Dinnerware & Patterns “ALICE”

Dinnerware & Patterns
“ALICE” 1945 – 1949
Colors: Vitrock, Jade-ite, Vitrock/blue trim, Vitrock/red trim
Every piece known to be made in “Alice” is represented here. The elusive red-trimmed pieces are challenging to find and are missing from
most collections. Thanks to a generous collector of Fire-King, we are able to show them again.
Shown are two distinct shades of cup and saucers. Hocking’s name for their opaque white or beige color was Vitrock. You might find dinner plates to match each of the hues illustrated by the cups and saucers, but scores of collectors are willing to gather whichever tint they find.
You should be forewarned that color variations make it difficult to buy via mail order unless you specifically tell the
seller whether you have the light
li or dark shade of Vitrock especially if you are bothered by varying hues.
Rarely do patterns in the glass collecting field have only three known pieces, but “Alice” is an exception.
We rarely attend a glass show without someone asking for “Alice” if we do not have any in sight.
Dinner plates rem
remain challenging pieces to find. Obviously, fewer families were willing to pay the
retail price for plates tto go with the free cups and saucers that were packed in oatmeal boxes. Add to that
the fact that this was used daily. Most dinner plates being found show the wear and tear from years of
meals ea
eaten from them. It appears that “Alice,” along with “Jane Ray,” was definitely a utilitari
tarian dinnerware pattern in some areas of the country.
Cup
Plate, 9½"
Saucer
Vitrock/
blue trim
Vitrock/
red trim
Vitrock
Jade-ite
5.00
6.00
7.00
12.00
12.00
24.00
22.00
24.00
2.00
3.00
3.00
5.00
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“Bubble”
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Early American Prescut
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Forest Green
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LAUREL 1951 – 1965
Colors: Gray, Ivory, Ivory White, Jade-ite, Peach Lustre
The laurel leaf design was unveiled as Gray Laurel in a 1953 catalog. That is the only reference
to Gray Laurel in Anchor Hocking records. For space saving purposes in this book, we have combined
all colors of Laurel into one category even though Hocking only used Laurel for specifying the gray.
or
Peach Lustre color/pattern (Laurel) was portrayed as “The New Sensation” in a 1952 Anchor
ized
Hocking catalog. From its introduction as Peach Lustre until its demise in 1963, the name was utilized
for the color as well as this pattern. It was never identified as Laurel by Hocking even though it has thee same
embossed design as did the gray.
The Peach Lustre 11
11" serving plate was di
discontinued as of August 25, 1960. It is the most difficult piece to
ma aggravation with both Laurel sprayed colors is discoloration
find, particularly with good color. The major
with use. Each of these will show white streaks if used, scratched, or washed in strong detergents.
Page 55 shows three colors not ddetailed in catalogs: Ivory, Ivory White, and Jade-ite. The Ivory
b
Laurel is almost beige when pictured beside
the Ivory White. The White creamer and sugar are pictured
pag 55. Only the five pieces priced below have been confirmed in
at the ends of the middle row on page
White Laurel and the prices of each of these have flattened the last two years.
Ad $10.00 – 25.00 for a Gray Laurel box depending upon its conAdd
diti
dition.
Please don’t write about the pieces photographed with the
si
six-piece
place setting box at left. The soup plate was “shy” and hid
in the bottom of the box. Add $3.00 for a Gray Laurel label and
$1.00 for a Peach Lustre one.
The maroon and gray striped tumblers pictured below are
often found with Gray Laurel and were likely sold that way
although we have not heard of any being discovered in boxed
sets of Gray Laurel. Crystal stems, like those shown with “Bubble,” were sometimes engraved with a Laurel cutting to use with
t
these
patterns.
Gray
Laurel
Peach
Lustre
8.00
6.00
3.00
Bowl, 7⅝", soup plate
12.00
10.00
8.00
Bowl, 8¼", vegetable
18.00
16.00
10.00
Creamer, ftd.
10.00
15.00
5.00
3.00
*Cup, 8 oz.
7.50
10.00
4.00
3.50
Plate, 7⅜", salad
8.00
20.00
7.00
7.00
Ivory/
White
Bowl, 4⅞", dessert
White
Plate, 9⅛", dinner
12.00
8.00
5.00
Plate, 11", serving
22.00
14.00
**12.00
Saucer, 5¾"
Sugar, ftd.
