T. Clark Saunders, Acting Dean Stephen Pier, Director, Dance Division Katie Stevinson-Nollet, Coordinator, Senior Concert Robert Carl, Chair, Composition Program Present untempered A Hartt Music & Dance Collaboration Featuring: Senior Choreographers: Celina Lopez, Hannah Myers, Erica Nelson, Katie Schenker and Arielle Solomon & Composers: Kyle Grimm, Dan Lis, Douglas Taige McMahon, Andrey Stolyarov and Weizhao Zhang The Edward C. & Ann T. Roberts Foundation Theater Mort & Irma Handel Performing Arts Center th Friday, March 6 at 7:30 p.m. th Saturday, March 7 at 2:00 p.m. and 7:30 p.m. Photography and audio/video recording of performances is strictly prohibited. *This performance includes stroboscopic effects. The Hartt Dance Division Seniors would like to thank: Walter Harrison, Clark Saunders, David Bell, Sharon Vasquez, Dale Smith, Larry Rowe, Leonard Bretton, Amy Lesko, Sally Roig, Leif Ellis, Hartt Operations, our mentors: Stephen Pier, Nina Watt, Katrina Hawley, Debra Collins-Ryder, Katie Stevinson-Nollet, Hilda Morales, all composers, all guest choreographers, and our families for all their love and support. Alterity Choreographer: Katie Schenker Music: “Alterity” by Andrey Stolyarov Flutist: Allison Makenzie Hughes Dancers: Emily Aubrey, Lauren Bricca, Michelle Cuddy, Joseph Heitman, Katie Judge, Isaac Lerner, Dana Mazurowski All the Seeds The Hartt School of the University of Hartford The Hartt School is the comprehensive performing arts conservatory of the University of Hartford. Hartt offers innovative degree programs in music, dance, and theatre. Renowned faculty who perform and teach around the world mentor our students in their pursuits of excellence. With dozens of performing organizations and more than 400 instrumental and vocal performances, recitals, plays, master classes, dance performances, and musical theatre productions a year, performance is central to Hartt's curriculum. The Hartt School gratefully accepts gifts and bequests in support of its programs and performances. For information contact Acting Dean, Clark Saunder’s office at 860.768.4468 For information on Hartt’s degree programs, contact Hartt Admissions at 860.768.4465 For non-degree classes and individual instruction contact the Community Division at 860.768.4451 To purchase tickets, visit www.hartford.edu/hartt or call the Box Office at 860.768.4228 To join our mailing list or subscribe to our e-newsletter, visit www.hartford.edu/hartt or call 860.768.4862 Choreographer: Kathryn Alter Music: “Etude, Op. 25, No.1” by Frédéric Chopin Dancer: Erica Nelson momentarily absent Choreographer: Celina Lopez Music: “Renascence” by Weizhao Zhang Cellist: Xi Chen Dancers: Hannah Collins, Jillian Foley, Kayla Hamilton, Daniella Parisot Understudy: Mollie Sharples In Furore Choreographer: Belinda McGuire Music: “In Furore” by Vivaldi Dancer: Hannah Myers les enfants de la lune UPCOMING PERFORMANCES: Hartt Dances Millard Auditorium, University of Hartford Friday, April 24th, 2015 at 7:30 p.m. Saturday, April 25th 17, 2015 at 2:00 p.m. and 7:30 p.m. Sunday April 26th, 2015 at 2:00 p.m. Choreographer: Arielle Solomon Music: “The Places I Dream of Before I Visit” by Dan Lis Dancers: Hannah Belrose, Jennifer Binversie, Calvin Bittner, Haissan Rakie'nge Fletcher Booth, Abigail Corr, Sarah-Marie Nulsen, Marielena Quintanar, Allesandra Rinaldo Understudy: Nacoleon Hillsman ~Intermission~ A quiet reflection Choreographer: Hannah Myers Music: “A quiet reflection” by Douglas Taige McMahon Video Artists: Tiffany Lee, Rebecca Siefert Dancers: Darrigan DeMattos, Frances Fuller, Ty Graynor, Kareem Lewis, Samiyah Parramore, Lauren Turley *This piece includes stroboscopic effects. unstrung Choreographer: Erin Dillon Music: “Nocturne in C-sharp minor, Op. Posth. 