1. No category

THE
TELEGBAM, MARCH .28, 1920.
HERE
WITH STYLES DETERMINE IHET
inr, SEASON
a m ^ . . SUMMER
^ w , IS
, .ALREADY
. rarefree. Subdued
_
Frocks as Perfect as a Day in June Radiate the Buoyant Spirit of Youth-Bright Colqrsjor ^ ' , ^ m ^ ^ S ^
For Conservative Tastes-Checks, Figures, Stripes and Borders Constitute the "Big four of Fashionable Fat terns
Side Flounces Featured For Tall and Slender Women—Ribbon Arrangements Among tne smartest
, Decorations Dictated By Fashion—Interest and Practical Departures in bleeves.
l0nes
.COUT STOPPED R U N A W A Y .
d t h a t s t o r v of how the Elmlra
^ r u n a w a y horse on the.
T o U roaci
1
' ^ f T tli* o t h e r d a y . H i s aetion
citf *™V- . . v e d t h e people (rem injury
• dott btrtM * f r o m d e a t h >
t h e runaway
an( j pernaw
tQ gtop
**« ,t reached t h e boy.
K T l c o u t Stopped it- T h e m^n did not.
The
t ^ n w a n t e d to stop it.
2 2 v £"Tanxious
t o stop i t
I f t h e v did not know how.
g j Boy Scout stopped it because he
d!d
^ ' N h WlTH T H E RUNAWAYon tried to head the-rorse off. The
ThC
«hfVd and w e n t around the men."
horse
mZ%ut s t a r t e d r u n n i n g with t h e
rhe
He went j u s t a little w a y s just a s
hoI e
? -« lhe horse went.
f
he had the bridle in his hand and
ih ^ h S a n to slow down.
V h / n o r s e slowed down too.
E L
ABOUT THOSE RUNAWAY
HO
'BOYS?
_ r - w r r r telling you about, t h a t other
,n a recent article. The other boy
j ? 5 runaway boy. H e isn't so different
„»r kU from the r u n a w a y horse.
- 2 L t r y to stop t h e r u n a w a y boy by
heading him off. H e shies and k^eps on
chic t h e y r a d i a t e a n e l e m e n t of c o m - tional, a n d t h r e e - q u a r t e r sleeves, c o n below t h e
elbow.
f o r t a n d simplicity, ' i n m o s t i n s t a n - s i d e r a b l y w i d e n e d
ces. T h e r e a r e p r a c t i c a l l y n o f r o c k s T h e y a r e c a u g h t w i t h b l a c k v e l v e t r i b a m o n g t h e n e w offerings w h i c h t h e b o n b o w s t o c o r r e s p o n d w i t h t h e spring
h o m e d r e s s m a k e r c a n n o t d u p l i c a t e belt. T h e b a c k of t h e w a i s t e x t e n d s
over t h e s h o u l d e r s a n d j o i n s t h e g a t h with perfect success.
,
ered
front.
T h e s k i r t is t u c k e d jn
One -of, t h e n e w c o t t o n s i s called r a youthful
effect
a n d finished a t t h e l o w t i n e c r a s h a n d i t i s u s e d for t h e d e erv
edge
w
i
t
h
a
deep hem.
v e l o p m e n t of g a r m e n t s for s t e a d y w e a r ,
T
h
e
d
e
s
i
g
n
e
r
s
a
re giving m a n y new
such a s suits, separate skirts, etc. I t
a
n
d
f
a
s
c
i
n
a
t
i
n
g
touches t o Bummer
c o m e s i n black a n d w h i t e m i x t u r e s
a n d o t h e r delightful c o m b i n a t i o n s a n d frocks w i t h t h e aid of r i b b o n . R a d i a t is sufficiently d e c o r a t i v e i n p a t t e r n t o i n g t h e b u o y a n t s p i r i t of y o u t h , i s a
r e q u i r e , n o c o n t r a s t i n g m a t e r i a l f o r p a l e orchid o r g a n d y . w i t h frilled s k i r t
t r i m m i n g w i t h t h e e x c e p t i o n of a v e s t . a n d a s i m p l e b l o u s e w i t h U n e c k a n d
A n accordion plaited
One of t h e s e c r a s h e s m a d e u p o n e x - s h o r t sleeves.
