1. No category

2015
FA
BOOKS CATALOGUE
School of Architecture ◆ Editorial Team
1
PUBLICATIONS DEPARTMENT
School of Architecture / Facultad de Arquitectura
Universidad Nacional Autónoma de México, UNAM
Vestíbulo Principal de la Facultad de Arquitectura
Circuito Interior s/n
Ciudad Universitaria
Delegación Coyoacán
C.P. 04510
Mexico City, México
+52(55) 5622 0318
[email protected]
[email protected]
www.arquitectura.unam.mx
/publicaciones.html
/libros.html
www.revistas.unam.mx
/index.php/bitacora
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@editorialfaunam
Editorialfaunam
ABRAHAM ZABLUDOVSKY AND HOUSING /
ABRAHAM ZABLUDOVSKY Y LA VIVIENDA
Miquel Adrià
English - Spanish bilingual edition
10,63 x 8,26 in // 27 x 21 cm
2 lb 0.4 oz // 0.918 kg
216 pp.
First edition: 2001
ISBN: 968-464-092-7
Price: $ 32 USD
Facultad de Arquitectura, unam
Instituto Mexicano del Cemento y del Concreto
Arquine
In this book, the author gathers one of the most complex architectonic composition
genres of Abraham Zabludovskys’ work. Housing proposals and solutions go from
single-family houses to condominium buildings passing through medium scale social housing complexes. Far from being a recipe book, this publication pretends to
ease formal and functional solutions, working as a reference book for architects and
students.
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DRAWINGS FROM AUGUSTO H. ÁLVAREZ’S WORKSHOP /
LOS DIBUJOS DEL TALLER DE AUGUSTO H. ÁLVAREZ
Lourdes Cruz González Franco
Alejandro Aguilera González
English - Spanish bilingual edition
9,21 x 6,60 in // 16.8 x 23.4 cm
14.1 oz // 0.400 kg
152 pp.
Second edition: October 2014
ISBN: 978-607-417-258-4
Price: $ 35 USD
Universidad Iberoamericana
Facultad de Arquitectura, unam
Augusto Álvarez’s workshop was one of the most important architecture firms in
Mexico during the second half of the twentieth century; it was distinguished by its
professionalism, solidity, continuity and, above all, time work. Rationality, modulation, the development of detail, the use of simple forms without formal excesses
and the application of adequate proportions distinguished its architecture in the
forties. Drawing was an invaluable tool in the prefiguration of the building and its
parts since projects were developed down to the smallest detail.
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FÉLIX CANDELA
FÉLIX CANDELA
Juan Ignacio del Cueto Ruíz Funes
English edition (also available in Spanish)
11,42 x 8,31 in // 29 x 21.1 cm
13.3 oz // 0.376 kg
61 pp.
First edition: 2012
ISBN: 978-841-52-7223-6
Price: $ 20 USD
Gobierno de España
Acción Cultural Española
Columbia University
Facultad de Arquitectura, unam
SPAIN arts & culture
Catalogue of the exhibition organized in 2010 by the organism Acción Cultural Española in the Valencian Institute of Modern Art, the Museum of Modern Art in Mexico
(MAM) and the Wallach Art Gallery of Coumbia University. Since then it had being
shown all over the world. It gathers the work of the Spanish architect —famous for
his concrete shells— to commemorate the centenary of his btirth in a collaborative
exercise specialists from three countries: Mexico, Spain and the US.
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LIVING CU 60 YEARS
Salvador Lizárraga Sánchez
Cristina López Uribe
English edition (also available in Spanish)
10,54 x 8,26 in // 26.8 x 21 cm
3lb 1.1 oz // 1.384 kg
350 pp.
First Edition: November, 2014
ISBN: 978-607-02-5997-5
Price: $ 55 USD
Facultad de Arquitectura, unam
Centro de Enseñanzas de Lenguas Extranjeras, unam
Dirección General de Publicaciones y Fomento Editorial, unam
In 1954 the construction of the new headquarters of the Universidad Nacional
Autónoma de Mexico was finished. Today after six decades, it has been declared
World Heritage by UNESCO thanks to its extraordinary combination between landscape, city, architecture and plastic arts. This urban complex of almost inexplicable
measures for its time has been the melting pot of the scientific thought in Mexico.
The country’s social and historical changes of the past six decades can be registered
in its history.
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MIXTEC STONE CUTTING ARTISTRY /
EL ARTE DE LA CANTERÍA MIXTECA
Benjamín Ibarrta Sevilla
English - Spanish bilingual edition
11,03 x 8,46 in // 28 x 21.5 cm
1lb 7.5 oz // 0.664 kg
152 pp.
