FLORA GLENN
CANDLER
CONCERT SERIES
2014–2015 SEASON
SCHWARTZ
CENTER FOR
PERFORMING ARTS
FLORA GLENN
CANDLER
CONCERT SERIES
Garrick Ohlsson, piano
Friday, September 26, 2014 at 8:00 p.m.
Brentano String Quartet
with Vijay Iyer, piano
Friday, October 10, 2014 at 8:00 p.m.
Anne-Sophie Mutter and Mutter Virtuosi
Saturday, November 15, 2014 at 8:00 p.m.
Bill T. Jones/Arnie Zane Dance Company
February 5–7, 2015 at 8:00 p.m.
Irvin Mayfield and the New Orleans Jazz Orchestra
Saturday, February 7, 2015 at 8:00 p.m.
Daniel Roumain
Emory Special Commission
Friday, March 20, 2015 at 8:00 p.m.
Sharon Isbin, guitar
Isabel Leonard, mezzo-soprano
Saturday, April 4, 2015 at 8:00 p.m.
The Tallis Scholars
Sunday, April 19, 2015 at 4:00 p.m.
arts.emory.edu • 404.727.5050
2014–2015 SEASON
BILL T. JONES/
ARNIE ZANE
DANCE
COMPANY
T H U R S D AY,
FEBRUARY 5;
F R I D AY,
FEBRUARY 6;
A N D S AT U R D AY,
FEBRUARY 7,
8 : 0 0 P. M .
Page left blank intentionally to represent inside front cover of program.
f l o ra g l e n n
candler
concert series
2 0 1 4 – 2 0 1 5 seas o n
Emory University and New York Live Arts
presents
BILl t. jones/arnie zane dance company
Bill T. Jones, artistic director
Janet Wong, associate artistic director
featuring
The Company
Antonio Brown, Rena Butler, Talli Jackson,
Shayla-Vie Jenkins, Erick Montes Chavero, and Jenna Riegel
in
Body Against Body
Production Staff
Stacey Boggs and Carley Manion
february 5–7, 2015, 8:00 p.m.
The creation of new work by the Bill T. Jones/Arnie Zane Dance Company
is made possible by the company’s Partners in Creation:
Ellen Poss, Jane Bovingdon Semel, and Terry Semel; Anne Delaney;
Stephen and Ruth Hendel; Eleanor Friedman; and Zoe Eskin.
This program is made possible by a generous gift from the late
Flora Glenn Candler, a friend and patron of music at Emory University.
Dance Studio
Schwartz Center for Performing Arts
P R OGR AM
Shared Distance
(1982, reconstructed 2014)
Choregraphy by Bill T. Jones
Lighting by Robert Wierzel
Costumes by Liz Prince
Danced by
Talli Jackson and Jenna Riegel
Pause
Duet X 2
(1982)
Choregraphy by Bill T. Jones
Music composed by Alessandro Parisotta
Music performed by Cecilia Bartoli, Aria “Se tu M’ami”
Décor by Bjorn G. Amelan
Costumes by Liz Prince
Lighting by Robert Wierzel
Music Notes
Excerpt performed by Cecilia Bartoli from
Arie Antiche: Se tu M’ami Decca Records © 1992
Danced by
Shayla-Vie Jenkins, Antonio Brown, and Rena Butler
Pause
Blauvelt Mountain (A Fiction)
(1980)
Choregraphy by Bill T. Jones and Arnie Zane
Music by Helen Thorington
Lighting by Robert Wierzel
Costumes by Liz Prince
Danced by
Talli Jackson and Erick Montes
2
c ompany h is tory
During the last thirty-two years, the Bill T. Jones/Arnie Zane Dance Company
has shaped the evolution of contemporary dance through the creation and
performance of more than one hundred and forty works. Founded as a
multicultural dance company in 1982, the company was born of an elevenyear artistic collaboration between Bill T. Jones and Arnie Zane. Today, the
company is recognized as one of the most innovative and powerful forces
in the modern dance world. The company has performed its ever-enlarging
repertoire worldwide in more than two hundred cities and in thirty countries
on every major continent. In 2011, the Bill T. Jones/Arnie Zane Dance Company
merged with Dance Theater Workshop to form New York Live Arts, of which
Bill T. Jones is the artistic director.