c e e d i n g l y s i m p l e l i n e s h a s a J a c k e t frill t r i m s t h e n e c k a n d sleeves, s k i r t
w i t h o p e n front, held i n a t t h e w a i s t - a n d w a i s t b e i n g Jomed u n d e r a g i r d l e
F*or h i s h o u r s of l e i s u r e a m a n a p - a c c o u n t .
F o r t h e j a c k e t i l l u s t r a t e d , line w i t h a s t r i n g be>t of s e l f - m a t e r - of g o r g e o u s t a f f e t a r i b b o n . M a n y of
p r e c i a t e s nothing: m o r e t h a n a .juswk-, flannel, silk, s a t i n o r s e r g e m a y b e ial. T u r n i n g b a c k from t h e v e s t of t h e s m a r t e s t d e c o r a t i o n s d i c t a t e d b y
used. T h e l a p e l s a n d c o l l a r a r e -cut w h i t e p i q u e a r e r e v e r s t h a t e x t e n d t o t h e m o d e t h i s s e a s o n a r e e x p r e s s e d in
in one w i t h t h e f r o n t of t h e j a c k e t , t h e l o w e r edge. T h e sleeves a r e l o n g r i b b o n s , b l a c k v e l v e t a n d t h e b r o c a d e s
t h e t w o - p i e c e sleeves being- finished a n d close-fitting, e n d i n g in p o i n t s o v e r b e i n g g i v e n p r e f e r e n c e . T h e m e t a l r i b ;
w i t h " cuff f a c i n g s
w h i c h a r e rolled t h e h a n d s . W i t h i t i s w o r n a t w o - b o n s a r e confined a l m o s t exclusively
| b a c k . P a t c h p o c k e t s a n d silk frogs ' p i e c e s k i r t w h i c h closes a t t h e left side to
t h e embellishment
of e v e n i n g
c o m p l e t e t h e d e c o r a t i v e s c h e m e of t h e s e a m . T h e front g o r e is e x t e n d e d a t g o w n s , f o r t h e r e i s a c o n v e n t i o n a l i t y
design.
M e d i u m size r e q u i r e s 2 1-8 t h e h i p s t o form p o c k e t 3 . T h e b a c k a n d stiffness a b o u t t h e m w h i c h d o not
y a r d s 54-inch m a t e r i a l .
fit w i t h t h e informal affairs of d a y is g a t h e r e d .
T h e r e i s n o s e a m i n t h e b a c k of t h e
S u i t a b l e ' f o r d e v e l o p m e n t in c o t t o n t i m e . A t t h e s i d e s of t h e s k i r t of t h e
jacket,
s o t h e section
with
triple
discussion
a r e triple
f a b r i c s o r one of .the f a s h i o n a b l e s u m - d e s i g n u n d e r
"TTT" perforations i s arranged on the
flounces
of
s
e
l
f
m
a
t
e
r
i
a
l
,
t
h
e
front bem e r silks i s a . s u i t w i t h h i p - l e n g t h
lengthwise
fold of t h e goods. T h e
i
n
g
in
panel
effect.
