VIDÉODANSE
OPENING PROGRAMME
A programme of dance films
presented for the opening of
Centre Pompidou Málaga, Vidéodanse
echoes Corps simples | Show me your
moves in the temporary exhibition
gallery. Vidéodanse is a pioneering,
multidisciplinary event, unique of its
kind, founded in 1982 at the
Centre Pompidou. In over thirty years,
Vidéodanse has presented some 2,500
films and 600 choreographers, and
staged the work of artists like Kazuo
Ohno, Merce Cunningham, Pina
Bausch, Olga de Soto, Meg Stuart,
Jérôme Bel, Boris Charmatz and
Maria La Ribot, to name but a few. For
this edition in Málaga, three themes
have been chosen, inviting audiences
to discover or rediscover major pieces
of contemporary dance through a
broad overview of today’s
choreographic creation in its most
varied forms.
28 TO 30 MARCH
Inauguration
SATURDAY 28 MARCH
MONDAY 30 MARCH
4.00 p.m.
Merce Cunningham
Beach Birds for Camera (1992, 28’)
Boris Charmatz
50 ans de danse (2009, 53’)
2.00 p.m.
Bouchra Ouizguen
Mme Plaza (2009, 50’)
6.00 p.m.
Lucinda Childs
Dance (2015, 56’)
VIDÉODANSE
28 MARCH - 20 APRIL 2015
4.00 p.m.
Mathilde Monnier and La Ribot
Gustavia (2009, 62’)
Radhouane El Meddeb
Au temps où les Arabes dansaient
(2014, 60’)
SUNDAY 29 MARCH
11.00 a.m.
Anna Halprin y Anne Collod
Parades & changes, replay in expansion
(2011, 90’)
6.00 p.m.
Christian Rizzo
b.c., janvier 1545, fontainebleau
(2007, 60’)
Julie Nioche
Matter (2008, 51’)
1.00 p.m.
Herman Diephuis
D’après J.-C. (2006, 40’)
centrepompidou-malaga.eu
Lucinda Childs, Dance
Lucinda Childs Dance Company © Sally Cohn
FROM POST MODERN DANCE TO
CONTEMPORARY DANCE
Vidéodanse at Málaga offers an
approach to contemporary dance
through a selection of films that reveal
the influences and heritage of postmodern dance. There are three main
aspects in this dance trend: the
importance given to daily life, the
elimination of any form of hierarchy on
stage, and the replacement of the idea
of «performance» by that of «show».
Among the films presented, works by
choreographers Alain Buffard, Boris
Charmatz and Myriam Gourfink
dialogue with those of Merce
Cunningham, Trisha Brown and Anna
Halprin, making play between
repetitions and distances.
Merce Cunningham (choreography),
Beach Birds for Camera (1992, 28’).
Directed by Elliot Caplan
Trisha Brown (choreography), Early
Works (1966-1979) [2005, 28’, Montage
of pieces: Spanish dance (1973, 5’),
Spiral (1974, 2’), Floor of the forest
(1970, 6’), Accumulation (1971, 6’),
Group primary accumulation (1987, 9’)].
Directed by Roberto Guerra, Stephen
Vitiello, Peter Muller, Jean-François
Jung
Lucinda Childs (choreography), Dance
(2015, 56’), Directed by Marie-Hélène
Rebois; Calico Mingling (1973, 10’).
Directed by Babette Mangolte
Anna Halprin y Anne Collod e
invitados en diálogo con Anna Halprin
y Morton Subotnick (choreography),
parades & changes, replay in expansion
(2011, 90’).
Directed by Jacques Hœpffner
Boris Charmatz (conception), 50 ans de
danse (2009, 53’); Quintette cercle
(2007, 38’).
Directed by Sima Khatami
Michael Clark (choreography), Hail The
New Puritan (1986, 82’).
Directed by Charles Atlas
Gilles Jobin (choreography), The
Moebius Strip (2002, 26’).
Directed by Vincent Pluss
Myriam Gourfink, Les Temps Tiraillés
(2010, 52’). Directed by Eric Legay
Loïc Touzé y Latifa Laâbissi
(conception), Love (2003, 58’). Stage
set-up and artistic collaboration:
Jocelyn Cottencin.
Directed by Mathieu Bouvier.
Xavier Le Roy (choreography), SelfUnfinished (1998) (filmed in 2007 in
Montpellier, 55’).
Directed and produced by In Situ
Productions and Le Kwatt
FEMININE / MASCULINE
Dance mingles taboos, fantasies,
stereotypes and representations in a
hotchpotch. It questions the porosity of
borders between masculine and
feminine, shifts socially preestablished physical points of
reference and explores the fragility of
individual and collective relationships.