72: No. 2” by Frédéric Chopin Dancer: Katie Schenker the calling Choreographer: Nicholas Villeneuve Music: “Elegy” by Adam Hurst Dancer: Celina Lopez betteryetblemished Choreographer: Erica Nelson Music: “betteryetblemished” by Kyle Grimm Dancers: Katie Bittner, Courtney Costa, Marjorie Gross, Ally Long, Victoria Sames Understudy: Lexi Hauck Sospiri Choreographer: Adam Barruch Music: “Lascia Ch'io Pianga” by George Frideric Handel Dancer: Arielle Solomon HARTT SCHOOL DANCE DIVISION FACULTY& STAFF Debra Collins Ryder: Ballet, Pointe, Dance History, Music in the Ballet Studio, Repertory Lief Ellis: Technology in Dance Elizabeth McMillan: Ballet, Pointe Katrina Hawley: Movement Fundamentals, Pilates, Issues in Pedagogy Amy Lesko: Dance Division Coordinator, Dance Pedagogy, Production Practicum, Pedagogy Coordinator Nelly Lugo-Larcheveque: Physiotherapist Tim Melady: Ballet, Pas de Deux, Men’s Class Hilda Morales: Ballet, Pointe, Ballet Pedagogy, Repertory Ralph Perkins: Martha Graham Technique, Repertory Stephen Pier: Dance Division Director, Ballet, Men’s Class, Repertory, Contemporary Partnering Ann Quinn: Kinesiology, Dance Administration Leana Reisman: Music History, Music Theory, Music in the Ballet Studio, Musicianship for Dancers Larry Rowe: Dance Production Katie Stevinson-Nollet: Contemporary Dance Forms, Composition, Repertory Miki Orihara: Martha Graham Technique Nina Watt: Limón Technique, Performance Techniques, Repertory Bonita Weisman: Improvisation PRODUCTION CREW Roberts Theatre Technical Director & Lighting Designer: Jesse Riley Costume Shop Manager: Marla Perlstein Wardrobe Mistress: Sally Roig Costume Assistants: Lexi Hauck, Mollie Sharples Stage Manager: Elizabeth Angleson Lighting Board Assistant: Jane Krantz Sound Assistant: Kirsten Schranze Videographer: Ryan Bulson Stage Crew: Marielena Quintanar House Manager: Lea-Janell Mitchell Technical Sound Advisor: Lief Ellis GUEST CHOREOGRAPHERS CONT. COMPOSERS Belinda McGuire originally from Toronto, graduated from The Juilliard School (BFA 2006). Through Belinda McGuire Dance Projects, she performs primarily solo work, choreographs and engages in collaboration and production. McGuire was nominated for the 2013 Dora Award for Outstanding Performance (The Heist Project), was an Artiste en Passant at The International Choreographic Arts Centre Amsterdam in 2010, a recipient of the 2008 Bessie Schönberg Residency at the Yard, and was recognized by the 2007 Susan Braun Award of The Dance Films Association. Her choreography has been presented at the Festival de la Ciudad 2009 (Merida, Yucatan Mexico), the Canada Dance Festival (Ottawa), in Toronto and in New York City on the stages of the Peter Jay Sharp Theater and Alice Tully Hall, Joyce Soho as well as in DUMBO, Brooklyn. She has danced with The José Limón Dance Company, Gallim Dance, Doug Varone and Dancers, Ofelia Lorette de Mola's DANSCORES, the DOORKNOB Company and The Canadian Contemporary Dance Theatre. She teaches and choreographs as a guest artist in New York City for The Limón Institute, The Juilliard School, and Gallim Dance, for the New Jersey Dance Theater Ensemble, CCDT in Toronto and for various other schools and universities across North America. As a producer, Belinda launched her one-woman show The Desert Island Project in New York City and Toronto (autumn, 2008) and The Heist Project in NYC (December 2011) and in Toronto (March 2013). Through these solo endeavors, she has commissioned new work from Kate Alton, Andrea Miller, Sharon B. Moore, Idan Sharabi and has collaborated with Emio Greco and Pieter C. Scholten. Kyle Grimm is a composer and bassist who received his B.M. in music composition from Western Washington University, where he studied with Roger Briggs and Brad Sherman. After a three-year hiatus, Kyle drove across the country to pursue his M.M. in music composition from The Hartt School. He is currently studying with Ken Steen. Composing for dance has always been of great interest to him, and he is relishing the opportunity to finally do so. Nicholas Villeneuve, a native of Canada, was raised in Kingston, Jamaica. In 1997, he relocated to New York City to study at the Alvin Ailey School under the late Denise Jefferson, and the tutelage of Benjamin Harkarvy at The Juilliard School. In 2001 he received the title of Dance Captain for Disney's The Lion King in Toronto and joined Ballet Hispanico as a principal dancer in 2005. After eight seasons with Ballet Hispanico, he retired in the spring of 2011 to further