First edition: 2014
ISBN: 978-607-02-5706-3
Price: $ 23 USD
Facultad de Arquitectura, unam
Universidad de Texas en Austin
Mixtec Stone Cutting Artistry is an innovative work that allows to understand a bright
moment in Mexican architecture from a unique perspective. This book identifies
and analyzes three sixteenth century buildings constructed in the Oaxacan Mixteca
covered with complex ribbed vaults. Using digital technologies, professor Benjamín
Ibarra Sevilla addresses the challenge of representing and explaining the details and
intricacies applied in the design, development, and construction of the lush vaults
and in the stone pieces that form them. Benjamín Ibarra Sevilla was recipient of the
University of Texas, Creative Research Excellence Award in 2014 for this work.
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SÁNCHEZ ARQUITECTOS AND ASSOCIATES /
SÁNCHEZ ARQUITECTOS Y ASOCIADOS
Sánchez Arquitectos y Asociados
Roxana Villalobos Waisbord
English - Spanish bilingual edition
9,45 x 9,45 in // 24 x 24 cm
2lb 1.1 oz // 0.938 kg
199 pp.
First edition: 2006
ISBN: 968-5893-40-3
Price: $ 34 USD
Instituto Nacional de Bellas Artes
Facultad de Arquitectura, unam
This book portrays the talent and vision that led Sánchez Arquitectos y Asociados
to the top of their professional career. Its essence is in the understanding of how the
group goals became many and continuous achievements. This edition offers an approach to the most authentic ways to conceive this Mexican architecture, a logical
way of thinking it that exceeds the specific vocabulary of forms to reinterpret with a
personal signature the signs of history, life and space.
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TEODORO GONZÁLEZ DE LEON. COMPLETE WORKS /
TEODORO GONZÁLEZ DE LEÓN. OBRA COMPLETA
Miquel Adrià / William J.R. Curtis/
Teodoro González de León
English - Spanish bilingual edition
11,42 x 10,23 in // 29 x 26 cm
6lb 8.7 oz // 2.968 kg
440 pp.
First edition: 2003
ISBN: 968-5208-24-7
Price: $ 50 USD
conaculta — Arquine
Secretaría de Relaciones Exteriores
Facultad de Arquitectura, unam
El Colegio Nacional
This publication gathers for the first time more than fifty years of disciplined compromise towards architecture. His works such as banks, deputations, museums, schools
and corporates have contributed to define the urban tissue in most parts of the city
and the country, through a concept of monumentality and timelessness. His texts
insert throughout the book just as his icons do in the city.
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TEODORO GONZÁLEZ DE LEON. COLLECTED WORKS /
TEODORO GONZÁLEZ DE LEÓN. OBRA REUNIDA
Miguel Adrià / William J.R. Curtis/
Teodoro González de León
English - Spanish bilingual edition
10,54 x 10,54 in // 26.8 x 26.8 cm
6lb 6.3 oz // 2.900 kg
464 pp.
Third edition: 2010
ISBN: 978-607-7784-05-0
Price: $ 55 USD
Arquine
Facultad de Arquitectura, unam
The publication reviews Teodoro González de Leon professional work and critical
thought on architecture over six decades. Architect, urban planner, painter and
sculptor, his career is crucial in defining Mexican architecture on the second half of
the twentieth century and early twenty first century. This third edition, modified and
updated with his latest projects, such as the University Museum of Contemporary
Art, MUAC and the Reforma 222 complex, proposes a comprehensive and rigorous
analysis of his most important works.
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THAT CREATIVE SPRING...REINFORCED CONCRETE
SHELLS IN MEXICO /
AQUELLA PRIMAVERA CREADORA...CASCARONES DE CONCRETO
ARMADO EN MÉXICO
Juan Ignacio del Cueto Ruíz Funes
English - Spanish bilingual edition
10,67 x 8,18 in // 27 x 21 cm
13.8 oz // 0.390 kg
96 pp.
First edition: 2008
Price: $ 10 USD
ISNB: s/n
Facultad de Arquitectura, unam
International Association for Shell and Spatial Strucutres
The “Golden Age” of shell construction in Mexico had a clearly defined period: form
the beginning of the fifties to the mid sixties. Fifteen years in which the “Mexican
miracle” was produced: the transformation of an agricultural country into a modern
one, all trough an intense process of industrialization. Along came the construction
of thousands of square meters of roof structures made of laminar reinforced concrete. The advantages offered by these covers, which gave a new physiognomy to
industrial architecture, allowed their use in other genres, such as religious, recreational, hospital or educational architecture.
