plain tapered column, with an
ornate cast gilt bronze base raised on three
scrolled feet and a triform plinth base, with
a pleated cream silk shade (2)
32cm high
£600-800
328
REGENCY MARBLE TOPPED ROSEWOOD
AND PARCEL GILT OPEN BOOKCASE
EARLY 19TH CENTURY
the onyx and green banded marble top over a deep
frieze with gilt metal mounts, above open shelves
flanked by squared pilasters headed by Egyptian
masks, on a plinth base
114cm wide, 93cm high, 43cm deep
£1,500-2,000
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329
REGENCY GILT AND GESSO
TRIPLE PLATE OVERMANTEL
MIRROR
19TH CENTURY
the moulded cornice with applied ball detail
above a frieze panel depicting Minerva in a
chariot pulled by lions, over a triple bevelled
mirror plate flanked and divided by reeded
columns
149cm wide, 93cm high
£600-800
330
REGENCY MAHOGANY DUMBWAITER
CIRCA 1820
with two dished and graduated circular tiers on a baluster
turned support raised on scrolled outswept reeded legs
with brass castors
62cm diameter, 92cm high
Provenance:
The Estate of the late Countess of Lanesborough
£300-500
331
PAIR OF REGENCY
MAHOGANY, EBONY AND
BRASS INLAID FOLDOVER
TEA TABLES
EARLY 19TH CENTURY
the D shaped foldover tops with line inlay
opening on double gatelegs above deep
friezes with line inlay and brass and ebony
banding, raised on square tapered legs
ending in spade on ball feet (2)
91cm wide, 75cm high, 45cm deep (closed)
£1,000-1,500
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REGENCY ROSEWOOD AND
CALAMANDER BANDED
SOFA TABLE BY GILLOWS
EARLY 19TH CENTURY
the rounded rectangular top with drop ends
over two short and two dummy frieze
drawers, raised on splayed end supports with
brass bead moulding and ending in leaf cast
caps and castors
149cm wide, 71cm high, 69cm deep (open)
£3,000-4,000
333
REGENCY MAHOGANY WHATNOT
EARLY 19TH CENTURY
with four tray tiers, raised and divided by
turned supports, the bottom tier with a
drawer, on turned legs with brass caps and
castors
41cm wide, 154cm high, 40cm deep
£1,200-1,800
334
REGENCY MAHOGANY
CELLARETTE
CIRCA 1820
of sarcophagus form, with a brass loop
handle to the front, raised on carved paw
feet
62cm wide, 52cm high, 40cm deep
£400-600
335
PAIR OF FLIGHT, BARR AND BARR
WORCESTER PORCELAIN DISHES
EARLY 19TH CENTURY
each of lobed square form, decorated with the
‘Fence’ pattern in the Imari palette with pink
highlights, incised IB (2)
22 x 21.5cm
£200-300
336
ENGLISH TOPOGRAPHICAL
PORCELAIN TEACUP
19TH CENTURY
the square reserve against a cobalt ground
with scrolling gilt foliage and highlights,
inscribed in red to underside ‘ENTRANCE TO
LONDON BY THE OBELISK IN THE SURRY
ROAD’
7.5cm high, 7.5cm diameter
£150-250
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337
REGENCY MAHOGANY FRAMED SOFA
19TH CENTURY
the low straight back and downswept enclosed arms
with baluster turned scroll supports, above a loose
cushion seat, in yellow silk upholstery, raised on turned
legs ending in brass caps and castors
189cm wide, 87cm high, 60cm deep
£1,500-2,500
338
REGENCY ROSEWOOD PLANE,
BY SPIERS, AYR
of typical form, with white and brass metal
mounts, signed Spiers, Ayr and stamped with
marks for Moseley & Son
35cm long
£500-700
339
REGENCY MAHOGANY BREAKFRONT
BOOKCASE
CIRCA 1820
the moulded cornice above a pair of doors flanked by
further doors all with brass grille inserts backed by
pale yellow silk; the lower part with three cupboard
doors, on a plinth base
151cm wide, 212cm high, 48cm deep
£500-800
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340
REGENCY MAHOGANY
LINEN PRESS
EARLY 19TH CENTURY
the plain moulded cornice above a pair
of panel doors opening to sliding trays;
the lower part with two short and two
long drawers raised on splay feet
127cm wide, 203cm high, 64cm deep
£500-700
341
LATE GEORGE III MAHOGANY CANTERBURY
19TH CENTURY
with slatted sides and an open interior, over a long base drawer, raised
on tall turned legs
58cm wide, 59cm high, 38cm deep
£500-700
342
TWO GEORGIAN BURRWOOD BOXES
EARLY 19TH CENTURY
comprising a sarcophagus form workbox with brass
mounts on scrolled paw feet, 21.5cm wide; and a
rosewood crossbanded tea caddy of rectangular form
on brass ball feet, with a void interior, 27.5cm wide (2)
£200-300
343
REGENCY MAHOGANY AND EBONISED
WINDOW SEAT
19TH CENTURY
the long padded seat flanked by scrolled arms, in a
lyre form ebonised moulded frame, raised on
serpentine legs with brass caps and castors
344
GEORGE IV MAHOGANY CELLARETTE
160cm long, 70cm high, 39cm deep
CIRCA 1825
of sarcophagus form with knop handles to the sides, opening to a lined
interior, raised on squat turned feet with castors
£150-250
58cm wide, 45cm high, 42cm deep
£300-500
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345
12 IN. CELESTIAL GLOBE
BY DONALDSONS
CIRCA 1830
on a baluster turned support and tripod base
ending in carved paw feet
93cm high
£800-1,200
346
REGENCY MAHOGANY BOOKCASE
CIRCA 1820
the moulded cornice above a pair of astragal
glazed doors opening to shelves; the lower part
with a frieze drawer above a pair of cupboard
doors outlined with bead moulding and flanked
by columns, opening to sliding trays, raised on a
plinth base
134cm wide, 219cm high, 65cm deep
£700-900
347
TEAK CAMPAIGN SECRETAIRE CHEST
EARLY 19TH CENTURY
in two parts; the top section fitted with a fall front
opening to an interior fitted for writing, over two
short drawers; the lower part with two long
drawers, with brass straps and handles
92cm wide, 94m high, 43cm deep
£800-1,200
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REGENCY GILTWOOD TRIPLE
MIRROR TRUMEAU
EARLY 19TH CENTURY
the egg and dart moulded cornice above a plain
cornice above an 18th century painted panel and
triple mirror plate flanked by fluted Ionic pilasters
on a moulded base
142cm wide, 151cm high
£1,000-1,500
349
REGENCY STYLE MAHOGANY
SOFA TABLE
LATE 19TH CENTURY
the rectangular top with drop sides above a pair
of short frieze drawers with dummy drawers
opposing, raised on lyre form end supports raised
on reeded outswept legs joined by a turned
stretcher
136cm wide, 74cm high, 62cm deep
£400-600
350
REGENCY ROSEWOOD AND
MARBLE TOP LOW BOOKCASE
EARLY 19TH CENTURY
the veined white marble rectangular top
above a plain frieze over open shelves flanked
by cupboards with brass grille inserts, on a
plain plinth base
168cm wide, 108cm high, 46cm deep
£2,000-3,000
351
REGENCY MAHOGANY CANTERBURY,
ATTRIBUTED TO GILLOWS
EARLY 19TH CENTURY
the four division top above a single drawer, raised
on turned legs ending in brass caps and castors
54cm wide, 52cm high, 36cm deep
£400-600
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352
FINE CHINESE TEN PANEL
COROMANDEL LACQUER
FLOOR SCREEN
19TH CENTURY
depicting a continuous scene of officials,
dignitaries and courtesans with pavilions and
temples, in a gilt and black lacquer landcape
border
310cm long, 220cm high
£3,000-4,000
353
CHINESE LACQUERED PENWORK
CHEST
19TH CENTURY
the front panel depicting an emperor meeting a
sage carrying a fly whisk, the remaining sides
with cracked ice and prunus motifs
41cm wide, 36cm high, 31cm deep
£250-350
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A Private Scottish Collection of
Chinese Furniture & Works of Art
354Y
CHINESE EXPORT HONGMU,
EBONY AND IVORY INLAID
KNEEHOLE DESK
QING DYNASTY
the panelled top above nine short drawers
around the kneehole, raised on carved paw
feet
109cm wide, 80cm high, 51cm deep
£2,000-3,000
355
CHINESE HARDWOOD
OPEN ARMCHAIR
QING DYNASTY
the shaped back with an interlaced splat
above a cane seat, on carved cabriole legs
ending in claw and ball feet
57cm wide, 89cm high, 45cm deep
£500-700
356
CHINESE HONGMU KANG TABLE
QING DYNASTY
the cleated top above a scroll carved frieze
centred by Buddhist symbols, on shaped legs
80cm high, 31cm wide, 44cm long
£700-1,000
357
FINE CHINESE EXPORT LACQUER
TRIPOD TABLE
QING DYNASTY
the ornate tray top decorated with courtiers
within a lush walled garden, on a baluster
turned column ending in three double S scroll
legs
71cm high, 57cm long, 80cm wide
£2,000-3,000
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358
CHINESE EXPORT HUANGHUALI
BUREAU BOOKCASE
EARLY 19TH CENTURY
the dentil moulded cornice above a pair of astragal
glazed doors opening to shelves; the lower part with a
curved tambour front opening to an interior fitted
with small drawers and pigeon holes and a rising
writing slope, above two short drawers and two long
drawers, over a shaped apron and splay legs
102cm wide,178cm high, 56cm deep
£3,000-5,000
359
CHINESE EXPORT CARVED
HARDWOOD LETTER RACK
QING DYNASTY
of typical form, the front carved with two dragons chasing
the flaming pearl
58cm high, 23cm long, 14cm wide
£300-500
360
RARE PAIR OF CHINESE
HUANGHUALI OPEN ARMCHAIRS
QING DYNASTY
in the Regency taste, with bar backs and
downswept arms above cane seats, on reeded
sabre legs
52cm wide, 84cm high, 45cm deep
Literature:
For a single chair most likely from the same set, see
Crossman “The Decorative Arts of the China Trade”, page
251, plate 134
£2,000-3,000
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361Y
CHINESE EXPORT HUANGHUALI
AND HONGMU SECRETAIRE CHEST
QING DYNASTY
with counter sunk handles and ivory line inlay,
the fall front enclosing a fitted interior above
two short and two long drawers, on turned feet
104cm wide, 110cm high, 52cm deep
£4,000-6,000
362
GOOD CHINESE HUANGHUALI AND
HONGMU MARBLE TOP TABLE
QING DYNASTY
the circular top with inset marble above an
ornate carved frieze raised on a carved turned
column support ending in a tripod base
79cm high, 41cm long
£800-1,200
363
CHINESE CARVED PALMWOOD
DRAGON PEDESTAL COLUMN
19TH CENTURY
the square top above a column carved in deep
relief with phoenix, fu lions and dragons, on a
lead weighted square moulded base
30cm wide, 133cm high, 30cm deep
£800-1,200
364
CHINESE EXPORT HUANGHUALI
CARVED DAVENPORT
QING DYNASTY
the ornate foliate carved 3/4 galleried
back above a serpentine shaped fall
enclosing a fitted interior, above lateral
carved cupboard doors enclosing
drawers, raised on bun feet
73cm wide, 102cm high, 70cm deep
£2,000-3,000
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365
CHINESE ANCESTOR PORTRAIT
QING DYNASTY, 19TH CENTURY
depicting an elderly lady seated on a chair
draped in silks, wearing a robe richly
embroidered in gilt and multicoloured
designs, with headdress and ceremonial
jewellery, framed
56cm high, 32cm wide (excluding frame)
£300-500
366
CHINESE SCHOOL
LATE QING DYNASTY
a pair of export paintings of forts,
watercolour, oval framed (2)
49cm long, 34cm high
£400-600
367
PAIR OF CHINESE HUANGHUALI CARVED SIDECHAIRS
QING DYNASTY
the cane backs ornately carved with dragons, flaming pearls and foliate
scrolls above a cane seat raised on carved turned legs (2)
111cm high, 43cm long, 44cm wide
£1,000-1,500
368
CHINESE EXPORT CARVED HARDWOOD
ENVELOPE GAMES TABLE
QING DYNASTY
the foldover top carved with dragons amongst clouds, opening to reveal
a baize playing surface, the frieze fitted with four drawers above a
fruiting vine carved apron, raised on cabriole legs
59cm wide, 79cm high
£2,000-3,000
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369
CHINESE EXPORT CAMPHOR WOOD AND BRASS
BOUND WRITING BOX
370
CHINESE EXPORT CAMPHOR WOOD AND BRASS
BOUND WRITING BOX
QING DYNASTY
with counter sunk handles, the tambor top and fall front enclosing a
fitted interior over one apron drawer
QING DYNASTY
with counter sunk handles, the tambor top and fall front enclosing a
fitted interior over one apron drawer
54cm high, 28cm long, 43cm wide
54cm high, 28cm long, 43cm wide
£300-500
£400-600
371
CHINESE HUANGHUALI TRAVELLING
WRITING BOX
QING DYNASTY
with paktong mounts, the hinged lid enclosing a fitted
interior
75cm wide, 8cm high, 32cm deep
£300-500
373
372Y
CHINESE EXPORT LACQUER TEA CADDY
QING DYNASTY, 19TH CENTURY
of shaped rectangular form, the sides decorated with
figural panels, opening to reveal a pewter lined interior,
raised on carved dragon feet
22cm wide, 13cm high, 16cm deep
£700-1,000
CHINESE CARVED
HARDWOOD FIGURE
QING DYNASTY
naturalistically carved depicting Shou Lao,
converted to a lamp
24cm high
£400-600
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374
CHINESE CARVED BLACKWOOD
PARFUMIERE
QING DYNASTY
of circular form, carved in high relief with a
figure of a barefoot traveller wearing a hat
and holding a walking stick with two peasants
between bamboo and a pine tree, the pierced
cover carved to form shrivelled leaves, on
hardwood stand
375
CHINESE HUANGHUALI
ROOTWOOD BRUSH STAND
CHINESE ARCHAIC BELL
QING DYNASTY, 19TH CENTURY
of naturalistic form
WESTERN ZHOU PERIOD
with rows of raised bosses and bands of
scrolling decoration
9cm high
22cm long
£400-600
Note:
This lot has been tested for age and Oxford Authentication
certificates are available.