The repertory of the Bill T. Jones/Arnie Zane Dance Company is widely varied
in its subject matter, visual imagery, and stylistic approach to movement, voice,
and stagecraft, and includes musically driven works as well as works using a
variety of texts. Some of its most celebrated creations are evening-length works
including Last Supper at Uncle Tom’s Cabin/The Promised Land (1990, Next
Wave Festival at the Brooklyn Academy of Music); Still/Here (1994, Biennale
de la Danse in Lyon, France); We Set Out Early . . . Visibility Was Poor (1996,
Hancher Auditorium, Iowa City, Iowa); You Walk? (2000, European Capital of
Culture 2000,Bolgna, Italy); Blind Date (2006, Peak Performances at Montclair
State University); Chapel/Chapter (2006, Harlem Stage Gatehouse); Fondly Do
We Hope . . . Fervently Do We Pray (2009, Ravinia Festival, Highland Park,
Illinois); Another Evening: Venice/Arsenale (2010, La Biennale di Venezia,
Venice, Italy); Story/Time (2012, Peak Performances); and A Rite (2013, Carolina
Performing Arts at the University of North Carolina–Chapel Hill). The company
is also currently touring Body Against Body, an intimate and focused collection
of duet works drawn from the company’s thirty-year history.
Bill T. Jones, artistic director/cofounder/choreographer, is the recipient of
the 2014 Doris Duke Artist Award; the 2013 National Medal of Arts Award;
2010 Kennedy Center Honors; a 2010 Tony Award for Best Choreography of
the critically acclaimed FELA!; a 2007 Tony Award, 2007 Obie Award, and 2006
Stage Directors and Choreographers Foundation CALLAWAY Award for his
choreography for Spring Awakening; the 2010 Jacob’s Pillow Dance Award; the
2007 USA Eileen Harris Norton Fellowship; the 2006 Lucille Lortel Award for
Outstanding Choreography for The Seven; the 2005 Wexner Prize; the 2005
Samuel H. Scripps American Dance Festival Award for Lifetime Achievement; the
2005 Harlem Renaissance Award; the 2003 Dorothy and Lillian Gish Prize; and
the 1994 MacArthur “Genius” Award. In 2010, Jones was recognized as Officier
dans l’Ordre des Arts et des Lettres by the French government, and in 2000, the
Dance Heritage Coalition named him “An Irreplaceable Dance Treasure.”
Jones choreographed and performed worldwide with his late partner, Arnie
Zane, before forming the Bill T. Jones/Arnie Zane Dance Company in 1982. He
3
has created more than one hundred and forty works for his company. Jones is
the named artistic director of New York Live Arts, an organization that strives
to create a robust framework in support of the nation’s dance and movementbased artists through new approaches to producing, presenting, and educating.
For more information visit newyorklivearts.org.
Arnie Zane, cofounder/choreographer (1948–1988), was a native New
Yorker born in the Bronx and educated at the State University of New York (SUNY)
at Binghamton. In 1971, Zane and Bill T. Jones began their long collaboration in
choreography and in 1973 formed the American Dance Asylum in Binghamton
with Lois Welk. Zane’s first recognition in the arts came as a photographer when
he received a Creative Artists Public Service (CAPS) Fellowship in 1973. Zane was
the recipient of a second CAPS Fellowship in 1981 for choreography, as well as
two Choreographic Fellowships from the National Endowment for the Arts (1983
and 1984). In 1980, Zane was corecipient, with Jones, of the German Critics
Award for his work, Blauvelt Mountain. Rotary Action, a duet with Jones, was
filmed for television, coproduced by WGBH-TV Boston and Channel 4 in London.