I
t
i
s
a
s
t
y
le which
j a c k e t arid t w o - p i e c e skirt. T h e j a c k e t
f
a
v
o
r
s
t
h
e
tall
a
n
d
s
l
e
n
d
e
r
w
o
m
an, but
o p e n s ,at t h e front a l l t h e w a y from
CONSTRUCTION G y i D E d $ 0 9
m
u
c
h
can
be
d
o
n
e
i
n
t
h
e
w
a
y
of
manneck t o l o w e r edge, t h e s p a c e b r o a d i
p
u
l
a
t
i
n
g
t
h
e
frills
t
o
a
d
a
p
t
t
h
e
m
odel
e n i n g a s t h e l e n g t h i n c r e a s e s . Polling
t
o
less
a
t
t
e
n
u
a
t
e
d
figures.
in t h e f r o n t is a v e s t of figured m a terial and holding together the fronts
A b o r d e r e d voile i s s m a r t n e s s c o n a t t h e n e c k i n a n a r r o w b a n d of self- s u m m a t e d .
The trimmed
p o r t i o n of
material.
t h e m a t e r i a l i s utilized for t h e s t r a i g h t
T h e " b i g f o u r " i n p a t t e r n s for s u m - g a t h e r e d t u n i c a n d t h e u n d e r b l o u s e .
mer includes checks, striped, borders T h e under skirt, applted front a n d
a n d figures. C h e c k s a r e m o s t a d v a n - b a c k of t h e b l o u s e a n d g i r d l e a r e of
t a g e o u s l y exploited i n t u b m a t e r i a l s , plain voile. A n i n t e r e s t i n g a n d p r a c m o t a b l y voiles a n d g i n g h a m s . A g i n g - tical idea is i n t r o d u c e d in t h e sleeve,
h a m in t w o s h a d e s of b l u e w i t h a h a i r - half of w h i c h i s figured a n d half plain,
line of b l a c k , t o form t h e check is ef- t h o u g h i t does n o t g e t v e r y f a r a l o n g
fectively designed i n o n e piece. T h e in t h e world. The, f r o n t c o r r e s p o n d s
| front, f r o n t facing, t w o sleeve s e c - w a i s t , w h i c h is l o n g e r t h a n n o r m a l with t h e u n d e r b l o u s e , w h i l e t h e b a c k
f a c i n g s all h a v e h a s a r o u n d neck, t h o u g h t h i s i s o p - of t h e sleeve r e p r e s e n t s a c o n t i n u a 8809 tl iaor ng se, p" Oo c"k ept e rafnodr a tcuff
ions and these' are
tion of t h e a p p l i e d b a c k of t h e b l o u s e
* placed o n a l e n g t h w i s e t h r e a d of t h ej u s t f a c i n g t o position
u n d e r n e a t h T h i s a r r a n g e m e n t i s n o t only a r t i s t i c
* material.
front of j a c k e t , a n d on collar w i t h c o r - but it, h a s i t s economical side s i n c e i t
After c u t t i n g t h e d e s i g n a c c o r d i n g r e s p o n d i n g edges even. Roll collar and p e r m i t s of t h e c o m b i n a t i o n of m a J t o t h e guide, t a k e u p t h e c o n s t r u c t i o n f r o n t s a s i l l u s t r a t e d . ! L a p J e f t front on t e r i a l s .
a n d begin b y closing t h e u n d e r - a r m r i g h t w i t h c e n t e r - f r o n t s even a n d finS m o k i n g J a c k e t of N»w Design.
In c o n s i d e r i n g
simple models that
a n d s h o u l d e r s e a m s a s n o t c h e d . Close ish for. closing.
