TONY AWARDS A DESIGNER AS DRAMATIST, AND THE TALES HE LEFT BEHIND PAGE 34 | QT SPOTLIGHT PAGE 38 | RETROSPECT Now showing The Beaver Super 8 Green Lantern Something Borrowed Winnie The Pooh Al Academia Bheja Fry 2 Badrnath JESSICA SIMPSON AS FASHION STAR MENTOR PAGE 39 | HOLLYWOOD SALMAN AND SHAH RUKH KHAN ON MADHURI DIXIT’S WISH LIST PAGE 40 | BOLLYWOOD Did you know? Detailed movie timing on Page 40 Kate Winslet is only the third person in history to win two acting Golden Globes in the same year— Best Actress, Drama for Revolutionary Road (2008) and Best Supporting Actress for The Reader (2008). English (Comedy) English (Action) English (Comedy) English (Comedy) English (Animation) Arabic (Drama) Hindi (Comedy) Thursday, June 16, 2011 Malayalam (Drama) Spider-Men, react to audience applause during the curtain call for Spider-Man: Turn Off The Dark at the Foxwoods Theatre in New York. Broadway musical Spider-Man tested the creativity of Bono & the Edge The two rock musicians of U2 said they never would have tried to make Spider-Man if they had known it would take a decade to bring it to life. Bono felt artistically ‘impotent’ at times Jennifer Damiano and Reeve Carney in a scene from Spider-Man: Turn Off The Dark. PATRICK HEALY NYT SYNDICATE N their fullest comments yet about the creative clashes this winter inside Spider-Man: Turn Off the Dark, Bono and the Edge, of U2 — first-time Broadway composers — said they originally embraced Julie Taymor’s script and characters for the show but were wholly ill-prepared for putting her ambitious ideas onstage. Julie Taymor, director of They ultimately lost faith in her experimental theatre. and quietly maneuvered to overhaul Spider-Man, before finally shocking Taymor, their longtime collaborator, with her ouster in March. During an interview Bono also disclosed that he had not put any of his own money into the $70 million musical, the most expensive in Broadway history, while the Edge said he put in an undisclosed sum to underscore his c o m m i t m e n t . The Edge, rock musician of U2 The two rock band. musicians said they never would have tried to ers fired Taymor with make Spider-Man if they had the blessing of Bono and the Edge, known it would take a decade to and she has said virtually nothing bring it to life. For all that work, publicly since. Bono added, he felt artistically For the two leaders of U2, one ‘impotent’ at times and did not of the top-selling and most-honlove the show until a preview oured bands of all time, a converperformance late last month. sation that delved into the Even now, Bono and the demise of their relationship with Edge said, the musical is just Taymor seemed at once bitter90 percent complete, with a sweet and cathartic. After all, final 10 percent of work — in Bono said, they had “some of the their view. best days of our lives daydreamBono and the Edge ing about what you could do on a have been opening up stage” with Taymor and their recently about their fourth collaborator, the playexperience with the wright Glen Berger. show in hopes of proBut they had no idea how moting the much-altered much time it would consume. post-Taymor version. “The hours, weeks and Taymor, an acclaimed months,” Bono said with a disdirector of experimental tinct melancholy flattening his theatre and a Tony Award voice. “If we thought it would take winner for The Lion King, this long, there is not a chance on defended the version they earth we’d have done it.” reviewed as unfinished. Taymor had brought in Berger, A month later the produc- a respected author of highbrow I plays, as her writing partner in 2005 on the Spider-Man script. The Edge said he had urged Taymor to accept the radical overhaul. She, in turn, was pushing to suspend performances in midwinter to make her own changes. “When Plan X, a new, simplified plot written largely by Berger, was presented, she said: ‘That could never be achieved in a three-week period. You’d need months to do that, and it probably won’t work,’” the Edge recounted. “At that moment, when that was her response, the producers felt that whatever Julie would do with a hiatus was more of a polishing job than a top-to-bottom rethink of the show.” Asked whether he and Bono plotted against Taymor, the Edge replied: “Julie was clearly exhausted, overwrought, and we all thought that if we don’t tread carefully, she’s going to walk. We were tip-toeing around her, and I think that probably meant that people were careful in what they said or told her. I certainly didn’t feel I could be 100 percent frank with Julie, and that was because I felt she was carrying so much of the weight.” In hindsight, Bono said, starting preview