T H A I L A N D | V I E T N A M | C H I N A | C A M B O D I A | H O N G KO N G | M YA N M A R | I N D O N E S I A | L A O S asia insights D E S T I NAT I O N A S I A September - October 2010 edition inside : | vietnam’s traditional dress | bali - eat, pray, love | loy kratong festival | singapore & malaysia DESTINATION ASIA asia insights September - October 2010 CONTENTS 9 From the desk of James Reed Its not only Eat, Pray, Love Page 3 Page 14 - 16 A few words on the developments of Destination Asia by our Bali enjoys another tourism boom thanks to a high profile CEO movie with Julia Roberts Local Destination Asia News Postcard from Chiang Rai Page 4 - 5 Page 17 - 18 Announcing the opening of our Singapore and Malaysia We report on the strikingly unique Wat Rong Khun temple offices Loy Kratong The lure of the Ao Dai Page 19 - 20 Page 6 - 11 One of Asia’s best loved festivals is about to commence The history and fascination of Vietnam’s famed national dress Bali Agung Page 12 - 13 A state of the art theatre opens on Bali DESTINATION ASIA the logo and its meaning 06 14 We are frequently asked about our logo, what exactly is it and where does it come from? The original photograph was taken in a side street of Hue in Vietnam sometime in 1997 by Paul Levrier. The pavement was laid out with large bunches of incense sticks after being dyed with the colour red you see in the image. The hot afternoon sun was warming the dyed incense to the sticks. With our corporate colours already being red, black and grey, the image of a single bunch of incense sticks standing out against the others made for a striking logo. The fact that incense is used as offerings in times of prayer, worship or solemn contemplation in all the countries in which Destination Asia operates only enhanced the symbolic importance of this image. And hence our logo was born. 19 Cover page : A young Vietnamese lady in her traditional ‘ao dai’ poses in front of a longevity symbol at Thay Phuong Pagoda near Hanoi. Photography by Paul Levrier asia insights All rights in this publication and the name are owned by Destination Asia Limited and licensed accordingly. No part of this magazine may be reproduced without the permission of Destination Asia. All rights reserved. Opinions in Asia Insights are those of the writers and not necessarily endorsed by other parties. Asia Insights is printed each quarter and distributed worldwide. To subscribe, advertise or submit contributions please email : [email protected] CREATIVE DIRECTOR : Paul Levrier asia insights travel, news & views DESTINATION ASIA asia insights September - October 2010 from the desk of James Reed . . . 01 September 2010 W Welcome to the September 2010 edition the Asia Insights Newsletter Inside you will find some fascinating articles about Asia culture and Asia travel which I am sure will add to your knowledge of the “mystical” Far East. But of course , the main news about Destination Asia is the opening of our own operating offices in Singapore and Malaysia, headed by one of Asia’s pre-eminent travel professionals …Bob Guy Bob is a long time friend of mine , even when we were ‘competitors’. His knowledge of almost every destination in Asia is unmatched and in fact he was often the first travel executive to initiate travel into some of the key locations in the Far East . When combined with his ‘world best’ practices in the MICE , cruise and ‘tour wholesale’ fields Bob’s reputation for professionalism is unsurpassed, anywhere in the world . email: [email protected] What I know about Bob is more than that the business side of his life resume. Bob’s passion for the culture of Asia, its amazing and varied cuisine, the different nationalities that make Asia such a fascinating destination, its unique environment and most of all Asia’s people … truly make Bob a very special ‘travel ambassador’ of the Far East. We are very honoured to welcome Bob Guy to the Destination Asia family. James Reed CEO/Group Managing Director Destination Asia Group DESTINATION ASIA announces the opening of its new Singapore and Malaysia offices T The Destination Asia Group continues its expansion as a complete pan-Asia DMC with the announcement of the opening of two new operating companies in Singapore and Malaysia . Combined with this exciting news is the appointment of well known and eminently respected Asia travel identity Bob Guy as Managing Director of Destination Asia (Singapore) and Destination Asia (Malaysia). James Reed, CEO / Group Managing Director of the Destination Asia Group said, “ Bob and I have been friends for almost 30 years and we have always had a mutual professional respect in the days when we were competitors. Our philosophies on international travel, the DMC business, future trends in the Asia travel industry, quality standards and account relationships and an endearing