pursue his love of directing and choreography. Nicholas has choreographed works for The Company Dance Theatre in Kingston, Jamaica; The Juilliard School, NY; The Alvin Ailey BFA Program; Cawthra Park Ensemble in Toronto, Canada and for Perry-Mansfield Performing Arts School in Steamboat Springs, CO where he was commissioned an entire program of his work for the New Works Festival in 2010. His collaboration with Ballet Hispanico, the Jerome Robbins Foundation and the Orchestra of St. Luke's in 2011 marked his 16th work of choreography entitled "yo recuerdo". Nicholas has also worked outside of traditional dance companies, choreographing and coaching for theatre and musical theatre, as well as for numerous HIV/Aids fundraisers in Canada. His choreographic style ranges from the humorous through the morbid to whimsically romantic, drawing continuously on great athleticism and strong linear design. Nicholas's extensive teaching background has taken him across the country and internationally, giving master classes in modern technique and contemporary partnering. He was on faculty from 2005 to 2011 at Perry-Mansfield Performing Arts School as Assistant to the Director and was a part of the guest faculty at The Juilliard School from 2005-2010. On numerous occasions he has sat on the adjudication panel for New York City Dance Alliance and American Ballroom Theatre. Dan Lis graduated summa cum laude from The Hartt School, where he studied composition with Dr. David Macbride, Dr. Robert Carl, Ken Steen, and Dr. Tawnie Olson, and jazz guitar with Rich Goldstein. While an undergraduate he presented original compositions at two colloquia, received The Burton Family Scholarship in Composition, the Richard Kountz Trust Scholarship in Composition, a Junior Regent award, the Hartt Music Theory Department Award, and became a member of Alpha Chi National Honors Society. He also participated in a masterclass with composer William Bolcom and taught an afterschool program in composition to students at Bristow Middle School. He has been commissioned by the 016 New Music Ensemble and the Alturas Duo, among others. In 2014 he had music used in a masterclass with the JACK Quartet. His debut album entitled “Soul Refuge” was released in September 2013, blending natural sounds and original virtual instruments. His second album, “Exercise Music”, was released in April 2014. He currently teaches music at Northern Connecticut Community Music School and is on the administrative staff at The Hartt School Community Division. He is also currently pursuing a Master of Music in Composition degree at The Hartt School, studying with Dr. Larry Alan Smith. He is published by Harpster Music Publishing and DWL Publishing. For more information please visit www.danlismusic.com. Douglas Taige McMahon is a second year graduate student pursuing his Master's in Music Composition at the Hartt School. Taige is from Charlotte, North Carolina, where he received his Bachelor of Arts Degree in Classical Guitar and Music Composition with a Minor in Economics, in May, 2011 from the University of North Carolina at Charlotte. He has studied music composition under Ken Steen, Robert Carl, Gilda Lyons, and John Allemeier, and has composed music for a variety of instrumentations from solo violin to wind ensemble as well as music for theatre, dance, and fixed media. His pieces have been performed by various groups such as West Point Strings, The Foot in the Door Ensemble, and the Bonnie Cone String Quartet. COMPOSERS CONT. Andrey Stolyarov is a composer, conductor, and singer, currently finishing his Master of Music degree in Composition at The Hartt School. Andrey’s recent achievements in composition include a residency at the Unitarian Society of Hartford (Spring 2014), an international premiere of his woodwind quintet Six Celestial Miniatures in Saas-Fee, Switzerland (July 2014), and a premiere of his choral piece i won’t even stop at the New Jersey ACDA conference (July 2014). His piece Ebb & Flow won first prize at the 2014 ISAM Festival Joseph Dorfman International Composition Competition in Ochsenhausen, Germany (August 2014). Andrey is