performances of SpiderMan on Broadway in November without an out-of-town tryout was “a terrible decision” that put enormous pressure on Taymor. But such a test run was impossible, Bono added, because the show’s aerial technology and massive, pop-up sets were built to fit its New York home, the Foxwoods theatre. “Looking back,” Bono said, “we, through inexperience, had no sense of the implications of that decision. The first time anyone saw a full run-through of the story, songs, staging, and show that was the first night of previews. Can you imagine that? No one had seen the whole thing before everyone saw it.” But the composers acknowledged that they were hardly in the dark about Taymor’s vision of Spider-Man. “We read her script, we were part of developing that script, we thought it was great,” Bono said. The two men attended developmental workshops over the last three years where the dialogue was read, characters fleshed out. It was not until they took a month off from U2 last fall to work on the musical that, they said, they realised the magnitude of turning the script into a full-blooded show. “Julie was trying to wrestle with the logistics as well as the art, and that’s when I felt fairly impotent,” Bono said. Bono and the Edge left for a U2 tour in New Zealand in late November. They said they were aghast at what they saw on the videos: the plot was muddled, as was the music, and Spider-Man still lacked an ending. Once Bono and the Edge returned, they initially agreed with Taymor to focus on “clarifying the story,” the Edge said. Some cast members, though, began suggesting radical changes, like moving the spectacular aerial battle between SpiderMan and the Green Goblin from the end of Act I to the climax of Act II — an idea that had occurred to the Edge too. Berger, the playwright, began developing new script ideas. “Glen was one of the early believers that there was possibly a more simple version,” the Edge said. “Reluctantly I think most of us came to believe that he was right.” Those outlines of a new show are now apparent in the 2.0 version of Spider-Man. But Bono said he felt the show was finally greater than the sum of its parts — parts, though, that did gave him frissons of excitement. Bono, rock musician of U2 band. 34 Thursday, June 16, 2011 QT SPOTLIGHT ON TONY AWARDS www.qatar-tribune.com The cast of The Scottsboro Boys. Daniel Radcliffe (center) and the cast of How To Succeed in Business Without Really Trying. Reeve Carney (left) and Jennifer Damiano perform a song from Spider-Man: Turn Off the Dark. Neil Patrick Harris. A scene from War Horse. Brooke Shields Whoopi Goldberg Andrew Rannells (left) and the cast of The Book of Mormon. LaTanya Richardson (left) and Samuel L Jackson. Thursday, June 16, 2011 LIFESTYLE www.qatar-tribune.com 35 Allergy tips for gardeners THERE’S no reason to let allergies keep you from getting your hands dirty. Here are a few simple tips to keep allergies at bay this planting season: *Try to do your gardening late in the afternoon. Most plants tend to release their pollen between the hours of 5 am and 10 am, so pollen counts are likely to be the highest at this time. By late afternoon, actual pollen counts may be higher, but circulating pollen will be higher in the sky and not near the ground where you are likely to be working. This also protects you from the most damaging sun exposure. * Keep clean. Take a shower and wash your hair immediately after gardening to avoid spreading the pollen throughout your home. People with mold allergies should: * Wear a mask when turning the compost pile. * Avoid working with wet mulch or straw. * Limit indoor plants whose moist soil creates an ideal condition for mold growth. Lifestyle guide A decorated shed on a Pennsylvania farm PENELOPE GREEN NYT SYNDICATE T’S survival of the fittest,” said Esther Dormer, a founder of the Future Fund, a venture capital firm, who bought the place 11 years ago as a second home with her husband, Brian Dormer, an airline pilot. The two, both 51, live in a Pittsburgh suburb 30 minutes away. “We plant and go,” she said. “We never mulch, and if something can’t cut it – a plant, the dogs, the fabric on the furniture – it’s out. We can’t be fussy here.” It was a blisteringly hot afternoon, and the pollen was blowing through the barn, a genuine Amish number spiffed up with a collection of atmospheric cement balls, a reproduction Morsecode signal lamp, 30 silver folding chairs hanging from weathered iron spikes, a 24-foot-long table made from salvaged wood and a pool table covered in hammered, studded aluminum. In the corner, a Chesterfield sofa wore cognac-coloured python-print vinyl, which is mouse- and