NEW • NOUVEAUTE • NEUHEIT

NEW • NOUVEAUTE • NEUHEIT
11/14-(5)
Carl Philipp Emanuel Bach
(1714-1788)
Organ Works with varied repeats
Sonatas Wq 70/3-5
Fantasia and Fugue Wq 119/7
Fugues, Menuets
Yuval Rabin,
Ferdinand-Stieffell organ Endingen
1 Hybrid-SACD
MDG 906 1875-6
UPC-Code:
Epochal Pioneer
Carl Philipp Emanuel Bach was the pioneer of an
epochal change. For the two hundredth anniversary
of the birth of the most influential son of the great
Johann Sebastian Bach, Yuval Rabin has taken on
a very special project. This Israeli organist who
exhaustively studied Bach’s instructions for the
treatment of repetitions in his doctoral dissertation
now puts his findings to the practical test.
Fascinating indeed – how “the true manner of
playing the clavier,” on the basis of a mere
repetition, even in our quick-paced times makes for
a most highly entertaining experience!
Embellishment Practice
As Bach saw it, the embellishment of repetitions in
no way was limited to highly imaginative
improvisation. Instead, a creative compositional
process was necessary and presumed a profound
understanding of the formal design of the piece and
its emotional content. This places great demands
on the player, but for the public it is not only highly
entertaining but also helpful.
Exemplary Pieces
The value assigned by Bach to the proper art of
embellishment is also recognizable in his regular
presentation of exemplary pieces throughout his
life. They include the Arioso in C and the Minuetto
in F recorded here. Yuval Rabin has studied these
texts with the greatest precision and transferred the
method to larger works. Bach’s demand that all
modifications “at all times must be, if not better,
than at least just as good as the original” has been
assimilated by Rabin in special measure. The
Stieffell organ in St. Peter’s Church in Endingen, an
instrument constructed during Bach’s lifetime,
contributes additional authenticity.
Exquisite Package
This birthday present for “the Hamburg Bach” of
course must also be delivered in a proper package:
produced in room-filling 2+2+2 sound and in the
finest SACD technique, this new recording is not
only a musical treat but also a very special feast for
the ears delighting both heart and soul.
Felix Mendelssohn Bartholdy (1809-1847)
3 Preludes and Fugues op. 37
Sonatas op. 65, Nr. 2 + 4; 3 Andante
+ Yuval Rabin, Hommage à Mendelssohn
Yuval Rabin,
Braun/Mathis organ St. Marzellus Gersau,
Switzerland
MDG 906 1786-6 (Hybrid-SACD)
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