passion for the unique and ‘one of a kind’ travel experiences that makes Asia so special - were so similar that we both knew that one day, somehow, we’d end up working together. It was therefore a logical decision that as Destination Asia began its long cherished goal to open its own operations in Singapore and Malaysia that Bob and I formally ‘consummate’ our friendship into a business partnership and today I take great pride in announcing Bob’s role as the Managing Director of the two new Destination Asia operating offices in Singapore and Malaysia.” Destination Asia Singapore and Destination Asia Malaysia, in keeping with the Destination Asia philosophy of ‘common ownership’, will have a shareholding structure that includes both James Reed and Addie Samerton (Destination Asia’s MD in Thailand), several of the Destination Asia companies and Bob Guy who, as the MD of Destination Asia Singapore and Destination Asia Malaysia, will be the largest shareholder and a fellow director with Jim Reed. As always , there will be no outside shareholders, no international travel company shareholders and Above : Along with the Raffles doorman, Gill Guy, Bob Guy, James Reed & Addie Samerton join together to launch Destination Asia Singapore. Below : James Reed and Bob Guy discuss strategy with the iconic Marina Bay Sands Casino looming behind. Bay Sands Casino looming overhead no airline shareholders ... in keeping with Destination Asia’s philosophy of ‘total independence.’ DESTINATION ASIA asia insights September - October 2010 Bob Guy states that “I am very honoured to be joining Jim and his team as the Managing Director of Destination Asia (Singapore) and Destination Asia (Malaysia). I have personally known Jim for three decades and I’m looking forward to working closely as a member of the Destination Asia family . My wife Gill and I look forward to resuming our relationships with industry friends and customers worldwide. We are already working on establishing fully capable operations in Singapore and Malaysia” “ Most travel companies, and international corporations, are now seeking a DMC that can provide ‘one stop’ travel solutions in ALL key countries in Asia.” Destination Asia (Singapore) will be providing full service DMC products to Destination Asia’s international clientele for : ‣ Corporate meetings and Exhibitions and Incentives, using Singapore’s world class Suntec City convention facilities as a springboard to PCO service delivery The Destination Asia Group now has full service and fully owned operations in Thailand, China, Vietnam, Hong Kong , Cambodia, Indonesia, Laos, Burma and now Singapore and Malaysia. ‣ Tour Wholesalers / Tour Operators, worldwide ‣ International Cruise Ship lines Destination Asia [Malaysia] will also offer the full range of Destination Asia services , plus creative and cost effective Incentives in the natural wonders of Borneo and Langkawi. Jim Reed noted that “Most travel companies, and international corporations , are now seeking a DMC that can provide ‘one stop’ travel solutions in all key countries in Asia, with creative products, CSR policies and ‘multi-country’ services - at the best standard of delivery. And now Destination Asia can offer these services in Singapore and Malaysia ... to our worldwide clientele, with our historical promise of “complete independence.” Bob Guy continues ...“In addition to very experienced travel professionals in our Singapore and Malaysia operations, Gill will be actively involved in providing customer and IT systems support to our worldwide accounts.” Office Contact: Destination Asia (Singapore) Windset Road Suite 03-03A Singapore Tel: (65) 68875508 Fax: (65) 68875065 Email : [email protected] asia insights page 5 ao dai the t he a l lu r e & g r a c e of v ie t n a m ’s t r a di t ion a l dr e s s Visitors expecting a land of black pajamas are pleasantly surprised to find slender, long-hair women clad in ‘ao dai’, Vietnam’s national costume. This dress consists of a split-sided tunic over silk pantaloons. In world fashion, the ao dai stands out in several respects. As the uniform of school girls and shop clerks, it is both a formal dress and daily street wear. It remains far more visible in today’s culture than either China’s quipao (cheongsam) or Korea’s hanbok. To many, the allure and grace of the ao dai is irresistible. Words by Peter Kauffner Photography by Paul Levrier DESTINATION ASIA asia insights September - October 2010 The Vietnamese beauty contests generally include a segment in which the contestants wear ao dai. Such contests are extremely popular with both sexes in Vietnam. The contests seek queens who can represent the nation and uphold the four traditional virtues of cong (tidy), dung (pretty), ngon (soft-spoken) and hanh (chaste). Yet at the same time they must entertain audience members who