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Northwest Iowa Symphony Orchestra
Symphonic Colors 2014-2015
"I LIKE TCHAIK!"
TUESDAY, APRIL 7, 2015
7:30pm in the BJ Haan Auditorium
on the campus of Dordt College
Music by Tchaikovsky
“Waltz” from Sleeping Beauty
Variations on a Rococo Theme
Symphony No. 5 in E Minor
Featuring
Anthony Arnone
Cello
Christopher Stanichar
Principal Conductor
WELCOME________________________
ELCOME________________________
Dear
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Symphonic Journey”
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abulous guest
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for all
all the
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details.
etails.
Truffles
Tr
uffles and
and coffee
coffee at
at intermission!
intermission!
Musically
Musically yours,
y o u rs,
Norma
Norma Snyder
Snyder JJones
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NISO
NISO B
Board
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C h a ir p e r s o n
PROGRAM__________________
THE NORTHWEST IOWA SYMPHONY ORCHESTRA
Christopher Stanichar, Conductor
Anthony Arnone, cello
7 April 2015
TCHAIKOVSKY
Waltz from “The Sleeping Beauty”, Op. 66
TCHAIKOVSKY
Variations on a Rococo Theme, Op. 33
Presentation of 2015-2016 NISO Concert Season
Intermission
TCHAIKOVSKY
Symphony in E minor, Op. 64
I. Andante; Allegro con anima
II. Andante cantabile, con alcuna licenza
III. Valse: Allegro moderato
IV. Finale: Andante maestoso; Allegro vivace
Please Note:
Flash photography and the use of recording
devices is prohibited during NISO concerts.
Please disable all cell phones and pagers.
PROGRAM NOTES_________________
Waltz from “The Sleeping Beauty”, Op. 66
I know you, I walked with you once upon a dream
!I know you, that look in your eyes is so familiar a gleam
And I know it's true that visions are seldom all they seem
But if I know you, I know what you'll do!
You'll love me at once, the way you did once upon a dream
Lyrics by Sammy Fain & Jack Lawrence
set to Tchaikovsky’ melody
for Walt Disney’s “Sleeping Beauty” (1959)
Known as the “Kirov” during Soviet times, Saint Petersburg’s Mariinsky
Theater became Russia’s Imperial Theater in 1886. Director Ivan
Vsevolozhsky commissioned choreographer Marius Petipa to work with
Tchaikovsky for a new production in 1888. Vsevolozhsky designed the
sets and costumes himself, creating one of the most lavish productions in
the history of ballet.
The subject matter is the familiar tale of a sleeping princess, a story as
old as the 14th century. Variants abound including those of Charles
Perrault (La Belle au bois dormant), the Brothers Grimm (Dornröschen) and,
ultimately, Walt Disney. A mythical king and queen’s first born daughter
(“Aurora”) is cursed by a jealous witch at her christening: She will prick
her finger on a spinning wheel and die upon her sixteenth birthday.
Magical fairies spring to her aid and mitigate the curse: Aurora will not
die but will instead fall into a deep sleep, from which only the kiss of a
prince will awaken her.
The present waltz takes place early in Act I. Princess Aurora’s sixteenth
birthday has arrived. The king is nervous: He has forbidden the spinning
of yarn throughout his kingdom and comes very close to executing a
group of old women who didn’t get the message. But the rest of the
kingdom is in full celebration. Princess Aurora has come of age and will
soon be wed.
The ballet only received modest acclaim at its premier in 1890; Tsar
Alexander III politely called it “nice.” While Tchaikovsky may have
hoped for a more enthusiastic response, the work was successful enough.
Two years later, Vsevolozhsky approached him with a commission for
yet another ballet: “The Nutcracker”.
Variations on a Rococo Theme, Op. 33
"Many people keep dropping in unexpectedly; it seems that everyone in Saint
Petersburg is holding me back, when I had stupidly imagined that it would be
possible to take advantage of the holidays to work."
- Peter Illych Tchaikovsky, 1877
Despite his complaints, early 1877 did prove a productive time for
Tchaikovsky, seeing the completion of a Valse-scherzo for violin, his
fourth symphony and the present variations for cello and orchestra.
(Despite its title, the theme is entirely original and indicates only
Tchaikovsky's admiration for Mozart and the classical period.) He
dedicated the work to Wilhelm Fitzenhagen, a fellow professor at the
Moscow Conservatory. Fitzenhagen gave the premiere late in 1877 under
the baton of Nikolai Rubinstein.
