A N G E L A M A R IN O , P h .D . a n g e la .m a rin o @ b e rk e le y .e d u EDUCATION BACKGROUND 2006-2011 Ph.D., New York University, Department of Spanish and Portuguese Dissertation: "Devil Dances: Performance and Politics in the Bolivarian Revolution of Venezuela" Advisor and Chair: Diana Taylor 2004-2006 MA, (Phi Kappa Phi Honor Society) Univ. of New Mexico, Latin American Studies 1998-1999 Estudios Posgrados de Maestría, Universidad Central de Venezuela 1998 Rajatabla, Talleres Nacional de Teatro, Caracas, Venezuela 1992-1994 BA, The Evergreen State College, Performing Arts and Political Science 1989-1992 University of Wisconsin-Madison, Theatre and Philosophy ACADEMIC AND PROFESSIONAL EXPERIENCE Assistant Professor, UC Berkeley, Department of Theater, Dance and Performance Studies UC Berkeley, California 2012-present www.tdps.berkeley.edu/ Chancellor's Postdoctoral Fellow, UC Berkeley, Department of Theater, Dance and Performance Studies Berkeley, California 2011-2012 Managing Editor, Latino Studies, CUNY New York, New York 2008-2009 www.palgrave-journals.com/lst/index.html Graduate Assistant, Hemispheric Institute of Performance and Politics, NYU New York, New York 2006-2008 www.hemi.nyu.edu Research Assistant, Center for Southwest Research, UNM Albuquerque, New Mexico 2006 elibrary.unm.edu/cswr/collections/slick.php Founder and Executive Director, La Voz Festival of the Americas Santa Fe, New Mexico 1997-2003 (See program books for 1998 and 2000) Associate Publisher Intern, El Andar Magazine Santa Cruz, California 2001 www.elandar.com Gallery Assistant, Meredith Kelley Latin American Fine Art Santa Fe, New Mexico 1997-1998 TEACHING & RESEARCH AREAS Latin American Theatre and Performance; U.S. Chicana/o and Latina/o Theatre and Performance; Methods in Ethnographic Research; Performance Studies Theory; Theatre History; Visual and Expressive Cultures in the Americas; Latin American and U.S. Chicana/o and Latina/o Film; Popular Fiesta and Carnival; Festival Studies. A. MARINO PUBLICATIONS Books: Performance and Populism in the Bolivarian Revolution of Venezuela (working title), manuscript in progress. Co-editor of Festive Devils in the Americas. Under contract in Richard Schechner's Enactments Series, Seagull/Distributed by University of Chicago Press. (forthcoming 2015) Articles and Book Chapters: "The (Anti)Bodies of Corpus Christi Fiesta," Festivals of the Americas, edited by Rachel Bowditch and Pegge Vissicaro for Richard Schechner's Enactments Series, Seagull/University of Chicago Press. (forthcoming) "The Devil's Turn," in Festive Devils in the Americas. Seagull Press/Distributed by University of Chicago Press, (forthcoming). . “On the Other Side of the Barricades: Venezuela’s Spring of the Arts,” Cultural Anthropology Forum, Fall 2014 (forthcoming). “Fiesta Politics: A Rehearsal—and an Act—of Governance,” Harvard ReVista, Spring 2014: 69-71. “Fiesta Politics: Dissidence as an Act of Harmony,” e-misférica Journal of the Hemispheric Institute of Performance and Politics, 10.2 Fall 2013. "Florentino vence al diablo: Performance popular en la campaña chavista del referéndum de año 2004 en Venezuela," Giros culturales en la marea rosa de América Latina, edited by Marc Zimmerman. Houston: Casa Editores, 2012. "The Politics of Public Space: 'Un espacio liberado' Under the Big Top," Dialectical Anthropology 35.3 Sept 2011. “Madness and the Machinations of Power in Spanish and Latin American Plays on Juana la Loca,” Latin American Drama Review. 42.1 Fall 2008. Co-authored with Dr. Kimberly López. “Revisting ‘La Locura de Amor’: Representations of Juana La Loca in Spanish Theatre. Estreno. 33.2 Fall 2007. Co-authored with Dr. Kimberly López. Special Publications: Curator/Editor of website publication: http://www.festivedevils.org or http://www.diablosfestivos.org. A bilingual web site dedicated to the study of the devil figure in popular fiesta and carnival in the American hemisphere. Sponsored by the Hemispheric Institute of Performance and Politics and the Chancellor's Research Fellowship, UC Berkeley. August 2011-present. 