currently the Director of Music at West Avon Congregational Church in Avon, CT and is the Director of the Composer’s Chorus at The Hartt School. He is a private teacher of voice and piano, a CMEA Festival judge, and is an active professional choral singer in the Hartford and New Haven areas. Weizhao Zhang is a young composer from Guangzhou, China. He is currently in his first year of studies at the Hartt School, and is pursuing his Master’s in Music Composition where he has been a student of Ken Steen. In China, Weizhao completed his undergraduate degree at Xinghai Conservatory of Music in June 2012. Throughout his career, he has worked with numerous musicians and ensembles. His portfolio is very diverse with his pieces have been performed by a variety of ensembles such as symphony orchestra, string quartet, string orchestra, and chorus. In addition to his more traditional music compositions, Weizhao has also written extensively for commercial music productions. In his commercial writing, he has composed and arranged numerous songs and themes for artists, contemporary pop ensembles, and production companies. His music has appeared on albums, television, and recordings throughout China. GUEST CHOREOGRAPHERS Kathryn Alter attended Interlochen Arts Academy, and graduated from Purchase Conservatory of Dance with the highest honors in 2001. Ms. Alter has been a member of the Limon Dance Company since 2003. She is also a founding member of Riedel Dance Theater, and has worked with Alan Danielson and Kazuko Hirabayashi. She is on faculty at the Limon Institute, and teaches internationally. She is a part of the N.A.D.I.N.E. Project (http://www.nadineproject.com) and helps to organize the Limon Company Choreographer showcases. Her most recent choreographic commissions were created in Arizona at Scottsdale Community College, and for Nemian Dance Company in Mexico City. Alter was a 2014 recipient of a CUNY Dance Initiative residency. Adam Barruch began his career as a young actor, performing professionally on Broadway and in film and television, working with prominent figures such as Tony Bennett, Jerry Herman and Susan Stroman. He later received dance training at LaGuardia High School for Music & Art and Performing Arts. After three years, he graduated early and was accepted into the dance department at The Juilliard School. As a dancer he has performed the works of Jiri Kylian, Ohad Naharin, Susan Marshall, Jose Limon, Daniele Dèsnoyers, and is currently a dancer with Sylvain Émard Danse in Montreal. As a choreographer, Adam’s work has been presented at Dance Theater Workshop, City Center, NYU/ Skirball Center for the Performing Arts, The Juilliard School, The Baryshnikov Arts Center, Joe’s Pub, Ailey-Citigroup Theater, Jacob’s Pillow: Inside/Out, The Cedar Lake Theater, The Harris Theater, The Yard on Martha’s Vineyard, Bates Dance Festival and Theatre Usine C in Montreal. Adam Barruch was selected as a participant in the 2011 Alvin Ailey Dance Foundation New Directions Choreography Lab made possible by generous support from the Ford Foundation. Adam Barruch’s short-film collaboration with filmmaker Nel Shelby, Folie a Deux, was screened at the Dance On Camera Festival in Lincoln Center. He has also created works for companies such as Ailey II, River North Dance Chicago and BalletX. Adam was the recipient of a 2014 Lotos Foundation Prize in the Arts and Sciences, which recognizes institutions and individuals for distinguished accomplishments and exceptional talent in the arts and sciences. Erin Dillon graduated magna cum laude from The Hartt School/University of Hartford, where she performed classical works by Limon, Balanchine, Tudor, and Martha Graham, as well as current choreographers such as Emery LeCrone, Manuel Vignoulle, and Charlotte Griffin. Miss Dillon was a guest choreographer for the Periapsis Music and Dance spring 2013 concerts and a finalist in their 2013-14 commission competition, and has presented her work in the 2013 Composers Now Festival’s Music in Motion concert (with the American Modern Ensemble), the Provincetown Dance Festival, and other venues. She has attended summer