Literary Response Writing - Into the Wild Based on our viewing (and reading, for some of you) of the film, I nto the Wild , pick one of the essay topics below to explore. Respond with specific and relevant evidence from your viewing. Support your opinions providing reasons and examples from your own experience and observations. Essays should be 250 - 300 words and must be submitted in proper MLA format. ● Consider the people who befriended Chris on his journey, folks like Jan Burres and her boyfriend, Bob (the hippies), Wayne Westerberg (the farmer), Ronald Franz (older gentleman). Explain why Chris left such a strong impression on them. ● “I think that Chris McCandless was bright and ignorant at the same time. He had no common sense, and he had no business going into Alaska with his romantic silliness. He made a lot of mistakes based on arrogance. I don’t admire him at all for his courage nor his noble ideas. Really, I think he was just plain crazy” (Shaun Callarman) Explain Callarman’s argument and discuss the extent to which you agree or disagree with his analysis. ● Beyond the typical angst that goes with being a member of any family (not getting along with dad, separation and divorce, etc), do you relate to Chris? Do you feel that you understand him and what he did (and why he did it)? Do you admire him for his goals? Have you had any experiences that you think help you better understand him? ● Explain Chris McCandless’s attitude regarding civilization versus nature. Also, discuss his feelings about the government, the law, family, and friends. Literary Response Writing Assessment SCO4: Evaluate purpose, structure, and characteristics of text. SCO6: Evaluate how identity and culture are portrayed in text. SCO8: Construct increasingly complex texts using a range of forms. Categories and Criteria ¼ ----------------------------- 1 1 ¼ --------------------------- 2 2 ¼ -------------------------- 3 3 ¼ --------------------------- 4 Evaluate Purpose/Theme Makes ineffective or limited comments about the relevance of the theme/message. Makes simplistic comments about the relevance of the theme/message. Makes effective comments about the relevance of the theme/message. Makes insightful comments about the relevance of the theme/message. Analysis of Culture and/or Identity Makes ineffective or limited comments about why characters behave the way they do. Makes simplistic comments about why characters behave the way they do. Makes effective comments about why characters behave the way they do. Makes insightful comments about why characters behave the way they do. Ideas and Support Ideas are unsupported by details or details are inappropriate. The purpose is not achieved. Ideas are supported by simple details; however, the purpose can be understood. Ideas are effectively supported by mostly specific details. The purpose is clear. Ideas are consistently supported by specific and appropriate details. The purpose is clear & insightful. Organization Paragraphs are undeveloped or absent. Introduction/ conclusion are missing and/or inappropriate. Paragraphs are present but may be awkward or weak. Functional introduction and/or conclusion. Developed paragraphs. Effective introduction and conclusion. Well-developed paragraphs. Engaging introduction and thoughtful conclusion. Voice Voice is mechanical; audience interest has not been achieved. Occasional voice is established, but may not maintain audience interest. Engaging voice; maintains audience interest most of the time. Consistently engaging, lively, and compelling voice; inspires audience to take action. Word Choice Diction is imprecise and/or inadequate; writing contains confusing, immature and/or inappropriate word choices. Diction is simplistic but conventional; writing may contain awkward, mundane, or repetitive word choices. Diction is usually clear and effective; writing is made competent by functional word choices. Diction is consistently clear, vivid, and precise; writing is energized by powerful word choices. Sentence Fluency Lack of flow and rhythm. Simple sentence structures; little or no attempt at more complexity. Transitions are lacking. Inconsistent flow and rhythm. Basic control of simple sentence structures; awkward attempts at more complexity. Transitions are weak. Effective flow and rhythm. Effective control of sentence structures; some variation in sentence length/complexity. Effective transitions connect ideas and supporting details. Exceptional flow and rhythm. Skillful control of complex sentence structures and length. Thoughtful, fluid transitions connect ideas and supporting details. Conventions -spelling -grammar -punctuation -MLA rules Limited control of conventions. Numerous errors interfere with meaning. Adequate control of conventions. Errors may interfere with meaning. Effective control of conventions. Minor errors may exist, but don’t interfere with meaning. Consistent and confident control of conventions. Exceptionally few errors based on text complexity. (makes connections - text to text, text to self, and text to world) This will be assessed as both a Reading and Viewing activity and a Writing and Representing activity.
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