look for physical beauty and sexuality. Cong-dungngon-hanh was what a man looked for in a wife back in the days of arranged marriages. Such talks sounds very old fashioned to today’s younger generation. “No one thinks about the four skills anymore,” said Thuy, a university student. “They fall in love-and that’s it”. The white ao dai as a high school uniform is also too much culture for many. “When we were in middle school, we looked forward to wearing the ao dai,” said Nhung. “But after we wore it for a while, it just seemed inconvenient”. The ao dai is too hot for classes without air conditioning, Thuy explained. The use of solid white silk makes any stain immediately visitble. Students must be careful of rain, since this can make the thin fabric transparent. The great fear of a Vietnamese teenage girl is to have a flap of her tunic caught in the spokes of a motorcycle. In the worse case scenario, the top is pulled off, leaving the girl wearing only a bra and pantaloons. This is why today, one can see how careful the girl is with her dress when riding side saddle. garment is often made of sheer fabric. Each is individually made and a careful tailor will do 20 measurements to ensure a tight fit. The slits may extend above the waist to expose part of the midriff. “The ao dai covers everything, but hides nothing,” according to one saying. This feature allows the dress to combine sexuality and tradition, although the traditional version of the ao dai was an unrevealing multi-layered gown. “The shape of the female body is accentuated, but hidden as the dress clings tightly to it,” wrote Nhi Lieu, an assistant professor at the University of Texas at Austin. This sexualised image, however, is contained within the bounds of respectability and curbed under the sight of ‘cultural’. The Vietnamese ao dai pervades every aspect of daily life in both the city and the countryside. Unlike many traditional dresses seen elsewhere in the world the ao dai is not merely for show or for tourism, it is still respected even by today’s younger, more materialistic generation. Although the motorcycle is the main form of transportation in urban Vietnam, an ao dai clad student on a bicycle is still a common sight. These beautiful ‘butterflies', as poets call them, brighten the appearance of the street. Writers who advocate the use of the ao dai as a uniform cite its inconvenience as a virtue, a feature that teaches students feminine modesty and caution. There are many tales of tomboys trained in feminine demeanor by a father who requires them to wear ao dai. The general meaning of ao dai is ‘gown’. It thus refers to a range of garments that an English-speaker would not think of ao dais. For example, a qipao is a Chinese ao dai. A Vietnamese ao dai simply specifies the splitsided Vietnamese gown. Folk legend traces the ao dai back to the Trung sisters, who led a rebellion against Chinese rule in 39AD. The two sisters (Hai Ba Trung) are Vietnam’s most celebrated heroes and are depicted in folk opera as wearing ao dai. Trinh Bach, who led a team that restored royal gowns in Hue, argues that basic design features of the ao da can be traced back to medieval times and originally reflected a desire by the Hanoi court to distinguish its fashion from that of Beijing. asia insights page 7 The classic imperial Hue ao dai, as worn by courtesans during the Nguyen Dynasty The traditional white ao dai, still commonly worn by high school students DESTINATION ASIA asia insights September - October 2010 vietnam Europe had its first glimpse of Vietnam from a short book by Jesuit missionary Cristoforo Borri published in 1631. Vietnamese women, he describes, wore multiple layers of ‘petticoats’ and ‘doublets’. It was ‘‘the modest garb in all Asia, for even in the hottest weather they suffer no part of the body uncovered”. They wore transparent veils that “shows all their gaiety with modesty, and makes a beauteous majestic appearance”. Their huge hats nearly covered their faces and their hair was so long that it fell “down to their heels”. Certainly fashions have changed since the seventeenth century, but we can see from this description that several characteristically Vietnamese ideas about fashion have been preserved in the ao dai; the desire to cover as much of the body as possible and the use of bright colours and thin fabrics to allow th a woman to express her physical beauty and individuality. A decree issued by Lord Vu Vuong of Hue in 1744 specified that the members of this court, both male and female, wear a gown over trousers. Contemporary writer Le Quy Don, described the newfangled garment as a ‘long shirt’ (ao dai), the earliest known use of the word. After the Gia Long emperor unified Vietnam in 1801, designers combined Hue’s gown and trouser outfit with Hanoi’s split-sided jacket (five paneled gown), the direct