Unisa Piano syllabus 2012 until further notice Piano Piano Duet Two Pianos (four hands) 2013/05/10 ii Copyright © 2012 by Unisa All rights reserved Published and printed by the University of South Africa Directorate Music PO Box 392 Unisa 0003 5-31 OR Tambo Administration Building Preller Street Muckleneuk Ridge Pretoria Tel: +27 (0)12 429 2535 Fax: +27 (0)12 429 3644 www.unisa.ac.za/music 2013/05/10 iii Unisa Piano Syllabus Contents General Information 1 Prescribed Repertoire .................................................................................................................................. 1 2 Alternative and Own Choice Works ....................................................................................................... 2 3 Specific Requirements ................................................................................................................................. 2 4 Technical Work ............................................................................................................................................... 3 5 Sight-reading.................................................................................................................................................... 3 6 Practical Musicianship ................................................................................................................................. 3 7 Theory of Music Prerequisites.................................................................................................................. 3 8 Exemptions ....................................................................................................................................................... 5 9 Duration ............................................................................................................................................................. 5 10 Participation in the Unisa Music Scholarship Competitions ........................................................ 6 Basic Requirements and Allocation of Marks 1 Piano Grade Examinations ......................................................................................................................... 8 2 Performance Level Assessments (PLAs).............................................................................................. 8 3 Evaluations ....................................................................................................................................................... 9 4 Piano Duet ......................................................................................................................................................... 9 5 Two Pianos (four hands) Grade 8 ......................................................................................................... 10 6 Allocation of Marks ..................................................................................................................................... 11 7 Marks Categories………………. ................................................................................................................... 11 Technical work and Repertoire PIANO Pre-Grade 1 to Grade 8 .................................................................... 12 Tegniese werk en Repertorium KLAVIER Voorgraad 1 tot Graad 8 ............................................................. 12 Repertoire requirements PIANO Performer’s Assessment .............................................................................. 32 Repertoriumvereistes KLAVIER Voordraersassessering.................................................................................. 32 Repertoire requirements PIANODUET Pre-grade 1 to Grade 8 ..................................................................... 40 Repertoriumvereistes KLAVIERDUET Voorgraad 1 tot Graad 8 ................................................................... 40 Repertoire requirements TWO PIANOS (FOUR HANDS) Grade 8 and Performer’s Assessment ..... 50 Repertoriumvereistes TWEE KLAVIERE (VIER HANDE) Graad 8 en Voordraersassessering .......... 50 Annexures 1: Errata: 2008 Piano Examination Albums .................................................................................... 54 Bylaag 1: Errata: 2008 Klaviereksamenbundels................................................................................................... 54 Annexure 2: Marks Categories for Graded Exam and Performance Level Assessments across all instruments................................................................................................................................................... 56 Bylaag 2: Puntekategorieë vir Graadeksamens en Voordragvlakassesserings vir alle instrumente ....................................................................................................................................................... 56 2013/05/10 General Information 1 General Information General Information Grade Examinations and Performance Level Assessments (PLAs) in • Piano • Piano Duet • Two Pianos (four hands) 1 Prescribed Repertoire 1.1 The prescribed repertoire lists for each grade appear from page 13 in this publication. 1.2 1.3 1.4 1.5 1.6 1.7 1.8 1.9 Candidates must perform a balanced programme which should be diverse in character and tempo. Piano Examination Albums for pre-Grade 1 to Grade 7 examinations are published by Unisa. These albums may be ordered directly from Unisa by using the official order form (also available on the website). These albums may also be purchased from various sheet music dealers. Under no circumstances will candidates be allowed to use photocopies of the official examination albums in the examination room, with the exception of one or two pages to facilitate page-turning. Prescribed music for Piano Grade 8 examinations, Piano duet and Two pianos (four hands) which is not published by Unisa, should be purchased from the publishers, sheet music dealers or the internet. Only original printed music may be used in the examination room. Copies of all these works must be submitted to the examiner at the examination and will be destroyed afterwards. Candidates making use of the optional List E piece in a piano examination or assessment must provide the examiner with a copy of the piece to be performed. This will be destroyed after the examination. The use of music that is in public domain and downloadable from the internet is permitted provided that no copyright restrictions are being violated. The source of this piece must be indicated on the sheet music. Candidates must take cognisance of the fact that photocopying of music, without written permission from the publishers, is strictly prohibited by the Copyright Act (Act 98 of 1978, as amended). Examiners may refuse to conduct the examination if the original works are not present in the examination room. In such cases the examination will be downgraded to an Evaluation. Examiners may listen to either an entire work or only part of it. Repeats [II: :II] need not be played unless requested by the examiner, indicated as compulsory in the sheet music or if the section is repeated in ornamented form. Da Capo sections should, however, be performed unless the examiner requests the candidate not to do so. Candidates may use any edition of the prescribed works. 2013/05/10 General Information 1.10 1.11 1.12 1.13 2 General Information It is not essential to follow performance indications such as articulation, dynamics, phrasing, pedalling, metronome indications, etc., appearing in a specific edition unless they have obviously been inserted by the composer and not by the editor. When candidates use an edition with different editing, they should bring this to the examiner's attention. Ornaments in prescribed works for pre-Grade 1, Grades 1 and 2 may be omitted. Works by South African composers are marked with an asterisk (*) in the repertoire lists. Errata to the piano examination albums appear in Appendix 1 on page 71. 2 Alternative and Own Choice Works 2.1 No alternative works may be performed for the pre-Grade 1 to Grade 7 piano examinations. 2.2 Own choice works are applicable to the Performance Level Assessments only. 2.2 2.3 2.4 2.5 For Grade 8 and all performance level assessments, one alternative work may be presented. Applications to present an alternative or own choice work must: • be made on the official application form obtainable from the internet or Directorate Music; • include a copy of the alternative work concerned which copy will not be returned; • reach the Deputy Director (Professional), Directorate Music not later than the closing date for entries (preferably with the entry form). Alternative and own choice works should match the length, level of virtuosity, musical standard and style period of the work to be replaced. The University of South Africa reserves the right to refuse permission for works which do not meet any or all of the criteria. 2.6 Requests to present an alternative or own choice work received after the closing date for entries, will only be considered in highly exceptional cases. 3 Specific Requirements Page turners No page turners are allowed in the examination venue for up to and including Grade 7 examinations. Grade 8 candidates may make use of a page turner without prior permission from the University. This person may not be the candidate's teacher or the examiner. 2013/05/10 General Information 4 Technical Work 4.1 All technical work must be played: 4.2 4.3 4.4 5 • • • 3 General Information from memory ascending and descending according to the specified range legato and non legato as prescribed. Any practical and systematic fingering which produces a good result will be accepted. The following abbreviations will be used to distinguish between the hands: LH = left hand RH = right hand. The compass of the prescribed scales is indicated with Roman numerals which are to be interpreted as follows: I one octave II two octaves III three octaves IV four octaves. Sight-reading Candidates must play one sight-reading test. Sufficient time will be allowed to study the piece without playing it. In preparation to play the sight-reading test, candidates will be permitted to silently finger the notes without making a sound. 6 Practical Musicianship 6.1 The requirements for each grade appear in a separate publication which is available free of charge from the Directorate Music. 6.2 6.3 The Practical Musicianship requirements per grade are the same for all instruments. The examiner will play all practical musicianship tests on the piano. 6.4 The candidate must play the visualisation test on the piano. 7 Theory of Music Requirements and Prerequisites 7.1 There are no theoretical requirements for Performance Level Assessments (PLAs) and Piano duet examinations pre-Grade 1 to Grade 7. 