e
x
p
r
e
s
s
t
h
e
_
g
r
e
a
t
e
st
chic, m e n t i o n
I n r j a c k e t , w h e t h e r h e b e a s m o k e r or j c e n t e r b a c k s e a m . of collar
extension
N e x t , t a k e t h e sleeves a n d close m u s t b e m a d e of. a figured silk t r i m aot. L.ik» e v e r y t h i n g else, t h e p r i c e a n d sew t o b a c k edge of j a c k e t w i t h s e a m s a s n o t c h e d ,
t e r m i n a t i n g t h e med w i t h ecru b a t i s t e . T h e w a i s t h a s
b a c k s e a m a t t h e . l a r g e -".O" p e r f o r a - a d e e p open front i n t o w h i c h a v e s t
tion In section G a n d e a s e in a n y ful- of b a t i s t e is s e t , a n d closes a t t h e
CUTTING GUIDE 8 8 0 9 Showing Size 4 < 0 . SELVAGE EDGES
n e s s at> elbow b e t w e e n t h e n o t c h e s . b a c k . T h e k i m o n o sleeves a r e finished
Close s e a m s of cuff facings a s notched, w i t h plain h e m s , t h o u g h t h e y m a y h e
t e r m i n a t i n g t h e h a c k seam a t t h e l a r g e l e n g t h e n e d w i t h cuffs o r plain sleeve
"O" p e r f o r a t i o n in s e c t i o n C a n d a d - s e c t i o n s , if p r e f e r r e d .
T h e gathered
j u s t t o position u n d e r n e a t h l o w e r edge t u n i c i s i n o n e piece, .with s t r a i g h t
of sleeve w i t h e d g e s a n d s e a m s even. l o w e r edge. I t is m o u n t e d on a s t r a i g h t
Roil sleeve and facing b a c k on t h e line u n d e r s k i r t . Silk h a s seldom b e e n so
of small " o " p e r f o r a t i o n in sleeve. Sew successfully used a s i n t h e d e v e l o p sleeve
in a r m h o l e a s n o t c h e d ,
w i t h m e n t of t h i s A-ock, which i s e q u a l l y
small " 0 " perforation
a t shoulder as suitable to construction in tub fabs e a m , e a s i n g in a n y fulness b e t w e e n rics.
t h e n o t c h e s . Hold sleeve t o w a r d you
«» .
• • •
.
when basting.
AVOID C O L D S .
r>
i * f, 0L0 0 F 54- INCH MATERIAL WITH NAP
Sew p o c k e t l a p s to p o c k e t s , w i t h
P a t e n t e d A p r i l 3 0 , 1007
n o t c h e s a t u p p e r e d g e s even. A r r a n g e
In o r d e r t o avoid c a t c h i n g cold c a r e
p o c k e t s on front of j a c k e t b e t w e e n t h e should b e t a k e n h o t t o s i t i n a d r a f t
i n d i c a t i n g small ' " o " p e r f o r a t i o n s .
after a w a r m b a t h . S h o w e r b a t h s a r e
\t t h e s e g a r m e n t * h a s - m o u n t e d t e r:-- 1I nnro t c h e s a n d c e n t e r - b a q k s even. Close
T h e e n t i r e jacket, m a y b e outlined b e t t e r t h a n ' t u b b a t h s , a s t h e w a t e r
iflcally sinc*» t h e w a r a n d t o b u y s i r e n t e r - b a c k seam of front f a r i n g i n - w i t h silk braid, a s t h i s m a k e s a h a n d r u n s off,;the
body
a n d i s n o t used
— one w * l l - n l C a depletes oas'g b a n k j d i c a t e d by s m a l l " o " p e r f o r a t i o n . Ad- s o m e finish.
again.
. „. v- „
By Maude Hall.
I n t h e c h r o n o l o g y of f a s h i o n t h e
present is always the past. This paradox arises from t h e fact t h a t styles
are planned two o r t h r e e , months In
a d v a n c e a n d e x p l o i t e d w e l l a h e a d of
t h e s e a s o n for w h i c h t h e y a r e I n t e n d -
ed. S o i t h a p p e n s t h a t w h i l e m o s t of
u s h a v e n o t y e t s e c u r e d t h e coveted
s p r i n g outfit, w e a r e b e w i l d e r e d b y
t h e a r r a y of b e a u t i f u l c l o t h e s d e s i g n ed for s u m m e r w e a r .