A flurry of correspondence ensued over Fitzenhagen's handling of the
work. Tchaikovsky's publisher wrote in horror at how the cellist had
made sweeping changes to the work—rearranging the order, rewriting
the cello part, deleting variations, &c.— allegedly all with the composer's
approval. "Loathsome Fitzenhagen! He is most insistent on making
changes to your cello piece!" Fitzenhagen's changes ultimately found
their way into the published score (this is the version we will hear
PROGRAM NOTES_________________
tonight) and it was not until 1941 that scholars attempted to reconstruct
Tchaikovsky's original. Whether or not he had the composer's approval,
it is known that Fitzenhagen's subsequent performances gained great
acclaim. A performance at Wiesbaden in 1879 earned a thunderous
ovation and inspired no less than Franz Liszt himself to comment, "This
is truly music!"
Symphony No. 5 in E Minor, Op.64
“Evidently, Herr Avé-Lallemant harbours a deep prejudice against Russia, and I
tried as far as I could to mitigate his hostile feelings towards our country.”
- Peter Illyich Tchaikovsky
To the outside world, Russia was a hopeless mess in the late 19th
century. “Slavophilia,” the belief that Russians should reject
Westernisms (i.e. the rationality of Germany) in favor of pure “Slavdom,” took over. Not surprisingly, this played poorly in an ethnically
pluralistic country that stretched from the Baltics to the Orient. Tsar
Alexander II implemented some reforms but was killed in a bombing by
the left-wing terrorist group Narodnaya Volya in 1881. By the close of the
century, an overwhelming number of Russians lived on subsistence
farming and in grinding poverty.
Seeing the backwardness of Russia, Theodor Friedrich Avé-Lallemant, a
Hamburg music teacher and friend of Brahms and Schumann, tried to
persuade Peter Tchaikovsky to emigrate to Germany. Avé-Lallemant
openly confessed that there was much in Tchaikovsky’s music that he
found distasteful: that notorious love of brass and percussion, certainly.
But deep inside, he saw Tchaikovsky as a man who would flourish in the
proper, civilized environment of Germany.
Tchaikovsky declined the invitation, but the two became close friends.
Avé-Lallemant attended a concert of Tchaikovsky’s music in Hamburg
and invited the young Russian to his home afterwards. He further made
arrangements for a sitting with a renowned photographer to get a proper
portrait of the composer. Tchaikovsky returned Avé-Lallemant’s
friendship with the dedication of the present symphony.
The work makes a fine gift for a man who played both French horn and
organ. After! the gruff clomping and Stygian growls of the first
movement, the second movement presents the listener with a horn solo
of liquid gold, mournfully noble. The waltz strolls with lopsided
goofiness and the fourth movement could well be organ music: A
majestic chorale is overtaken in a swirling rampage only to return in
triumph and glory.
Alas, Avé-Lallemant never heard the work. It premiered in Saint
Petersburg in 1888; a performance in Hamburg followed in 1889, but by
then Avé-Lallemant was too ill to attend. He passed away the following
year. A friend sent condolences to Tchaikovsky, stating that receiving the
dedication of the symphony was “...the most distinguishing event in his
life.”
- Notes by Robert Horton, 2015
ARTISTS_________________________
ANTHONY ARNONE, “a cellist with rich tonal resources, fine subtlety and a keen
sense of phrasing” (Gramophone), enjoys a varied career as a soloist, chamber
musician, conductor, recording artist, and teacher throughout the country and
around the world. Mr. Arnone is associate professor of cello at The University of
Iowa School of Music, and is also on the faculty of the Preucil School of Music in
Iowa City, where he teaches and conducts. During summers he teaches at the
Madeline Island Music Camp.
Mr. Arnone has collaborated with many of today’s great chamber ensembles and
artists, including members of the Pro Arte Quartet, Cypress Quartet, Fry Street
Quartet, and Arianna Quartet. Performances have taken him around the United
States and Europe to many of the leading concert venues as soloist, chamber
musician, and conductor. Mr. Arnone’s recordings with Albany and VAI have
received acclaimed reviews in prominent music journals and online classical sites.
An avid performer of the Bach Suites, Mr. Arnone wrote and self-published his
own edition of the six Cello Suites with a composed second cello “continuo” part to
aid in teaching and performance.