ancestor of the modern ao dai. Above : The ao dai is not only just worn by women. The male ‘ao dai, or ao gam, is still worn during traditional ceremonies and festivals in the country. Two panels were sewn together in the front, two were sewn together in the back, and the fifth was a ‘baby flap’ hidden underneath. Thus the ngu than (as it was then called) gave the appearance of having two flaps. Fabric was expensive at this time, so aristocrats would display their wealth by wearing multiple layers of clothing sacrificing comfort for fashion in Vietnam’s hot climate. The Minh Mang emperor (1820-1841) banned styles associated with regionalism and thus made the ngu than a national dress. In 1917, the Dong Khanh Girl’s High School (now Hai Ba Trung School) opened in Hue, the capital of Vietnam at the time. The school uniform was a ngu than with a violet tunic and white pantaloons. Because of its long association with the ao dai, Hue today is still Vietnam’s most elegant and traditional city, with the pure white ao dai still the uniform worn by all girls at school. In the 1920’s artists associated with the French Indochina College of Fine Arts in Hanoi redesigned the ngu than as a dress and a modernised version created a storm when it was featured in the newspaper Today in 1935. Shortages and economic turmoil associated with World War II and the Franco Vietminh War (1946-1954) led to the reemergence of traditional styles but by the mid 1950’s and early 60’s the administration of President Ngo Dinh Diem and his first lady Madame Nhu, vigorously promoted the modern ao dai as a national costume. DESTINATION ASIA asia insights September - October 2010 T H A I L A N D | V I E T N A M | C H I N A | C A M B O D I A | H O N G KO N G | M YA N M A R | I N D O N E S I A | L A O S The years 1960-75 were the heyday of the ao dai in the South. The ao dai for men, or ao gam, never recovered after Diem left office but the female version remained the dominant form of dress in all the cities and towns of the South. Even peasant women would wear them on their weekly market day. The ao dai was effectively banned under Communist rule for some years after 1975 and did not really re-emerge until 1983 when a high school in the Mekong Delta town of Ca Mau adopted it as a uniform. This breakthrough, however, was only a first step in a slow revival. With the annual cloth ration at only two meters a year fashions of the 1980’s remained drab and spartan. The doi moi political reforms that began in 1986 resulted in an opening up to the noncommunist world, a revival of the economy and eventually a re-emergence of the ao dai. The 1992 films Indochine and The Lover inspired worldwide interest in Vietnamese fashion, with several international fashion houses offering ao dai collections. In 1995, an ao dai worn by Truong Quynh Mai was chosen as ‘Best National Costume’ at the Miss International Pagaent in Tokyo, triggering an ‘ao dai craze’ that lasted for several years. Above : A Vietnamese woman adjusts her ‘ao dai’ whilst sitting among the ruins of My Son, near Hoi An. During the mid 1990’s it was common for young Vietnamese women to choose an ao dai over modern western style dress, although today the ao dai is no longer as common a sight as those days. Still, the dress is actively worn during formal occasions, festivals and traditional events as well as remaining the uniform of many schools in the South and for company staff, both private and government. What does the future hold for the ao dai? A dress so delicate, elegant and sensual will always appeal to the feminine form and with such a strong identity associated with the beauty of Vietnam, it is hard to envisage a time when more modern western dress will over power basic national pride. A turbulent history has tried to change the ao dai or relinquish it altogether and failed. Surely, even Vietnam’s pull into the modern age will keep the ao dai alive. 9 asia insights page 11 A grand new theatrical production opens at the Taman Safari and Marine Park on the island of Bali. Far from being a commercial, theme park attraction, the quality of the performances and staging is enough to bring Balinese cultural lore to life in an atmosphere that enhances the experience of the past and present, on this evocative island. Words by Donna Murphy. BALI AGUNG Th e L e g e nd of B a l ine s e G od d e s se s BALI AGUNG Th e L e g e nd of B a l ine s e G od d e s se s Sunday, August 29 saw the grand opening of the Bali Agung production at the Taman Safari and Marine Park – and what a production it is! Created by an internationally acclaimed theatrical and production team, the show is held in a purpose built theatrical complex, which can hold up to 1200 people. With state of the art lighting, sound and great air conditioning, the show began with a parade of 7 elephants, a