Compan y P rofiles
Antonio Brown, dancer, native of Cleveland, Ohio, began his dance training at
the Cleveland School of the Arts and received a BFA from The Juilliard School in
2007 under the direction of Lawrence Rhodes. While there, he performed works
by Ohad Naharin, José Limón, Jiri Kylian, Eliot Feld, Aszure Barton, Jessica Lang,
Susan Marshall, and Larry Keigwin, among others. Brown has also worked with
Malcolm Low/Formal Structure, Stephen Pier, Nilas Martins Dance Company,
Sidra Bell Dance New York, and Camille A. Brown & Dancers. In addition to
working with the company, Brown also performs with Gregory Dolbashian’s “The
Dash Ensemble” and has choreographed on Verb Ballets, August Wilson Center
Dance Ensemble, Perry Mansfield Performing Arts School and Camp, and various
other companies, schools, and intensives across the United States. Brown’s work
has also been shown at The Juilliard School, Center for Performance Research,
NYC Summer Stage, Riverside Church, and Hunter College. Brown joined the
company in 2007 and is grateful to share his gifts and talents with the world.
Rena Butler, dancer, is a native of Chicago. She studied under the instruction
of Anna Paskevska and Randy Duncan at the Chicago Academy for the Arts
high school. Butler received a BFA from SUNY Purchase Conservatory of Dance,
and she also studied dance abroad at Taipei National University of the Arts in
Taiwan. She graduated cum laude and was the recipient of the Bert Terborgh
Dance Award. Butler has also danced for Kyle Abraham/Abraham.In.Motion,
David Dorfman Dance, Luna Negra Dance Theater, Mettin Movement, and salsa
dance company Pasos Con Sabor. Butler is featured in Dance Magazine’s March
2013 article On the Rise, FORMA collective magazine, and online fashion and
culture site, Refinery29.
4
Talli Jackson, dancer, was born and raised in Liberty, New York. He received
his first training with Livia Vanaver at the Vanaver Caravan Dance Institute
in upstate New York. He has been a recipient of full scholarships from the
American Dance Festival in 2006 and 2008, the Bates Dance Festival, and the
Ailey School. Since moving to New York City in 2006, Jackson has had the
pleasure of working with Francesca Harper, Paul Matteson, and Erick Montes.
In 2013, Jackson was honored with a Princess Grace Award in dance and was
nominated for a Clive Barnes Award. He has been a member of the Bill T. Jones/
Arnie Zane Dance Company since 2009.
Shayla-Vie Jenkins, dancer, originally from Ewing, New Jersey, received her
primary dance instruction from Watson Johnson Dance Theater and Mercer
County Performing Arts School. In 2004, she graduated with honors from the
Ailey/Fordham BFA program. She has performed with the Kevin Wynn Collection,
Nathan Trice Rituals, Kazuko Hirabayashi, the Francesca Harper Project, Yaa
Samar Dance Theater, and A Canary Torsi. In 2008, she was featured in Dance
Magazine’s On the Rise performers. Jenkins joined the company in 2005.
Erick Montes Chavero, dancer, originally from Mexico City, trained at the
National School of Classical and Contemporary Dance. In 2004 he was featured
in Dance Magazine’s 25 to Watch. He holds a fellowship in choreography from
the New York Foundation for the Arts. In 2009, he was part of the program
In the Company of Men at Dance New Amsterdam. He has been part of the
River to River Festival in collaboration with DJ Spooky, the Boogie Down Dance
Series at Bronx Academy of Arts and Dance, and he has been presenting his
work in collaboration with the choreographers Bill Young and Colleen Thomas
for the Gorillas-Fest and the LIT Festival, the Tank at DCTV, and E-Moves at
the Gatehouse/Harlem Stage. In 2010 he worked in collaboration with
choreographers Jennifer Nugent and Yin Mey in the creation of a ballet for the
National Dance Academy of Beijing, China. He has presented his choreography
in Mexico, Colombia, and Spain. Montes Chavero joined the company in 2003.