mold-proof, as noted by Lisa Dagnal, a 43-year-old self-taught designer whose only client is Esther Dormer. It was Dagnal whom Dormer turned to three years ago for decorating help. “I have this farm,” she said. “It could look a lot better.” Dagnal’s first job was to polish up the barn’s downstairs office. She and Darrell Frey, a laconic permaculture expert and property manager who is the Farm’s resident philosopher and facilitator, covered its ductwork in moss and birch bark. The Farm has not always been so camera-ready. When she and her husband bought the land, it was a fallow graveyard for old appliances and a pasture for cattle. Dormer, “a suburban girl who couldn’t keep a houseplant alive,” as she put it, wanted her son, Max, and daughter, Maggie, now 17 and 14, to know where their food came from and had an idea that she could grow produce and donate it to the local food bank. Some food banks, as she learned, have gleaning programs that will distribute the surplus food a farmer grows. Dormer’s proposition – to grow produce intended for a food bank – was unique, said Lisa Scales, chief operating officer of the Greater Pittsburgh Community Food Bank. “I didn’t have a clue,” Dormer said. “I knew nothing about farming. I thought, ‘Well, what’s the worst that can happen?”’ The property cost just under $400,000, and Dormer offered the ask- “I A bedroom in the farm house. ing price the day she saw it, on condition that her offer be accepted by midnight, and that the soil be right for crops. The soil tested well (the Farm is in a flood plain, which makes it nutrientrich), but the Dormers spent the first couple of years harvesting trash, not food. The fields and forest were mined with rusted television sets, broken farm equipment, mysterious parts from the broken farm equipment, bales of copper wire, aluminum cans, plastic bottles and dried but fragrant cow patties. Dormer had had a vision of her children, who were then well under 10, frolicking in verdant pastures filled with attentive woodland creatures. “Like the scene in Snow White, remember?” she said. “Instead, they’d complain, ‘Do we have to go out to the stinking farm?’ Because it really, really stank.” They hired a farmer, who lived on the property and planted 10 acres of nutritionally rich crops like kale, collard greens, carrots and peppers. The food bank provided volunteers to harvest it. Before long, the Farm was producing a reliable yearly crop that the food bank distributed. Brian Dormer, who works for United Airlines, is gone four to five days out of seven; he pitched in when he could. The children came when their school schedules allowed. Esther Dormer, who was attending every sustainable-agriculture conference she could sign up for, met Frey at one, and enlisted his help in applying permaculture principles which are all about creating efficient and self-sustaining ecological systems like no-till orchards. She bought an old Amish barn so the volunteers would have a place to get out of the sun. And she fantasised about “a joyful coming together,” she said, of eager, like-minded helpers. The reality, she discovered, is that volunteers are not cookie-cutter individuals. Sometimes there would be teenagers, she said, “running around trying to poke each other with farm equipment, or sometimes people wouldn’t show up at all.” But they harvested a lot of food, more than 150,000 pounds of produce from 2001 through 2007, and Dormer extended her commitment from five years to seven. “I wasn’t always the best organic farmer,” she said. “Sometimes I’d just hide with my girlfriends when the volunteers came. I wasn’t always a slave to the effort.” After seven years, Dormer was worn out by the farming, and her children had grown into teenagers, more interested in paintball than in crops. Dormer decided she was ready to enjoy the place, to turn the working farm into a weekend getaway. At first, she consulted landscape architects. “But they were all about where to put the tree,” she said. Dormer balked at the elaborate site plan, the plant list and the projected cost (about $12,000) for a pond that needed to be shored up. “I thought, it’s just this little area, I can’t see doing this for 150 acres all the way around.” Meanwhile, Dagnal, who was raising three boys, and had always decorated her own home and her friends’ homes, decided to have an open house to show off her work: lacquered tables, refinished case goods and pale upholstered pieces. Dormer was invited by a friend of a friend and was attracted to Dagnal’s style, which reminded her of her own. An early project involved a pond, its bank and an old rowboat. “Esther said, ‘Make this look fabulous,”’ Dagnal recalled. “I cleaned the boat all up, painted it black and cream. I had never done anything like that before. My friends would say, ‘You’re painting a boat?”’ Now it rests prettily half in, half out of the water, tethered to an iron post, no longer a boat so much as a decorative object. “We made it fashionable,” Dagnal said. She also turned a huge concrete fountain base into a coffee table/terrarium for the living room of the farmhouse, filling it with dirt, moss, twigs and rocks, and topping it with a piece of acrylic. Frey had to reinforce the floor so it would not cave in. A laundry room is now a luxurious bath lounge, with iron garden chairs upholstered in an old mink coat Dagnal found at a thrift shop. Purists might wince, but Dagnal and Dormer are having fun gussying up wheelbarrows, milking stations and dusty sheds. One outbuilding now shines with white paint, gilded mirrors and an artist’s easel. It is a space inspired by Dagnal’s 10-year-old son, Will, who liked to play there while his mother was working. The merging of the decorative with the utilitarian occasionally poses problems. In a toolshed, Dagnal created an installation of salvaged wood, coils of rope and chains. Its components are tempting to Frey and the Farm’s workers, who sometimes sneak away with the parts. “They have stripped that down to nothing many times,” Dagnal said. “When anyone needs anything, that’s the first place they go.” At the Farm – 150 rolling acres 15 minutes from downtown Pittsburgh – iron chairs wear mink coats, candelabras sprout from picnic tables, and crystals hang from the trees A bathroom in the farmhouse. The farm owned by Brian and Esther Dormer. A sitting area at the farm. A concrete fountain base made into a coffee-table. 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Megalopolis 15:30 Travel Today 16:00 Globe Trekker 17:00 Essential 17:30 Croissants In The Jungle 18:00 Cruise Today 18:30 Sophie Grigson In The Orient 19:00 Globe Trekker 20:00 Nomad’s Land 21:00 World’s Greatest Motorcycle Rides 22:00 Glutton For Punishment 22:30 Angry Planet 23:00 Globe Trekker ZEE AFLAM 01:00 Nayak- The Real Hero 03:30 Balika Badhu 06:00 Elaan 08:00 Nayak- The Real Hero 10:30 Insan 13:00 Salaam Namaste 16:00 Mere Baap Pehle Aap 19:00 Raqeeb- Rivals In Love 22:00 Muqaddar Ka Sikandar 38 Thursday, June 16, 2011 RETROSPECT www.qatar-tribune.com A designer as dramatist, and the tales he left behind Alexander McQueen A shoe from the Fall/Winter 2010-11 collection. HOLLAND COTTER NYT SYNDICATE A HAIRSTYLIST friend of mine used to place leather bondage gear in her downtown shop window to scare off what she called “the wrong element,” meaning anyone wanting a nice wash and trim. She wanted to be sure that if you sat in her chair, you were ready to accept whatever look she decided on for you, because it would change the way you saw yourself in the world. That was the deal. “Alexander McQueen: Savage Beauty” at the Metropolitan Museum of Art, a survey of the career of the British fashion designer who died last year, a suicide at 40, is similarly about control and change. The show, or rather what’s in it, is a button-pushing marvel: ethereal and gross, graceful and utterly manipulative, and poised on a line where fashion turns into something else. Part of its dynamic is old-fashioned shock. In galleries that combine the look of baronial halls and meat lockers, clothes come at you like electrical zaps: a blouse threaded with worms, a coat sprouting horns, shoes that devour feet. A pert little jacket is printed with a crucifixion scene; the hair on a fulllength hair shirt is carefully waved and combed; a corset has a cast-metal animal spine curling out from behind. And everywhere there are arresting delicacies. The yellow-green beadwork is so fine it looks as soft as moss. Floral-patterned lace has been cut up, flower by flower, then stitched together again, but only partially, to give a dress the illusion of having being torn. The details pull you back to the start of the show after your first wild ride through. And it’s on the second, slower look that some of the prickly contradictions that underlie McQueen’s work, and fashion as a genre, start to emerge. McQueen grew up in London, the son of a cabdriver. He made much of his working-class Cockney roots. They were, along with his homosexuality and rebelliousness, part of his insider-outsider creden- The retrospective at the Metropolitan Museum of Art is about the British fashion designer, who committed suicide last year at 40 tials, his wrong-elementwherever-I-am identity. At 16 he landed an apprenticeship with a Savile Row tailoring firm that catered to the British