flock of ducks and a wonderful Gamelan orchestra playing on the far right of the stage. With 150 performers in spectacular costumes, as well as animals, the show is a delight and is not to be missed whilst in Bali. By mixing contemporary and traditional dance, puppetry and wonderful music, the approach to the show adds to the dramatic performance without taking away any of Bali’s cultural heritage. With the performers highlighting every aspect of the island, the show depicts scenes from the royal court, the magical forests and village life. The story tells the take of King Sri Jaya Pangus, who ruled Bali from 1179 until 1181. He defied tradition by taking a Chinese wife – Kang Ching Wie, the daughter of an influential Chinese merchant and a ships captain. Their marriage was happy, however it was doomed as she was not able to bear a child. One day, King Sri Jaya Pangus decided to make a pilgrimage to Lake Batur, and he was seduced by the Goddess of the lake, who was later able to bear him a son. Three years later, Kang Ching Wie decides that she must go and find her husband, and when she reaches Lake Batur, she finds that he has been living with the Goddess of the Lake and their son. The king and his first wife are obviously still in love with each other, and when the Goddess sees this, she cursed them and turned them into stone statues. Bali Agung is an extravaganza and is certainly worth seeing. The show will run 4 days a week in the afternoon. Bookings are essential, so be sure to contact your agent, or Destination Asia before heading up to Gianyar for the performance. asia insights page 13 DESTINATION ASIA asia insights September - October 2010 ITS NOT ONLY EAT, PRAY, LOVE “ Yes, we know ... everyone is talking about it, so why not us ? B ali is enjoying the start of a travel boom, thanks to the movie Eat Pray Love movie, starring Julia Roberts. The film, based on the memoirs of American woman Elizabeth Gilbert and her challenges after her divorce, was filmed in part on the island in November 2009. In an article titled “Bali’s Travel Boom: Eat, Pray, Love Tourism”, Time magazine writer, Hillary Brenhouse, says that the film’s recent release has “given rise to a new customer for Balinese hotels, travel agencies and tour operators: the spiritual seeker.” Hotels such as Ayana, in the south, and Ubud Hanging Gardens in Ubud, are tempting this new breed of tourist with days of beach dinners, massage therapy and yoga classes. COMO Hotels and Resorts now have a Bangkok, Bhutan, Bali ‘Eat Pray Love’ package which concludes in Ubud, where guests can enjoy sessions with the unique Ketut Liyer, the healer that Ms Gilbert spent time with during her stay. On top of that, there are cleansing rituals in local temples, or outings to where the film was shot. asia insights page 14 Words by Donna Murphy. Words by Donna Murphy Clockwise from left: A young Ballinese girl adjusts her head dress for a local ceremony ; carrying offerings to a temple ; a girl in traditional dress awaits the start of a procession ; a local village prepares for rituals Centre : Balinese masks on show asia insights page 15 DESTINATION ASIA asia insights September - October 2010 The Four Seasons even have packages which has guests partaking in Balinese cooking classes, which feature local aphrodisiacs! Bali is much, much more than just Eat Pray Love, though. With beautiful scenery, serene temples, a nightlife that would rival that of any city, and world class hotels and restaurants, Bali is also excellent value for money. 2010 will see the opening of over 650 five star rooms in Bali. Among the newcomers to the island are: The W Retreat and Spa. Due to open within the next couple of months in the Seminyak area. The W Retreat and Spa is a newfound Wonderland along the shores of Seminyak, an area which is already home to incredible restaurants, world class clubs, fabulous fashion and eclectic galleries. The hotel will feature 237 guestrooms and villas with spectacular views. At W Retreat and Spa, stylish designs meet traditional architecture and inspire lavish amenities such as the signature W bed, lush robes, and state-of-the-art entertainment systems. Each guest automatically receives full access to all the amenities and facilities of the main property. To indulge your appetite, The Waterside restaurant offers a wide selection of cuisines or you can round off the day with dinner in this speciality outlet surrounded by tropical gardens and ponds. The Seminyak is designed to be a blend of the contemporary with the Balinese touch as inspired by the resort’s natural surroundings and is due to open on December 1, 2010. The Pullman Bali Legian Nirwana is a brand-new beach-front resort, offering Balinese hospitality from a fresh perspective."In a stylish urban chic style, the resort is located between Legian and Kuta beach, and