Jenna Riegel, dancer, a native of Fairfield, Iowa, has been a New Yorkbased dancer, performer, and teacher since 2007. Riegel has an MFA in
dance performance from the University of Iowa and a BA in theater arts from
Maharishi University of Management. She has performed and toured nationally
and internationally as a company member of David Dorfman Dance, Alexandra/
Beller Dances, Bill Young/Colleen Thomas & Dancers, johannes weiland, and
Tania Isaac Dance. Riegel began working with the company as a guest artist in
2010 and was ecstatic to join the company in 2011.
5
Stacey Boggs, lighting supervisor, is a New York–based lighting designer
whose works include Theatre Three’s The Diary of Anne Frank, CAT’s Inside/
Out, 651’s Soundtrack 63, Waterwell’s Marco Millions (based on lies),
The|King|Operetta, #9, and I Love a Piano (national tour). She has designed
with choreographers Robert Moses, Troy Powell, Christopher Wheeldon, and
Mina Yoo. She has worked as a lighting supervisor for the Wooster Group
and as the technical and lighting director for Ailey II. Boggs has worked at
Glimmerglass Opera, Florida Grand Opera, and Michigan Opera Theater. She
has designed the lighting for many window displays in the New York City area.
She graduated from New York University’s graduate design program in 2005.
Boggs joined the Bill T. Jones/Arnie Zane Dance Company in 2013.
Hannah Emerson, company manager, completed her BFA in contemporary
dance from the University of North Carolina School of the Arts in 2011. While
enrolled, she studied with and was selected to perform works by many respected
dance artists. She moved to New York City shortly after being awarded the
William R. Kenan Jr. Fellowship at the Lincoln Center Institute. Choosing to
remain in the Northeast, she has held administrative positions at New York
Live Arts and the Yard while continuing to be artistically involved in the dance
community. Emerson joined the company in 2014.
Joseph Futral, production manager, has worked offstage for the dance
world for more than twenty years. Previous work includes Hubbard Street Dance
Chicago, Jose Limon Dance, American Dance Festival, Pilobolus, Charleston
Ballet Theatre, Augusta Ballet including productions with Wynton Marsalis
Septet and Odeon, Spoleto Festival, New York International Fringe Festival, and
Fred Garbos’s Inflatable Theatre Company. Lighting design includes Atlanta’s
Theatrical Outfit, Saish Arts International’s Terminus and Moby Dick, Moving
in the Spirit, and events for Amherst College, Yale University, Saab, and Buick.
He serves on the board of directors for Full Radius Dance. Futral joined the
company in 2015.
Carley Manion, stage manager, is an Oregon native. While studying at the
University of Oregon for a BFA in dance, she started stage management. She
continued work in dance at Jacob’s Pillow Dance Festival and there worked
with many companies throughout four years. The Pillow served as the perfect
doorway into the dance world, and Manion stepped through it eagerly. Before
taking her position as stage manager for the Bill T. Jones/Arnie Zane Dance
Company in 2014, she worked with the Trisha Brown Dance Company, Kyle
Abraham, and Camille A. Brown, among others.
Kyle Maude, director of producing and touring, graduated from Drake
University with a BFA in theater. She has worked with Ballet Tech/Feld Ballets
New York, the Royal Ballet School of London, Buglisi-Foreman Dance, and
Lesbian Pulp-o-Rama! Maude joined the company in 2003.