£1,000-1,500
30cm high overall
£300-500
377
376
CHINESE EXPORT BURRWOOD
AND BRASS WRITING SLOPE
QING DYNASTY
the counter sunk handles opening to reveal a
fitted interior
51cm high, 20cm long, 27cm wide
£400-600
378Y
CHINESE SMALL TORTOISESHELL
BOX AND COVER
19TH CENTURY
of circular form, the cover decorated with a
painted basket of roses and daisies amongst
leaves and other blossoms within a circular
brass ring
8.5cm diam
£200-300
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Other Properties
379Y
ENGLISH TORTOISESHELL
TEA CADDY
EARLY 19TH CENTURY
of sarcophagus form with an ogee lid and
bombe shaped base, opening to reveal a void
interior with ivory borders
14.5cm high, 19cm wide, 12cm deep
£400-600
380
COALPORT PART DESSERT
SERVICE
19TH CENTURY
painted with birds and flower sprays within
gilt scroll cartouches, against a cobalt
ground, comprising a pair of fruit coolers,
a pair of covered sauce dishes and stands,
six shell-shaped dishes, four square
dishes; four oval dishes, a footed centre
dish, and eighteen dessert plates, with gilt
Provenance:
The Estate of the late Countess of Lanesborough
£1,200-1,800
381
IRISH WILLIAM IV
MAHOGANY SERVING
TABLE
CIRCA 1830
the rectangular panel back flanked by
acanthus carved sides, above a
rectangular top with a deep moulded
edge, over a pair of short frieze
drawers, raised on robust acanthus
carved and lotus blossom clad
cabriole legs ending in raised scrolled
feet
183cm wide, 128cm high, 64cm deep
£3,000-4,000
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382
WILLIAM IV MAHOGANY TELESCOPIC DINING TABLE
BY WILLIAMSON OF GUILDFORD
19TH CENTURY
the rounded rectangular top with a moulded edge above a plain frieze, raised on
turned and reeded tapered legs ending in brass castors, with six leaf extensions,
with a storage label to the underside inscribed LORD STOCKTON
410cm long, 76cm high, 137cm wide
Provenance:
Private Edinburgh Collection, purchased from the sale of the estate of Harold Macmillan, former British
Prime Minister
£800-1,200
383
PAIR OF WILLIAM IV
MAHOGANY BUFFETS
19TH CENTURY
the foliate carved pierced back rail
above a rectangular top and two further
tiers raised and divided by turned and
lotus carved baluster columns, raised
on lobed and turned feet with brass
caps and castors (2)
150cm wide, 118cm high, 51cm deep
£2,500-3,500
384
WILLIAM IV WALNUT AND
MAHOGANY WORK TABLE
19TH CENTURY
the circular top with a moulded edge over a
pivoting arm, on a turned column support and
triform base raised on turned bun feet
43cm diameter, 69cm high
£300-400
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385
PAIR OF ENGLISH PAINTED PORCELAIN COVERED VASES
386
PAIR OF ENGLISH PAINTED PORCELAIN VASES
19TH CENTURY
each modelled in the rococo style, with a domed cover and applied
brocage finial, above the baluster body with twin handles, painted with a
landscape scene to one side and a flower spray to the other, on a green
ground with cream and gilt highlights (2)
19TH CENTURY
each modelled in the rococo style, of baluster form with a flared neck
and scrolled twin handles, painted with buildings within landscape
settings, on a green ground with cream and gilt highlights (2)
£600-800
£300-500
387
26cm high
SCOTTISH CARVED GILT WOOD
MIRROR
18TH CENTURY
the oval frame carved with scrolling thistles
and leaves, with a typed label to verso
47cm wide, 53.5cm high
Note:
Label verso: 18th century giltwood carving. ‘This carved
work formed part of the back of the Grand Masters Chair in
Grand Lodge of brothers and was (in place) from 1858 to
1915. Freemasons Hall, 98 George Street, Edinburgh. 1912
William Laing, Grand Lodge Office’.
£300-500
388
VICTORIAN PAINTING ON GLASS
19TH CENTURY
the arched glass plate depicting a town and
harbour view with fisherwomen in the
foreground, in a glazed egg-and-dart moulded
frame
43 x 28cm (excluding frame)
£400-600
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389
WILLIAM IV ROSEWOOD AND MAHOGANY INLAID
BREAKFAST TABLE
19TH CENTURY
the circular tilt top with radiating veneers inlaid with stylised foliate
medallion and border, above a robust facetted support on a triform
base with scrolled feet raised on castors
124cm diameter, 77cm high
£800-1,200
390Y
WILLIAM IV TORTOISESHELL AND GILT METAL
MANTEL TIMEPIECE
BY DWERRIHOUSE, OGSTON & BELL, LONDON
CIRCA 1835
the eight day movement in a drum case with a brass Roman numeral
dial signed by the maker, raised on a rectangular plinth with gilt metal
flowerhead and foliate mounts, on gilt metal ball feet, the backplate
engraved ‘Dwerrihouse, Ogston & Bell, London’
26cm high, 20cm wide, 10cm deep
£1,800-2,200
391
VICTORIAN CARVED OAK AND SPECIMEN MARBLE
TRIPOD TABLE
19TH CENTURY
the circular top inset with various radiating hardstone panels within a
leaf carved border, on a figural carved column raised on foliate and
flower carved scroll legs ending in volute scroll feet
71cm diameter, 78cm high
£1,500-2,000
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392
VICTORIAN BURR WALNUT, TULIPWOOD MARQUETRY
CENTRE TABLE
LATE 19TH CENTURY
the serpentine shaped oval top with floral marquetry inlay, raised on
cabriole legs with gilt metal mounts throughout
85cm wide, 74cm high, 54cm deep
Provenance:
The Estate of the late Countess of Lanesborough
393
VICTORIAN WALNUT AND MARQUETRY WORK AND
GAMES TABLE
19TH CENTURY
the pivoting rounded rectangular top opening to reveal backgammon
and chess boards, over a long frieze drawer and sliding work box, raised
on baluster turned and lobed supports ending on scroll legs with
porcelain castors and joined by a turned stretcher
66.5cm wide, 76cm high, 40cm deep
£500-700
£400-600
394
VICTORIAN WALNUT BREAKFAST
TABLE
19TH CENTURY
the oval quarter veneered tilt top with
a moulded edge over a plain frieze,
on a leaf carved column raised on
acanthus carved cabriole legs
ending in scrolled feet on
porcelain castors
136cm wide, 73cm high,
100cm deep
£600-800
395
GILT METAL EXTENDING FLOOR LAMP
LATE 19TH / EARLY 20TH CENTURY
the slender standard cast with rising palmettes, on
a tripod base; with cream pleated silk shade
122cm high excluding fitting
£300-500
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396
GERMAN PAINTED WOOD MODEL
OF NOAH’S ARK
EARLY 20TH CENTURY
the ark with a removable front panel revealing
two compartments, and a collection of painted
and carved wood animals (qty)
62cm long
£300-500
397
EARLY VICTORIAN PAINTED
WOOD DOLL’S HOUSE
19TH CENTURY
modelled as a pair of townhouses with gable
roofs and chimneys, opening to a plain
interior
56cm wide, 76cm high, 27cm deep
£250-350
398
LARGE ENGLISH MA JOLICA
JARDINIERE AND STAND,
PROBABLY HOLDCROFT
19TH CENTURY
the jardiniere moulded with passion flowers
and vines and lion mask handles; the stand
moulded with gothic arches, laurel bands,
strapwork and gryphon masks
156cm high, 48cm diameter
£1,000-1,500
399
VICTORIAN WALNUT AND BRASS MOUNTED WRITING
SLOPE, BY GEORGE BETJEMANN & SONS, LONDON
the hinged covers with decorative brass mounts, opening to reveal a
coromandel interior fitted with a leather slope, glass inkwells and
covered compartments, the lock signed G. BETJEMANN & SONS/
LONDON
35.5cm wide, 11cm high, 25cm deep
£400-600
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400
PAIR OF MINTONS PORCELAIN
PÂTE-SUR-PÂTE VASES
LATE 19TH/ EARLY 20TH CENTURY
each of baluster form with faux twin loop
handles, decorated with a cherub within a
yellow reserve on a white ground with gilt
highlights, gilt maker’s marks and shape
number OA3732 (2)
401
PAIR OF MINTONS
PAINTED AND PÂTE-SURPÂTE PLATES, POSSIBLY
BY DESIRE LEROY
19TH CENTURY
each with a pierced Greek key rim,
decorated with a gilt bird, painted and pâtesur-pâte blossoming foliage, with stamped
retailer marks for James Green & Nephew, one
impressed MINTONS, the other with an impressed
registration mark (2)
19.5cm high
£500-700
24cm diameter
£250-350
402
FOUR ROYAL WORCESTER
RETICULATED WARES
DATED 1876
each with honeycomb reticulated panels and
‘jewelled’ borders, variously stamped with
maker’s marks, comprising a teacup and
saucer; a further small teacup; and a small
dish, decorated to the centre with a gilt crane
(4)
£500-700
403
MINTONS PORCELAIN COVERED
VASE
404
GILT BRASS REPEATER CARRIAGE
CLOCK
405 FRENCH GILT BRASS REPEATER
CARRIAGE CLOCK
MID 19TH CENTURY
with an ogee finial above the garlic-mouth
lobed body and applied ribbon decoration,
painted with repeating gilt spots and borders
on a turquoise ground, with green arrow
marks
EARLY 20TH CENTURY
the four-glass case with a cream enamelled
dial with Roman numerals and a subsidiary
dial, signed SCHRECK/ SEVILLE, the movement
striking on a gong
19TH CENTURY
the four-glass case with a white enamel dial
and Roman numerals, indistinctly signed, the
movement striking on a bell
13.5cm high (excluding handle)
31.5cm high
£300-500
£400-600
£250-350
14cm high (excluding handle)
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406
GERMAN CARVED OAK BRACKET
CLOCK
19TH CENTURY
the ogee pediment carved with a central mask
motif and acanthus leaf moulding, above the
silvered and gilt dial, subsidiary dials and
inscribed presentation plaque, flanked by lion
and mask spandrels, raised on a carved base,
the movement striking on a gong
28cm wide, 43.5cm high, 23cm deep
£500-800
407
GERMAN OAK BRACKET CLOCK,
BY WINTERHALDER &
HOFFMEIER
LATE 19TH/ EARLY 20TH CENTURY
with gilt metal urn finials above the silvered
and gilt dial and subsidiary dials, with further
gilt metal mask mounts and four paw feet, the
movement striking on a bell and five gongs
and stamped with maker’s marks
72cm high
£600-800
408
HOWARD & SON STYLE
‘BRIDGEWATER’ ARMCHAIR
EARLY 20TH CENTURY
with a loose cushion seat, in yellow floral
printed linen upholstery, raised on square
tapered legs ending in brass castors
79cm wide, 82cm high, 58cm deep
£500-700
409
EASY ARMCHAIR
20TH CENTURY
the loose cushioned back and seat flanked
by scrolled arms, raised on square tapered
legs with brass caps and castors, in
patterned upholstery
80cm wide, 93cm high, 57cm deep
£300-500
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410
PAIR OF EDWARDIAN PAINTED SATINWOOD DEMILUNE
CABINETS
EARLY 20TH CENTURY
each demilune top above a central cupboard door painted with an oval
reserve depicting figures engaged in pastoral pursuits, opening to a
shelved interior; painted all over with husk swags, patera, Prince of
Wales plumes, and classical reserves of putti in procession, raised on
splay feet (2)
113cm wide, 90cm high, 49cm deep
£5,000-8,000
411
VICTORIAN GILTWOOD AND
GESSO OVER MANTEL TRIPLE
MIRROR
LATE 19TH CENTURY
the shaped oval bevelled mirror plate flanked
by smaller reniform mirror plates in a
moulded gilt frame with leaf tips and gilt
gesso floral swags beneath foliate cresting
142cm wide, 107cm high
£500-700
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412
LARGE
COLLECTION OF
MOUNTED DEER
ANTLERS
20TH CENTURY
mounted on oak shield
shaped boards, with plaques
identifying estate and date
(32)
£1,500-2,500
413
SET OF SIX GILT METAL WALL
LIGHTS WITH TOLE SHADES
MODERN
the fruit and flower case backplate issuing two
scrolling candle arms with leaf clad stems and
red tole and gilt decorated shades (6)
64cm high
Provenance:
Selected contents from Denston Hall, Suffolk
£400-600
414
PAIR OF EDWARDIAN MAHOGANY
FRAMED ARMCHAIRS
EARLY 20TH CENTURY
the arched padded backs and arms above a stuff
over seat, in yellow damask upholstery, raised on
square tapered legs ending in block feet (2)
76cm wide, 83cm high, 40cm deep
£500-700
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Property from a Private London Residence
415
CHARLES II CARVED OAK
BIBLE BOX ON STAND
17TH CENTURY
the sloped hinged and chip carved
top opening to a void interior, above
a rosette carved frieze, raised on a
carved column support ending in a
platform base with bracket feet
416
SMALL CHARLES II OAK COFFER
17TH CENTURY
the moulded hinged lid opening to a void
interior, above a geometric and stylised foliate
carved front, raised on shaped end supports
75cm wide, 47cm high, 28cm deep
£300-500
32cm wide, 80cm high, 25cm deep
£300-500
418
PAIR OF LARGE ITALIAN MAIOLICA ALBARELLI
19TH CENTURY
of cylindrical shape painted in underglaze blue with dash
borders and fruiting vines, the reserves inscribed in Latin, one
‘Ag. sinapis’ [mustard], the other ‘Ag. portulaca’ [purslane] (2)
44cm high, 28cm diameter
£800-1,200
417Y
WILLIAM & MARY OAK, WALNUT AND
INLAID CHEST OF DRAWERS
17TH CENTURY
the line inlaid rectangular moulded top above four
long mitre moulded drawers, centred by an ivory
portrait medallion and flanked by parquetry panels,
raised on stile feet
75cm wide, 76cm 55cm deep
£2,000-3,000
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419
NORTH ITALIAN WALNUT AND INLAID
CASSONE
LATE 17TH CENTURY
the moulded hinged lid above a panel front and sides
inlaid with scrolling foliate marquetry and centred by
an inlaid oval heraldic device, raised on bold outset
pad feet
180cm wide, 166cm high, 64cm deep
£2,000-3,000
420
RUSSIAN ICON OF THE
RESURRECTION AND DESCENT
19TH CENTURY
on wood
34cm high, 28.5cm wide
Provenance:
Maria Andipa Icon Gallery, London
£300-500
421Y
FRENCH IVORY AND
CHAMPLEVE ENAMEL CRUCIFIX
19TH CENTURY
the crucifix decorated in coloured enamels
with scrolling foliage and flowering urns,
mounted with an ivory figure of Jesus
39cm high
£1,200-1,800
422
PAIR OF ITALIAN SILVERED METAL
CANDLESTICKS
19TH CENTURY
converted to lamps; in the Baroque style, raised
on triform bases (2)
84cm high excluding fittings
£800-1,200
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423
WILLIAM & MARY LABURNUM
AND WALNUT OYSTER VENEERED
CHEST ON STAND
LATE 17TH CENTURY
the mouded cornice over two short and three
long graduated drawers with line inlay; the
stand with a plain frieze raised on baluster
turned legs united by a shaped peripheral
stretcher and ending on bun feet
95cm wide, 115cm high, 57cm deep
£3,000-5,000
424
WILLIAM & MARY OYSTER
VENEERED WALNUT CABINET
ON STAND
17TH CENTURY AND LATER
the moulded cornice above a pair of glazed
doors, each with four panes; the stand with
two short crossbanded frieze drawers, raised
on spiral turned legs joined by a shaped
peripheral stretcher
130cm wide, 160cm high, 40cm deep
£3,000-5,000
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425
ITALIAN WALNUT, FRUITWOOD, INLAY AND
POLYCHROME COMMODE
18TH CENTURY
the rectangular top with parquetry and star motif inlay and a moulded
edge, above four long drawers with gryphon inlay flanked by stiles inlaid
and painted with serpents and birds, raised on stile feet
131cm wide, 104cm high, 65cm deep
£1,000-1,500
427
DUTCH WALNUT MARQUETRY BOMBE DISPLAY
CABINET ON CHEST
EARLY 19TH CENTURY
the domed and moulded cornice centred by a shell carved cresting,
above a pair of shaped glazed doors and side panels, opening to
shelves; the lower part with four long graduated drawers, raised on
claw and ball feet, with floral marquetry throughout
93cm wide, 208cm high, 50cm deep
£2,500-3,500
426
DUTCH WALNUT AND MARQUETRY CHEST OF
DRAWERS
EARLY 18TH CENTURY
the shaped top with flowering urn inlay over four long graduated
drawers with further floral marquetry, raised on later bracket feet
80cm wide, 73cm high, 46cm deep
£2,000-3,000
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Fine Furniture & Works of Art 137
428
GEORGE I BURR WALNUT AND MULBERRY
CABINET ON CHEST
EARLY 18TH CENTURY
the moulded cornice over a cushion moulded frieze drawer above
a pair of line inlaid cupboard doors, opening to an arrangement of
short drawers and a central door opening to further drawers; the
lower part with a brushing slide and three long graduated drawers
with further line inlay, raised on shaped bracket feet
111cm wide, 173cm high, 53cm deep
£3,000-5,000
429
WILLIAM & MARY RED
PAINTED FOOTSTOOL
LATE 17TH CENTURY
the square padded seat upholstered in
floral needlework, raised on baluster
turned legs joined by shaped X form
stretcher and raised on flattened bun
feet
36cm wide, 48cm high, 35cm deep
£800-1,200
430
GEORGE II WALNUT LONGCASE
CLOCK BY JOHN ELLICOTT, LONDON
MID 18TH CENTURY
the stepped caddy top with a blind fretwork
frieze above an arched brass dial with silvered
Roman numeral chapter ring, subsidiary
Strike/Silent and seconds dials, and a date
aperture, inscribed ‘JNO Ellicot London’; above
an arched door and a plinth base, the eight
day movement striking a bell
49cm wide, 245cm high
£4,000-6,000
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432
FRENCH KINGWOOD AND PARQUETRY MARBLE TOP
SIDE TABLE
19TH CENTURY
the three quarter brass gallery on a breche marble top above three
short drawers, raised on tapered square legs; with brass Druce & Co.