2013/05/10 General Information 7.2 4 General Information The Theory of Music examinations required for the various practical grade examinations are as follows: Grade Examinations Practical examination Pre-Grade 1 to Grade 3 7.3 7.3.1 7.3.2 7.3.3 7.3.4 7.4 7.5 7.5.1 7.6 7.6.1 7.6.2 7.7 Theory of Music requirement None Grade 4 Grade 3 Grade 5 Grade 4 Grades 6 and 7 Grade 5 Grade 8 Grade 6 If a Theory of Music examination is a requirement for a practical examination, and the candidate has not passed the required Theory of Music examination before the practical examination is played, the candidate must enter and pass the required Theory of Music examination by the second session of the following year. A candidate who passes the practical examination during the first examination session but passes the required Theory of Music examination only in the second or any later examination session will only receive the certificate once the relevant Theory of Music examination has been passed. If a candidate passed the required Theory of Music examination at the same or an earlier examination session, the practical certificate will be issued without delay. If a candidate only meets the Theory of Music requirement by the end of the following year, the Directorate Music must be contacted and requested to issue the practical certificate. If a candidate does not meet the Theory of Music requirement by the end of the following year, the candidate must re-enter for the practical examination and play again. Grade 8 practical candidates who do not yet meet the Theory of Music requirement must register for the practical and theory components in the same calendar year. (Theory of Music may be written earlier.) Both Grade 6 Theory of Music papers must have been passed by the end of the following year. Theory of Music Grades 6 and 7 examinations consist of two papers each. Candidates may enter for one or both papers (in any order) at any time. Theory of Music Grades 6 and 7 candidates will retain credit for individual papers passed. For all practical licentiates, a Grade 7 Theory of Music qualification is a prerequisite. Therefore both papers must have been passed before entering for the practical licentiate examination. Candidates entering for the Grade 7 Theory of Music will have to pass both the examination papers in order for the Theory of Music qualification to be awarded. Grade 7 Theory of Music examinations are presented in the second session of each year only. Please do not contact Unisa to enquire about certificates if the candidate has not yet passed the required Theory of Music examination. 2013/05/10 5 General Information 8 8.1 8.1.1 8.1.2 8.1.3 8.2 8.3 9 General Information Exemptions Prospective Practical candidates may request for exemption according to the following principles: BMus degrees obtained from South African Universities Theory of Music Grade 6 A completed first year of a BMus degree at a South African University (second year if the BMus includes bridging/extended degree programmes). Theory of Music Grade 7 A completed second year of a BMus degree at a South African University (third year if the BMus includes bridging/extended degree programmes). Practical Grade 8 A completed first year of the first instrument of a BMus degree at a South African University (second year if the BMus includes bridging/extended degree programmes) National and International Music Qualifications Candidates in possession of other national and international qualifications may apply for exemption. Qualifications/syllabi concerned will be evaluated by the Directorate Music regarding Theory of Music Grade 6 and 7 and Practical Grade 8. Application procedure Please use the official Request for Exemption form, obtainable from the internet or the Directorate Music. A certified copy of the candidate’s academic record must accompany the application. Duration Performance Level Assessments 2013/05/10 Pre-Level 1 10 minutes Level 1 10 minutes Level 2 10 minutes Level 3 10 minutes Level 4 15 minutes Level 5 20 minutes Level 6 20 minutes Level 7 25 minutes Level 8 30 minutes Performer’s Assessment 45 minutes 6 General Information General Information Grade Examinations Pre-Grade 1 15 minutes Grade 1 20 minutes Grade 2 20 minutes Grade 3 20 minutes Grade 4 25 minutes Grade 5 30 minutes Grade 6 35 minutes Grade 7 40 minutes Grade 8 50 minutes Piano Duet examinations Pre-Grade 1 10 minutes Grade 1 10 minutes Grade 2 15 minutes Grade 3 15 minutes Grade 4 20 minutes Grade 5 20 minutes Grade 6 25 minutes Grade 7 25 minutes Grade 8 35 minutes Two Pianos (Four Hands) examinations Grade 8 10 35 minutes Participation in the Unisa Music Scholarship Competitions 10.1 Age Restrictions 10.1.1 Candidates qualifying for the Unisa South African Music Scholarship Competition for Grade 8 should not be more than 20 years of age on 31 October of the competition year and must have passed the required Grade 6 Theory of Music examination by the first session of that particular year. Candidates who only write the required Theory of Music Grade 6 in the second session of the relevant year will not be eligible for participation since the results will not yet be available at the time of the competition. 10.2 Requirements for participation The following requirements must be fulfilled in order to qualify for participation in the scholarship competitions: 10.2.1 Mark allocation 2013/05/10 General Information 7 General Information Grade 8 • achieve at least 85% in the examination as a whole • achieve an average of at least 85% for the prescribed pieces. 10.2.2 Memorisation Memorisation is not a requirement for participation in the South African Competitions. 10.2.3 No deferred participation Candidates must participate in the scholarship competitions in the same year that they play the examination and qualify. Participation will not be deferred to the following year. 2013/05/10 Basic Requirements and Allocation of Marks 8 Basic Requirements and Allocation of Marks Basic Requirements and Allocation of Marks 1 1.1 1.1.1 1.1.2 1.1.3 1.1.4 1.1.5 1.2 1.3 1.4 1.5 2 2.1 2.1.1 2.1.2 2.1.3 2.1.4 2.1.5 2.1.6 2.1.7 2.1.8 2.2 Piano Grade Examinations General Candidates will be allowed to enter at any grade for a grade examination. Candidates will be allowed to switch from a grade examination to a Performance Level Assessment (PLA) or Evaluation. No excess fees will be returned. One work must be chosen from each list: A, B and C. At least two contrasting styles must be included in the performance. For Piano Grade 8 only, one alternative work may be presented with prior permission (see page 2 paragraph 2). A certificate will be issued upon successful completion of an exam and, where applicable, its theory requirement. Technical Work As prescribed. Performance Candidates must play three pieces, one selected from each of prescribed lists A and B and one piece selected from either lists C, D or E (where applicable). Playing from memory is not compulsory. Sight-reading Candidates will be required to play a piece at sight. Practical Musicianship As prescribed in the Practical Musicianship syllabus. Performance Level Assessments (PLAs) General Candidates will be allowed to enter at any level for a Performance Level Assessment. Candidates will be allowed to change from a Performance Level Assessment to an Evaluation. No Theory of Music requirements need to be met. At least two contrasting styles must be included in the performance. One own choice work may be presented (see page 2 paragraph 2). A single overall symbol with commentary will be given. No individual marks will be allocated. A statement and not a certificate will be issued upon successful completion of a particular level. The Roll of Honour is not applicable to Performance Level Assessments. Technical Work No technical work is required. 2013/05/10 Basic Requirements and Allocation of Marks 9 Basic Requirements and Allocation of Marks 2.3 2.3.1 Performance Pre-Level 1 to Level 8 The prescribed pieces from the existing graded examinations will apply. Candidates must play three pieces, one selected from each of the prescribed lists A and B and one work of own choice. The latter may also be chosen from the prescribed lists C, D or E (where applicable). 2.3.2 Performer's Assessment 2.3.2.1 The Performer’s Assessment is the highest assessment level and the only option that follows the Level 8 Performance Level Assessment. Candidates must perform a balanced programme of four works, one selected from each of the prescribed lists A to D. The List D work may also be an own choice, ensemble or chamber work. Permission to perform this work must be obtained from the Directorate Music (see page 2 paragraph 2). 2.3.2.2 All assessments will be conducted by one examiner at any of the existing practical examination centres. 2.4 2.5 Sight-reading No sight-reading is required. Practical Musicianship No practical musicianship is required. 3 Evaluations 3.1 The purpose of an Evaluation is to encourage inadequately prepared candidates to play, rather than withdraw from a grade examination or Performance Level Assessment. 3.2 3.3 Candidates may change from a grade examination or Performance Level Assessment to an Evaluation. This may be done up to the day of the examination, but excess fees will not be refunded. Please note that candidates cannot enter for an Evaluation specifically. Any combination of work may be presented for an Evaluation and may include any of the three pieces, sight-reading, technical work or practical musicianship. 3.4 No marks or symbols are awarded, only commentary. 3.6 One teacher or parent may be present at the Evaluation. 4 Piano Duet 4.1 4.1.1 4.1.2 4.1.3 General Candidates will be examined as an ensemble and not as individuals. A certificate will be issued to both candidates. This examination is intended for two candidates and not for a candidate together with his or her teacher. 3.5 No certificate or special report is issued. The examiner report serves as confirmation of the Evaluation. 2013/05/10 Basic Requirements and Allocation of Marks 4.1.4 4.1.5 4.2 4.2.1 4.2.2 4.2.3 4.2.4 4.2.5 4.3 4.4 10 Basic Requirements and Allocation of Marks Prescribed music for the duet examinations which should be purchased from the publishers, sheet music dealers or the internet. Only original printed music may be used in the examination room. Copies of all these works must be submitted to the examiner at the examination and will be destroyed afterwards. No Theory of Music examination is required as a prerequisite for the piano duet examinations for pre-Grade 1 to Grade 7. For Grade 8, however, Theory of Music Grade 6 is required for both candidates. Performance Candidates must perform three works selected from the prescribed list(s). One alternative work will be allowed (see page 2, paragraph 2). No more than one composition by a specific composer may be presented during the examination. Candidates from Grade 1 to Grade 8 must take different styles and tempos into consideration when choosing their programme. Candidates from grades 2 to 8 must cover at least two different style periods in their programme. Candidates may play any part (primo or second) of their chosen works, but they must change positions for the performance of at least one of the three pieces. Sight-reading No sight-reading is required for pre-Grade 1. However, sight-reading is required for Grades 1 to 8. Candidates will be given the opportunity to discuss the sight-reading piece for a short while before playing it. Practical Musicianship No practical musicianship is required. 5 Two Pianos (four hands) Grade 8 5.1 5.1.1 5.1.2 5.1.3 General Candidates will be examined as an ensemble and not as individuals. A certificate will be issued to both candidates. This examination is intended to be for two candidates and not for a candidate together with his or her teacher. Copies of all performance works must be submitted to the examiner before the examination commences. The prerequisite Theory of Music examination for the Grade 8 Two Pianos (four hands) is Grade 6 for both candidates. Candidates will be responsible for the tuning of the second piano and venue hire. 5.1.4 5.1.5 5.1.6 5.2 5.2.1 5.2.2 5.2.3 5.2.4 Performance Candidates must perform three works, one selected from each of the prescribed lists. No more than one composition by a specific composer may be presented during the examination. When choosing a programme, different styles and tempos must be taken into consideration. Works must cover at least two different style periods. 2013/05/10 11 Basic Requirements and Allocation of Marks 5.3 5.4 6 Basic Requirements and Allocation of Marks Practical Musicianship No Practical Musicianship is required. Sight-reading Sight-reading will be required for Grade 8. Candidates will be given the opportunity to discuss the sight-reading piece for a short while before playing it. Allocation of Marks Marks or symbols allocated by the examiners are final. No correspondence will be entered into regarding the outcome of an assessment or examination. Performance Level Assessments and Performer’s Assessment A++ 90-100% C+ 65-69% A+ 85-89% C 60-64% A 80-84% D+ 55-59% B+ 75-79% D 50-54% B 70-74% E 49% and below Grade Examinations Pre-Grade 1 to Grade 7 Technical work Sight-reading Practical Musicianship Performance List A List B List C 20 10 10 20 20 20 Grade 8 15 10 10 20 25 20 Total 100; Pass 50; Merit 70; Distinction 80; Roll of Honour 90 (pre-Grade 1 to Grade 7), Roll of Honour 85 (Grade 8) Piano Duet / Two Pianos (four hands) Gr 8 Pre-Grade 1 Sight-reading Performance List A List B List C General Impression Grade 1 to Grade 8 0 30 30 30 10 10 30 30 30 0 Total 100; Pass 50; Merit 70, Distinction 80; Roll of Honour 90 (pre-Grade 1 to Grade 7), Roll of Honour 85 (Grade 8) 7 Marks Categories For the marks categories please refer to Annexure 2 on page 56. 