6
Liz Prince, costume designer, has worked extensively with Bill T. Jones since
1990. She has also designed for Doug Varone and Dancers, José Limón Dance
Company, Dayton Contemporary Dance Company, American Ballet Theater,
Washington Ballet, Pennsylvania Ballet, PHILADANCO, Houston Ballet, Dendy
Dance, Pacific Northwest Ballet, Dortmund Theater Ballet, Mikhail Baryshnikov’s
White Oak Dance Project, Meg Stuart, Lucy Guerin, Tamar Rogoff, Claire
Danes, PILOBOLUS, Neil Greenberg, Jane Comfort, Bebe Miller, Ralph Lemon,
and David Dorfman. Her costumes have been exhibited at the New York Public
Library for the Performing Arts, Cleveland Center for Contemporary Art, and
Snug Harbor Cultural Center.
Robert Wierzel, lighting designer, has worked with artists in theater, dance,
new music, opera and museums, on stages throughout the country and
abroad. He has worked with choreographer Bill T. Jones and his company since
1985. Projects include Blind Date, Another Evening/I Bow Down, Still/Here, You
Walk?, Last Supper at Uncle Tom’s Cabin/The Promised Land, How To Walk An
Elephant, and We Set Out Early, Visibility Was Poor. Other works with Bill T.
Jones include projects at the Guthrie Theatre, Lyon Opera Ballet, Deutsche
Opera Ballet (Berlin), Boston Ballet, Boston Lyric Opera, the Welsh dance
company Diversions, and London’s Contemporary Dance Trust. Wierzel has also
worked with choreographers Trisha Brown, Doug Varone, Donna Uchizono,
Larry Goldhuber, Heidi Latsky, Sean Curran, Molissa Fenley, Susan Marshall,
Margo Sappington, Alonzo King, and Joann Fregalette-Jansen. Additional
credits include national and international opera companies, Broadway, and
regional theater. Wierzel is on the faculty of New York University’s Tisch School
of the Arts and the Yale School of Drama.
Janet Wong, associate artistic director, was born in Hong Kong and trained
in Hong Kong and London. Upon graduation she joined the Berlin Ballet where
she first met Bill T. Jones when he was invited to choreograph on the company.
In 1993, she moved to New York to pursue other interests. Wong became
rehearsal director of the company in 1996 and associate artistic director in
August 2006.
7
n e w y ork l iv e arts
Artistic Director: Bill T. Jones
Executive Director and Chief Executive Officer: Jean Davidson
Director of Programs: Thomas O. Kreigsmann
Executive Assistant and Board Liaison: Tyler Ashley
Located in the heart of Chelsea in New York City, New York Live Arts is
internationally recognized for their conceptual rigor, format experimentation,
and active engagement with the social, political, and cultural currents of
our times. At the center of this identity is Bill T. Jones, a world-renowned
choreographer, dancer, theater director, and writer.
New York Live Arts was formed in 2011 by the merger of Dance Theater
Workshop and the Bill T. Jones/Arnie Zane Dance Company. Inspired by the
legacies of Bill T. Jones and Dance Theater Workshop, New York Live Arts is
a vibrant hub of contemporary dance and movement based experimentation,
offering audiences meaningful experiences that are both thought provoking
and intimate. We commission, produce, and present performances in our
19,326 square foot facility, which houses a 184-seat theater and two sizable
studios that can be combined into one large studio. New York Live Arts serves
as home base for the internationally acclaimed touring company of Mr. Jones,
provides an extensive range of participatory programs for adults and young
people and supports the continuing professional development of artists.