intensives in the US and abroad and was part of Northwest Dance Project’s Launch 8 intensive. She is currently a company member of Abarukas and recently performed at the In/Out Festival at Jacob’s Pillow as well as Jazz at Lincoln Center. In the fall of 2014, she created a new work for Sans Limites Dance as a guest choreographer. COMPOSERS CONT. Andrey Stolyarov is a composer, conductor, and singer, currently finishing his Master of Music degree in Composition at The Hartt School. Andrey’s recent achievements in composition include a residency at the Unitarian Society of Hartford (Spring 2014), an international premiere of his woodwind quintet Six Celestial Miniatures in Saas-Fee, Switzerland (July 2014), and a premiere of his choral piece i won’t even stop at the New Jersey ACDA conference (July 2014). His piece Ebb & Flow won first prize at the 2014 ISAM Festival Joseph Dorfman International Composition Competition in Ochsenhausen, Germany (August 2014). Andrey is currently the Director of Music at West Avon Congregational Church in Avon, CT and is the Director of the Composer’s Chorus at The Hartt School. He is a private teacher of voice and piano, a CMEA Festival judge, and is an active professional choral singer in the Hartford and New Haven areas. Weizhao Zhang is a young composer from Guangzhou, China. He is currently in his first year of studies at the Hartt School, and is pursuing his Master’s in Music Composition where he has been a student of Ken Steen. In China, Weizhao completed his undergraduate degree at Xinghai Conservatory of Music in June 2012. Throughout his career, he has worked with numerous musicians and ensembles. His portfolio is very diverse with his pieces have been performed by a variety of ensembles such as symphony orchestra, string quartet, string orchestra, and chorus. In addition to his more traditional music compositions, Weizhao has also written extensively for commercial music productions. In his commercial writing, he has composed and arranged numerous songs and themes for artists, contemporary pop ensembles, and production companies. His music has appeared on albums, television, and recordings throughout China. GUEST CHOREOGRAPHERS Kathryn Alter attended Interlochen Arts Academy, and graduated from Purchase Conservatory of Dance with the highest honors in 2001. Ms. Alter has been a member of the Limon Dance Company since 2003. She is also a founding member of Riedel Dance Theater, and has worked with Alan Danielson and Kazuko Hirabayashi. She is on faculty at the Limon Institute, and teaches internationally. She is a part of the N.A.D.I.N.E. Project (http://www.nadineproject.com) and helps to organize the Limon Company Choreographer showcases. Her most recent choreographic commissions were created in Arizona at Scottsdale Community College, and for Nemian Dance Company in Mexico City. Alter was a 2014 recipient of a CUNY Dance Initiative residency. Adam Barruch began his career as a young actor, performing professionally on Broadway and in film and television, working with prominent figures such as Tony Bennett, Jerry Herman and Susan Stroman. He later received dance training at LaGuardia High School for Music & Art and Performing Arts. After three years, he graduated early and was accepted into the dance department at The Juilliard School. As a dancer he has performed the works of Jiri Kylian, Ohad Naharin, Susan Marshall, Jose Limon, Daniele Dèsnoyers, and is currently a dancer with Sylvain Émard Danse in Montreal. As a choreographer, Adam’s work has been presented at Dance Theater Workshop, City Center, NYU/ Skirball Center for the Performing Arts, The Juilliard School, The Baryshnikov Arts Center, Joe’s Pub, Ailey-Citigroup Theater, Jacob’s Pillow: Inside/Out, The Cedar Lake Theater, The Harris Theater, The Yard on Martha’s Vineyard, Bates Dance Festival and Theatre Usine C in Montreal. Adam Barruch was selected as a participant in the 2011 Alvin Ailey Dance Foundation New Directions Choreography Lab made possible by generous support from the Ford Foundation. Adam Barruch’s short-film collaboration with filmmaker Nel Shelby, Folie a Deux, was