brass trade label to drawer interior
42cm wide, 78cm high, 31cm deep
£300-500
431
DIRECTOIRE STYLE KINGWOOD AND
AMARANTH SECRETAIRE BIBLIOTHEQUE
19TH CENTURY
the moulded cornice above a pair of glazed doors opening
to shelves and raised on tapered supports; the lower part
with a slant front opening to an arrangement of drawers
and pigeon holes and a lined writing surface, above two
further frieze drawers raised on tapered legs joined by a
shaped X form stretcher and ending on toupie feet
94cm wide, 192cm high, 47cm deep
£2,500-3,500
433
GOOD LOUIS XVI STYLE MAHOGANY
BRASS LINED BUREAU CYLINDRE
19TH CENTURY
the white marble galleried top with three short
drawers above a cylindre front opening to a sliding
leather writing surface and compartmented interior,
above a central frieze drawer flanked by banks of two short drawers,
raised on fluted tapered legs ending in toupie feet
135cm wide, 116cm high, 62cm deep
£3,000-4,000
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435
EMPIRE MAHOGANY MARBLE TOPPED CONSOLE TABLE
EARLY 19TH CENTURY
the rectangular grey marble top over a long frieze drawer raised on
brass mounted column supports above an open undertier
115cm wide, 93cm high, 49cm deep
£700-1,000
434
GERMAN EMPIRE MAHOGANY SECRETAIRE A
ABBATANT BY FIRNHABER, BERLIN
CIRCA 1815
the moulded rectangular top above a frieze drawer, over sloping sides
and a panelled fall front, opening to reveal an ornate marquetry,
parquetry and faux mulberry interior fitted for writing, over two further
long drawers, raised on a shaped plinth base
91cm wide, 139cm high, 50cm deep
£1,000-1,500
436Y
LOUIS XIV STYLE BOULLE AND GILT BRONZE
WORK BOX
19TH CENTURY
of bombe outline, decorated with scrolling brass work and inlaid with
silvered metal and mother of pearl masks and mythical beasts, mounted
with a gilt brass angel to each corner, the hinged lid opening to reveal a
fitted interior, raised on bun feet
35cm wide, 16cm high, 27cm deep
£1,000-1,500
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REGENCY MAHOGANY
CAMPAIGN FOUR POST BED
EARLY 19TH CENTURY
the panel headboard with turned spindle
posts, the footboard with carved, fluted and
reeded posts with foliate carved capitals,
joined by a hinged three part canopy and
raised on square legs
210cm long, 213cm high, 106cm deep
£1,500-2,500
438
GEORGE III MAHOGANY AND
PARCEL GILT MIRROR
CIRCA 1760
the rectangular mirror plate within a gilt slip
and fret carved frame, flanked by gilt foliate
trails and surmounted by an openwork gilt
foliate roundel, with a further roundel below
60cm wide, 115cm high
£300-500
439
WILLIAM IV MAHOGANY AND GREEN
LEATHER UPHOLSTERED RECLINING
ARMCHAIR
19TH CENTURY
the adjustable button upholstered back and seat flanked
by padded open arms, with an extending foot rest and
raised on brass castors
62cm wide,122cm high
£1,500-2,500
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440
GOOD IRISH REGENCY
MAHOGANY CAMPAIGN
CHEST BY E. ROSS, DUBLIN
EARLY 19TH CENTURY
the hinged top opening to shelves and a
scroll carved crested back, above a central
fall front drawer fitted with a leather
writing surface, pigeon holes and drawers,
flanked by banks of two short drawers,
above three further long graduated
drawers, raised on short block feet; one
drawer stamped ‘ E. ROSS / Camp
Furniture / Manufacturer / 9.TO.11 / Elliss
Quay / DUBLIN’
112cm wide, 176cm high, 53cm deep
£2,000-3,000
441
CHINESE ELM ARMCHAIR
LATE QING DYNASTY
the square back with a double panel splat carved
with a stylised lotus and scroll arms, above a
cleated plank seat, raised on straight legs joined
by peripheral stretchers
54cm wide, 93cm high, 39cm deep
£300-500
442
VICTORIAN ROSEWOOD
TRAVELLING CASE, W. LUND,
LONDON
of rectangular form, the hinged lid opening to
a fitted leather interior with maker’s plaques,
cut glass bottles, implements and silver
mounted glass boxes, hallmarked London
1835
29cm wide, 14cm high, 21cm deep
£300-500
443
TWO CHINESE HARDWOOD
TRAVELLING DRESSING CASES
19TH CENTURY
each of rectangular form fitted with brass
mounts, opening to reveal a folding mirror
and drawers (2)
larger: 38cm wide, 23 high, 28cm deep; smaller:
29cm wide, 21cm high, 23cm deep
£200-300
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Continental Furniture & Works of Art
444
FRENCH KINGWOOD AND WALNUT
BONHEUR DU JOUR
LATE 19TH CENTURY
the three quarter pierced gallery top over a pair of oval
glazed doors opening to a blue velvet lined shelved
interior; the lower part of serpentine outline with an apron
drawer fitted with a leather insert writing slope, raised on
square cabriole legs mounted with gilt metal mounts
77cm wide, 133cm high, 55cm deep
£1,000-1,500
445
LOUIS XIV STYLE VERNIS MARTIN
AND KINGWOOD PARQUETRY
BUREAU DE DAME
LATE 19TH CENTURY
the three quarter pierced gallery top over a
slant front with a Vernis Martin panel of a
courting couple, opening to small drawers,
pigeon holes and covered recess, raised on
slender square cabriole legs, with gilt metal
mounts
71cm wide, 94cm high, 45cm deep
£1,000-1,500
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446
FRENCH TRANSITIONAL STYLE
KINGWOOD AND GILT METAL
MOUNTED BUREAU PLAT
19TH CENTURY
the rectangular top with a red leather insert,
brass line inlay within a leaf and scroll cast gilt
metal mounted edge, above a long frieze
drawer, raised on square cabriole legs ending
in gilt metal sabots
82cm wide, 77cm high, 58cm deep
£1,000-1,500
447
PAIR OF PATINATED BRONZE
OIL LAMPS
19TH CENTURY
converted to electricity, of urn form cast in two
parts with a Greek-key border, profiles of
classical females, and scrolling leafy branches,
with cream pleated silk shades (2)
26.5cm high (excluding fittings and shade)
£600-800
448
LOUIS XV STYLE AMARANTH AND
KINGWOOD PARQUETRY MARBLE
TOPPED COMMODE
19TH CENTURY
the shaped rouge marble top with a moulded
edge over two long drawers outlined in gilt bronze
scrolling foliate mounts, with further foliate
mounts to the hips, raised on slender splayed legs
ending in gilt bronze foliate cast lion paw sabots
137cm wide, 88cm high, 60cm deep
£2,000-3,000
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449
LOUIS XV STYLE KINGWOOD AND
MARQUETRY BUREAU PLAT
19TH CENTURY
the shaped rectangular brass banded top
inlaid with floral marquetry, above a frieze
drawer and raised on cabriole legs with gilt
metal mounts
130cm wide, 76cm high, 70cm deep
£1,000-1,500
450
FRENCH TRANSITIONAL STYLE
KINGWOOD AND AMARANTH
PARQUETRY COMMODE
19TH CENTURY
the breakfront black marble top above three
long drawers with trellis and barber pole legs
144cm wide, 83cm high, 66cm deep
£600-800
451
LOUIS XV STYLE KINGWOOD AND
AMARANTH VERNIS MARTIN
MARBLE TOP COMMODE
LATE 19TH / EARLY 20TH CENTURY
the shaped pink marble top over an enclosed
bombe body, the front centred by a vernis
martin cartouche depicting a young woman,
infant and gentleman, with gilt metal mounts
and raised on splayed feet
173cm wide, 109cm high, 54cm deep
£1,000-1,500
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452
PAINTED LEATHER FOUR PANEL FLOOR
SCREEN, AFTER TENIERS
19TH CENTURY
painted with continuous scene of figures in a village, in an
ebonised frame
234cm wide, 207cm high
£600-800
453
FRENCH GILT BRONZE AND
MARBLE MANTEL CLOCK
19TH CENTURY
the urn finials above the suspended white
enamelled dial, signed PIOLAINE À PARIS,
flanked by white and black marble columns on
a serpentine shaped base and raised on four
gilded feet, the movement striking on a bell
44cm high
£800-1,200
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454
FRENCH KINGWOOD, VERNIS MARTIN
GILT BRONZE MOUNTED VITRINE
LATE 19TH CENTURY
the moulded arched cornice centred by a foliate scroll
gilt bronze mount, above a pair of serpentine glazed
doors and side panels opening to a green silk lined
interior and glass shelves, the doors with painted
reserves depicting landscapes and courting couples,
raised on square splay legs, the whole outlined with
gilt bronze mounts
104cm wide, 190cm high, 51cm deep
£3,000-4,000
455
PAIR OF FRENCH PATINATED AND
GILT BRONZE CANDELABRA
19TH CENTURY
each cast with a central sconce and five
outscrolling arms, held by a classical figure
raised on an ornate gilt bronze base with
three paw feet, on a stepped triform base (2)
70cm high
£1,500-2,000
456
LOUIS XVI STYLE KINGWOOD
AND MARQUETRY MARBLE
TOPPED SIDE CABINET
LATE 19TH CENTURY
the breche marble top over a pair of frieze
drawers and panel doors inlaid with
marquetry, raised on tapered legs
118cm wide, 104cm high, 44cm deep
£600-800
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457
FRENCH SATINWOOD PARQUETRY AND GILT
METAL MOUNTED BUREAU PLAT
CIRCA 1920
the rectangular top with a triple black leather writing insert
over a central drawer flanked by banks of two short
drawers, with dummy drawers opposing, raised on square
tapered legs, the whole outlined in gilt metal mounts
111cm wide, 79cm high, 56cm deep
£1,200-1,800
458
LOUIS XVI STYLE LEATHER
TOPPED MAHOGANY
BUREAU PLAT
19TH CENTURY
the leather top with a three quarter pierced
brass gallery, above a central drawer flanked
by two short drawers either side, the ends
with lateral slides, raised on square tapered
legs, with gilt metal mounts throughout
154cm wide; 78cm high, 58cm deep
£800-1,200
459
FRENCH KINGWOOD PARQUETRY
AND GILT METAL MOUNTED
ETAGERE
LATE 19TH CENTURY
in the Louis XV style, with two shaped
rectangular tiers, the lower tier mounted with
side handles, raised on slender square
tapered legs ending in sabots
86cm wide, 81cm high, 49.5cm deep
£400-600
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MASSIMILIANO SOLDANI-BENZI
(1656-1740)
GANYMEDE AND THE EAGLE
bronze, dark brown patina, modelled with the
nude draped figure of Ganymede reclining
into the open wings of Jupiter disguised as an
eagle, their gazes meeting in adoration, with
the figure of Cupid with his blindfold removed
and quiver at his feet looking on, and a hound
below watching attentively, on a naturalistic
rocky base
38.5cm wide, 31.5cm high
Provenance:
The Estate of the Late Countess of Lanesborough
Note:
Lyon & Turnbull would like to thank Dr Charles Avery for
his assistance in cataloguing this lot
£100,000-150,000
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ASSIMILIANO SOLDANI-BENZI (16561740) was Master of the Mint in Florence,
but extended his range beyond the
coinage of Tuscany. In 1702 he had modelled two
elaborate mythological subjects, the Judgement of
Paris and Diana and Callisto, which give a
premonition of the sculptor’s ‘pictorial’ style of
composition, with strong diagonals animating the
groups of figures, which are laden with exquisitely
rendered details. Soldani had learned at the shortlived Medicean Academy in Rome, where one of
his instructors had been Ercole Ferrata, himself a
follower of Algardi. Soldani was thus a leading
member of the third generation of sculptors in the
tradition of the Roman Baroque, of which the
present group, Ganymede and the Eagle, is a typical
product.
M
It was probably statuary after the Antique and his
splendid portrait medallions that initially attracted
the British ‘Milordi’ to Soldani’s studio at the Mint,
which was conveniently situated opposite the
entrance to the Uffizi Gallery. Surviving
correspondence from the sculptor to his
representative in London, G.G. Zamboni, describes
Soldani’s attempts to sell, and get payment from,
these well-heeled English gentlemen. Soldani’s
first letter, of 15 October 1716, described Lord
Burlington’s purchase of two bronze reliefs of The
Seasons and his order for two others (all now in
the Royal Collection). It also relates how Burlington
commissioned some other groups in bronze from
models that he had seen in Soldani’s studio. These
had since been cast, but not paid for, and so had
not been forwarded to His Lordship. Soldani
enclosed for Zamboni’s benefit a list of the four
compositions in question, as well as their
measurements and prices. It begins with Venus
and Adonis, of which there is an example in the J.
Paul Getty Museum, California, and ends with a
splendid, Bernini-esque, group of Apollo & Daphne.
In between them, the sculptor lists casts from
terracotta models that the flighty young Lord
Burlington also had seen and commissioned: a
matching pair of rather smaller and simpler
groups depicting Leda and the Swan and Ganymede
and the Eagle. To Soldani’s chagrin Burlington did
not honour his obligation, but further
correspondence from Soldani to Zamboni indicate
such a pair was later sent to England. The present
statuette - with its interesting Anglo-Irish
provenance that might take it as far back as 1716 may well be one of them. The only other pair, in
the Fitzwilliam Museum, Cambridge, is from an
Italian source. The Earl of Lanesborough was a
title in the Peerage of Ireland. It was created in
1756 for Humphrey Butler, 2nd Viscount
Lanesborough. The Butler family descended from
Theophilus Butler, who represented County Cavan
and Belturbet in the Irish House of Commons. In
1715 he was raised to the Peerage of Ireland as
Baron Newtown-Butler, of the County of
Fermanagh, with remainder to the heirs male of
his father. It may have been he who acquired the
present bronze, probably with its pair of Leda and
the Swan (now missing), from Soldani’s
representative G.G. Zamboni in London.