As a cello soloist and chamber musician, Mr. Arnone was a founding member of
the Meridien Trio and the Sedgewick String Quartet, which performed regularly at
the Spoleto Festival in Charleston. More recently, he has been part of the Matisse
Trio, a faculty trio at The University of Iowa, which has played throughout the
United States and at international conferences.
Mr. Arnone’s love of teaching has taken him throughout the country to give master
classes, including Oberlin College and the Cleveland Institute of Music. At home,
Mr. Arnone brings celebrated teachers and performers to The University of Iowa
for the annual “Cello Daze,” a weekend of lectures, concerts, and master classes.
Past guests include Richard Aaron, Colin Carr, Hans Jensen, Bonnie Hampton, Joel
Krosnick, Norman Fischer, Marc Johnson, Anthony Ross, and Robert DeMaine.
A native of Honolulu, Mr. Arnone received his bachelor of music degree from the
New England Conservatory of Music, where he studied with Colin Carr. He left
graduate studies with Bonnie Hampton at the San Francisco Conservatory to accept
a position with the Orchestré Philharmonique de Nice, France, where he remained
for two years, continuing his studies with Paul and Maude Tortelier. He later
returned to the United States to complete his master’s degree in conducting at
Wichita State University. Before coming to The University of Iowa, Mr. Arnone was
principal cellist of the Madison Symphony, and taught at Ripon College in
Wisconsin. He has also taught and performed at the Eastern Music Festival, the
Stonybrook Music Camp, the Spoleto Festival in Charleston, SC. and the Festival
Dei Due Mondi in Spoleto, Italy, where he was co-principal cellist for seven years.
CHRISTOPHER STANICHAR is the Principal Conductor of the Northwest Iowa
Symphony, an ensemble of some of the finest musicians in northwest Iowa and
southeast South Dakota. Stanichar was appointed to this position in 2011,
following a number of guest appearances.
Stanichar has continued NISO’s
tradition of artistic excellence, innovative programming, and collaborations with
guest artists from the region and beyond. Stanichar leads NISO in three concerts
per season, in addition to the annual Concert for Children given each November for
over 900 area 4 , 5 , and 6 grade students. He has been praised for “his obvious
energy, great joy directing, and outright enthusiasm.” (Peter Wagner, Northwest
Iowa Review).
In addition to his position with Northwest Iowa Symphony Orchestra, Stanichar
conducts the South Dakota Symphony Youth Orchestra and the Worthington Area
Symphony Orchestra in Minnesota.
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Stanichar has conducted professional orchestras in Europe, Russia, Mexico, and the
United States, including the Slovak Radio Symphony Orchestra, St. Petersburg
Symphony Orchestra (Russia), Sochi Symphony Orchestra (Russia), Orquesta
Sinfónico Juvenil del Estado de Veracruze (Mexico), and many orchestras in the
United States.
Stanichar earned his Doctorate of Musical Arts in conducting at the Cincinnati
College-Conservatory of Music where he was a student of Gerard Samuel. In 1996
he was awarded a Fulbright scholarship to study conducting in Slovakia, where he
appeared as a guest conductor of many top orchestras in that country. In 1997 he
was appointed Conducting Assistant for the Cincinnati Symphony Orchestra,
where he was mentored by maestros Jesús López-Cobos and Erich Kunzel.
Stanichar is an active composer; his works have been commissioned and performed
throughout the world. His Trisagion was used in the Ric Burns’ PBS documentary,
Andy Warhol. More recent projects include a full-length cantata, St. Mark Passion,
ARTISTS_________________________
written as part of a Granskou grant for the 150 anniversary of Augustana College.
His Variations on a Theme by Handel for string orchestra is featured in the
independent film, Dust of War. TrevCo-Varner Music has published several of his
works for English horn.
Stanichar enjoys making music with his wife, Kristi; they are blessed with four
children, all of whom are active in music.
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THE NORTHWEST IOWA SYMPHONY ORCHESTRA comprises the finest
musicians in the tri-state area. Teaching principals are of a professional caliber and
function as first chair players and teachers in sectional rehearsals. The orchestra’s
80 members include adults of all ages as well as gifted music students ranging in
age from high school through college. Five of these students are recipients of
scholarships from Friends of the Symphony for the purpose of continuing their
private music instruction. NISO presents three concerts each season in addition to
the annual Concert for Children, which is given each November for 1,000 area 4 , 5 ,
and 6 grade students.