New York Live Arts
219 West 19th Street, New York, New York 10011
212.691.6500 • Fax: 212.633.1974
newyorklivearts.org
North American Representation of Bill T. Jones/Arnie Zane Dance Company by:
Opus 3 Artists
470 Park Avenue South, 9th Floor, New York, New York 10016
212.584.7500
Email: [email protected] • opus3artists.com
European representation of Bill T. Jones/Arnie Zane Dance Company by:
Gillian Newson Associates
Office + 44.20.7622.8549 Mobile + 44.7768.166381
Email: [email protected]
8
n e w y ork l iv e arts
Board of Directors
Richard H. Levy, Chair
Helen Haje, Vice Chair
Stephen Hendel, Vice Chair
Joe Azrack, Treasurer
Terence Dougherty, Secretary
Jean Davidson, Executive Director and Chief Executive Officer
Bjorn Amelan, Muna El Fituri, Bill T. Jones, Helen Mills, Slobodan Randjelovic,
Jane Bovingdon Semel, Catherine R. Stimpson, David Thomson, Kweli
Washington, and Judith Zarin
Bill T. Jones/Arnie Zane Dance Company Staff
Janet Wong, Associate Artistic Director
Bjorn G. Amelan, Creative Director
Kyle Maude, Director of Producing and Touring
Joseph Futral, Production Manager
Stacey Boggs, Lighting Supervisor
Carley Manion, Stage Manager
Hannah Emerson, Company Manager
Sam Crawford, Sound Supervisor
Robert Wierzel, Resident Lighting Designer
Liz Prince, Resident Costume Designer
Bill Katz, Artistic Consultant
Pauline Kim, Musical Director
Programming and Engagement
Jaamil Kosoko, Director of Education and Engagement
Leah Cox, Director of the New York Live Arts/Bard College Partnership
Isabella Hrelijanovic, Producing Associate
Rakia Seaborn, Associate Artist Program Manager
Production
Anita Shah, Director of Production
Michael Zimmerman, Technical Director
Laura Bickford, Lighting Supervisor
Meredith Belis, Production Coordinator
Megan Byrne, Production Coordinator
Stephanie Byrnes Harrell, Production Coordinator
Lilli De Armon, Production Coordinator
Ashley Vellano, Production Coordinator
Rochelle Riley, Production Apprentice
Amine Hechehouche, Production Apprentice
Jacklyn Hecker, Production Apprentice
9
n e w y ork l iv e arts
Development
Dan Zanella, Interim Director of Development, Individuals
Royd Climenhaga, Manager of Institutional Gifts
Tricia Smit, Manager of Individual Giving and Special Events
Alexandra Burke, Development Assistant
Marketing and Public Relations
Liliana Dirks-Goodman, Director of Marketing and Design
Elizabeth Cooke, Associate Director of Communications
Katie Jennings, Marketing Manager
Operations and Finance
Andrea Nellis, Interim General Manager
Nupur Dey, Associate Director of Finance and Human Resources
Jeff Berzon, Bookkeeper
Alyssa Alpine, Rental Manager
Stephanie Walker, Operations Coordinator
Xavier Hageman, Receptionist
Tyler Ashley, Executive Assistant
Audience Services
Christine Jacobsen, Audience Services Manager
Shantelle Jackson, House Manager
Renee Colbert, Front of House Assistant
Xavier Hagemen, Head Usher
Tony Carlson, Denisa Musilova, Tyra Jackson, Eli Tamondong,
and Nehemoyia Young, Front of House Staff
Consultants
Marcum LLP, Certified Public Accountants Inc.
Kozyn & Company, Fundraising
Ian Douglas, Photographer
Lowenstein Sandler, PC, Pro-bono Counsel
Emory Danc e P rodu c t i on Staff
Technical Director: Gregory Catellier
Production Stage Manager: Jennifer Kimball
Light Board Operator: Robert Jenkins
Electricians: Richard Burnett, Noah Hill, Mitch Marcus,
Malina Rodriguez, Krissy Wilty
Stage Hand: Amelia Reiser
Wardrobe: Cynthia Church
10
e mory Frie nds of dance
The Emory Friends of Dance are committed to enhancing the individual and
collective pursuit of excellence in dance. We hope you consider joining Emory
Friends of Dance to support this effort. For more information, please visit
dance.emory.edu/audience/friends
Master
Postmodernist (continued)
Mark Eggert and Julia Tang
William and Sheila Freeman
John and Sheri Latham
Carl and Karin Lieberman
Margery and Robert McKay Fund
John and Diane Savage Fund
The Vail Foundation
Phillip and Janice Bullard
Robert Clark
Decatur School of Ballet
Jillian Edelstein
Janika Hawthorne
Jennifer Long
Sybil McWilliams and David Schwartz
Patricia Radell
Sally Radell and Kerry Moore
Laura Swanstrom Reece
Kendall Simpson
Denise Soloff
Artist’s Circle
Tiffany Robertson-Lester and Joe Lester
Edward O’Kelley
Maria Lipner
Roger and Mary Messina
Pioneer
Director
Fred and Ellen Seidenberg
Peter and Robin Stedman
Nicholas Surbey
Jean Woodall
Kathleen Balzer
Walther H. Beckham III
Denis and Danielle Bloch
Ariella Herman
The Lucky Penny Inc.