2013/05/10 12 Piano pre-Grade 1 Klavier Voorgraad 1 Technical work and Repertoire Tegniese werk en Repertorium PIANO KLAVIER Pre-Grade 1 Technical work/Tegniese werk Key and Compass Toonsoort en Omvang Major scales Majeurtoonlere Broken chords Gebroke akkoorde Triads Drieklanke 2013/05/10 Motion Rigting Voorgraad 1 Hands Hande Articulation Artikulasie I: C, G, F From the lowest note Vanaf die laagste noot Separately Afsonderlik Legato Legato I: C Contrary motion, from the middle; beginning and ending in unison Teenoorgestelde rigting, vanaf die middel; begin en eindig in eenklank Separately and together Legato Afsonderlik en tegelyk Legato Minimum Tempo iq = 84 13 Piano pre-Grade 1 Klavier Voorgraad 1 Repertoire/Repertorium Three pieces, one from List A, one from List B, and one from List C or D Drie stukke, een gekies uit Lys A, een uit Lys B, en een uit Lys C of D List A Lys A Bach JS Bach JS Handel GF List B Lys B Ryba JJ Türk DG Vaňhal J List C Lys C Diabelli A Diabelli A Tansman A List D Lys D Hurnik I Olivier G * Paciorkiewicz T Roos JS * Van Namen Arie A * 2013/05/10 Gavotte Minuet/Menuet Allegretto Flowing Waters/Vloeiende Water Spring and Winter/Lente en Winter Allegretto Strolling/Wandeling Bagatelle Carousel/Mallemeule Big Dog, Little Dog/Groot Hond, Klein Hond We roll down the dune and into the sea!/Ons rol van die duin af tot onder in die see! March/Mars La-la á la Brahms Cat and Mouse/Kat en Muis 14 Piano Grade 1 Klavier Graad 1 Grade 1 Graad 1 Technical work/Tegniese werk Key Toonsoort C, G, D, F Major scales Majeurtoonlere C, G Harmonic or Melodic minor scales Harmoniese of Melodiese mineurtoonlere Broken chords Gebroke akkoorde Triads Drieklanke 2013/05/10 a Motion Rigting Hands Hande Interval distance Intervalafstand Compass Omvang Articulation Artikulasie Similar motion, from the lowest note Separately and together 1 octave Separately: Legato 2 octaves Together: 1 octave Afsonderlik: Legato 2 oktawe Tegelyk: 1 oktaaf Dieselfde rigting, vanaf die laagste noot Afsonderlik en tegelyk 1 oktaaf Contrary motion, from the middle Together 1 octave Legato Teenoorgestelde rigting, vanaf die middel Tegelyk Begin and end in unison Begin en eindig in eenklank 1 oktaaf Legato Similar motion, from the lowest note Separately and together 1 octave Dieselfde rigting, vanaf die laagste noot Afsonderlik en tegelyk 1 oktaaf Separately: Legato 2 octaves Together: 1 octave Afsonderlik: Legato 2 oktawe Tegelyk: 1 oktaaf Minimum Tempo iq = 92 iq = 86 iq = 92 15 Piano Grade 1 Repertoire/Repertorium Three pieces, one from List A, one from List B, and one from List C or D Drie stukke, een gekies uit Lys A, een uit Lys B, en een uit Lys C of D List A Lys A Barrett J Handel GF Telemann GP List B Lys B Kauer F Mozart L Neefe C List C Lys C Goedicke A Gurlitt C Maykapar S List D Lys D Coutts D * Kabalevsky D Panebianco-Warrens C * Randell E * Świerzyński M 2013/05/10 The Holy St Catherine/Die Heilige Katharina Allegro Allegro Minuet/Menuet Polonaise Minuet/Menuet Playtime, op 6 no 6 Little Flowers/Blommetjies op 205 no 1 Prelude I Like to Dance/Ek hou van Dans Clowns/Narre op 39 no 20 Dance of the Fireflies/Dans van die Vuurvliegies Saudade Playing/Speel Klavier Graad 1 16 Piano Grade 2 Klavier Graad 2 Grade 2 Graad 2 Technical work/Tegniese werk Key and Compass Toonsoort en Omvang II: D, A, E, F Major scales Majeurtoonlere I : D, A Harmonic or Melodic minor scales Harmoniese of Melodiese mineurtoonlere II: d, a Chromatic scales Chromatiese toonlere I : Ab Broken chords Gebroke akkoorde Triads Drieklanke 2013/05/10 C iq = 108 Motion Rigting Hands Hande Similar motion, from the lowest note Dieselfde rigting, vanaf die laagste noot Separately and together 1 octave Legato Afsonderlik en tegelyk 1 oktaaf Legato Contrary motion, from the middle Teenoorgestelde rigting, vanaf die middel Together Beginning and Legato ending in unison Begin en eindig in eenklank Legato Similar motion, from the lowest note Dieselfde rigting, vanaf die laagste noot Separately and together 1 octave Legato Afsonderlik en tegelyk 1 oktaaf Legato From the lowest note Vanaf die laagste noot Separately - Legato Afsonderlik - Legato Tegelyk Interval distance Intervalafstand Articulation Artikulasie Minimum Tempo iq = 108 iq = 92 iq = 108 iq = 108 17 Piano Grade 2 Repertoire/Repertorium Three pieces, one from List A, one from List B, and one from List C or D Drie stukke, een gekies uit Lys A, een uit Lys B, en een uit Lys C of D List A Lys A Handel GF Kirnberger JP Scarlatti A List B Lys B Beethoven L von Beethoven L von Haydn FJ List C Lys C Czerny C Czerny C Oesten T List D Lys D Bell D Khumalo A * Loeb van Zuilenburg P * Reid D * Starer R 2013/05/10 Air Minuet/Menuet Minuetto Scherzando German Dance/Duitse Dans, WoO 13 no 2 German Dance/Duitse Dans, WoO 13 no 6 Minuet/Menuet Allegretto Andante Polka-Mazurka, op 155 no 2 After a shower of rain/Na ‘n reënbui Let’s Play/Kom ons Speel Kweliccia Rain Dance/Reëndans Bright Orange/Helder Oranje Klavier Graad 2 18 Piano Grade 3 Klavier Graad 3 Grade 3 Graad 3 Technical work/Tegniese werk Key and Compass Toonsoort en Omvang II: B, F#, Bb, Eb Major scales Majeurtoonlere I : Eb Motion Rigting Hands Hande Interval distance Intervalafstand Articulation Artikulasie Similar motion, from the lowest note Dieselfde rigting, vanaf die laagste noot Separately and together 1 octave Legato Afsonderlik en tegelyk 1 oktaaf Legato Contrary motion, from the middle Teenoorgestelde rigting, vanaf die middel Together Begin and end in unison Begin en eindig in eenklank Legato Similar motion, from the lowest note Dieselfde rigting, vanaf die laagste noot Separately and together 1 octave Legato Afsonderlik en tegelyk 1 oktaaf Legato From the lowest note Vanaf die laagste noot Separately - Legato Afsonderlik - Legato Tegelyk Legato Harmonic and Melodic minor scales Harmoniese en Melodiese mineurtoonlere II: c, g Chromatic scales Chromatiese toonlere II: D Major arpeggios Majeur arpeggio’s II: C, D in root position in grondposisie From the lowest note Vanaf die laagste noot Separately Minor arpeggios Mineur arpeggio’s II: c, d in root position in grondposisie From the lowest note Vanaf die laagste noot Separately - Legato Afsonderlik - Legato Broken chords Gebroke akkoorde Triads Drieklanke 2013/05/10 c Afsonderlik - Minimum Tempo i = 120 iq = 112 iq = 120 i = 120 Legato Legato See example as for Grade 2. 1st and 5th fingers on black notes Sien voorbeeld soos vir Graad 2. 1e en 5e vinger op swart klawers i = 84 i = 84 = 62 Piano Grade 3 19 Klavier Graad 3 Repertoire/Repertorium Three pieces, one from List A, one from List B, and one from List C, D or E Drie stukke, een gekies uit Lys A, een uit Lys B, en een uit Lys C, D of E List A Lys A Rameau JP Scarlatti D Türk DG List B Lys B Benda JA Müller AE Vaňhal J List C Lys C Grechaninov/Gretsjaninof A Kabalevsky/Kabalefski D Tchaikovsky/Tsjaikofski PI List D Lys D Minuet/Menuet Aria, K32/L423 Four sharps? Keep it up!/Vier kruise? Hou so aan! Allegro assai from/uit Sonata in G Minuet/Menuet Allegretto from/uit Sonatina no 6 The Little Would-be Man/Die Kamma-mannetjie Slow Waltz/Stadige Wals, op 39 no 23 The Barrelorgan Man/Die Draaiorrelspeler, op 39 no 23 De Villiers, H * Pauer J Rollin C Watt M * Zaidel-Rudolph J * 5/8 Dance/5/8Dans March/Mars Cotton King Jazz African Lullaby/Afrika Wiegeliedjie Times They Are A-Changing Kay U Tender Thought, Piano Music of Africa and the African List E Lys E Norton C Norton C Norton C Norton C Price FB 2013/05/10 Diaspora Vol 1 (OUP) Chinese Walk, Microstyles Collection (B&H) Feeling Lazy, Microstyles Collection (B&H) Oriental Flower, Microstyles Collection (B&H) Without a Care, Microstyles Collection (B&H) Tinklin’ Toes, Piano Music of Africa and the African Diaspora Vol 1 (OUP) 20 Piano Grade 4 Klavier Graad 4 Grade 4 Graad 4 Technical work/Tegniese werk Key and Compass Toonsoort en Omvang II: Major scales Majeurtoonlere Harmonic and Melodic minor scales Harmoniese en Melodiese mineurtoonlere Harmonic minor scales Harmoniese mineurtoonlere II: II: II: II: Chromatic scales Chromatiese II: toonlere C#, Eb, Ab B e, f c Bb Ab Motion Rigting Hands Hande Similar motion, from the lowest note Dieselfde rigting, vanaf die laagste noot Separately and together Afsonderlik en tegelyk 1 octave Legato 1 oktaaf Legato Contrary motion, from the middle Teenoorgestelde rigting, vanaf die middel Together Begin and end Legato in unison Begin en Legato eindig in eenklank Similar motion, from the lowest note Dieselfde rigting, vanaf die laagste noot Separately and together Afsonderlik en tegelyk 1 octave Legato 1 oktaaf Legato Contrary motion, from the middle Teenoorgestelde rigting, vanaf die middel Together Begin and end Legato in unison Begin en Legato eindig in eenklank Similar motion, from the lowest note Dieselfde rigting, vanaf die laagste noot Separately and together Afsonderlik en tegelyk 1 octave Legato 1 oktaaf Legato Contrary motion, from the middle Teenoorgestelde rigting, vanaf die middel Separately Begin and end Legato in unison Begin en Legato eindig in eenklank Tegelyk Tegelyk Afsonderlik Interval distance Intervalafstand Articulation Artikulasie II: Eb In root position and 1st inversion In grondposisie en 1e omkering Similar motion, from the lowest note Dieselfde rigting, vanaf die laagste noot Separately and together Afsonderlik en tegelyk 1 octave Legato Major arpeggios Majeur arpeggio’s 1 oktaaf Legato II: c# In root position and 1st inversion In grondposisie en 1e omkering Similar motion, from the lowest note Dieselfde rigting, vanaf die laagste noot Separately and together Afsonderlik en tegelyk 1 octave Legato Minor arpeggios Mineur arpeggio’s 1 oktaaf Legato Chords Akkoorde 2013/05/10 Minimum Tempo jjj = 69 jjj = 60 jjj = 69 jjj = 60 jjj = 69 jjj = 60 i = 100 i = 100 21 Piano Grade 4 Klavier Graad 4 Repertoire/Repertorium Three pieces, one from List A, one from List B, and one from List C, D or E Drie stukke, een gekies uit Lys A, een uit Lys B, en een uit Lys C, D of E List A Lys A Blow J Handel GF Telemann GP List B Lys B Benda G Kuhlau F Vaňhal JK List C Lys C Grieg E Karganov G Pachulski/Patsjoelski H List D Lys D Benjamin A Harvey P Hofmeyr Hendrik * Klatzow Peter * Temmingh Henk * List E Lys E Capers V Dett RH Norton C Norton C Norton C Norton C 2013/05/10 Courante Rigaudon Fantasia no 9 Allegretto from/uit Sonatina in d Theme and Variations/Tema en Variasies Allegretto Poetic Sounds/Poëtiese Klankbeelde, op 3 no 1 Arabesque/Arabesk Prelude Haunted House Rumba Toccata March of the Lilliputians/Mars van die Lilliputters Bubbles Ferreira in C Sweet Mister Jelly Roll, Piano Music of Africa and the African Diaspora Vol 1 (OUP) Honey, Piano Music of Africa and the African Diaspora Vol 2 (OUP) Clock Rock, Microstyles Collection (B&H) Habanera, Microstyles Collection (B&H) Island Song, Microstyles Collection (B&H) Misty-Eyed, Microstyles Collection (B&H) 22 Piano Grade 5 Klavier Graad 5 Grade 5 Graad 5 Technical work/Tegniese werk Key and Compass Toonsoort en Omvang Motion Rigting Hands Hande Similar motion, from the lowest note Dieselfde rigting, vanaf die laagste noot Separately and together Afsonderlik en tegelyk 1 octave Legato 1 oktaaf Legato Contrary motion, from the middle Teenoorgestelde rigting, vanaf die middel Together Begin and end Legato in unison Begin en Legato eindig in eenklank Similar motion, from the lowest