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PERSONNEL_______________________
FLUTE/PICCOLO
Shannon Abels, Sioux Falls!
* Anna Davis, Spencer
Sue De Haan, Orange City"
FIRST VIOLIN
Daniel Amin, Dordt College
Faith Bierma, Dordt College
Kinza Brue, Dordt College
Kristen Carlson, Augustana College
Emily Friend, Dordt College!
** Lisa Miedema, Sioux Center!
David Mortenson, MOC-FV HS
Kirbee Nykamp, Sioux Center!
Heather Shih, Boyden-Hull HS
Hannah Van Maanen, Dordt College
Jill Wigton, Merril
OBOE/ENGLISH HORN
Dallas Doane, University of South Dakota
Lacey Semansky, Sioux Falls!
* Kristi Stanichar, Sioux Falls!
+
+
CLARINET
* Beverly Gibson, Sioux Falls!
Susan LeMahieu, Orange City
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SECOND VIOLIN
Matt Augustine, Dordt College
* Jennifer Frens, Sioux Center!
Miranda Hulstein, Dordt College
Maria Koenen, Netherlands Ref. Chr. HS
Abigael Olson, Dordt College
McKenzie Roselle, Dordt College
Janelle Van De Zwaag, Sioux Center
Abby Vander Werf, Western Chr. HS
Ashley VerHoef, Dordt College
Mindy Walstra-Hummel, Sioux Center!
Danielle Warner, Hull!
BASSOON
Lois Estell, Orange City
* Chris Haak, Sioux Falls
+
FRENCH HORN
Sharon McGarvey, Alton!
Tim McGarvey, Alton"
Aaron Montalvo, Sioux Center
* Gary Reeves, Vermillion!
Melanie Witt, Orange City"
+
TRUMPET
* Richard Bogenrief, Merrill!
Spencer Fynaardt, Dordt College
Drew Lemke, Northwestern College
Dan Mangold, Orange City!
VIOLA
Rachel Bos, Dordt College
Kristin Buskohl, Augustana College
* Fei Chen, Sioux Falls
Meagan DeGraaf, Dordt College
Maggie Drexler, Dordt College
Katie Fictorie, Western Christian HS
Derek Friend, Dordt College!
Gary Vander Hart, Sioux Center!
TROMBONE
Michael Groenenboom, Dordt College
Matt Honken, Northwestern College
* Vance Shoemaker, Hawarden"
Emily Wehde, Augustana College
+
CELLO
Matthew Boer, Dordt College
Dane Hibma, Sioux Center"
Hannah McGarvey, Alton!
Haley Moss, Dordt College
Jinny Seo, Dordt College
Jessica Setiawan, Dordt College
Joseph Slegers, Orange City!
Cathie Tien, Orange City!
* Andrew Travers, Sioux Falls
TUBA
* Peter Boerema, Orange City!
PERCUSSION
* Tim Hillyer, Omaha
Sam Roskamp, Dordt College
STRING BASS
* John Casey, Sioux Falls!
Marian Casey, Sioux Falls!
Trevor Carlson, Sioux Falls
Carissa Koerner, Sioux Falls
Alexis Kraayenbrink, Orange City!
** Concertmistress * Teaching Principal
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Assistant Principal + Scholarship recipient
NISO Members Years of Service:
!5+ years !10+ years "15+ years !20+ years "25+ years
CONTRIBUTORS___________________
CORPORATE PARTNERS, GRANT and CONCERT SPONSORS
M & M Egg Farm, LLC - Bill &
American State Bank
Ila Jean Mouw
Center Fresh Group
Modern Woodmen
Citizens State Bank of Sheldon &
Northwest Bank
Boyden
Pella Corporation, Sioux Center
Color FX
Premier Communications Foundation
Farmers Mutual Insurance, Hull
Sioux Center Leadercast
Formosa Food Company, Inc.
Sioux Center Rec & Arts
Hi-Way Chevrolet-Buick Inc.
Walmart, Sioux Center
Holiday Inn Express
Walstra Plumbing & Heating, Inc.