To read the complete essay on this bronze visit
www.lyonandturnbull.com
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461
CIRCLE OF SIMONE DEL TINTORE
(ITALIAN 1630-1708)
STILL LIFE WITH PEACHES, GRAPES AND
MELONS
oil on canvas
102cm x 72cm (40in x 28.25in)
Provenance:
Denston Hall, Suffolk
£3,000-5,000
462
NICHOLAS HENRY JOSEPH DE
FASSIN (BELGIAN 1728-1811)
ITALIANATE LANDSCAPE WITH TRAVELLERS
AND ANIMALS ON A WOODED PATH
oil on canvas
73cm x 94.5cm (28.75in x 37.5in)
Provenance:
Denston Hall, Suffolk
£2,000-3,000
463
CIRCLE OF ABRAHAM
BRUEGHEL AND
MICHELANGELO
CERQUOZZI
BOY PICKING GRAPES WITH AN
ARRAY OF FRUIT
oil on canvas
464
GERRIT JOHAN VAN LEEUWEN
(DUTCH 1756-1825)
STILL LIFE WITH URN AND CLASSICAL
RUINS
signed and dated 1802, oil on canvas
106cm x 91cm (41.75in x 36in)
130cm x 99cm (51in x 39in)
Provenance:
Denston Hall, Suffolk
Provenance:
Denston Hall, Suffolk
£7,000-10,000
See illustration opposite
£4,000-6,000
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465
PAIR OF FRENCH GILT METAL AND MARBLE
TABLE LAMPS
19TH CENTURY
converted from candelabra, each cast with a seated child
holding a cornucopia of flowers on a marble pillar mounted
with flower swags, raised on four cast feet, converted to
electricity, with a cream shade (2)
47cm high (excluding fitting and shade)
£800-1,200
467
FRENCH BRONZE FIGURE OF MERCURY
19TH CENTURY
dark brown and golden patina, raised on a cast bronze
and painted wood plinth, on paw feet
466
PAIR OF RESTAURATION PATINATED AND GILT
BRONZE LAMPS
19TH CENTURY
converted from candlesticks, each with a gadrooned drip tray
above the fluted column and acanthus leaf cast foot, with a
pleated cream silk shade (2)
29.5cm high (excluding fittings and shade)
£600-800
80cm high
£600-800
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468
FINE AND LARGE CARRARA
MARBLE FIGURE OF CUPID AND
PSYCHE AFTER CANOVA, WITH A
GREEN SERPENTINE MARBLE
PEDESTAL
19TH CENTURY
on a tapered green serpentine marble
pedestal with an octagonal base
figure group 102cm wide, 60cm high;
180cm high overall
Note:
After the original now in the Louvre, Paris
£4,000-6,000
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469
PAIR OF FRENCH GILT BRONZE MOUNTED
MARBLE URNS
470
PAIR OF FRENCH PATINATED AND GILT BRONZE
CAMPANA URNS
19TH CENTURY
each with a flame finial above the white marble body and pierced neck,
mounted with twin goat mask handles united by flower swags, raised on
a circular fluted foot and stepped marble base (2)
19TH CENTURY
each cast with figures of Britannia above a reeded base and splayed
foot, raised on a carved black marble plinth base, decorated with gilt
foliage flanked by twin columns (2)
40.5cm high
42cm high
£500-700
£500-800
471
472
PAIR OF FRENCH EMPIRE GILT BRONZE AND CUT GLASS
CANDELABRA
19TH CENTURY
each with twin-branch arms and cut glass drip trays, raised by a figural
putto column and cut glass plinth, on a gilt bronze square base (2)
45cm high
£400-600
PAIR OF FRENCH MODERATEUR PATINATED AND
GILT METAL LAMPS
ADAPTED, 19TH CENTURY AND LATER
each converted from an oil lamp, of bottle form with ribbed and
repeating spot decoration within bands, raised on a cast quadriform
base, marked LAMPE AUREOLE CY PARIS CY, with a pleated cream silk
shade (2)
41.5cm high (excluding fittings)
£600-800
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475
FRENCH WALL CLOCK
19TH CENTURY
the circular white enamel dial with Roman
numerals and signed ‘E. Verge a Dinon’, the
case and pendulum of embossed metal with
emblematic trophies
170cm high
Provenance:
The Estate of the late Countess of Lanesborough
£300-500
476
PAIR OF RIHOUET PARIS
PORCELAIN PLATES
19TH CENTURY
each with a gilt border on a deep red ground,
reputedly decorated with painted scenes after
Karel Du Jardin, one depicting men leaving for
market, the other painted with a coastal
dwelling, each with gilt inscriptions to verso (2)
23cm diameter
£250-350
477Y
473
FRENCH GILT METAL AND
PORCELAIN MOUNTED
MANTEL CLOCK
FRENCH TOOLED LEATHER AND
TORTOISESHELL PATCH BOX
LATE 19TH CENTURY
signed H. MOREAU, on a separate socle base
19TH CENTURY
of circular form, the leather exterior with gilt
metal mounts, opening to reveal a void
tortoiseshell interior, 8cm diameter; together
with a FRENCH GUILLOCHE ENAMEL AND GILT
BRASS PILL BOX, decorated with red and white
enamels, opening to a void interior,
6cm diameter (2)
27cm wide, 40.5cm high
56cm high
£200-300
£300-500
£1,500-2,000
LATE 19TH/ EARLY 20TH CENTURY
the urn shaped finial with cast flower swags
above the painted porcelain dial and flanking
plaques, raised on a bowed base with an
inscription to verso, the movement signed
LEROY & FILS/ PARIS/ 210, striking on a bell
478
474
CARRARA MARBLE FIGURE OF A
NYMPH, BY HENRI MOREAU
AFTER PIERRE JULES MÊNE
(FRENCH 1810-1879)
BRONZE FIGURE OF A GREYHOUND
with golden brown patina, signed P.J. MÊNE,
on an incised oval base
10.5cm high, base 15cm wide
£200-400
479Y
CONTINENTAL PAINTED AND
TORTOISESHELL SNUFF BOX
19TH CENTURY
the rectangular case inset with a painted lid
depicting a village celebration, after Teniers,
opening to a void interior
9cm wide, 2.5cm high, 5cm deep
£200-300
480Y
COLLECTION OF SNUFF AND
PATCH BOXES
19TH CENTURY
comprising two tortoiseshell veneered examples;
a miniature brass and mother-of-pearl inlaid
tortoiseshell box; a papier-mache box; and an
enamelled shoe-shaped box; together with a
TORTOISESHELL AND MOTHER-OF-PEARL INLAID
CARD CASE (6)
£250-350
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A Private Collection of Clocks
481
VIENNA REGULATOR
19TH CENTURY
the white Roman number dial signed ‘Karl
Pacher in Wien’, with a single weight and
pendulum housed in a three glass and
burrwood case with ebonised openwork scroll
cresting, the pendulum stamped ‘14836’
80cm high
£400-600
482
GUSTAV BECKER MONTH GOING
‘DACHLUHR’ REGULATOR
19TH CENTURY
serial no. 657381, the opaque milk glass dial
with blue Roman numbers and a subsidiary
seconds dial, and triple cylinder weight and
pendulum in a walnut six glass case with a
scroll pediment and pendant
100cm high
£1,000-1,500
483
JAEGER LE COUTRE ‘ATMOS’ CLOCK
20TH CENTURY
no. 279464, in its original box
22.5cm high
£500-700
484
FRENCH TWO TONE BRASS CARRIAGE CLOCK
19TH CENTURY
the white enamel Roman numeral dial set in a polished and
matte brass case with fluted corner columns and an angled loop
handle, the later movement striking on a gong
17.5cm high (handle up)
£300-500
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485
LOUIS XV BOULLE MARQUETRY
BRACKET CLOCK
MID 18TH CENTURY
the gilt metal and white enamel dial with
Roman and Arabic numbers, in a shaped case
inlaid with boulle marquetry and outlined in
gilt bronze, the quarter striking eight day
movement striking on two bells
58cm high
£1,000-1,500
486
LOUIS XVI STYLE PATINATED AND GILT BRONZE AND
MARBLE MANTEL CLOCK
487
FRENCH MARBLE AND GILT BRONZE
PENDULE D’OFFICIER
19TH CENTURY
modelled as a patinated metal celestial globe with a Roman numeral
dial supported by three gilt bronze putti, on a green marble column with
gilt bronze floral swag mounts, and raised on a shaped octagonal base,
the eight day movement striking a bell
19TH CENTURY
the arched green and purple marble case with a gilt bronze foliate
scroll handle, a cream enamel Arabic numeral dial, and floral swag
and urn gilt bronze mounts, on a square base raised on gilt squat
bun feet
38cm high
21cm high
£1,000-1,500
£300-500
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488
FRENCH SMALL THREE PIECE MARBLE CLOCK GARNITURE
19TH CENTURY
the arched white marble case with gilt bronze ribbon tied torch surmount, a
circular white enamel Arabic numeral dial with one winding hole and
flowering basket and ribbon gilt bronze mounts, on a square base raised on
flattened bun feet; with a pair of matching candlesticks (3)
clock 19cm high; candlestick 14cm high
£400-600
489
SUSSE FRERES LOUIS XVI STYLE
SMALL GILT BRONZE CARTEL CLOCK
19TH CENTURY
the white enamel Arabic numeral dial painted with
floral swags and inscribed by the maker, with one
winding hole, in a gilt bronze case cast with a
laurel wreath and surmounted by cockerel heads
and a ribbon
30cm high
£300-500
490
FINE FRENCH GILT BRONZE
FOUR GLASS MANTEL CLOCK
BY ROBIN DU ROY, PARIS
EARLY 19TH CENTURY
the white enamel dial with Roman and
Arabic chapters, signed ‘Robin H’ger du
Roy / A PARIS’ , in a four glass case with
matt and polished gilt bronze pierced
laurel and floral garland panels, on a
rectangular white marble base with
further gilt bronze mounts, raised on
flattened feet, the eight day movement
striking on a bell
24cm wide, 44cm high, 15.5cm deep
£1,500-2,500
491
LOUIS XV BOULLE
MARQUETRY BRACKET
18TH CENTURY
of ogee form with a foliate cast drop finial
and mounts
38cm wide, 34cm high, 21cm deep
£250-350
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Fine Furniture & Works of Art 161
492
FRENCH TABLE CLOCK WITH
MOVEMENT BY DUPRE, PARIS
the engraved silvered dial with Roman
numerals and set in a shaped hexagonal case
with open sides and raised on six cabriole
legs, the works engraved ‘DVPRE A PARIS’
6.5cm diameter, 4.5cm high
£700-1,000
493
MINIATURE FRENCH CARRIAGE
CLOCK
19TH CENTURY
the three-quarter white enamel dial with
Arabic numerals, floral motifs and inscribed ‘8
JOURS’ and ‘8 DAYS’, set in a mask embossed
with foliate motifs, the sides and back panels
with circular figural reserves, floral garlands
and ribbons, all marked ‘Frainier, Depose’
494
FRENCH MINIATURE BRASS
CARRIAGE CLOCK BY GIROUX
19TH CENTURY
the white enamel dial with Roman and Arabic
numeral chapters, signed ‘Alp. Giroux / Paris’,
in a five glass plain case
6.5cm high
£150-250
10cm high (handle up)
£250-350
495
FINE FRENCH BRASS AND EBONY
REPEATING CARRIAGE CLOCK
496
FRENCH FOUR GLASS MANTEL
CLOCK
19TH CENTURY
the white enamel dial with Roman and Arabic
chapters and brass moon hands, in a moulded
ebony and brass case with a loop handle with
a central knop, the eight day movement
striking a gong
19TH CENTURY
the dial with a Roman numeral chapter and
brass beaded bezel cast with leaf tips, in a four
glass brass case with foliate corner mounts to
the moulded top, on a conforming base
20cm high (handle up)
£400-600
£800-1,200
17cm wide, 30cm high, 14cm deep
497
FRENCH MINATURE GILT AND
PATINATED METAL EMPIRE STYLE
PORTICO TIMEPIECE
LATE 19TH CENTURY
the circular Arabic numeral dial in a drum case
holding the watch movement, between four
fluted columns, surmounted by a stepped top
and raised on a square base with gilt metal
mounts
14.5cm high
£300-500
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Other Properties
498
LARGE CARRARA MARBLE HEAD OF
DAVID, AFTER MICHELANGELO
20TH CENTURY
together with a SCAGLIOLA PEDESTAL, late 19th /
early 20th century (2)
Head 67cm high; pedestal 91cm high
Provenance:
Selected contents from Denston Hall, Suffolk
£500-700
499
MALTESE PIETRA DURA
SPECIMEN MARBLE TABLE ON AN
EBONISED AESTHETIC BASE
19TH CENTURY
the rectangular top inset with various
hardstones and marble specimens as a games
board, raised on an ebonised and gilt
Aesthetic base with a shaped undertier and
porcelain castors
84cm wide, 73cm high, 56cm deep
£800-1,200
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Fine Furniture & Works of Art 163
500
GOOD DUTCH MARQUETRY BUREAU
BOOKCASE
18TH CENTURY
in three parts; the straight moulded cornice above a pair
cupboard doors with shaped bevelled mirror plates opening
to shelves, above a slant front opening to an interior fitted
with drawers, pigeon holes and a covered recess; the lower
part with three bombe long drawers and shaped apron
raised on bracket feet, the whole profusely inlaid with
flowering urns, putti, and birds
114cm wide, 217cm high, 57cm deep
£5,000-7,000
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501
DUTCH WALNUT MARQUETRY
DISPLAY CABINET ON CHEST
19TH CENTURY
in two parts, the arched moulded cornice
over a glazed door and sides; the lower
part of bombay outline with three long
drawers and raised on carved paw feet,
with flowering urn and garland marquetry
86cm wide, 173cm high, 55cm deep
£1,500-2,500
503
DUTCH BURR WALNUT
LONGCASE CLOCK
BY WILLIAM GIB, ROTTERDAM
19TH CENTURY
of typical form, inlaid with peonies, birds and scrolling foliage,
opening to reveal a lined writing slope and fitted interior
LATE 17TH / EARLY 18TH CENTURY
the high caddy top above a hood with blind
fret carved arched frieze and brass urn and
eagle finials, the pierced arch brass dial with
Roman and Arabic chapters, subsidiary
seconds dial, date aperture and three winding
holes, engraved WILLIAM GIB/ ROTTERDAM
above the long trunk with an arched door with
a star etched lenticle, on a plinth base raised
on turned bun feet, the eight day movement
striking on nine bells
51.5cm wide, 19cm high, 28cm deep
46cm wide, 252cm high, 26cm deep
£400-600
Provenance:
The Contents of Mullanhead House, Balfron
502
DUTCH BRASS MOUNTED MARQUETRY LAP DESK
£1,500-2,500
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504
DUTCH WALNUT AND
MARQUETRY BOMBE BUREAU
19TH CENTURY
the slant front opening to an interior fitted for
writing above a frieze with two short drawers
over three further long drawers above a
shaped apron and raised on splayed feet,
inlaid with flower filled urns, cornucopia, putti,
and insects
104cm wide, 111cm high, 53cm deep
£2,000-3,000
505
DUTCH WALNUT MARQUETRY FALL FRONT SECRETAIRE
19TH CENTURY
the rectangular top with outset square corners above a long frieze
drawer, over a fall front opening to small drawers, cubby holes and a
leather insert writing surface, over a pair of cupboard doors, raised on
square tapered legs, with flowering urn, bird and flower marquetry
throughout
93cm wide, 148cm high, 42cm deep
£600-800
506
DUTCH WALNUT MARQUETRY BUREAU ON STAND
EARLY 20TH CENTURY
in two parts, the slant front over a long frieze drawer; the lower part
with a long drawer and raised on cabriole legs ending on pad feet, with
flowering cornucopia, figures, and urn marquetry throughout
79cm wide, 111cm high, 49cm deep
£1,500-2,500
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507
SWISS WALNUT, INLAY
AND PENWORK TILT TOP
TRIPOD TABLE
19TH CENTURY
the shaped oval top with a central
cartouche depicting an alpine hunting
scene with four smaller panels
similarly decorated, over a carved and
pierced frieze, raised on a carved
baluster support with scroll legs
carved with flower trails
79cm wide, 76cm high, 59cm wide,
£800-1,200
508
BLACK FOREST CARVED
MANTEL CLOCK
EARLY 20TH CENTURY
carved with a cockerel, hen and chick on the
roof of a shed with a fox below, the dial with
blue enamel Roman numerals, the eight day
movement striking a bell; signed and dated
1918 to the door interior
35cm wide, 41cm high, 15cm deep
509
LARGE BLACK FOREST
CUCKOO CLOCK
£600-800
LATE 19TH CENTURY
with a cresting carved with a stag’s head
with glass eyes and crossed rifles above a
chalet-form case carved with oak leaves, a
hare, pheasant, horn and huntsman’s bag
and fitted with a cuckoo bird mechanism
above the dial
133cm high, 76cm wide,
£800-1,200
510
PAIR OF AUSTRIAN PAINTED
TERRACOTTA FIGURES,
BY JOHANN MARESCH
LATE 19TH CENTURY
modelled as Nubian water carriers in
traditional costume holding lustre glazed pots,
raised on naturalistic-style rocky bases,
impressed JM / 6743 and JM/ 6744 (2)
59cm and 59.5cm high
£400-600
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511
PAIR OF MEISSEN PORCELAIN WALL BRACKETS
512
MEISSEN PORCELAIN FIGURE GROUP
13cm high
19TH CENTURY
modelled as children playing with a nesting bird, in polychrome enamels
with brocage and foliage, on an oval base with gilt highlights, blue
crossed swords marks, incised and impressed marks, and a label for
NICOLAUS FRANZ, FRANKFURT to underside
£200-300
14cm high
LATE 19TH CENTURY
each with a demi-lune platform above the rococo style wall mount,
painted with a scene of lovers and flower sprigs, within pink and gilt