note Dieselfde rigting, vanaf die laagste noot Separately and together Afsonderlik en tegelyk 1 octave Legato 1 oktaaf Legato Contrary motion, from the middle Teenoorgestelde rigting, vanaf die middel Together Begin and end Legato in unison Begin en Legato eindig in eenklank Similar motion, from the lowest note Dieselfde rigting, vanaf die laagste noot Separately and together Afsonderlik en tegelyk 1 octave Legato 1 oktaaf Legato Contrary motion, from the extremes Teenoorgestelde rigting, vanaf die uiterstes Together Begin and end Legato on the tonic Begin en Legato eindig op die tonika II : D, Bb In root position and inversions In grondposisie en omkerings Similar motion, from the lowest note Separately and together 1 octave Legato Dieselfde rigting, vanaf die laagste noot Afsonderlik en tegelyk 1 oktaaf Legato II : d, bb In root position and inversions In grondposisie en omkerings Similar motion, from the lowest note Separately and together 1 octave Legato Dieselfde rigting, vanaf die laagste noot Afsonderlik en tegelyk 1 oktaaf Legato III: G, A, Bb Major scales Majeurtoonlere Harmonic and Melodic minor scales Harmoniese en Melodiese mineurtoonlere Harmonic minor scales Harmoniese mineurtoonlere II : Ab III: bb, f# II : g III: F Chromatic scales Chromatiese II : G toonlere Major arpeggios Majeur arpeggio’s Minor arpeggios Mineur arpeggio’s Tegelyk Tegelyk Tegelyk Chords Akkoorde * mediant degree / mediant toontrap 2013/05/10 Interval distance Intervalafstand Articulation Artikulasie Minimum Tempo ii = 112 jjj = 66 ii = 112 jjj = 66 jjjjj = 58 jjj = 66 jjj = 66 jjj = 66 23 Piano Grade 5 Repertoire/Repertorium Three pieces, one from List A, one from List B, and one from List C, D or E Drie stukke, een gekies uit Lys A, een uit Lys B, en een uit Lys C, D of E List A Lys A Bach JS Handel GF Telemann GP List B Lys B Hummel JN Kuhlau F Schubert F List C Lys C Grieg E Maykapar S Schumann R List D Lys D Copland A Johnson Alexander * Kabalevsky D Roosenschoon Hans * Van der Watt Niel * List E Lys E Norton C Norton C Norton C Norton C 2013/05/10 Bourrée from/uit English Suite no 1, BWV 806 Allemande Vivace from/uit Fantasia no 5 Polonaise Second Movement from/uit Sonatina, op 88 no 3 Minuet & Trio/Menuet & Trio, Sonata, op 122 Folk-tune/Volkswysie from/uit Lyrical Pieces, op 12 no 5 Romance/Romanse, op 8 no 16 Remembrance/Herinnering, op 68 no 28 Jazzy Elegie Theme and Variations/Tema en Variasies, op 40 no 2 Rêverie Leaving School Blues Cha Cha, Microstyles Collection (B&H) Hebridean Song, Microstyles Collection (B&H) In the Sun, Microstyles Collection (B&H) Orchid Garden, Microstyles Collection (B&H) Klavier Graad 5 24 Piano Grade 6 Klavier Graad 6 Grade 6 Graad 6 Technical work/Tegniese werk Key and Compass Toonsoort en Omvang Hands Hande Interval distance Intervalafstand Similar motion, from the lowest note Dieselfde rigting, vanaf die laagste noot Together Third, tonic in LH Legato Tegelyk Terts, tonika in LH Legato Contrary motion, from the middle and extremes Teenoorgestelde rigting, vanaf die middel en uiterstes Together Begin and end on Legato the tonic Begin en eindig Legato op die tonika Similar motion, from the lowest note Dieselfde rigting, vanaf die laagste noot Together Third, tonic in LH Legato Tegelyk Terts, tonika in LH Legato Contrary motion, from the middle and extremes Teenoorgestelde rigting, vanaf die middel en uiterstes Together Begin and end on Legato the tonic Begin en eindig Legato op die tonika Similar motion, from the lowest note Dieselfde rigting, vanaf die laagste noot Together 1 octave Legato Tegelyk 1 oktaaf Legato Contrary motion, from the extremes Teenoorgestelde rigting, vanaf die uiterstes Together Begin and end on Legato the tonic Begin en eindig Legato op die tonika IV: F#, C# in root position and inversions in grondposisie en omkerings Similar motion, from the lowest note Dieselfde rigting, vanaf die laagste noot Together 1 octave Legato Tegelyk 1 oktaaf Legato IV: f#, f in root position and inversions in grondposisie en omkerings Similar motion, from the lowest note Together 1 octave Legato Dieselfde rigting, vanaf die laagste noot Tegelyk 1 oktaaf Legato IV: on/op A, F in root position in grondposisie Similar motion, from the lowest note Dieselfde rigting, vanaf die laagste noot Together 1 octave Legato Tegelyk 1 oktaaf Legato IV: C#, Bb Major scales Majeurtoonlere Harmonic and Melodic minor scales Harmoniese en Melodiese mineurtoonlere Harmonic minor scales Harmoniese mineurtoonlere II : C#, Bb IV: d, e II : d, e IV: C# Chromatic scales Chromatiese II : F toonlere Major arpeggios Majeur arpeggio’s Minor arpeggios Mineur arpeggio’s Diminished sevenths Verminderde sewendes Chords Akkoorde 2013/05/10 Motion Rigting Tegelyk Tegelyk Tegelyk Articulation Artikulasie Minimum Tempo jjj = 84 jjj = 84 jjj = 84 jjj = 84 jjj = 100 jjj = 84 jjj = 80 jjj = 80 jjj = 80 25 Piano Grade 6 Klavier Graad 6 Repertoire/Repertorium Three pieces, one from List A, one from List B, and one from List C, D or E Drie stukke, een gekies uit Lys A, een uit Lys B, en een uit Lys C, D of E List A Lys A Bach JS Galuppi B Handel GF List B Lys B Haydn FJ Kuhlau F Vaňhal JK List C Lys C Chopin F Mendelssohn F Schumann R List D Lys D Potgieter J * Roux I * Tcherepnin A Temmingh R * Von Einem G List E Lys E Gardes AR Norton C Norton C Norton C 2013/05/10 Prelude no 9, BWV 928 Adagio from/uit Sonata in D Courante, HWV 441 Theme and Variations/Tema en Variasies, Hob XVII:5 Allegro Scherzando from/uit Sonatina, op 20 no 2 Allegro from/uit Sonatina in A Mazurka, op 7 no 1 Song without Words/Lied sonder Woorde, op 19 no 1 The Wayside Inn/Herberg langs die pad, op 82 no 6 Habanera Dr Kwela – Mr Ragtime Bagatelle, op 5 no 6 Prelude for Liezl/Prelude vir Liezl Piano Piece, op 3 Preludio Cubano, Piano Music of Africa and the African Diaspora, Vol 2 (OUP) Moving Along, Microstyles Collection (B&H) Piano Exchange Rag, Microstyles Collection (B&H) No 2 Rumba or/of no 5 Bassa Nova, Latin Preludes (B&H) 26 Piano Grade 7 Klavier Graad 7 Grade 7 Graad 7 Technical work/Tegniese werk Key and Compass Toonsoort en Omvang IV: F, Ab II : A, Eb Major scales Majeurtoonlere II : G, D II : G, D Harmonic and Melodic minor scales Harmoniese en Melodiese mineurtoonlere Harmonic minor scales Harmoniese mineurtoonlere IV: f#, f II : c#, bb IV: C Chromatic scales Chromatiese II : A toonlere Motion Rigting Hands Hande Interval distance Intervalafstand Articulation Artikulasie Similar motion, from the lowest note Together Tenth, tonic in LH Legato and non jjj = 108 legato Legato en non legato Dieselfde rigting, vanaf die laagste noot Tegelyk Desiem, tonika in LH Contrary motion, from the middle and extremes Teenoorgestelde rigting, vanaf die middel en uiterstes Together Begin and end on the tonic Tegelyk Begin en eindig op die tonika From the lowest note Separate Non legato Vanaf die laagste noot Afsonderlik Double note thirds: Tonic as lowest note Dubbelnoottertse: Tonika as laagste noot From the lowest note Separate Non legato Vanaf die laagste noot Afsonderlik Double note octaves Dubbelnootoktawe Similar motion, from the lowest note Together Tenth, tonic in LH Dieselfde rigting, vanaf die laagste noot Tegelyk Desiem, tonika in LH Legato and non legato jjj = 108 Legato en non legato Contrary motion, from the middle and extremes Teenoorgestelde rigting, vanaf die middel en uiterstes Together Begin and end on the tonic Tegelyk Begin en eindig op die tonika Similar motion, from the lowest note Together Major or minor third Dieselfde rigting, vanaf die laagste noot Tegelyk Majeur- of mineurterts Contrary motion, from the middle and extremes Teenoorgestelde rigting, vanaf die middel en uiterstes Together Begin and end on the tonic Tegelyk Begin en eindig op die tonika Legato and non legato jjj = 100 Legato en non legato Legato and non legato jjj = 100 Legato en non legato Non legato Non legato i = 80 i = 88 Legato and non legato jjj = 100 Legato en non legato Legato and non jjj = 116 legato Legato en non legato Major arpeggios Majeur arpeggio’s IV: Eb, F In root position and inversions In grondposisie en omkerings Similar motion, from the lowest note Together 1 octave Legato Dieselfde rigting, vanaf die laagste noot Tegelyk 1 oktaaf Legato Minor arpeggios Mineur arpeggio’s IV: eb, f In root position and inversions In grondposisie en omkerings Similar motion, from the lowest note Together 1 octave Legato Dieselfde rigting, vanaf die laagste noot Tegelyk 1 oktaaf Legato 2013/05/10 Minimum Tempo jjj = 92 jjj = 92 27 Piano Grade 7 Dominant sevenths Dominant sewendes Diminished sevenths Verminderde sewendes Klavier Graad 7 IV: of/van C, D In root position In grondposisie Similar motion, from the lowest note Dieselfde rigting, vanaf die laagste noot Together 1 octave Legato Tegelyk 1 oktaaf Legato IV: on/op C#, Eb, Ab In root position In grondposisie Similar motion, from the lowest note Together 1 octave Legato Dieselfde rigting, vanaf die laagste noot Tegelyk 1 oktaaf Legato jjj = 92 jjj = 92 Chords Akkoorde Repertoire/Repertorium Three pieces, one from List A, one from List B, and one from List C, D or E Drie stukke, een gekies uit Lys A, een uit Lys B, en een uit Lys C, D of E List A Lys A Bach JS Bach JS Scarlatti D Allemande from/uit French Suite no 5, BWV 816 Three-Part Invention no 7/Driestemmige Invensie no 7, BWV 793 Sonata, K 444 Beethoven L van Haydn F Mozart WA Rondo from/uit Sonata in g, op 49 no 1 Rondo from/uit Sonata in C, Hob XVI:48 Six Variations on/Ses Variasies op "Mio caro adone", K 180 Lyadov/Ljadof A MacDowell E Poldini E Prelude, op 10 no 1 Of Br’er Rabbit from/uit Fireside Tales, op 61 no 2 She Smiles from/Sy Glimlag uit “Episodes à la cour”, op 93 no 4 Debussy C Grové Stefans * Rajna Thomas * Van Dijk Péter Louis * Weiner L Golliwogg’s Cake-walk from/uit Children’s Corner Obstinacy/Hardnekkigheid Oriental Feast On quiet nights starlight pulses gently from your fingertips… Hungarian Peasant Song/Hongaarse Boerelied, op 33 no 24 Norton C Norton C Solal M No 6 (Beguine) or/of no 7(Mambo), Latin Preludes (B&H) No 5, Latin Preludes 2 (B&H) No 4 or/of no 5, Jazz Preludes (B&H) List B Lys B List C Lys C List D Lys D List E Lys E 2013/05/10 28 Piano Grade 8 Klavier Graad 8 Grade 8 Graad 8 Technical work/Tegniese werk Key and Compass Toonsoort en Omvang IV: C#, Bb II : D, Eb Major scales Majeurtoonlere II : A, Bb II : Eb, E Melodic minor scales Melodiese mineurtoonlere IV: g, ab IV: d, b Harmonic minor scales Harmoniese mineurtoonlere 2013/05/10 II : f, ab Motion Rigting Hands Hande Interval distance Intervalafstand Articu-lation Minimum Artiku-lasie Tempo Similar motion, from the lowest note Dieselfde rigting, vanaf die laagste noot Together Sixth:Tonic in RH Tegelyk Sekst: Tonika in Legato en RH non legato Contrary motion, from the middle and extremes Teenoorgestelde rigting, vanaf die middel en uiterstes Together Third: Tonic in LH Tegelyk Terts: Tonika in Legato en LH non legato Similar motion, from the lowest note Dieselfde rigting, vanaf die laagste noot Separately and together Double note thirds: Tonic as lowest note Dubbelnoottertse: Tonika as laagste noot Non legato Similar motion, from the lowest note Dieselfde rigting, vanaf die laagste noot Together Double note octaves Non legato Tegelyk Dubbelnootoktawe Non legato Similar motion, from the lowest note Dieselfde rigting, vanaf die laagste noot Together Sixth: Tonic in RH Legato and non legato Tegelyk Sekst: Tonika in Legato en RH non legato Similar motion, from the lowest note Dieselfde rigting, vanaf die laagste noot Together Sixth: Tonic in RH Tegelyk Sekst: Tonika in Legato en RH non legato Contrary motion, from the middle and extremes Teenoorgestelde rigting, vanaf die middel en uiterstes Together Thirds: Tonic in LH Tegelyk Terts: Tonika in Legato en LH non legato Afsonderlik en tegelyk Legato and non legato jjj = 120 Legato and non legato Non legato jjj = 112 jjj = 72 jjj = 72 jjj = 120 Legato and non legato jjj = 120 Legato and non legato jjj = 112 29 Piano Grade 8 IV: Bb Klavier Graad 