2 A. MARINO Book Reviews: “Review of Paul Scolieri´s Dancing in the New World.” TDR. Fall 2014. “Review of Mike Pearson’s Site-Specific Performance.” Theater Journal. Spring 2014. "Review of Timothy Raphael's The President Electric: Ronald Reagan and the Politics of Performance." NYU Hemispheric Institute of Performance and Politics: E-misférica 7.2. Spring 2011. “Review of Zeca Ligiéro and Denise Zenícola’s Performance Afro-Ameríndia,” NYU Hemispheric Institute of Performance and Politics: E-misférica 5.2. Spring 2009. TEACHING EXPERIENCE Assistant Professor, Department of Theater, Dance and Performance Studies, UC Berkeley Spring 2014 126—Theater and Revolution 266—Ritual, Play and Fiesta Fall 2013 126—Transatlantic Currents: The Tempest in the Americas 125—Theater History in a Global Context Spring 2013 114—Teatro Lab Fall 2012 121—Theaters of Apocalypse Instructor, Department of Theater, Dance and Performance Studies, UC Berkeley Fall 2011 Theories and Theater of Latin/o America— Advanced Undergraduate Teaching Assistant, Performance Studies Department, NYU, Prof. Jill Lane Summer 2009 Staging Citizenship, Performing Rights (New York and Bogotá, Colombia) http://hemi.nyu.edu/hemi/en/summer-2009—Graduate Teaching Assistant, Performance Studies Department, NYU, Prof. Diana Taylor Fall 2007 20th c. Latin American Theatre and Performance—Graduate Spring 2008 Trauma and Memory in Performance —Graduate Instructor, Spanish Department, NYU Spring 2009 Spanish Language II—Undergraduate Fall 2008 Spanish Language I—Undergraduate Instructor, Spanish Department, UNM Spring 2006 UNM, Spanish—Undergraduate Fall 2005 UNM, Spanish—Undergraduate 3 A. MARINO HONORS & AWARDS 2011-2012 2010 2009 2008 2007 2007 2006-2011 2006 2005 2004 1998-1999 1991 University of California Chancellor's Postdoctoral Research Fellowship Helen Krich Chinoy Dissertation Research Award, ASTR Smithsonian Latino Center Fellowship (declined) NYU Summer Research Grant, Dept. of Spanish & Portuguese NYU Center for Latin American Studies Field Research Grant NYU Summer Research Grant, Dept. of Spanish & Portuguese NYU MacCracken Graduate Fellowship National Honor Society of Phi Kappa Phi UNM Latin American and Iberian Institute Field Research Grant UNM Latin American Studies Scholarship William J. Fulbright Fellowship Mieklejohn Travel Award, Theatre Studies, UW-Madison CONFERENCE PAPERS PRESENTED “Influences of El Teatro Campesino on Bay Area Theaters,” Association for Theater in Higher Education, Scottsdale, 2014. Presenter. Session Title: "Manif-fiestas," Hemispheric Institute of Performance and Politics Encuentro, Montreal, 2014. Session co-organizer. "The 'Magical' Return of the Horse of Bolívar," Venezuela Section Panel, Latin American Studies Association (LASA), Washington DC, June 2013. Paper presenter. "Fiesta: Time + Space + Embodiment" Festive Temporalities and Decolonization in the Americas, Performance Studies International, Stanford University, June 2013. Presenter. " Migrations of 'the Popular' from Margins to Center in Cain adolescente (1955) by Román Chalbaud" American Society for Theater Research, Nashville, November 2012. Paper presenter. "The Formation of Constituent Power in Román Chalbaud's Pandemonium (1997). Rocky Mountain Modern Language Association (RMMLA), Albuquerque 2010. Paper presenter. “Popular Arts in the Bolivarian Revolution of Venezuela” Latin American Studies Association (LASA), Toronto 2010. Session organizer and paper presenter. “Comic-Strip Politics: Popular media in the Bolivarian Revolution of Venezuela” Modern Language Association (MLA), Philadelphia 2009. “Diablos festivos de Ocumare, Aragua Venezuela” Hemispheric Institute of Performance and Politics Encuentro (HEMI), Bogotá, 2009. Session co-organizer. 4 A. MARINO “Poder popular y la producción de fiesta popular en Ocumare, Venezuela” Nucleo de Estudos Afro-Ameríndia UNI-RIO, Rio de Janeiro, 2009. Paper presenter. “Cultural Authority in the Processions of the Diablos Danzantes of Ocumare,” Latin American Studies Association (LASA), Rio de Janeiro, 2009. Session organizer. “Florentino and the Devil: Performance of politics in the Bolivarian Revolution of Venezuela,” American Society for Theatre Research (ASTR), Working Session, Boston, 2008. Paper presenter. “La vuelta del diablo: Enactments of a political turn,” Performance Studies International (PSI), New York, 2008. Paper presenter. “El barrio adentro in Román Chalbaud's Caín adolescente (1955)” Latin American Theatre Today (LATT), Virginia Tech, 2008. Session organizer. “Signs at the Crossroads: Visual Performance and Politics in Diablos Danzantes of Venezuela and Yuyachkani’s Santiago,” American Comparative Literature Association (ACLA), Long Beach, 2008. Paper presenter. “Domino mar: a study of the game and transitory phenomena of culture,” Department of Sociology, Rutgers University, 2007. Paper presenter. “Diablos Danzantes in the Corpus Christi festivals of Venezuela,” Department of Spanish & Portuguese, Rutgers University, 2007. Paper presenter. “The Devil Figure in Contemporary Venezuelan Performance,” American Comparative Literature Association (ACLA), Puebla, 2007. Paper presenter. “Dando vueltas al diablo: performance y política en la revolución bolivariana,” NYU-Columbia Graduate Conference, NYU, 2007. Paper presenter. “Performing (post) Structures