3.50
5.00
2.00
1.00
10.00
10.00
5.00
3.00
*Jade-ite – $175.00
**No wear
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“PEACH BLOSSOM” MID 1950S
“Peach Blossom,” as depicted here, was originally thought to have been produced by Gay Fad Studios as is the ovenware shown later in this
book. However as we considered this version of “Peach Blossom” and compared it to that of the known Gay Fad ovenware decorations, we noted
that the paint on the dinnerware is not as durable or as bold. It rubs off easily, and the styling on the leaves and flowers has varying brush strokes.
Once you have really studied the Gay Fad productions, they are consistent to a point of mechanical exactness. Don’t get us wrong, we would buy
this dinnerware to go with a collection of Gay Fad in a heartbeat. The problem would be unearthing a set to buy. The dinnerware pictured here
came from a collector in Minnesota through a dealer in Lancaster, Ohio.
There are two and possibly three patterns of Fire-King used to make up this “Peach Blossom.” “Bubble” was used as a serving bowl and that
is a recognizable pattern. We suspect that 22K-gold (Anchorwhite Swirl trimmed with 22K) was used; but since gold was also added to the
“Bubble” rim, it is possible that Anchorwhite Swirl was used and the gold trim was added. We would have used that blank which already had
the gold edging, but we suspect re-firing the 22K after adding the “Peach Blossom” design would have created a problem.
We believe additional pieces of this slightly aberrant “Peach Blossom” may be found, but we only price those pieces known at this time. All
prices are for the Swirl blank unless so noted.
Bowl, 4⅞", fruit or dessert
20.00
Bowl, 8¼", vegetable
45.00
*Bowl, 8⅜", vegetable
40.00
Cup
30.00
Plate, 7⅜", salad
12.00
Plate, 9⅛", dinner
20.00
Platter, 12" x 9"
50.00
Saucer
7.50
*“Bubble”
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ROYAL RUBY AND MILK WHITE 4000 LINE 1956 – 1958
Colors: Milk White, Royal Ruby, and fired-on colors
Turquoise Blue collectors are more familiar with this shape of Fire-King than other collectors, but the 4000 Line design was also used for
both Milk White and Royal Ruby. Royal Ruby cups, saucers, creamers, sugars, and berry bowls are plentiful on this mould shape, but the soup
bowls, salad plates, and bread and butter plates are not; the prices below demonstrate that. Dinner plates are not bountiful, but can be discovered
with some thorough exploring.
In looking for additional pieces for this 4000 Line, we discovered that it also comes in fired-on colors as exhibited below. Chartreuse and
brown seem to be the most commonly found, and sugars and creamers are being found footed rather than flat as is normal in the 4000 Line.
Milk White 4000 Line is the most challenging color to find. You will see hundreds of pieces of Turquoise Blue and dozens of Royal Ruby
before you will find one piece of Milk White. There are no easily found white pieces. If you want a challenge, try putting a set of Milk White
4000 Line together. Notice that the boxed snack set with 22K gold trim is called Golden Veil. Add $5.00 to $10.00 to the price of a set that
includes this box. We have not yet determined whether all 4000 Line pieces with gold are called Golden Veil or just the snack set.
Milk
White
Bowl, 4½", berry
6.00
Bowl, 5", cereal
8.00
Royal
Ruby
6.00
Bowl, 6⅝", soup/salad
20.00
30.00
Bowl, 8", vegetable
18.00
18.00
Creamer
8.00
6.00
Cup
6.00
6.00
Plate, 6⅛", bread and butter
15.00
Plate, 7", salad
18.00
16.00
Plate, 9"
18.00
20.00
Plate, 9", w/cup indent
Plate, 10"
6.00
20.00
Saucer
1.00
2.50
Sugar
8.00
6.00
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Advertising
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Bowls, Mixing
7⅞"
6"
7⅛"
8⅜"
16.00 – 18.00
18.00 – 20.00
20.00 – 22.00
22.00 – 24.00
8.00 – 10.00
10.00 – 12.00
15.00 – 20.00
30.00 – 35.00
Ivory
10.00 – 12.00
12.00 – 14.00
14.00 – 16.00
75.00 – 85.00
Jade-ite
18.00 – 20.00
22.50 – 25.00
22.00 – 25.00
300.00 – 350.00
Lustre
10.00 – 12.00
12.00 – 14.00
14.00 – 16.00
18.00 – 20.00
Pink
25.00 – 30.00
30.00 – 35.00
35.00 – 40.00
45.00 – 50.00
Fired-on colors
Forest Green
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Candy Dishes, Cigarette and Powder Jars
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