8 Similar motion, from the lowest note Dieselfde rigting, vanaf die laagste noot Together Major or minor sixth: Tonic in RH Majeur- of mineursekst: Tonika in RH Legato and non legato Contrary motion, from the middle and extremes Teenoorgestelde rigting, vanaf die middel en uiterstes Together Major or minor third: Tonic in LH Majeur- of mineurterts: Tonika in LH Legato and non legato From the lowest note Separate Double note minor thirds: Begin on A#/C# Dubbelnoot mineurtertse: Begin op A#/C# Non legato Vanaf die laagste noot Afsonderlik IV: F#, A In root position and inversions In grondposisie en omkerings Similar motion, from the lowest note Dieselfde rigting, vanaf die laagste noot Together 1 octave Legato Tegelyk 1 oktaaf Legato II : F#, A In root position and inversions In grondposisie en omkerings Contrary motion, from the middle Together Begin and end on the tonic Legato Teenoorgestelde rigting, vanaf die middel Tegelyk Begin en eindig op die tonika Legato IV: d, b In root position and inversions In grondposisie en omkerings Similar motion, from the lowest note Dieselfde rigting, vanaf die laagste noot Together 1 octave Legato Tegelyk 1 oktaaf Legato II : d, b In root position and inversions In grondposisie en omkerings Contrary motion, from the middle Together Begin and end on the tonic Legato Teenoorgestelde rigting, vanaf die middel Tegelyk Begin en eindig op die tonika Legato Dominant sevenths Dominant sewendes IV: of/van C#, F In root position and inversions In grondposisie en omkerings Similar motion, from the lowest note Together 1 octave Legato Dieselfde rigting, vanaf die laagste noot Tegelyk 1 oktaaf Legato Diminished sevenths Verminderde sewendes II: on/op B, C In root position In grondposisie From the lowest note Vanaf die laagste noot Separate Double note octave Dubbelnootoktaaf Non legato II : C# Chromatic scales Chromatiese toonlere II : A# Major arpeggios Majeur arpeggio’s Minor arpeggios Mineur arpeggio’s 2013/05/10 Tegelyk Tegelyk Afsonderlik Legato en non legato Legato en non legato Non legato Non legato jjj = 120 jjj = 120 jjj = 72 jjj = 100 jjj = 100 jjj = 100 i = 100 30 Piano Grade 8 Klavier Graad 8 Repertoire/Repertorium Three pieces, one chosen from each list Drie stukke, een gekies uit elke lys List A Lys A Bach JS Bach JS Bach JS Handel GF Rameau JP Scarlatti D Soler A Villa-Lobos H List B Lys B Bach CPE Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Clementi M Dello Joio N Haydn FJ Haydn FJ Haydn FJ Haydn FJ Hindemith P Kabalevsky D Medtner N Mendelssonn F Milhaud D Mozart WA Mozart WA Mozart WA Mozart WA Mozart WA 2013/05/10 Any one of the following 48 Preludes and Fugues/Enige een van die volgende 48 Preludes en Fugas: Bk 1: No 2, 6, 17, 21 Bk 2: No 2, 6, 9, 12, 15 Any one of the 4 Duettos/Enige een van die 4 Duettos, BWV 802-805 Fantasie in c, BWV 906 Any two movements from/Enige twee bewegings uit Suite no 9 La Triomphante One of the following sonatas/Een van die volgende sonates: K29/L461, K175/L429, K178/L162, K209/L428, K239/L281, K405/L43, K481/L187, K517/L266 Sonata in A, R 1 (Faber) Preludio, No 4 from/uit Bachianas Brasileiras Sonata in A, No 5 from/uit Phil E Bach Piano Works Bk 1 (UE548a) 12 Variations on “Menuet a la Viganò”, WoO 68 Sonata in f, op 2 no 1 Sonata in c, op 10 no 1 Sonata in F, op 10 no 2 Sonata in E, op 14 no 1 Sonata in G, op 14 no 2 Sonata, op 79 Sonata, op 47 no 2 Introduction and Fantasies on a Chorale Tune (AMP) Sonata in E, Hob XVI:22 Sonata in F, Hob XVI:23 Sonata in D, Hob XVI:33 Sonata in Eb, Hob XVI:49 Sonata no 2 (Schott 2519) Sonatina, op 13 no 1 Theme and Variations in c©, op 55 Variations serieuses, op 54 Sonatina, op 354 (UMP) Sonata in C, K 279 Sonata in F, K 280 Sonata in Bb, K 281 Sonata in Eb, K 282 Sonata in G, K 283 31 Piano Grade 8 Ravel M Reger M Richardsson A Schubert F Sutermeister H Tchaikovsky P List C Lys C Brahms J Brahms J Brahms J Chopin F Chopin F Chopin F De Falla M Debussy C Debussy C Du Plessis H * Du Plessis H * Dutilleux H Fricker PR Ginastera A Grové S * Hofmeyr H * Johnson A * Kabalevsky D Kalabis V Klatzow P * Klatzow P * Martinů B Medtner N Medtner N Prokofiev S Rowley A Shostakovitch D Temmingh R * Villa-Lobos H Villa-Lobos H Zaidel-Rudolph J * 2013/05/10 Klavier Graad 8 Sonatina Any one of Sonatinas/Enige een van Sonatines 1, 2 & 3, op 89 Sonatina in F, op 27 (Weinberger/Elkin) Sonata in B, op 147 Sonatina in Eb (Schott 4119) Theme and Variations, op 19 no 6 (Peters 4652) Capriccio, op 76 no 2 Intermezzo, op 116 no 4 or/of op 117 no 2 or/of op 118 no 2 Rhapsody, op 119 no 4 Polonaise, op 26 no 1 Nocturne, op 9 no 2 or/of op 27 no 1 or/of op 48 no 1 Grande Valse brillante, op 34 no 1 Montanesa (Durand) Voiles Feuilles mortes No 2 or/of No 4 from/uit Four piano pieces, op 1 Any piece from/Enige stuk uit Four Piano pieces, op 28 Etude from/uit Six petites Pieces pour Piano (Leduc) Any study from/Enige studie uit Twelve Studies, op 58 (Schott) Any piece from/Enige stuk uit Tres Piezas para piano (Ricordi) Toccata (Unisa) Chaconne (MS) No 1 from/uit 3 Incantations (Studio 83) Any three preludes from/Enige drie preludes uit 24 Preludes, op 38 (Peters 4785) Allegro impetuoso (Panton 5030) Any two movements from/Enige twee bewegings uit Moments of Night (Musications) Makoemazaan (Musications) Scherzo pro klavir (Panton) No 1 or/of no 2 from/uit Conte, op 20 (Russe de Musique) No 4 from/uit Conte, op 34 (B&H) Etude, op 2 no 4 Moto perpetuo (Chester) Any three preludes from/Enige drie preludes uit 24 Preludes, op 34 (AngloSoviet) Any three pieces from/Enige drie stukke uit Ses oorblyfsels (Musications) As tres Marias (Fisher) Valsa da Dor Virtuoso I (Unisa) 32 Piano Performer’s Assessment Repertoire requirements Repertoriumvereistes Performer’s Assessment Voordraersassessering Klavier Voordraersassessering PIANO KLAVIER Four pieces, one chosen from each list Vier stukke, een gekies uit elke lys List A Lys A Bach JS Bach JS Bach JS Bach JS Bach JS Bach JS Bach JS Bach JS Bach JS Bach JS Bach JS Bach JS Handel GF Handel GF Mendelssohn F Saint-Saëns C Scarlatti D Shchedrin R Shostakovich D Soler A 2013/05/10 Any one of the following 48 Preludes and Fugues/Enige een van die volgende 48 Preludes en Fugas: Bk 1: 1, 10, 16 Bk 2: 1, 7, 10, 19, 20 Any one of the French Suites/Enige een van die Franse Suites Toccata, BWV 914 Any one of the following Preludes and Fugues/Enige een van die volgende Preludes en Fugas: BK 1: 3, 9, 11, 12, 13, 14, 15, 18, 19, 22 BK 2: 4, 5, 16, 17, 24 Any movement from/Enige beweging uit Italian Concerto Any toccata except Toccata in e/Enige tokkate behalwe Tokkate in e Chromatic Fantasia and Fugue, BWV 903 Italian Concerto, BWV 971 Any English Suite/Enige Engelse Suite Any one of the following 48 Preludes and Fugues/Enige een van die volgende 48 Preludes en Fugas: Bk 1: No 4, 7, 8, 20 Bk 2: No 3, 8, 11, 13, 14, 18 Prelude and Fugue in a, BWV 894 Any/Enige Partita Prelude and Fugue from/uit Suite no 8 Any one of the following/Enige een van die volgende Suites: No 2, 5, 6, 7 Prelude and Fugue, op 35 no 1 Prelude and Fugue, op 52 no 3 One of the following sonatas/Een van die volgende sonates: K96/L465, K132/L457, K318/L31, K319/L35, K358/L412, K381/L225, K427/L286, K432/L288, K436/L109, K491/L164 Any Prelude and Fugue/Enige Prelude en Fuga Any Prelude and Fugue from/Enige Prelude en Fuga uit op 87 Sonata in G, R 4 (Faber) Piano Performer’s Assessment List B Lys B Barber S Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Beethoven L van Bennet RR Brahms J Brahms J Brahms J Brahms J Brahms J Chopin F Chopin F Chopin F Chopin F Clementi M Clementi M Clementi M Clementi M Clementi M Dello Joio N 2013/05/10 33 Klavier Voordraersassessering Sonata in eb, op 26 Sonata in c, op 13 Sonata in F, op 54 Sonata in F©, op 78 12 Variations on a Russian Dance by Wranitzky, WoO 71 10 Variations on “La stessa, la stessissima” by Salieri, WoO 73 Sonata in A, op 2 no 2 Sonata in Eb, op 7 Sonata in D, op 10 no 3 Sonata in Bb, op 22 Sonata in Eb, op 27 no 1 Sonata in c©, op 27 no 2 Sonata in D, op 28 Sonata in G, op 31 no 1 Sonata in d, op 31 no 2 Sonata in Eb, op 31 no 3 Sonata in C, op 2 no 3 Sonata in Ab, op 26 Sonata in C, op 53 Sonata in f, op 57 Sonata in Eb, op 81a Sonata in A, op 101 Sonata in E, op 109 Sonata in Ab, op 110 Sonata in c, op 111 32 Variations in c, WoO 80 15 Variations on an Original Theme, op 35 Sonata for piano (UE) Sonata in C, op 1 Sonata in f©, op 2 Sonata in f, op 5 Variations and Fugue on a theme by Handel, op 24 Variations on a theme by Paganini, op 35 Sonata in bb, op 35 Sonata in b, op 58 Etudes, op 10 (complete/volledig) Etudes, op 25 (complete/volledig) Sonata, op 26 no 3 Sonata, op 25 no 2 Sonata, op 39 no 2 Sonata in b, op 40 no 2 (Peters) Sonata in D, op 40 no 3 (Petres 146B) Sonata no 2 (Schirmer) Piano Performer’s Assessment Du Plessis H * Dukas P Dutilleux H Fauré G Franck C Ginastera A Glinka M Grieg E Griffes CT Haydn FJ Haydn FJ Haydn FJ Haydn FJ Haydn J Haydn J Haydn J Haydn J Haydn J Hindemith P Hummel JN Hummel JN Janáček L Kabalevsky D Kapustin N Liadow A Liszt F Liszt F Medtner N Mozart WA Mozart WA Mozart WA Mozart WA Mozart WA Mozart WA Mozart WA Mozart WA Mozart WA Mussorgsky M Paderewski I Prokofiev S Prokofiev S Prokofiev S Prokofiev S Prokofiev S Rachmaninov S Rachmaninov S 2013/05/10 34 Klavier Voordraersassessering Sonata no 2, op 40 (Samro) Variations, Interlude et Finale (Durand) Sonata Variations, op 73 Prelude, Choral et Fugue Sonata no 1, op 22 (B & H) Brillante variationen über ein Thema von Donizetti (1831) Sonata in e, op 7 Sonata (Schirmer) Sonata in D, Hob XVI:19 Sonata in Ab, Hob XVI:46 Sonata in c©, Hob XVI:36 Sonata in D, Hob XVI:37 Sonata in c, Hob XVI:20 Sonata in Eb, Hob XVI:38 Sonata in Eb, Hob XVI:49 Sonata in C, Hob XVI:50 Sonata in Eb, Hob XVI:52 Sonata no 3 Sonata in Eb, op 13 Sonata in f, op 20 Sonata (Supraphon) Sonata no 3, op 46 Variations, op 41 Variations sur un theme populair polonaise, op 51 Dante Sonata Sonata in b Märchen Sonate, op 25 no 1 Sonata in A, K 331 12 Variationen über ein Menuett von Fischer, K 179 10 Variationen über “Unser dummer Pöbel meint“, K 455 Sonata in D, K 284 Sonata in a, K 310 Sonata in C, K 330 Sonata in F, K 332 Sonata in Bb, K 333 Sonata in D, K 576 Pictures at an Exhibition Theme varie, op 16 no 3 Sonata no 2, op 14 Sonata no 4, op 29 Sonata no 6, op 82 Sonata no 7, op 83 Sonata no 8, op 84 Sonata no 1 in d, op 28 Sonata no 2 in bb, op 36 35 Piano Performer’s Assessment Rachmaninov S Rachmaninov S Schubert F Schubert F Schubert F Schubert F Schubert F Schubert F Schubert F Schumann R Schumann R Schumann R Schumann R Schumann R Schumann R Schumann R Schumann R Scriabin A Scriabin A Scriabin A Scriabin A Shostakovich D Stravinsky I Vine C List C Lys C Albeniz I Balakirev M Balakirev M Brahms J Brahms J Brahms J Brahms J Chopin F Chopin F Chopin F Chopin F Chopin F Chopin F Chopin F Chopin F Chopin F Chopin F Chopin F Chopin F 2013/05/10 Klavier Voordraersassessering Variations on a theme by Chopin, op 22 Variations on a theme by Corelli Sonata in a, op 143 Sonata in A, op 120 Sonata in a, op 42 Fantasia, op 15 Sonata in c, D958 Sonata in A, D959 Sonata in Bb, D960 Carnaval, op 9 Sonata in f©, op 11 Etudes Symphoniques, op 13 Kreisleriana, op 16 Fantasie, op 17 Humoresque, op 20 Sonata in g, op 22 Faschingsschwank aus Wien Sonata in g©, op 19 Sonata no 4, op 30 Sonata no 3, op 23 Sonata no 5, op 53 Sonata no 2, op 64 Sonata (1924) (B&H) Sonata (1990) (Chester) Triana Toccata (1902) Islamey Ballade, op 10 no 2 Rhapsody in b, op 79 no 1 Ballade, op 10 no 1 Scherzo, op 4 Etude, op 10 no 3 Nocturne, op 15 no 1 Nocturne, op 27 no 2 Impromptu in F©, op 36 Polonaise, op 40 no 2 Berceuse, op 57 Any one of the following works/Enigeen van die volgende werke: Grande valse Brillante, op 18 Waltz in Ab, op 42 Nocturne, op 15 no 2 Nocturne in B, op 32 no 1 Etude in c©, op 25 no 7 36 Piano Performer’s Assessment Chopin F Chopin F Chopin F Chopin F Chopin F Chopin F Chopin F Chopin F Chopin F Chopin F Debussy C Debussy C Debussy C