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T2. MOCKINGBIRD OVER THE VALLEY /
T2 CENZONTLE SOBRE EL VALLE
Victoria Eugenia Cifuentes García
Roberto López Moreno
English edition (also available in Spanish)
12,20 x 14,06 in // 35.7 x 31 cm
4lb 8.2 oz // 2.046 kg
185 pp.
First edition: 2008
ISBN: 978-607-2-00065-0
Price: $ 34 USD
Facultad de Arquitectura, unam
Centro de Enseñanzas de Lenguas Extranjeras, unam
Dirección General de Publicaciones y Fomento Editorial, unam
A great work is the product of many efforts and wills that converge together. It is a
summary, a mirror that reflects culture, history and society’s situation that gave it
life. It is an evidence of planning, an act of conscious design that cares about functionality. The Terminal 2 of the Benito Juarez International Airport in Mexico City will
be recognized as an outstanding architectural work, its execution needed the impulse of the authorities, the talent and determination of hundreds of professionals
formed in Mexican classrooms and of thousands of hands that with different tools
wielded the construction force.
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Editorial Team
Director
Salvador Lizárraga Sánchez
Editor in Chief
Cristina López Uribe
Editorial Design
Erandi Casanueva Gachuz
Amarantha Aguilar Escalona
Proofreading
Leonardo Solórzano Sánchez
Carlos Chávez Calvillo
Editorial Board
Pedro Camarena Berruecos
Facultad de Arquitectura, UNAM
Yara Colón
Universidad Politécnica de Puerto Rico
Marcio Cotrim
Programa de Pos- Gradaçao em
Arquitectura em Urbanismo,
Universidade Federal da Paraiba
Juan Ignacio del Cueto
Coordinación de Investigación en
Arquitectura, Urbanismo y Piasaje,
UNAM
Juan Manuel Escalante
Rafael Mauleón
iconos. Instituto de Investigación
en Comunicación y Cultura
Maritje van Rosmalen
Facultad de Arquitectura, UNAM
Jimena Torre
Facultad de Arquitectura, UNAM
Auribel Villa Avendaño
Facultad de Arquitectura, UNAM
Mostly Spanish text, some abstracts, keywords and articles in
English.
13,39 x 8,46 in // 34 x 21.5 cm
Approximate weight: 1lb 5oz // 0.6 kg
ISSN: 1045-8901
Price: $ 7 USD
Facultad de Arquitectura, unam Mostly Spanish text, some
abstracts, keywords and articles in English.
13,39 x 8,46 in // 34 x 21.5 cm
Approximate weight: 1lb 5oz // 0.6 kg
ISSN: 1045-8901
Price: $ 7 USD
Facultad de Arquitectura, unam
bitácora, born in 1999. is an arbitrated academic journal of the
Graduate School of Architecture of the unam created in 1999. It
specializes in critical study, history and theory of Architecture as
well as Landscape Architecture, Industrial Design, Urbanism, and
Art from various disciplines. It is published three times a year and
it is oriented to outreach besides being aimed at a wide audience
either academic or professional such as architects, philosophers,
city planners, designers, artists, historians, critics and theorists
of art, architecture and social science as well as any other person
interested in the topics proposed.
Indexes: Avery index to Architectural Periodicals / Periodica /
Latindex. It is also available on line in the website: www.revistas.
unam.mx
For further information visit
http://arquitectura.unam.mx/bitaacutecora.html
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BITÁCORA 26//ARCHITECTURE, LANDSCAPE & PUBLIC SPACE /
BITÁCORA 26//ARQUITECTURA, PAISAJE Y ESPACIO PÚBLICO
The selected topic for this number was Landscape and Public Space. Some of the
articles included here were developed after the collective action of the 8th National Congress of Landscape Architecture and the 3rd. Congress about Public Space
“Transformations; Everyday Landscape, Landscapes for Life”, that was held this year
in the School of Architecture at UNAM. We included texts that display the ideas exchanged in a multidisciplinary and collaborative spirit to understand our environment.