T h e r e i s a m a s t e r t o u c h a b o u t all of
t h e n e w m o d e l s , b u t w i t h a l l of t h e i r
THE HOME DRESSMAKER'S CORNER
Smoking Jacket of Pleasing Design With Lapels and
Collar Cut in One With Fronts of Model.
EMBROIDERIES FOR BABY THAT
SERVE MANY PURPOSES
Charming Designs That Combine Simple Grace and
Unusual Chic With Bewitching Results,
• By Kathryn Mutterer.
T h e d a i n t y e m b r o i d e r i e s f e a t u r e d on
t h e s e , g a r m e n t s for i n f a n t s s e r v e m a n y
purposes a n d completely satisfy t h e
craving for t h e right thing which i s
t h e h e r i t a g e of e v e r y d a i n t y w o m a n .
nel a n d s a t i n a r e e q u a l l y a s effective
for t h e d e v e l o p m e n t of t h « s e t . T h e
d e s i g n i s w o r k e d i n fla£ s a t i n a n d b u t t o n h o l e - s t i t c h . B l u e , p i n k o r w h i t e silk
o r c o t t o n m a y b e used, o r a c o m b i n a t i o n of a n y t w o c o l o r s . T h e r e i s n o
i i ~iii . n - r
•
i
— — • m m m •
i
•
.
—
- - —
—..,—
•
- — -*
,- -
T h e f a s h i o n s s h o w n on .this pay* u *
P i c t o r i a l "Review designs. Number*
a n d s i z e s a r e a s follows:
J a c k e t N o . S2S2. Sizes, 34 to 46 inc h e s b u s t . P r i c e 25c.
•,
S k i r t N o . 8S10. Sizes, 24 to 26 Inc h e s w a i s t . P r i c e 26c,
V
J a c k e t No. 8342. Sizes. 34 to f i n c h e s b u s t . P r i c e 25c.
S k i r t N o . 8760. Sizes, 24 to 40 inc h e s w a i s t . "Price 20c.
D r e s s N o . 8209. Sizes. 34 to. .44 in~
c h e s b u s t . P r i c e 25c.
D r e s s N p . 8713, Sizes, ,34 to 46 inches bust. Price'25c.
. B l o u s e N o ^ 8 5 8 0 . Sizes, 84 to44 inc h e s b u s t . P r i c e 25c.
S k i r t No.- 8482. Sizes. 24 to. 32 inc h e s w a i s t . P r i c e 25c.
, /
B l o u s e N o . 8826. Sizes, 34~t0 /*6 in- H
c h e s b u s t . P r i c e 25c.
•
".
S k i r t N o . 8492. Sizes, '24. to 3?' Inc h e s w a i s t . P r i c e 25c.
_.
S m o k i n g J a c k e t N o . 8809. Sizes,,?8
t o 44 i n c h e s b r e a s t m e a s u r e . Price *5c
E m b r o i d e r y No. J2241. Transfer 1 bUi«,
15c. P e t t i c o a t N o . 4938. One 8^0,only.
Embroidery
N o . 12243. Transfer,
blue." i n c l u d e s d e s i g n f o r cap and sacs..
P r i c e , 20c.
• v^Pictorial R e v i e w p a t t e r n s on s*I« D '
local a g e n t s .
• » »
'
H O U S E H O L D NOTES.
<7
•
GUIDE TO PATTERNS
Handsome
c u r t a i n s c a n DO..m**»
only of good m a t e r i a l .
•
A s s p r i n g c o m e s on be sure to s*rv "
a s a l a d once a d a y .
.,•
Old q u i l t s c a n be w a s h e d ana » w
for l i n i n g n e w ' o n e s
V i n e g a r c a n b e used a s a substitute
-^.
No. 12243—Saok and Cap Outfit.
No.
12241—Gertrude
Petticoat.
for b r a n d y in s a u c e .
,
# .
for b a n d y i n s a u c e s .
A p r i c o t t a p i o c a c a n b« made «x*xfa
a s p e a c h t a p i o c a is.