borders, blue crossed sword marks (2)
£300-500
513
PAIR OF MEISSEN PORCELAIN
CANDELABRA
19TH CENTURY
each with a removable central sconce and
three outscrolling arms above the figural stem,
modelled in classical dress as a male and
female, each clasping a putto, raised on a
domed square base, in polychrome enamels
with gilt highlights, with blue crossed sword
mark, incised, stamped and painted numbers
(2)
47cm high
£1,000-1,500
514
KPM PORCELAIN CABINET CUP
AND SAUCER
MID 19TH CENTURY
each with maker’s marks, decorated with
scrolling gilt foliage and applied beaded
borders, the cup painted with a scene of Christ
(2)
cup 11cm high, saucer 15.5cm diameter
£300-500
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515
RUSSIAN ICON OF CHRIST PANTOCRATOR IN A
METAL OKLAD
LATE 19TH CENTURY
Christ depicted with his hand raised in blessing and holding scripture in
his left hand, the metal oklad with maker’s stamp, in a softwood shadow
box frame
516
PAIR OF CONTINENTAL BRONZE FIGURES
EARLY 20TH CENTURY
brown patina, cast as Spanish dancers with castanets, on naturalistic
style bases and chamfered marble plinths (2)
24cm and 23.5cm high
£400-600
22cm high, 18cm wide
£300-500
517
FRENCH GILT AND PATINATED
BRONZE MARBLE MOUNTED
MANTEL CLOCK,
OF EQUESTRIAN INTEREST
19TH CENTURY
the rider and horse finial above the silvered
and gilt dial, with acanthus leaf mounts and
feet, the movement striking on a bell and
stamped GUYERDET AINE, PARIS
45.5cm high, 31cm wide
£400-600
519
TWO COCO DE MER (LODOICEA
MALDIVICA) BOWLS
both carved from a half shell with the central
cleft fashioned as a handle, one with barbed
edges, the other with a barbed
handle and diamond carved border (2)
One 35cm long; the other 33cm long
£300-400
518
LARGE BOHEMIAN AMBER
GLASS COVERED VASE
LATE 19TH CENTURY
the cover with a spike finial and lobed edge;
the facetted cup engraved with a hunting
scene with stags, on a facetted stem and
conforming lobed foot
54cm high
£250-350
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Indian & Islamic Works of Art
520Y
ANGLO-INDIAN CARVED ELEPHANT EBONY BENCH
LATE 19TH CENTURY
the long rectangular seat with a foliate carved border raised on a pair
of carved elephant supports with ivory tusks
153cm long, 47cm high, 38cm deep
£1,500-2,000
521Y
TWO LARGE INDIAN CARVED EBONY
ELEPHANTS
EARLY 20TH CENTURY
standing four square, one with a metal chain to one
foot and an ivory tusk, both with ivory toenails (2)
53cm high
£300-500
522
COLONIAL BONE AND
MAHOGANY VENEERED
TABLE CASKET
EARLY 18TH CENTURY
the arched lid decorated with parquetry
veneers and above the inlaid base decorated
with geometric patterned panels, opening to
reveal a void paper-lined interior
38.5cm wide, 20.5cm high, 20.5cm deep
£600-800
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523
WILLIAM ARNOLD STEWART, F.R.S.A.
(BRITISH, 1882-1953)
VIEWS OF CAIRO
three watercolour and gouache paintings on paper, signed and dated
1912, 1912, and 1918; all matted and framed (3)
524
WILLIAM ARNOLD STEWART, F.R.S.A.
(BRITISH, 1882-1953)
24.5cm x 34cm; 31cm x 19cm; 23cm x 30cm
VIEWS OF THE MEDITERRANEAN
four watercolour and gouache paintings on paper, signed and dated,
including Porta d’Agusta, Perugia,1911; Spanish Hills 1914, Red Sea,1921;
Citadel, 1925; all matted and framed (4)
£400-600
30.5cm x 24cm; 24.5cm x 34cm; 24cm x 34cm; 25cm x 34.5cm
£400-600
525
WILLIAM ARNOLD STEWART, F.R.S.A.
(BRITISH, 1882-1953)
526
WILLIAM ARNOLD STEWART, F.R.S.A.
(BRITISH, 1882-1953)
VIEWS OF THE RUINS AT KARNAK AND LUXOR
five watercolour and gouache paintings on paper, signed and dated,
1915, 1915, 1922, 1927; one unsigned; all matted and framed (5)
VIEWS OF CAIRO AND THE RUINS AT KARNAK
two watercolour and gouache paintings on paper, signed, one dated
1947 (2)
34cm x 25cm; 34.5cm x 24.5cm; 33cm x 47.5cm; 24.5cm x 34.5cm;
39cm x 26cm
55cm x 35cm; 54.5cm x 36.5cm
£800-1,200
£400-600
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Fine Furniture & Works of Art 171
527
WILLIAM ARNOLD STEWART,
F.R.S.A. (BRITISH, 1882-1953)
VIEWS OF CAIRO AND EGYPT
three watercolour and gouache paintings on
paper, signed and dated 1912, 1918, and
1925; all matted and framed (3)
23cm x 30.5cm; 23cm x 30.5cm; 24.5cm x 34cm
£500-700
528
WILLIAM ARNOLD STEWART,
F.R.S.A. (BRITISH, 1882-1953)
VIEWS OF THE RUINS AT KARNAK
two watercolour and gouache paintings on
paper, both signed and inscribed ‘Cairo’ and
dated 1924; all matted and framed (2)
36cm x 54cm; 35.5cm x 54.5cm
£500-700
529
PERSIAN WIREWORK ROSEWOOD
JEWELLERY CASKET
LATE 19TH CENTURY
of rectangular form, decorated with silver and
brass inlaid borders and motifs, the fall-front
opening to reveal six fitted drawers
18cm wide, 13cm high, 13cm deep
£300-400
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530
LARGE J. & L. LOBMEYER PERSIAN STYLE
ENAMELLED GLASS DISH, DESIGNED BY
MACHYTKA AND SCHMORANZ
VIENNA, CIRCA 1880
the shallow well with a raised rim, centrally enamelled with a
rosette and blue strapwork within a band of Kufic text,
encircled by a wide border of stylised leaf with further
strapwork and flower motifs, with gilt details, inscribed on
the reverse ‘Die Klugheit ist die mächtigste Stütze des
Menschen und die Rechtschaffenheit ist seine beste
Eigenschaft.’ and around the rim of the foot ‘Wer sich in
fremde Dinge mengt. hat den Schaden davon’; engraved JLL
monogram
39cm diameter
£4,000-6,000
Page 172
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Fine Furniture & Works of Art 173
531
MUGHAL CELADON JADE
JEWELLED CUP
18TH CENTURY
of slightly flared form, gilt wirework scrolls and
flowers inset with rubies and semiprecious
stones, above a leaf-carved base and plain
circular foot
9.5cm diameter, 8cm high
£10,000-15,000
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Oriental Rugs & Carpets
Lots 532-538 are from Ardkinglas House, generally considered Sir Robert Lorimer’s
masterpiece. Built for Sir Andrew Noble and completed in 1907, the house is
situated at the head of Loch Fyne and was a truly ‘modern’ Scottish Arts & Crafts
house when it was built, incorporating concrete construction, central heating, and
an internal telephone system among other amenities. Still a private residence,
Ardkinglas remains largely unchanged from its original plan.
532
KARABAGH RUNNER
SOUTH CAUCASUS,
LATE 19TH/EARLY 20TH CENTURY
the dark indigo field with allover
herati pattern, within red stylised
foliate vine border between bands
595cm x 112cm
£600-800
533
SARAB RUNNER
NORTHWEST PERSIA,
LATE 19TH/EARLY 20TH CENTURY
the camel field with ten
polychrome lozenge medallions,
half medallions between, within
ivory stlylised vine border and
outer band
490cm x 104cm
£500-700
534
KAZAK KARACHOPF RUG
SOUTH CAUCASUS,
LATE 19TH/EARLY 20TH CENTURY
the blue field with two red serrated lozenge and two ivory rectangle
medallions, within ivory stepped lozenge border between bands
206cm x 126cm
£700-1,000
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535
LARGE AXMINSTER STYLE CARPET
POSSIBLY WILTON,
LATE 19TH/EARLY 20TH CENTURY
the indigo field with cream neoclassical medallion
flanked by demi lunes, each end with griffin and
urn panel, pink and gold border
982cm x 493cm
Provenance:
Sir John & Lady Amie Noble’s house in Portland Place, London.
Note:
The Nobles probably bought the house in the 1920’s and it is
unknown whether the carpet was already there or whether they
added it to the contents.
It was later removed to Ardkinglas after the Second World War,
where it has been in the Drawing Room until now.
£7,000-10,000
536
THREE NORTHWEST PERSIAN
RUNNERS
LATE 19TH/EARLY 20TH CENTURY
two similar with brown field with allover herati
pattern, within red stylised vine border; and
another with brown field with allover boteh
pattern, within red vine border (worn) (3)
372cm x 90cm; 350cm x 98cm; 380cm x 100cm
£250-350
537
NORTHWEST PERSIAN RUNNER
LATE 19TH/EARLY 20TH CENTURY
the indigo field with allover lattice and rosette
pattern, within rust stylised vine border between
bands
395cm x 90cm
£200-300
538
KAZAK KARACHOPF RUG
SOUTH CAUCASUS,
LATE 19TH/EARLY 20TH CENTURY
the turquoise field with ivory octagonal medallion
flanked by rectangles, within pale lemon hooked
rectangle border between bands (worn)
238cm x 141cm
£250-350
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Fine Furniture & Works of Art 177
539
LARGE USHAK CARPET
WEST ANATOLIA, LATE 19TH CENTURY
the light red field with large olive palmette and
cruciform motif pattern, within olive stylised vine
border and multiple bands (lacking end section)
600cm x 438cm
£600-800
540
KAZAK RUG
SOUTH CAUCASUS,
LATE 19TH/EARLY 20TH CENTURY
the indigo field with four polychrome hooked lozenge
medallions, within cream arrowhead border between
bands
214cm x110cm
£500-700
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178 Lyon & Turnbull
541
SAROUK RUG
WEST PERSIA,
LATE 19TH/EARLY 20TH CENTURY
the indigo field with allover palmette and foliate pattern,
within indigo palmette and vine border between bands
177cm x 128cm
£600-800
542
KAZAK STYLE RUG
LATE 20TH CENTURY
the red field with two cream and green ‘eagle’
lozenge medallions, within narrow cream
stylised vine border between bands
235cm x 170cm
£400-600
543
KASHAN RUG
CENTRAL PERSIA, MID 20TH CENTURY
the raspberry field with cream medallion
suspending pendants, similar spandrels,
within rust foliate cartouche border between
bands
219cm x 142cm
£500-700
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Fine Furniture & Works of Art 179
544
HERIZ CARPET
NORTHWEST PERSIA, LATE 20TH CENTURY
the red field with indigo medallion suspending
pendants, cream spandrels, within indigo
palmette and vine border between bands
390cm x 300cm
£1,200-1,800
545
BELOUCH PART SILK PRAYER RUG
546
NORTHWEST PERSIAN RUNNER
547
SHIRVAN RUG
EAST PERSIA,
LATE 19TH/EARLY 20TH CENTURY
the indigo mihrab with three brown hooked
lozenge medallions, within rust lozenge
border between bands, kelim ends
POSSIBLY BAKHTIARI,
LATE 19TH/EARLY 20TH CENTURY
the cream field with polychrome joined
medallion pole, blue spandrels, within triple
blue and cream vine borders
EAST CAUCASUS,
LATE 19TH/EARLY 20TH CENTURY
the indigo field with four rectangular panels
and other geometric motifs, within red twin
boteh border between bands
135cm x 92cm
410cm x 90cm
180cm x 140cm
£250-350
£300-500
£300-500
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548
TABRIZ CARPET
NORTHWEST PERSIA,
EARLY/MID 20TH CENTURY
the red field with allover palmette
and foliate vine pattern, within
cream palmette and vine border
between bands
430cm x 330cm
£1,000-1,500
549
NAIN PART SILK RUG
550
KASHMIR RUNNER
551
SAROUK FEREGHAN RUG
CENTRAL PERSIA, LATE 20TH CENTURY
the indigo field with allover floral vase, bird
and animal lattice pattern, within cream foliate
border
NORTH INDIA, LATE 20TH CENTURY
the cream field with three rust medallions,
similar spandrels, within puce boteh vine
border between bands
142cm x 95cm
290cm x 65cm
WEST PERSIA,
LATE 19TH/EARLY 20TH CENTURY
the cream field with elongated indigo
medallion, red spandrels, within indigo
palmette and vine border
£300-500
£300-500
195cm x 136cm
£300-500
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Fine Furniture & Works of Art 181
552
BAKHTIARI CARPET
NORTHWEST PERSIA, 20TH CENTURY
the dark indigo field with allover polychrome
lozenge lattice pattern, within cream stylised vine
border between bands
530cm x 360cm
£1,000-1,500
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553
TALISH RUNNER
SOUTH CAUCASUS,
LATE 19TH/EARLY 20TH CENTURY
the plain red field with five small roundels to
centre, within cream rosette border between
bands
260cm x 118cm
£1,200-1,800
554
KAZAK STYLE CARPET
LATE 20TH CENTURY
the dark green field with cream and red
octagonal medallion flanked by rectangles,
within ochre wine glass and leaf border
between bands
245cm x 178cm
£1,000-1,500
555
ARDABIL STYLE RUG
556
ISFAHAN PART SILK RUG
557
AUBUSSON STYLE NEEDLEWORK
CARPET
LATE 20TH CENTURY
the mauve field with blue medallion
suspending pendants, similar spandrels,
within raspberry cartouche border between
bands
CENTRAL PERSIA, LATE 20TH CENTURY
the indigo field with cream medallion, similar
spandrels, within cream border between
bands
LATE 20TH CENTURY
the cream field with foliate medallion, within
rust scrolling acanthus border
170cm x 115cm
272cm x 174cm
206cm x 140cm
£300-500
£200-300
£200-300
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Fine Furniture & Works of Art 183
558
SILK KASHAN PRAYER RUG
POSSIBLY ‘MOHTASHAM’,
LATE 19TH/EARLY 20TH CENTURY
the ivory field with dense foliate tree pattern,
within brick red palmette, rosette and
arabesque vine border between bands
202cm x 128cm
£800-1,200
559
QUM CARPET
CENTRAL PERSIA, MID 20TH CENTURY
the cream field with allover bird and foliate
spray pattern, within similar blue border
between bands
321cm x 213cm
£1,500-2,000
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184 Lyon & Turnbull
560
ANATOLIAN CARPET
MID 20TH CENTURY
the abrash brown field with a central light
brown medallion, scrolled spandrels, within
light brown leaf border between bands
293cm x 192cm
£800-1,200
561
KIRMAN CARPET
SOUTHEAST PERSIA,
MID/LATE 20TH CENTURY
the plain crimson field with oval floral
medallion, within similar floral scrolling border
400cm x 300cm
£1,000-1,500
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Fine Furniture & Works of Art 185
562
HERIZ CARPET
NORTHWEST PERSIA, EARLY 20TH CENTURY
the rust red field with allover serrated
palmette and leaf pattern, within indigo
rosette and vine border between bands
321cm x 205cm
£1,000-1,500
563
TEKKE CARPET
TURKMENISTAN, MID 20TH CENTURY
the red field with four columns of thirteen
guls, within red sunburst border between
bands
345cm x 214cm
£400-600
564
TURKOMAN CARPET
TURKMENISTAN, 20TH CENTURY
the dark red field with three columns of eight
Ersari style guls, within reddish brown
geometric border between ivory bands
565
BELOUCH KELLEH
364cm x 285cm
EAST PERSIA,
LATE 19TH/EARLY 20TH CENTURY
the indigo field with allover hooked red
lozenge pattern, within red hooked vine
border between bands, kelim ends
£250-350
265cm x 120cm
£200-300
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566
ISFAHAN PART SILK CARPET
CENTRAL PERSIA, LATE 20TH CENTURY
the cream field with small palmette medallion and
overall scrolling arabesque vine pattern, within red
palmette and vine border between bands
317cm x 205cm
£4,000-5,000
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Fine Furniture & Works of Art 187
567
FINE KASHAN CARPET
CENTRAL PERSIA,
LATE 19TH/EARLY 20TH CENTURY
the indigo field with red medallion suspending pendants,
similar spandrels, within indigo building cartouche and vine
border between bands
430cm x 317cm
£8,000-12,000
See also detail illustration on page 170
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188 Lyon & Turnbull
568
CENTRAL PERSIAN SILK
‘HUNTING’ RUG
LATE 20TH CENTURY
the light brown field with cream angel filled
medallion, brown spandrels, within cream
animal cartouche border between bands
160cm x 110cm
£600-800
569
KIRMAN PICTORAL RUG
SOUTHEAST PERSIA,
LATE 19TH/EARLY 20TH CENTURY
the cream field with central oval portrait
medallion surrounded by twelve similar
portrait ovals, within green figural and foliate
border between bands
193cm x 125cm
£400-600
570
KASHAN RUG
CENTRAL PERSIA, EARLY 20TH CENTURY
the indigo field with red and cream medallion,
similar spandrels, within red arabesque vine
and palmette border between bands
207cm x 133cm
£400-600
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Fine Furniture & Works of Art 189
571
KUBA STYLE RUNNER
PROBABLY NORTHWEST PERSIA,
LATE 19TH/EARLY 20TH CENTURY
the abrash indigo field with allover palmette
and foliate pattern, within ivory foliate vine
border between red bands (reduced)
815cm x 111cm
Provenance:
Property from a Highland Estate.