Debussy C Debussy C Debussy C Fauré G Granados E Granados E Granados E Ibert J Liadov A Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Liszt F Lyapunov S 2013/05/10 Klavier Voordraersassessering Etude in Gb, op 25 no 9 Tarantella, op 43 Fantaisie in f, op 49 Any one of the/Enige een van die Ballades Any one of the/Enige een van die Scherzi Barcarolle in F©, op 60 Polonaise in Ab, op 53 Polonaise-Fantaisie in Ab, op 61 Andante Spianato & Grande Polonaise Brillante in Eb, op 22 Allegro de Concert, op 46 La Cathedrale engloutie or/of La danse de Puck Any Etude except/Enige Etude behalwe nos 1 & 7 Brouillards La terrasse des audiences du clair de lune, no 7 from/uit Preludes Bk 2 Reflet dans l’eau from/uit Images Bk 1 Toccata, Pour le piano Ballade, op 19 El Fandango de Candil from/uit Goyescas Quejas o la Maja y el Ruisenor from/uit Goyescas Allegro de Concierto (UME) Scherzetto (Leduc) Prelude, op 11 no 1 Ballade no 2 Au lac de Wallenstadt Au Bord d’une source Sonetto 123 del Petrarca Soirees de Vienne no 9 Un sospiro Un sospiro Ballade no 1 Waldesrauschen Gnomenreigen Sonetto 104 del Petrarca Jeux d’eau a la Villa d’Este Spozalizio Funerailles Mephisto Waltz no 1 Vallee d’Obermann No 6 or/of No 12 or/of No 15 from/uit Hungarian Rhapsodies Any two from/Enige twee uit Paganini Etudes Mazeppa Ricordanza Wilde Jagd Tarantella, Venezia e Napoli Any two contrasting pieces from/Enige twee kontrasterende stukke uit Etudes, op 11 (Peters 9578) 37 Piano Performer’s Assessment Medtner N Mendelssohn F Mendelssohn F Moszkowski M Rachmaninoff S Rachmaninov S Rachmaninov S Rachmaninov S Ravel M Ravel M Ravel M Reger M Schubert F Schumann R Schumann R Schumann R Schumann R Scriabin A Smetana B Suk J Suk J Suk J Suk J Suk J Suk J Suk J Suk J Szymanowski K Tchaikovsky PI Von Weber CM List D Lys D Alain J Apostel H E Bartók B Bartók B Berg A Blacher B Bolcom W Bowen Y Busoni F Casella A Corigliano J 2013/05/10 Klavier Voordraersassessering Canzona matinata, op 39 no 4 Trois fantaisies ou caprices, op 16 no 1 Any one of/Enige een van No 3, 5, 18, 19, 32, 34 from/uit Songs without Words Caprice espagnol, op 37 Any prelude from/Enige prelude uit Preludes, op 32 Any piece of/Enige stuk uit Moments musicaux, op 16 Any one of the/Enige een van die Etudes Tableaux, op 33 or/of op 39 Nos 2 and/en 4 from/uit 10 Preludes, op 23 Une barque sur l’ocean from/uit Miroirs Alborado del gracioso from/uit Miroirs Rigaudon from/uit Le tombeau de Couperin Walz in A, op 11 no 1 (Edition Schott 312) Moments musicaux, op 94 no 4 Novellete in F, op 21 Traumeswirren or/of Aufschwung from/uit Phantasiestucke, op 12 Novelette in E Toccata, op 7 Any etude from/Enige etude uit Etudes, op 8 Any dance from/Enige dans uit Czech Dances (MMP) In Expectation, op 22a no 39 (Simrock) Once in Springtime, op 28 no 2 (Simrock) Lullaby, op 33 no 1 (Simrock) On a friend’s recovery, op 33 no 4 (Simrock) Nos 4 and/en 5 from/uit Spring, op 22a (Simrock) On the recovery of my son, op 30 no 5 (Simrock) Things lived and dreamt, op 30 no 9 (Simrock) About Friendship, op 36 (Simrock) Any etude from/Enige etude uit Four Etudes, op 4 (MMP) Dumka, op 59 Momento capriccioso, op 12 Etude sur un thème de quatre notes from/uit L'œuvre de piano, Tome III (Leduc) Fantasie, op 31b (Doblinger) Suite, op 14 Rhapsody, op 1 (Dover) Sonata, op 1 Trois pièces pour piano (Universal) Nine Bagatelles (Edward B Marks) Toccata Sonatina seconda (Breitkopf & Hartel 8149) Toccata Etude Fantasy (Schirmer) 38 Piano Performer’s Assessment Dallapiccola L Debussy C Debussy C Debussy C Du Plessis H * Dun T Froschauer H Griffes CT Grové S * Grové S * Grové S * Hofmeyr H * Hofmeyr H * Johnson A * Johnson A * Joubert J * Kapustin N Klatzow P * Klatzow P * Kodaly Z Kodaly Z Ligeti G Martin F Martinů B Mathias W Messiaen O Messiaen O Moeran EJ Muller-Zurich P Pijper W Poulenc F Prokofiev S Prokofiev S Prokofiev S Prokofiev S Prokofiev S Rajna T * Ravel M Ravel M Ravel M Ravel M Reddy S * Roosenschoon H * Roosenschoon H * Roosenschoon H * 2013/05/10 Klavier Voordraersassessering Sonatina canonica L’Isle joyeuse Poissons d’or from/uit Images Bk 2 Feux d’artifice No 5 or/of No 7 from/uit Sewe Preludes, op 18 (Novello) Any two pieces from/Enige twee stukke uit Eight memories in watercolor (Schirmer) Toccata Any piece from/Enige stuk uit Four Roman Sketches, op 7 (Schirmer) Any two contrasting pieces/Enige twee kontrasterende stukke uit Liedere en danse uit Afrika (Unisa) Any two pieces from/Enige twee stukke uit Images from Africa Nonyana the Ceremonial Dancer (Samro) Notturno No 1 or/of No 2 or/of No 3 from/uit Partita Africana Nos 2 and/en 3 from/uit Incantations (Studio 83) Jazz Impromptu no 1 (Unisa) or/of no 2 (Studio 83) Any three pieces from/Enige drie stukke uit Dance Suite (Novello) Toccatina, op 36 (A-RAM) Soundblocks Any piece from/Enige stuk uit From the Poets (Samro) Grabinschrift, op 11 no 4 (Universal) Dances of Marosszek Any two from/Enige twee uit Etudes (Schott ED7718) No 5 or/of No 8 from/uit Eight Preludes: (UE 11973) Any piece from/Enige stuk uit Butterflies and Birds of paradise (Panton) Toccata alla Danza (OUP) Ile de feu 2 (Durand) Any one of/Enige een van No 8, 11, 13, 14, 15 from/uit Vingt regards sur l’enfant Jésus: Toccata (Chester) Any two pieces from/Enige twee stukke uit Sechs Klavierstucke, op 10 (Hug) Sonatina no 2 (OUP) Mouvements perpetuels Caprice, op 12 no 5 Toccata, op 11 Sonata in a, op 28 Scherzo, op 12 no 10 Any two pieces from/Enige twee stukke uit Sarcasms, op 17 Any prelude from/Enige prelude uit Piano Preludes (Duet) Valses nobles et sentimentales Scarbo from/uit Gaspard de la Nuit Toccata from/uit Le Tombeau de Couperin La Valse Toccata for John Roos (Unisa) Fingerprints (Unisa) Credo (Roosenschoon) Any piece from/Enige stuk uit Klavierkant (Harp) Piano Performer’s Assessment Rzewski F Rzewski F Seiber M Skalkottas N Slavický K Stravinsky I Stravinsky I Szymanowski K Szymanowski K Taljaard H * Temmingh R * Toch E Van der Westhuizen H Van Rensburg E * Van Wyk A * Van Wyk A * Van Wyk A * Van Wyk A * Villa-Lobos H Weiner L Wellesz E Zaidel-Rudolph J * Zaidel-Rudolph J * 2013/05/10 39 Klavier Voordraersassessering Noctamble from/uit Squares (Zen-on) No 3 or/of No 4 from/uit North American Ballads (Zen-On) Scherzando capriccioso (Schott) Andante Religioso from/uit 10 Piano Pieces (UE 12958) Tre Pezzi per Pianoforte: Burlesca Vivo in F#, no 4 from/uit 4 Piano Etudes, op 7 Trois mouvements de Petrouchka Metopes, op 29 Masques, op 34 Funf zartliche Bagatellen Klavierstuk 1 or/of Klavierstuk 2 (Samro) Der Jongleur, op 31 no 3 * Pikaninie-variasies Ballade Ricordanza (Arnold van Wyk Trust) Toccata from/uit Vier Klavierstukke Pastorale e Cappriccio Night Music/Nagmusiek (HAUM) Any piece from/Enige stuk uit Ciclo Brasileiro (Consolidated Music) Nogradi dudas, op 34 no 31 (Editio Musica Budapest) Wind auf der Heide, op 4 no 4 (Doblinger) Partials and Pedals (Unisa) Three Dimensions 40 Piano Duet Pre-grade 1 Repertoire requirements Repertoriumvereistes Pre-Grade 1 Three pieces Drie stukke Barrett C Barrett C Barrett C Bastien J Bastien J Bastien J Blake J Blake J Coulthard E Kirkby-Mason B Mier M Mier M Norton C Schubert F Waterman F 2013/05/10 Klavierduet Voorgraad 1 PIANO DUET KLAVIERDUET Voorgraad 1 Any piece from/Enige stuk uit Chester’s Christmas Duets Vol 1 & 2 (Chester) Any piece from/Enige stuk uit Chester’s Piano Duets Vol 2 (Chester) Festival Dance or/of Michael Finnigan, Chester’s Piano Duets Vol 1 (Chester) Any piece from/Enige stuk uit Duet Favorites Level 1 (Kjos) Mexican Clap Hands Dance or/of Marching Moon Men, Duets for Fun Bk 1 (Kjos) Petite Tango, Duets for Fun Bk 2 (Kjos) Any piece from/Enige stuk uit Eight Easy Duets for Beginners (B&H) Any piece from/Enige stuk uit Christmas Carols for Beginners (B&H) Twinkle Twinkle Little Star, The Best Piano Duet Book Ever! (Chester) Any piece from/Enige stuk uit First Duet Album for Piano (Bosworth) Dandelion Waltz or/of First Waltz, Terrific Tunes for Two Bk 1 (Alfred) Four O’Clock Tea, Terrific Tunes for Two Bk 2 (Alfred) Simplicity, The Microjazz Duets Collection 1 (B&H) Écossaise, Chester’s Piano Duets Vol 1, ed Barrett (Chester) Strawberry Fair, Me and My Piano Duets Bk 2 (Faber) 41 Piano Duet Grade 1 Grade 1 Klavierduet Graad 1 Graad 1 Three pieces; at least two different style periods must be represented Drie stukke; minstens twee verskillende styltydperke moet verteenwoordig word Carse A Coulthard E Grové S * Gurlitt C Handel GF Haydn J Helyer M Jerea H Kirkby-Mason B Lee EM Maykapar S Mier M Mier M Mozart WA Norton C Potgieter JH * Rameau JR Runswick D Schubert F Schubert F Wells E 2013/05/10 Berceuse, Duets with a Difference: Piano Time Duets Bk 1 (OUP) Scarborough Fair or/of Turkey in the Straw, The Best Piano Duet Book Ever! (Chester) Windklokkies (Unisa) Happy Beginning or/of Summer Breezes, Four Centuries of Piano Duet Music 1 (Boston Music Company) Fughetta, The Young Duettist, Bk 2 (Forsyth) Minuet/Menuet, The Young Duettist, Bk 2 (Forsyth) A Gay Dance or/of Cradle Song or/of Gavotte, Contrasts (Novello) Waltz, Four Centuries of Piano Duet Music 1 (Boston Music Company) Any piece from/Enige stuk uit Second Duet Album for Piano (Bosworth) The white rabbit whisks along or/of The Cheshire Cat, Alice in Wonderland Bk 1 (OUP) Op 29: Scherzino or/of Horse Race, Four Centuries of Piano Duet Music 1 (Boston Music Company) Moonlight Stillness or/of Shoe Shinin’ Blues, Terrific Tunes for Two Book 1 (Alfred) Celebration March or/of The Royal Procession, Terrific Tunes for Two Book 2 (Alfred) Lullaby, Classical Duets Book for Piano 1, ed Gray (B&H) Bike Blues or/of Enchanted Castle or/of Winter Scene, The Microjazz Duets Collection 1 (B&H) Wiegelied (Unisa) Sarabande, Chester’s Piano Duets Vol 2, ed Barrett (Chester) Calypso or/of My Friend Chloe, Boogie Duets for Beginners (Faber) Waltz in C, Classical Duets Book for Piano 1, ed Gray (B&H) Ländler D 814 no 4, Four Centuries of Piano Duet Music 2 (Boston Music Company) Donkey Ride, Duets with a Difference: Piano Time Pieces 1 (OUP) Piano Duet Grade 2 42 Grade 2 Klavierduet Graad 2 Graad 2 Three pieces; at least two different style periods must be represented Drie stukke; minstens twee verskillende styltydperke moet verteenwoordig word Cornick M Couperin F Diabelli A Gretchaninoff A Grové S * Hall P Haughton A Helyer M Hengeveld G Lee EM Lee EM Maykapar S Mozart WA Mozart WA Norton C Potgieter JH Purcell H Runswick D Türk DG Türk DG Walton W 2013/05/10 Blues for Two or/of Be-Bop, Easy Jazzy Duets: Piano (Universal Edition) Lustige Jahrmarktsmusik or/of Der Kuckuck, Musik aus Alten Tagen, ed Beer (Universal Edition) Dance/Dans from/uit Sonatina op 149 no 4, Four Centuries of Piano Duet Music 1 (Boston Music Company) Playing Grown Up or/of The Tin Soldiers, Twice as Nice Vol 1 (Kjos) Die Klokke (Unisa) All through the Night, Mixed Doubles: Piano Time Duets 2 (OUP) Rags to Riches, Piano Time: Jazz Duets 2 (OUP) Homage to Bach or/of The Lake, Contrasts (Novello) Hongaarse Dans or/of Quick Fox, 10 Folk- and Rhythmic Dances (Broekmanns en Van Poppel) Alice Gets Smaller and Smaller or/of Resting Against a Buttercup, Alice in Wonderland Book 1 (OUP) Andalusia, Four Piano Duets (Banks) Op 29: Waltz or/of Russian Dance, Four Centuries of Piano Duet Music 1 (Boston Music Company) Menuet & Trio, The Joy of Piano Duets (Yorktown/Music Sales) Country Dance, Mixed Doubles: Piano Time Duets 2 (OUP) Jazz Waltz or/of Play it Again, Microjazz Piano Duets 1 (B&H) Mars van die Bere (Unisa) Zwei Minuette: No 2, Musik aus Alten Tagen (Universal Edition) Cornflake or/of Weasel’s Words, Boogie Duets for Beginners (Faber) Sonatina/Sonatine from/uit Four Centuries of Piano Duet Music 1 (Boston Music Company) With Lively Step and Cheerful Heart, Four Centuries of Piano Duet Music 2 (Boston Music Company) The Silent Lake, Duets for Children (OUP) 43 Piano Duet Grade 3 Grade 3 Klavierduet Graad 3 Graad 3 Three pieces; at least two different style periods must be represented Drie stukke; minstens twee verskillende