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BITÁCORA 26 //ARCHITECTURE, LANDSCAPE & PUBLIC SPACE
Table of Contents:
Research:
Reflexiones sobre la cultura del paisaje en México
Martín M. Checa-Artasu
Mitos e indicios en los textos de Le Corbusier. Conjeturas en torno al modo base
Sandra Inès Sànchez
México y el CIAM. Apuntes para la historia
de la arquitectura moderna en México {primera parte}
Juan Manuel Heredia
Estética de la Estática:
de la técnica funicular a las vigas óseas
Concepción Rodríguez Montero
Paisajes en el borde:
dos apuntes sobre entropía en Mexicalli
Alejandro J. Peimbert Duarte
La (ir)responsable óptica de la ciudad dependiente
Johanna Lozoya
Mies en Tultitlan
Salvador Lizárraga Sánchez
Espacio abierto: límites y codificaciones
Una aproximación dialéctica
Mònica Inzua Estrada | Jaime Irigoyen Castillo
Essay:
El diseño (no) industrial en México
Alberto Villareal
Entrevista a Gilberto Méndez
El arquitecto Charles Zogeuron
Reviews:
Casa Cevallos
David Noble, Luisa Farah y Yair Perdigón
Bioparque urbano San Antonio
Concepción Rodríguez Montero
Convocatoria Hiato
Expo. Ciclorama
Expo. Hotel Garage + Happy city
Expo. La Historia, ella misma y yo
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BITÁCORA 27//ARCHITECTURE, CITY & MEDIA /
BITÁCORA 27//ARQUITECTURA, CIUDAD Y MEDIOS
In this issue of Bitácora, the theme " mass media, architecture and the city" allows
us to explore the importance of mass media in our disciplines ( architecture, planning, industrial design and landscape architecture). Reflecting upon this theme and
its possible outcomes forces us to rethink many things that we usually consider ordinary. Profound changes originated with the invention of mechanical printing; this
was the moment when -for the first time- information and knowledge that had until
then been limited only to a few, was accesible to a greater amount of people. Later
on, along with modernity, the definitive incorporation of media and its influence
on everyday experience triggered a more radical shift; not only did we have at our
disposal novel representation tools, but the way we saw the world changed, and the
world itself was changed by the media.
Avant-garde showed us many of these changes in the artistic realm. But architecture, being in a closer contact with reality, absorbed all these changes in a more
disregarded way.
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BITÁCORA 27 //ARCHITECTURE, CITY & MEDIA
Table of Contents:
Research:
La casa de Mies: exhibicionismo y coleccionismo
Beatriz Colomina
Del brazo y por la calle. Construcciones culturales de la ciudad
Georgina Cebey Montes de Oca
Conexiones en el espacio
Gabriel Benítez Gutiérrez
Escenarios para la historia y el olvido en el México moderno 1942-1958
La ciudad imaginada por Juan O’Gorman, Luis Barragán, Mathias Goeritz y Mario Pani
Keith L. Eggener
México y el CIAM
Apuntes para la historia de la arquitectura moderna en México {parte dos}
Juan Manuel Heredia
Medios y tecnología en la concepción arquitectónica
Ronan Bolaños Linares,
Un día nublado
Cristian David Luna
La arquitectura de contenedores y el paisaje: una nueva mirada a través del Site Specific Art
María Cabrera Vergara
Los cielos del sur
Tres casas de Wladimiro Acosta y una interpretación de la arquitectura moderna en Argentina
Luis Müller
Essay:
Los videojuegos y su implicación arquitectónica
José Manuel Márquez Corona
Realidad Virtual vs. percepción humana
Jorge Tamés y Batta
HiaTo (Bitácora de viaje para una serie de detenimientos espaciales)
Alterritorios: Nuria Benítez, Sergio Beltrán, Francisco Erazo
Reviews:
Casa Noriega
Regina de Hoyos Duarte | Cassandra Gutièrrez Oosthuyen |
Sebastiàn Rivera Tiol | Andrès Berjòn de Gortari
Estación Metrobus Centro Cultural Universitario
Honorato Carrasco Mahr
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BITÁCORA 28//ARCHITECTURE, CITY & DARKNESS /
BITÁCORA 28//ARQUITECTURA, CIUDAD Y OSCURIDAD
Inquire about the darkness forces us to pay attention to that half of our existence
which we often overlook. We are asleep –or stunned in a world of artificial lighting
that attempts to recreate daylight– most of that time in which our world experiences
thousands of climatic, physical and chromatic variations. Much of the research on
our cities, architecture and landscape –but also on other sciences of knowledge –
focus on the world experienced during daylight. We often that to know something is
to see it in the light, that those things that we do not see are those which we cannot
really know.
Le Corbusier said in the early twenties: "Architecture is the learned game, correct
and magnificent, of forms assembled in the light". Following this assumption, we
could then understand that there is no architecture at night, or that in a world without artificial lighting, architecture would depended on the moonlight to exist, but
again, it would disappear in moonless nights.