Paul Dean Surbey
Daniel Yuhas and Karen Munoz
Emory Faculty, Staff, and Alumni
Blake Beckham
Rosalyn Bush
Matthias and Julianne Chung
Ashley Dunn
Laura Hardman
Anna Leo and Robert Brown
Lanny and Diane Liebeskind
Megan McDermott
Kaitlyn Pados
Barbara Patterson and
Joe Steadman Patterson
Kala Seidenberg
Anne Walker
Performer
Sylvia Beach
Diana Boss
Martine Watson Brownley
Derek Economy and Ann Walter
Trisha Feldman
Justin and Alyson Goodman
David Klimchak and Anne Cox
Leonard and Nikki LaRussa
Nina Lerner
Lewis and Joyce Matuszewich
Irfana Jetha Noorani
Barbara O’Brien
Leslie Taylor and David Pratt
Lori and Mark Teague
Other Donors
Maria Davis
Laurence Frankel and Martha Whitman
Lisa Fusillo
Sherryl Goodman and Richard Snyder
Dena Gregory
Norma Huff
Hasson and Tloria Perkins
Postmodernist
Paula Anderson
Lauren Axelrod
Stanley and Laura Blackburn
11
T h e Fl ora Gl e n n Candler
Con c e rts Comm ittee
Rosemary Magee, Committee Chair, Director of the
Manuscript, Archives, and Rare Book Library (MARBL)
Richard Patterson, Immediate Past Chair, Department of Philosophy
Janice Akers, Theater Emory
Guy Benian, School of Medicine
Gregory Catellier, Emory Dance
Bill Cody, Department of Political Science, Oxford College
Gray Crouse, Department of Biology
Allison Dykes, Vice President and Secretary of the University
David Kleinbaum, Rollins School of Public Health
Robert McKay, Schwartz Center
Judith Rohrer, Department of Art History
Deborah Slover, Interim Chair, Department of Music
Garth Tissol, Department of Classics
S ch wart z Ce n te r Staff
Robert McKay, Executive Director
Katie Pittman, Managing Director
Lisa Baron, Communications Specialist
Carrie Christie, Administrative Assistant
Lewis Fuller, Operations Manager
Malina Jones, Assistant Box Office Manager
Stephanie Patton, Box Office Manager
Heather Pynne, Assistant Stage Manager
Mark Teague, Stage Manager
Nina Vestal, House Manager
Matt Williamson, Multimedia Specialist
The Schwartz Center gratefully acknowledges the
generous ongoing support of Donna and Marvin Schwartz.
C e n te r f or Cre ativ ity and
A rt s Mark e t in g Team
Rachael Walters, Marketing Manager
Nicholas P. Surbey, Communications Specialist
Nikoloz Kevkhishvili, Arts Associate
e mory danc e program
Lori Teague, Director
Kendall Simpson, Music Coordinator
Anne Walker, Program Coordinator
12
Up coming danc e Ev ents
For more information go to dance.emory.edu or contact the Arts at Emory
Box Office at 404.727.5050. Ticket prices are listed in the following order:
Full price/Discount category member price/Student price. To see if you qualify
for a discount, visit arts.emory.edu.
Elizabeth Dishman/Christine Suarez Alumni Concert
February 26 and 27, 8:00 p.m.; February 28, 2:00 p.m. and 8 p.m.