' ' •
S t a r c h t h a t is s t i r r e d with a param
c a n d l e will b e c l e a r .
*>,««"
If fiatirons
a r e sticky wash VP1*
c a r e f u l l y and- d r y thoroughly.
, • •'..
H o n e y can b e used instead of »n«*J
for s w e e t e n i n g c u s t a r d s .
T h e y a r e a s a p p r o p r i a t e foT l i n g e r i e , r e a s o n w h y a n y b a b y w h o s e m o t h e r is
handkerchiefs and other personal b e - clever with her needle, should not b e
l o n g i n g s a s for t h e a p p a r e l of b a b i e s . ^ 1 " 6 o w « e r of s u c h a n outflt. T h e c a p i s
TP h e / s a c k a n d c a p f e a t u r e d a r e m a d e m a d e w i t h a D u t c h b a n d a c r o s s t h e
satin
of h e a v y C h i n a silk, t h o u g h o n e n e e d f r o n t a n d t h r o u g h t h i s i s r u n
r
i
b
b
o
n
.
If
v
e
r
y
s
h
e
e
r
m
a
t
e
r
i
a
l
i
s
used
not
b e confined
t o this
material.
for
s
a
c
k
a
n
d
c
a
p
t
h
e
r
e
s
h
o
u
l
d
b
e^a
B a t i s t e , o r g a n d y , silk ca,shmcre", flanl i n i n g of l i g h t silk.
The, G e r t r u d e p e t t i c o a t i l l u s t r a t e d i s
c u t from a t i s s u e p a p e r w h i c h c o m e s
e s p e c i a l l y f o r the! p u r p o s e . T h e l o w e r
e d g e i s scalloped a n d t r i m m e d w i t h
d a i n t y floral s p r a y s , w h i c h a r e w o r k e d
(Actually T a k e s Out The Roots.)
in r a i s e d s a t i n
a n d eyelet
stitches.
You've never seen anything work *<J
B u t t o n h o l e s t i t c h e s a r e u s e d f o r t h ewonders for straight, lank, unruly Mir
W h a t beauty specialists regard a s one s c a l l o p s a b o u t . _ U i e l o w e r edge, n e c k plain liquid sllmerine. Nothing ei»«
of the .most Important discoveries' in r e keep the hair in curl for SO••long » " '
cent years is the phelactine method of r e - a n d s l e e v e s .
nor produce such beautifully $ £ o s S
/
moving superfluous hair. I t s g r e a t a d natural-looking curls and waves. ^ r ^ s
vantage, of course, lies in the fact t h a t
or windy w e a t h e r has no terrors "> ^
WORN SHEETS.
it' actually removes the hair roots.
n
woman who uses it. And no one »does this easily. isstant.Iy, harmlessly.
hesitate
to var it. for it is s ^ 0 e ^rfect?y
Sufferers f r o . m t h e affliction named need
W h e n s h e e t s w e a r o u t i n t h e c e n t e r , plied with a brush and is so
no longer despair. The actual hair-roots
| W V .:« no
no greasy,
harmless. I11t leaves
greasy. -sticky.£
- -- „ c .
come out before your very eyes, leaving i n s t e a d of t r y i n g : t o p a t c h t h e m , c u t
s
t
r
e
a
k
y
trace.
The
curiiness
<•**$?«*.
a n d sew
t h e outside
the skin a s smooth a n d hairless a s a t h e m t h r o u g h
in three hours. thoi
babe's.
-ugh
mf ea S
nWySJI*-»
^g^^ v
edges together.
T h e o u t s i d e r %r*e quired
for
to
apply
the
liquid
a
t
^
^
M
Because it offers such complete relief, u s u a l l y in. good c o n d i t i o n l o n g a f t e r the h a i r is combed out it is deli£»tiuw
a stick of phelactine is the most inexand fluffy.