screened at the Dance On Camera Festival in Lincoln Center. He has also created works for companies such as Ailey II, River North Dance Chicago and BalletX. Adam was the recipient of a 2014 Lotos Foundation Prize in the Arts and Sciences, which recognizes institutions and individuals for distinguished accomplishments and exceptional talent in the arts and sciences. Erin Dillon graduated magna cum laude from The Hartt School/University of Hartford, where she performed classical works by Limon, Balanchine, Tudor, and Martha Graham, as well as current choreographers such as Emery LeCrone, Manuel Vignoulle, and Charlotte Griffin. Miss Dillon was a guest choreographer for the Periapsis Music and Dance spring 2013 concerts and a finalist in their 2013-14 commission competition, and has presented her work in the 2013 Composers Now Festival’s Music in Motion concert (with the American Modern Ensemble), the Provincetown Dance Festival, and other venues. She has attended summer intensives in the US and abroad and was part of Northwest Dance Project’s Launch 8 intensive. She is currently a company member of Abarukas and recently performed at the In/Out Festival at Jacob’s Pillow as well as Jazz at Lincoln Center. In the fall of 2014, she created a new work for Sans Limites Dance as a guest choreographer. GUEST CHOREOGRAPHERS CONT. COMPOSERS Belinda McGuire originally from Toronto, graduated from The Juilliard School (BFA 2006). Through Belinda McGuire Dance Projects, she performs primarily solo work, choreographs and engages in collaboration and production. McGuire was nominated for the 2013 Dora Award for Outstanding Performance (The Heist Project), was an Artiste en Passant at The International Choreographic Arts Centre Amsterdam in 2010, a recipient of the 2008 Bessie Schönberg Residency at the Yard, and was recognized by the 2007 Susan Braun Award of The Dance Films Association. Her choreography has been presented at the Festival de la Ciudad 2009 (Merida, Yucatan Mexico), the Canada Dance Festival (Ottawa), in Toronto and in New York City on the stages of the Peter Jay Sharp Theater and Alice Tully Hall, Joyce Soho as well as in DUMBO, Brooklyn. She has danced with The José Limón Dance Company, Gallim Dance, Doug Varone and Dancers, Ofelia Lorette de Mola's DANSCORES, the DOORKNOB Company and The Canadian Contemporary Dance Theatre. She teaches and choreographs as a guest artist in New York City for The Limón Institute, The Juilliard School, and Gallim Dance, for the New Jersey Dance Theater Ensemble, CCDT in Toronto and for various other schools and universities across North America. As a producer, Belinda launched her one-woman show The Desert Island Project in New York City and Toronto (autumn, 2008) and The Heist Project in NYC (December 2011) and in Toronto (March 2013). Through these solo endeavors, she has commissioned new work from Kate Alton, Andrea Miller, Sharon B. Moore, Idan Sharabi and has collaborated with Emio Greco and Pieter C. Scholten. Kyle Grimm is a composer and bassist who received his B.M. in music composition from Western Washington University, where he studied with Roger Briggs and Brad Sherman. After a three-year hiatus, Kyle drove across the country to pursue his M.M. in music composition from The Hartt School. He is currently studying with Ken Steen. Composing for dance has always been of great interest to him, and he is relishing the opportunity to finally do so. Nicholas Villeneuve, a native of Canada, was raised in Kingston, Jamaica. In 1997, he relocated to New York City to study at the Alvin Ailey School under the late Denise Jefferson, and the tutelage of Benjamin Harkarvy at The Juilliard School. In 2001 he received the title of Dance Captain for Disney's The Lion King in Toronto and joined Ballet Hispanico as a principal dancer in 2005. After eight seasons with Ballet Hispanico, he retired in the spring of 2011 to further pursue his love of directing and choreography. Nicholas has choreographed works for The Company Dance Theatre in Kingston, Jamaica; The Juilliard School, NY; The Alvin Ailey BFA Program; Cawthra Park Ensemble in Toronto, Canada