styltydperke moet verteenwoordig word Bach JS Couperin F Cui C Grové S * Gurlitt C Hall P Haughton A Helyer M Hengeveld G Kuhlau F Lee EM Mier M Mozart WA Mozart WA Schubert F Schumann R Stravinsky I Volkmann R Walton W Weber CM von Wells E 2013/05/10 Arioso, The Joy of Piano Duets (Yorktown/Music Sales) Menuetto, Musik aus Alten Tagen, ed Beer (Universal Edition) Lament op 74 no 4, Four Centuries of Piano Duet Music 1 (Boston Music Company) Wals van die Olifantjie (Unisa) Evening Hymn op 178 no 13, Twice as Nice Vol 1 (Kjos) Wrong Number, Piano Time: Jazz Duets 2 (OUP) Swing’s the Thing, Piano Time: Jazz Duets 2 (OUP) A Lively Tune or/of Song of the Isles, Contrasts (Novello) Poolse Dans or/of Rumba Cubana, 10 Folk- and Rhythmic Dances (Broekmanns en Van Poppel) Sonatina/Sonatine in G, op 44 no 1: Arioso (1st mov/1e bew), Four Centuries of Piano Duet Music 2 (Boston Music Company) The Humming Street or/of Priest, Bell and Holy Well or/of By the Light of the Sun, Humming Street (Banks) Happy-Go-Lucky, Treasures for Two 2 (Alfred) Viennese Sonatina/Weense Sonatine no 1: Menuetto or/of Rondo, Viennese Sonatinas, arr Thompson (Peters) Viennese Sonatina/Weense Sonatine no 2: Allegro or/of Menuetto, Viennese Sonatinas, arr Thompson (Peters) Any three pieces from/Enige drie stukke uit Deutsche Tänze und Ecossaisen op 33, Sämtliche Tänze für Klavier zu vier Händen (Peters) Birthday March op 85 no 1, Twice as Nice Vol 1 (Kjos) Three Easy Pieces: Polka, Bärenreiter Piano Album: Vierhändig (Bärenreiter) German Dance op 39 no 7, Four Centuries of Piano Duet Music 2 (Boston Music Company) Swing Boats or/of Puppet’s Dance, Duets for Children (OUP) Arioso or/of Minuet, Classical Duets for Piano, ed Gray (B&H) Galop, Mixed Doubles: Piano Time Duets 2 (OUP) Piano Duet Grade 4 44 Grade 4 Klavierduet Graad 4 Graad 4 Three pieces; at least two different style periods must be represented Drie stukke; minstens twee verskillende styltydperke moet verteenwoordig word Arensky A Brahms J Casella A Dušek FX Eben P Fuchs R Gregson E Handel GF Hradecký E Joplin S Kuhlau F Lee EM Lemmer PJ * Loeb van Zuilenburg P * Mendelssohn F Mozart WA Mozart WA Norton C Türk DG Vaňhal JB Walton W Weber CM von Williams R 2013/05/10 The Cuckoo op 34 no 2, Four Centuries of Piano Duet Music 2 (Boston Music Company) Waltz in A op 39 no 15, Bärenreiter Piano Album: Vierhändig (Bärenreiter) or Walzer op 39 (Peters) Marcietta or/of Berceuse, Puppazetti (Ricordi/B&H) Sonata/Sonate in G: Finale, Four Centuries of Piano Duet Music 2 (Boston Music Company) Oh, the Bird Flew Away from the Forest or/of When the Gypsies Go, The Little Green Forest (Bärenreiter Editio Supraphon) Miniature op 44 no 24, Four Centuries of Piano Duet Music 2 (Boston Music Company) Four Pieces: No 3, Twentieth Century British Composers: Piano Duets (OUP) Gavotte, Musik aus Alten Tagen, ed Beer (Universal Edition) Try it with Me, Dance Compositions for Piano Duet (Bärenreiter Praha) The Easy Winners, Five Joplin Rags (Kjos) Sonata in G op 44 no 1: Arioso, Four Centuries of Piano Duet Music 2 (Boston Music Company) Round the Billy or/of The Lost Lagoon, Four Piano Duets (Banks) Op ons ou Plaasdam (Unisa) Fuga (Unisa) Lied ohne Worte op 62 no 4, Bärenreiter Piano Album: Vierhändig (Bärenreiter) Viennese Sonatina/Weense Sonatine no 1: Allegro, Viennese Sonatinas, arr Thompson (Peters) Viennese Sonatina/Weense Sonatine no 6: Allegro or/of Finale, Viennese Sonatinas, arr Thompson (Peters) Running Shoes or/of Springboard or/of Waltz, Microjazz Piano Duets 2 (B&H) The Storm, Twice as Nice 1 (Kjos) Adagio, Four Centuries of Piano Duet Music 2 (Boston Music Company) The Three-legged Race or/of Hop-Scotch, Duets for Children (OUP) March in C op 3 no 5, Leichte Stücke für Klavier zu Vier Händen op 3 (Bärenreiter) Boogie-Woogie-Hoogie or/of Bossa Cinco, Piano Time Jazz: Duets 2 (OUP) 45 Piano Duet Grade 5 Grade 5 Klavierduet Graad 5 Graad 5 Three pieces; at least two different style periods must be represented Drie stukke; minstens twee verskillende styltydperke moet verteenwoordig word Beethoven L van Bizet G Brahms J Clementi C Cornick M Czerny C Eben P Goedicke C Gounod C Grieg E Hradecký E Joplin S Lemmer PJ Mier M Moszkowski M Mozart WA Norton C Starke F Tomkins T Weber CM von 2013/05/10 Gavotta in F, Vierhändiges Klavierbuch: Originalkompositionen von Beethoven bis Dvořák (Schott) Petit Mari, Petite Femme or/of La Poupée, Jeux D’Enfants op 22 (Henle/Peters) Hungarian Dance no 5, Twice as Nice 3 (Kjos) Duettino in C major: Allegro, Four Centuries of Piano Duet Music 1 (Boston Music Company) Blues in F or/of Daybreak, Jazzy Duets: Piano 2 (Universal Edition) Sonatina/Sonatine op 156 no 1: 3rd mov/3e bew, Twice as Nice 2 (Kjos) No One knows like I Know, The Little Green Forest (Bärenreiter Editio Supraphon) Barcarolle op 12 no 2, Four Centuries of Piano Duet Music 3 (Boston Music Company) Menuet/Minuet, Four Centuries of Piano Duet Music 2 (Boston Music Company) Norwegian Dance op 35 no 2, Twice as Nice 2 (Kjos) Rag for Two, Dance Compositions for Piano Duet (Bärenreiter Praha) The Entertainer, Five Joplin Rags (Kjos) Sequences/Sekwense (Unisa) Biloxi Blues, Treasures for Two 2 (Alfred) Spanish Dances op 12: no 1 or/of no 2 (Peters) Sonata/Sonate in C K 19d: Allegro (1st mov/1e bew), Mozart: Werke für Klavier zu Vier Händen (Henle) Cha Cha or/of Nanigo or/of San Montuno, Latin Duets (B&H) Bavarian Dance, Four Centuries of Piano Duet Music 2 (Boston Music Company) A Fancy, For Two to Play (Bärenreiter) Sonatina/Sonatine op 3 no 1, Leichte Stücke für Klavier zu Vier Händen Op. 3 (Bärenreiter) Piano Duet Grade 6 46 Grade 6 Klavierduet Graad 6 Graad 6 Three pieces; at least two different style periods must be represented Drie stukke; minstens twee verskillende styltydperke moet verteenwoordig word Beethoven L van Benjamin A Bizet G Brahms J Casella A Debussy C Dvořák A Eben P Fauré G Grieg E Handel GF Hengeveld G Hradecký E Joplin S Mozart WA Norton C Schumann R Rachmaninoff S Weber CM von Van Wyk A * 2013/05/10 Sonata/Sonate op 6: Allegro molto (1st mov/1e bew), Beethoven: Originalkompositionen für Klavier zu Vier Händen (Peters) Jamaican Rumba (B&H) Trompette et Tambour, Jeux D’Enfants op 22 (Henle/Peters) Hungarian Dance WoO 1 no 3, Book 1, Hungarian Dances for Piano FourHands (Henle) In Russia, Pagine di Querra (Ricordi) En Bateau, Petite Suite (Bärenreiter/ IMC) Valse in g op 54 no 5, Vierhändiges Klavierbuch: Originalkompositionen von Beethoven bis Dvořák (Schott) Those Wide, Deep Vltava Pools or/of The Little Green Forest, The Little Green Forest (Bärenreiter Editio Supraphon) Berceuse, Dolly Suite op 56 (Bärenreiter/ IMC) Norwegian Dances op 35 no 2 and/en no 3, Norwegian Dances, WaltzCaprices and Other Works for Piano Four Hands (Dover) Arrival of the Queen of Sheba (Hinrichsen) Tango, Kleine Suite Voor Piano (Broekmanns & Van Poppel) Up and Down the Hill or/of In a Samba Rhythm, Dance Compositions for Piano Duet (Bärenreiter Praha) Maple Leaf Rag, Five Joplin Rags (Kjos) Sonata/Sonate in D K 381: Allegro (1st mov/1e bew), Mozart: Werke für Klavier zu Vier Händen (Henle) Mambo, Latin Duets (B&H) Croatian March, 12 Four Hand Pieces op 85 (Peters) Russian Theme op 11 no 3 (IMC) Moderato op 10 no 1, Vierhändiges Klavierbuch: Originalkompositionen von Beethoven bis Dvořák (Schott) To the Market or/of Prayer for the Homeland, Three Improvisations on Dutch Folk Songs (B&H) Piano Duet Grade 7 47 Grade 7 Klavierduet Graad 7 Graad 7 Three pieces; at least two different style periods must be represented Drie stukke; minstens twee verskillende styltydperke moet verteenwoordig word Beethoven L van Bizet G Bowen Y Brahms J Brahms J Casella A Debussy C Dvořák A Dvořák A Grieg E Joubert J Lambert C Moszkowski M Mozart WA Mozart WA Schubert F Schumann R Van Wyk A * 2013/05/10 Drei Märsche op 45: Marcia 1, Beethoven: Originalkompositionen für Klavier zu Vier Händen (Peters) La Toupie, Jeux D’Enfants op 22 (Henle/Peters) Serenade, op 90 no 3, Twentieth Century British Composers: Piano Duets (OUP) Hungarian Dance WoO 1 Book 1 no 1 and/en no 2, Hungarian Dances for Piano Four-Hands (Henle) 16 Waltzes op 39: Any 3 pieces chosen from/Enige 3 stukke gekies van no 1, 2, 4, 14, 15 & 16 (Peters/Wiener Urtext) Notturnino & Polca, Puppazetti (Ricordi) Menuet, Petite Suite (Bärenreiter/ IMC) Slavonic Dance in e op 72 no 2 (Peters) Humoresque op 101 no 7 (Peters) Waltz-Caprice op 37 no 1, Norwegian Dances, Waltz-Caprices and Other Works for Piano Four Hands (Dover) Divertimento op 2: Vivace (Novello) Trois Pièces Nègres pour les touches blanches: Any 2 pieces/Enige 2 stukke, Twentieth Century British Composers: Piano Duets (OUP) Spanish Dance op 12 no 4 (Peters) Andante and Variations/Andante en Variasies K 501, Mozart: Werke für Klavier zu Vier Händen (Henle) Sonata in Bb K 358: Allegro (1st mov/1e bew), Mozart: Werke für Klavier zu Vier Händen (Henle) Waltz/Wals op 9a/ D 365 (Peters) Ghost-Stories, 12 Four Hand Pieces op 85 (Peters) Silverfleet, Three Improvisations on Dutch Folk Songs(B&H) 48 Piano Duet Grade 8 Grade 8 Klavierduet Graad 8 Graad 8 Three pieces, one piece from each list; at least two different style periods must be represented Drie stukke, een stuk uit elke lys; minstens twee verskillende styltydperke moet verteenwoordig word List A/Lys A Bach JC Bach JC Bach JC Beethoven L van Sonata in C op 15 no 6 (Peters) Sonata in A op 18 no 5 (Peters) Sonata in F op 18 no 6 (Peters) Variationen über ein Thema vom Grafen von Waldstein, Beethoven: Mozart WA Schubert F Originalkompositionen für Klavier zu Vier Händen (Peters) Sonata in F K 497, Mozart: Werke für Klavier zu Vier Händen (Henle) Andante mit Variationen in G K 501, Mozart: Werke für Klavier zu Vier Händen (Henle) Sonata in C K 521, Mozart: Werke für Klavier zu Vier Händen (Henle) Sonata in Bb op 30 (Universal Edition) Wüllner F Variations on an Old German Folksong op 11 (Walter Wollenweber) Mozart WA Mozart WA Schubert F List B Lys B Beethoven L van Brahms J Dvořák A Dvořák A Dvořák A Dvořák A Fauré G Mendelssohn F Moszkowski M Moszkowski M Saint-Saëns C Schubert F Schubert F Schumann R 2013/05/10 Divertissement à la Hongroise op 54, Schubert: Piano Works for Piano Four Hands vol 2 (Henle) Drei Märsche op 45, Beethoven: Originalkompositionen für Klavier zu Vier Händen (Peters) Hungarian Dances Book 2, Hungarian Dances for Piano Four-Hands (Henle) Scottish Dances op 41 (Bärenreiter) Slavonic Dances op 46: Any three pieces/Enige drie stukke (Peters) Slavonic Dances op 72: Any three pieces/Enige drie stukke (Peters) Legends op 59: Any three pieces/Enige drie stukke (Bärenreiter) Dolly Suite op 56 (Bärenreiter/ IMC) Andante and Variations op 83a (IMC) From Foreign Parts op 23: Any three pieces/Enige drie stukke (Stainer & Bell) German Rounds op 25 (IMC) Variations on a Theme by Beethoven op 35 (Durand) Fantasie in f op 103, Schubert: Piano Works for Piano Four Hands Vol 3 (Henle) Two Characteristic Marches op 121, Schubert: Piano Works for Piano Four Hands vol 3 (Henle) Bilder aus dem Osten op 66 (Alfred/Schott) Piano Duet Grade 8 List C Lys C Barber S Berkeley L Blake M Casella A Casella A Debussy C Debussy C Joubert J * Rachmaninoff S Ravel M Ravel M Van der Spuy M * Van Rensburg E * Van Wyk A * 2013/05/10 49 Klavierduet Graad 8 Souvernirs op 28 (Schirmer) Sonatina (Chester) Let us run out in the rain (Bardic) Pagina di Guerra op 25(Ricordi) Puppazetti op 27 (Ricordi) Petite Suite (Durand/Peters) Six Épigraphs Antiques: Any three pieces/Enige drie stukke (Henle) Divertimento op 2 (Novello) Six Morceaux op 11: Any three pieces/Enige drie stukke (B&H) Ma Mère l’oye, 5 Pieces Enfantines (Durand/Peters) Rapsodie Espagnole (Alfred/Durand) Bobbejaan Klim die Berg: Toccatina-Fugue & Variations for Piano Duet/Tokkatina-Fuga & Variasies vir Klavierduet (Samro) Brief Encounters for Piano Duet (Van Rensburg) Three Improvisations on Dutch Folksongs (B&H) Two Pianos (four hands) Grade 8 50 Repertoire requirements Repertoriumvereistes Grade 8 Twee Klaviere (vier hande) Graad 8 TWO