£600-800
572
LARGE FEREGHAN CARPET
NORTHWEST PERSIA,
LATE 19TH/EARLY 20TH CENTURY
the indigo field with allover herati pattern,
within green turtle palmette and vine border
between bands
680cm x 454cm
£700-1,000
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190 Lyon & Turnbull
573
CHINESE SILK CARPET
LATE 20TH CENTURY
the rust red field with indigo medallion, cream
spandrels, within indigo bird, rosette and
foliate border between bands
278cm x 180cm
£800-1,200
574
PEKING CARPET
NORTH CHINA,
LATE 19TH / EARLY 20TH CENTURY
the cream field with a central indigo open vine
medallion, similar spandrels, within cream
lattice and floral cartouche border between
bands (reduced)
440cm x 340cm
£600-800
575
TWO CHINESE CARPETS AND A
MAT
LATE 19TH/EARLY 20TH CENTURY
both carpets with indigo lattice field with
rectangular elephant medallion, within cream
circular motif border; the circular mat with
pink ground with five lions, within polychrome
cloud scroll border (3)
576
TWO CHINESE CARPETS
LATE 19TH/EARLY 20TH CENTURY
one with cream field with five dragons, within
blue cloud scroll border; the other with pink
field with five dragons, polychrome cloud
scroll ends (2)
255cm x 165cm; 220cm x 130cm
£300-500
217cm x 128cm
£300-500
END OF SALE
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Jacobite, Stuart &
Scottish Applied Art
Wednesday, 13 May, 2015
A RARE 18TH CENTURY
JACOBITE DECANTER
decorative with three Jacobite roses and
portrait of Prince Charles Edward Stuart
£4,000-6,000
Enquiries
Colin Fraser +44 (0)131 557 8844
[email protected]
Nick Curnow +44 (0)131 557 8844
[email protected]
33 Broughton Place, Edinburgh EH1 3RR l +44 (0)131 557 8844 l www.lyonandturnbull.com
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English & Continental Furniture
& Decorative Arts Auction 05/19/15
David Walker | +1 267.414.1214
[email protected]
To purchase a catalogue, visit our
website or call +1 267.414.1256.
Minton pâte-sur-pâte vase and cover
last quarter 19th century,
decorated by Louis Solon
$5,000-7,000
(detail)
Pierre-Philippe Thomire (1751-1843)
Fine Empire gilt and patinated
bronze clock garniture
$20,000-30,000
(detail)
Louis-Ernest Barrias (French, 1841-1905)
“La Nature Se Dévoilant Devant La Science”
gilt bronze
$12,000-18,000
(detail)
www.freemansauction.com
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Rare Books, Manuscripts,
Maps & Photographs
Wednesday, 06 May, 2015
Nicolas de Fer
L'atlas curieux ou le monde réprésenté dans des
cartes générales et particulières du ciel et de la
terre... Paris: chez l'auteur, 1705, part 1. 99
hand-coloured engraved maps and 45 handcoloured engraved text leaves
£2,000-3,000 ($3,000-4,500)
Enquiries
Simon Vickers +44 (0)131 557 8844
[email protected]
Cathy Marsden +44 (0)131 557 8844
[email protected]
33 Broughton Place, Edinburgh EH1 3RR l +44 (0)131 557 8844 l www.lyonandturnbull.com
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Directory
Board of Directors
Specialist Departments
Chairman
Sir Angus Grossart
Pictures, Watercolours
& Prints
Nick Curnow
Charlotte Riordan
Emily Johnston (London)
Carly Shearer
Vice Chairmen
Paul Roberts
Nick Curnow
Managing Director
Gavin Strang
International Director
Lee Young
Furniture, Clocks &
Works of Art
Douglas Girton
John Mackie
Theo Burrell
Directors
Campbell Armour
Trevor Kyle
John Mackie
Mhairi McFadden
Asian Works of Art
Lee Young
Anna Westin (consultant)
Sara Pierdominici
Ling Zhu
Associate Director
Alex Dove
Rugs & Carpets
Gavin Strang
Jewellery, Silver,
Coins & Medals
Trevor Kyle
Ruth Davis
Colin Fraser
Decorative Arts:
Design from 1860
John Mackie
Theo Burrell
European Ceramics & Glass
Douglas Girton
John Mackie
Theo Burrell
Rare Books, Maps, Manuscripts &
Photographs
Simon Vickers
Cathy Marsden
Arms & Armour
Colin Fraser
John Batty (consultant)
Locations
33 Broughton Place
Edinburgh
EH1 3RR
Tel +44 (0)131 557 8844
Fax +44 (0)131 557 8668
[email protected]
182 Bath Street
Glasgow
G2 4HG
Tel +44 (0)141 333 1992
Fax +44 (0)141 332 8240
I www.lyonandturnbull.com
78 Pall Mall
London
SW1Y 5ES
Tel +44 (0)20 7930 9115
Fax +44 (0)20 7930 7274
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Valuations Department
Administration
Lyon & Turnbull are one of the leading
specialist valuation companies in the
UK. In Scotland, we specialise in
Inheritance Tax, Capital Gains Tax and
other tax planning valuations.
Finance Director
Mhairi McFadden
Press & Public Relations
Philip Gregory
Office Manager
Laura Henderson
Marketing
Alex Dove
Matt McKenzie
Grace Browne
[email protected]
Client Services
Glasgow & the West
Linda Robinson
Edinburgh & the East
Tessa Robson
Eleanor Welsh
Insurance & beyond Scotland
Insurance valuations and other types of
valuation in the rest of the UK and
internationally are looked after by our
partner valuations company, Pall Mall
Art Advisors.
Pall Mall Art Advisors
Tel: +44 (0)845 882 2794
[email protected]
Accounts
Eileen Welsh
Sarah Laing
Administration
Edinburgh
Kim Aitchison
Eleanor Welsh
Jennifer Somerville
Glasgow
Linda Robinson
James McNaught
Saleroom Staff
Sydney Drew
David Robertson
Scott Mitchell
David Fiddes
Valerie Kyle
London & Southern England Representatives
Ian Peter MacDonald
Tel: +44 (0)20 7930 9115
[email protected]
Lee Young
Mobile: +44 (0)7825 426555
[email protected]
Emily Johnston
Mobile: +44 (0)7741 247225
[email protected]
Photography
Alex Robson
Business Development
Paul Roberts
Ian Peter MacDonald
Lindsey Michie
James McNaught
Steven Moore
Iain Gale
John Sibbald
John Thomson
Tessa Thomson
Lady Middleton
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Conditions of Sale
SELLERS
1. DEFINITIONS
In these Conditions of Sale (Sellers):
“Auctioneer” means Lyon & Turnbull Ltd or its
authorised auctioneer, as appropriate;
“Buyer“ is the person who makes the highest possible
bid or offer accepted by the auctioneer, and/or such
person’s principal where bidding as agent;
“Buyer‘s Premium” is the commission payable by the
Buyer on the Hammer Price at the rates set out in the
Sale Catalogue Guide to Prospective Buyers and an
amount in respect of applicable VAT;
“Hammer Price” is the highest bid accepted by the
auctioneer by the fall of the hammer or in the case of a
post-auction sale, the agreed sale price;
“Item” means each and every item consigned for sale
following express written agreement between Lyon &
Turnbull and the Seller;
“Lot“ means each Item offered for sale by Lyon &
Turnbull;
“Lower Estimate” means the low estimate provided by
Lyon & Turnbull to the Seller in relation to each Item, or
in relation to any Item which Lyon & Turnbull holds on
behalf of the Seller;
“Lyon & Turnbull” means the company which has its
registered office at 33 Broughton Place, Edinburgh, EHI
3RR registered in Scotland No. 191166
“Net Sale Proceeds” are the Hammer Price, less
commissions and other charges, of the Lot sold, to the
extent received by Lyon & Turnbull in cleared funds;
“Proposed Sale” means the intended sale through which
the items will be sold on
“Purchase Price” is the Hammer Price and applicable
Buyer‘s Premium;
“Reserve” means the lowest price below which an item
cannot be sold;
“Upper Estimate” means the high estimate provided by
Lyon & Turnbull to the Seller in relation to each Item, or
in relation to any Item which Lyon & Turnbull holds on
behalf of the Seller;
“Terms of consignment” means the stipulated terms and
rates of commission on which the Auctioneer accepts
instructions from Sellers or their agents;
“You”, “Your” means the seller
“Us”, “Our”, “We” etc refers to Lyon & Turnbull Ltd
The singular includes the plural and vice versa as
appropriate.
2. WARRANTY OF TITLE AND AVAILABILITY
The Seller warrants:(a) that you are the true owner of the property
consigned or are properly authorised by the true owner
to consign it for sale and are able to transfer good and
marketable title to the property free from any third party
claims.
(b) that all requirements have been complied with, legal
or otherwise, relating to any export or import of the
property consigned, all duties and taxes in respect of
the export or import of the lot have (unless agreed in
writing with us) been paid and, so far as you and any
principal for whom they are acting in relation to the lot
are aware, all third parties have complied with such
requirements in the past.
(c) that you have provided Lyon & Turnbull with any
and all information concerning the item’s provenance
or any concerns expressed by third parties concerning
its ownership, condition, authenticity, attribution, and
export or import history; and
(d) Unless the Seller advises Lyon & Turnbull in writing
to the contrary on delivery of the item to Lyon &
Turnbull, there are no restrictions on Lyon & Turnbull
rights to reproduce photographs or other images of the
item in connection with the sale or any other marketing
which will be done in accordance with good taste and
decency.
3. PREPARATION FOR SALE
(a) Lyon & Turnbull shall decide the way in which a lot
may be included in the sale, how any lot is described
and illustrated in the catalogue or any report, and the
marketing, promotion, date, place and conduct of the
sale.
(b) Lyon & Turnbull will instruct, consult with, and rely
on, any outside experts or restorers, agents or other
third parties, and carry out such other due diligence,
inquiries, research or tests in relation to the property
or its provenance, either before the Proposed Sale as it
may deem appropriate in its reasonable discretion.
the period identified in paragraphs (a) above, Lyon &
Turnbull’s liability to compensate the Seller in respect of
that loss shall be restricted to a maximum of the upper
estimate, or actual loss incurred, whichever is lower.
This compensation will be subject to a deduction of a
1.5% loss & warranty fee (subject to VAT).
(c) Any oral or written estimate or evaluation or report
provided by Lyon & Turnbull is a genuinely held
opinion only. It may not be relied on as a prediction of
the selling price or value of the Item, and may in Lyon &
Turnbull’s absolute discretion be revised from time to
time.
8. UNSOLD ITEMS
(d) The Seller acknowledges that attribution of Items is a
matter of opinion and not of fact, and is dependent
upon (amongst other things) information provided by
the Seller, the condition of the property, the degree of
research, examination or testing that is possible or
practical in the circumstances, and the status of
generally accepted expert opinion at the time of
cataloguing
4. TERMS OF SALE
(1) If an item is unsold it may, with your consent, be reoffered at a future sale. Where in our opinion an item is
not suitable for a future sale we may either request (a)
you collect such items from the saleroom promptly on
being so informed. We shall be entitled to charge you
for storage costs, charges shall be made at a reasonable
daily rate;or (b) suggest that the item be transferred to a
secondary saleroom for sale without reserve. All
transferred lots will be sold for the best price on the
day, this may not bear any reflection on the item’s
original estimate. Lyon & Turnbull are not liable for any
items (whether it be selling price or loss & damage)
when transferred.