royal family, and he was a more than apt pupil. A virtuosic grasp of the mechanics of clothes making – cutting, sewing, constructing – became early hallmarks of his design, with drapery skills developing later. He was always a handson worker: in art terms, a formalist as much as a conceptualist. But it was the conceptualist, the idea man, the storyteller, who began making news. After a stint with a theatrical costume company he went to design school and quickly gained a reputation for distinctively dark, louche brilliance. He titled his graduate show Jack (Left and right) Shoes from the Alexander McQueen spring/summer 2010 Plato Atlantis collection. the Ripper Stalks His Victims, signing each piece with a stitched-in lock of hair. He turned to violent films like Taxi Driver and The Shining for inspiration, and to tales of persecution (17th-century witch hunts) and martyrdom (Joan of Arc). In 1994 he had some commercial success with designs for ultra-low-rise “bumster” pants that helped start an international trend. But he was still most interested in narratives, in making each new collection an attention-grabbing drama. One way to get noticed was by alienating people, and the runway show for his Highland Rape collection of 1995-96 drew some serious heat. He said that he meant the show as a commentary on England’s pillaging of Scotland, where he claimed ancestry. But the sight of zonked-out models stumbling around in torn dresses brought accusations that he was cashing in on abusive images of women. The bad-boy image, which was already part of his kit, intensified and stuck. Still, he didn’t stay with any one theme for long, though the curator of the Met show, Andrew Bolton of the m u s e u m ’ s Autumn/Winter Costume Institute, 1997–98 design tries to give the with antlers. career an organic shape by viewing it through the lens of Romanticism. And he eases us into this view with an introductory gallery of quite wearable-looking jackets and dresses, with quasi-traditional tailoring and lines as clean and emphatic as if ink-drawn. Beyond that point, however, drama heats up. A crowd gathers to view a collection of designs by Alexander McQueen. 2001 Dress, VOSS, from the Spring/Summer collection. Clothes become costumes, with sensuous, sumptuous lives of their own. What looks like Victorian funerary attire fills one end of a mirror-lined room: a black ensemble with a leather halter, a jet gown of billowing silk, and an awesome black-feathered body suit, pumped up as if it was about to explode. By contrast, at the room’s other end, enshrined in a giant glass casket, there’s a lineup of light, bright ready-for-heaven wear: a gilded-feather coat with a skirt of white silk gushing out from below; a long gray robe printed with faces of angels at the shoulders. The Highland Rape collection, with which he asserted a Scottish allegiance, was followed by another that was an unmistakable, if partly tonguein-cheek, homage to British monarchy, with the two collections accompanied by volleys of nationalistic bluster. And although McQueen grumbled about racist stereotyping in Western fashion, he perpetuated such stereotypes in his Asian- and Africanderived designs. The Met exhibition passes all this off as manifestations of a Romantic temperament, but you have to ask critical questions. The chief problem with the fashion-as-art fad of the 1990s was precisely that it didn’t ask them. To take two examples, for its 1997 exhibition The Warhol Look: Glamour Style Fashion, the Whitney Museum did little more than fill a floor with Warhol paintings, back issues of Interview and a Diana Vreeland tape and basically said: Let’s celebrate. Two years later the Guggenheim – though it denies this – effectively rented its Manhattan premises to Giorgio Armani for his retrospective. (Such deals are now the norm, and the Met is forthright about stating that most of the money for the McQueen retrospective comes from the fashion house called Alexander McQueen.) My point is: If you’re going to deal with fashion as art, treat it as art, bring to it the distanced evaluative thinking, including social and political thinking, that scholars routinely apply to art. An Alexander McQueen design from the Autumn/Winter 2010-2011 collection. Thursday, June 16, 2011 HOLLYWOOD Scene unscene www.qatar-tribune.com Dianna Agron romancing Sebastian Stan? Tom Cruise mulling offer for One Shot thriller Glee actress Dianna Agron is reportedly dating Gossip Girl actor Sebastian Stan. “He came to Dianna’s 3pm Glee performance at the Staples Centre in Los Angeles. He waited for her backstage. Once the cast finished the show, Dianna ran backstage to Sebastian, and