of Class in Xavier Velasco’s Diablo guardián,” Department of Spanish & Portuguese, UNM, Albuquerque, 2006. Paper presenter. “Upturning the Hollywood Imaginary in Cuban Poster Art,” Latin American Studies Graduate Conference, UT-Austin, 2006. Paper presenter. “Performing Nation in Tania Bruguera’s Greater Cuba,” Department of Spanish & Portuguese Graduate Conference, UC-Santa Barbara, 2005. Paper presenter. SPECIAL PROJECTS & INVITED TALKS Faculty Fellow, Arts Research Center, University of California, Berkeley, Spring 2013. "From ‘War on Drugs’ to ‘War on Terror’: Parallels in Latino/Chicano and Middle Eastern American Performance,” Invited Panelist, Reorient Theater Festival, San Francisco, Z Space, November 2012. 5 A. MARINO "Performance and Campaign Politics in Latin America," Department of Theater, Dance, and Performance Studies, UC San Diego, January 2012. "Performance of Devils and Democracy in the Venezuelan 2004 Recall Election Campaign," UC Berkeley, Department of Theater, Dance, and Performance Studies, October 2012. Co-coordinator of Working Group on Latin American Performance at UC Berkeley in collaboration with the Center for Latin American Studies (CLAS) and La Peña Cultural Arts Center, 2011-2012. Co-convener of Working Group in the Hemispheric Institute of Performance and Politics on Popular Fiesta and Carnival, 2008-2012. Coordinator of "Latino/as and the Media" a 2-day conference, CUNY, February 2009. Co-convener of Working Session: Popular Fiesta and Carnival at Latin American Studies Association, June 2009 and American Society of Theatre Research November 2009 and 2010. Founding member of Popular Fiesta and Carnival of the Americas working group, 2008-present. Working Group Participant of God's Elect: Elections, Religion and Media. Directed by: Dr. Diana Taylor, Center for Religion and Media, NYU, September 2006 to May 2007. Respondent for author’s book presentation on Hugo!, Bart Jones, Hofstra University, Co-sponsored by Department of Spanish and Journalism, November 2007. “Popularizing Quixote: Contemporary Cultural Expression in the Festival Internacional Cervantino,” Invited Talk, University of New Mexico, Latin American and Iberian Institute, October 2005. INDEPENDENT RESEARCH CONDUCTED 2014 2011 2010 2008 2008 2008 2007 2007 2006 2005 1998 1996 1995 1994 1992 Fieldwork, Book Research Fieldwork, Postdoctoral Research Fieldwork, Dissertation Research Municipal Archives & Museum of Maracay Venezuelan National Archives, Dissertation Research Fieldwork, Dissertation Research Princeton Library Archives, Schechner Collection Fieldwork, Dissertation Research Fundación Bigott Library, Dissertation Research Festival Internacional Cervantino Archives, Tinker Rajatabla Theatre Archives, Fulbright Fellowship Flamenco History of Dance, Independent Minnesota Historical Society Archives, Curator Cuban Arts and Politics, Independent Senior Project European Theatre History, Meiklejohn Travel Grant Caracas, Venezuela Atanquez, Colombia Ocumare, Venezuela Maracay, Venezuela Caracas, Venezuela Ocumare, Venezuela Princeton, New Jersey Ocumare, Venezuela Caracas, Venezuela Guanajuato, Mexico Caracas, Venezuela Huelva, Spain St. Paul, Minnesota Havana , Cuba Paris, London, Rome, Madrid 6 A. MARINO ACADEMIC SERVICE & ACTIVITIES Conference Planning Committee, "Dream Acts: Performance as Refuge, Resistance and Renewal" (ATHE); Scottsdale, Arizona, 2013-2014. Conference Planning Committee, "Spiraling Time: Intermedial Conversations in Latin American Arts" (ARC), UC Berkeley, March 2013. GSC Representative to Committee on Conferences (ASTR); elected 2009, served 2010. GSC Ambassador, American Society for Theatre Research (ASTR), 2009. San Juan, Puerto Rico, http://www.astr.org/ Co-Chair, Silent Auction, American Society for Theatre Research (ASTR), 2009. San Juan, Puerto Rico, http://www.astr.org/ Mentor, Harlem Educational Activities Fund, 2008-9. New York, New York http://www.heaf.org/index.php/home.html Volunteer Organizer, Centro Latinoamericano de Creación e Investigación Teatral, 1999. Caracas, Venezuela Organized library of Latin American performance publications. PROFESSIONAL AFFILIATIONS Member of Performance Studies International Member of the Association for Theater in Higher Education Member of American Society for Theatre Research Member of Latin American Studies Association Member of the Modern Languages Association Member of the Student Organization of Latin American Studies, UNM Treasurer of La Voz: Festival of the Americas Director of La Voz: Festival of the Americas Co-coordinator of Latin American Student Organization, TESC 2012-present 2012-present 2008-present 2007-present 2004-2013 2004-2006 2003-2006 1997-2000 1993-1994 7