and for Perry-Mansfield Performing Arts School in Steamboat Springs, CO where he was commissioned an entire program of his work for the New Works Festival in 2010. His collaboration with Ballet Hispanico, the Jerome Robbins Foundation and the Orchestra of St. Luke's in 2011 marked his 16th work of choreography entitled "yo recuerdo". Nicholas has also worked outside of traditional dance companies, choreographing and coaching for theatre and musical theatre, as well as for numerous HIV/Aids fundraisers in Canada. His choreographic style ranges from the humorous through the morbid to whimsically romantic, drawing continuously on great athleticism and strong linear design. Nicholas's extensive teaching background has taken him across the country and internationally, giving master classes in modern technique and contemporary partnering. He was on faculty from 2005 to 2011 at Perry-Mansfield Performing Arts School as Assistant to the Director and was a part of the guest faculty at The Juilliard School from 2005-2010. On numerous occasions he has sat on the adjudication panel for New York City Dance Alliance and American Ballroom Theatre. Dan Lis graduated summa cum laude from The Hartt School, where he studied composition with Dr. David Macbride, Dr. Robert Carl, Ken Steen, and Dr. Tawnie Olson, and jazz guitar with Rich Goldstein. While an undergraduate he presented original compositions at two colloquia, received The Burton Family Scholarship in Composition, the Richard Kountz Trust Scholarship in Composition, a Junior Regent award, the Hartt Music Theory Department Award, and became a member of Alpha Chi National Honors Society. He also participated in a masterclass with composer William Bolcom and taught an afterschool program in composition to students at Bristow Middle School. He has been commissioned by the 016 New Music Ensemble and the Alturas Duo, among others. In 2014 he had music used in a masterclass with the JACK Quartet. His debut album entitled “Soul Refuge” was released in September 2013, blending natural sounds and original virtual instruments. His second album, “Exercise Music”, was released in April 2014. He currently teaches music at Northern Connecticut Community Music School and is on the administrative staff at The Hartt School Community Division. He is also currently pursuing a Master of Music in Composition degree at The Hartt School, studying with Dr. Larry Alan Smith. He is published by Harpster Music Publishing and DWL Publishing. For more information please visit www.danlismusic.com. Douglas Taige McMahon is a second year graduate student pursuing his Master's in Music Composition at the Hartt School. Taige is from Charlotte, North Carolina, where he received his Bachelor of Arts Degree in Classical Guitar and Music Composition with a Minor in Economics, in May, 2011 from the University of North Carolina at Charlotte. He has studied music composition under Ken Steen, Robert Carl, Gilda Lyons, and John Allemeier, and has composed music for a variety of instrumentations from solo violin to wind ensemble as well as music for theatre, dance, and fixed media. His pieces have been performed by various groups such as West Point Strings, The Foot in the Door Ensemble, and the Bonnie Cone String Quartet. A quiet reflection Choreographer: Hannah Myers Music: “A quiet reflection” by Douglas Taige McMahon Video Artists: Tiffany Lee, Rebecca Siefert Dancers: Darrigan DeMattos, Frances Fuller, Ty Graynor, Kareem Lewis, Samiyah Parramore, Lauren Turley *This piece includes stroboscopic effects. unstrung Choreographer: Erin Dillon Music: “Nocturne in C-sharp minor, Op. Posth. 