• ... nf H(mld
pensive thing a woman can buy for the t h e c e n t e r i s w o r n out. H e m t h e " r a w soft
Anyone who will get a bottle of m^
removal of hairy growths. For 'the s a m e e d g e s a n d t h e s h e e t will l a s t a s l o n g sllmerine
from t h e druggist ana * y
reason druggists are having an enormous
T h e s a m e c a n be, the -accompanying directions w u i . ^ ! U u
demand for it. You can wm it with en- a s a n e w o n e will.
large bath
t o w e l s w h i c h moat agreeable surprise. . ™ . „ " < S r the .
tire safety; i t is so harmless one could d o n e w i t h
also valued ^J» » s r ' ^ d i d dresaln* V* %£
even eat i t without any ill effect
" g e t threadbare in the mlddl*
hair.
Keeps the Straightest,
Unruliest Hair i\
New Way to Remove
Hairs Creates Sensation
Untitled Document
Thomas M. Tryniski
309 South 4th Street
Fulton New York
13069
www.fultonhistory.com
.,
•
I
.
- '"-
—
t o u t i n g runs with t h e boy j u s t a little
•-.v arid j u s t a s fast a s h e runs. I t
A u M t h e bridle of h i s own desire:
S S S c a l l y strong:.- Then it slows down.
S r u n a w a y boy slows down too^ Then
A.1 hov who w a s r u n n i n g a w a y becomes
• scout trained to We "mentally a w a k e "
ini ••morally s t r a i g h t . "
,
EDUCATORS APPROVE OF SCOUT
MOVEMENT.
A man who h a s given more than a
„n»rter of a c e n t u r y t o t r a i n i n g teachers
? or school w o r k , in one of p u r normal
.Ichools. said a while ago t h a t the play
!nd recreation of a child h a v e more to do
with forming i t s c h a r a c t e r than all t h e
study hours have.
To get a boy t o s t u d y things worth
while because h e is i n t e r e s t e d from his
own desire is t h e h e i g h t of success. Nor does it interfere in a n y w a y with
the boy's regular school work. On t h e
contrary it helps t h e school in w h a t it
wants the boy to do.
The following l e t t e r comes from an educator;
.
•'Give us the boy with sound body and
the right a t t i t u d e t o w a r d his environment
•and the school h a s t h e chance t b give
him its very best.
"There is no doubt i« m y mind t h a t
scout membership contributes t o the securing and maTntaining of t h e desired
(lualincations. Therefore t h e school and
those in charge a r e e n t h u s i a s t i c supporters of this c a m p a i g n . "
The following s t a t e m e n t for this column is contributed b y a school superistendent:
'
'The home, t h e church, and the school,
i the three fundamental and most important institutions of o u r land, co-operate
in the development of t h e young. Tf any
of these institutions fails t o function in
any particular, t h e progress in the proper
' development of t h e y o u t h will be re-"
tarded. £,
"In order'to b r i n g a boy into ideal m a n hood it is n e c e s s a r y t h a t h i s training
should be of triple n a t u r e , namely, intellectual, physical a n d m o r a l .
"Education t o - d a y , then, means more
w
than merely academic.
'The above n a m e d Institutions have for
their final aim a n d goal, c h a r a c t e r bufldinjr.
Therefore a n y m o v e m e n t o r o r ganization which proffers assistance t o
each of these i n s t i t u t i o n s should be r e ceived, not only w i t h a h e a r t y welcome,
bnt with generous financial backing.
" "The Eoy Scout m o v e m e n t of America
is the on© organization which comes to
the help, of t h e home, the church and ,the
school. Its work is non-political a n d nonsectarian. I t s f u n d a m e n t a l aim is to help
a boy becomo a m a n in t h e full meaning
of that term. I t s final goal is good
citizenship.