they were all over each other! Dianna and Sebastian love hanging out together. He can definitely hang with the Glee cast,” femalefirst.co.uk quoted a source as saying. Agron was previously linked to Sebastian’s Captain America: The First Avenger co-star Chris Evans after meeting him at a pre-Oscars in February. TOM Cruise has an offer in hand to star in One Shot, a thriller about a former military policeman investigating the arrest of a sniper accused of killing five random people. Christopher McQuarrie, who has worked on the screenplays for several Cruise films in the past few years, including 2008’s Valkyrie, has adapted the 2005 Lee Child novel and will also direct the Paramount project. Cruise, currently filming Rock of Ages, returns to theaters in December with Mission: Impossible — Ghost Protocol. TOM CRUISE DIANNA AGRON Jessica Simpson as Fashion Star mentor TRIBUNE NEWS NETWORK N BC has named Jessica Simpson as a celebrity mentor for its upcoming reality series Fashion Star. The network said recently that Simpson will join host Elle Macpherson on the reality series, which will see 14 unknown designers compete for the chance to win a multimilliondollar contract to launch their lines in three of America’s largest retailers. Buyers from the three retailers serve as judges. “With an almost billion-dollar lifestyle brand under her belt she is sure to be an excellent mentor to our up-and-coming designers,” said Paul Telegdy, NBC executive vp alternative programming at NBC and Universal Media Studios. Simpson, whose credits include features The Dukes of Hazzard, Employee of the Month as well as MTV’s Newlyweds and the VH1 docuseries The Price of Beauty, also has seven Billboard Top 40 hits. Fashion Star was created by EJ Johnston and James Deutch of the Global Fashion Association, Rick Ringbakk of 5x5 Media and Ben Silverman, who executive produces along with Jane Lipsitz and Dan Cutforth of the Magical Elves, Ringbakk, Macpherson and Johnston & Deutch of GFA. “Jessica Simpson has built an incredible fashion business and is a perfect mentor to our aspiring designers,” said Silverman, CEO and founder of Electus. “She will complement the buyers, Elle Macpherson and amazing format.” 39 Jessica Simpson Actress Jessica Simpson will join host Elle Macpherson on the reality series, which will see 14 unknown designers compete for a multimillion contract ‘Malnourished’ Selena Gomez misses Monte Carlo appearance TRIBUNE NEWS NETWORK S Selena Gomez ELENA Gomez has explained what landed her in the hospital last week and forced her to pull out of a previously scheduled promotional appearance for her upcoming film, Monte Carlo. “I was very malnourished,” Selena told Access Hollywood recently as she made an appearance at the Santa Monica Place Center Plaza in Santa Monica, California, as she promoted her new film and performed with her band, The Scene. “I was dehydrated and very low on iron,” she continued of her health scare. “So, I just gotta take care of myself.” As previously reported on AccessHollywood.com, Selena was taken to the hospital following a visit to The Tonight Show with Jay Leno last Thursday, and later underwent what her representative said were “routine tests.” As a result, she canceled a Friday appearance in Santa Monica to promote her film, and later postponed what would have been a Sunday appearance for Monday. At Monday’s event, Selena said she was feeling good. “I’m doing great... Much better,” she told Access. “I was very disappointed that I couldn’t be here, but I’m here now,” she added of finally greeting the fans and putting on a short live show. As for her film, Monte Carlo, which also stars Leighton Meester and Katie Cassidy, Selena said she is looking forward to the movie’s release on July 1. “I’m kind of nervous to be honest. It’s my first romantic comedy and I get to star with some really amazing co-stars, so it’s a really sweet movie and I can’t wait for everybody to see it,” she said. Denise Richards to tell tale of her divorce from Charlie Sheen IANS A CTRESS Denise Richards says she and actor Charlie Sheen went through “one of the worst divorces”. Richards and Sheen, who have two daughters, Lola, 6, and Sammy,7, together, ended their marriage in 2006 and although the actress says they once shared a “beautiful love story”, she also admits it all descended into bitterness at the end. Explaining her decision to write a memoir, which is being released next month, the 40-year-old said she wanted to reveal what it was like to “struggle” through the divorce. “People have only gotten the rotten stuff so, you know, there was a beautiful love story between he and I and I know that it went the