72: No. 2” by Frédéric Chopin Dancer: Katie Schenker the calling Choreographer: Nicholas Villeneuve Music: “Elegy” by Adam Hurst Dancer: Celina Lopez betteryetblemished Choreographer: Erica Nelson Music: “betteryetblemished” by Kyle Grimm Dancers: Katie Bittner, Courtney Costa, Marjorie Gross, Ally Long, Victoria Sames Understudy: Lexi Hauck Sospiri Choreographer: Adam Barruch Music: “Lascia Ch'io Pianga” by George Frideric Handel Dancer: Arielle Solomon HARTT SCHOOL DANCE DIVISION FACULTY& STAFF Debra Collins Ryder: Ballet, Pointe, Dance History, Music in the Ballet Studio, Repertory Lief Ellis: Technology in Dance Elizabeth McMillan: Ballet, Pointe Katrina Hawley: Movement Fundamentals, Pilates, Issues in Pedagogy Amy Lesko: Dance Division Coordinator, Dance Pedagogy, Production Practicum, Pedagogy Coordinator Nelly Lugo-Larcheveque: Physiotherapist Tim Melady: Ballet, Pas de Deux, Men’s Class Hilda Morales: Ballet, Pointe, Ballet Pedagogy, Repertory Ralph Perkins: Martha Graham Technique, Repertory Stephen Pier: Dance Division Director, Ballet, Men’s Class, Repertory, Contemporary Partnering Ann Quinn: Kinesiology, Dance Administration Leana Reisman: Music History, Music Theory, Music in the Ballet Studio, Musicianship for Dancers Larry Rowe: Dance Production Katie Stevinson-Nollet: Contemporary Dance Forms, Composition, Repertory Miki Orihara: Martha Graham Technique Nina Watt: Limón Technique, Performance Techniques, Repertory Bonita Weisman: Improvisation PRODUCTION CREW Roberts Theatre Technical Director & Lighting Designer: Jesse Riley Costume Shop Manager: Marla Perlstein Wardrobe Mistress: Sally Roig Costume Assistants: Lexi Hauck, Mollie Sharples Stage Manager: Elizabeth Angleson Lighting Board Assistant: Jane Krantz Sound Assistant: Kirsten Schranze Videographer: Ryan Bulson Stage Crew: Marielena Quintanar House Manager: Lea-Janell Mitchell Technical Sound Advisor: Lief Ellis The Hartt Dance Division Seniors would like to thank: Walter Harrison, Clark Saunders, David Bell, Sharon Vasquez, Dale Smith, Larry Rowe, Leonard Bretton, Amy Lesko, Sally Roig, Leif Ellis, Hartt Operations, our mentors: Stephen Pier, Nina Watt, Katrina Hawley, Debra Collins-Ryder, Katie Stevinson-Nollet, Hilda Morales, all composers, all guest choreographers, and our families for all their love and support. Alterity Choreographer: Katie Schenker Music: “Alterity” by Andrey Stolyarov Flutist: Allison Makenzie Hughes Dancers: Emily Aubrey, Lauren Bricca, Michelle Cuddy, Joseph Heitman, Katie Judge, Isaac Lerner, Dana Mazurowski All the Seeds The Hartt School of the University of Hartford The Hartt School is the comprehensive performing arts conservatory of the University of Hartford. Hartt offers innovative degree programs in music, dance, and theatre. Renowned faculty who perform and teach around the world mentor our students in their pursuits of excellence. With dozens of performing organizations and more than 400 instrumental and vocal performances, recitals, plays, master classes, dance performances, and musical theatre productions a year, performance is central to Hartt's curriculum. The Hartt School gratefully accepts gifts and bequests in support of its programs and performances. For information contact Acting Dean, Clark Saunder’s office at 860.768.4468 For information on Hartt’s degree programs, contact Hartt Admissions at 860.768.4465 For non-degree classes and individual instruction contact the Community Division at 860.768.4451 To purchase tickets, visit www.hartford.edu/hartt or call the Box Office at 860.768.4228 To join our mailing list or subscribe to our e-newsletter, visit www.hartford.edu/hartt or call 860.768.4862 Choreographer: Kathryn Alter Music: “Etude, Op. 25, No.1” by Frédéric Chopin Dancer: Erica Nelson momentarily absent Choreographer: Celina Lopez Music: “Renascence” by Weizhao Zhang Cellist: Xi Chen Dancers: Hannah Collins, Jillian Foley, Kayla Hamilton, Daniella Parisot Understudy: Mollie Sharples In Furore Choreographer: Belinda McGuire Music: “In Furore” by Vivaldi Dancer: Hannah Myers les enfants de la lune UPCOMING PERFORMANCES: Hartt Dances Millard Auditorium, University of Hartford Friday, April 24th, 2015 at 7:30 p.m. Saturday, April 25th 17, 2015 at 2:00 p.m. and 7:30 p.m. Sunday April 26th, 2015 at 2:00 p.m. Choreographer: Arielle Solomon Music: “The Places I Dream of Before I Visit” by Dan Lis Dancers: Hannah Belrose, Jennifer Binversie, Calvin Bittner, Haissan Rakie'nge Fletcher Booth, Abigail Corr, Sarah-Marie Nulsen, Marielena Quintanar, Allesandra Rinaldo Understudy: Nacoleon Hillsman ~Intermission~
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