"The Boy Scout m o v e m e n t helps t h e
home to create n e w ideals for i t s boys,
hence every f a t h e r in every home should
be willing to c o n t r i b u t e of h i s influence
and his earnings for i t s support. I t helps
the church in its t e a c h i n g a b o u t God, t h e
ruler of the universe, a n d so every church
member should b e willing t o contribute.
Finally, it helps t h e school in i t s e n
deavor to develop industry, thrift, service.
*nd'manhood to t h e end t h a t all boys may
become good citizens. Then t h e schools,
too, should b e willing t o contribute for
its maintenance and t o co-operate with
the management of t h e Boy Scout movement for the proper g r o w t h a n d development of boys."
L Those who k n o w boys best love scoutm* most •••'•.
-«
m» •
GOT R E A L SORE.
Lysander. a f a r m h a n d , w a s r e c o u n t ing his t r o u b l e s
t o a neighbor, a c cording t o E v e r y b o d y ' s . A m o n g o t h e r
things h e said t h a t t h e wife of t h e
farmer w h o e m p l o y e d h i m w a s -"too
dose for a n y u s e . ' ' " T h i s v e r y m o r n HI'." said h e , " s h e a s k e d m e ' I / y s a n er
- do you k n o w h o w m a n y p a n c a k e s
5'ou h a v e e t t h i s m o r n i n ' ? " I said, 'no,
ma'am; l R i n ' t h a d n o occasion t o
count 'em.' 'Well.' s a y s s h e , ' t h a t l a s t
one was t h e 26th.* A n d i t m a d e m e so
Jjjae- I Jest g o t u p f r o m t h e t a b l e a n d
ent
1° w o r k w i t h o u t m y b r e a k f a s t : "
•
•
»
Before m a r r i a g e a m a n Is only halt
* m a n and after m a r r i a g e h e is a p
WM nobody a t a l l .
•
Rupture Kills
7,000 Annually
l tId r * n 1 r athousand,
peraona each year a n
marl, * y —th« burial certificate belnf
uo/o«
"Rupture." Why? Becausa th<
or s l / l * 1 * no nme "r h a < 5 "erlected themsalvc(iw.m v o f l «h e6l y t a k i n r care of the sigi
itUtiM
amotion a r l ( j paying: n<
l n r i " A r t y0o tu h n* c a 1u »«- What ere you do
'tor . , *u>
»K «cttng- yourself by wear
you M
"'' l 0appliance,
or whatever nam*
c a H, t ? A t
1* or,i
*
beat, the trus;
* coil P ^ makeHhlft—a **<»• Prop ajrains
rtolet
wall—and cannot be expecte<
Port TH, m o r * t h * n a ru«r« mechanic*.! «up
e!rei^fi«
blndinp presaur* retards bloo<
cl«» £ \Za' t h U R robbing: the weakened m»a
»n«nt
which they need most—nourish
tm,. 1 "^J*71™ has found a way. and ever:
1 P » » » <t re es rt lr nl l hM« l a n d , s invited to mak
own iTOrn
*
!n the privacy of the!
h c
0ue«»i. ^;b,y TU,<5
PI'APAO method Is un
nlOBt
»urrl. ?*,
"dentine. loBi<.-al an.
Xorul»eif-treatm«nl for rupture th
to th v T P Ac aOn n oPAD
when adhering closet
•t nia
' o r , f o r t possibly slip or shift ou
• Soft »*' v ^ . : e . cannot chafe or pincr
To h« U 6d
erver—€a«y to apply—lnexpensivt
*l«en v w h ' ! f l t >' ou w o r k ar>d whilst yo
Uched
straps, buckles or spring's at
"atur„rn< h ° W t 0 cl0! "* t h * hernial opening a
Oown "Un
d<*d
y o uao
r the rupture CAN'T com
CO 'T., Cn<a
k 2 X 8 t wame to-day to PI,APA<
W l PI
* '
- I-ouia. Mo., for FRB1
1
lapao and the information neceasan