MEDIA SPONSORS
KDCR FM 88.5
KSOU FM 93.9/AM 1090
MAESTRO ($1000+)
Lloyd & Dianne Bierma
Jim & Marilyn Dean
W. Dale & Karen Den Herder
SOLOIST ($500 to $999)
Karen A. DeMol
Erik & Barb Hoekstra
Lee & Audrey Plasier
CONCERTMASTER ($250 to $499)
Howard & Marge Beernink
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PRINCIPAL ($100 to $249)
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Casey’s General Store, Sioux Center
Countryside Body Shop – Arlin &
Janene Van Gorp
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Greg & Laura Haverdink
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Hy-Vee Food Store, Sioux Center
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Iowa Information Publications
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FRIENDS OF NISO____________
OFFICERS:
Jo Faber, Katie Lynn Haan, Deb Hibma, Ellen Klompien,
Joanne Soodsma, Kim Van Es, Beth Vanden Berg
MEMBERS:
Curt & Patricia Ahrenholz
Joanne Alberda
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Art & Phyllis Attema
Howard & Marge Beernink
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Robert & Rachelle Wiersma
Bev Zwart
Tonight’s Intermission Feature: Gourmet coffee and truffles.
Consider joining Friends and helping with ushering, serving coffee,
and selling tickets to benefit the orchestra.
CRE
REDITS___________________________
DITS___________________________
___________________________
THANK
TH
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YOU TO:
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DORDT
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space, support
support staff,
staff, and
and office
office accommodations.
accommodations.
for their
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CONTRIBUTORS
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THE
E STAFF:
STAFF:
Christopher
Christopher SStanichar,
tanichar, Conductor
Conductor
Bradley
Bradley Miedema,
Miedema, Music
Music Director
D ire c to r
Timothy McGarvey,
McGarvey, Assistant
Assistant Conductor
Conductor
Timothy
Karen
Karen D
Dee Mol,
M o l, G
General
eneral Manager
M anager
Mary
Mary Hulstein,
Hulstein, A
Administrative
dministrative Assistant
Assistant
BOARD OF
OF D
IRECTORS:
BOARD
DIRECTORS:
Norma
Norma SSnyder
nyder JJones,
ones, Ch
Chairperson
airperson - Sheldon
Sheldon
Carol
Carol B
Buteyn
uteyn – San
Sanborn
Sanb
born
James
James Koldenhoven
Koldenhoven – Sioux
Sioux Center
C en te r
Rhonda
Rhonda Pennings,
Pennings, Secretary
Secretary - Orange
Orange C
City
ity
John
John Slegers
Slegers - Orange
Orange C
City
it y
Cathie
Cathie Tien,Vice-Chairperson
Tien,Vice-Chairperson - Or
Orange
City
ange C
ity
Beth
Vanden
Sioux
Center
Beth V
anden Berg
Berg - Si
oux C
en ter
Brian
Engen,
Brian Van
Van Enge
nn,, Treasurer
Treasurer – Sioux
Sioux Center
C en ter
Marion
Assistant
Hullll
Marion Van
Van SSoelen,
oelen, As
sistant Treasurer
Treasurer - Hu
IMMEDIATE
IMMEDIATE PAST
PAST CHAIRPERSONS:
CHAIRPERSONS:
Bernie
Bernie W
Weidenaar
eidenaar
Yette
Yette Te
Te P
Paske
ask e
2015-2016 Seas
Season
on Tickets
Tickets will
will be available
available
for
for purchase at Pre-Season
Pre-Season Sale
Sale Prices
Prices
TONIGHT
TONIGHT O
ONLY!
NLY!
Symphonic
Sym
phonic C
Colors
olor
orss
Northwest
Northwest Iowa
Iowa SSymphony
ym phony O
Orchestra
rch estra C
Concerts
o n certs
Christopher
Ch
ristopher Stanichar,
Stanichar, Conductor
Conductor
GUEST
GUEST CONCERT
CONCERT - Sa
Saturday,
turday, April
April 18,
18, 2015
2015
Rh
Rhythm
ythm & Brass
B rass
Northwest
Northwest Iowa
Iowa Sym
Symphony
phony Y
Youth
out
outhh O
Orchestra
rchestra C
Concert
oncert
Bradley
Bradley M
Miedema,
iedema, Conductor
C on d u ctor
Saturday,
Saturday, April
April 11,
11, 44:30
:30 PM!!
!
Northwest IIowa
owa SSymphony
ymphony Orchestra
O rch e stra
Northwest
498 4 Av
Avee NE,
NE, Si
Sioux
oux C
Center,
enter, IIA
A 51250
712.722.6230
712.722.6230 - ni
[email protected]
[email protected] - ht
http://niso.dordt.edu
tp://niso.dordt.edu
th