The Seller acknowledges that lots are sold subject to
these Conditions and on the Terms of Consignment as
notified to the consignor at the time of the entry of the
lot.
(2) Aftersales: We reserve the right to accept an afterauction offer on a lot on behalf of the seller, at the
agreed reserve price or above, for up to 48 hours after
the original auction. In which case the same charges will
be payable as if such lots had been sold at auction and
so far as appropriate these Conditions apply.
5. STANDARD SELLER FEES AND CHARGES
(Subject to VAT)
9. LOT WITHDRAWAL
(1) Commission: 15% is charged on the selling price of
each lot, (subject to a minimum charge of £30). Loss and
damage warranty: 1.5% on value of lots sold.
Photography: min charge £30. Online Listing: £10 per
lot.
(2) Transport: Items for sale must be consigned to the
sale room by any stated deadline and at your expense.
We may be able to assist you with this process. When
organised on the Seller’s behalf the provision of
transport will be contracted to third parties. Fees for
transport will be deducted at the initial settlement.
(3) Illustrations: The cost of any illustrations will be
borne by the Seller , unless agreed otherwise prior. The
copyright in respect of such illustrations shall be the
property of us, the auctioneers, as is the text of the
catalogue.
6. RESERVES
(a) You are entitled to place, prior to the auction, a
reserve on any lot consigned, being the minimum
hammer price at which that lot may be sold. Reserves
must be reasonable and we may decline to offer goods
which in our opinion would be subject to an
unreasonably high reserve.
(b) Firm reserves may be no greater than lower pre-sale
estimate level.
(c) A reserve once set cannot be changed except with
our agreement.
(d) You may not bid or instruct or permit any other
person to bid on your behalf on your own property. If
the Seller breaches this prohibition, Lyon & Turnbull
may treat the Seller as bound as Seller and as Buyer
but without the benefit of Lyon & Turnbull
Authenticity Guarantee or the reserve, and/or pursue
other remedies.
(e) We may sell lots below the reserve provided we
account to you for the same sale proceeds as you would
have received had the reserve been the hammer price.
7. LOSS & DAMAGE WARRANTY
(a) Subject to condition 7(c) below Lyon & Turnbull will
assume liability for loss or damage to an item,
commencing at the time that item is taken into physical
control and possession by Lyon & Turnbull and ceasing
on the earliest date of;
(i) when risk passes to the Buyer of the lot following its
sale;
(ii) for unsold lots, when the lot is released to the Seller,
or, within 3 months of the sale;or
(iii) 6 months from the date of delivery to Lyon &
Turnbull for items still in the possession of Lyon &
Turnbull but not consigned for sale (unless part of a
long-term storage agreement).
(b) Lyon & Turnbull shall charge a loss and damage
warranty fee of 1.5% of the hammer price, plus VAT.
(c) If any loss or damage should occur to the lot during
If a Seller wishes to withdraw a lot organised for sale, a
withdrawal fee will apply;
(a) if withdrawn over 28 working days prior to the sale,
this will be charged at 10% of the mid estimate along
with any ancillary charges incurred (such as
photography), all subject to VAT at the current rate.
(b) if withdrawn within 28 working days of the sale, this
will be charged at 20% of the mid estimate along with
any ancillary charges incurred (such as photography), all
subject to VAT at the current rate.
(c) Lyon & Turnbull may withdraw a lot from the
proposed sale without any liability if:
(i) Lyon & Turnbull reasonably believes that there is any
doubt as to the lot‘s authenticity or attribution; or
(ii) it reasonably doubts the accuracy of any of the
Seller’s warranties; or
(iii) the Seller breaches any provisions of the Conditions
of Sale in any material respect; or
(iv) the lot suffers from loss or damage so that it is not in
the state in which it was when Lyon & Turnbull took
delivery of it.
(d) if an item is withdrawn from sale under Condition
9(c) (i), or (iv), the Seller shall not be charged a
withdrawal fee and the item shall be returned to the
Seller or dealt with pursuant to Clause 8, as the Seller
decides.
10. AUTHORITY TO DEDUCT COMMISSION AND
EXPENSES AND RETAIN PREMIUM AND INTEREST.
The Seller authorises us to deduct commission at the
stated rate, and all expenses incurred for your account
from the hammer price, and consents to our right to
retain beneficially the premium paid by the Buyer in
accordance with these Conditions of Sale and any
interest earned on the sale proceeds until the date of
settlement.
11. NON-PAYMENT BY THE BUYER
(a) Lyon & Turnbull will, where it considers appropriate,
take reasonable steps to investigate the ability of
bidders to pay for lots and will use reasonable
endeavours, in consultation with the Seller, to enforce
payment of the Hammer Price by any Buyer.
(b) Lyon & Turnbull, in consultation with the Seller, will
decide whether to pursue any of the remedies available
to it, including those set out in Condition 10 of the
Condition of Sale (Buyers) including the right to cancel the
sale and return the property to the Seller. Lyon &
Turnbull will inform the Seller of any action which it
contemplates taking against the Buyer.
(c) lf the Seller elects to take action against any Buyer on
its own behalf Lyon & Turnbull will provide the Seller
with such assistance as may be reasonably necessary to
pursue that action.
(d) The Seller hereby agrees to inform Lyon & Turnbull
of any action which it chooses to take against the Buyer
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to enforce payment of the amount due to the Seller.
(e) In the event that a Buyer fails to pay for a lot in
accordance with the Conditions of Sale for Buyers, that
lot will be treated in the same way as an unsold or
collected lot.
12. SETTLEMENT PAYMENTS
Subject to full payment by the Buyer, payment of the net
proceeds of sale due to you will be made over to you 28
working days following a sale. Provided we have received
cleared funds. Payment will be made by cheque or
BACS (if requested).
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Page 197
required by law by reason of our negligence) or similarly
for the safety of the property of persons visiting prior to
or at a sale.
The Auctioneer normally acts as agent only and
disclaims any responsibility for default by Sellers or
Buyers.
15. GENERAL
17. DATA PROTECTION
(a) We shall have the right at our discretion, to refuse
admission to our premises or attendance at our
auctions by any person.
In connection with the management and operation of
our business and the marketing and supply of Lyon &
Turnbull’s services, or as required by law, we may ask
the Seller to provide personal information about
themselves or obtain information about the Seller from
third parties (e.g. credit information). Lyon & Turnbull
will not give out personal information except as may be
required by law.
(b) Any notice to any Buyer, Seller, bidder or viewer may
be given by email, or if not available then first class mail,
in which case it shall be deemed to have been received
by the addressee 48 hours after posting.
(a) The same Conditions of Sale (Sellers) shall apply to
sales by private treaty.
(c) Notices to Lyon & Turnbull should be in writing and
addressed to Nick Curnow at 33 Broughton Place,
Edinburgh EH1 3RR, quoting the reference number
specified at the beginning of the sale catalogue.
(b) Private treaty sales made under these Conditions are
deemed to be sales by auction and subject to our
agreed charges for Sellers and Buyers.
(d) Should any provision of these Conditions of Sale be
held unenforceable for any reason, the remaining
provisions shall remain in full force and effect.
(c) Lyon & Turnbull undertakes to inform the Seller of
any offers it receives in relation to an item prior to any
Proposed Sale, excluding the normal method of
commission bids.
(e) These Conditions of Sale are not assignable by either
party without the other’s prior written consent, but are
binding on the seller’s successor and representatives.
No act, omission or delay by Lyon & Turnbull shall be
deemed a waiver or release of any of its rights.
13. SALE BY PRIVATE TREATY
(d) For the purposes of a private treaty sale, if a lot is
sold in any other currency than Sterling, the exchange
rate is to be taken on the date of sale.
(f) The contract between the parties may be varied by
the parties by agreement and in writing.
14. THIRD PARTY LIABILITY
16. AGENCY
All members of the public on our premises are there at
their own risk and must note the lay-out of the
accommodation and security arrangements. Accordingly
neither the auctioneer nor our employees or agents
shall incur liability for death or personal injury (except as
Lyon & Turnbull acts as agent solely for and in the
interests of the Seller. We do not act for Buyers in this
role and does not give advice to Buyers. When Lyon &
Turnbull make a statement about a lot it is doing so on
behalf of the Seller of the lot.
If you would like further information on Lyon & Turnbull
policies on personal data, or to make corrections to
your information, please contact us on +44 (0)131 557
8844.
18. LAW AND JURISDICTION
(a) Governing Law: These Conditions of Sale and all
aspects of all matters, transactions or disputes to which
they relate or apply shall be governed by, and
interpreted in accordance with, Scots law
(b) Jurisdiction: The Seller agrees that the Courts of
Scotland are to have exclusive jurisdiction to settle all
disputes arising in connection with all aspects of all
matters or transactions to which these Conditions of
Sale relate or apply.
BUYERS
The Auctioneer carries on business with bidders, Buyers
and all those present in the auction room prior to, or in
connection with, a sale on the following General
Conditions and on such other terms, conditions and
notices as may be referred to herein..
(c) Once made, no bid may be withdrawn.
1. DEFINITIONS
(f) Commission Bids: While prospective Buyers are
strongly advised to attend the auction and are always
responsible for any decision to bid for a particular lot
and shall be assumed to have carefully inspected and
satisfied themselves as to its condition we shall, if so
instructed, clearly and in writing execute bids on their
behalf. Neither the Auctioneer nor our employees nor
agents shall be responsible for any failure to do so.
Where two or more commission bids at the same level
are recorded we reserve the right in our absolute
discretion to prefer the first bid so made.
In these Conditions of Sale (Buyers):
"Auctioneer" means Lyon & Turnbull Ltd or its
authorised auctioneer, as appropriate;
"Hammer price" means the level of bidding reached (at
or above any reserve) when the Auctioneer brings down
the hammer;
"Lot" means each Item offered for sale by Lyon &
Turnbull;
"Purchase Price" is the Hammer Price and applicable
Buyer's Premium;
"Reserve" means the lowest price below which an item
cannot be sold;
"Total amount due" means the hammer price in respect
of the lot sold together with any premium, Value Added
Tax or other taxes chargeable and any additional
charges payable by a defaulting Buyer under these
Conditions;
“You”, “Your” means the Buyer
“Us”, “Our”, “We” etc. refers to Lyon & Turnbull Ltd
The singular includes the plural and vice versa as
appropriate.
2. AGENCY
Lyon & Turnbull acts as agent solely for and in the
interests of the Seller. We do not act for Buyers in this
role and does not give advice to Buyers. When Lyon &
Turnbull make a statement about a lot it is doing so on
behalf of the Seller of the lot.
The Auctioneer normally acts as agent only and
disclaims any responsibility for default by Sellers or
Buyers.
3. BIDDING PROCEDURES AND THE BUYER
(a) Bidders are required to register their particulars
before bidding and to satisfy any security and credit
references or arrangements before entering the auction
room to view or bid;
(b) The maker of the highest bid accepted by the
Auctioneer conducting the sale shall be the Buyer and
any dispute shall be settled at the Auctioneer's absolute
discretion.
(d) Our right to bid on behalf of Sellers is expressly
reserved up to the amount of any reserve.
(e) The right to refuse any bid is also reserved.
(g) Telephone Bids: If a prospective Buyer makes
arrangements with us prior to the commencement of
the sale we will use reasonable efforts to contact them
to enable them to participate in bidding by telephone.
We do not accept liability for failure to do so or for
errors and omissions in connections.
(h) Online Bidding: We will use reasonable efforts to
carry out online bids and do not accept liability for
equipment failure, inability to access the internet or
software malfunctions related to execution of online
bids/ live bidding.
4. INCREMENTS
Bidding increments shall be at the Auctioneer's sole
discretion.
5. THE PURCHASE PRICE
For each lot purchased a Buyer's Premium of 25% is
payable on the first £50,000 of the hammer price, 20%
thereafter. VAT at the appropriate rate is charged on the
Buyer's Premium. No VAT is payable on the hammer
price or premium for printed books or unframed maps
bought at auction.
Live online bidding is subject to an additional 3%
premium (charged by the live bidding service provider
Invaluable). This additional premium is subject to VAT at
the appropriate rate as above.
6. VALUE ADDED TAX
Value Added Tax is charged at the appropriate rate
prevailing by law at the date of sale and is payable by
Buyers of relevant lots.
(1) Lots affixed with (†): Value Added Tax on the
hammer price is imposed by law on all items affixed with
a dagger (†). This imposition of VAT maybe because the
Seller is registered for VAT within the European Union
and is not operating under a Margin Scheme.
(2) Lots affixed with (*): A reduced rate of Value Added
Tax on the hammer price of 5% is payable. This
indicates that a lot has been imported from outwith the
European Union. This reduced rate is applicable to
Antique items.
(3) Lots affixed with [Ω]: Standard rate of Value Added
Tax on the hammer price and premium is payable. This
applies to items that have been imported from outwith
the European Union and do not fall within the reduced
rate category outlined above.
7. DROIT de SUITE
This symbol § indicates works which may be subject to
the Droit de Suite or Artist's Resale Right, which took
effect in the United Kingdom on 14th February 2006.
We are required to collect a royalty payment for all
qualifying works of art. Under new legislation which
came into effect on 1st January 2012 this applies to
living artists and artists who have died in the last 70
years. This royalty will be charged to the Buyer on the
hammer price and in addition to the Buyer’s premium. It
will not apply to works where the hammer price is less
than €1,000 (euros). The charge for works of art sold at
and above €1,000 (euros) and below €50,000 (euros) is
4%. For items selling above €50,000 (euros), charges are
calculated on a sliding scale. All royalty charges are paid
to the Design and Artists Copyright Society (‘DACS’) and
no handling costs or additional fees are retained by the
auctioneer. Resale royalties are not subject to VAT.
Please note that the royalty payment is calculated on
the rate of exchange at the European Central Bank on
the date of the sale. More information on Droit de Suite
is available at www.dacs.org.uk.
8. PAYMENT
(1) Within 7 days of a lot being sold you will:
(a) Pay to us the total amount due in cash or by such
other method as is agreed by us. We accept cash, bank
transfer (details on request), debit cards and Visa or
MasterCard credit cards. We do not accept American
Express.
(b) Please note there is a surcharge of 2% when using
credit cards.
(c) Please note that under The Money Laundering
Regulations 2007 we cannot accept cash payments over
€15,000 (euros).
(2) Any payments by you to us may be applied by us
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towards any sums owing by you to us howsoever
incurred and without agreement by you or your agent,
whether express or implied..
9. TITLE AND COLLECTION OF PURCHASES
(1) The ownership of any lots purchased shall not pass
to you until you have made payment in full to us of the
total amount due.
(2) You shall at your own risk and expense take away any
lots that you have purchased and paid for not later than
7 working days following the day of the auction or upon
the clearance of any cheque used for payment
whichever is later. We can provide you with a list of
shippers. However, we will not be responsible for the
acts or omissions of carriers or packers whether or not
recommended by us.
(3) No purchase can be claimed or removed until it has
been paid for.
(4) It is the Buyer’s responsibility to ascertain collection
procedures, particularly if the sale is not being held at
our main sale room and the potential storage charges
for lots not collected by the appropriate time.
(5) Export of goods: Buyers intending to export goods
should ascertain (a) whether an export licence is
required and (b) whether there is any specific
prohibition on importing goods of that character, e.g.
items that may contain prohibited materials such as
ivory or rhino horn. It is the buyer’s sole responsibility
to obtain any relevant export or import licence. The
denial of any licence or any delay in obtaining licences
shall neither justify the recession of any sale not any
delay in making full payment for the lot.