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BITÁCORA 28 //ARCHITECTURE, CITY & DARKNESS
Table of Contents:
Research:
Los hilvanes del sastre
Sistemas de techos altos en la arquitectura de Amancio Williams
Luis Müllerr
Caracterización de la noche metropolitana.
El espectáculo de la luz eléctrica a finales del siglo XIX David Caralt
La noche y la ciudad de México
Alejandra Contreras
Landscape city. Nature and urban regeneration in American cities.
Juan Luis de las Rivas |Juan Miró Sardá
La arquitectura de los cinemas de circuitos británicos en los años treinta:
una mirada a través de las investigaciones de Allen Eyles
Andrés Ávila Gómez
Museo Moderno frente a Museo Contemporáneo
La crisis de las tipologías ante un cambio de paradigma
Ángela Baldellou Plaza
En torno a los Manantiales:
La reconciliación con el territorio lacustre en Xochimilco
Alejandro Núñez Alfaro | Marisol Montserrat González Pacheco
La casa de un hombre es su castillo: fortificaciones domésticas
Roger Ekirch
Essay:
As the down draws ever nearer
Joachim Schlör
El espacio del curador
Espacio para exposición en Stampa, Suiza
David Haber
Reviews:
Edificio de la licenciatura en Ciencia Forense, CU
Fernando Tepichín Jasso
Casa del Pedregal: Casa Galvez Antonio Attolini
Caribde Grecia Palacios Pérez
Sara Martínez Martínez
Entrevista: La fórmula de Andrés Lhima
José Manuel Márquez Corona
El hombre de la multitud
Edgar Allan Poe
De concursos y tamales
Gonzalo Mendoza Morfín
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BITÁCORA 29//ARCHITECTURE, CITY & LIGHT /
BITÁCORA 29//ARQUITECTURA, CIUDAD Y LUZ
From XIX century onwards the effervescence produced by technological development made itself clear in Western culture. The creation of new theories, devises,
systems and artifacts, all of them illuminated by the light of Science, redefined collective imaginary with a new perspective of society’s environment and reality. In this
context, light –always present in Human Kinds’ history – was theorized, manipulated and rethought as one of the main subjects of the formal discourse of Western culture. Representations and social forms, along with its architecture and cities, were
never the same again. Under the light of such ideas as progress, welfare, hygiene,
security –sometimes used correctly, sometimes manipulated for the worse, but always present throughout modernity– architecture, city planning and design have
played a decisive part in this development.
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BITÁCORA 29. ARCHITECTURE, CITY & LIGHT
Table of Contents:
Research:
Ciudades vividas, ciudades pintadas, ciudades proyectadas
El futurismo italiano (1909 - 1915)
Antonio Pizza
La iluminación
Postura analítica de la experiencia social en la imaginación colectiva
Gustavo Avilés
Las fachadas luminosas de las salas de cine: La irrupción de los cinemas den el paisaje urbano nocturno, 1920 - 1940
Andrés Ávila Gómez
Luz y sombra construyendo espacio
Vanessa Loya Piñera
Sobre luz natural en la arquitectura
Cecilia Guadarrama Gándara | Daniel Bronfman Rubli
Crystal Clear City of Glass. La construcción invisible del imaginario urbano
Marijke van Rosmalen Farías
Aprendiendo de Thoreau: Un proyecto para la comunidad de Hammaro en Suecia
Federico Colella
Cuerpo de modernidad, cuerpo de publicidad: Las bañistas de Jorge González Camarena
Fabiola Hernández Flores
Fachadas Media. Elementos para un debate crítico
Ignacio Valero Ubierna
Essay:
La luz y sus efectos. Vivencias
Enrique Quintero López
Diseño Lumínico. La fotometria
Sergio A. García Anaya
La luz como factor en la experiencia sensorial del Video Mapping y sus escalas de implementación en México
Hugo Hernández Quezada
El kilòmetro 3500
Ángel Badillo Almanzo | Omar Mejía Mendizàbal
La estrategia del sombrero
Luis Coll Méndez
Reviews:
En busca de la historia
Jorge A. Vadillo Lòpez
Centro de exposiciones y congresos UNAM
Salvador Lizárraga Sánchez
El jardín de Fernando González Gortázar
Adriana Malvido
Casa Fontanot: Enrique Castañeda Tamborell
Salmah Beydoun Orozco | Julieta Inclán Rosas Landa | Caribde Grecia Palacios Pérez
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