International Metabody Forum IMF 2015 – New York 17-20 April – New York www.metabody.eu/imf-2015/#usa2015 www.metabody.eu www.metabodyforum.eu www.imf2015.eu Friday 17th April 6-8 p.m. at NYIT Manhattan: 1855 Broadway, New York, NY 10023 Symposium: “Metabody: Technologies, Cultures and Movement” Jaime del Val – Reverso Institute, Madrid METABODY – Embodied media as response to global surveillance culture Metabody is a European project that attempts to redefine the body in Media in less simplistic ways than is usual in current information technologies, thus counteracting technology’s increasing tendency to dampen differences by reducing bodies and movements to prescribed forms. Our proposal is a reversal of cybernetics that highlights the ndeterminacy of embodied expressions as a key factor for a sustainable society. This foregrounds the need for a new ethics, which we may call metamedia and biomedia ethics. Jaime del Val is Metabody project coordinator, metamedia metaformance artist and metahumanist philosopher, director of Reverso Institute of Metahuman Technologies. Kevin LaGrandeur, Ph.D. Emotional Robots, Personhood, and Extended Ideas of Embodiment Kevin will discuss his recent work in connection with Metabody, including his research on the idea of building emotions and ethics into robots; his research on the ethical treatment of non-human persons—which expands notions of personhood beyond anthropocentric models; and finally, his research on notions of distributed cognition and its implicit expansion of our ideas of embodiment beyond traditional boundaries. These projects all have in common the critique of current technology use or, in the case of the last two projects, the expansion of normal boundaries in our traditional relation to technology. Such expansions of boundaries are exploratory interventions in traditional human-technology interaction. Dr. Kevin LaGrandeur is a Professor at the New York Institute of Technology (NYIT), and a Fellow of the Institute for Ethics and Emerging Technology, an international think tank. He explores the intersections between digital technology, culture, philosophy, and English studies. Dr. LaGrandeur has written many articles and conference presentations on these topics, which have appeared in journals such as Computers & Texts, Computers and the Humanities , and Science Fiction Studies; in books such as Eloquent Images: Word and Image in the Age of New Media and Beyond Artificial Intelligence: The Disappearing Human-Machine Divide, which contains his most recent essay, ‘Emotion, Artificial Intelligence, and Ethics.’ His writing has also appeared in popular publications such as United Press International (UPI) news agency, where he recently published an Op-Ed piece titled “The Mars Landing and Artificial Intelligence,” which discusses future ethical protocols for developing AI. His new book titled Androids and Intelligent Networks in Early Modern Literature and Culture (Routledge, 2013) is about the premodern cultural history of Artificial Intelligence, and it was Awarded a 2014 Science Fiction and Technoculture Studies Prize. He is one of the founders of the NY Posthuman Research Group, and also recently founded the Visual Pathways Consortium, a collection of academic researchers, non-profit groups, and corporations which collaborate to develop adaptive technology for the blind. With the support of the Culture Programme of the EU With the support Organized Francesca Ferrando, Ph.D. Glamorous MetaBodies, the Politics of Amorphogenesis and the Will to Global Surveillance We are... glamorous metabodies in amorphogenetic processes of constant becomings. The desire for surveillance is an attempt to re-constitute the order of things, a panopticon googlemap interactive picture of hyperrealities, in the anthropocentric enealogy of the will to master. In tune with New Materialisms, Deleuze and Guattari, yoga, rainbows and herstories, metabodies are: multiversal, passages from nowhere to everywhere (and vice versa), embodied narratives and im/pure potential. In this talk, we will explore the significance of loosing the body and accessing post-biological embodiments as intra-acting ecologies of relations, diffractions and absolute emptiness. Dr. Francesca Ferrando, Ph.D in Philosophy, M.A. in Gender Studies, is a philosopher of the posthuman. She teaches Philosophy at NYU, as an Adjunct Faculty Member at the Program of Liberal Studies. Dr. Ferrando has published extensively on the topic of Posthumanism; in 2014 she was awarded the Philosophical Prize "Vittorio Sainati" with the Acknowledgment of the President of the Italian Republic. In the history of TED talks, Dr. Ferrando was the first TED Speaker giving a talk on the subject of the posthuman. Actively involved in the international debate as a visionary thinker and organizer, she is one the founders of the NY Posthuman Research Group. Info: www.theposthuman.org Yunus Tuncel, Ph.D. Metaformance and the Problem of Spectacle/Spectator Divide My short talk will be a reflection on one of Jaime del Val’s projects, namely metaformance, based on my personal experience in Lesbos, Greece, in September 2011. Jaime del Val’s metaformance operates in a space that sets forces in motion and projects them towards a re-generation of new forms, as it breaks down stereotypes based on identity-formations, mind-body and subject-object dualisms, and rigid constructs of sexuality. This is a calligrammatic operation where we have a live performance and an immediate projection of that performance onto a screen: two simulacra, two media, the medium of the bodily performance is integrated with the medium of digital projection. Neither is the origin of the other; they do not resemble one another, theirs is at most a relationship of similitude. The series, or rather the matrix, which is established through sound, since the sound permeates all media and belongs to both, opens itself up to the audience. This is why it is better to refer to this spectacle as a matrix where there are many open ends, instead of two ends as in a series, into which a spectator can insert himself/herself as yet another simulacrum. In this way, the metaformer plays with the active-passive roles of the spectator, as he projects and receives an active participation from his audience and as spectators themselves become spectacle. Through technologies of becoming and the fluidity of media, such a performance presents movement against identity and metabody against our ordinary conceptions of the isolated, unitarian body. Out of this spectacular process, new affects are formed, as the performance echoes in and becomes one with its audience, as in Dionysian rituals. Yunus Tuncel, Ph.D., is a co-founder of the Nietzsche Circle based in New York City and serves on its Board of Directors and the Editorial Board of its electronic journal, The Agonist. He is one of the organizers of the NY Posthuman Research Group and is an advisor to Metabody. Yunus Tuncel has been teaching philosophy at the New School since 1999 and NYU’s Liberal Studies Program since 2001. In addition to typical philosophy classes, he teaches inter-disciplinary topical classes on power, taboo & transgression, gai saber & the troubadours, crime & punishment, and spectacle. He organizes textual workshops to read philosophical texts closely. In addition to Nietzsche and history of philosophy, he is interested in the twentieth century French thought and recent artistic, philosophical, and cultural movements, including trans-humanism and post-humanism. His primary areas of research are art, culture, myth, sports, and spectacle. He is interested in the fusion of art (all forms of art) and philosophy in various cultural formations. In recent times he has undertaken a project called Philomobile to explore, with interested searchers, the works and lives of philosophers on location within their historical context. His recent book, Agon in Nietzsche, was published in 2013 by Marquette University Press. His most recent and on-going work explores Nietzsche’s relationship to trans- and posthumanism. With the support of the Culture Programme of the EU With the support Organized
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