Among the works chosen for the
«Masculine/Feminine» theme, Steven
Cohen stages hybrid identities, Claudia
Triozzi and La Ribot the tried-andtested codes of femininity, and Lloyd
Newson and Alain Buffard the
representation of masculinity.
Steven Cohen and Elu (choreography),
Chandelier (2002, 17’). Directed by
Steven Cohen
Claudia Triozzi (choreography), Park
(2000, 38’). Directed by Association
Cespi
Herman Diephuis (choreography), Ciao
bella (2009, 52’). Directed by Charles
Picq
Raimund Hoghe (choreography with
Julie Nioche), 3 avenue de l’espérance
(2001, 15’). Directed by Rachid
Ouramdane
Rachid Ouramdane (choreography),
Nos solitudes (2010, 29’). Directed by
Julie Nioche and Laure DelamotteLegrand
Julie Nioche (coreografía), Nos
solitudes (2010, 29’). Dirección: Julie
Nioche y Laure Delamotte-Legrand
Bouchra Ouizguen (choreography),
Mme Plaza (2009, 50’). Directed by
Valérie Urréa
Alain Buffard (choreography), Good boy
(2000, 42’). Directed by Jean-Charles
Hemann; Mauvais genre (2004, 41’).
Directed by Sophie Laly; INtime/
EXtime-MORE et encore (2003, 58’).
Directed by Sophie Laly; Les inconsolés
(2005, 50’). Directed by Rémy Yadan
Mathilde Monnier and La Ribot
(choreography), Gustavia (2009, 62’).
Directed by Luc Peter
Eszter Salamon (choreography),
Reproduction (2004, 60’).
Directed by Andrea Keiz
Radhouane El Meddeb (choreography),
Au temps où les arabes dansaient (2014,
60’). Directed by Mathieu Bouvier
Lloyd Newson (choreography), Dead
Dreams of Monochrome Men (1989, 53’).
Directed by David Hinton; Enter
Achilles (1996, 50’). Directed by Clara
Van Gool
Dominique Brun (choreography),
L’Après-midi d’un Faune, excerpt from
the film: Le Faune – Un film ou la
fabrique de l’archive (2007, 12’,
orchestral and pianola versions).
Directed by Antoine Châtelet and Ivan
Chaumeille
Philippe Decouflé (choreography), Le
P’tit Bal (1993, 4’).
Directed by Philippe Decouflé
David Wampach (choreography),
SACRE (2011, 41’).
Directed by Karim Zeriahen
CHOREOGRAPHIC ART AND
CONTEMPORARY ART
Contemporary dance has close links
with the visual arts, which are
explored in this edition of Vidéodanse.
Numerous elements participate in the
construction of a singular visual
whole in which the dancers move
around: colours and textures,
surfaces and materials, light and
contrast give shape to the movement
and space. La Ribot questions the
pictorial or photographic gesture; Loïc
Touzé and Latifa Laâbissi juxtapose
choreographic fragments in an
abstract stage design, and Jérôme
Bel stages material-bodies. The
dance presented in this selection
dialogues with the image,
iconographic references and the
plastic or sculpted aspect of
movement.
Julie Nioche ((choreography), Matter
(2008, 51’). Directed by Laure
Delamotte-Legrand
Claudia Triozzi ((choreography), Stand
(2004, 41’). Directed by Isabelle Griot
Vera Mantero (choreography), Olympia
(2003, 18’). Directed by Antoine
Delaporte
David Wampach (choreography),
Bascule (2005, 14’). Directed by
Johann Maheut
Emmanuelle Huynh (choreography),
Numéro (2004, 30’). Directed by Sophie
Laly
Herman Diephuis (choreography),
D’après J.-C. (2006, 40’). Directed by
Karim Zeriahen
Christian Rizzo (choreography), b.c.,
janvier 1545, fontainebleau (2007, 60’).
Directed by Sophie Laly; Soit le puits
était profond, soit ils tombaient très
lentement car ils eurent le temps de
regarder tout autour (2005, 85’).
Directed by Sophie Laly
Jérôme Bel (choreography), Jérôme
Bel, le film (1999, 55’). Directed by
Luciana Fina
Thomas Hauert (choreography with
Boris Van der Avoort/ZOO), Space in
(2004, 10’). Directed by Boris Van der
Avoort
Maria La Ribot (choreography),
Treintaycuatro
piècesdistinguées&oneStriptease
(2007, 150’). With the cameras of:
Daniel Iturbe, Gilles Jobin, Yann
Marussich, Olga Mesa, Eduardo
Bonito, Riccardo Rezeude, MarieHélène Rebois, Luc Peter, Javier
Marquerie
Maria Donata D’Urso choreography),
Lapsus (2008, 15’).
Directed by Arnold Pasquier;
Collection particulière (2007, excerpt 20’).
Directed by Charles Picq