is close to Bali’s shopping, night life and recreational hot spots. In fact, a short stroll along the beach will have you at some of the best restaurants on the island. eat! pra"! lo#e Try the sizzling vibes at FIRE or sample the PanAsian indulgences at Starfish Bloo®, then boogie the night away at WooBar. Balance style & soul at SWEAT® and refuel your cool at AWAY® Spa. W Retreat and Spa is scheduled to open in Mid December 2010. The Seminyak is an amazing new resort with 38 beach wing rooms measuring 47m!, offering all the comfort you should expect from a premium resort, 26 incredible suites of 75m! completed with private Jacuzzi overlooking the ocean, 2 spacious Penthouses of 155m! which include the additional features of a private board room. The 10 superbly appointed oceanview Villas of 190m! and one fabulous two bedroom Villa of 318m! have sizeable private pools and open-air gazebos for those seeking complete privacy. Meanwhile, 30 garden wing rooms are dedicated for those seeking more privacy in one separate compound within an elegant garden setting with a swimming pool and sunken bar. All guests have the benefit of enjoying complimentary daily afternoon tea and coffee in the garden’s own Cafeteria. asia insights page 16 With 351 beautifully decorated rooms and suites providing comfort and new technology, the resort is ideal for families, honeymooners or groups who are seeking a more memorable experience in Bali."Facilities include a rooftop infinity pool as well as a free form garden pool."The well equipped Kid’z club and Teen club are great for families, while the Tjakra-7 wellness center and spa is an oasis for those who seek relaxation and rejuvenation. An extensive line up of dining and entertainment facilities are available at the resort, including IP, a chill out bar at the rooftop pool, Sembilan, a contemporary Balinese restaurant and The Deli, an upscale brasserie featuring French and International delicacies. With over 550 sqm of function space, Pullman Bali Legian Nirwana is ideal for corporate meetings and events."With creative event managers and state-of-theart meeting equipment, your event will be planned and carefully executed with a minimum of fuss. The Pullman Bali Legian Nirwana is due to open by the end of 2010. Words by Donna Murphy POSTCARD FROM Words by Simon Fransham WHERE ART & CULTURE BLEND Any visitor to Thailand will agree that one of the most memorable things about this wonderful country is the temples. Literally thousands of Buddhist temples dot the Thai landscape both rural and urban. It is almost impossible to go anywhere and not notice the often glittering façade, golden spire or sweeping eves of a Thai temple. Traditional art and design are present to some extent in every temple across Thailand and with the prosperity of the modern era many of Thailand’s temples are being transformed into amazing works of art and design. Thailand’s northern-most province, Chiang Rai, is home to one such temple which is unique to the environment in many ways. asia insights page 17 DESTINATION ASIA asia insights September - October 2010 POSTCARD FROM ... Usually Thai temples are graced with gold and coloured mosaics which create a very reverent and formalistic style although also providing a surreal atmosphere where angels fly and demons guard doorways. Driving along a typical road in rural Thailand, one may see the sun reflecting sharply off mirrored mosaic tiles which draws the eye to the colourful temple below. Wat Rong Khun in Chiang Rai steps away somewhat from the normal pattern of Thai temples in that it is completely white. Some say it was designed to be seen under moonlight while others will tell you that the white signifies purity of the Lord Buddha. The temple represents the ethereal and definitely unique. Thailand’s noted artist, Mr. Chalermchai Kositpipat designed and is supervising the construction of this beautiful white temple and its many statues. Construction began in 1998 and has been an ongoing work as attention to detail is of great importance to ensure the message intended by the artist is adequately portrayed. In addition, there is a gallery nearby exhibiting Chalermchai’s paintings. The ubosot or consecrated assembly hall is designed in white color with some use of white glass. The white color stands for Lord Buddha’s purity while the white glass stands for Lord Buddha’s wisdom that, ‘shines brightly all over the Earth and the Universe’. Leading across to the temple is a bridge passing over a sculpture garden of grasping hands and skulls surrounded by a pond with beautiful white koi fish. This path is said to symbolise the way to enlightenment (nirvana), which can only be achieved when a Buddhist finally discovers the truth about life. Before the main chapel and at the end of the bridge there are several sculptures of