way it went, but I talk more about how I felt during that time because I feel like a lot of women can relate to that, going through a divorce and custody and being a single parent and trying to work and all of that stuff,” femalefirst.co.uk quoted Richards as saying. Denise Richards 40 Thursday, June 16, 2011 BOLLYWOOD www.qatar-tribune.com Scene unscene Asin Thottumkal and Zarine Khan say no to bikini Shah Rukh Khan’s presence adds lustre to my film: Roshan Abbas DIRECTOR Sajid Khan is having tough time convincing his leading actress Asin and Zarine to wear bikini for Housefull 2 (H2). Sajid wants H2 to be as glamourous as the prequel. The director is expecting his glam girls to don the bikini just like Lara Dutta, Deepika Padukone and Jiah Khan did in the original. But Asin and Zarine aren’t comfortable sporting bikini. It is believed that according to Sajid’s instructions Zarine has lost weight to look glamourous for the film but bikini is out of the question. ROSHAN Abbas, who has made his directorial debut Always Kabhi Kabhi with newcomers, says producer Shah Rukh Khan’s involvement adds lustre to the film. “We can shape a dimaond... but it will shine only when light falls on it. With Shah Rukh, the film suddenly becomes larger (than life),” Roshan said. “We were promoting our film in a mall where the song Antenna, which is picturised on Shah Rukh, was being played and we could see people enjoying and singing that song. This is his popularity and we need that kind of promotion and support for this film,” he added. ZARINE KHAN ROSHAN ABBAS Salman and Shah Rukh Khan on Madhuri Dixit’s wish list Bollywood’s Dhak Dhak girl Madhuri Dixit is game for working with co-stars like Salman Khan and Shah Rukh Khan TRIBUNE NEWS NETWORK ADHURI has a special request for filmmakers. “It’ll be wonderful to work with Salman (Sallu) and Shah Rukh (SRK) again... three of us together in one film. I hope some good script comes our way. It’ll be so much fun”, says Madhuri recalling the chemistry she created with the duo in Hum Tumhare Hain Sanam. M Madhuri Dixit o t r o o p a K a m Karis I Madhuri starred opposite SRK and Sallu in the romantic drama Hum Tumhare Hain Sanam in the late nineties. She’s also individually worked with SRK in Anjaam, Dil To Pagal Hai, Koyla, Gaja Gamini and Devdas while she epitomised romance in Sajaan, Hum Aapke Hain Kaun, opposite Salman. “I am aware of the growing popularity of Salman these days. I have seen his recent films. Salman deserves every bit of his super success today. I really want to work with him if there’s a script” she admits candidly. The actress shares a lovely friendship with both these actors. Marvelling at how well the actors have maintained themselves. “It’s awesome to see all my heroes’ getting younger day by day and romancing the young girls. It’s incredible”, said Madhuri Dixit (right) with Shah Rukh Madhuri with a smile. Khan in a scene from the film Dil To Pagal Hai. m l fi D 3 a do TRIBUNE NEWS NETWORK T’S official. Karisma Kapoor (Lolo) is returning to films after a hiatus. She has signed Vikram Bhatt’s next — Dangerous Ishq, an erotic thriller in 3-D. Her last release was Mere Jeevan Saathi in 2006. Says a source, “Lolo never really announced her retirement even after her marriage to industrialist Sanjay Kapoor in 2003. Despite being busy with her domestic life and subsequent motherhood (daughter Samaira was born in 2005, son Kiaan Raj in 2010), Karisma has always had film offers. She has remained in circulation by signing many endorsements but has now finally given the nod to Vikram’s film. His last film Haunted in 3-D did well at the box office. That was the clincher for her.” Says Vikram, “When I first gave Karisma a narration, she loved the story and the script. It’s a woman-centric film and she plays the main character. Dangerous Ishq is a thriller based on pastlife regression. We start shooting in September in Rajasthan.” Karisma is looking forward to the film. “It’s a role I haven’t done before. The script is very interesting and working in the 3-D format will be a new experience for me,” she says. Hrithik Roshan reveres Michael Jackson and Shammi Kapoor as dance idols TRIBUNE NEWS NETWORK GRAND CINE CENTRE SUPER 8 (ACTION/ADVENTURE): 11.15 AM, 1.45 PM, 4.15 PM, 6.45 PM, 9.15 PM, 11.45 PM GREEN LANTERN (ACTION): 10.30 AM, 11.30 AM, 1 PM, 2 PM, 3.30 PM, 4.30 PM, 6 PM, 7 PM, 8.30 PM, 9 PM, 11 PM, 11.30 PM (3D): 11 AM, 1.30 PM, 4 PM, 6.30 PM, 9 PM, 11.30 PM THE BEAVER (COMEDY): 11.15 AM, 1.15 PM, 3.15 PM, 5.15 PM, 7.15 PM, 9.15 PM, 11.15 PM THE CHAPERONE (COMEDY): 2.15 PM, 7 PM, 11.45 PM WINNIE THE POOH (ANIMATION): 11AM, 12.30 PM, 2 PM, 3.30 PM X-MEN: FIRST