Dance Studio, Schwartz Center, $15/$12/$8
(If purchasing tickets to both shows, the second show will be discounted at $10 and $8 for discount category members.)
Dishman’s Fold Rhapsody (Thursday and Saturday, 8:00 p.m.) is a series of short
meditations that weave futility with delight. Suarez’s Mother. (Friday, 8:00 p.m.
and Saturday, 2:00 p.m.) is an absurdly poetic dance theater work that speaks
with a joyfully impolite voice about contemporary motherhood.
Inside the Dancer’s Studio with Helen Pickett and Tara Lee
Friends of Dance partners with Atlanta Ballet
March 3, 7:30 p.m., Presentation Room, Oxford Road Building, free
To honor Women’s History Month, Atlanta Ballet’s Helen Pickett and Tara Lee
will discuss trailblazing as female ballet choreographers.
All Being Displaced: Movement Translations of Flannery O’Connor
Honors Thesis in Dance, Sarah Freeman
March 26 and 27, 8:00 p.m., Dance Studio, Schwartz Center, free
Freeman explores how the presence or absence of a linear plot structure
changes the interpretation of text into dance.
Emory Dance Company
April 23–25, 8:00 p.m.; April 25, 2:00 p.m.
Dance Studio, Schwartz Center, $10/$8/$6
Student choreographers, researching movement, present new work.
Arts at Emory Box Office/Audience Information
404.727.5050 • arts.emory.edu
IN CONSIDERATION Please turn off all pagers and phones.
PHOTOGRAPHS AND RECORDINGS Not permitted without advance permission.
COUGH DROPS In lobby, courtesy of Margery and Robert McKay.
USHERS Members of Music at Emory Volunteers and Alphi Phi Omega, a national service and social
fraternity. Call 404.727.6640 for ushering opportunities.
event and program information Available online at arts.emory.edu.
cover photographer credits Front: Bill T. Jones/Arnie Zane Dance Company, Paul B. Goode
Back (top to bottom): Garrick Ohlsson, © Pier Andrea Morolli; Vijay Iyer, Jimmy Katz; Brentano String
Quartet: Christian Steiner; Anne-Sophie Mutter: Tina Tahir/DG; Irvin Mayfield, Courtesy of CAMI Music;
Daniel Roumain, Julieta Cervantes; Sharon Isbin, J. Henry Fair; Isabel Leonard, Deniz Saylan;
The Tallis Scholars, Eric Richmond.
13
FLORA GLENN
CANDLER
CONCERT SERIES
2014–2015 SEASON
SCHWARTZ
CENTER FOR
PERFORMING ARTS
FLORA GLENN
CANDLER
CONCERT SERIES
Garrick Ohlsson, piano
Friday, September 26, 2014 at 8:00 p.m.
Brentano String Quartet
with Vijay Iyer, piano
Friday, October 10, 2014 at 8:00 p.m.
Anne-Sophie Mutter and Mutter Virtuosi
Saturday, November 15, 2014 at 8:00 p.m.
Bill T. Jones/Arnie Zane Dance Company
February 5–7, 2015 at 8:00 p.m.
Irvin Mayfield and the New Orleans Jazz Orchestra
Saturday, February 7, 2015 at 8:00 p.m.
Daniel Roumain
Emory Special Commission
Friday, March 20, 2015 at 8:00 p.m.
Sharon Isbin, guitar
Isabel Leonard, mezzo-soprano
Saturday, April 4, 2015 at 8:00 p.m.
The Tallis Scholars
Sunday, April 19, 2015 at 4:00 p.m.
arts.emory.edu • 404.727.5050
2014–2015 SEASON
BILL T. JONES/
ARNIE ZANE
DANCE
COMPANY
T H U R S D AY,
FEBRUARY 5;
F R I D AY,
FEBRUARY 6;
A N D S AT U R D AY,
FEBRUARY 7,
8 : 0 0 P. M .