meditating Buddha sitting in a lotus circled by spirits of the world.! The outer-decoration of the temple is all white but there is a dramatic contrast inside the main hall where the walls are painted with colorful larger than life images depicting stories from the Buddhist teaching. The artist, reminiscent of Balinese artists in the 70’s has incorporated very modern and contemporary ideas using icons from modern popular (western at times)culture through space ships, superman, and even Neo from the movie ‘Matrix’. If the colourful modernist images haunting you from above are too much there is relief in the typical serenity of Buddha alters set inside golden flames to bring you back to earth. Wat Rong Khun is set to become a centre for meditation and dharma practice and further development will see a pagoda, hermitage, crematorium, monastery, preaching hall, museum, pavilion, and rest room facilities which will be built on an area of about 3 acres. Wat Rong Khun is about 6 kilometres from Chiang Rai City and the province of Chiang Rai is also home to the Golden Triangle, Doi Tung, Mae Salong, Chiang Saen and the Opium Museum. The province is mountainous with its many ethnic minorities while below the Mekong River runs to form a natural border between Thailand, Myanmar and Laos. Contact Destination Asia in Bangkok for further information on including Wat Rong Khun into your guest’s itineraries when travelling in the north. asia insights page 18 Loy Kratong F E S T I VA L O F F L O AT I N G L A N T E R N S Words by Simon Fransham DESTINATION ASIA asia insights September - October 2010 T Thailand is a country full of fascinating cultural festivals happening throughout the year, and at Destination Asia we are keen on promoting these festivals in order for your customers to make the very most of their stay in the Kingdom. Loy Kratong is perhaps one of the most charming and beautiful festivals in Thailand. The nationwide festival begins with the making of kratong. These are small, dinner-plate sized floats constructed traditionally from local wood and banana leaves, beautifully adorned with candles, incense, and flowers. In the evening, the local people flock in large numbers to the nearest river or waterway. Here, the candles on the kratong are lit, and each couple, individual, or family, place a kratong on a waterway, whilst making a wish. Loy Kratong translates literally as 'float kratong'. It is a particularly enchanting festival as looking along the waterway, one sees hundreds and hundreds of floating lit candles, twinkling away in the night, as hundreds of local people stroll along the river banks, with their wish in mind. The origins of the festival can be traced back to the Hindu Devali Festival, which also involves candles, as an act of worship of the Brahmin gods, Brahma, Siva, and Vishnu, or as an act of remission to the Indian Ganga or Ganges. Loy Krathong was adapted by the Thais to honour the Lord Buddha, and also Mae Khongkha, 'Mother of Waters' to pay gratitude for supplying life sustaining water year-round. The setting is deeply romantic, with the full moon of the twelfth lunar month bright in the night sky, and typically one sees young couples strolling hand-in-hand after placing their kratong in the r i v e r, t h u s b l e s s i n g t h e i r relationships for the coming year. In Chiang Mai, the festival is extended over three days, and is known as Yi Peng. Here it is even more spectacular, as 'khom l oy ' ( fl o a t i n g l a n t e r n s ) a r e released in the night sky. These large paper lanterns are to carry misfortune away, and off into the sky, and are a spectacular sight all over the city's skyline. Larger floats are also paraded in the city throughout the day. Fireworks are let off in spectacular form on the riverside. We would highly recommend travel to Thailand over this period, as the Loy Kratong festival always makes for a memorable stay. This annual festival takes place on 21st November 2010 while Yi Peng takes place from the 20th to the 22nd November 2010. 9 Above : Images of the Loy Kratong festival in Sukhothai, one of the most colourful areas to see the activities. asia insights page 20 DESTINATION ASIA asia insights September - October 2010 THE DESTINATION ASIA GROUP DESTINATION ASIA (Thailand) Limited DESTINATION ASIA (Myanmar) Limited 9th Floor, Wangdek 1 Building 21/7 Vibhavadi Rangsit Road Bangkok 10900 Thailand Tel: (66-2) 272-1436/272-1459/272-1465 Fax: (66-2) 272-1460 [email protected] [email protected] 02/01, 2nd Floor, Pearl Condominium 1, Pearl Centre Kaba Aye Pagoda Road & Saya San Road Yangon 11201 Myanmar Tel: (95-1) 705-463/541-162 Fax: (95-1) 548-972 [email protected] [email protected] DESTINATION ASIA (Vietnam) Limited DESTINATION ASIA (Indonesia) Limited 143 Nguyen Van Troi Jl. 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