10. REMEDIES FOR NON·PAYMENT OR FAILURE TO
COLLECT PURCHASES
(1) If any lot is not paid for in full and taken away in
accordance with these Conditions or if there is any
other breach of these Conditions, we, as agent for the
Sellers and on their behalf, shall at our absolute
discretion and without prejudice to any other rights we
may have, be entitled to exercise one or more of the
following rights and remedies:
(a) to proceed against you for damages for breach of
contract;
(b) to rescind the contract for sale of that lot and/or any
other lots sold by us to you;
(c) to resell the lot (by auction or private treaty) in which
case you shall be responsible for any resulting deficiency
in the total amount due (after crediting any part
payment and adding any resale costs).
(d) to remove, store and insure the lot in the case of
storage, either at our premises or elsewhere and to
recover from you all costs incurred in respect thereof;
(e) to charge interest at a rate not exceeding 1.5% per
month above the current base rate on all sums
outstanding for more than 7 working days after the sale;
(f) to retain that or any other lot sold to you until you
pay the total amount due;
(g) to reject or ignore bids from you or your agent at
future auctions or to impose conditions before any such
bids shall be accepted;
(h) to apply any proceeds of sale of other lots due or
which become due to you towards the settlement of the
total amount due by you and to exercise a lien over any
of your property in our possession for any purpose until
the debt due is satisfied.satisfied.
11. DESCRIPTIONS AND CONDITION
(1) Whilst we seek to describe lots accurately, it may be
impractical for us to carry out exhaustive due diligence
on each lot. Prospective Buyers are given ample
opportunities to view and inspect before any sale and
they (and any independent experts on their behalf) must
satisfy themselves as to the accuracy of any description
applied to a lot. Prospective Buyers also bid on the
understanding that, inevitably, representations or
statements by us as to authorship, genuineness, origin,
date, age, provenance, condition or estimated selling
price involve matters of opinion. We undertake that any
such opinion shall be honestly and reasonably held and
only accept liability for opinions given negligently or
fraudulently. Subject to the foregoing neither we the
auctioneer or our employees or agents accept liability
for the correctness of such opinions and no warranties,
whether relating to description, condition or quality of
lots, express, implied or statutory, are given. Please note
that photographs/images provided may not be fully
representative of the condition of the lot and should not
be relied upon as indicative of the overall condition of
the lot.
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(2) Condition reports: Condition reports are provided
on our website or upon request. The absence of a
report does not imply that a lot is without imperfections.
Large numbers of such requests are received shortly
before each sale and department specialists and
administration will endeavor to respond to all requests
although we offer no guarantee. Any statement in
relation to the lot is merely an expression of opinion of
the Seller or Lyon & Turnbull and should not be relied
upon as an inducement to bid on the lot. Lots are
available for inspection prior to the sale and you are
strongly advised to examine any lot in which you are
interested prior to the sale. Our condition reports are
not prepared by professional conservators, restorers or
engineers. Our condition report does not form any
contract between Lyon & Turnbull and the Buyer. The
Condition Reports do not affect the Seller’s obligations
in any way.
(3) Estimates: Estimates are placed on each lot to help
Buyers gauge the sums involved for the purchase of a
particular lot. Estimates do not include the Buyer’s
Premium or VAT. Estimates are a matter of opinion and
prepared in advance. Estimates may be subject to
change and are for guidance only and should not be
relied upon.
(4) Catalogue Alterations: Lot descriptions and
estimates are prepared in advance of the sale and may
be subject to change. Any alterations will be announced
on the catalogue alteration sheet, made available prior
to the sale. It is the responsibility of the Buyer to make
themselves aware to any alterations which may have
occurred.
(5) Electrical Goods: are sold as “works of art” only and
if bought for use must be checked over for compliance
with safety regulations by a qualified electrician first. Use
of such goods is entirely at the risk of the Buyer and no
warranties as to safety of the goods are given.
14. SALE BY PRIVATE TREATY
(a) The same Conditions of Sale (Buyers) shall apply to
sales by private treaty.
(b) Private treaty sales made under these Conditions are
deemed to be sales by auction and subject to our
agreed charges for Sellers and Buyers.
(c) Lyon & Turnbull undertakes to inform the Seller of
any offers it receives in relation to an item prior to any
Proposed Sale, excluding the normal method of
commission bids.
(d) For the purposes of a private treaty sale, if a lot is
sold in any other currency than Sterling, the exchange
rate is to be taken on the date of sale.
15. THIRD PARTY LIABILITY
All members of the public on our premises are there at
their own risk and must note the lay-out of the
accommodation, safety and security arrangements.
Accordingly, neither the Auctioneer nor our employees
or agents shall incur liability for death or personal injury
or similarly for the safety of the property of persons
visiting prior to, during or after a sale.
16. GENERAL
(a) We shall have the right at our discretion, to refuse
admission to our premises or attendance at our
auctions by any person.
(b) Any notice to any Buyer, Seller, bidder or viewer may
be given by email if not available then first class mail in
which case it shall be deemed to have been received by
the addressee 48 hours after posting.
(c) Notices to Lyon & Turnbull should be in writing and
addressed to Nick Curnow at 33 Broughton Place,
Edinburgh EH1 3RR, quoting the reference number
specified at the beginning of the sale catalogue.
(6) Upholstered items: are sold as “works of art” only
and if bought for use must be checked over for
compliance with current safety regulation. Use of such
goods is entirely at the risk of the Buyer and no
warranties as to safety of the goods are given. Lyon &
Turnbull provide no guarantee as to the originality of
any wood/material contained within the item.
(d) Should any provision of these Conditions of Sale be
held unenforceable for any reason, the remaining
provisions shall remain in full force and effect.
(7) Special terms may be used in catalogue descriptions
of particular classes of items (Books, Jewellery, Paintings,
Guns, Firearms etc.) in which case the descriptions must
be interpreted in accordance with any glossary
appearing in the catalogue. These notices and terms will
also form part of our terms and conditions of sales.
(f) The contract between the parties may be varied by
the parties by agreement and in writing.
12. BOOKS, CLOCKS & WATCHES
(1) Books-Collation: If on collation any NAMED item in
the sale catalogue proves defective, in text or illustration
the Buyer may reject the lot provided he returns it
within 21 days of the sale stating the defect in writing.
This, however, shall not apply in the case of unnamed
items, periodicals, autographed letters, music M.M.S.,
maps, drawings NOR in respect of damage to bindings,
stains, foxing, marginal worm holes or other defects not
affecting the completeness of the text NOR in respect of
Defects mentioned in the catalogue, or at the time of
sale, NOR in respect of lots sold for less than £300.
(2) Clocks & Watches: All lots are sold “as seen”, and
the absence of any reference to the condition of a clock
or watch does not imply the lot is in good condition and
without defects, repairs or restorations. Most clocks and
watches will have been repaired during their normal
lifetime and may now incorporate additional/newer
parts. Furthermore, Lyon & Turnbull makes no
representation or warranty that any clock or watch is in
working order. As clocks and watches often contain fine
and complex mechanisms, Buyers should be aware that
a general service, change of battery or further repair
work, for which the Buyer is solely responsible, may be
necessary. Buyers should also be aware that Lyon &
Turnbull cannot guarantee a watch will remain
waterproof if the back is removed. Buyers should be
aware that the importing watches such as Rolex, Frank
Muller and Corum into the United States is highly
restricted. These watches cannot be shipped to the USA
and only imported personally.
13. CITES
Please be aware that all lots marked with the symbol Y
are subject to CITES regulations when exporting these
items outside the EU. These regulations may be found
at http://www.defra.gov.uk/ahvla-en/ importsexports/cites/
Lyon & Turnbull accepts no liability for any lots which
may be subject to CITES but have not be identified as
such.
(e) These Conditions of Sale are not assignable by either
party without the other's prior written consent. No act,
omission or delay by Lyon & Turnbull shall be deemed a
waiver or release of any of its rights.
17. DATA PROTECTION
In connection with the management and operation of
our business and the marketing and supply of Lyon &
Turnbull's services, or as required by law, we may ask
the Buyer to provide personal information about
themselves or obtain information about the Buyer from
third parties (e.g. credit information). Lyon & Turnbull
will not give out personal information except as may be
required by law.
If you would like further information on Lyon & Turnbull
policies on personal data, or to make corrections to
your information, please contact us on
+44 (0)131 557 8844..
The Buyer hereby agrees to the release by Lyon &
Turnbull of the Buyer’s name and contact details to the
seller or the seller’s solicitor in the event of any dispute
between Lyon & Turnbull and the Buyer and/or Lyon &
Turnbull and the Seller. Lyon & Turnbull will give prior
written notice of the release of any such details to the
Seller of the Seller’s solicitor.
18. FORCE MA JEURE
Lyon & Turnbull shall be under no liability if they shall be
unable to carry out any provision of the Contract of Sale
for any reason beyond their control including (without
limiting the foregoing) an act of God, legislation, war, fire,
flood, drought, failure of power supply, lock-out, strike or
other action taken by employees in contemplation or
furtherance of a dispute or owing to any inability to
procure materials required for the performance of the
contract.
19. LAW AND JURISDICTION
(a) Governing Law: These Conditions of Sale and all
aspects of all matters, transactions or disputes to which
they relate or apply shall be governed by, and
interpreted in accordance with, Scots law
(b) Jurisdiction: The Buyer agrees that the Courts of
Scotland are to have exclusive jurisdiction to settle all
disputes arising in connection with all aspects of all
matters or transactions to which these Conditions of
Sale relate or apply.
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Guide to Bidding & Payment
Payment
Registration
All potential buyers must register prior
to placing a bid. Registration
information may be submitted in person
at our registration desk, by email, by fax
or on our website. Please note that all
first time bidders at Lyon & Turnbull will
be asked to supply the following
documents in order to facilitate
registration:
1 – Government issued photo ID
(Passport/ Driving licence)
2 – Proof of address (utility bill/ bank
statement).
We may, at our option, also ask you to
provide a bank reference and/ or
deposit.
By registering for the sale, the buyer
acknowledges that he or she has read,
understood and accepted our
Conditions of Sale.
Bidding
At the Sale Registered bidders will be
assigned a bidder number and given a
paddle for use at the sale. Once the first
bid has been placed, the auctioneer asks
for higher bids in increments
determined by the auctioneer. To place
your bid, simply raise your paddle until
the auctioneer acknowledges you.
Please ensure that the auctioneer
repeats your bidder number correctly
when confirming the sale. If there is any
doubt at this stage as to the hammer
price or buyer it must be brought to the
auctioneer’s attention immediately. All
lots will be invoiced to the name and
address given on your registration form,
which is non-transferable.
By phone A limited number of
telephone lines are available for bidding
by phone through a Lyon & Turnbull
representative. Phone lines must be
reserved in advance. All bid requests
must be received an hour before the
sale. All telephone bids must be
confirmed in writing, listing the relevant
lots and appropriate number to be
called. We recommend that a covering
bid is also left in the event that we are
unable to make the call. We cannot
guarantee that lines will be available, or
that we will be able to call you on the
day, but will endeavor to undertake such
bids to the best of our abilities. This
service is available entirely at our
discretion and at the bidder’s risk.
In writing Bid forms are available at the
sale and/or the back of the catalogue.
These should be submitted in person, by
post, or by fax as soon as possible prior
to the sale and we will bid on your
behalf up to the limit indicated. In the
event of receiving two identical bids the
first one received will take precedence.
All bids must be received an hour before
the sale. This service is entirely at the
bidder’s risk.
On the internet A fully-illustrated
catalogue is available on our website.
Registered bidders may leave absentee
bids through the website and will
receive email confirmation of their bid.
Live online bidding (powered by
Invaluable) is also available, accessible
either through our website or at
www.invaluable.com. Please note that
an additional 3% premium is charged by
Invaluable for this live online service.
Payment is due within seven (7) days of
the sale. Lots purchased will not be
released until full payment has been
received. Payment may be made by the
following methods:
Bank Transfer Account details are
included on any invoices we issue or
upon request from our accounts
department.
Credit or Debit Cards Payment can be
made by Visa Debit, Maestro,
Mastercard or Visa Credit cards. Please
note there is a 2% surcharge on credit
card payments and we do not accept
Amex.
Online Card Payments We no longer
accept card payments by phone. Please
use our online payment service
(provided by Cardstream/Credorax. You
will find a link to this service in any email
invoice issued or you can visit the
payments section of our website.
Cheque Cheques should be made
payable to Lyon and Turnbull Ltd. We
reserve the right to wait until cheques
have been cleared by our bankers
before releasing bought goods. Cheques
can be cleared prior to sale on request.
Cheques drawn by third parties cannot
be accepted. If paying by post please
include the slip from your invoice.
Cash Cash payments can be made at
the accounts desk during or after a sale.
Cash payments limited to €15,000
(euros).
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Collection & Shipping
Transport & Couriers
Please note that we do not pack or ship items. The following suggested carriers will
be able to arrange packing and shipping; please contact them directly to receive a
quote. You may wish to contact an alternative courier.
Local Deliveries
Furniture & Larger Items
Arrangements for Sold Lots
A&S Pert Removals
Tel. +44 (0)7876 343520.
Constantine
Fine Art Logistics
Constantine House
North Caldeen Road
Coatbridge
North Lanarkshire ML5 4EF
Tel: +44(0)1236 750055
Fax: +44(0)1236 750077
[email protected]
All bought items will be held free of
charge for 7 days following the sale..
New Leaf Removals
Tel: +44 (0)7999 926261
[email protected]
Thistle Removals
Tel: +44 (0)7836 774712
[email protected]
Smaller Items &
Pictures
Mailboxes Etc
44/46 Morningside Road
Edinburgh EH10 4BF
Tel: +44 (0)131 556 6226
Fax: +44 (0)131 652 3673
[email protected]
Book online at
www.mbe.co.uk/the_auction_room
A Van Man Transport
Unit 5, Benridge Park
Holyrood Close, Creekmoor
Poole, Dorset BH17 7BD
Tel: +44 (0)1202 600 012
Fax: +44 (0)1202 600 206
[email protected]
Aardvark Art Services Ltd
Birks Farm, Ballam Road
Lytham, Lancashire FY8 4NL
Tel: +44 (0)1253 794673
Fax: +44 (0)1253 730580
[email protected]
© Lyon & Turnbull Ltd. 2015. All rights reserved. No part of this
publication may be reproduced, stored in a retrieval system or
transmitted by any form or by any means without the prior
written permission of Lyon & Turnbull Ltd.
Thereafter lots will be removed to
storage and a charge incurred.
Administration fee:
£20 + VAT
Storage charges per lot per day are:
Large Items
£5 inc. insurance + VAT
Small Items
£2.50 inc. insurance + VAT
It is the buyer’s responsibility to
ascertain collection procedures,
particularly if the sale is not being held
at our main saleroom.
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LYON & TURNBULL AUCTIONEERS EDINBURGH
FINE FURNITURE & WORKS OF ART
182 Bath Street, Glasgow G2 4HG
Tel. +44 (0)141 333 1992
Fax. +44 (0)141 332 8240
78 Pall Mall, London SW1Y 5ES
Tel. +44 (0)20 7930 9115
Fax. +44 (0)141 7930 7274
22ND APRIL, 2015
33 Broughton Place, Edinburgh EH1 3RR
Tel. +44 (0)131 557 8844
Fax. +44 (0)131 557 8668
Email. [email protected]
www.lyonandturnbull.com
Wednesday, 22nd April, 2015
33 Broughton Place,
Edinburgh EH1 3RR
www.lyonandturnbull.com
Fine Furniture
& Works of Art