PIANOS (FOUR HANDS) TWEE KLAVIERE (VIER HANDE) Graad 8 Three pieces, one chosen from each list Drie stukke, een gekies uit elke lys List A Lys A Bach JC Bach WF Couperin A Couperin A Couperin F Mozart WA List B Lys B Clementi M Dussek JL Gideon M Hummel, JN Mozart WA List C Lys C Berkeley L Chabrier E Copland A Copland A 2013/05/10 Sonata in G, op 15 no 5 (Schott) Sonata in F (IMC) Simphonie de clavecins (A-R Editions) Deuxieme, quatuor a deux clavecins (A-R Editions) Any three of/Enige drie van Allemande a deux clavecins, livre 2, ordre 9; La Julliet, livre 3, ordre 14; Musete de choisie, livre 3, ordre 15; Musete de tavern, livre 3, ordre 15; La Letiville, livre 3 ordre 16; La Crouilli, livre 4 ordre 20 (Heugel, OUP) Fugue in c, K 426 (Peters) Sonata in Bb, op 12 (Schirmer, Peters) Sonata in Eb, op 38 (Häslinger) Hommage a ma Jeunesse (Mercury Music) Introduction and Rondo, op posth no 5 (Breitkopf & Härtel) Sonata in D, K 448 (Barenreiter) Capriccio, Nocturne and Polka (Chester) Trois Valses Romantiques (Enoch) Danzon Cubana (B & H) Billy the Kid (B & H) Two Pianos (four hands) Grade 8 Debussy C Johnson A * Milhaud D O’Hearn Arletta Poulenc F Poulenc F Poulenc F Schumann R Shostakovitch D Van Wyk A * Zaidel-Rudolph J * 2013/05/10 51 Twee Klaviere (vier hande) Graad 8 Petite Suite, arr Busser (Durand) Jazz-Impromptu (Transcription for 2 pianos/Verwerking vir 2 klaviere) Any two pieces from/Enige twee stukke uit Scaramouche Suite (ElkinVogel/Salabert) Jazz Theme & Variations (Kjos) Capriccio (based on/gebaseer op Le bal masque), op 155 Elegie, op 175 (Eschig) L’embarquement pour Cythere, valse-musette (Eschig) Andante and Variations/Andante en Variasies, op 46 (Schirmer) Concertino, op 94 (Leeds Music) Rumba op die Vierperdewa The Juggler and the King Two Pianos (four hands) Performer’s Assessment 52 Twee Klaviere (vier hande) Voordraersassessering Performer’s Assessment Voordraersassessering Four pieces, one chosen from each list Vier stukke, een gekies uit elke lys List A Lys A Bach JC Bach JS Bach JS Bach JS Martinnet J Moscheles I Pasquini B Petyrek F Ralph VW Tippett M List B Lys B Brahms J Brahms J Casadesus R Clementi M Du Plessis H * Foss L Glazunoff A Milhaud D Reger M Saint-Saëns C Scott C Stravinsky I List C Lys C Arensky A Bax A Busoni F 2013/05/10 Sonata in G, op 15 no 6 (Schott) Concerto no 2 in C, BWV 1061 (Peters/Breitkopf & Hartel) Organ Fugue in b (arr Stuart Duncan) (Ashdown) Organ Prelude & Fugue/Orrel Prelude & Fuga in Eb (St Anne), BWV 552 (arr Christopher le Fleming) (Chester) Prelude et Fugue (Heugel)) Hommage a Handel, op 92 (Augener) Sonata in g or/of Sonata/Sonate in F Toccata and Fugue in mixolydian Mode (Universal Edition) Introduction and Fugue (Oxford University Press) Fantasia on a theme of Handel (Associated Music) Sonata in F, op 34b (IMC) Variations on a theme by Haydn/Variasies op ‘n tema van Haydn, op 56b (Schirmer) Dances Méditerranéennes (Carl Fischer) Sonata in Bb, op 46 Sonata, op 10 (Novello) Set of three pieces (Schirmer) Fantasie, op 104 (M P Belaieff) Kentuckiana (Elkan – Vogel) or/of Les Songes (Elkan – Vogel) Variations and Fugue on a Theme by Beethoven/Variasies en Fuga op ‘n tema van Beethoven, op 86 (Bote & Bock/Lauterbach & Kuhn) Variations on a Theme by Beethoven/Variasies op ‘n tema van Beethoven, op 35 Theme and Variations (Elkin) Concerto per Due Pianoforte Soli (Schott) Suite, op 15 (Schirmer) Moy Mell (Chester) Duettino Concertante (Breitkopf & Härtel) Two Pianos (four hands) Performer’s Assessment Debussy C Grieg E Liszt F Rachmaninov S Rachmaninov S Rachmaninov S Saint-Saëns C Schmitt F Sinding C List D Lys D Bate S Blake M Britten B Debussy C Dutilleux H Goldman RF Hindemith P Katchaturian A Lutoslawki W Messiaen O Milhaud D Milhaud D Persichetti V Poulenc F Ravel M Stravinsky I Talma L Toch E Volans K Volans K Volans K 2013/05/10 53 Twee Klaviere (vier hande) Voordraersassessering Lindaraja (Jobert) Altnorwegische Romance, op 51 (Peters) Concerto Pathethique (Schirmer) Suite no 1 (Fantasie-tableaux), op 5 (B & H) Suite no 2, op 17 (B & H) Symphonic Dances/Simfoniese Danse, op 45 (Belwyn Mills) Polonaise, op 77 (Durand) or/of Scherzo, op 87 (Durand) Francaise or/of Viennoise, Three Rhapsodies, op 53 (Durand) Variations, op 2 (Wilhelm Hansen) Three Pieces (ABRSM) Reverie (Bardic) Introduction and Rondo alla Burlesca (B&H) or/of Mazurka Elegaica (B&H) En blanc et noir (1915) (Durand) Figures de Resonances (Heugel) Le Bogino (Southern Music Publishing Co.) Sonata (1942) (AMP) Suite (Leeds Music) Variations sur un theme de Paganini (SESAC) Any three pieces from/Enige drie stukke uit Sept Visions de l’Amen (Durand) Scaramouche Suite (Durand) Le Bal Martiniquais Sonata, op 13 (Leeds Music) Sonata (1953) (Chester/Eschig) La Valse, poeme choregraphique (1919-20) (Durand) Sonata (AMP/Chappel) Four-handed fun (Carl Fischer) Sonata, op 87 (1963) (Mills Music) 9 Beginnings (Chester) Kneeling Dance (Chester) Leaping Dance (Chester) Annexure 1 54 Annexure 1: Errata: 2008 Piano Examination Albums Bylaag 1: Errata: 2008 Klaviereksamenalbums Bylaag 1 Pregrade 1 / Voorgraad 1 Spring and Winter / Lente en Winter (Türk) P. 5 Bars are incorrectly numbered: Bar 9 starts at the first complete bar. Bar 9 is not the upbeat. Bar 14 should read Bar 13, etc. Maatnommers is foutief: Maat 9 begin met die eerste volledige maat. Maat 9 is nie die opslag nie. Maat 14 word dus maat 13, ensovoorts. We roll down the dune and into the sea! / Ons rol van die duin af tot onder in die see! (Olivier) P. 11 2 1 2 1 Bars 19 and 20 ; Right hand should be phrased per beat as in bars 18 and 19 . 2 1 2 1 Mate 19 en 20 : Regterhand moet per maatslag gefraseer word soos in mate 18 en 19 . Grade 2 / Graad 2 German Dance / Duitse Dans WoO 13 no. 6 (Beethoven) P. 5 Bars 25 & 27 RH: Last note D should be F. Add slurs to the following bars: 10 (LH), 18 (LH), 26 (LH), 28 (RH, LH). Mate 25 & 27 RH: Laaste noot D moet F wees. Voeg legato-bogies by die volgende mate: 10 (LH), 18 (LH), 26 (LH), 28 (RH, LH). Grade 3 / Graad 3 Contents page, List A / Inhoudsopgawe bladsy, Lys A Scarlatti A should be Scarlatti D. Scarlatti A moet Scarlatti D wees. The Barrelorgan Man / Die Draaiorrelspeler, op. 39 no. 23 (Tchaikovsky) P. 19 Bars are incorrectly numbered: Bar 30 should read Bar 29, etc. Maatnommers foutief: Maat 30 word maat 29, ensovoorts. March / Mars (Pauer) P. 23 The composer died in 2007 after the albums were printed. Die komponis is in 2007 oorlede, nadat die albums gedruk is. Times They Are A-Changing (Zaidel-Rudolph) P. 29 3 3 Bar 7 LH: B should be B flat as in bar 6 . 3 3 Maat 7 LH: B moet B-mol soos in maat 6 wees. Grade 4 / Graad 4 Rigaudon (Handel) P. 3 1 Bar 10 RH: Dotted minims B/G (interval of a sixth – B above the stave) should be D/B. 1 Maat 10 RH: Gepunteerde halfnote B/G (interval van ‘n sekst – B bokant die balk) moet D/B wees. Allegretto from Sonatina in d / Allegretto uit Sonatine in d (Benda) P. 9 The sonata is not printed in its entirety and was deliberately shortened. Die sonate is met opset nie in sy geheel gedruk nie. Theme and Variations / Tema en Variasies (Kuhlau) P. 11 Bar 10 LH: G should be F sharp. Maat 10 LH: G moet F-kruis wees. 2013/05/10 Annexure 1 55 March of the Lilliputians / Mars van die Lilliputters (Hofmeyr) P. 33 4 Bar 8 : cresc. 4 Bar 24 : cresc. Bar 25: dim. Bar 33, second half: cresc. 4 Maat 8 : cresc. 4 Maat 24 : cresc. Maat 25: dim. Maat 33, tweede helfte: cresc. Grade 5 / Graad 5 Allemande (Handel) P. 5 Bar 8 LH: Second note (semiquaver) D should be B. Maat 8 LH: Tweede noot (sestiende-noot) D moet B wees. Vivace from Fantasia no. 5 (Telemann) P. 7 3 Bar 15 LH (third semi-quaver group): E sharp should be E flat. 3 Maat 15 LH (derde sestiendenootgroep): E-kruis moet E-mol wees. Polonaise (Hummel) P. 11 2 Bar 36 LH: A flat should be A natural. 2 Maat 36 LH: A-mol moet A herstel wees. Grade 7 / Graad 7 Allemande from French Suite no. 5 / Allemande uit Franse Suite no. 5 (JS Bach) P. 1 4 1 Bars 2 -3 RH: Tie B to B in soprano. 4b Bar 6 LH: Last note E should be D. 4 1 Mate 2 -3 RH: Verbind B met B in sopraanparty. 4b Maat 6 LH: Laaste noot E moet D wees. Three-Part Invention no. 7 / Driestemmige Invensie no. 7 (Bach) P. 3 1-2 Bar 8 RH: Tie the interval of a third (C sharp and E) between the first and second beats. 2 1 Bar 9 -10 RH: Tie G to G. 1-2 Maat 8 RH: Verbind die interval van ‘n terts (C-kruis en E) tussen die eerste en tweede maatslae. 2 1 Mate 9 -10 RH: Verbind G met G. Rondo from Sonata in g (Beethoven) P. 11 2 Bar 23 RH: Third note in the melody should be E natural. 2 Maat 23 RH: Voeg herstelteken in by derde noot (E) in die melodie. Of Br’er Rabbit from/uit Fireside Tales (MacDowell) P. 38 4 Bar 61 : A sharp should be A natural. 4 Maat 61 : A-kruis moet A herstel wees. Obstinacy / Hardnekkigheid (Grové) P. 48 Bar 57 RH: First beat consists of quaver and dotted minim (A). Bar 58 RH: First beat, minim should also be dotted. Maat 57 RH: Eerste maatslag bestaan uit agstenoot en gepunteerde halfnoot (A). Maat 58 RH: Eerste maatslag, halfnoot ook gepunteerd. 2013/05/10 Bylaag 1 Annexure 2 56 Bylaag 2 Annexure 2: Marks Categories for Graded Exam and Performance Level Assessments across all instruments Bylaag 2: Puntekategorieë vir Graadeksamens en Voordragvlakassesserings vir alle instrumente Roll of Honour / Ererol 90-100% (85-100%∗) An excellent exam showing perfect grasp of technical work, consistently high level of technical control in the repertoire, an outstanding rendition of various styles and from Grade 5 onwards enormous skill in musical communication. 'n Uitmuntende eksamen wat 'n onbesproke beheersing van tegniese werk, 'n konsekwente hoë vlak van tegniese beheer in die repertorium, 'n besondere vertolking van verskillende style en vanaf Graad 5, 'n buitengewoon groot musikale kommunikasievaardigheid toon. Distinction / Lof 80-88% (80-83%∗) Ranging from an excellent to a very well prepared exam showing fluent grasp of technical work, consistently good technical control in the repertoire, a good rendition of various styles and from Grade 5 onwards skill in musical communication. Wissel van 'n uitstekende tot baie goed voorbereide eksamen wat op vlot beheersing van tegniese werk, volgehoue tegniese beheer van repertorium, uitstekende weergawe van die onderskeie style en vanaf Graad 5, vaardige musikale kommunikasie dui. Merit / Eervolle vermelding 70-78% A well prepared exam showing a convincing grasp of technical work, overall technical control in the repertoire with occasional slips, ability to present various styles and from Grade 5 onwards a feeling for musical communication. 'n Goed voorbereide eksamen wat op oortuigende beheersing van tegniese werk, omvattende tegniese beheer van repertorium met enkele vergissings, die vermoë om onderskeie style weer te gee en vanaf Graad 5, 'n aanvoeling vir musikale kommunikasie dui. Pass / Slaag 50-68% Ranging from an adequately prepared to a reasonably well prepared exam that shows sufficient control of technical work, some technical grasp in the repertoire, a fair ability to project different styles and from Grade 5 onwards some sense of basic musical shape. Wissel van 'n genoegsaam voorbereide tot 'n redelik goed voorbereide eksamen wat op voldoende beheer van tegniese werk, 'n mate van tegniese beheer van repertorium, 'n redelike vermoë om die onderskeie style te projekteer en vanaf Graad 5, 'n mate van musikale kommunikasie dui. Fail / Druip 20-47% Ranging from a totally unprepared to an inadequately prepared exam that shows little or no control over technique in either technical work or repertoire, no variety in styles, lack of confidence and from Grade 5 onwards little or no musical insight. Wissel van 'n total onvoorbereide tot 'n ontoereikend-voorbereide eksamen wat op min of geen tegniese beheer in óf die tegniese werk óf repertorium, geen afwisseling in style, gebrek aan selfvertroue en vanaf Graad 5, min of geen musikale insig dui. ∗ Grade 8 Graad 8 2013/05/10
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