CLASS (ACTION): 10.45 AM, 1.15 PM, 3.45 PM, 6.15 PM, 8.45 PM, 11.15 PM KUNG FU PANDA (ANIMATION): 10.3O AM, 12.30 PM, 2.30 PM, 4.30 PM, 6.30 PM, 8.3O PM, 10.30 PM (3D): 11.30 AM, 1.30 PM, 3.30 PM, 5.30 PM, 7.30 PM, 9.30 PM, 11.30 PM READY (HINDI): 11.30 AM, 4.15 PM, 9 PM THE HANGOVER 2 (COMEDY): 12.15 PM, 2.30 PM, 4.45 PM, 7 PM, 9.15 PM, 11.30 PM LIMITLESS (THRILLER): 5 PM, 7.15 PM, 9.30 PM, 11.45 PM PIRATES OF THE CARIBBEAN, ON STRANGE TIDES (ACTION)(3D): 12 NOON, 2.45 PM, 5.30 PM, 8.15 PM, 11 PM FAST AND FURIOUS 5 (ACTION): 10.30 AM, 1 PM, 3.30 PM, 6 PM, 8.30 PM, 11 PM BLITZ (ACTION): 11.45 AM, 1.45 PM, 3.45 PM, 5.45 PM, 7.45 PM, 9.45 PM MALL CINEMA SUPER 8 (ACTION/ADVENTURE): 2.30 PM, 4.30 PM, 6.30 PM, 9 PM, 11.15 PM GREEN LANTERN (ACTION): 2.30, 5 PM (3D): 9 PM, 11.15 PM THE CHAPERONE (COMEDY): 7.15 PM, 11.30 PM SOMETHING BORROWED (COMEDY/ ROMANCE): 9.15 PM KUNG FU PANDA (3D) (ANIMATION): 3 PM, 5PM, 7 PM Shammi Kapoor his idols. Asked how he manages so many things together, Hrithik said, “the definition of a successful man is not depending on how much money a person has earned or how much fame he has, it is about how he manages his time.” “If you are a slave to your time, then you can’t be successful man. The person who takes out time for everything he wants to do, that person is truly successful. Time management is important. It’s an everyday practice that I’m learning and I need to learn. There are too many things happening so I need to improve my time management techniques,” he added. RITHIK Roshan is known for his impressive dance moves and the star, set to make his TV debut with a dance reality show, feels honoured when seen as a symbol for dance in the country. “I find every dance difficult. Whenever I start rehearsals, I start from zero and I feel that I can’t do this. Then I slowly learn. I’m no God of dance, but I’m very happy with the fact that I have become a symbol for dance,” Hrithik said. He will judge Star Plus’ reality show Just Dance, which goes on air this Saturday. “I’m blessed that I have become a symbol for something that stands for such a great talent. But I’m not the best dancer in the country, city or my neighbourhood. I’m just a very hardworking dancer,” he added. Hrithik will judge the show along with choreographers Farah Khan and Vaibhavi Merchant. The 37-year-old, who makes jaws drop with his impeccable moves and flexible dancing style, calls Michael Jackson and H Karisma Kapoor Now showing Madhuri Dixit (right) with Salman Khan in a scene from the film Hum Aapke Hain Kaun. Hrithik Roshan VILLAGGIO MALL LANDMARK CINEMA SUPER 8 (ACTION/ADVENTURE): 11.15 AM, 1.45 PM, 4.15 PM, 6.45 PM, 9.15 PM, 11.45 PM GREEN LANTERN (ACTION): 11.30 AM, 2 PM, 4.30 PM, 7 PM, 9.30 PM, 12 MN (3D): 10.30 AM, 1 PM, 3.30 PM, 6 PM, 8.30 PM, 11 PM THE BEAVER (COMEDY): 11.15 AM, 1.15 PM, 3.15 PM, 5.15 PM, 7.15 PM, 9.15 PM, 11.15 PM SUPER 8 (ACTION/ADVENTURE): 2.30PM, 4.45 PM, 7 PM, 9.15 PM, 11.30 PM GREEN LANTERN (ACTION)(3D): 6.30 PM, 9 PM, 11.15 PM THE BEAVER (COMEDY): 5.3O PM, 7.30 PM, 9.30 PM, 11.30 PM KUNG FU PANDA (ANIMATION)(3D): 2.30 PM, 4.30 PM PIRATES OF THE CARIBBEAN: ON STRANGE TIDES (ACTION/ADVENTURE)(3D): 3 PM BHEJA FRY 2 (HINDI) ROYAL PLAZA X-MEN: FIRST CLASS (ACTION): 11.45 AM, 12.45 PM, 2.30 PM, 3.30 PM, 5.15 PM, 6.15 PM, 8 PM, 9 PM, 10.45 PM, 11.45 PM KUNG FU PANDA (ANIMATION): 12 NOON, 2 PM, 4 PM, 6 PM, 8 PM, 10 PM, 12 MN (IMAX): 11 AM, 1 PM, 3 PM, 5 PM, 7 PM, 9 PM, 11 PM GREEN LANTERN (ACTION)(3D): 7 PM, 9.15 PM, 11.30 PM WINNIE THE POOH (ANIMATION): 2.30 PM, 4 PM THE BEAVER (COMEDY): 5.30 PM, 7.30 PM, 9.30 PM, 11.15 PM THE HANGOVER 2 (COMEDY):5 PM, 9.30 PM X-MEN: FIRST CLASS (ACTION): 11 AM, 1.30 PM, 4 PM, 6.30 PM, 9 PM, 11.30 PM THE HANGOVER 2 (COMEDY): 12 NOON, 2.15 PM, 4.30 PM, 6.45 PM, 9 PM, 11.15 PM X-MEN: FIRST CLASS (ACTION): 2.30 PM, 7 PM, 11.15 PM PIRATES OF THE CARIBBEAN: ON STRANGE TIDES (ACTION): 12.30 PM, 3.15 PM, 6 PM, 8.45 PM, 11.30 PM KUNG FU PANDA (ANIMATION)(3D): 3 PM, 5 PM PIRATES OF THE CARIBBEAN: ON STRANGE TIDES (ACTION) (3D): 8.30 PM, 11 PM GULF CINEMA BHEJA FRY-2 (HINDI): 2.30 PM, 5.30 PM, 8.30 PM, 11 PM BADRINATH (MALAYALAM): 2.30 PM, 5.30 PM ETHAN (TAMIL): 8.30 PM, 11 PM BADRINATH (MALAYALAM) THE CHAPERONE (COMEDY): 11 AM, 3.15 PM, 7.30 PM, 11.45 PM SOMETHING BORROWED (COMEDY/ ROMANCE): 1 PM, 5.15 PM, 9.30 PM BLITZ (ACTION): 10.45 AM, 3 PM, 7.15 PM, 11.30 PM LIMITLESS (THRILLER): 12.45 PM, 5 PM, 9.15 PM FAST AND FURIOUS 5 (ACTION): 10.45 AM, 1.15 PM, 3.45 PM, 6.15 PM, 8.45 PM, 11.15 PM WINNIE THE POOH (ANIMATION): 10.30 AM, 12 NOON, 1.30 PM, 3 PM, 4.30 PM, 6 PM THOR (ADVENTURE): 7.30 PM, 9.45 PM, 12 MN
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